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Gail Kobe
Gail Kobe
Gail Kobe
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Gail Kobe (born Gabriella Kieliszewski;[2][3] March 19, 1932[1] – August 1, 2013) was an American actress and television producer.

Key Information

Early years

[edit]

Kobe was born Gabriella Kieliszewski in Hamtramck, Michigan (within Detroit), the younger child of Benjamin and Theresa Kieliszewski, who later Americanized their surname. She had one sibling, an older sister, Beatrice (later Mrs. Walter Adamski), who predeceased her. Kobe graduated from UCLA earning a fine arts degree in theatre and dance.[4] Kobe had polio as a child and began dancing as a form of therapy. A heart murmur that she developed in her high school years caused her to cease dancing.[2] She graduated from Hamtramck High School.[5]

Early career

[edit]

Kobe portrayed Penny Adams on the TV series Trackdown.[6] She appeared on the Alcoa Theatre in a 1958 episode titled "Disappearance" starring Jack Lemmon and Joan Blackman. In 1965 she portrayed Doris Schuster on TV's Peyton Place.[2] She also appeared on daytime television in the NBC serial Bright Promise as Ann Boyd Jones (1970–1972).[7]

During the 1950s and 1960s, Kobe made guest appearances on Highway Patrol ("The Search"), The O. Henry Playhouse ("The Guilty Party"), The Californians, The Rebel, Mackenzie's Raiders, Blue Light, Felony Squad, Ironside, The Outer Limits, Richard Diamond, Private Detective, The Fugitive, Bourbon Street Beat, Maverick, M Squad (four episodes), Whirlybirds, Perry Mason, Hogan's Heroes, The Twilight Zone ("In His Image", "The Self-Improvement of Salvadore Ross", "A World of Difference"), Dr. Kildare, Empire, Gunsmoke (S3E25 "Dirt", S12E13 "The Moonstone" and S14E23 "The Intruder"), Cheyenne, Daniel Boone, Mission: Impossible, The Untouchables, Have Gun – Will Travel, The Mod Squad, The Alfred Hitchcock Hour, Bewitched, and Mannix. In 1962, she portrayed Dr. Louise Amadon in the episode "A Woman's Place" on Rawhide, about a woman doctor's struggles against stereotypes in the Old West. In 1963 she appeared in Combat! as Francoise.

On February 17, 1959, Kobe was cast in the episode "Disaster Town" of the series Rescue 8 in the role of Ellen Mason, a mother looking for her son in a western ghost town.

In the series, Laramie, Kobe played a saloon girl in the episode "Gun Duel" (aired December 25, 1962).

Later career

[edit]

Kobe began to work behind the camera as supervising producer and associate producer on such daytime programs as CBS's The Edge of Night and NBC's Return to Peyton Place. From 1981 to 1982, its final year on the air, Kobe became executive producer of the NBC soap opera, Texas. From 1983 to May 1986, she was the executive producer of CBS's Guiding Light (for which she was nominated for a Daytime Emmy Award) and then served as a producer on CBS's The Bold and the Beautiful from its debut in 1987 through the early 1990s.[8]

Kobe taught drama at San Fernando Valley State College.[9]

Kobe was a member of St. Louis Church. She volunteered many hours to Eisenhower Medical Center and the Palm Springs Art Museum while she lived in Palm Springs. While she resided at the Motion Picture Television Fund Home in Woodland Hills, California, she organized the program, We've Got Mail, which airs on cable Channel 22.[citation needed]

Honors

[edit]

In 2008, a Golden Palm Star on the Walk of Stars was dedicated in Kobe's honor.[10]

Death

[edit]

For the last two years of her life, the twice-married Kobe resided at the Motion Picture & Television Country House and Hospital in Woodland Hills. She died on August 1, 2013, aged 81, from undisclosed causes.[11][12][13]

