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Jennifer Croft
Jennifer Croft
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Jennifer Croft is an American writer and translator from Tulsa, Oklahoma. She won a 2022 Guggenheim Fellowship[2] for her novel The Extinction of Irena Rey, a national bestseller and a Wall Street Journal best book of 2024.[3] It has been translated into nine languages.

Key Information

Croft also won the 2020 William Saroyan International Prize for Writing for her illustrated memoir Homesick,[4] which was later published as a novel in the UK and shortlisted for the James Tait Black Prize[5]--Britain's oldest literary award--and longlisted for the Women's Prize.[6] The original Spanish-language version of the book was also published as a novel.[7] Croft has expressed ambivalence about genre labels and enthusiasm about mixing genres and even media.[8]

In 2018, Croft received the International Booker Prize for her translation from Polish of Olga Tokarczuk's Flights.[9] She has since advocated for broader recognition for the work and identify of the translator and for the power of collaboration in the arts.[10]

Education

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Croft grew up in Tulsa, Oklahoma, where she entered the University of Tulsa at age 15.[11] After completing her BA at the University of Tulsa in 2001,[12] she learned Polish at the University of Iowa, where she did her MFA in literary translation. She lived in Warsaw, Poland for two years on a Fulbright scholarship. As she said in one of her interviews, "Polish has always been more of an academic and professional connection for me, but I try to go back to Kraków or Warsaw at least once a year to maintain that connection".[13] It was during her time in Warsaw that she met author Olga Tokarczuk with whom she worked on the novels Flights[14] and The Books of Jacob, along with essays and short stories.

She learned her Spanish in Buenos Aires, Argentina, and says of her work translating Argentine Spanish,

I only translate works from Spanish that were written by Argentine authors—there’s such great diversity among the different Spanishes, and I’ve always felt it’s really important to be fully familiar with all the little components of speech, the quotidian rhythms writers employ and depart from. It's important for me to be able to hear the tone of a sentence, picture the facial expression and gestures that would accompany it, in order to find a fitting rendition in English.[13]

Croft received a PhD in Comparative Literary Studies from Northwestern University.[15]

Personal life

[edit]

Croft is married to Ukrainian-American poet and translator Boris Dralyuk. They have twins who were born in 2022.[16]

Career

[edit]

Croft translated Romina Paula's August (Feminist Press, 2017), Federico Falco's A Perfect Cemetery (Charco Press, 2021), Pedro Mairal's The Woman from Uruguay (Bloomsbury Publishing, 2021), Tina Oziewicz's What Feelings Do When No One's Looking (Elsewhere Editions, 2022), Sylvia Molloy's Dislocations (Charco Press, 2022), and Sebastián Martínez Daniell's Two Sherpas (Charco Press, 2023). Her translation of Tokarczuk's Flights from Polish was published by Fitzcarraldo Editions in May 2017.[17] Croft has also translated Tokarczuk's novel Księgi Jakubowe (The Books of Jacob), which won the Nike Award in 2015.[18][19]

With her essay in The Guardian, "Why translators should be named on book covers,"[20] Croft launched the #TranslatorsOnTheCover campaign in cooperation with the Society of Authors and the author Mark Haddon.[21] The campaign has raised awareness of the collaborative nature of translated literature by foregrounding the identity of the translator, who, Croft argues, is the person who writes every word of the translated work.

Her debut novel The Extinction of Irena Rey was published in 2024.[22][23][24] Publishers Weekly wrote that Croft, "serves up a wickedly funny mystery involving an internationally famous author and her translators".[25] Croft began writing the novel, which was inspired by a trip to the Bialowieza Forest on the border of Poland and Belarus, in 2017.[26]

Awards

[edit]

Croft is the recipient of Guggenheim, Cullman, Fulbright, PEN, MacDowell, Fondation Jan Michalski, Yaddo, and National Endowment for the Arts grants and fellowships, as well as the inaugural Michael Henry Heim Prize for Translation and a Tin House Scholarship for Homesick.

With the author Olga Tokarczuk, Croft won the 2018 Man Booker International Prize.

