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Jimmy Lydon
Jimmy Lydon
Jimmy Lydon
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James Joseph Lydon (May 30, 1923 – March 9, 2022) was an American actor and television producer whose career in the entertainment industry began as a teenager during the 1930s.[1]

Key Information

Early life

[edit]

Lydon was born in Harrington Park, New Jersey on May 30, 1923, the fifth of nine children.[2] His family was of Irish heritage. He was raised in Bergenfield, New Jersey.[3]

Career

[edit]

In 1932, Lydon's father, who was an alcoholic, decided to retire from working. This decision forced all of the other family members to seek employment in the depths of the Great Depression.[4]

Jimmy Lydon in 1939

One of his first starring roles was the title character in the 1940 movie Tom Brown's School Days, also starring Cedric Hardwicke and Freddie Bartholomew. The film was well received by critics, with Variety praising it in a January 1940 review as "sympathetically and skillfully made, with many touching moments and an excellent cast". Lydon was called "believable and moving in the early portions, but too young for the final moments".[5]

Between 1941 and 1944, under contract to Paramount Pictures, Lydon starred as the screechy-voiced, adolescent Henry Aldrich in the movie series of that title.[4] After completing the Aldrich series, the 21-year-old Lydon signed a contract in 1944 with Republic Pictures.[6]

Lydon in Twice Blessed (1945)

He appeared in the acclaimed 1947 film Life with Father in the role of college-bound Clarence. Variety called Jimmy Lydon's portrayal "effective as the potential Yale man".[7]

He then appeared opposite James Cagney in the 1948 movie The Time of Your Life. From 1949 to 1950, he and Janet Waldo voiced the leading characters in the radio comedy Young Love.[citation needed]

Lydon easily gained roles in the new medium of television. He portrayed Chris Thayer on The First Hundred Years. The show was CBS's first daytime soap opera. It was performed live for three seasons of 300 episodes.

In 1953, he was cast as Murray in the aviation adventure film Island in the Sky, starring John Wayne. He also played Biffen Cardoza on Rocky Jones, Space Ranger in 1954 and made appearances in Lux Video Theatre and The Christophers. In 1955, he appeared on Sergeant Preston of the Yukon as Johnny Lane, plagued by cabin fever, in the episode titled "The Williwaw".[citation needed] In 1956 he appeared in the episode "One Minute from Broadway" in the series Sneak Preview.[8]

Lydon in 2013

In 1958, Lydon played the role of Richard in Anne Jeffreys' and Robert Sterling's short-lived sitcom Love That Jill. Lydon appeared in guest roles on Crossroads, Casey Jones, The Life and Legend of Wyatt Earp, Wagon Train, Hennesey, The Twilight Zone, and Tales of the Texas Rangers, as Lt. Jared Evans in the 1958 episode "Warpath". A year later, he guest-starred on the television series Colt .45. Lydon played the role of Willy in the episode "Return to El Paso", with Paul Picerni cast as Jose.[citation needed] He also appeared in the premiere episode of the anthology series New Comedy Showcase in 1960.[citation needed]

After working increasingly in television in the 1950s, he turned to production and helped to create the detective series 77 Sunset Strip, as well as the sitcom M*A*S*H. He also produced the television adaptation of the film Mister Roberts in 1966 and Roll Out in 1973–1974. Lydon played Captain Henry Aldrich (a reference to his Aldrich movie series) on the latter show.[citation needed]

In 1963, Lydon worked on the Western series Temple Houston on the fall schedule. On orders from studio boss Jack Webb, episodes were put together in two or three days each, something previously thought impossible in television production. Work began on August 7, 1963, with the initial airing set for September 19. Lydon recalls that Webb told the staff: "Fellas, I just sold Temple Houston. We gotta be on the air in four weeks, we can't use the pilot, we have no scripts, no nothing—do it!"[9]

During the 1970s & 1980s, Lydon continued to act on television, with roles on episodes of Gunsmoke, Lou Grant, Simon & Simon, and St. Elsewhere.