Filmography

[edit]
Year Title Role Notes
1955 East of Eden Student Uncredited
1956 Alfred Hitchcock Presents Jessie Bridges Season 2 Episode 9: "Crack of Doom"
1956 The Ten Commandments Pretty Slave Girl
1956 Highway Patrol Susan Keefe Season 2 Episode 1: "The Search"
1956–1958 Cheyenne Della Sevier (1) Season 2 Episode 4: "The Bounty Killers" (1956)
(2) Season 3 Episode 16: "The Long Search" (1958)
1957–1958 Trackdown (1) Beth Waislip
(2) (3) (4) (5) Penny Adams
(6) Cindy		 (1) Season 1 Episode 1: "The Marple Brothers" (1957)
(2) Season 1 Episode 23: "The House" (1958)
(3) Season 1 Episode 24: "The Boy" (1958)
(4) Season 1 Episode 25: "The Pueblo Kid" (1958)
(5) Season 1 Episode 29: "The Jailbreak" (1958)
(6) Season 2 Episode 12: "Sunday's Child" (1958)
1957–1959 Whirlybirds (1) Mary
(2) Alice		 (1) Season 1 Episode 4: "Fire Flight" (1957)
(2) Season 3 Episode 16: "In Ways Mysterious" (1959)
1958 Gunsmoke in Tucson Katy Porter
1958–1964 Perry Mason (1) Margo, Drake's Secretary
(2) Gertrude Lewis		 (1) Season 1 Episode 20: "The Case of the Lonely Heiress" (1958)
(2) Season 7 Episode 14: "The Case of the Accosted Accountant" (1964)
1958–1969 Gunsmoke (1) Polly Troyman
(2) Bar Girl Madge
(3) Ellie Decker		 (1) Season 3 Episode 25: "Dirt" (1958)
(2) Season 12 Episode 13: "The Moonstone" (1966)
(3) Season 14 Episode 23: "The Intruder" (1969)
1959 Wagon Train Erika Hennepin Season 2 Episode 28: "The Vincent Eaglewood Story"
1959 Frontier Doctor Pauline Lanyon Episode: "Superstition Mountain"
1959 Mackenzie's Raiders Wanda West Season 1 Episode 35: "Captured in Mexico"
1960 Tales of Wells Fargo Kate Brown Season 4 Episode 25: "The Late Mayor Brown"
1960–1964 The Twilight Zone (1) Sally
(2) Jessica Connelly
(3) Leah Maitland		 (1) Season 1 Episode 23: "A World of Difference" (1960)
(2) Season 4 Episode 1: "In His Image" (1963)
(3) Season 5 Episode 16: "The Self-Improvement of Salvadore Ross" (1964)
1962 The Alfred Hitchcock Hour Virginia Morrison Carlin Season 1 Episode 9: "The Black Curtain"
1962 Maverick Theodora Rush Season 5 Episode 10: "Marshal Maverick"
1962–1963 Rawhide (1) Dr. Louise Amadon
(2) Agnes Quintle		 (1) Season 4 Episode 25: "A Woman's Place" (1962)
(2) Season 5 Episode 20: "Incident of Judgment Day" (1963)
1962–1963 Laramie (1) Lottie Harris
(2) Madge		 (1) Season 4 Episode 12: "Gun Duel" (1962)
(2) Season 4 Episode 20: "The Dispossessed" (1963)
1963 The Virginian Ruth Ferris Season 2 Episode 9: "Run Quiet"
1963 Combat! Francois Season 1 Episode 28: "The Sniper"
1963 Have Gun – Will Travel Francine Season 6 Episode 30: "Two Plus One"
1963 77 Sunset Strip Diana Carmichael Season 6 Episode 12: "The Fumble"
1964 The Outer Limits (1) Janet Doweling
(2) Janet Lane		 (1) Season 1 Episode 22: "Specimen: Unknown"
(2) Season 2 Episode 12: "Keeper of the Purple Twilight"
1967 Mission: Impossible Lisa Goren Season 1 Episode 18: "The Trial"
1967 Hogan's Heroes Lilli von Scheider Season 3 Episode 3: "D-Day at Stalag 13"
1968 The Mod Squad Donna Season 1 Episode 8: "The Price of Terror"
1969 Bewitched Evelyn Tucker Season 5 Episode 22: "Going Ape"
1969–1974 Mannix (1) Katherine Martin
(2) Ginny Freeman		 (1) Season 2 Episode 25: "To Catch a Rabbit" (1969)
(2) Season 8 Episode 12: "A Choice of Victims" (1974)

