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Jesca Hoop
Jesca Hoop
Jesca Hoop
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Key Information

Jessica "Jesca" Ada Hoop[2] (born April 21, 1975) is an American singer-songwriter and guitarist, who writes and performs in diverse musical styles. She has released six studio albums of her own, as well as live, acoustic and dual albums with others.

Biography

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Early life

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Hoop was born in Santa Rosa, California, to traditional Mormon parents Janette and Jack Dennis Hoop. She grew up singing hymns and folk tunes with her family in four-part harmony. At age 14, her parents separated, and two years later she broke away from her Mormon religion. Hoop described abandoning her faith as a process of detoxification, saying, "Now I feel free of it: I have faith in people".[3]

Hoop moved off the grid into the rural and wilderness areas of Northern California and Wyoming where she, "lived under a tree for a summer, in yurts, in cob dwellings, and in a chicken shack that I converted".[3] At the age of 20 she was employed as a wilderness survival guide in a rehabilitation program for wayward teens in Arizona. This course involved, "no camp, we would just walk, for two months. They would learn how to make fire by friction, and the experience was life changing. The environment was transforming".[4]

Career

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2003–2007

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While she had been creating music since she was a teenager, being a survival guide provided Hoop with the "mental space to write as I worked".[3] By 2000, Hoop had moved to Los Angeles where she became a nanny to Tom Waits' children. He and his wife Kathleen Brennan became instrumental in developing her career and brought her in contact with his music publisher Lionel Conway.[5] His company gave her a publishing contract and "an advance, something to live off, and helped to develop".[6] Conway sent a demo of the song "Seed of Wonder" to the DJ Nic Harcourt who began to play the song on Morning Becomes Eclectic on KCRW. It became one of the most requested songs on the show and created a considerable amount interest in the acoustic live shows Hoop had begun to play around Los Angeles.[6] She then signed to Columbia Records’ subsidiary "3 Records" and developed her first record with Tony Berg, producer and head of 3 Records. Her debut album Kismet was released in September 2007 in the US. Following a reshuffle at Columbia, Hoop was dropped 3 months into the release.[5]

2008–present

[edit]

As a result of meeting Tom Piper, the touring manager of the band Elbow, Hoop moved to Manchester, England in 2008.[7] Initially she found it difficult to adjust "as a California girl, I find it hard to stay under that canopy of cloud".[3] After settling in the Chorlton area of the city, Hoop spent 18 months recording new material for the album Hunting My Dress which was released in 2010. She had parked "a lorry trailer in my back garden that we use as an extension (...) where I go to write".[4] In the same year she signed with the US-based label Vanguard Records.[8] It was followed by the Snowglobe EP in 2011, which consisted of a handful of tracks recorded prior to her move to the UK. Hoop described them as "folk songs"[3] and the EP received a degree of critical acclaim.[9][10] She worked as a backing singer on Peter Gabriel's New Blood Tour in 2011.[11] The following year she released The House That Jack Built. In 2013 and 2014 she released Complete Kismet Acoustic and Undress, re-interpretations of songs from "Kismet" and "Hunting My Dress" respectively. In 2016, Hoop released Love Letter for Fire, an album of duets with American singer-songwriter Sam Beam (Iron & Wine). Jesca Hoop signed with the label Sub Pop and announced that she would release the album Memories Are Now on February 10, 2017.[12][13][14]

Collaborations

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Hoop has collaborated with many recording artists, including Stewart Copeland, Guy Garvey, Willy Mason, Blake Mills, Shearwater, Erika Wennerstrom, The Ditty Bops and many more. Hoop's extensive touring since her debut record saw her opening for Mark Knopfler, Elbow, Placebo, EELS,[15] Shuggie Otis, Iron & Wine, Andrew Bird, Punch Brothers, Shearwater and The Ditty Bops.