Personal life

[edit]

Lydon married Patricia Pernetti in 1945. The union was dissolved after a brief period.[10] He was married to Betty Lou Nedell from 1952 until her death in January 2022. They had two daughters and two granddaughters.[11]

Lydon died at the age of 98 on March 9, 2022, at his home in San Diego, California.[11]

Filmography

[edit]
Film
Year Title Role Notes
1939 Back Door to Heaven Frankie Rogers
The Middleton Family at the New York World's Fair Bud
Two Thoroughbreds David Carey
1940 Tom Brown's School Days Tom Brown
Little Men Dan
Bowery Boy Sock Dolan
1941 Naval Academy Tommy Blake
Henry Aldrich for President Henry Aldrich
1942 Cadets on Parade Joe Novak
The Mad Martindales Bobby Bruce Turner
Henry and Dizzy Henry Aldrich
Henry Aldrich, Editor
Star Spangled Rhythm Jimmy Lydon Uncredited
1943 Aerial Gunner Pvt. Sanford 'Sandy' Lunt
Henry Aldrich Gets Glamour Henry Aldrich
Henry Aldrich Swings It
Henry Aldrich Haunts a House
1944 Henry Aldrich, Boy Scout
My Best Gal Johnny McCloud
Henry Aldrich Plays Cupid Henry Aldrich
Henry Aldrich's Little Secret
When the Lights Go On Again Ted Benson
The Town Went Wild Bob Harrison
1945 Strange Illusion Paul Cartwright
Twice Blessed Mickey Pringle
1946 Affairs of Geraldine Willy Briggs
1947 Life with Father Clarence Day, Jr.
Cynthia Ricky Latham
Sweet Genevieve Bill Kennedy
Good News Tommy's classmate Uncredited
1948 The Time of Your Life Dudley Raoul Bostwick
Out of the Storm Donald Lewis
Joan of Arc Pierre d'Arc
1949 An Old-Fashioned Girl Tom Shaw
Miss Mink of 1949 Joe Forrester
Bad Boy Ted Hendry
Tucson Andy Bryant
1950 When Willie Comes Marching Home Charles Fettles
Tarnished Junior Bunker
Destination Big House Freddy Brooks
September Affair Johnny Wilson
Hot Rod David Langham
The Magnificent Yankee Clinton
1951 Gasoline Alley Skeezix
Oh! Susanna Trumpeter Benton
Corky of Gasoline Alley Skeezix Wallet
1953 Island in the Sky Murray
1954 The Desperado Tom Cameron
1955 Rage at Dawn Dedrick - Fisher's Clerk Uncredited
1956 Battle Stations Squawk Hewitt
1957 Chain of Evidence Steve Nordstrom
1960 The Hypnotic Eye Emergency doctor
I Passed for White Jay Morgan
1961 The Last Time I Saw Archie Pvt. Billy Simpson
1969 Death of a Gunfighter Luke Mills
1971 Scandalous John Grotch
1973 Bonnie's Kids Motel Manager
1976 Vigilante Force Tom Crousy

Short subjects:

  • Home Early (1939) as Junior Doakes (uncredited)
  • A Letter from Bataan (1942) as Chuck Lewis
  • The Aldrich Family Gets in the Scrap (1943) as Henry Aldrich
  • Caribbean Romance (1943) as Peter Conway
  • The Shining Future (1944) as Danny Ames
  • Road to Victory (1944) as Danny Ames
  • Time to Kill (1945) as Lou

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Jimmy Lydon

View on Grokipedia
from Grokipedia
James Joseph Lydon (May 30, 1923 – March 9, 2022) was an American actor, film producer, and television producer whose seven-decade career in entertainment began as a child performer on Broadway and spanned radio, film, and television, with notable roles in the Henry Aldrich film series and the 1947 adaptation of . Born in , to Irish immigrant parents as the fifth of nine children in a devout Catholic family, Lydon overcame early personal challenges, including a and family hardships, to launch his professional acting career at age 14. Lydon's breakthrough came in the late 1930s with his film debut in Back Door to Heaven (1939), after which he signed a contract with Paramount Pictures and appeared in supporting roles in films like Tom Brown's School Days (1940) and Little Men (1940). He achieved stardom portraying the bumbling teenager Henry Aldrich in nine B-movies produced by Paramount from Henry Aldrich for President (1941) to Henry Aldrich's Little Secret (1944), which established him as a relatable everyman figure in 1940s Hollywood. Following military service in World War II, Lydon returned to acting in major productions, including the role of John, the eldest son, opposite William Powell and Irene Dunne in the family comedy Life with Father (1947), and as Pierre d'Arc, Joan's younger brother, in Victor Fleming's epic Joan of Arc (1948). In the 1950s and 1960s, Lydon transitioned to television, guest-starring on anthology series such as Science Fiction Theatre and Perry Mason, while continuing film work in titles like The Alamo (1960) and The Last Time I Saw Archie (1961). He later shifted toward production, serving as an associate producer on projects including 77 Sunset Strip, McHale's Navy, and contributing to episodes of MASH*, before returning to acting in smaller roles in films like Vigilante Force (1976) and TV Westerns such as Peter Lundy and the Medicine Hat Stallion (1977). Lydon married actress Betty Lou Nedell in 1952; the couple had two daughters, Julie and Cathy, and remained together until her death in January 2022. He died at age 98 in San Diego, California, leaving a legacy as a durable character actor who embodied youthful innocence in classic American cinema.