Olga Tokarczuk and Jennifer Croft with Lisa Appignanesi OBE, chair of the judges for the 2018 Man Booker International Prize

On being asked what drew her to the writer's work, Jennifer Croft has said,

I stumbled upon Olga Tokarczuk’s first short-story collection, Playing Many Drums, in 2003 as I prepared for a Fulbright at the University of Warsaw, where I would continue to study literary translation. Right away I loved her soothing, nuanced style, but I think the thing that appealed to me most was her psychological acuity, her ability to distill the essence of a person—I say "person" since her characters are so alive it’s hard for me to call them characters—and set in motion relationships that might charm and shock us at the same time, all while feeling both familiar and fresh.

On being asked specifically about the novel Flights, Croft said,

Tokarczuk calls Flights a "constellation" novel, which partly means she brings lots of different ideas and stories and voices into relationship with one another via the lines the reader draws between them. This made the translation process both challenging and particularly delightful, since I was able to tap into a fresh subject every time I sat down to my computer. One minute I was worrying about the woman who flies back to Poland from New Zealand to kill a dying childhood friend; the next I was amused by the foibles of the Internet; the next I was rethinking my own approach to travel, or to my body. I could go on and on. I loved translating this book.[27]

In March 2022, Croft's translation of Tokarczuk's The Books of Jacob was longlisted for the 2022 Man Booker International Prize.[28] subsequently being shortlisted in April.[29]

Croft received the 2020 William Saroyan International Prize for Writing for her illustrated memoir Homesick, which was originally written as a novel in Spanish in 2014 and was published in Argentina under its original title, Serpientes y escaleras. According to Croft, "Neither the Spanish nor the English is a translation."[30] In 2022, she was also awarded a Guggenheim Fellowship for her novel The Extinction of Irena Rey, which was published by Bloomsbury on March 5, 2024.[31] Her short story "Anaheim," published by The Kenyon Review, was nominated for a 2023 Pushcart Prize.[32]

Croft was awarded a 2023 American Academy of Arts and Letters Award in literature.

Bibliography

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Jennifer Croft is an American literary translator, author, and professor renowned for her translations from Polish, Ukrainian, and Argentine Spanish, most notably her collaboration with Nobel laureate Olga Tokarczuk on the novel Flights, which earned her a co-win of the 2018 International Booker Prize. Born and raised in Tulsa, Oklahoma, Croft has built a distinguished career bridging languages and cultures, contributing to the global recognition of contemporary international literature through her precise and innovative translations. Croft's educational background includes a B.A. from the , an M.F.A. in literary translation from the , and a Ph.D. in comparative literary studies from , which laid the foundation for her expertise in multilingual literary analysis. As an associate professor of English and Presidential Professor of English and at the , she continues to influence the next generation of writers and translators while residing variously in and . Her body of translated works encompasses acclaimed titles such as Tokarczuk's Flights (2018), Federico Falco's A Perfect Cemetery (2023), Romina Paula's August (2022), and Pedro Mairal's The Woman from (2021), each highlighting her ability to capture nuanced cultural and emotional depths across languages. In her original writing, Croft has produced the memoir Homesick (2019), which won the 2020 International Prize for Writing (Prose) for its exploration of and personal displacement, and the The Extinction of Irena Rey (2024), a satirical take on and that received a 2022 and was named one of The Wall Street Journal's 10 Best Books of 2024. Additional honors include the 2023 American Academy of Arts and Letters Award in Literature, underscoring her impact on both and .