On April 15, 2016, Hoop released Love Letter for Fire, an album of duets with American singer-songwriter Iron & Wine, on Sub Pop. The album features contributions from Wilco's Glenn Kotche, Rob Burger, Eyvind Kang, Sebastian Steinberg, and Edward Rankin-Parker. It was produced, recorded, and mixed by Tucker Martine. Hoop and Iron & Wine toured North America in support of the album, starting in May 2016.[16]

Style

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Hoop's style has been characterised as largely experimental with folk, rock, and electronic influences. Her early mentor, Tom Waits, described it as, "like a four-sided coin. She is an old soul, like a black pearl, a good witch or a red moon. Her music is like going swimming in a lake at night".[17]

She often finds that, "I have an identity crisis every time I write a catalogue of songs, I think: what is this music? Where does it fit?".[3] She explained her tendency to move between a number of styles as, "I am impressed by the power of music and its ability to transform the vessel it enters. I am everyday affected by it. If I want to change my mood, I change my music".[8]

Discography

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Albums by Hoop

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Albums with others

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EPs

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Other

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  • Silverscreen Demos (2004)

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Jesca Hoop

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from Grokipedia
Jesca Hoop (born Jessica Ada Hoop; April 21, 1975) is an American singer-songwriter, guitarist, and musician based in Manchester, England, acclaimed for her indie folk music that incorporates spacious arrangements, quirky melodies, and intricate harmonies across diverse styles. Born in Santa Rosa, California, to traditional Mormon parents Janette and Jack Dennis Hoop, she grew up singing hymns and folk tunes in four-part family harmony but left the faith at age 16 following her parents' separation. In her late teens and early twenties, Hoop pursued an unconventional lifestyle, living off-grid in Northern California and Wyoming—in settings ranging from under a tree to yurts and a chicken shack—and working as a wilderness survival guide in Arizona for at-risk youth, experiences that profoundly influenced her songwriting. By 2000, she had relocated to Los Angeles, where she became a nanny for the children of Tom Waits and Kathleen Brennan, who discovered her talent, mentored her, and helped launch her professional career. Hoop released her debut album, Kismet, in 2007 on Columbia Records' 3 imprint, marking the start of a prolific output that includes Hunting My Dress (2009), The House That Jack Built (2012), Memories Are Now (2017, produced by on Records), STONECHILD (2019), and Order of Romance (2022). Notable collaborations feature backing vocals for on his 2011 New Blood Tour, a album Love Letter for Fire (2016) with Iron & Wine's Sam Beam, and production work with () and (). In 2008, encouragement from frontman prompted her relocation to , where she has since built a dedicated following; her latest release, the unplugged reimagining Selective Memory (2025), was recorded live at her Manchester home.

Biography

Early life

Jesca Hoop was born Jessica Ada Hoop on April 21, 1975, in , to traditional Mormon parents Janette and Jack Dennis Hoop. She grew up in a strict Mormon household alongside four siblings, immersed in folk, opera, and choral music, where the family regularly sang hymns and folk tunes together. This religious environment shaped her early years until her parents' marriage dissolved when she was 14. At age 16, Hoop left the Mormon church and rejected mainstream living, embarking on a period of off-grid existence that she later described as her "life as a ." She spent time on ranches in rural and , embracing and a deep connection to nature amid the high deserts of the Southwest. This nomadic phase honed her independence and worldview, fostering an appreciation for wilderness and solitude that influenced her later artistic inclinations. By age 20, Hoop had relocated to , where she worked as a wilderness survival guide in a rehabilitation program for troubled teens, leading intensive, no-camp experiences focused on and personal resilience. Around 2000, she moved to , taking a job as a for the children of musician , which placed her in a creative, music-saturated environment and marked her gradual shift toward a professional artistic path.

Career beginnings (2003–2007)

