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Donald Wandrei
Donald Wandrei
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Donald Albert Wandrei (20 April 1908 – 15 October 1987)[1] was an American science fiction, fantasy and weird fiction writer, poet and editor. He was the older brother of science fiction writer and artist Howard Wandrei. He had fourteen stories in Weird Tales, another sixteen in Astounding Stories, plus a few in other magazines including Esquire. Wandrei was the co-founder (with August Derleth) of the prestigious fantasy/horror publishing house Arkham House.

Key Information

Biography

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Early life

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Wandrei was born in Saint Paul, Minnesota. All of his grandparents were early Minnesota settlers. Donald's father, Albert Christian Wandrei, became chief editor of West Publishing Company, America's leading publisher of law books. Donald grew up in his parents' house at 1152 Portland Ave, St Paul and lived there most of his life save for a stint in the Army and occasional sojourns in New York and Hollywood. Donald loved frequent rambles in the woods along the Minnesota River; it was Wandrei who later taught August Derleth the fine art of morel hunting.

1920s

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A 1928 photograph of Donald Wandrei

Wandrei attended Central High in St Paul from 1921–24, during which he published short compositions in the school newspaper and avidly read the magazine Science and Invention. In 1923, he began work part-time as a "page-boy" in the Circulation Room of the Saint Paul Public Library, filling reader's requests for books from the storage stacks; this expanded his access to, and reading of, a wide variety of literature. In 1923 and 1924, Wandrei also worked evenings at the Hill Reference Library. He attended the University of Minnesota. While there, he was a student editor and regular columnist on the student newspaper The Minnesota Daily and was also associated with the Minnesota Quarterly Magazine, as well as contributing pieces (often unsigned or pseudonymous) to the campus humour magazine Ski-U-Mah, which was edited by classmate Carl Jacobi. At that time he was enormously influenced by a reading of Arthur Machen's novel The Hill of Dreams. Wandrei graduated in 1928, with a BA in English.

At the age of 16, Wandrei completed his short story "The Red Brain", in which a mysterious Cosmic Dust sweeps through the universe, obliterating the stars. Only Antares, inhabited by a race of viscous Brains, survives – and this last remnant of universal sentience entrusts its fate to the unique, laboratory-created Red Brain in a compelling fable that leaves behind the concerns of human aquarium to revel in the cosmos and the ultimate terror waiting there.[2]

Wandrei started writing in 1926 and his writing career took off around 1932. In late 1927 he hitchhiked from Minnesota to Rhode Island to visit H.P. Lovecraft. Lovecraft conducted him on a grand antiquarian tour of Providence and then on to similar tours in Boston, Salem and Marblehead. There was also an excursion to Warren, Rhode Island, later made famous by Wandrei's reminiscences in the Arkham House volume Marginalia (1944) during which Wandrei, Lovecraft and James Ferdinand Morton each sampled twenty-eight different flavors of ice cream at Maxfield's ice-cream parlour.

In 1925, Wandrei gave Clark Ashton Smith $50 so the Auburn poet could see Sandalwood through the press.

Wandrei's first book, begun at age 18 and published when he was but 20, was the poetry volume Ecstasy & Other Poems which was published by W. Paul Cook's The Recluse Press in 1928. The book's verse shows homage to Clark Ashton Smith and to Smith's poetic mentor George Sterling.

1930s including co-founding Arkham House

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Wandrei was active in pulp magazines until the late 1930s. He was a member of the "Lovecraft Circle", as a friend and protégé of H. P. Lovecraft, corresponding with other members of the circle (Frank Belknap Long, Clark Ashton Smith, etc.). Wandrei personally made the case for Weird Tales to publish Lovecraft's "The Call of Cthulhu" telling Farnsworth Wright that unless he published the tale, Lovecraft would look for other magazines to submit stories to.

As an accomplished poet, Wandrei was the first to write a series of sonnets for Weird Tales, "Sonnets of the Midnight Hours". Lovecraft liked the idea so much, he embarked on his own series, Fungi from Yuggoth. Robert E. Howard also wrote his own series with "Sonnets out of Bedlam".

Wandrei's novelette "Raiders of the Universes" was the cover story in the September 1932 Astounding Stories

Wandrei's second book (and second book of verse) was Dark Odyssey (Webb Publishing Co, 1931) illustrated with five illustrations by his brother Howard Wandrei.

