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Jamie Rose
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Jamie Rose (born November 26, 1959)[1] is an American actress and acting coach. Born in New York City, Rose was raised in Southern California, where she began her career as a child actor, first appearing in commercials. She made her feature film debut in the cult horror film Just Before Dawn (1981), and subsequently had supporting roles in Clint Eastwood's Tightrope and Heartbreakers (both 1984).
Key Information
Rose has numerous television credits, including the role of Vickie Gioberti on the primetime soap opera Falcon Crest (1981–1983), as well as the lead on the crime series Lady Blue (1985–1986). Later film credits include Atlas Shrugged: Part II (2012), as well as guest-starring roles on the series Jane the Virgin (2015) and Grey's Anatomy (2016).
Since 2007, Rose has operated her own acting studio workshop, JRose Studio, in Los Angeles. She has also written a book, Shut Up and Dance! The Joy of Letting Go of the Lead--On the Dance Floor and Off, published in 2011.
Early life
[edit]Rose was born November 26, 1959,[2] in New York City[1] to Stewart, a singer and dancer, and Reta Rose, a former Radio City Rockette.[3] Shortly after her birth, Rose's family relocated from New York City to California, where she was raised in the Van Nuys section of Los Angeles.[3] Her father was Jewish, and she was raised in this faith.[4] Rose began acting at age six,[5] first appearing in commercials for Kool-Aid, and later, Mountain Dew as an adolescent.[3] When Rose was 14, the family relocated to Fresno, where her father accepted a job as a building contractor.[5] Rose graduated from Bullard High School in 1977,[3] and subsequently attended Fresno State University before transferring to the University of California, Santa Cruz.[5] After a year, Rose decided to return to Los Angeles, and transferred to California State University, Northridge, where she majored in theater; she eventually dropped out, however, to begin acting professionally.[3]
Career
[edit]She made her feature film debut in Jeff Lieberman's slasher film Just Before Dawn (1981), and subsequently had supporting roles in Clint Eastwood's Tightrope and Heartbreakers (both 1984).[6]
Rose portrayed Vickie Gioberti on the primetime soap opera Falcon Crest (1981–1983), as well as the lead on the crime series Lady Blue (1985–1986).[7] She appeared in guest-starring roles on various series in the 1980s, including Hotel, Columbo, and Murder, She Wrote.[6] She also had a supporting part in the 1996 television film Lying Eyes,[6] as well as guest appearances on Chicago Hope (1994–1995), Renegade (1994–1996), Ally McBeal (1997), and Walker, Texas Ranger (also 1997).[6]
In 2012, Rose guest-starred on the series Criminal Minds and had a supporting role in the film Atlas Shrugged: Part II.[6] She subsequently had guest-starring roles on Jane the Virgin (2015) and Grey's Anatomy (2016).[6]
Book
[edit]Rose's memoir/self-help book about her experiences learning the tango and how it affected her relationship, Shut Up and Dance! The Joy of Letting Go of the Lead--On the Dance Floor and Off, was released September 15, 2011.[8]
Personal life
[edit]Rose married filmmaker James Orr in 1986,[3] though they later divorced. In 2006, Rose married actor Kip Gilman, whom she met on a blind date in 1997.[9] They divorced in 2017. Since September 2007, she has been teaching acting through her JRose Studio in Los Angeles, California.[10]
Filmography
[edit]Film
