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Josephine Owaissa Cottle (April 5, 1922 – June 27, 2009), known professionally as Gale Storm, was an American actress and singer. After a film career from 1940 to 1952, she starred in two popular television programs of the 1950s, My Little Margie and The Gale Storm Show. Six of her songs were top ten hits. Storm's greatest recording success was a cover version of "I Hear You Knockin'," which hit No. 2 on the Billboard Hot 100 chart in 1955.

Key Information

Early life

[edit]

Storm was born in Bloomington, Texas, United States.[1] Her middle name Owaissa means "Bluebird" in a native American language[which?]. The youngest of five children, she had two brothers and two sisters. Her father, William Walter Cottle, died after a year-long illness when she was only 17 months old, and her mother, Minnie Corina Cottle, struggled to raise the children alone.[citation needed]

Storm attended Holy Rosary School in what is now Midtown, Houston.[2] She performed in the drama club at both Albert Sidney Johnston Junior High School and San Jacinto High School.[citation needed]

When Storm was 17, two of her teachers urged her to enter a contest on Gateway to Hollywood, broadcast from the CBS Radio studios in Hollywood.[3] First prize was a one-year contract with a movie studio, which she won, and was immediately given the stage name Gale Storm. Her performing partner (and future husband), Lee Bonnell from South Bend, Indiana, became known as Terry Belmont.[citation needed]

Career

[edit]
Storm in My Little Margie in 1953

Storm had a role in the radio version of Big Town.[4] After winning the contest in 1940, Storm made several films for the RKO Radio Pictures studio. Her first was Tom Brown's School Days, playing opposite Jimmy Lydon and Freddie Bartholomew.[3] She worked steadily in low-budget films released during this period. In 1941, she sang in several soundies, three-minute musicals produced for "movie jukeboxes".

She acted and sang in Monogram Pictures' Frankie Darro series, and played ingénue roles in other Monogram features with the East Side Kids, Edgar Kennedy, and the Three Stooges, most notably in the film Swing Parade of 1946. Monogram had always relied on established actors with reputations, but in Gale Storm, the studio finally had a star of its own. She played the lead in the studio's most elaborate productions, both musical and dramatic. She shared top billing in Monogram's The Crime Smasher (1943), opposite Edgar Kennedy, Richard Cromwell, and Frank Graham in the role of Jones, a character derived from network radio.

Storm starred in a number of films, including the romantic comedies G.I. Honeymoon (1945) and It Happened on Fifth Avenue (1947), the Western Stampede (1949), and the 1950 film-noir dramas The Underworld Story and Between Midnight and Dawn. U.S. audiences warmed to Storm and her fan mail increased. She performed in more than three dozen motion pictures for Monogram, experience which made possible her success in other media.

In 1950, Storm made her television debut in Hollywood Premiere Theatre on ABC. She also made singing appearances on such television variety programs as The Pat Boone Chevy Showroom.[5][6]

From 1952 to 1955, she starred in My Little Margie,[7] with former silent film actor Charles Farrell as her father. The series began as a summer replacement for I Love Lucy on CBS Television,[3] but ran for 126 episodes on NBC and then CBS. The series was broadcast on CBS Radio from December 1952 to August 1955 with the same actors. Her popularity was capitalized on when she served as hostess of the NBC Comedy Hour in the winter of 1956.

In 1956, Storm starred in a situation comedy, The Gale Storm Show (Oh! Susanna), featuring another silent movie star, ZaSu Pitts. The show ran for 143 episodes on CBS and ABC between 1956 and 1960. Storm appeared regularly on other television programs in the 1950s and 1960s. In 1957 she was both a panelist and a "mystery guest" on CBS's What's My Line?[8]

Recording artist

[edit]
Storm with Billy Vaughn. The two wrote "You're My Baby Doll" and performed it on Storm's television show in 1958.