Wandrei's only full-length fantastic novel, Dead Titans, Waken!, written in 1932, was rejected successively by three publishers – Harpers, Kendall and John Day – and finally shelved indefinitely by its author. However it was eventually destined to be published in a heavily revised version in 1948 by Arkham House as The Web of Easter Island. The original version was scheduled to be published in the late 1990s by weird fiction specialty publishing house Fedogan and Bremer but due to the dormancy of F&B, the edition was held up. Re-edited by S.T. Joshi, it was finally published by Centipede Press in a limited edition of 300 copies in March 2012. The volume includes Wandrei's mainstream novel "Invisible Sun". Fedogan and Bremer eventually issued a paperback edition of the two-novel omnibus in 2017.

During 1933, Wandrei lived in a studio apartment in New York that was within easy walking distance of the offices of Street & Smith, who published Astounding Stories, so that Wandrei could easily bring in a new story by hand. His story "Colossus" was the first "thought variant" story (stories based on some new or not-yet-overworked idea such as other dimensions or the timetravel paradox), and helped revive the fortunes of Astounding under the editorship of his editorial mentor, F. Orlin Tremaine.

During the 1930s, Wandrei wrote two more (non-fantastic) novels and several plays, one a collaboration with his brother Howard but none were published although they were submitted to various publishers and agents.

At this period Wandrei also broke into the crime pulps with stories of his detective I.V. Frost published in such magazines as Clues Detective Stories (Half of these are gathered in Frost (2000)) and others for Black Mask. He also broke into the 'slicks' with stories published in Esquire.

Wandrei contributed two stories to the Cthulhu Mythos: "The Fire Vampires" (1933) and "The Tree-Men of M'Bwa" (1933).

In 1939, Wandrei and August Derleth later co-founded the publishing house Arkham House to keep Lovecraft's legacy alive, an action for which Wandrei is perhaps better remembered than for his own fiction. Wandrei and Derleth co-edited the omnibus collections The Outsider and Others and Beyond the Wall of Sleep. Much of the editorial work on Lovecraft's Selected Letters series (published by Arkham House in five volumes between 1964 and 1976) was performed by Wandrei. Wandrei's interest in Arkham House centred primarily on seeing the Lovecraft writings into print; it was Derleth who brought a wider program to the press when Wandrei entered the army in 1942.[2]

1940s

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Wandrei wrote some outlines for Gang Busters and other comic books in the 1940s, and also attempted writing song lyrics in Hollywood. After World War II, he continued writing speculative fiction stories, although at a greatly reduced rate. Some of his stories were adapted for the comic book Weird Science – "Divide and Conquer" (issue 6), based on his "A Scientist Divides", and "Monster from the Fourth Dimension" (issue 7), based on "A Monster from Nowhere".

The author note on Wandrei's story collection (his first prose volume), The Eye and the Finger (1944), says: "An inveterate traveler, he has ranged from New York to Hollywood, and from Quebec to New Orleans, with extensions to Panama and Cuba" and also notes that his active hobby was photography. Furthermore, "he prefers to work at night, and has often written a complete story in a single night. Some of his tales have originated in the form of dreams, of which he says he has a hair-raising variety, and have been written with few changes."[3]

Wandrei served almost four years with the U.S. Army in World War II, and as a technical sergeant, Third Battalion, 259th Infantry, 65th Division, a unit of General Patton's famous Third Army, took part in the final drive across Germany into Austria – the Rhineland and Central Europe campaigns.[4]

1950s

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Post-World War II, Wandrei's fiction output dropped considerably. His time with the army had left him little time to write, and although he worked on several novels and plays, none of these was published.

1960s

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In 1964, Arkham House published Wandrei's third book of poetry, Poems for Midnight. This volume, like his earlier Dark Odyssey, was supplemented with four pen-and-ink illustrations by his brother Howard Wandrei. The complete sonnet sequence "Sonnets of the Midnight Hours" is included, along with many other poems dating back as far as 1926 and including several reprints from both his earlier volumes of verse. Some of the early poems were revised radically for their appearance in Poems for Midnight

In 1965, Arkham House published Wandrei's second collection of short stories, Strange Harvest, which gathered 17 tales published in Weird Tales, Astounding Stories and Fantasy Magazine. The jacket drawing was by the author's brother, Howard Wandrei, who had died in 1956.

In 1967, a new tale, "The Crater", appeared in the Arkham House anthology Travellers by Night.

Wandrei occupied his time editing Lovecraft's Selected Letters, whose first two volumes appeared successively in 1965 and 1968. Volume Three followed in 1971, and Volumes 4 and 5 eventually reached print in 1976.

1970s

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In the 1970s Wandrei commenced a long and tedious process of litigation against Arkham House[why?], the publishing company he had helped to found. After August Derleth's death in 1971, Donald Wandrei briefly acted as editorial director, but declined to resume his interest in the firm permanently.