Early life

Family background

James Joseph Lydon was born on May 30, 1923, in . He was the fifth of nine children in a large Irish Catholic family, consisting of six brothers and two sisters. Lydon was born with club feet, a physical defect that required early medical interventions. The family, raised primarily in , endured severe financial hardships exacerbated by his father's , which prompted the father's abrupt retirement from work in 1937 and placed the household on the brink of collapse. His mother assumed a vital role in sustaining the family amid these economic challenges and the instability caused by his father's drinking.

Childhood and acting debut

Born James Joseph Lydon on May 30, 1923, in , he was diagnosed with club feet as an infant, a condition that nearly led to before corrective interventions were performed. By age 10, Lydon had undergone multiple surgical operations to address the , though he continued to walk with a slight throughout his life. Raised as the fifth of nine children in a large Irish Catholic in , Lydon experienced significant family instability due to his father's and domineering nature, which culminated in the father quitting his job in 1937 and forcing the children to contribute financially. This challenging environment fostered Lydon's early resilience, as he took on responsibilities to support the household despite limited formal education. Lydon began his professional acting career at age 14 in 1937 on Broadway, securing a as in Western Waters by exaggerating his prior experience despite having none; he went on to appear in several other Broadway productions. His film debut came at age 16 in the 1939 Back Door to Heaven, directed by William K. Howard, where he played the lead of a troubled youth, marking his entry into Hollywood under ' distribution.

Acting career

Early film roles

Jimmy Lydon made his screen debut at age 16 in the 1939 crime drama Back Door to Heaven, directed by William K. Howard for Principal Productions, where he portrayed Frankie Rogers, a young slum dweller who faces hardship, enters , and spirals into criminality. The role showcased Lydon's ability to convey vulnerability and defiance, earning praise for his authentic depiction of youthful desperation amid urban poverty. In 1940, Lydon secured supporting parts in two releases that highlighted his emerging talent for portraying adolescent characters navigating adversity. In Norman Z. McLeod's adaptation of , based on Louisa May Alcott's , he played Dan, a rough with a troubled past who finds structure and growth at Plumfield School under the guidance of Jo March (). Later that year, in Robert Stevenson's , an adaptation of ' , Lydon took the juvenile lead as Tom Brown, a spirited but rebellious student enduring bullying and reform at under headmaster (). These performances established him as a versatile young actor capable of blending mischief with emotional depth. By 1941, Lydon began transitioning to more prominent juvenile leads in low-budget features, often emphasizing themes of redemption for wayward . In Erle C. Kenton's Naval Academy, a B-movie, he starred as Tommy Blake, a street-smart teen from who dreams of naval service and clashes with authority while proving his worth alongside . This role exemplified the era's interest in stories of juvenile reform, positioning Lydon as a go-to performer for such narratives. Lydon's early career was marked by typecasting as troubled or rambunctious teens, a common in pre-war Hollywood to address social issues like delinquency and economic strife. Working initially with independent outfits and studios like RKO and Columbia, he navigated the challenges of short-term contracts and limited billing, which restricted creative control but honed his skills in fast-paced productions. These experiences culminated in a long-term contract with later in 1941, offering stability amid the competitive landscape for child actors.

