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Fish Mooney
Fish Mooney
from Wikipedia
Fish Mooney
Gotham character
Jada Pinkett Smith as Fish Mooney
First appearance"Pilot"
September 22, 2014
Last appearance"Destiny Calling"
June 5, 2017
Created byBruno Heller
Portrayed byJada Pinkett Smith
In-universe information
Full nameMaria Mercedes Mooney
NicknameFish
GenderFemale
NationalityAmerican

Maria Mercedes "Fish" Mooney is a fictional character created by producer and screenwriter Bruno Heller for the television series Gotham, portrayed by actress Jada Pinkett Smith.

Development

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Pinkett-Smith drew inspiration from various different individuals for taking on the role, including the fictional character of Norma Desmond from the 1950 film Sunset Boulevard, played by Gloria Swanson; and Griselda Blanco, a real-life drug lord of the Medellín Cartel.[1]

Fictional character biography

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Season 1

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Fish Mooney is mob boss Carmine Falcone's most trusted lieutenant. Unbeknownst to Falcone, Fish is plotting to usurp his criminal empire, and employs a young woman named Liza, who resembles Falcone's late mother, to distract the lonely, aging mafia chieftain while Fish undermines his control of Gotham City. She has good relations with the Gotham City Police Department, and decides to help detective Harvey Bullock in investigating the murder of Thomas and Martha Wayne in return for him leaving her alone. When her underling Oswald Cobblepot informs on her to the GCPD, she hobbles him — giving him his trademark "penguin walk" — and orders him killed along with Bullock and his new partner, Jim Gordon. Falcone intervenes, however, and spares their lives. Cobblepot gradually works his way up the ladder of Gotham's underworld to become the right-hand man of both Falcone and his rival, mob boss, Sal Maroni, and gets revenge on Fish by revealing her treachery to Falcone. Hurt and angered by Fish's betrayal, Falcone has her and Butch tortured, however Butch escapes custody and frees Fish. Wanting revenge against Penguin, she goes to her former club to find him there and proceeds to beat him. Before she can do much harm she and Butch are pursued by Zsasz and his crew. Butch helps her escape while staying behind to fend them off to buy her time. Harvey meets up with her later that night and helps her flee from Gotham City.

However, she is captured again by unknown peoples and wakes to find herself held prisoner in a large basement area with other random abductees, many of whom have been there for years. She learns that they are kept as "spare parts" by the man who owns the large estate and his security staff, with different prisoners being selected by the guards every few days, taken away, and returning (if at all) with missing body parts. Fish takes control of the basement and organizes a resistance by promising she'll be able to save "some" of them (but not all). She forces a meeting with the man in charge, Francis Dulmacher, a mad scientist who is running a blackmarket organ transplant farm and recreationally creating human monsters out of his victims' body parts. When Dulmacher tells her he is going to remove her eyes, she gouges out her own eye with a spoon so he can't use it in his experiments or sell it. Impressed by her resolve he offers a chance to prove her value as a go-between for himself and the prisoners in the basement, promising her safety as long as the supply of body parts isn't interrupted again. She uses this position to prepare an escape and, by sacrificing some of the detainees who had previously been bullying and abusing the weaker prisoners, she uses the ensuing chaos to escape with the rest and return to Gotham with a small band of devoted followers.

In the last episode of the first season, "All Happy Families Are Alike", Fish recruits the young Selina Kyle into her gang, and makes an alliance with Maroni in order to get rid of Falcone. Fish captures Falcone, Cobblepot, Gordon and Bullock. Fish reveals Cobblepot's treachery to Maroni in exchange for an agreement to divide the city between them. When Maroni reveals that he intends to rule the city with Fish as his lieutenant and treats her with sexist condescension, Fish loses her temper and shoots him in the head. An all-out gang war ensues between Fish and Maroni's forces, during which Cobblepot fights her on a rooftop and pushes her into the river below.[2]

Season 2

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During the second season Fish's corpse is revealed to have been sent to Indian Hill, a scientific division of Wayne Enterprises run by Hugo Strange, who brings her back to life augmented with cuttlefish DNA. The side-effects of the revival gives Fish the ability to take control of anyone who comes in contact with her. She escapes and runs across Cobblepot, who since her death has taken over Gotham's criminal underworld as "The Penguin". Shocked, he passes out.[2]

Season 3

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Soon after her rebirth, Fish starts going into rapid physical decline, and raids every pharmacy in Gotham for drugs to keep herself alive. She forms a new gang with her fellow Indian Hill escapees. She interrogates Strange's assistant Ethel Peabody, who tells her that her body is rejecting the cells Strange implanted in her, and that only Strange can save her. Fish has her fellow escapee Marv, who can accelerate or slow a person's metabolism, deplete the energy from Peabody's cells, literally stealing her life.

