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Francine Gottfried
Francine Gottfried
Francine Gottfried
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Francine Gottfried (born 1947) is a former clerical worker in New York City's Financial District. Gottfried gained rapid recognition in September 1968 when an escalating number of men started observing her during her daily commute. Referred to as the "Wall Street's Sweater Girl" by the press, her appealing physique became the focal point that attracted crowds whenever she appeared in the financial district.

Fame

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Gottfried started working at Chemical Bank in the Financial District of Manhattan on May 27, 1968. By late August, a small band of male admirers had noticed her as she traveled the same route each day. They timed her daily arrival and spread the word to their male co-workers. For three weeks, the crowd of gawkers grew steadily larger until, on September 18, there were 2000 people waiting to watch her stroll by.[1]

By this point, the crowd itself had become the phenomenon drawing the crowd. On September 19, over 5000 Financial District employees left work and poured into the streets at 1:15pm to watch Gottfried exit the New York City Subway station and walk to her job at the Chemical Bank New York Trust Company's downtown data processing center.[2] Police closed the streets and escorted her through the mob, which damaged three cars as men climbed on their roofs to gain a better view. Stockbrokers and bankers leaned out of windows overlooking Wall Street to watch as trading came to a virtual halt. "Ticker tapes went untended and dignified brokers ran amok," wrote New York magazine.[3] Photographers from all the daily papers and Life,[4] Time, and New York[2] took her picture. "A Bust Panics Wall Street As The Tape Reads 43" read a headline in the Daily News.

The following day, Friday, September 20, the corner of Wall and Broad was jammed with 10,000 spectators and press who waited for Gottfried in vain.[5] Her boss had called and asked her to stay home to put a stop to the disturbances. Gottfried, who lived at home with her parents in Williamsburg, Brooklyn,[2] was not seeking fame and started taking a different route to work.[6] "I think they're all crazy," she was quoted as saying. "What are they doing this for? I'm just an ordinary girl."[7] On October 4, publicists took other busty women to Wall Street as rivals for Gottfried's attention: Mrs. Geri Stotts, an office manager flown in from Burbank, California by a Los Angeles radio station,[8] and Ronnie Bell, a stripper in a New York burlesque house.[9]

Responses

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Although Gottfried made it clear to interviewers that she was willing to entertain movie and modeling offers, her 15 minutes of fame were soon over and she quickly faded into obscurity. Brief accounts of the crowd-gathering phenomenon she triggered subsequently appeared in a number of sociological and pop historical books, some treating it as a survival of the so-called "bosom mania" of the 1950s.[10] A folk song about her, slyly contrasting the crowd that went to see her with the one welcoming presidential candidate Richard Nixon nearby, was published in Broadside magazine. Artist and prankster Joey Skaggs offered a facetious show of support by hanging a 50-foot black bra from the U.S. Treasury building on Wall Street opposite the stock exchange. She dined with the Apollo 10 astronauts, and Esquire awarded her a "Dubious Achievement" award, depicting her with other "dubious achievers" on the cover of the January 1970 issue. She was referenced as a cultural icon of the era in Thomas Hauser's novel Finding the Princess.

The events of September 1968 made an impression on second-wave feminists in the city, and in March 1970, they retaliated in a raid on Wall Street which they dubbed the "Ogle-In", in which a large group of feminists, including Karla Jay, Alix Kates Shulman, and a number of women who had participated in the sit-in at Ladies Home Journal a few weeks before, sexually harassed male Wall Streeters on their way to work with catcalls and crude remarks.[11]

  • Francine Gottfried
    Francine Gottfried
  • Geri Stotts
    Geri Stotts
  • Ronnie Bell
    Ronnie Bell