In Gallatin, Tennessee, in November 1954, a 10-year-old girl, Linda Wood, was watching Storm on a Sunday night television variety show, NBC's Colgate Comedy Hour, hosted by Gordon MacRae, singing one of the popular songs of the day. Linda's father asked her who was singing and was told it was Gale Storm from My Little Margie. Linda's father Randy Wood was president of Dot Records, and he liked Storm so much that he called to sign her before the end of the television show. Her first record, "I Hear You Knockin'", a cover of a rhythm and blues hit by Smiley Lewis,[7] sold over a million copies.[9]

The follow-up was a two-sided hit, with Storm covering Dean Martin's "Memories Are Made of This" backed with her cover of Gloria Mann's "Teen Age Prayer".[7] That was followed by a hit cover of Frankie Lymon's "Why Do Fools Fall in Love".[7] Storm's subsequent record sales began to slide, but soon rebounded with a cover of fellow Dot Records recording artist Bonnie Guitar's haunting ballad "Dark Moon" (1957),[7] that went to No. 4 on the Billboard Hot 100.[citation needed] Storm had several other hits, headlined in Las Vegas and appeared in numerous stage plays. Storm recorded for five years with Dot Records, then gave up recording because of her husband's concerns with the time she had to devote to that career.[citation needed]

Later years

[edit]

Storm appeared on two episodes of Burke's Law, 1964 and 1965. Storm made occasional television appearances from 1979 to 1989, such as The Love Boat and Murder, She Wrote.[3]

In March 1978 Storm performed as a guest artist in a principal role of Stephanie Dickinson in the stage production of Cactus Flower at Glendale Community College, outside Phoenix, Arizona. As reported in the campus newspaper El Tiempo Pasando, Storm surprised the cast of students by unexpectedly showing up for three days of rehearsal before scheduled.[10]

In 1981, she published her autobiography, I Ain't Down Yet, which described her battle with alcoholism. She was also interviewed by author David C. Tucker for The Women Who Made Television Funny: Ten Stars of 1950s Sitcoms, published in 2007 by McFarland and Company.[11]

Storm continued to make personal appearances and autographed photos at fan conventions, along with Charles Farrell from the My Little Margie series. She also attended events such as the Memphis Film Festival, Cinecon, the Friends of Old-Time Radio and the Mid-Atlantic Nostalgia Convention.[citation needed]

Personal life

[edit]

Storm was married and widowed twice. In 1941, while still a teenager, she married Lee Bonnell (1918–1986), then an actor and later a businessman. They had four children: Peter, Phillip, Paul, and Susanna. In 1988, two years after she was widowed, she married Paul Masterson (1917–1996), who also predeceased her.[12]

In her fifties, Storm struggled with alcoholism. She later said:

During the 1970s I experienced a terribly low and painful time of dealing with alcoholism. I had Lee's unfailing support through the entire ordeal. My treatment and recovery were more than rugged. At that time, there was such a stigma attached to alcoholism, particularly for women, that it could be hazardous to your reputation and career. I thank God daily that I have been fully recovered for more than 20 years. During my struggle, I had no idea of the blessing my experience could turn out to be! I've had the opportunity to share with others suffering with alcoholism the knowledge that there is help, hope, and an alcohol-free life awaiting them.[13]

Storm later became an active member of the South Shores Baptist Church. She once said: "Life has been good and I thank God for His many blessings and the happy life He has given to me."[13] Storm was a registered Republican and campaigned for U.S. Senator Barry M. Goldwater in the 1960s.[14]

Death

[edit]
Gale Storm's television star on the Hollywood Walk of Fame.

After the death of her second husband in 1996, Storm lived alone in Monarch Beach, California, near two of her sons and their families, until failing health forced her into a convalescent home in Danville, California. She died there on June 27, 2009, at the age of 87.[1]

Storm has three stars on the Hollywood Walk of Fame for her contributions to television, recordings, and radio.[15][16]

Filmography

[edit]
Television
Year Title Role Notes
1952–1955 My Little Margie Margie Albright 126 episodes
1955 The Ford Television Theatre Hope Foster 1 episode
1956–1960 The Gale Storm Show Susanna Pomeroy 143 episodes
1964–1965 Burke's Law Honey Feather Leeps
Dr. Nonnie Harper
2 episodes
1979 The Love Boat Rose 1 episode
1989 Murder, She Wrote Maisie Mayberry 1 episode

Recordings

[edit]