Fish frees Strange, intent on making him create more mutants to do her bidding. By then, however, Cobblepot has amassed an angry mob of Gothamites bent on killing the mutants. When Cobblepot has her at his mercy, Fish says she is proud of having transformed him into "The Penguin". Moved, Cobblepot tells her to leave Gotham and never come back. Later, when Gotham is in chaos from the effects of a homicidal mania-inducing virus, Fish joins forces with Cobblepot and Strange to create an antidote and hold the city to ransom. An infected Gordon shows up and attacks Mooney, accidentally impaling her with a sword and destroying the antidote. With her dying breath, Fish tells Cobblepot to either take Gotham for his own or burn it to the ground.

Powers and abilities

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After her resurrection by Hugo Strange near the end of the second season of Gotham, Mooney develops the ability to control people with just a touch of her hand.[3]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Maria Mercedes "Fish" Mooney is a fictional character from the American television series Gotham, which aired on from 2014 to 2019, where she is portrayed by actress . As a key player in Gotham City's criminal underworld, she operates Mooney's Nightclub and serves as a top lieutenant to mob boss , using her position to manipulate events and pursue greater power. Created specifically for the series by producer , Fish Mooney is an original character not based on any existing figure from DC Comics lore. Known for her ruthless ambition, strategic cunning, and glamorous style—often featuring bold metallic outfits and a flair for music—she embodies the chaotic corruption of pre-Batman Gotham. Mooney mentors emerging criminals, such as Oswald Cobblepot (later known as the Penguin), whom she treats like a protégé while navigating alliances and rivalries with figures like the Russian mobster Nikolai and singer Liza, whom she employs as a spy. Throughout Gotham, Fish Mooney's arc highlights themes of betrayal and power struggles in the city's mob landscape, making her a standout who influences the rise of other iconic villains. Her commanding presence and unyielding drive position her as the "Crime Queen of Gotham," adding layers of intrigue to the series' exploration of the Batman mythos origins.

Creation and Development

Concept and Creation

Fish Mooney is an original character developed exclusively for the Fox television series Gotham, with no direct counterpart in DC Comics canon. Created by showrunner Bruno Heller during the 2013–2014 pre-production phase of the pilot episode, she was designed to expand the Batman mythos by introducing fresh antagonists in a prequel setting focused on Gotham City's origins. Heller envisioned Mooney as a formidable female crime boss to diversify the traditionally male-dominated underworld of Gotham, providing a strong, ambitious figure vying for power among established mob leaders. The character's conceptualization drew from the gritty aesthetics of 1970s , a period of , , and charismatic criminality that influenced the series' overall tone. Heller aimed to craft a world that felt timeless yet rooted in noir traditions, incorporating elements of history to portray Mooney as a rising through the ranks of the Falcone family. This approach positioned Mooney as a key player in the prequel-era Batman , bridging classic villainy with original narrative depth, while avoiding direct archetypes to allow for innovative storytelling.

Casting and Production

Jada Pinkett Smith was cast as Fish Mooney in February 2014, following a memorable audition where she arrived in full character attire, including a long flowing gown and a short black wig, accompanied by a shirtless young man on a leash with "LIAR" written on his forehead in lipstick to demonstrate the character's intensity. Executive producer Danny Cannon was impressed by this bold, method-acting approach, which showcased Smith's ability to embody a charismatic and sadistic gangster boss, drawing from her previous portrayals of strong, intense roles such as Niobe in The Matrix Reloaded. Production for Fish Mooney's portrayal involved custom wardrobe designs by Emmy-nominated costume designer Lisa Padovani, who created outfits emphasizing a larger-than-life, ruthless persona through elements like animal skins, feathers, leather, and fur coats to fit like a second skin and reflect the character's mobster dominance. Filming took place primarily in locations, such as Brooklyn's Navy Yard and various alleys, which stood in for the gritty, fictional Gotham setting to enhance the series' noir atmosphere. Smith's debut occurred in the pilot episode "Pilot," which aired on September 22, 2014, with creator overseeing dialogue adjustments to accentuate Mooney's sassy and commanding delivery. Following the first season, production evolved to extend Fish Mooney's arc beyond her initially planned death in the season finale, as her popularity prompted a multi-episode return in the second season's latter half, announced in January 2016, allowing for further exploration of the character's influence in Gotham's underworld.