1971 saw a new original tale from Wandrei, "Requiem for Mankind", which appeared in the Arkham House anthology Dark Things.

Wandrei came in frequent contact during the 1970s with novelist and poet Richard L. Tierney, a Twin Cities resident for nine years in the 1970s.

Though Wandrei had, for reasons unknown, abandoned the writing of poetry around 1934, he wrote four poems in 1977 and 1978 which he circulated amongst friends and colleagues as limited state broadsides.

Wandrei circulated iconoclastic letter-essays that denounced many of the organized forces behind the modern fantasy movement – a movement he, as a founder of Arkham House, was instrumental in setting motion.[2]

1980s

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In 1984, Wandrei was awarded the World Fantasy Award for Life Achievement. However, he refused to accept the award because he felt that the bust representing the award was a demeaning caricature of Lovecraft, whom he had known personally.

Wandrei died in St. Paul in 1987.

In 1976, Philip Rahman had met Wandrei at a convention and the two became friends. Three years after Wandrei's death in 1987, Rahman and his mostly silent partner Dennis Weiler founded the publishing firm of Fedogan and Bremer to issue work by Donald and Howard Wandrei as well as other classic pulp writers.

Awards

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Bibliography

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Notes

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Donald Wandrei (April 20, 1908 – October 15, 1987) was an American writer, poet, and editor known for his influential contributions to weird fiction, fantasy, and science fiction, as well as for co-founding Arkham House, a pioneering publisher of horror and fantasy literature. Born in St. Paul, Minnesota, Wandrei graduated from the University of Minnesota with a B.A. in English in 1928 and pursued graduate studies in the field. He began his literary career early, selling his first short story, "The Red Brain," to Weird Tales in 1927 and publishing his debut poetry collection, Ecstasy and Other Poems, the following year. In the late 1920s and 1930s, he worked in publishing and public relations in New York City while contributing stories to pulp magazines including Weird Tales, Astounding Stories, Unknown, and Thrilling Wonder Stories, and he collaborated with his brother Howard Wandrei on the poetry volume Dark Odyssey (1931). As a correspondent in the "Lovecraft Circle," he maintained close ties with H. P. Lovecraft and other writers such as Clark Ashton Smith and Robert Bloch. Following Lovecraft's death in 1937, Wandrei partnered with August Derleth in 1939 to establish Arkham House, whose inaugural publication was the Lovecraft collection The Outsider and Others (1939). His military service in the U.S. Army during World War II (1942–1945) interrupted his writing and publishing activities. After the war, Wandrei published his only novel, The Web of Easter Island (1948), through Arkham House and contributed to editing projects such as H.P. Lovecraft: Selected Letters. In later years, he resided primarily in St. Paul and became involved in legal disputes over Lovecraft copyrights, including a successful lawsuit against Derleth's estate, while receiving the Lifetime Achievement Award at the World Fantasy Convention in 1984.

Early Life

Birth and Family Background

Donald Wandrei was born on April 20, 1908, in Saint Paul, Minnesota. He was the son of Albert C. Wandrei and Jeannette Adelaide Wandrei. Wandrei grew up as the older brother of Howard Wandrei, who was born in 1909 and later became known as both an artist and writer. Donald experienced an early exposure to literature within the family setting. This environment in Saint Paul provided the initial personal context for his development, though details of his childhood remain limited in available records.

Education and Early Interests

Donald Wandrei attended the University of Minnesota, where he majored in English prose and received his B.A. degree in 1928. While a student there, he contributed to campus publications, including the Minnesota Quarterly, reflecting his growing engagement with literary expression. His college years marked a key period for cultivating interests in poetry, science fiction, and weird fiction, as he explored these genres through reading and early creative writing efforts that prepared him for professional submissions. Earlier in his education, Wandrei attended Central High School in St. Paul, graduating in 1924, laying the foundation for his later literary passions.

Literary Career

Pulp Magazine Contributions

Donald Wandrei emerged as a notable contributor to the pulp magazines of the late 1920s and 1930s, where he published short stories blending cosmic horror, weird fiction, and science fiction elements. He placed fourteen stories in Weird Tales, the premier venue for supernatural and macabre tales during that era, and sixteen in other pulps. His pulp career began in 1927 with early appearances in Weird Tales, establishing him among the magazine's distinctive voices through his poetic prose and imaginative scope. Among his Weird Tales contributions was "The Red Brain" in the June 1927 issue, an early work that introduced his characteristic themes of cosmic indifference and existential dread. Later stories included "The Lives of Alfred Kramer" in the December 1932 issue, which readers voted the most popular piece in that number. Other notable Weird Tales appearances encompassed titles such as "The Tree-Men of M'Bwa" (1932) and "The Painted Mirror" (1937), which exemplified his ability to fuse atmospheric horror with speculative ideas. Wandrei extended his reach beyond Weird Tales, contributing sixteen stories to other pulp magazines, most prominently Astounding Stories during its mid-1930s transformation into a leading science fiction title. His "Colossus" (1934) marked the inaugural "thought variant" story in Astounding, highlighting his role in bridging cosmic horror traditions with emerging science fiction concepts. Additional pulp works included "Raiders of the Universes" (1932), "The Fire Vampires" (1933), and "The Monster from Nowhere" (1935), which further demonstrated his stylistic precision and thematic ambition across genres.