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1981 | Just Before Dawn | Megan | [6] | |
| 1984 | Tightrope | Melanie Silber | [6] | |
| 1984 | Heartbreakers | Libby | [6] | |
| 1985 | Rebel Love | Columbine Cromwell | [11] | |
| 1989 | Chrome Hearts | Dede | ||
| 1989 | Playroom | Marcy | [12] | |
| 1991 | Chopper Chicks in Zombietown | Dede | [6] | |
| 1991 | To Die Standing | Constance Bigelow | Alternate title: Crackdown | [13] |
| 1996 | The Chain | Ellen Morrisey | [11] | |
| 2001 | Holiday in the Sun | Judy | [11] | |
| 2012 | Atlas Shrugged: Part II | Sara Connelly | ||
| 2012 | Route 30, Too! | Dot | ||
| 2014 | Route 30 Three! | G-Woman | ||
| 2016 | The Father and the Bear | Joyce Redman |
Television
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1967 | Family Affair | Girl | Episode: "Fat, Fat, the Water Rat" | |
| 1968 | Green Acres | Girl #4 | Episode: "My Mother, the Countess" | |
| 1983 | Fantasy Island | Virginia Smith | Episode: "The Other Man – Mr. Roarke/Forbidden Love" | |
| 1981–1983 | Falcon Crest | Vickie Gioberti Hogan | Main role (seasons 1–2); recurring role (season 3) | [14] |
| 1981 | Twirl | Lisa Hines | Television film | |
| 1982 | In Love with an Older Woman | Debbie | Television film | [15] |
| 1984 | Jessie | Kit Parnell | Episode: "Flesh Wounds" | |
| 1984 | Matt Houston | Rhonda | Episode: "Caged" | |
| 1984 | Paper Dolls | Connor Crossland | Episode One | |
| 1984 | Flight 90: Disaster on the Potomac | Marilyn Nichols | Television film | [16] |
| 1984 | Never Again | Abby Cartwright | Television film | [17] |
| 1985 | Simon & Simon | Stephanie | 2 episodes | |
| 1985 | Amazing Stories | Mrs. Northrup | Episode: "Vanessa in the Garden" | |
| 1986 | St. Elsewhere | Dr. Birch | 4 episodes | |
| 1985–1986 | Lady Blue | Katy Mahoney | Lead role | [6] |
| 1987 | Duet | Rachel | 2 episodes | |
| 1985–1988 | Hotel | Kate Marris / Brooke Hastings | 2 episodes | |
| 1988 | Valerie | Peggy Hayes | Episode: "Dad's First Date" | |
| 1988–1993 | Murder, She Wrote | Laura Martin / Lisa McCauley / Anne Lowery | 3 episodes | [6] |
| 1989 | Hard Time on Planet Earth | Laura Rowlands | Episode: "Something to Bank On" | |
| 1990 | Hardball | Episode: "The Angel of Death" | ||
| 1989–1990 | My Two Dads | Sarah | 4 episodes | |
| 1990 | Broken Badges | Sarah Bakum | Episode: "Strawberry" | |
| 1990 | Voices Within: The Lives of Truddi Chase | Truddi's mother | Television film | |
| 1991 | Columbo | Nancy Brower | Episode: "Death Hits the Jackpot" | [6] |
| 1991 | Brotherhood of the Gun | Kate | Television film | |
| 1992 | Civil Wars | Adriana Chase | Episode: "Drone of Arc" | |
| 1993 | The Second Half | Toni | Episode: "Same Bet Next Year" | |
| 1993–1998 | Silk Stalkings | Jacqueline 'Jackie' Webster / Patricia Van Barrow / Jasmine / Catherine Hayworth | 3 episodes | [6] |
| 1994–1995 | Chicago Hope | Stacey Halmora | 3 episodes | |
| 1994–1996 | Renegade | Jill Tanner / Jody Whitley / Tanya Mason | 2 episodes | |
| 1994–1997 | Viper | Marian Franklin / Gloria | 2 episodes | [6] |
| 1995 | The Watcher | Lauren | Episode: "Heartburned" | [6] |
| 1995–1998 | Weird Science | Agent Molly | 2 episodes | |
| 1996 | Nowhereland | Claire Hilliard | Episode: "Doppelgänger" | |
| 1996–1997 | The Sentinel | Sheila Irwin | 2 episodes | [6] |
| 1996 | Terminal | Sheila Adamson | Television film | [6] |
| 1996 | My Son Is Innocent | Joann Brodsky | Television film | |
| 1996 | Lying Eyes | Elizabeth Bradshaw | Television film | [11] |
| 1997 | JAG | Liz Holst | Episode: "Rendezvous" | |
| 1997 | Ally McBeal | Sandra Winchell | Episode: "The Promise" | [6] |