Early life and education

Early life

Jennifer Croft grew up in , in an English-speaking family shaped by her father's career as a geography professor. Alongside her younger sister, —whom Croft calls Zoe—she experienced a childhood marked by close bonds and family challenges, including her mother's depression and history of . The sisters were homeschooled, which deepened their relationship amid Zoe's early with a at age five, leading to seizures, hospitalizations, and surgeries. The local environment of Tulsa during the 1980s and 1990s, with its stigma around , amplified the family's isolation and influenced Croft's early emotional landscape. Her father's supportive role fostered creative inclinations, such as family traditions like strawberry hunts and a pivotal trip to in , where a teacher's note about reading delays prompted an adventure that sparked her interest in through a tale about a butterfly named Sparkle. At age nine, Croft faced her own depression and a , intertwined with her sister's ongoing health struggles, highlighting the obsessive focus on preservation and connection that permeates her childhood memories. Croft's early fascination with languages emerged around eighth grade, when she began self-teaching Russian, developing an obsession with its structure and nuances, aided by her father who sourced a and from Dnepropetrovsk. This linguistic curiosity intertwined with a passion for , evident in her exploration of word etymologies and languages with Zoe. From age five or six, she turned to with a Polaroid camera—and later a Canon SLR as a teenager—to document her sister, reflecting the intense, protective impulses captured in her Homesick. These family-driven influences and Tulsa's cultural backdrop nurtured her creative and multilingual inclinations. At fifteen, Croft transitioned to formal education by enrolling at the .

Education

Croft earned a in English and Russian, with a minor in , from the in 2001, graduating magna cum laude. Her early interest in Russian had begun during her teenage years, when she started teaching herself the language. She pursued graduate studies at the , where she earned a in literary translation in 2003; during this program, she initiated studies in Polish and shifted her linguistic focus from Russian to . Following her M.F.A., Croft received a Fulbright grant for research in , which allowed her to immerse herself in the and culture for two years at the . Croft completed her doctorate in comparative literary studies at in 2013, concentrating on with an emphasis on Polish.

Professional career

Academic positions

Jennifer Croft held several fellowships and grants that supported her early academic pursuits, including a Fulbright grant that enabled her to live and work in from 2003 to 2005 after completing her MFA at the . She sustained her scholarly work through additional awards, such as a MacDowell Fellowship in 2016 and a Translation Fellowship in 2019, which allowed her to focus on literary and writing without formal obligations during those periods. These opportunities, often adjunct-like in their flexibility, bridged her experiences abroad to her doctoral training. After completing her PhD in comparative literary studies from in 2013, Croft continued her scholarly pursuits through various awards and residencies. In January 2023, Croft joined the as Presidential Professor of English and , a three-year appointment in the Department of English and at the of Arts and Sciences. She also serves as of English there, where her teaching emphasizes and . At Tulsa, Croft contributes to workshops and programs, integrating her expertise in literary into the to foster student engagement with global texts. Croft collaborates academically with her husband, Boris Dralyuk, who holds a concurrent Presidential Professorship in English and at the ; together, they incorporate joint projects into their courses, enriching the department's focus on multilingual literary . This partnership enhances the university's offerings in creative and translational studies, drawing on their shared professional backgrounds.

Translation work

Jennifer Croft's career as a translator began with a focus on during her undergraduate studies, but during her MFA in literary translation at the , she shifted to Polish through a series of serendipitous opportunities, including discovering key texts and connecting with Polish authors. This pivot led her to relocate to in 2003, where she immersed herself deeply in , culture, and society for over two decades, building the expertise that would define her professional trajectory while pursuing a PhD in comparative literary studies with a focus on at . Her most prominent translations are from Polish, particularly her work with Nobel Prize-winning author . Croft's English rendition of Tokarczuk's Flights (originally Bieguni, 2007), published in 2017 by in the UK and in the , captured the novel's mosaic of vignettes on movement and transience, earning the 2018 Man Booker International Prize shared with the author. She followed this with the monumental The Books of Jacob (originally Księgi Jakubowe, 2014), a 900-page historical epic published in English in 2021 (UK) and 2022 (), which she translated solo over several years, preserving the text's multilingual dialogue and intricate narrative structure spanning 18th-century . Croft has since expanded to other languages, translating from Argentine Spanish and Ukrainian. From Spanish, she rendered Romina Paula's August (originally Agosto, 2015) into English in 2017, exploring themes of grief and family in rural ; Pedro Mairal's The Woman from (originally La mujer de , 2019) in 2021, a poignant on fleeting romance; and Federico Falco's A Perfect (originally Un cementerio perfecto, 2021) in 2023, delving into ecological introspection and personal loss. In Ukrainian, she co-translated with Boris Dralyuk the children's book Who Will Make the Snow? (originally Hto zrobyt snih?, 2019) by Taras Prokhasko and Marjana Prokhasko, published in 2023, which blends whimsy and subtle commentary on through the eyes of young protagonists. Croft approaches translation as an immersive, creative act akin to swimming through a text, beginning with a full reading before reimagining each sentence to convey the original's rhythm and intent while adapting to English's nuances. With Tokarczuk's work, she faced particular challenges in replicating the author's fragmentary, associative style—marked by abrupt shifts, neologisms, and philosophical depth—requiring minimal author revisions, such as only four word changes across The Books of Jacob, to maintain fidelity. A vocal advocate for translator visibility, Croft has pushed for credits on book covers, fair compensation, and recognition as co-creators, emphasizing the collaborative "team" aspect in networks like Tokarczuk's group of over 30 international translators who share insights via online forums. Her translations and essays have appeared in prestigious outlets, including excerpts from her Tokarczuk projects and critical pieces on literature in The New York Review of Books and , underscoring her influence in bridging global voices to English readers.