Poetry and Prose Collections

Donald Wandrei's poetry and prose appeared in two primary collections during his lifetime, both issued by Arkham House, the publishing house he co-founded with August Derleth. His short story collection The Eye and the Finger was published in 1944, gathering twenty-one stories that blend horror, fantasy, and science fiction elements with atmospheric and often cosmic themes. The volume represents his major prose output in book form, drawing from his earlier pulp magazine contributions but presented as a cohesive collection for the weird fiction readership. His poetry collection Poems for Midnight followed in 1964, again from Arkham House, compiling verses that explore macabre, philosophical, and otherworldly subjects in a style noted for its lyrical intensity and imaginative scope. These poems reflect Wandrei's distinctive voice in weird poetry, emphasizing vivid imagery and existential dread, and they stand as his principal book-length poetic achievement published by Arkham House. Posthumous compilations have gathered additional material, including Colossus: The Collected Science Fiction of Donald Wandrei, issued by Fedogan & Bremer in 1989, which focuses on his science fiction stories. Don't Dream: The Collected Horror and Fantasy of Donald Wandrei appeared from the same publisher in 1997, bringing together previously uncollected or scattered horror and fantasy prose. In weird fiction circles, Wandrei's collections are valued for their fusion of poetic prose and imaginative horror, contributing to his reputation as a distinctive figure in the Lovecraftian tradition, though his output remained limited compared to contemporaries.

Association with H.P. Lovecraft

Correspondence and Friendship

Donald Wandrei initiated correspondence with H.P. Lovecraft in December 1926, marking the beginning of a significant epistolary friendship that lasted until March 1937. The complete exchange is documented in the volume Mysteries of Time and Spirit: The Letters of H.P. Lovecraft and Donald Wandrei, edited by S.T. Joshi and David E. Schultz and published in 2002. Their letters focused on discussions of weird fiction, with both writers sharing ideas, critiquing one another's work, and offering mutual encouragement in their literary endeavors. Wandrei emerged as one of Lovecraft's most important correspondents, contributing to an extensive record of Lovecraft's thoughts on the genre and creative process. Portions of these letters had previously appeared in the Arkham House Selected Letters series (1965–1976), co-edited by August Derleth and Donald Wandrei, but the 2002 collection provides the full correspondence. This long-distance friendship, sustained entirely through letters, reflected the common pattern among Lovecraft's far-flung circle of literary associates.

Mutual Influence

Donald Wandrei and H. P. Lovecraft engaged in an extensive correspondence that facilitated mutual support for their writing careers in the weird fiction genre. Lovecraft advocated for Wandrei's work by urging Weird Tales editor Farnsworth Wright to accept Wandrei's story "The Red Brain" after its initial rejection. In return, Wandrei successfully pressed Wright to publish Lovecraft's landmark tale "The Call of Cthulhu" following its earlier rebuff. This reciprocal assistance underscores their shared commitment to advancing cosmic horror narratives through the pulp magazines of the era. Lovecraft's appreciation for Wandrei's fiction is evident in his proactive promotion of "The Red Brain," a story that exemplifies vast cosmic scales and existential dread similar to themes prevalent in Lovecraft's own tales. Such efforts reflect Lovecraft's recognition of Wandrei's contributions to the field, even as their exchanges remained centered on professional encouragement rather than explicit stylistic borrowing. The letters provided a forum for discussing weird fiction concepts, contributing to each author's development within the genre's emerging conventions.

Arkham House

Founding and Initial Purpose

Arkham House was founded in 1939 in Sauk City, Wisconsin, by August Derleth and Donald Wandrei. The small press was established specifically to preserve and publish the weird fiction of H.P. Lovecraft, their late friend and correspondent who had died in 1937 without seeing most of his work appear in book form. The initial purpose centered on producing permanent hardcover editions of Lovecraft's stories, which had previously appeared only in pulp magazines. The first publication was the memorial volume The Outsider and Others (1939), a collection of Lovecraft's tales selected and edited by Derleth and Wandrei. This inaugural book set the tone for the press's early mission to make Lovecraft's work accessible in durable format to readers and collectors.