References

[edit]
[edit]
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Gail Kobe

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from Grokipedia
Gail Kobe (March 19, 1932 – August 1, 2013) was an American actress and television producer renowned for her extensive work in both acting and daytime drama production. Born Gabriella Joyce Kieliszewski in , she overcame childhood through dance therapy and was discovered by filmmaker while studying at the (UCLA), leading to her film debut in the epic The Ten Commandments (1956). Kobe's acting career spanned over 125 television appearances in the through , featuring guest roles in iconic series such as , , , Rawhide, Combat!, Peyton Place (as Doris Schuster, 1965–1966), , and . She earned a Primetime Emmy nomination for her supporting role in (1961) and performed in theater with groups like Theatre West and at the . Her final acting role was in the (1975). Transitioning to production in the 1970s, Kobe served as an associate producer on the Days of Our Lives before becoming of in 1982 and in 1984, where her innovative storytelling earned her a Daytime Emmy Award for Outstanding Drama Series in 1985 and a subsequent nomination. She later and Another World, mentoring numerous talents in Hollywood and contributing to charitable causes, including the Palm Springs Desert Museum and . In recognition of her dual contributions to acting, producing, and humanitarian efforts, she received a star on the Palm Springs Walk of Stars in 2008. Kobe passed away in Woodland Hills, , at the age of 81.

Early Life and Education

Birth and Family

Gail Kobe was born Gabriella Joyce Kieliszewski on March 19, 1932, in , a densely populated enclave surrounded by known for its strong Polish-American community. She was the younger of two daughters born to Benjamin and Theresa Kieliszewski, whose derived from Polish roots meaning related to a drinking vessel or goblet. The Kieliszewski family embodied the working-class ethos of Hamtramck's Polish immigrant descendants during the , with the city serving as a hub for Eastern European newcomers drawn by nearby automotive jobs in the early . Kobe's older sister, Beatrice (later ), shared in this tight-knit, ethnically vibrant household, where Polish traditions and community ties shaped daily life amid economic hardships. To pursue her professional aspirations in entertainment, Kobe adopted the stage name "Gail Kobe," shortening her first name from Gabriella and using her family's Americanized surname, which had been simplified from Kieliszewski to . This change reflected broader patterns of assimilation among Polish-Americans in mid-20th-century while aligning with the demands of Hollywood's industry standards.

Academic Pursuits

Gail Kobe attended Hamtramck High School in her hometown of , graduating in 1950. There, she received encouragement from teachers including Bea Almstead, who taught English and speech and nurtured her interest in , and Mr. Alford, her Latin instructor, who supported her casting in the lead role of the senior play. She also won a school speech contest by performing a dramatic reading from Mary Stuart and Elizabeth the Queen. With support from her family rooted in Hamtramck's Polish-American community, Kobe relocated to California and enrolled at the (UCLA) in 1950 to pursue a pure theater major—one of the few such programs available at the time, as most colleges required training for teaching credentials. At UCLA, Kobe studied under prominent faculty members such as Kenneth Macgowan, a producer known for Lifeboat; Ralph Freud, associated with the Jessie Bonstelle Theater; and Walter Kingston, a radio specialist. Her coursework encompassed comprehensive training in theater production, including radio techniques, lighting, costumes, props, and makeup, alongside dance studies. She earned a fine arts degree in theater and dance. These academic pursuits profoundly shaped Kobe's career trajectory, providing her with practical skills and professional exposure, including her discovery by filmmaker while at UCLA, that affirmed her commitment to over her family's preferred path of , ultimately launching her into the entertainment industry.

Acting Career

Film Roles

Gail Kobe's entry into feature films came with an uncredited role as a student in Elia Kazan's East of Eden (1955), marking her screen debut amid a cast that included James Dean, with whom she had a brief personal connection prior to filming. Her breakthrough in cinema arrived the following year with Cecil B. DeMille's epic The Ten Commandments (1956), where she portrayed multiple minor characters, including a pretty slave girl and participants in the seder scene, while also providing looping voices for various parts. Filming took place partly on location in , where Kobe participated in an extended seder sequence involving improvisation with a and hundreds of extras, under DeMille's direct guidance during on-set tea sessions that fostered a collaborative atmosphere. This experience highlighted her versatility in supporting roles within grand-scale productions, though much of her work remained uncredited or brief. Kobe continued with supporting parts in dramas and Westerns through the late , notably as Katy Porter, a love interest in the Western Gunsmoke in Tucson (1958), one of her few billed film appearances alongside Mark Stevens and . Her film output was limited overall, totaling approximately three credited or notable roles during the 1950s, primarily in supporting capacities that ranged from extras and background students to more defined secondary characters like romantic interests in genre films. This progression reflected a gradual shift from anonymous crowd work to recognizable on-screen presence, though opportunities remained sparse. As a young actress in Hollywood, Kobe encountered significant challenges, including in minor or stereotypical female roles and broader limitations on women's advancement in the industry, exacerbated by sexual inequalities such as directors exploiting actresses during auditions. These barriers, combined with the era's preference for established stars, confined her cinematic contributions to brief appearances, prompting an eventual pivot to television for greater visibility.