Singles

[edit]
Year Single (A-side, B-side)
Both sides from same album except where indicated
US
Top 100
Album
1955 "I Hear You Knocking"
b/w "Never Leave Me" (from Gale's Great Hits, not on Gale Storm)
2 Gale Storm (Dot, 1956)
"Memories Are Made Of This" Gale Storm (Dot, 1956) 5
"Teen Age Prayer" Gale Storm (Dot, 1956) 6
1956 "Why Do Fools Fall In Love"
b/w "I Walk Alone" (Non-album track)
9 Gale's Great Hits (Dot)
"Ivory Tower" Gale's Great Hits (Dot)
b/w "I Ain't Gonna Worry" (Non-album track)
6
"Tell Me Why"
b/w "Don't Be That Way"
52 Non-album tracks
"Now Is The Hour" / 59 Gale's Great Hits (Dot)
"A Heart Without A Sweetheart" 79 Non-album track
"My Heart Belongs To You"
b/w "Orange Blossoms"
Gale's Great Hits (Dot)
1957 "Lucky Lips" / 77
"On Treasure Island" 74
"Dark Moon"
b/w "A Little Too Late" (Non-album track)
4
"Love By The Jukebox Light"
b/w "On My Mind Again"
Gale Storm Sings (Dot, 1959)
"Winter Warm"
b/w "Go 'Way From My Window" (Non-album track)
"South Of The Border"
b/w "Soon I'll Wed My Love"
"I Get That Feeling"
b/w "A Farewell To Arms"
1958 "You"
b/w "Angry"
"Oh Lonely Crowd"
b/w "Happiness Left Yesterday"
1960 "I Need You So"
b/w "On Treasure Island" (from Gale's Great Hits)
Non-album tracks
"Please Help Me, I'm Falling"
b/w "He Is There"

Albums

[edit]
  • Sentimental Me (Dot, 1956)
  • Gale Storm (Dot, 1956)
  • Gale's Great Hits (Dot, 1958)
  • Softly and Tenderly (Dot, 1959)
  • Gale Storm Sings (Dot, 1959)
  • I Don't Want to Walk Without You (Hamilton, c. 1960s)

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Gale Storm (born Josephine Owaissa Cottle; April 5, 1922 – June 27, 2009) was an American actress and singer prominent in film, radio, television, and during the mid-20th century. The youngest of five children raised in , she discovered her performing talent early and won a national radio contest in 1940 that awarded her a contract and the stage name Gale Storm. Her film career in the featured supporting roles in B-movies such as (1940) and (1950), establishing her as a reliable . Transitioning to television, Storm achieved widespread popularity starring as Margie Albright in the (1952–1955) and as Susanna Pomeroy in the comedy (1956–1960), both of which highlighted her vivacious screen presence and comedic timing. As a vocalist, she recorded several singles for , with her cover of "I Hear You Knocking" reaching number two on the in 1955, marking her most significant musical success. Storm's contributions to entertainment were recognized with a star on the for television in 1960, reflecting her enduring appeal in wholesome, family-oriented programming.

Early Life

Childhood in Texas

Josephine Owaissa Cottle, who would later adopt the stage name Gale Storm, was born on April 5, 1922, in Bloomington, a small community in Victoria , , to William Walter Cottle and Minnie Corina Cottle. She was the youngest of five children, including siblings Lois, Wilbur, Marjorie, and Brackston, with two brothers and two sisters in total. Her , Owaissa, derived from a Native American term meaning "little deer." Cottle's father succumbed to a year-long illness when she was about 17 months old, plunging the family into financial distress. Her widowed mother, , took in sewing work as a seamstress to support the five children, prompting several relocations within before the family settled in . In Houston, Minnie continued her strenuous efforts to provide for the household amid ongoing economic pressures. During her childhood in , Cottle attended Albert Sidney Johnston Junior High School, navigating a modest upbringing marked by her mother's determination and the absence of a paternal figure. These early experiences in , characterized by resilience in the face of adversity, formed the backdrop of her formative years before aspirations in entertainment emerged.