In the early 2000s, while working as a for and his wife Kathleen Brennan's three children in , Jesca Hoop began informally songwriting and recording demos, marking her entry into professional music. This period, starting around 2003, provided financial stability amid her nomadic lifestyle, allowing her to develop her unique style influenced by folk traditions and personal experiences. In 2004, she self-released the Silverscreen Demos EP, featuring tracks like "Seed of Wonder" and "," which showcased her intricate guitar work and vocal harmonies. Waits discovered Hoop's talent during her time nannying and championed her by sharing the "Seed of Wonder" demo with his publisher, Lionel Conway, who passed it to KCRW-FM DJ Nic Harcourt. The track broke records as the station's most requested song, generating buzz in and leading to her signing with ' 3 Records imprint in 2007. Under producers and , Hoop recorded her debut album Kismet, released on September 18, 2007, which blended folk, jazz, and experimental elements across 12 tracks. Kismet received critical acclaim for its originality and emotional depth, with Waits praising Hoop's music as "like a four-sided coin. She is an old soul, like a , a good witch or a . Her music is like going swimming in the lake at night." However, despite positive reviews, the album underperformed commercially, and following a reshuffle at Columbia, Hoop was dropped from the label just three months after release, ushering in a phase of professional uncertainty. During this time, Hoop built a dedicated following through early live performances in venues like the Temple Bar and Club Tangier, where she honed her stage presence with acoustic sets and . Unsigned and often living in a van, she captivated local audiences with her demo-driven shows, establishing a grassroots reputation before the major-label setback.

Later career (2008–present)

In 2008, Jesca Hoop relocated from to , , seeking a fresh start after meeting Elbow's tour manager, Tom Piper, during a U.S. tour; this move exposed her to a new musical community and influenced her evolving sound with a more introspective, folk-infused edge. The relocation marked a pivotal shift, allowing her to build an international while adapting to the UK's vibrant indie scene, which contrasted with her earlier U.S.-based struggles. Hoop signed with shortly after, releasing her second studio album, Hunting My Dress, in 2009 (U.S. edition 2010), which showcased her artistic maturation through layered arrangements and themes of personal transformation, drawing critical praise for its poetic depth. She followed with The House That Jack Built in 2012 on Last Laugh Records, a bold exploration of rhythm and narrative that solidified her reputation as a genre-blending songwriter. In 2017, she joined Records for Memories Are Now, a concise, electronically tinged work produced with that reflected her growing confidence in hybrid styles. Subsequent releases further demonstrated Hoop's evolution, including Stonechild in 2019 on Memphis Industries, a "compassion project" featuring collaborations with and emphasizing emotional resilience amid personal loss. This was followed by The Deconstruction of Jack's House in 2021, a minimalist live reworking of her 2012 album performed as a trio and released via , highlighting her affinity for acoustic reinterpretations. In 2022, Order of Romance arrived as a self-released effort on her Last Laugh imprint, delving into themes of love and societal tension with intricate guitar work and vocal experimentation. Hoop has navigated the streaming era by prioritizing direct-to-fan platforms like for distribution, enabling creative control and closer engagement with listeners despite industry shifts toward algorithmic discovery. Throughout this period, Hoop undertook extensive touring, opening for high-profile acts such as in 2008 and in 2009, which broadened her visibility and led to ongoing U.S. and European dates. In 2024 and 2025, she maintained an active schedule, including UK shows supporting her latest release and a dedicated Selective Memory Tour promoting an acoustic reimagining of Memories Are Now, released on October 24, 2025, via Last Laugh, featuring never-before-played-live tracks from the original album. These performances, spanning venues like Arts Centre and international spots in the and , underscore her commitment to live intimacy as a counterpoint to digital consumption.