Television Roles

Gail Kobe began her television acting career in the early 1950s with guest appearances in anthology series and other dramatic programs. Throughout the decade, she appeared in anthology formats such as the 1958 Alcoa Theatre episode "Disappearance," where she starred alongside Jack Lemmon, and science fiction shows including three episodes of The Twilight Zone (1959-1964) and The Outer Limits (1964). These early roles, often portraying complex or supporting characters in suspenseful narratives, showcased her versatility in live television and helped establish her as a reliable performer in the burgeoning TV industry. Kobe secured her first recurring television role as Penny Adams in four episodes of the Western series Trackdown (1957-1959), playing a recurring character opposite Robert Culp's Texas Ranger. She later gained prominence with a six-month recurring stint as the resilient Doris Schuster on the prime-time soap Peyton Place (1965-1966), a role that highlighted her ability to handle emotional depth in serialized drama. Another notable recurring part was as Ann Boyd Jones on the daytime soap Bright Promise (1970-1972), further demonstrating her affinity for ongoing character arcs. Additionally, she portrayed Dr. Anne Warner in multiple episodes of Dr. Kildare (1961), including the Emmy-nominated "Immunity," earning her a Primetime Emmy nomination for her depiction of the dedicated physician. Beyond recurring work, Kobe amassed numerous guest roles on major action and mystery series during the 1960s, contributing to her growing reputation as a character actress. In Combat! (1963), she played Françoise, a French outcast aiding American soldiers in the episode "The Sniper." On Mannix (1967-1975), she appeared as Katherine Martin in "To Catch a Rabbit" (1969) and Ginny Freeman in "A Choice of Victims" (1974), often embodying strong-willed women in high-stakes investigations. Her two appearances on Perry Mason (1957-1966) included Margo, Paul Drake's secretary, in "The Case of the Lonely Heiress" (1958), and Gertrude Lewis in "The Case of the Accosted Accountant" (1964), roles that underscored her skill in courtroom intrigue. Other guest spots encompassed The Fugitive, Bewitched, Hogan's Heroes, The Mod Squad, Mission: Impossible, and Westerns like Rawhide, The Virginian, Maverick, Daniel Boone, and Gunsmoke, where she frequently portrayed resilient figures in diverse genres. Over her acting career spanning the 1950s to 1970s, Kobe accumulated more than 80 television credits, with dozens of guest appearances that solidified her status as a sought-after supporting player in both prime-time and daytime programming. These roles, drawing on her foundational experience in , allowed her to transition seamlessly into television's serialized and episodic formats, building a reputation for authenticity and range that paved the way for her later producing endeavors.

Producing Career

Transition from Acting

In the early 1970s, Gail Kobe decided to step away from acting, motivated by a desire for greater creative control and to avoid the vulnerabilities inherent in performing. Shortly before her 40th birthday in 1972, she experienced burnout after losing a promised movie role to another , leading her to reflect deeply and resolve, "Nobody’s going to have the ability to do that to me again." This pivotal moment, compounded by the prevalent in the industry for women approaching , prompted her to seek roles behind the camera where she could shape narratives rather than merely interpret them. Kobe's initial foray into producing began with Procter & Gamble's Writer Development Program, where she honed skills in script evaluation and storytelling structure during the mid-1970s. Her first on-screen producing credit came as assistant producer on the drama from March 1975 to December 1975, a period when the show expanded from a half-hour to a full-hour format under the leadership of and her husband, . Working closely with the Cordays provided informal mentorship, allowing Kobe to leverage her acting insights—gained from roles in ensemble dramas like —to inform production decisions, such as emphasizing realistic character development and efficient rehearsals. As one of the few women entering production roles in the male-dominated television industry of the , Kobe faced significant challenges in gaining recognition and authority. She later recalled having "a hard time" during the switch, noting the scarcity of female precedents beyond figures like director , which underscored broader gender barriers in where executive positions were overwhelmingly held by men. Despite these obstacles, her persistence bridged her front-of-camera expertise with behind-the-scenes leadership, setting the stage for her ascent to supervising and executive producing roles.