| 1997 | Walker, Texas Ranger | Sarah Rose | 2 episodes | [6] |
| 1999 | Crusade | Cynthia Allen | Episode: "The Rules of the Game" | |
| 1999 | The Test of Love | Judith Evans | Television film | |
| 2000 | NYPD Blue | Nicki Cameron | Episode: "The Irvin Files" | |
| 2002 | The Court | Mrs. Rockland | Episode: "A Wing and a Prayer" | |
| 2003 | Dragnet | Andrea Furnell | Episode: "Redemption" | |
| 2005 | ER | Marilyn Bracken | Episode: "You Are Here" | [6] |
| 2007 | Murder 101: College Can Be Murder | Muriel Coe | Television film | [11] |
| 2007 | Primal Doubt | Dr. Marianne Thorne | Television film | |
| 2007 | Cold Case | Melissa Canter '07 | Episode: "Thick as Thieves" | [6] |
| 2008 | Two and a Half Men | Sloane Jagov | Episode: "Fish in a Drawer" | [6] |
| 2008 | House | Patty Michener | Episode: "Dying Changes Everything" | [6] |
| 2008–2009 | In2ition | Mrs. Fox | Web series; recurring role | |
| 2012 | Criminal Minds | Linda Nelson | Episode: "God Complex" | [6] |
| 2013 | Franklin & Bash | Judge Helen Daniels | Episode: "Good Lovin'" | |
| 2015 | Jane the Virgin | Therapist | Episode: "Chapter Twelve" | |
| 2016 | Grey's Anatomy | Lena | Episode: "Odd Man Out" | [6] |
References
[edit]- ^ a b "Jamie Rose Biography". AllMovie. Archived from the original on March 20, 2020.
- ^ "Today's Birthdays". Montgomery Advertiser. Montgomery, Alabama. November 26, 2003. p. 33 – via Newspapers.com.
- ^ a b c d e f Grant, James (December 8, 1986). "Snagging a Steady Job on TV Turns Out to Be a Real Thorn in Jamie Rose's Side". People. Archived from the original on March 20, 2020.
- ^ Rose, Jamie. "The Islands Tool". The Tools. Archived from the original on July 4, 2022. Retrieved July 4, 2022.
{{cite web}}: CS1 maint: bot: original URL status unknown (link) - ^ a b c Smith, Stacy (July 3, 1983). "Jamie Rose: Actress now goes with flow of life". Green Bay Press-Gazette. Green Bay, Wisconsin. p. 81 – via Newspapers.com.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z "Jamie Rose Credits". TV Guide. Archived from the original on March 20, 2020.
- ^ O'Connor, John J. (November 18, 1985). "TV REVIEWS; ABC SERIES 'LADY BLUE' SWITCHES TO SATURDAYS". The New York Times. Retrieved January 22, 2009.
- ^ McMartin, Susan (December 11, 2011). "Meet the Author of 'Shut Up and Dance'". Patch. Archived from the original on March 20, 2020.
- ^ Morris, Chris (August 26, 2015). "Oscar Madison saved my marriage". Orange County Register. Anaheim, California. Archived from the original on March 20, 2020.
- ^ "Los Angeles Acting Schools & Coaches". Backstage. March 25, 2010. Archived from the original on March 20, 2020.
- ^ a b c d e "Jamie Rose". British Film Institute. Archived from the original on April 3, 2020.
- ^ Weldon 1996, p. 432.
- ^ Weldon 1996, p. 122.
- ^ Berard & Englund 2009, p. 89.
- ^ O'Connor, John J. (November 24, 1982). "TV: "In Love With an Older Woman"". The New York Times. New York City, New York. Archived from the original on April 3, 2020.
- ^ Berard & Englund 2009, p. 362.
- ^ Terrace 2020, p. 170.
Sources
[edit]- Berard, Jeanette M.; Englund, Klaudia, eds. (2009). Television Series and Specials Scripts, 1946-1992: A Catalog of the American Radio Archives Collection. Jefferson, North Carolina: McFarland. ISBN 978-0-786-45437-2.
- Terrace, Vincent (2020). Encyclopedia of Television Pilots: 2,470 Films Broadcast 1937-2019 (2nd ed.). Jefferson, North Carolina: McFarland. ISBN 978-1-476-63810-2.
- Weldon, Michael (1996). The Psychotronic Video Guide to Film. New York City, New York: Macmillan. ISBN 978-0-312-13149-4.