Wandrei's Role and Departure

Donald Wandrei co-founded Arkham House with August Derleth in 1939, initially to publish a memorial collection of H. P. Lovecraft's fiction in hardcover after mainstream publishers declined the project. In the press's early years, Wandrei contributed actively to editorial decisions, collaborating with Derleth on the contents of key Lovecraft volumes such as The Outsider and Others (1939) and Beyond the Wall of Sleep (1943). Derleth bought out Wandrei's interest in the firm in 1943, during World War II. Arkham House issued several of Wandrei's own books during this period, including the short story collection The Eye and the Finger (1944) and the novel The Web of Easter Island (1948). These publications reflected the press's role as a platform for his work in weird fiction. Wandrei's operational participation in Arkham House diminished during the 1940s as August Derleth increasingly managed day-to-day editing and publishing duties. After the buy-out, Derleth became the sole guiding force behind the company. No major public disputes are documented in association with his reduced role and departure.

Later Life

Reclusiveness and Reduced Output

After World War II, Donald Wandrei's production of new fiction declined substantially, as his military service had interrupted both his writing and his active involvement with Arkham House. He resigned his interest in the publishing firm after the war and his output of new creative work was very limited thereafter, though he continued limited editorial contributions, including work on the Selected Letters of H.P. Lovecraft series through 1971. Post-war, Wandrei dabbled in comics, screenplays, and songwriting, but these efforts did not result in significant published output. In 1952, Wandrei returned permanently to St. Paul, Minnesota, settling in his family home at 1152 Portland Avenue, where he lived quietly for the remainder of his life. This period was marked by sparse publications drawn mostly from earlier material, including the novel The Web of Easter Island (1948) and the collections Poems for Midnight and Strange Harvest (both 1965), along with occasional new stories in anthologies. He largely withdrew from broader literary circles and new creative work. In his later decades, litigation became a major preoccupation, particularly a legal battle with August Derleth's estate over Arkham House copyrights related to Lovecraft's works; the disputes consumed much of his time and further curtailed any remaining writing activity. He also declined the Lifetime Achievement Award at the 1984 World Fantasy Convention, objecting to the award's bust depicting H.P. Lovecraft as an insulting caricature. These factors contributed to his increasingly private existence and minimal public engagement in his final years.

Final Publications and Activities

In the 1960s and early 1970s, Donald Wandrei's publications were limited primarily to collections of his earlier work and collaborative editorial projects with Arkham House. In 1965, Arkham House released Poems for Midnight, a collection of his poetry, and Strange Harvest, a gathering of his previously published short stories. During this period, he also co-edited several volumes of H. P. Lovecraft's Selected Letters with August Derleth, including the installments covering 1911–1924 (1965), 1925–1929 (1968), and 1929–1931 (1971). After Derleth's death in 1971, Wandrei declined to resume any active role in Arkham House. His later output consisted mainly of retrospective collections or editorial contributions rather than substantial original creative writing. Public or professional activities remained sparse, reflecting his long-standing withdrawal from literary circles.

Death and Legacy

Death

Donald Wandrei died on October 15, 1987, in St. Paul, Minnesota, at the age of 79. Having lived reclusively in his later years in Minnesota after withdrawing from publishing and writing new fiction following World War II, his death came after decades of limited public engagement and literary output. No further details on the circumstances of his death are widely documented in reliable sources.

Posthumous Recognition and Media Adaptations

Following his death in 1987, Donald Wandrei's contributions to weird fiction have been preserved and reappraised through key posthumous publications. In 1997, Fedogan & Bremer released Don't Dream: The Collected Horror and Fantasy of Donald Wandrei, a comprehensive volume that gathered most of his short fiction originally published in magazines such as Weird Tales. Edited by Philip J. Rahman and Dennis E. Weiler, the collection included illustrations by Wandrei and received positive notice in the weird fiction community for restoring access to his imaginative and cosmic-themed stories. His work has continued to appear in reprints and anthologies devoted to classic pulp horror and fantasy, underscoring his lasting influence among readers and scholars of the genre. For example, individual stories such as "The Red Brain" and "The Tree" have been selected for inclusion in modern weird fiction compilations, affirming his role in shaping early 20th-century speculative literature. One of Wandrei's stories, "The Painted Mirror," was adapted for television in a 1971 episode of Night Gallery. Additional recent adaptations include audio and international media in the 2020s. His reputation remains primarily within literary circles focused on weird fiction, with limited but documented screen adaptations.

References

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