Original writing

Jennifer Croft's transition from translator to original author reflects her deepening engagement with narrative craft, drawing on her multilingual experiences to explore personal and professional themes in her own voice. Her debut original work marked a pivotal shift, allowing her to apply insights from collaborative translation to independent creation, a process supported by prestigious fellowships that recognized her emerging voice in . Croft's memoir Homesick, published in 2019 by The Unnamed Press, chronicles the childhood of a homeschooled girl in , named Amy, who develops an intense obsession with as a means of coping with family challenges, including her younger sister Zoe's chronic illness. The narrative delves into Amy's early , from inventing a secret sibling dialect to dissecting etymologies—such as the roots of "rest" and "dwell"—as tools for emotional survival and self-definition. Accompanied by dreamlike Polaroid photographs taken by Croft or her mother, which appear at the start of vignettes and evoke fleeting memories of everyday scenes like birthday parties and urban streets, the book blends text and image to portray 's dual role as both solace and isolation. Originally written in Spanish as the novel Serpientes y escaleras in 2014 and later adapted into English as a , Homesick examines themes of loss, first , and independence through a fragmented, impressionistic structure reminiscent of W. G. Sebald's hybrid style. In her 2024 novel The Extinction of Irena Rey, published by , Croft crafts a meta-fictional tale narrated collectively by eight international translators gathered at the Polish estate of celebrated author Irena Rey to work on her manuscript Grey Eminence. When Rey mysteriously vanishes into the nearby Białowieża Forest—a symbolizing ecological interdependence—the group unravels amid storms, power outages, and interpersonal rivalries, blurring lines between collaboration, obsession, and survival. The work interrogates translation's intricacies, such as fidelity versus invention, while weaving in broader concerns like , species extinction, and the mycelial networks that underscore human interconnectedness. Inspired by Croft's real-life collaborations with authors like , including retreats where translators convene, the novel highlights the often-invisible labor of interpreters and the ethical dilemmas of adapting foreign texts. This project received a 2022 , which Croft used to develop the manuscript, affirming her evolution toward original prose. Beyond fiction, Croft has contributed critical essays that probe translation's ethical dimensions, advocating for greater visibility and accountability in the field. In a 2021 Guardian piece, she argues that translators, as co-creators who select every word to convey nuance—such as distinguishing "cool" from "chilly"—deserve cover credits to foster trust with readers and ensure ethical transparency, critiquing prizes like the International Booker for obscuring this labor. Her 2022 essay in Literary Hub details the moral choices in rendering Olga Tokarczuk's The Books of Jacob, emphasizing poetic license to preserve syntactic tension and authorial intent over literalism, while rejecting idealized notions of "pure language" in favor of human-centered adaptation. These writings position translation not as subservient but as an ethically charged creative act, influencing broader literary discourse on intercultural representation. Croft's next book, a on pregnancy and postcards, is scheduled for publication by Catapult Books in 2026.

Personal life

Croft is married to the Ukrainian-American poet, translator, and professor Boris Dralyuk, who is also an associate professor of at the . They have twins, Charlie and Nina, born in 2022. Croft resides in , with her family.