Henry Aldrich series

Jimmy Lydon was cast as the mischievous teenager Henry Aldrich in the 1941 Paramount film Henry Aldrich for President, adapting the popular radio series that had debuted in 1939. This role marked Lydon's breakthrough in the franchise, succeeding Jackie Cooper's portrayal in the earlier Life with Henry (1941), and established him as the lead in the subsequent eight entries through 1944. The nine-film series, all directed by Hugh Bennett and produced as B-comedies, followed Henry's comedic misadventures as a hapless high schooler navigating family life, friendships, and teenage woes in the fictional town of Centerville. The films were:
  • Henry Aldrich for President (1941): Henry competes in a heated for high-school , facing rival schemes and romantic complications.
  • Henry Aldrich, Editor (1942): As editor of the school newspaper, Henry investigates a series of mysterious fires and becomes a in the arsons.
  • Henry and Dizzy (1942): After sinking a borrowed , Henry and his friend Dizzy scramble to raise money for repairs to avoid legal trouble.
  • Henry Aldrich Gets Glamour (1943): Henry wins a date with a glamorous through a contest, turning him into a local celebrity amid jealous rivals.
  • Henry Aldrich Swings It (1943): Henry defies school authorities by organizing a swing band performance, leading to chaotic rehearsals and a big showdown.
  • Henry Aldrich Haunts a House (1943): Under the influence of a strange , Henry wanders into a supposedly and uncovers neighborhood secrets with his friends.
  • Henry Aldrich, Boy Scout (1944): Henry and Dizzy take on leadership roles in their Boy Scout troop but struggle to manage a spoiled new member.
  • Henry Aldrich Plays Cupid (1944): To improve his grades, Henry schemes to find a romantic match for his strict, unmarried .
  • Henry Aldrich's Little Secret (1944): Henry and Dizzy launch a business to earn quick cash, only to face unexpected childcare disasters.
The series received positive critical reception for its lighthearted depiction of adolescent life, with reviewers praising its relatable humor drawn from everyday teenage dilemmas. performance was strong for B-pictures, contributing to Paramount's steady output of popular youth-oriented comedies during , and the films collectively grossed modestly but consistently, appealing to family audiences. Lydon's energetic, screechy-voiced portrayal of the bumbling yet well-intentioned Henry earned him the nickname "America's typical teenager," cementing his image as the quintessential 1940s adolescent. Behind the scenes, Lydon formed a close working relationship with frequent co-star Charles Smith, who played Henry's loyal but dim-witted sidekick Dizzy Stevens across all nine films, adding to the series' buddy-comedy dynamic; occasional supporting players like , who appeared as bully Whit Bidecker in Henry Aldrich Haunts a House (1943), contributed to the ensemble's youthful energy. The rapid production schedule—often two films per year—solidified Lydon's stardom among teen viewers but also led to , influencing his career trajectory by limiting him to similar boy-next-door roles in subsequent projects.

Post-war films and television

Following the success of the Henry Aldrich series, which established Lydon as a reliable young lead in comedic roles, Lydon served in the during , stationed in , before transitioning to more dramatic and period pieces in the late 1940s. In 1947, Lydon earned a prominent supporting role as Clarence Day Jr., the eldest son in the family comedy , directed by and adapted from the long-running Broadway play by and Russell Crouse. The film starred as the irascible patriarch Clarence Day Sr. and as his patient wife Vinnie, with Lydon portraying the Yale-bound teenager navigating family dynamics and first love alongside a young . Filmed in Technicolor, it captured the turn-of-the-century New York setting and highlighted Lydon's growth into adolescent characters beyond lighthearted fare. Lydon continued with diverse film roles in 1948, including the quirky ensemble drama , adapted from William Saroyan's Pulitzer Prize-winning play and directed by H.C. Potter. He played Dudley Raoul Bostwick, a lovelorn young man in a San Francisco bar filled with eccentric patrons led by James Cagney's philosophical Joe. That same year, Lydon appeared in the epic historical drama , directed by and starring in the title role. Cast as , Joan's younger brother, he contributed to the film's portrayal of the saint's rural family life amid her divine calling. As cinema roles evolved, Lydon increasingly turned to the burgeoning medium of television in the early , marking a shift toward serialized . He starred as Chris Thayer in The First Hundred Years (1950–1952), CBS's pioneering daytime that aired five days a week and followed a young couple adjusting to and career pressures. The 15-minute episodes, among the first ongoing TV soaps, featured Lydon opposite Betty Lou Nedell, whom he later married in 1952 after meeting on set. This role showcased his versatility in domestic drama, helping bridge his film background to formats. Throughout the 1950s, Lydon made numerous guest appearances on , contributing to the era's experimental TV dramas that adapted short stories and historical tales. Notable spots included episodes of , a prestigious program known for high-profile adaptations, and Cavalcade of America, an and later ABC series dramatizing American history and innovation. These roles, often portraying earnest young professionals or historical figures, underscored Lydon's adaptability during television's formative years. Into the 1960s, Lydon continued acting in both film and television, guest-starring on anthology series such as and , while taking supporting roles in films including The Alamo (1960), where he played a Tennessee soldier, and The Last Time I Saw Archie (1961), a military comedy opposite . These appearances demonstrated his ongoing presence in the industry amid his growing involvement in production.