References

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Francine Gottfried

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from Grokipedia
Francine Gottfried (born 1947) is an American former clerical worker whose brief notoriety stemmed from a spontaneous public spectacle in New York City's Financial District in September 1968, where she became known as "Wall Street's Sweater Girl" due to the attraction her prominent physical attributes—particularly her 43-25-37 measurements accentuated by tight-fitting sweaters—drew from large groups of male onlookers. Employed as a 21-year-old IBM machine operator at Chemical Bank New York Trust Company's data processing center at 2 Broadway, Gottfried commuted daily from her home in Brooklyn. The phenomenon began when crowds assembled at the Broad and Wall Streets intersection to watch her emerge from the BMT subway station around 1:28 p.m. during the lunch hour, escalating to over 10,000 spectators by September 20, who cheered, climbed on cars and lampposts, and created a festive disruption that halted traffic and diverted attention from financial activities. This good-natured gathering, which garnered international media coverage, persisted for about two weeks amid the era's urban tensions but remained non-violent, reflecting a momentary diversion for district workers including bankers and brokers. In response, Gottfried's employer granted her extended days off, and she subsequently modified her arrival routine to avoid further crowds, leading to the rapid dissipation of the excitement and her return to obscurity thereafter. The episode highlighted the dynamics of visual appeal in a predominantly male professional environment but produced no lasting career advancements or personal controversies for Gottfried beyond the transient fame.

Early Life and Career

Background and Education

Francine Gottfried was born in 1947 in , New York, where she resided with her parents during her early years. Her family background was working-class, typical of many households in the Williamsburg neighborhood at the time. Details on Gottfried's formal education remain limited in public records, with no verified accounts of higher education or specialized training prior to her adulthood. Her early life appears to have been unremarkable, lacking any documented publicity, achievements, or deviations from ordinary circumstances in mid-20th-century Brooklyn.

Entry into Financial District Work

In spring 1968, Francine Gottfried, then 21 years old, began working as an IBM machine operator on the afternoon shift at the data processing center of Chemical Bank New York Trust Company, located at 2 Broadway in lower Manhattan's Financial District. Her role involved operating computing equipment for banking data tasks in an environment where the Financial District remained predominantly male, with women largely confined to supportive clerical positions amid the era's limited opportunities for female advancement in finance. Gottfried commuted daily from her residence in , via the BMT subway line, arriving and exiting at the Broad and Wall Streets station around 1:28 p.m. to report for her shift. This routine initially passed without incident, consisting of standard entry-level duties in that blended into the district's high-volume clerical workflow, where such roles supported the era's expanding computerized banking operations. The unremarkable nature of her start contrasted sharply with the visibility that soon emerged, though her early days reflected typical conditions for young women entering office work in finance.

The 1968 Phenomenon

Initial Attention and Escalation

Francine Gottfried, a 21-year-old clerical worker at , first drew notice from male coworkers in the Financial District during late summer due to her curvaceous figure—publicized measurements of 43-25-37 inches—accentuated by tight sweaters worn on her daily walk from the subway exit at Broad and s to her office. This initial attention arose organically from visual observation during commutes and lunch hours, as male employees in the predominantly male environment responded to her physical attributes with stares and comments, consistent with prevailing social norms of public male admiration for female beauty prior to widespread second-wave feminist critiques. Word-of-mouth among Financial District workers rapidly amplified the interest, transforming casual sightings into informal gatherings at the subway exit where small groups of men awaited her emergence, whistling, staring, and occasionally photographing her passage. By early September 1968, these assemblies had escalated from a handful of onlookers to hundreds, fueled by and biological imperatives of male attraction rather than any coordinated effort or tactics. Throughout this buildup, the gatherings remained non-violent and voluntary, with participants engaging in behaviors like cheering and clustering that reflected unorganized expressions of interest under pre-1960s norms, absent any reports of or physical aggression in the initial phases.

Peak Crowds and Disruptions


By mid-September 1968, the daily crowds assembling to watch Francine Gottfried emerge from the subway at Broad and Wall Streets had escalated to 5,000–10,000 people, halting traffic and prompting office workers to leave their jobs early in anticipation of her 1:15 PM arrival. These gatherings generated ticker-tape-like excitement, with raining from office windows amid from the predominantly male spectators. On September 19, 1968, over 5,000 individuals converged near the , many abandoning work duties to witness her commute; Gottfried arrived under escort from two plainclothes NYPD officers to ensure safe passage through the throng. The ensuing chaos included street blockages that disrupted subway operations and vehicular movement, with police using bullhorns for . Such disruptions peaked two days later on September 21, when more than 10,000 waited in vain after her employer granted time off to avert further disorder, though pushing led to near-trampling incidents and the buckling of four parked car roofs under spectators' weight. In response to the mounting logistical fallout, including repeated NYPD interventions, Gottfried periodically skipped shifts or altered her route to her clerical position at .