Path to Hollywood

In 1939, at the age of 17, Josephine Owaissa Cottle, a high school student in with interests in acting and dramatics, was encouraged by two teachers to enter the nationwide radio talent contest "Gateway to Hollywood," broadcast from in Hollywood, with the top prize being a one-year motion picture contract. Accompanied by her mother, she traveled to Hollywood for the finals and won the national title on 1940, securing a contract with RKO Radio Pictures and adopting the stage name Gale Storm. Under the RKO contract, Storm debuted in films with supporting roles, including as Margie in Tom Brown's School Days (1940), a period drama adaptation of Thomas Hughes' novel, and in the B-mystery One Crowded Night (1940). She appeared in approximately seven RKO productions over the next year, often in low-budget features, before the studio declined to renew her contract in 1941, prompting her to seek work as a freelance actress with smaller studios such as Monogram Pictures. This transition marked her establishment in Hollywood's competitive environment, where she gained experience in Westerns, musical shorts, and supporting roles that built toward greater visibility.

Acting Career

Film Beginnings and Breakthroughs

Storm entered the film industry at age 17 after winning the "Gateway to Hollywood" radio contest sponsored by CBS in 1939, which awarded her a one-year contract with RKO Radio Pictures. Her screen debut came in the adaptation of Tom Brown's School Days (1940), where she played a supporting role opposite Jimmy Lydon. She followed with a lead in the low-budget drama One Crowded Night (1940), but RKO soon released her from the contract after only two pictures. Transitioning to the independent studio , a producer of B-movies, Storm appeared in Let's Go Collegiate (1941), billed sixth but featuring a solo performance of "Sweet Sixteen." Her first leading role arrived in Freckles Comes Home (1942), portraying the sweetheart of Western star . Subsequent assignments included nightclub singer parts in Foreign Agent (1942) and Rhythm Parade (1942), musical leads in Campus Rhythm (1943) and Nearly Eighteen (1943), and a dramatic turn in Where Are Your Children? (1943), which garnered critical praise for her performance as a troubled young woman. By 1945, she achieved top billing in films such as G.I. Honeymoon, Sunbonnet Sue, and Forever Yours, solidifying her status as 's highest-paid and most reliable leading lady, with over 20 features under her belt by mid-decade. Storm's breakthrough at marked her evolution from bit player to contract star, enabling versatile roles across musicals, , Westerns, and dramas, though confined largely to second-feature productions. A standout non- role came in It Happened on (1947), a holiday-themed produced by Allied Artists that received an Academy Award nomination for Best Original Story; her supporting performance contributed to the film's enduring popularity. By the early 1950s, after appearing in approximately 35 films overall, Storm shifted focus to television, where her Monogram-honed skills in rapid production proved advantageous.

Television Success and Signature Roles


Storm transitioned to television in 1952 after a dozen years in films, starring as Margie Albright in the sitcom My Little Margie. The series premiered on CBS on June 16, 1952, serving as a summer replacement for I Love Lucy under Philip Morris sponsorship. In the role, Storm depicted a 21-year-old New Yorker devising schemes to manage her widowed father's love life and her own romantic entanglements, opposite Charles Farrell as Vern Albright. The screwball comedy alternated between CBS and NBC, producing 126 episodes across three full seasons and a partial fourth before concluding in 1955.

Storm's subsequent signature role came in The Gale Storm Show: Oh! Susanna!, debuting on on September 29, 1956. She portrayed Susanna Pomeroy, the effervescent social director aboard the global-cruising S.S. Ocean Queen, frequently clashing with her superstitious assistant Elvira "Nugey" Nugent () and the ship's stern captain (). The half-hour black-and-white series spanned 126 episodes over four seasons, shifting to ABC for its 1959–1960 run. Co-star Pitts earned a 1959 Primetime Emmy nomination for Best Supporting Actress in a Comedy Series.
These programs marked Storm's pinnacle of television popularity, leveraging her comedic timing and singing talent—often showcased in episodes—to sustain multi-year runs amid broadcast competition. In recognition, she received a star for television on February 8, 1960, at 1680 .

Music Career

Rise as a Singer

Storm's entry into professional recording came amid the peak popularity of her sitcom My Little Margie (1952–), during which her on-screen vocal performances drew industry attention. In , she signed a contract with , marking the formal start of her singing career as a pop artist separate from her acting roles. Her debut single, a cover of Lewis's "," was released in late September 1955 and quickly ascended the charts, reaching number one in October 1955 and selling over one million copies. This success was followed rapidly by additional releases, including "" in December 1955, which peaked at number two. Within four months of her Dot debut, three of her recordings had entered the top twenty best-sellers, establishing her as a viable recording artist leveraging her television fame. The momentum from these early hits propelled Storm's music career forward, with Dot issuing her first album, Gale Storm, in 1956, and subsequent singles maintaining chart presence into 1957. Her wholesome image and accessible covers of contemporary hits appealed to mainstream audiences, bridging her acting persona with vocal performances that echoed the lighthearted tone of her TV work.