Collaborations

Hoop began her notable touring collaborations in 2009 as a for , joining his band for performances that included the New Blood Tour in 2010 and subsequent South American dates in 2012, which introduced her intricate vocal style to international audiences and broadened her exposure beyond solo performances. In production partnerships, Hoop worked extensively with , who produced her early s including Kismet (2007) and The House That Jack Built (2012) at his Zeitgeist Studios in , fostering a foundational collaborative environment that shaped her initial sound development. Later, co-produced her 2017 Memories Are Now, drawing on their long-standing relationship since 2007 to create a reflective and textured record that highlighted Hoop's evolving artistry. For her 2019 Stonechild, Hoop teamed with , known for his work with , whose minimalist production approach refined her song structures and emphasized lyrical clarity during sessions in . A pivotal joint recording came in 2016 with Sam Beam of on the collaborative album Love Letter for Fire, where the duo alternated songwriting contributions to craft a collection of intimate, folk-infused tracks that blended their voices and perspectives, earning critical acclaim for its emotional depth and marking a significant expansion of Hoop's collaborative profile. Hoop has made guest appearances across various projects, including providing percussion support from of on the track "Seed of Wonder" from her debut Kismet, adding rhythmic intensity to her early work. She featured on Elbow's "Dexter & Sinister" (2019) alongside , whose earlier invitation to support Elbow's U.S. tour in 2009 not only sparked their friendship but also influenced her relocation to , , enhancing her ties to the British music scene. Additionally, Hoop duetted with on a stripped-down version of "Whispering Light" for her 2014 acoustic album Undress, showcasing their shared folk sensibilities in an intimate reinterpretation. These partnerships culminated in recent contributions, such as Hoop's cover of 's "But I Did Not" alongside on the 2025 tribute compilation Sandworms: The Songs of Howe Gelb and , a multi-artist project that reinterpreted Gelb's catalog and further solidified her reputation within indie and alternative circles through renewed media attention and opportunities. Overall, these collaborations have amplified Hoop's visibility, leading to shared appearances like those with and , and increased coverage in outlets such as and , while allowing her to explore diverse sonic landscapes beyond her solo catalog.

Musical style and influences

Artistry

Jesca Hoop's artistry is defined by her experimental fusion of , blues, pop, and electronic elements, resulting in a sound that defies conventional categorization. Her compositions feature intricate work, marked by deft fingerpicking and unconventional song structures that evolve fluidly, creating intimate yet expansive sonic landscapes. This blending draws from her roots in traditional folk while incorporating jazz-inflected harmonies and subtle electronic textures, as heard in her layered arrangements that prioritize emotional depth over genre boundaries. In live performances, Hoop employs looping pedals to build multi-layered acoustic arrangements, often combining guitar loops with foot percussion and vocal overlays to craft immersive, one-person soundscapes. This technique allows her to transform solo sets into rich, orchestral experiences, emphasizing her command of dynamics and rhythm without relying on a full band. Her stage presence further enhances this approach, using these tools to mirror the narrative complexity of her songs in real time. Hoop's songwriting centers on poetic, narrative-driven lyrics that explore themes of nature, spirituality, and personal introspection, often weaving introspective reflections with vivid imagery of the natural world and existential questions. These elements are delivered through her distinctive, versatile voice, which shifts from ethereal whispers to powerful, hymn-like declarations, evoking a sense of timeless mysticism. Early mentor Tom Waits captured this essence in describing her music as "like a four-sided coin," an old soul quality that invites listeners deeper into its enigmatic heart. Over time, Hoop's artistry has evolved from the raw, hymn-influenced folk of her debut era—rooted in four-part traditions—to more produced, genre-fluid works that expand her core sound with broader instrumentation and experimental production. This progression reflects a maturation in her songcraft, moving from sparse, introspective acoustic pieces to albums that integrate electronic and orchestral elements while retaining her foundational poetic intimacy.

Influences

Jesca Hoop's early musical foundations were shaped by her upbringing in a devout Mormon family in , where she regularly sang hymns and American folk tunes in four-part harmony with her siblings and parents. Her father's affinity for and her mother's classical leanings further exposed her to these traditions, fostering a strong vocal and melodic sensibility that emphasized communal singing and narrative simplicity. This narrow yet rich palette, limited by her religious environment to artists like and alongside folk staples, provided the bedrock for her intricate songcraft. Her experiences living off-grid in the wilderness of and during her late teens and early twenties profoundly influenced her lyrical themes, instilling a deep appreciation for nature's resilience and the human spirit's endurance. Hoop spent time in yurts, cob dwellings, and even under a , isolated from mainstream , which she credits with expanding the "natural spaciousness" in her compositions and inspiring reflections on survival and environmental connection. These periods, described as a "raccoon lifestyle," fueled her creative process by mirroring the raw, untamed energy of wild places, evident in songs that evoke emotional fortitude amid adversity. Hoop has expressed longstanding admiration for , whose confessional songwriting and interpretive depth resonated with her own evolving style; this connection culminated in her participation in the 2025 collaborative EP The Songs of Joni Mitchell Vol.1, where she covered tracks like "Morning Morgantown" alongside Kate Stables and Lail Arad. Similarly, her discovery of ' eccentric, storytelling-driven music became a pivotal influence after she worked as a for his family, with Waits himself praising her work as "like going swimming in a lake at night" and offering guidance that encouraged her unconventional approach. Broader folk-jazz figures have impacted her vocal delivery, lending a haunting, emotive quality to Hoop's abstract narratives. Hoop's relocation to the around 2009, prompted by invitations from Elbow's to join tours and collaborate, broadened her artistic palette by immersing her in the European indie scene and incorporating subtle electronic elements into her folk-rock hybrid. This move to infused her sound with vibrant, experimental vibes from the UK's alternative landscape, enhancing the cosmopolitan layers in albums like Memories Are Now.