Producing career

Transition from acting

As Lydon entered his late twenties in the early 1950s, he faced declining film opportunities, having aged out of the juvenile leads that defined much of his early career, such as the Henry Aldrich series. The burgeoning television industry further shifted priorities away from B-movies, reducing roles for like him and leading to frustration with persistent , as audiences continued to identify him solely with adolescent characters years later. This professional pivot coincided with personal changes, including his 1952 marriage to actress Betty Lou Nedell, with whom he started a , motivating a search for greater stability and creative involvement beyond performing. Seeking behind-the-scenes opportunities, Lydon transitioned into production roles at Television around this time, initially taking on assistant positions while continuing occasional acting work, such as his role in the short-lived The First Hundred Years, which ended in 1953. He balanced these gigs by learning the craft from established executives, including , the head of TV production, through collaborative efforts on early pilots and episodes. This hands-on experience allowed him to earn his first associate producer credits in the mid-1950s, marking a deliberate move toward stability in an evolving industry. Lydon's shift reflected broader changes in Hollywood, where television's rise demanded versatile talents willing to adapt, and his prior on-screen experience provided a foundation for understanding narrative and logistical demands. By leveraging his industry connections and seeking creative control, he positioned himself for long-term contributions, gradually phasing out acting as production became his primary focus.

Major television productions

Jimmy Lydon served as an associate producer on the ABC detective series from 1958 to 1964, contributing to its innovative blend of rock 'n' roll music, stylish private investigation, and episodic format that ensured its run across six seasons and 156 episodes. The show's emphasis on youthful, hip protagonists like Stu Bailey and Jeff Spencer, often set against a backdrop of contemporary tunes from artists like , reflected the era's cultural shift, with Lydon's production role supporting its appeal to a broad audience and commercial success. In the mid-1960s, Lydon took on production responsibilities for the sitcom Mister Roberts, a 30-episode adaptation of the acclaimed Broadway play and , airing from 1965 to 1966, where he helped oversee the comedic portrayal of naval life during starring Roger Smith in the title role. He also acted as coordinating producer for on ABC from 1962 to 1966, managing the production of over 130 episodes that humorously depicted a PT boat crew's misadventures, contributing to the series' popularity as a lighthearted wartime comedy. Lydon's involvement with MASH* marked a significant contribution to one of television's most enduring series, where he helped develop the show from 1972 to 1983, serving in production capacities during its early seasons and providing uncredited voice work for public address announcements in the first two years to enhance the authentic military atmosphere. Later, he produced the short-lived comedy Roll Out in 1973–1974, a II-themed series created by * alumni and , featuring an all-Black cast in a supply unit and running for 12 episodes as an assistant producer. Through his work at Television, Lydon played a key role in producing more than 100 episodes across these and other series in the and , helping shape the studio's output of popular procedural dramas and comedies that defined network programming during the period.

Personal life

Marriage and family

Lydon was first married to Patricia Pernetti on April 14, 1945, in , ; the union ended in divorce in 1948. On May 1, 1952, he married actress Betty Lou Nedell, whom he met on the set of the The First Hundred Years, where they both appeared. Their lasted nearly 70 years, until Nedell's death on January 1, 2022. Nedell, born in 1928, was the daughter of actors Olive Blakeney—who had portrayed Lydon's mother in the Henry Aldrich film series—and Bernard Nedell, which connected the couple to a tight-knit professional circle in Hollywood. The couple had two daughters, Julie and , born in the 1950s. The family settled in , particularly in the area, where they led a relatively private life that allowed Lydon to pursue his acting and producing endeavors with Nedell's support.

Later years and death

In the later decades of his life, Lydon entered semi-retirement in the , residing in , , with his wife Betty Lou, to whom he had been married since 1952. He focused on family, including daughters Julie and Cathy, while occasionally providing voice work. Lydon died on March 9, 2022, at the age of 98 in his home, just two months after Betty Lou's passing in January 2022; the cause of his was not publicly disclosed. His daughters Julie Lydon Cornell and Cathy Lydon announced and confirmed the news, with Julie noting he died peacefully and Cathy describing him as a remarkable man whose stories they would miss. Details of the were not publicly shared, but family tributes highlighted his enduring warmth and legacy as a devoted husband and father.