External links
[edit]Jamie Rose
View on GrokipediaEarly life and education
Childhood and family background
Jamie Rose was born on November 26, 1959, in New York City, New York.[1] Her parents were Stewart Rose, a singer and dancer, and Reta Rose, a former Radio City Rockette who had performed professionally in New York. Shortly after her birth, the family relocated from New York to Southern California, where Rose spent much of her early childhood immersed in the vibrant entertainment scene of the region.[10] The Rose family dynamics were deeply rooted in the performing arts, with both parents having active careers in dance and music that shaped the household environment. Stewart and Reta's professions created an atmosphere filled with creative expression, rehearsals, and performances, which naturally sparked Rose's early fascination with the stage and movement. This artistic upbringing provided her with informal exposure to the demands and joys of performance, encouraging her innate curiosity about acting and dance from a very young age. In 1974, when Rose was 14 years old, the family moved again from Los Angeles to Fresno, California, after her father accepted a position as a building contractor. This relocation marked a shift from the entertainment-centric life of Southern California to a more subdued setting in the Central Valley, though the family's creative influences persisted in their daily life. The move highlighted the adaptability of the Rose household, where parental support for artistic pursuits continued to nurture Rose's developing interests despite the change in surroundings.[11]Entry into acting and early training
Jamie Rose began her professional acting career at the age of six in 1965, securing her first role as a child go-go dancer in a Kool-Aid commercial featuring Bugs Bunny's voice in post-production.[12] This early exposure came through her father's encouragement, who kept her on standby with the Screen Actors Guild, leveraging the vibrant entertainment industry of Southern California where she was raised.[11] Throughout the late 1960s and 1970s, Rose continued building her experience primarily through commercial work, appearing in national advertisements for brands such as Orbit Gum, M&M's, and United Airlines, often capitalizing on her distinctive bright red hair.[11] As an adolescent, she expanded into spots for Mountain Dew, marking her transition from child performer to young adult roles while still focusing on print and television commercials rather than scripted on-screen parts.[10] These minor gigs provided foundational on-set familiarity in an era when child actors in Southern California benefited from the region's proximity to studios and casting opportunities. Rose's early training blended private acting classes with self-taught elements honed in the permissive, creative atmosphere of Southern California, where informal exposure to performance through local theater and media influenced her development without structured conservatory programs.[11] She has reflected on this period as one of intuitive learning, drawing from practical auditions and shoots that built her confidence amid the competitive child acting scene.[12]Formal education
Jamie Rose graduated from Bullard High School in Fresno, California, in 1977.[10] After high school, Rose attended California State University, Fresno for one year before transferring to California State University, Northridge, where she majored in theater arts.[13][14] Her early experiences in acting, including commercial work starting at age six, influenced her academic path and ultimately led her to prioritize professional opportunities over completing her degree.[10] In the late 1970s, Rose left the university to pursue acting full-time.[14] During this period, she participated in informal training programs, such as acting workshops, to hone her skills alongside on-set experience.Professional career
Early acting roles and breakthrough
Following her childhood acting experiences in commercials and a guest appearance on Green Acres in 1968, Jamie Rose relocated to Los Angeles in 1975 to pursue a professional career as an adult performer, enrolling at California State University, Northridge, to study theater while auditioning.[11][1] This move marked a pivotal transition, as she later reflected on the uncertainty of her direction, stating, "I didn't really know what I wanted to do, but I had been an actress when I was a child."[11] Rose's early adult roles included national commercials for brands like Orbit Gum, M&M's, and United Airlines, which kept her active in the industry and honed her skills before she ventured into scripted work.[11] Her feature film debut arrived in 1981 with the slasher horror Just Before Dawn, where she portrayed Megan, one of the young leads in a group of hikers terrorized in the woods, an experience she described as feeling "like I was playing with my friends" due to the cast's camaraderie.