Discography

Solo studio albums

Kismet, Jesca Hoop's debut solo studio album, was released in 2007 on ' 3 imprint. Hunting My Dress is Jesca Hoop's second solo studio album, released in 2009 on . Following her debut Kismet, the album marks a recovery phase in her career, leaning into elements with dynamic shifts from soft to loud arrangements. Critics praised its mesmerizing opening tracks and fusion of skilled vocals with songwriting, though some noted a lack of standout singles compared to her prior work. The House That Jack Built, Hoop's third solo studio album, appeared in 2012 on . Inspired by the death of her father, it explores domestic themes through narrative songs that mix quirkiness with eclecticism, including references to artists like and 1970s MOR influences. Produced with multiple collaborators in , the record was lauded for its arresting adult pop infectiousness and playful lyrical approach, earning strong critical acclaim for broadening her alt-folk sound. In 2017, released Memories Are Now, Hoop's fourth solo studio album, co-produced with . The work blends electronic and acoustic textures, creating a confident and confrontational statement with rustic production elements like gliding steel guitars. Reviewers highlighted its urgent, boisterously declarative songs and Hoop's multi-tracked vocals, positioning it as her most refined effort to date, full of strange yet gorgeous ideas. STONECHILD, issued in 2019 and produced by , represents a darker, introspective turn in Hoop's solo output. The album delves into the violent and ugly aspects of motherhood, complicating traditional feminized folk narratives with assured yet ambitious arrangements. Critics appreciated its streamlined sound, exquisite harmonies, and thematic depth on tragedy and joy, though some suggested lyrical pruning could enhance its impact. Hoop's sixth solo studio album, Order of Romance, came out in 2022 on Memphis Industries. It provides a mature reflection on relationships and personal growth, featuring lo-fi folk-pop acoustics with layered call-and-response vocals and diverse instrumentation like horns and woodwinds. The record was commended for transcending its humble elements into an ethereal yet harrowing listen, requiring multiple plays to unfold its complexities akin to love itself.