Hit Recordings and Chart Performance

Storm's recording career peaked in the mid-1950s with a series of cover versions of contemporary popular songs, achieving four top-five singles on Billboard's national charts, aggregated from best sellers, jukebox play, and surveys prior to the Hot 100's inception in 1958. Her highest-charting release, "," a cover of Smiley Lewis's original, entered the charts in November 1955 and reached number 2, holding for 15 weeks. This success was followed by "Teen Age Prayer," peaking at number 4 in early 1955 with 6 weeks on chart, and "," a cover of Cathy Carr's hit, attaining number 5 in 1956 for another 6 weeks. In 1957, "," covering the Gale Garnett-penned song popularized by Bonnie Guitar, climbed to number 3, though it spent only 4 weeks in the top ranks amid declining momentum. Additional entries like "" (a cover reaching number 5 in late 1955) and "Why Do Fools Fall in Love" (peaking around number 9 in 1956) contributed to reports of six top-ten hits overall, though lower-charting singles such as "" variants and others faded quickly post-1957. Her chart performance reflected effective crossover appeal from television fame, with sales driven by promotion tying into . No further top-forty entries occurred after 1957, marking the close of her phase.
SongPeak PositionYearWeeks on Chart
2195515
Teen Age Prayer419556
519566
319574

Personal Life

Marriages and Family

Gale Storm married Lee Bonnell, an actor who later became a businessman, on September 13, 1941, after meeting him as co-winners of the "Gateway to Hollywood" radio . The couple remained married for 45 years until Bonnell's death from cancer on June 13, 1986. Storm and Bonnell had four children: sons Phillip, Peter, and Paul, and daughter Susanna (also known as Susie). The family resided primarily in , where Storm balanced her career with raising her children, though she later reflected on the challenges of early motherhood amid her rising fame. Following Bonnell's death, Storm married Paul Masterson, a retired ABC television executive and widower, on May 28, 1988, after being introduced by a mutual friend. Masterson passed away in 1996, leaving Storm twice widowed with no additional children from the second marriage. At the time of her death in 2009, she was survived by her four children and several grandchildren.

Struggles with Alcoholism and Recovery

In the 1970s, during her fifties, Storm experienced a severe and painful battle with following the end of her television career, marking a low point that contrasted sharply with her earlier public image of wholesomeness. As a "secret drinker," she concealed her consumption carefully, a pattern she attributed to the denial inherent in , particularly among women at the time. This struggle persisted despite her efforts in work and regional theater, exacerbating personal challenges amid the stigma surrounding female in that era. Storm sought treatment at multiple facilities before committing to a rigorous program in 1979 at Raleigh Hills Hospital in , where she underwent , , and subsequent counseling. The process was demanding—"more than rugged," as she described it—and relied heavily on the unwavering support of her husband, Lee Bonnell. Following this intervention, Storm reported no further cravings for alcohol, achieving full that she maintained for over 20 years until her in 2009. In 1981, Storm published her , I Ain't Down Yet, which candidly chronicled her descent into , the interventions that saved her, and her path to recovery, framing it as a triumph over a pervasive personal demon. Post-recovery, she became an for those afflicted, sharing her experiences to convey that "there is help, hope, and an alcohol-free life awaiting them," often expressing daily gratitude for her sobriety. This outreach extended to public speaking and personal counsel, underscoring her commitment to destigmatizing recovery.