Media Coverage and Public Reactions

Press Portrayals

Media outlets dubbed Francine Gottfried "Wall Street's Sweater Girl," a nickname reflecting reports on her curvaceous figure—measured at 43-25-37 inches—and the escalating male crowds drawn to her daily walk from the Broad Street subway exit to her job at Chemical Bank. Coverage in major U.S. papers and wire services like United Press International (UPI) detailed these elements factually, often accompanying stories with photographs of her in tight-fitting sweaters and the enthusiastic onlookers, without framing her appearance or the attention as scandalous. A September 21, 1968, New York Times article exemplified this approach, noting that over 10,000 people filled Broad and Wall Streets from wall to wall, cheering good-naturedly and climbing on cars in anticipation of her arrival—which failed to materialize as her employer granted her days off—while portraying the gathering as a harmless lark and antidote to national tensions from demonstrations. UPI reports similarly spotlighted her "skimpy 43-inch bust" amid the excitement, emphasizing the spectacle's scale and the men's exuberance over any disruption, in a tone that treated the events as a quirky rather than a disturbance requiring . Such portrayals extended internationally, with outlets like Singapore's Straits Times covering offers from boxers to escort her for safety, underscoring the phenomenon's viral appeal while maintaining a sensational yet non-judgmental lens on the gender dynamics at play. Overall, press accounts highlighted the innocence of Gottfried's routine and the crowds' playful zeal, reflecting an era's journalistic tolerance for public male admiration of female allure as benign akin to celebrity sightings.

Contemporary Societal Responses

In September , the phenomenon elicited primarily amused and enthusiastic responses from the predominantly male workforce, who gathered in crowds numbering up to as a cheerful diversion amid the era's national tensions and the demands of high-stress financial jobs. Participants engaged in lighthearted behaviors such as climbing on vehicles and tossing , with contemporary accounts describing the atmosphere as a "fun lark" rather than aggressive . Empirical reports from the events indicate excitement focused on observation, with no documented instances of physical advances or violence directed at Gottfried herself, countering later exaggerations of mob hostility. Institutionally, police responded logistically by deploying bullhorns to control crowds, providing plainclothes escorts for Gottfried's safe passage, and managing disruptions without resorting to arrests or dispersal orders against the voluntary assemblies. Her employer, , addressed the issue pragmatically by granting her extended leave—Friday through Tuesday—to mitigate further workplace interruptions from the lunchtime gatherings. These measures underscored the events' non-coercive character, prioritizing order over prohibition. Criticisms were limited to practical concerns over blocked streets, minor property damage like buckled car roofs from climbers, and temporary halts in business operations, with no evidence of organized protests or moral outrage from women's groups in the immediate 1968 setting. While some observers noted in the attention to Gottfried's appearance, such views remained isolated and did not prompt institutional reforms or legal scrutiny at the time.

Personal Impact and Statements

Gottfried's Own Perspective

Gottfried described herself amid the crowds as "just an ordinary girl," emphasizing her aspiration for a normal life despite the sudden fame. This statement, reported in contemporary accounts, reflected no overt distress but rather a downplaying of the phenomenon as disconnected from her self-perception. In reflecting on the events, she highlighted the 's scale positively, noting she had received "a million dollars of publicity already, but no money" and equating it to "the biggest thing to hit since the Crash of ’29," while advocating for compensation through interviews and photos. Her consideration of monetizing appearances underscored an opportunistic stance, viewing the attention as a marketable asset rather than exploitation. Gottfried's persistence in wearing form-fitting sweaters and skirts—such as the tight that initially drew notice—and adhering to her daily subway-to-work route for over two weeks actively sustained the gatherings, which swelled from hundreds to thousands. This behavior demonstrated tolerance for the admiration, interpreted by observers as innocent rather than coercive, countering narratives of her as a mere passive recipient. Her routine choices thereby causally amplified the disruptions, aligning with her expressed neutrality toward the otherwise ordinary aspects of her clerical routine at .