Key Soap Opera Productions

Gail Kobe's producing career in daytime television reached its zenith with her executive producer role on the soap opera from 1981 to 1982, during the show's final year on air, where she managed cast transitions and story development amid declining ratings. Earlier, she served as an assistant producer on starting in 1975, contributing to its expansion from a half-hour to an hour-long format and overseeing production logistics for key episodes. Her hands-on approach, informed by her acting experience, allowed for effective actor coaching and scene refinement across these projects. Kobe's most influential tenure came as of CBS's from 1983 to May 1986, a period marked by the introduction of iconic character , whose complex arcs involving family secrets and romantic entanglements drove narrative innovation and Emmy-nominated storylines. Under her leadership, the series achieved ratings stability through deepened family dynamics in Springfield, including the Reva-Joshua romance that became a cornerstone of the show's emotional depth, while she balanced budget constraints with creative oversight of over 800 episodes. This era also saw her nomination for a Daytime Emmy Award for Outstanding Drama Series, recognizing her role in elevating the soap's production quality. From 1987 into the early 1990s, Kobe transitioned to producer on CBS's , contributing to its launch by shaping the Forrester family's intergenerational conflicts and business rivalries as central themes, which helped the series quickly build a global audience. She produced more than 200 episodes, focusing on innovative story arcs that emphasized fashion industry intrigue and familial power struggles, such as the Brooke-Ridge triangle, while managing cast ensembles and integrating multicultural elements to broaden appeal. Her work on the show solidified its reputation for concise, high-stakes drama within daytime constraints. In addition to these marquee roles, Kobe supervised production on The Edge of Night and contributed to Another World, where she handled episode scripting and actor management to maintain narrative momentum during the 1970s and 1980s. These efforts underscored her versatility in tackling challenges like tight budgets and daily production schedules, often drawing on her prior on-screen insights for authentic character portrayals.

Awards and Honors

Daytime Emmy Nominations

Gail Kobe was nominated for a Daytime Emmy Award for Outstanding Drama Series in 1985 for her role as on . Although the award went to that year, the recognition underscored her effective leadership in guiding the show's creative direction during her tenure from 1983 to 1986. Kobe's behind-the-scenes efforts, including assembling a talented writing and directing team to navigate complex story arcs amid intense competition in , positioned Guiding Light as a strong contender and solidified her reputation as a skilled . This accolade, presented at the 12th Annual ceremony, highlighted how her strategic oversight elevated the series' production quality and narrative depth, contributing to its longevity despite not securing a win.

Industry Recognition

Gail Kobe's achievements in production earned her notable honors beyond competitive awards, reflecting her lasting impact on the genre. In , she received a Golden Palm Star on the Palm Springs Walk of Stars, dedicated in recognition of her multifaceted career in acting, producing, and humanitarian endeavors. As one of the pioneering women to serve as executive producer on major soap operas during the 1980s and 1990s, Kobe broke barriers in a field dominated by men, contributing to the professional advancement of female leaders in television production. Her innovative oversight of shows like Guiding Light and The Bold and the Beautiful was frequently cited in industry analyses of daytime drama's evolution, including discussions in publications such as Soap Opera Digest.

Personal Life and Death

Marriage and Relationships

Gail Kobe was married twice during her lifetime. Her first marriage was to Richard I. Kramer on April 26, 1957; the union ended in , though the exact date remains unspecified in available records. Her second and briefest marriage occurred on December 4, 1971, to Edward S. Lees, a ; the couple divorced just eight months later in August 1972, with no public statements from Kobe regarding the union documented in contemporary sources. Kobe had . Known for her preference for , Kobe rarely discussed her relationships publicly and avoided the spotlight in her personal affairs, even expressing reluctance in interviews due to a desire for personal seclusion. No documented romantic relationships with other industry figures beyond her marriages have been verified. Outside her career, Kobe's personal interests included reading, which she described as a source of enjoyment alongside creating and rehearsing new material, as well as travel, evident in her move from to in 1950 to attend UCLA.

Final Years and Passing

After retiring from her producing role on The Bold and the Beautiful in the late 1980s, following the production of over 200 episodes, Gail Kobe relocated to , where she engaged in volunteer work at the and the Palm Springs Art Museum. In her later years, she transitioned to a quieter life, eventually moving to the Motion Picture & Television Fund's in Woodland Hills, , where she resided for the final two years of her life. Kobe passed away on August 1, 2013, at the age of 81, at the home in Woodland Hills, due to natural causes related to her age. Her cousin, Judy Anderson, confirmed the details of her death. She was buried at Riverlawn in .