Role in Gotham

Introduction and Early Activities

Fish Mooney debuted in the pilot episode of the television series Gotham as a prominent figure in the city's criminal underworld, operating as a ruthless mob boss in the Theater District. She ran Mooney's , a seedy establishment that served as a front for her operations, including and violent enforcement against those who crossed her, such as beating an employee with a metal for stealing funds. These activities underscored her in maintaining control through intimidation and corruption, with ties to low-level schemes like framing innocent parties, such as Mario Pepper, for high-profile crimes like the Wayne murders to protect mafia interests. As a key lieutenant to , the head of Gotham's dominant crime family, Mooney enjoyed a that positioned her within the upper echelons of the Falcone organization, allowing her to manage her own district while supporting his broader authority. This alliance provided her with protection and resources amid Gotham's ongoing mob wars, though it was marked by underlying tensions as she navigated rivalries with Salvatore Maroni's faction over territorial control and influence in the city's underworld. Her operations exploited the pervasive corruption within the Police Department (GCPD), particularly through illicit arrangements with detectives like Harvey Bullock, enabling her to evade scrutiny and expand her reach. Mooney employed Oswald Cobblepot, later known as the Penguin, as her enforcer and right-hand man from the outset, utilizing his loyalty—enforced through abusive manipulation—to handle tasks like serving as her "umbrella man" and carrying out orders in her nightclub's backrooms. Key early events highlighted her ruthless nature, including an interrogation scene where she had detectives James Gordon and Harvey Bullock suspended upside down on meat hooks in her club's basement, threatening them with a cleaver-wielding associate before Falcone's intervention spared their lives. When Cobblepot betrayed her by informing on her plans to federal agents, she responded with brutal , beating him severely with a chair, which left him with a permanent limp and reinforced her dominance. Driven by ambition to ascend the crime hierarchy and challenge Falcone's rule, Mooney viewed the GCPD's and Gotham's chaotic power struggles as prime opportunities to consolidate her influence and orchestrate larger power plays. Her early maneuvers established her as a calculating operator who balanced loyalty to allies with aggressive territorial defense, setting the stage for her role in the escalating mob conflicts.

Major Conflicts and Alliances

Fish Mooney's most prominent rivalry developed with her former protégé, Oswald Cobblepot, known as the . Initially grooming him as her enforcer in Gotham's underworld, their alliance fractured as Cobblepot's ambitions clashed with hers, culminating in betrayal during the season 1 finale. After Mooney seized control of the Falcone empire and held key figures hostage, Cobblepot confronted her on a rooftop, pushing her off the edge into the river below, leaving her for dead. Resurrected through experiments at Indian Hill in season 2, pursued vengeance against Cobblepot upon her return. In the season 2 finale, she overpowered him during her escape from custody, knocking him unconscious with a newfound granted by her revival, signaling the start of her retaliatory campaign against him. Amid her struggles for power, formed opportunistic alliances with other criminals. Captured en route out of Gotham in season 1, she allied with Dr. Francis Dulmacher, , in his island prison facility, leveraging the body parts trade among inmates to consolidate influence and orchestrate her escape. This partnership, though temporary, highlighted her resourcefulness in turning dire circumstances to her advantage. Mooney's mid-series arcs also involved clashes with rising threats like Theo Galavan and his Order of St. Dumas. Galavan's bid for mayoral power and vendetta against the Wayne family encroached on her former territories, leading to indirect conflicts through her associates even during her absence; upon her return, her unleashed chaos further destabilized Galavan's legacy after his death and as . A pivotal event in season 2 saw Mooney escape Indian Hill with a busload of Hugo Strange's experimental subjects, assuming leadership of a ragtag "monster" gang in Gotham's underground. Rallying these mutated outcasts for survival against surface threats, she navigated brutal turf wars, using her charisma and enhanced powers to maintain control. In season 3, her condition began to deteriorate due to the experimental , prompting her to seek an antidote from . She formed a temporary alliance with Penguin and others, including interactions with Selina Kyle, to confront threats and locate Strange amid the city's chaos. These conflicts and alliances amplified Gotham's anarchy, with Mooney's actions—particularly the mass breakout of Indian Hill inmates—escalating citywide disorder and exposing young Bruce Wayne to escalating violence, propelling his moral and vigilante evolution.