Immediate Aftermath and Withdrawal

By late September 1968, the crowds assembled to observe Gottfried's daily commute had swelled to over 10,000, prompting her employer, , to grant her extended time off, including Friday, September 20, and the following Monday and Tuesday. Spectators gathered in vain at the Broad Street subway exit, where she typically emerged, but her absence effectively disrupted the routine that fueled the gatherings, leading to a rapid decline in public interest without reported further incidents. Gottfried exercised personal agency in retreating from the spectacle, altering her commute or work schedule to evade the disruptions rather than seeking to prolong the attention through media engagements or appearances. No records indicate lawsuits, therapeutic interventions, or claims of lasting harm stemming from the events; instead, she resumed a private existence, eschewing opportunities such as offers from adult magazines and club promoters for nude posing or topless dancing, which she evidently declined. The phenomenon concluded voluntarily on her part, with trading and street access returning to normalcy by October 1968. Now approximately 78 years old, Gottfried has maintained obscurity since 1968, with no verifiable public statements, career shifts into entertainment, or recent developments documented in reputable sources, underscoring a deliberate withdrawal to ordinary clerical or personal life unmarred by prolonged fame.

Long-Term Legacy and Interpretations

Cultural and Historical Significance

The 1968 phenomenon involving Francine Gottfried illustrates the "girl watching" trend that gained popularity during the and , a in which groups of men gathered in urban public spaces to observe and comment on passing women deemed attractive, often treating it as a form of casual entertainment akin to . This fad, documented in contemporary guides like Walt Sheppard's 1960 book The Girl Watcher, reflected pre-second-wave gender norms where overt male visual interest in female physicality was normalized as an expression of heterosexual dynamics, absent the structured coercion or workplace power imbalances later critiqued in feminist analyses. In Gottfried's case, daily lunchtime crowds of up to 5,000 men on exemplified this without reported instances of physical pursuit or unwanted contact, aligning with first-principles observations of mutual public visibility in dense urban environments rather than predatory intent. The gatherings served as a benign outlet amid broader 1960s tensions, including the escalating and volatile financial markets, fostering momentary communal excitement in lower Manhattan's financial district that briefly invigorated street-level activity without verifiable long-term economic gains or losses beyond transient traffic disruptions on specific dates like September 20, 1968, when over 10,000 assembled. Empirical accounts indicate negligible sustained impacts, as the disruptions were confined to lunch hours and dissipated after Gottfried altered her routine by late 1968, underscoring the phenomenon's ephemeral nature as a cultural curiosity rather than a systemic drag on commerce. Gottfried's visibility influenced subsequent artistic commentary, notably inspiring prankster Joey Skaggs to erect a 50-foot brassiere across the U.S. Treasury building on for 1969, a satirical gesture mocking the crowds' fixation on exaggerated feminine attributes as a critique of prevailing norms. This prank, executed amid the financial district's ongoing buzz, perpetuated media tropes of spectacle-driven , foreshadowing tensions between traditional expressions and emerging cultural reevaluations in the late and . Historically, the event demarcates a transitional point in male-female public interactions, where unfiltered attraction yielded to heightened sensitivities around and , though retrospective framings as inherent overlook the voluntary, non-intrusive dynamics observed at the time.

Modern Reassessments and Debates

Some post-#MeToo analyses have framed the 1968 crowds as a precursor to systemic , arguing that the era's "girl watching" culture normalized and conditioned men toward entitled behaviors evident in later scandals. These interpretations, often rooted in second-wave feminist retrospectives, posit the incident as emblematic of unchecked fostering a continuum of misconduct, yet they provide no empirical evidence of , physical contact, or non-consensual advances directed at Gottfried, distinguishing it from documented cases. Alternative perspectives emphasize biological realism, portraying the gatherings as a spontaneous, non-violent expression of heterosexual male attraction to pronounced female physical cues, akin to evolutionary responses observed in mate selection studies rather than pathological entitlement. Such views critique modern reassessments for imposing contemporary equity frameworks on pre-feminist norms, attributing retroactive offense to heightened cultural sensitivities rather than inherent harm, with records confirming zero arrests or injuries amid crowds peaking at 5,000 despite logistical chaos. Debates persist on whether Gottfried's brief notoriety exemplified female agency in an —capitalizing on visibility without —or reductive that disrupted public order without yielding . Proponents of the former highlight her unchallenged passage through crowds and media opportunities as voluntary exchange, while detractors stress societal costs like traffic halts, though absent violence or complaints undermines harassment claims. By , references to the episode appear as neutral historical anecdotes in discussions of women's integration, serving as a footnote to pioneering "she-wolves" rather than sparking renewed controversy or policy debates.
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