Acoustic and live albums

Jesca Hoop has released several acoustic and live s that reimagine her earlier studio work in stripped-down formats, emphasizing intimacy and raw performance. These projects, often recorded in unplugged sessions, highlight her vocal clarity and guitar work while fostering deeper fan engagement through accessible, live-feeling renditions. By reducing instrumentation to essentials like acoustic guitars and minimal harmonies, they contrast the fuller arrangements of her originals, allowing listeners to focus on lyrical depth and emotional delivery. The Complete Kismet Acoustic, released in January 2013 on Last Laugh Records, offers a live-recorded reinterpretation of her 2007 debut Kismet, featuring acoustic versions of ten tracks from the original alongside two new songs, "Out the Back Door" and "Money." Captured during performances in Los Angeles and Manchester, the album employs just two acoustic guitars and three voices, underscoring Hoop's ethereal phrasing and intricate fingerpicking without the debut's layered production. This unplugged approach enhances the folk intimacy of songs like "Silverscreen" and "Seed of Wonder," making them feel more personal and immediate for fans. In 2014, Hoop followed with Undress on the same label, a minimalist acoustic reworking of her 2009 album Hunting My Dress, recorded live in a single set with guest vocalists including Elbow's on tracks like "Bed Across the Sea." The project strips away the original's eclectic instrumentation—such as strings and percussion—to spotlight Hoop's solo guitar and voice, with added harmonies creating a conversational feel on selections like "While You Were Away." Released via fan-funding on , it deepened audience connection by offering an unadorned glimpse into her songcraft, including a bonus acoustic take of track "Snowglobe." The Deconstruction of Jack's House, released on September 24, 2021, via Last Laugh Records, reinterprets Hoop's 2012 album The House That Jack Built with experimental twists. Recorded in December 2020 in her home studio as a three-piece band performance, it offers minimalist, intimate reworkings that spotlight her intricate songwriting and vocals. The project continues Hoop's tradition of reimagining past material, earning praise for its stripped-back folk-rock curiosity and visceral energy without flattening the originals. Selective Memory, Hoop's most recent acoustic release, arrived on October 24, 2025, via Last Laugh Records, as an unplugged live reimagining of her 2017 album Memories Are Now. Announced in September 2025 as a reflective project, it features nine tracks performed with harmonies from Rachel Rimmer and Chloe Foy, emphasizing sparse arrangements that amplify the originals' themes of and transience through genuine, in-the-moment delivery. Recorded to capture the warmth of live sessions, the album supports Hoop's ongoing tour, further engaging fans with its vulnerable, harmony-rich sound.

Collaborative albums

Jesca Hoop's primary collaborative full-length album is Love Letter for Fire, released on April 15, 2016, in partnership with Sam Beam of on Records. The project stemmed from their shared label affiliation and mutual admiration, building on Beam's prior on Hoop's 2014 track "Hunting My Dress" from her album The House That Jack Built. Inspired by classic folk and country s like those of and June Carter, the album features 13 tracks in an alternating format where each artist wrote and primarily performed their own songs, blending Hoop's ethereal, narrative-driven style with Beam's introspective folk minimalism, while Beam handled production. Standout tracks include the lead single "Every Says," a harmonious evoking romantic tension, and "One Way to Pray," which showcases their intertwined vocals over sparse acoustic arrangements. Critically, the album was praised for its intimate chemistry and emotional depth, with describing it as a "slow-burning" effort that "recalls healing summer storms more than destructive blazes," earning a 7.8 rating and highlighting its success in modernizing the tradition.

EPs

Jesca Hoop released her first EP, Snowglobe, on March 7, 2011, through her own Last Laugh Records label. Recorded shortly after her relocation to , , the five-track release features intimate, acoustic-leaning arrangements of original compositions alongside a cover of the French song "Rêves dans le creux" by . Key tracks include the titular "Snowglobe," which evokes introspective imagery of isolation and memory, and "Silverscreen (Acoustic)," a stripped-down reinterpretation bridging her earlier full-length Hunting My Dress (2009) with future studio work. This EP marked Hoop's final self-released project before signing with Glitterhouse Records, serving as a transitional collection that highlighted her evolving songwriting in a more personal, unpolished format. In 2025, Hoop collaborated with Kate Stables () and Lail Arad on The Songs of Vol. 1, a four-track interpretive EP released on September 12 as a companion to their joint live tribute performances celebrating catalog. The release features close-harmony covers, with Hoop leading on "Morning Morgantown," a folk-infused rendition emphasizing early poetic style, while the group shares vocals on "Raised on Robbery" and individual takes appear on "Big Yellow Taxi" (Arad) and "A Case of You" (Stables). Produced to evoke a "bedroom concert" intimacy, the EP underscores Hoop's affinity for confessional lyricism, acting as a thematic interlude between her solo albums Order of Romance (2022) and Selective Memory (2025) by exploring interpretive covers in a concise format.