Legacy

Impact on Daytime Drama

Gail Kobe played a pioneering role as one of the few women to achieve executive producer status in daytime television during the 1980s and 1990s, helping to elevate the genre through her oversight of major soap operas such as Texas, Guiding Light, and The Bold and the Beautiful. Her leadership on these shows contributed to the incorporation of more layered character arcs and family dynamics, as seen in the collaborative work with writers like Pam Long on Guiding Light, where narratives explored intergenerational conflicts and community ties to sustain viewer engagement amid shifting media landscapes. Kobe's tenure as producer helped adapt daytime dramas to evolving viewer demographics by emphasizing emotional depth and relatable themes, including subtle integrations of contemporary , which aided the genre's during a period of competition from prime-time serialized storytelling. Under her production on from 1983 to 1986, the show maintained competitive ratings, averaging around 8-9 in the Nielsens during peak years, reflecting her strategic focus on core family storylines that resonated with loyal audiences. Her influence extended to fostering female-led production teams, as evidenced by her hiring and mentoring of women directors and writers in an industry historically dominated by men; for instance, she encouraged aspiring talents like Cynthia J. Popp and supported emerging female voices in directing episodes for . This mentorship paved the way for subsequent generations of women producers, contributing to greater gender diversity behind the camera in .

Tributes and Remembrances

Following her death on August 1, 2013, Gail Kobe was honored through industry obituaries and a memorial service that reflected her significant contributions to television. The Television Academy published a detailed feature on her life, describing her as a prolific actress who transitioned into a top daytime producer, emphasizing her roles in shows like Peyton Place and her executive producing work on . Deadline also reported her passing, highlighting her early film appearance in The Ten Commandments and her production credits on daytime dramas such as , , Another World, , and . A memorial service was held on August 18, 2013, at the Motion Picture & Television Fund's Theater on the MPTF campus in Woodland Hills, California, where Kobe had resided in her final years; in lieu of flowers, donations were requested to the MPTF in her memory. No dedications in specific episodes or Daytime Emmy ceremonies from 2013 to 2015 were documented in available records. Retrospectives on Kobe's role in history since 2013 have been limited, with occasional mentions in fan and archival discussions of her producing era, but no major scholarly pieces emerged through 2025. In 2024, Variety published an article recognizing her mentorship of female directors in soap operas, underscoring her lasting impact on gender diversity in the industry.

References

  1. https://www.televisionacademy.com/features/news/news/gail-kobe-prolific-actress-who-became-top-daytime-producer
  2. https://www.thewrap.com/guiding-light-producer-gail-kobe-dies-108131/
  3. https://www.palmsprings.com/walk-of-stars/
  4. https://www.findagrave.com/memorial/114872421/gail-kobe
  5. https://www.detroithistorical.org/learn/online-research/encyclopedia-of-detroit/hamtramck
  6. https://www.legacy.com/us/obituaries/detroitnews/name/gabriella-kobe-obituary?id=42505056
  7. https://forebears.io/surnames/kieliszewski
  8. https://classictvhistory.wordpress.com/2013/09/06/half-an-interview-with-gail-kobe/
  9. https://www.imdb.com/title/tt0048028/fullcredits/
  10. https://www.imdb.com/title/tt0049833/characters/nm0462097/
  11. https://www.imdb.com/title/tt0051691/fullcredits/
  12. https://deadline.com/2013/08/r-i-p-gail-kobe-555935/
  13. https://www.imdb.com/title/tt1058128/fullcredits/
  14. https://www.imdb.com/name/nm0462097/
  15. https://theouterlimits.fandom.com/wiki/Gail_Kobe
  16. https://www.imdb.com/title/tt0565166/
  17. https://www.facebook.com/groups/combattv/posts/10163589772538761/
  18. https://www.tvguide.com/celebrities/gail-kobe/credits/3030411923/
  19. https://watch.plex.tv/person/gail-kobe
  20. https://www.welovesoaps.tv/2013/08/gail-kobe-dead-at-82.html
  21. https://www.imdb.com/name/nm0462097/awards/
  22. https://www.imdb.com/event/ev0000206/1985/1/
  23. https://www.latimes.com/local/obituaries/la-xpm-2013-aug-09-la-me-passings-20130810-story.html
  24. https://www.khoolood.com/obituaries/1081/Gail-Kobe
  25. https://parade.com/60728/lindsaylowe/veteran-actress-and-producer-gail-kobe-dies-at-82/
  26. https://variety.com/2024/awards/awards/general-hospital-days-of-our-lives-soap-operas-female-director-1236025387/
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