Later Years and Death

Retirement and Public Advocacy

Storm effectively retired from regular acting and performing following the conclusion of in 1960, shifting her focus to family responsibilities and personal recovery amid longstanding struggles with that had intensified during her career's peak. In her 1980 autobiography, I Ain't Down Yet, she disclosed having concealed her alcoholism from the public for decades, noting that she never drank before performances but that the condition had progressively worsened, leading to isolation and health decline. By the late , Storm achieved , crediting spiritual and communal support for her over 20 years of recovery as of subsequent reflections. She transitioned into public advocacy, leveraging her to counsel others on alcoholism's perils and the viability of recovery, emphasizing in and writings that her experiences offered "help, hope, and an alcohol-free life" to fellow sufferers. This included appearances such as a 1986 interview where she discussed her journey candidly, aiming to destigmatize and promote proactive intervention. Storm's advocacy extended beyond personal testimony; she highlighted the disease's insidious nature, warning that for those predisposed, even moderated drinking could trigger , drawing from her own episodes of secrecy and denial. Her efforts inspired audiences, particularly as her revelations contrasted with her earlier wholesome on-screen image, underscoring resilience in overcoming private battles without professional fanfare.

Final Years and Passing

In the years following her active advocacy against , Storm maintained a low public profile, residing primarily in with family support. By the mid-2000s, she experienced failing health, necessitating care in a convalescent facility. Storm died on June 27, 2009, at the age of 87, from natural causes at a convalescent hospital in , as confirmed by her son Peter Bonnell. Her remains were cremated, reflecting a private conclusion to her life after a career spanning , television, and music.

Legacy and Reception

Cultural Impact and Enduring Appeal

Gale Storm's starring roles in My Little Margie (1952–1955) and The Gale Storm Show (1956–1960) exemplified the light-hearted domestic sitcom format that proliferated during television's golden age, offering escapist humor to post-World War II households. My Little Margie premiered on June 16, 1952, as a summer replacement for I Love Lucy, rapidly ascending to the top five in ratings and producing 126 episodes across three seasons. Her depiction of the independent, meddlesome Margie Albright introduced a progressive female lead—single and self-reliant—for the era, combining slapstick antics with everyday relational dynamics that appealed broadly. These series underscored Storm's transition from B-western films to television stardom, a common path for mid-tier Hollywood actresses in the early as movie roles waned. By 1953, she ranked second in a poll of television stars, trailing only , reflecting her vivacious appeal and comedic reliability. , with its cruise-ship setting and 125 episodes, extended this formula, later syndicated as to capitalize on her established fanbase. The enduring appeal of Storm's television work derives from extensive syndication, which sustained 's visibility into the across diverse slots, including Saturday mornings for younger viewers, fostering generational nostalgia for 1950s wholesomeness. Her three Hollywood Walk of Fame stars—for television, radio, and recordings—commemorate this legacy, preserving her as a symbol of resilient, entertainment amid classic TV revivals. Though not revolutionary like contemporaries' innovations, Storm's charm and output ensured reruns' longevity in niche audiences valuing unpretentious comedy.

Critical Assessments and Personal Resilience

Storm's television performances, particularly in My Little Margie (1952–1955) and The Gale Storm Show (1956–1960), received mixed critical reception, often characterized as lightweight and formulaic entertainment lacking artistic sophistication. Reviewers in outlets like The New York Times described My Little Margie as "silly," critiquing its predictable comedic setups and reliance on broad, situational humor over nuanced character development, though the series sustained three full seasons due to strong viewer ratings and syndication appeal. Her film work in the 1940s, primarily B-westerns and musicals under contracts with studios like RKO and Monogram, fared similarly, praised for her wholesome appeal and vocal talents but seldom elevated beyond programmers valued for efficiency rather than innovation. Despite these assessments, Storm's enduring public popularity underscored a resilience in her career trajectory, transitioning from modest film roles to television stardom amid Hollywood's shifting priorities post-World War II, where her accessible, family-oriented persona resonated with mass audiences. Biographies note her adaptability, including hit recordings like "" (1955), which achieved gold status despite originating from rhythm-and-blues roots, highlighting her versatility beyond acting. On a personal level, Storm exhibited profound resilience in addressing , which intensified in the amid personal and professional pressures, leading to a near-decade of dependency that threatened her health and stability. She achieved sobriety through treatment and faith-based support, remaining alcohol-free for over 30 years thereafter, as detailed in her candid 1981 autobiography , where she chronicled the emotional toll and steps toward recovery without romanticizing the struggle. Post-recovery, she actively advocated for others, appearing in media and sharing testimonies of hope and practical recovery strategies, transforming private adversity into until health issues like Alzheimer's limited her in later decades.