Death and Resurrection

Fish Mooney was first presumed dead after being pushed off a rooftop into the river by Oswald Cobblepot in the season 1 finale "All Happy Families Are Alike," which aired on May 4, 2015. Her body was recovered and taken to Indian Hill, a secret facility operated by Professor Hugo Strange under the . Her revival occurred through experimental procedures at Indian Hill. In the "A Legion of Horribles," aired on May 16, 2016, Strange successfully her by splicing her DNA with that of a and applying electrical stimulation, granting her a regenerative healing factor while preserving her memories and personality—unlike most other subjects who emerged as mindless monsters. She emerged with a scarred, disfigured face, pale skin, and black eyes, amplifying her already formidable presence with newfound ferocity and the ability to control others via touch. Following her return, Mooney quickly asserted leadership over a group of Indian Hill escapees, forming a rebellion aimed at survival and later dismantling the experiments that had twisted her existence. Her campaign continued into season 3, where her deteriorating health led to a quest for an antidote, involving clashes and temporary alliances, including with Penguin. This arc culminated in her permanent death in the season 3 finale episode "Destiny Calling," aired on May 15, 2017, when she was accidentally impaled by an infected Jim Gordon during a confrontation at a train station. Mooney's arc of death and revival underscored Gotham's recurring motif of as a for the city's unrelenting cycle of , where villains like her embody an persistence that perpetuates moral decay and power struggles.

Character Traits and Abilities

Personality and Motivations

Fish Mooney is characterized by a blend of and sadism, employing sharp wit to navigate Gotham's criminal landscape while wielding seduction and intimidation as interchangeable tools for control. As a master manipulator, she alternates between lavish praise and brutal violence to ensure loyalty from her subordinates, rewarding usefulness while swiftly punishing betrayal. Her uninhibited nature allows her to leverage sexuality boldly, transitioning from coquettish charm to murderous intent, as seen in her interactions with figures like Nikolai Vetrano. This duality underscores her shrewd business acumen and calm demeanor, masking a deadly edge that makes her both alluring and terrifying. At her core, Mooney's motivations stem from an unyielding ambition to seize absolute control in Gotham's male-dominated , a drive fueled by her rise from the city's unforgiving streets to a position of prominence. She embodies a meritocratic , testing potential allies through , , and cunning to assemble a capable inner circle, believing only the worthy deserve power under her rule. This relentless hunger for dominance propels her to strategically undermine established crime lords like , positioning herself as an independent force unwilling to share authority. Her actions reflect a deep-seated desire to disrupt patriarchal structures, transforming vulnerability into vengeful strength after personal setbacks. In contrast to more erratic antagonists like Barbara Kean, Mooney adheres to an old-school , prioritizing calculated and hierarchical command over chaotic impulses. Throughout her arc, Mooney evolves from a precise, calculating mob enforcer to a resilient survivor marked by rare glimpses of vulnerability, particularly in her mentoring of younger criminals like Oswald Cobblepot and Selina Kyle. This nurturing side, often intertwined with her ruthless , reveals a psychological complexity where maternal instincts coexist with impulsive tempers that occasionally undermine her strategies. Post-resurrection, her vengeful pursuit intensifies, shifting focus from subtle intrigue to overt displays of power, yet she retains a core commitment to empowering those who prove their worth in her vision of a reordered criminal empire. Her leadership rallies even the most desperate, as demonstrated in her ability to inspire prison inmates through revolutionary rhetoric, highlighting a motivational blend of fear and aspiration.

Skills and Combat Abilities

Fish Mooney demonstrates expertise in , engaging in a direct physical confrontation with Oswald Cobblepot on a rooftop during the Season 1 finale, where she trades blows in an attempt to assert dominance over Gotham's underworld. She is also proficient with knives and improvised weapons, as seen when she swiftly disarmed and fatally stabbed prison boss Mace in the throat using his own blade to seize control of the inmate hierarchy at Blackgate Penitentiary. In terms of and , Mooney excels at organizing criminal gangs and running rackets through her ownership of Mooney's , which serves as a front for illicit activities and a hub for recruiting loyal enforcers. Her strategic acumen extends to leveraging Gotham's docks for operations, using them as escape routes and operational bases during conflicts with authorities and rival factions. Mooney commands substantial resources, including control over nightclubs that generate revenue and provide safehouses for her operations, alongside a network of enforcers like Butch Gilzean who execute her directives with unwavering loyalty. Following her in season 2, Mooney acquires abilities, including mind control through physical touch and a voice that compels obedience, as well as the power to command aquatic creatures. These enhancements amplify her manipulative influence and combat effectiveness in subsequent arcs. Despite her capabilities, Mooney's human-level durability leaves her vulnerable to surprise attacks, as evidenced by Cobblepot's sudden rush that sent her plummeting from the rooftop, exploiting her momentary distraction.