[5][12] That same year, she appeared in the ABC TV movie The Wave as student Andrea, a role in a dramatization of a high school experiment exploring conformity and authoritarianism.[15] These initial projects led to minor television appearances and guest spots in the early 1980s, including roles that showcased her versatility and helped build her visibility in Hollywood.[4] The challenges of this period were significant, as Rose navigated the competitive landscape of Los Angeles without a defined path, relying on persistence amid frequent auditions and the instability of sporadic work.[11] Her breakthrough came with a recurring role on the CBS primetime soap opera Falcon Crest from 1981 to 1983, playing Vickie Hogan (later Vickie Gioberti), the rebellious daughter of central characters Chase and Maggie Gioberti, which provided steady exposure and established her as a rising television presence.[1][12]Television prominence
Rose achieved notable television prominence through her starring role as Detective Katy Mahoney in the ABC action-drama series Lady Blue, which aired from April 1985 to November 1986 and consisted of 13 episodes.[16] In the show, created by Robert Vincent O'Neil and executive produced by David Gerber, Rose portrayed a fiery, red-haired Chicago homicide detective from the city's 39th District, known for her aggressive tactics and use of excessive force, earning her the moniker "Dirty Harriet" in reference to Clint Eastwood's iconic character.[17] The pilot episode, filmed partly in Chicago's Cabrini-Green housing projects, drew immediate controversy for its graphic violence, including scenes of Mahoney wielding a .357 Magnum revolver, which Rose learned to handle under Eastwood's personal guidance during preparation.[17] Critically, Lady Blue received mixed to negative reviews during its run, with much of the backlash centered on its emphasis on brutality and Mahoney's unapologetic vigilantism, which some critics argued glorified police misconduct; however, television scholar Cary O'Dell has suggested that the harsh response may have been influenced by sexism toward a female lead in a traditionally male-dominated action genre.[18] Despite low ratings leading to its cancellation after one season and no subsequent home video release, the series showcased Rose's ability to command intense action sequences, as she later reflected: "Action shows are so fun because I got to be strapped to things, hoisted over things, shoot the gun, and jump on moving cars."[17] Building on this exposure, Rose took on a recurring role as Dr. Susan Birch, a first-year resident at St. Eligius Hospital, appearing in four episodes of the NBC medical drama St. Elsewhere during its fifth season in 1986.[19] Her television career continued with guest appearances that sustained her presence through the 1990s and into later decades, including Linda Nelson, the wife of a serial killer surgeon, in the 2012 episode "God Complex" of CBS's Criminal Minds.[20] In 2016, she guest-starred as Lena, a patient involved in a complex romantic entanglement, in the season 12 episode "Odd Man Out" of ABC's Grey's Anatomy.[21] These roles, particularly her lead in Lady Blue and supporting turns in acclaimed series like St. Elsewhere, significantly elevated Rose's visibility in the 1980s and 1990s, positioning her as a versatile performer capable of handling both high-stakes action and dramatic ensemble work amid the era's competitive primetime landscape.[17]Film roles and select projects
Jamie Rose's film career encompassed a range of genres, from thrillers and horror comedies to dramatic adaptations, often featuring supporting roles that highlighted her versatility as an actress. Her work in cinema, while not as prolific as her television appearances, included several notable projects that showcased her ability to portray complex characters in high-stakes narratives. These films, spanning the 1980s to the 2010s, reflected her transition from genre-driven stories to more introspective dramas, bolstered briefly by the visibility gained from her television success.[22] In 1984, Rose appeared in the Clint Eastwood-directed thriller Tightrope, playing Melanie Silber, a sex worker whose murder investigation drives the plot involving Eastwood's character, a troubled detective navigating New Orleans' underbelly. This role marked an early highlight in her filmography, providing her with exposure alongside a major star in a film that explored themes of vigilantism and psychological tension.[23][24] Rose took on a leading role as Dede in the 1989 comedy-horror film Chopper Chicks in Zombietown, where she portrayed the head of a biker gang confronting a zombie outbreak in a small town, blending exploitation elements with campy humor. The film has achieved cult status for its irreverent take on biker and zombie tropes, distributed by Troma Entertainment and praised for its affectionate nod to B-movie conventions despite its low budget.