Works

Filmography Highlights

Gale Storm entered the film industry as a teenager, debuting in the RKO Pictures adaptation Tom Brown's School Days (1940), directed by Robert Stevenson, where she portrayed the supporting role of Betty Linley alongside Jimmy Lydon and Cedric Hardwicke. This marked her initial foray into acting after winning a nationwide radio audition contest at age 17, leading to a contract with RKO. Throughout the early 1940s, Storm appeared in numerous B-movies, often in Westerns and programmers produced by studios like Republic Pictures. Notable among these were Red River Valley (1941), a Roy Rogers vehicle in which she played the romantic interest Mary Benny; Jesse James at Bay (1941), another Rogers Western where she supported as Shirley Lonergan; and Man from Cheyenne (1942), featuring her as Judy Hayward opposite Roy Rogers and George 'Gabby' Hayes. These roles established her as a versatile supporting actress in low-budget genre films, emphasizing her youthful appeal and singing abilities in musical sequences. In 1943, Storm took a lead role in the horror entry , playing Rosella, the wife of a voodoo-practicing amid a outbreak plot, co-starring —a film that highlighted her range beyond Westerns into low-budget horror. She continued with lighter fare like the musical comedy Swing Parade of 1946, featuring a cast including and , where she performed musical numbers. A career highlight arrived with It Happened on Fifth Avenue (1947), a directed by Roy Del Ruth for Allied Artists, in which Storm starred as Trudy O'Connor, the daughter of a wealthy industrialist who befriends homeless squatters in her family's mansion; the film earned an Academy Award nomination for Best Original Story and remains one of her most enduring cinematic works due to its box-office success and family-oriented appeal. By the late and early , Storm shifted toward and crime dramas, including Abandoned (1949) from Universal-International, where she played Paula Considine in a story of baby-selling rings and corruption; (1950), portraying Cathy Harris, a secretary entangled in a murder cover-up at a small-town ; and (1950), as a police dispatch operator in a tale of vengeance against gangsters. These roles demonstrated her dramatic capabilities in tense, urban settings, though her film output diminished as she transitioned to television prominence.

Discography

Gale Storm transitioned to a recording career in the mid-1950s with , capitalizing on her television fame to release pop singles and albums that emphasized her clear voice and covers of contemporary hits. Her recordings, produced primarily between 1955 and 1957, yielded six top-10 entries on the , with sales driven by radio airplay and her established fanbase from shows like . Key singles included covers such as "," which peaked at number 2 on the in late 1955, selling over a million copies and marking her breakthrough as a recording artist. "" followed, reaching number 5 in early 1956, while "Teen Age Prayer" climbed to number 6 later that year. "" became her final major hit, hitting number 4 in 1957. Other singles like "" (number 6 in 1956) and lower-charting efforts such as "Tell Me Why" (number 52) rounded out her Dot-era output, often backed by orchestral arrangements from producers like Charles Grean.
Single TitleRelease YearBillboard Hot 100 Peak
I Hear You Knocking19552
19555
Teen Age Prayer19556
19566
19574
Tell Me Why195652
Her album discography, also on Dot unless noted, featured compilations of her hits alongside standards and gospel tracks, reflecting a shift toward sentimental ballads in later releases. Primary LPs included Gale Storm (DLP-3011, circa 1956) with tracks like "I Hear You Knocking" and "Memories Are Made of This"; Sentimental Me (DLP-3017, circa 1956) focusing on romantic standards; Gale's Great Hits (DLP-3098, 1958) compiling chart successes such as "Dark Moon" and "Ivory Tower"; Softly and Tenderly (DLP-25197, 1959), a gospel-oriented set with hymns like "The Old Rugged Cross"; and Gale Storm Sings (DLP-3209, circa 1959). An additional album, I Don't Want to Walk Without You (Hamilton HLP-171, circa 1959), featured wartime-era songs. Later compilations, such as Gale Storm Collectibles (MCA MCA-1504, reissue) and Dark Moon: The Best of Gale Storm (Varese Sarabande VSD-5523, 1990s), preserved her catalog for retrospective audiences. Storm's recordings tapered off after 1957 as her focus returned to and personal challenges, though her Dot singles remained staples in and easy-listening repertoires.

References

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