Portrayal and Reception

Acting Performance

portrayed Fish Mooney with a distinctive performance style that emphasized a sultry yet menacing delivery of dialogue, often shifting between sophisticated poise and guttural intensity to mirror the character's adaptable nature. She incorporated improvisational elements, such as unique mannerisms and phrases like "tik, tik, tik," to infuse Mooney with a vibrant, unpredictable energy while maintaining emotional grounding. Smith's physicality further defined the role, featuring a deliberate, confident strut enhanced by high heels and bold wardrobe choices—collaborating closely with Lisa Padovani on outfits that blended antique elegance with punk edge, such as a signature ensemble. These elements, combined with transformative props like wigs, nails, and heels, allowed her to slip into the character instantaneously. In preparation, Smith drew from real-life mobster archetypes like and cinematic influences such as , working with series creator to craft Mooney as a grounded yet flamboyant villain without comic book precedent. Her audition exemplified this commitment, arriving in a flowing gown and short black wig while leading a shirtless man on a marked "LIAR" in lipstick—a Method acting demonstration to embody Mooney's domineering essence. Additionally, she received vocal coaching from dialect coach Joel Goldes to develop a Gotham-specific accent, attempting a Mid-Atlantic that reflected the character's movie-house upbringing, though not always consistently maintained. Standout scenes highlighted Smith's ability to blend humor with menace, such as the season 1 confrontation where Mooney discovers Penguin alive in the Maroni kitchen, delivering a charged reunion that captured the character's betrayed fury and dark wit. Another pivotal moment was her intense sequences, where her poised threats underscored Mooney's sadistic control. These performances showcased her skill in escalating tension through subtle gestures and vocal shifts. Smith's chemistry with co-stars, particularly Robin Lord Taylor as Oswald Cobblepot (Penguin), significantly elevated the series' ensemble dynamics, portraying a complex mentor-protégé bond marked by and reluctant affection—viewing him as an "adopted orphan" whose disloyalty fueled Mooney's vengeful arc. This interplay added layers to Gotham's underworld narratives, amplifying the show's dramatic intensity through their shared scenes of confrontation and uneasy alliance.

Critical and Fan Reception

Fish Mooney received widespread critical acclaim for her portrayal as a formidable and multifaceted in Gotham, often highlighted as one of the series' standout characters. Critics praised her as a rare female power player in the male-dominated criminal , blending ruthless ambition with feminine traits and roles that added depth to the narrative. For instance, described her as "one of the most exciting and fully realized characters," crediting her tenacity, wit, and unpredictability for elevating the show's early seasons. Similarly, noted that Jada Pinkett Smith's performance as Mooney was "usually enjoyable" and occasionally the "best thing about the show," appreciating her enigmatic energy. Episodes featuring Mooney, such as "Red Hood" (Season 1, Episode 17) and "A Dark Knight: A Legion of Horribles" (Season 2, Episode 21), garnered Rotten Tomatoes scores of 86% and 73%, respectively, reflecting generally positive reception for her arcs. Fan reception was enthusiastic, particularly for Mooney's themes and charismatic one-liners, positioning her as a breakout figure who resonated with audiences seeking strong female leads in television. The highlighted her as the "show's breakout character," with fans buzzing over episodes like "Red Hood" for her bold actions and leadership. Her unapologetic demeanor and strategic use of sexuality inspired discussions on platforms dedicated to genre fandoms, though some viewers expressed mixed feelings about her exaggerated style. Controversies surrounding Mooney centered on the handling of her multiple deaths, which some critics viewed as an example of "fridging"—killing off a to advance male storylines, such as her initial demise at the hands of Oswald Cobblepot. Women Write About Comics critiqued this pattern, noting that three of Gotham's four main Black female characters, including Mooney, were killed by Season 3, Episode 1, despite her subsequent resurrection, raising concerns about representation for women of color. Post-2019 series finale discussions often lamented her untapped potential, with fans and analysts debating whether her arcs fully explored her complexity amid the show's sprawling ensemble. Mooney's legacy endures as a model for complex villains in DC television, influencing portrayals of ambitious, flawed antagonists in subsequent series through her emphasis on agency and survival. cited her as a benchmark for shrewd, relentless characters who challenge traditional dynamics in narratives. As an original creation exclusive to Gotham, she has not made major appearances in post-2019 DC media as of 2025, though her impact persists in analyses of the franchise's villainous archetypes.

References

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