Awards and recognition

Literary prizes

Jennifer Croft has garnered significant recognition through competitive literary prizes for her translations and original works, highlighting her contributions to international and multilingual storytelling. In 2018, Croft shared the Man Booker International Prize with Polish author for her English translation of the novel Flights, which was praised for its innovative structure and fidelity to the original's philosophical depth. That same year, she received the Found in Translation Award from the Polish Book Institute for the same translation, recognizing its exceptional quality in bringing to English readers. Croft's original writing also earned acclaim in 2020, when her illustrated Homesick—originally composed in Spanish—won the International Prize for Writing (Nonfiction), awarded by Libraries for its vivid exploration of displacement and identity. In 2022, she again won the Found Award for her translation of Olga Tokarczuk's epic novel . That year, Croft and Tokarczuk were shortlisted for the for . The following year, Croft was a finalist for the in the Translation category for , underscoring its impact on contemporary literature. Notably, she and her husband, translator Boris Dralyuk, were both finalists for the inaugural Gregg Barrios Book Prize from the , marking a rare instance of spouses competing for the same honor. In 2023, Croft received the American Academy of Arts and Letters Award in Literature.

Fellowships and grants

Jennifer Croft received a Fulbright grant following her 2003 MFA from the , which enabled her to live in for two years and conduct research at the , where she focused on contemporary Polish women writers and advanced her translation skills. This period solidified her proficiency in Polish and laid the groundwork for her subsequent literary translation projects. In 2018–2019, Croft was awarded a fellowship at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the , which provided her with resources and time to advance her work, including efforts on Olga Tokarczuk's . The fellowship supported her early career translations by offering a dedicated space for creative and scholarly pursuits amid her growing body of work. Croft was selected for the 2021–2023 cohort of the Tulsa Artist Fellowship, announced in 2021, which facilitated her relocation from to , in January 2022 and provided two years of support for her writing and translation endeavors. This fellowship aligned with her roots in Tulsa and enabled focused independent creative output during a transitional phase. In 2022, Croft received a specifically to support the development of her , The Extinction of Irena Rey, allowing her to dedicate time to original fiction writing outside her translation commitments. The award underscored her versatility as a literary professional and provided crucial funding for this project, which became a national bestseller.

Selected works

Translations

Croft has translated literary works primarily from Polish, Spanish (with a focus on Argentine authors), and Ukrainian. Her major book-length translations include:
  • Flights by (from Polish), Fitzcarraldo Editions, 2017 (UK); Riverhead Books, 2018 (US).
  • The Books of Jacob by (from Polish), Fitzcarraldo Editions, 2021 (); Pantheon Books, 2022 ().
  • August by Romina Paula (from Spanish), Feminist Press, 2017.
  • The Woman from Uruguay by Pedro Mairal (from Spanish), Bloomsbury Publishing, 2021 (); Graywolf Press, 2021 ().
  • A Perfect Cemetery by Federico Falco (from Spanish), Charco Press, 2021.
  • Who Will Make the Snow? by Taras Prokhasko and Marjana Prokhasko (from Ukrainian, co-translated with Boris Dralyuk), Archipelago Books, 2023.
In addition to these, Croft has translated numerous short stories, essays, and other pieces for literary periodicals such as , , and The New York Review of Books.

Original works

Croft's debut original work is the illustrated memoir Homesick, published in hardcover by The Unnamed Press on September 10, 2019 (ISBN 978-1-944700-94-2). The book incorporates full-color photographs throughout, blending autobiographical narrative with visual elements to explore themes of language, family, and personal growth. Her first novel, The Extinction of Irena Rey, was published in hardcover by in the on February 29, 2024 (ISBN 978-1-5266-5517-6) and by in the United States on March 5, 2024 (ISBN 978-1-63973-170-1). In addition to her books, Croft has contributed selected essays and literary criticism to prominent publications, including and the . Notable examples include her 2019 personal essay "A Father's Day Letter" in the , reflecting on familial bonds and memory. Her nonfiction writing often intersects with her experiences as a translator, examining the intersections of language, culture, and identity.

References

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