[25][26] She also appeared in television movies such as the 1996 thriller Lying Eyes, in which she played Elizabeth Bradshaw, the wife entangled in a web of deception surrounding her husband's affair with a younger woman, leading to themes of obsession, betrayal, and murder. This project underscored her skill in dramatic tension, focusing on the emotional fallout of illicit relationships and moral ambiguity in suburban settings.[27][28] Later, in 2012, Rose portrayed Sara Connelly in Atlas Shrugged: Part II, the second installment of the Ayn Rand novel adaptation, where her character supports the central narrative of industrialists resisting societal collapse through individualist principles. This role represented a shift toward philosophical drama, emphasizing ethical dilemmas and economic intrigue in a dystopian framework.[29][30] Rose's film choices evolved from the visceral horror and action of her early 1980s work, such as slashers and thrillers, to more character-driven dramas in the 1990s and beyond, reflecting a maturation in her selection of projects that prioritized thematic depth over genre spectacle. This progression allowed her to explore nuanced portrayals of women in crisis, from victims of violence to complicit figures in moral quandaries.[10]Transition to coaching and writing
Following her established career in acting, Jamie Rose began transitioning into coaching in the mid-2000s, leveraging her industry experience to mentor emerging talent. In 2007, she founded JRose Studio in Los Angeles, an acting workshop focused on technique, scene study, and audition preparation for actors at all levels.[10][31] The studio provided private coaching sessions, allowing Rose to share insights from her decades in film and television while continuing selective acting roles that informed her teaching approach.[32] Over time, Rose's practice evolved from acting-specific instruction to broader mindset coaching, emphasizing personal development and resilience. She trained under psychiatrist Dr. Phil Stutz, adopting his "The Tools" methodology—a set of psychological techniques designed to foster active creation and overcome inertia.[33][34] This shift enabled her to work with diverse clients, including professionals in finance, law, and entertainment, helping them build mental frameworks for growth and forward momentum.[35] In recent years, Rose has expanded her outreach through public seminars and media appearances. Her workshops on mindset and reinvention have been featured at prestigious organizations such as the SAG-AFTRA Foundation and PEN America, where she addresses challenges faced by performers and writers.[36] In September 2025, she appeared on the inaugural episode of The Holly Hughes Podcast, discussing her journey of professional reinvention and the integration of acting, coaching, and writing.Writing and publications
Memoir and self-help book
In 2011, Jamie Rose published Shut Up and Dance!: The Joy of Letting Go of the Lead—On the Dance Floor and Off, a memoir that intertwines her experiences learning Argentine tango at age 45 with self-help guidance on relationships and personal development. Released by Tarcher/Penguin on September 15, the book draws from Rose's transition into partner dancing amid life transitions, presenting tango as a framework for building trust and intimacy both in dance partnerships and everyday connections.[6][37] Central themes revolve around overcoming loss and using dance as a metaphor for confronting life's challenges, such as relational setbacks and self-doubt, to achieve greater emotional resilience. Rose recounts how surrendering control on the dance floor—alternating between leading and following—mirrors the vulnerability required for authentic partnerships, offering practical advice for readers to apply these lessons in their own lives for enhanced personal growth. Her background as a performance coach subtly shapes these insights, emphasizing collaborative dynamics over dominance.[37][38] The book received positive reception for its engaging blend of humor and wisdom, with Kirkus Reviews describing it as a "charming debut" that insightfully captures the parallels between tango and relational harmony. It earned an average customer rating of 4.6 out of 5 stars on Amazon based on 22 reviews, praised for its candid storytelling and motivational tone, though no major sales milestones, such as bestseller status, have been reported. Endorsements from authors like Hope Edelman and Christina Haag highlighted its empowering message for women navigating partnership roles.[38][37] Rose's second book, Facing Madame X: The Tools for Women (Arcade/Skyhorse Publishing), is scheduled for release on March 3, 2026. This self-help work, with a foreword by Phil Stutz, applies the principles of The Tools through a feminine lens, teaching readers to identify and neutralize the inner saboteur "Madame X" that suppresses potential, drawing on themes of negativity, feminine power, and resilience. It builds on Rose's decades of coaching experience to provide practical tools for emotional and personal breakthroughs.[39][40]Other writings and contributions