Legacy

Industry recognition

Lydon's early performances as a juvenile actor garnered industry acclaim, particularly through the Photoplay Awards, which recognized standout monthly performances in film. In 1940, he received the Best Performance of the Month award for his role as Tommy Brown in , highlighting his breakthrough as a young lead in adventure dramas. Seven years later, in 1947, Lydon earned the same honor for portraying Larry Noblet in , a romantic drama that also marked Elizabeth Taylor's first on-screen kiss. Throughout the 1940s, Lydon's work in the Henry Aldrich film series solidified his status as a prominent juvenile performer, though specific awards for the series were limited; his portrayals contributed to the franchise's popularity and his reputation for authentic teenage characterization. In recognition of his broader contributions to the acting profession, Lydon served on the board of the Screen Actors Guild (SAG) during the late 1940s, where he played a key role in establishing the organization's pension and health benefits plan to support performers' long-term welfare. By 1958, he had risen to the position of second vice president of SAG, reflecting peer acknowledgment of his leadership amid discussions on industry issues like taped television. Lydon's transition to producing in the 1950s and 1960s, including associate producer credits on series like , brought further professional esteem within television circles, though formal Emmy nominations eluded his efforts on those projects. His involvement in high-profile productions underscored his enduring influence.

Cultural impact

Jimmy Lydon's portrayal of the bumbling yet relatable teenager Henry Aldrich in a series of nine Paramount films from 1941 to 1944 played a pivotal role in shaping 1940s depictions of American youth, establishing the archetype of the clean-cut, mischief-prone suburban teen navigating family life and high school antics. This character, drawn from the long-running radio sitcom , emphasized wholesome domestic humor that anticipated the structure of later family-oriented television programs, such as The Adventures of Ozzie and Harriet, by focusing on generational conflicts and everyday middle-class dilemmas within an idealized Midwestern setting. The series' formulaic plots, centered on Henry's adolescent struggles, influenced the evolution of teen-centric comedy, providing a template for portraying youth as both endearing and comically flawed without veering into rebellion. In his production work, Lydon contributed significantly to the development of television formats during the postwar era. As a producer on (1958–1964), he helped craft a stylish detective drama that blended crime-solving with the allure of nightlife, popularizing the glamorous genre and inspiring a wave of similar shows featuring charismatic investigators in exotic locales. His contributions to (1972–1983), including voicing public address announcements in early seasons, supported the creation of a groundbreaking war dramedy that fused sharp comedy with poignant explorations of trauma and anti-war sentiment, set against the but resonating as a critique of Vietnam-era conflicts. This innovative mix of humor and pathos in set a precedent for blending genres in television, influencing subsequent series that tackled serious themes through comedic lenses. Through interviews later in life, Lydon offered valuable insights into the challenges of child acting during Hollywood's and the strategic shift to behind-the-scenes roles, serving as a model for young performers seeking in the industry. His experiences underscored the importance of adaptability in transitioning from on-screen talent to production, inspiring subsequent generations of actors to diversify their careers amid changing media landscapes. Following his death in , obituaries celebrated Lydon's enduring legacy as a bridge between classic Hollywood cinema and contemporary television, highlighting how his multifaceted contributions helped sustain comedic traditions while adapting to evolving audience tastes.

References

  1. https://www.hollywoodreporter.com/movies/movie-news/jimmy-lydon-life-with-father-henry-aldrich-movies-dead-1235115079/
  2. https://www.washingtonpost.com/obituaries/2022/03/25/actor-jimmy-lydon-dead/
  3. https://www.imdb.com/name/nm0527996/bio/
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  11. https://www.tcm.com/tcmdb/title/77768/henry-aldrich-haunts-a-house
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  26. https://www.imdb.com/title/tt0069622/fullcredits/
  27. https://ancestors.familysearch.org/en/GDX1-BZG/patricia-jane-pernetti-1925-2019
  28. https://www.findagrave.com/memorial/272413700/betty-lou-lydon
  29. https://www.imdb.com/name/nm0527996/awards/
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  31. https://www.televisionacademy.com/bios/jimmy-lydon
  32. https://dokumen.pub/generation-multiplex-the-image-of-youth-in-american-cinema-since-1980-revised-edition-9780292760707.html
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  34. https://theconversation.com/m-a-s-h-50-years-on-the-anti-war-sitcom-was-a-product-of-its-time-yet-its-themes-are-timeless-190422
  35. https://www.thespectrum.com/story/entertainment/2016/06/16/jimmy-lydon-remembers-life-father/85830388/
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