In addition to her memoir, Jamie Rose has contributed shorter-form essays and articles to various publications, focusing on themes of personal growth, self-acceptance, and emotional resilience. In 2020, she published a personal essay in HuffPost titled "Here's Why I Decided To Get Breast Implants ... And Why I Removed Them," where she reflected on body image pressures in Hollywood, the decision to undergo and later reverse cosmetic surgery, and the journey toward self-love inspired by figures like Chrissy Teigen.[41] This piece exemplifies her post-acting career emphasis on vulnerability as a tool for empowerment. Earlier contributions include essays in magazines such as Coast and Actors Ink, though specific titles remain less documented in public archives.[22] Rose has also made significant collaborative contributions to the therapeutic framework of The Tools by Phil Stutz and Barry Michels, serving as a key developer and recorder of its materials since her training under Stutz over three decades ago.[42] As a certified Tools coach, she co-authors blog posts on the official The Tools website, adapting the methodology for contemporary challenges; notable examples include "The Sick Shadow" (2025), which explores overcoming self-sabotaging inner critics, and "Being Present with Not Being Present for My Dad's Last Breath" (2025), addressing grief and presence in loss.[43][44] These writings, often co-developed with Stutz through video discussions, extend the original book's principles into practical, narrative-driven guidance.[35] She has not co-authored the core The Tools volumes but has provided foreword-like endorsements and supplementary content in related recordings and sessions.[45] Within her coaching practice, Rose incorporates unpublished workshop-based writings tailored to group sessions, such as those for her "Facing Madame X: The Tools for Women" program, where participants engage with custom exercises on archetypes and inner voices derived from The Tools.[33] These materials, shared exclusively in intensive online and in-person formats, emphasize hands-on application for professional and personal breakthroughs, building on her mentored expertise without formal publication.[34]Personal life
Marriages and relationships
Rose's first marriage was to Canadian filmmaker James Orr on June 14, 1986; the union ended in divorce on June 1, 1988.[10] She met actor Kip Gilman on a blind date in 1997, and the couple married on August 21, 2006. Both pursued careers in acting, with Gilman known for his role as Dr. Hank Kaplan on the sitcom Nurses. Their marriage lasted until 2017, when they divorced.[10] Since approximately 2018, Rose has been in a relationship with screenwriter and novelist Bruce Wagner.Later life and interests
In her later life, Jamie Rose resides in Los Angeles, California, where she has focused full-time on coaching through her JRose Studio, teaching aspiring actors and supporting creative professionals.[46] She maintains a deep interest in tango dancing, a pursuit that profoundly influenced her personal development and inspired her 2011 memoir Shut Up and Dance!: The Joy of Letting Go of the Lead—On the Dance Floor and Off.[6] As an avid reader and writer, Rose continues to explore themes of family legacy and self-improvement, as in her 2022 memoir Facing Madame X, which addresses the intergenerational impact of alcoholism in her family.[39] Rose engages in community involvement by leading workshops for PEN Center USA, coaching writers on delivering their work aloud for spoken word events such as The Moth and TEDx performances.[8] Her contributions extend to educational initiatives, including acting seminars at the University of North Carolina and the North Carolina School of the Arts, as well as online courses in dramatic literature and introduction to theater for California State University, Northridge.[8] Following her previous marriages, which she has reflected on as pivotal life chapters in her writings, Rose emphasizes personal resilience and ongoing creative pursuits in her daily life.[6]Filmography
Film
| Year | Title | Role |
|---|---|---|
| 1981 | Just Before Dawn | Megan |
| 1982 | In Love with an Older Woman | Debbie |
| 1984 | Tightrope | Melanie Silber |
| 1984 | Heartbreakers | Libby |
| 1986 | Rebel Love | Columbine Cromwell |
| 1990 | Voices Within: The Lives of Truddi Chase | Truddi's Mother |
| 1991 | To Die Standing | Constance Bigelow |
| 1990 | Chopper Chicks in Zombietown | Dede |
| 1991 | Columbo: Death Hits the Jackpot | Nancy Brouwer |
| 1991 | Brotherhood of the Gun | Kate |
| 1996 | My Son Is Innocent | Joann Brodsky |
| 1996 | Lying Eyes | Elizabeth Bradshaw |
| 1996 | Terminal | Sheila Adamson |
| 1996 | The Chain | Ellen Morrisey |
| 1999 | The Test of Love | Judith Evans |
| 2001 | Holiday in the Sun | Judy |
| 2007 | Murder 101: College Can Be Murder | Muriel Coe |
| 2007 | Primal Doubt | Dr. Marianne Thorne |
| 2012 | Atlas Shrugged: Part II | Sara Connelly |
| 2012 | Route 30, Too! | Dot |
| 2014 | Route 30, Three! | G-Woman |
| 2016 | The Father and the Bear | Joyce Redman |