Singles and other appearances

Jesca Hoop's early career featured informal pre-debut recordings known as the Silverscreen Demos, a set of five tracks self-released in 2004 on , including "Silverscreen," "," and "Seed of Wonder," which showcased her emerging style and were shared among industry contacts before her major label signing. Her debut single, a promotional release of "Summertime" in 2007 via Columbia/Red Ink, served as the lead track from her album Kismet and included no official B-sides but highlighted her ethereal vocals and whimsical arrangements, marking her introduction to broader audiences. In 2021, Hoop released the single "Pack Animal (DOJH)," a deconstructed variant from her project The Deconstruction of Jack's House, featuring acoustic reinterpretations alongside "Born To (DOJH)" and "The House That Jack Built (DOJH)," emphasizing raw, intimate production as part of her experimental reworking of past material. The 2022 single "Hatred Has a Mother," issued on June 8 via Memphis Industries, addressed themes of societal division and personal reckoning during the Order of Romance era, blending folk introspection with pointed in its sparse arrangement. Hoop's 2024 independent single "But I Did Not," a with released on May 16, previewed evolving themes of memory and defiance in her solo work, characterized by haunting melodies and minimalist instrumentation. This track later appeared on the 2025 multi-artist Sandworms: The Songs of Howe Gelb and , released on August 15 by Fire Records, as a blues-inflected reinterpretation from Gelb's 2018 Sno Angel Like You. The reflects Hoop's ongoing affinity for interpretive work with admired peers, though it forms part of a broader compilation featuring artists like and Deradoorian, rather than a dedicated duo . Beyond her core releases, Hoop has made guest contributions on compilations, such as providing vocals for Fingathing's cover of "" on the 2015 Tru Thoughts Covers 2, and appearing with "When I'm Asleep" on the 2013 Complete Control sampler, alongside occasional soundtrack placements like tracks in independent films up to 2025, though specific credits remain limited in public discographies.

References

  1. https://www.allmusic.com/artist/jesca-hoop-mn0000609332
  2. https://www.shakenstir.co.uk/live/jesca-hoop-live/3/
  3. https://www.republicofmusic.net/news/announcing-jesca-hoop---selective-memory-2
  4. https://narcmagazine.com/interview-jesca-hoop/
  5. https://wfuv.org/content/jesca-hoop-2017
  6. https://www.subpop.com/artists/jesca_hoop
  7. https://www.albumoftheyear.org/artist/6240-jesca-hoop/
  8. https://thequietus.com/interviews/jesca-hoop-interview-house-that-jack-built/
  9. https://www.thetimes.com/sunday-times-rich-list/profile/article/jesca-hoop-finds-her-voice-zzk6ndq2prb
  10. https://www.theguardian.com/music/2011/apr/06/jesca-hoop-snowglobe
  11. https://www.thelineofbestfit.com/features/interviews/tlobf-meets-jesca-hoop-50936
  12. https://klofmag.com/2013/01/jesca-hoop-the-complete-kismet-acoustic/
  13. https://issuemagazine.com/jesca-hoop/
  14. https://www.allmusic.com/album/silverscreen-demos-mw0001278095
  15. https://www.latimes.com/archives/la-xpm-2007-oct-11-wk-bands11-story.html
  16. https://www.slantmagazine.com/music/jesca-hoop-kismet/
  17. https://www.the-independent.com/arts-entertainment/music/features/jesca-hoop-tom-waits-nanny-is-on-a-musical-odyssey-from-california-to-chorlton-7873229.html
  18. https://www.sfexaminer.com/culture/brit-jesca-hoop-returns-to-us/article_c0fa8088-962d-5380-a418-bf453e920975.html
  19. https://www.hotpress.com/music/album-review-memories-are-now-jesca-hoop-19563902
  20. https://jescahoop.bandcamp.com/album/hunting-my-dress
  21. https://jescahoop.bandcamp.com/album/the-deconstruction-of-jacks-house
  22. https://jescahoop.bandcamp.com/album/order-of-romance
  23. https://bandonthewall.org/events/miller-live-jesca-hoop-the-paris-riots-golden-glow/
  24. https://www.jescahoop.co.uk/tour
  25. https://jescahoop.bandcamp.com/album/selective-memory
  26. https://brightonsfinest.com/music/q-and-a/jesca-hoop-interview-2017/2017/
  27. https://jescahoop.bandcamp.com/album/memories-are-now
  28. https://jescahoop.bandcamp.com/album/stonechild
  29. https://www.nytimes.com/2019/07/03/arts/music/jesca-hoop-stonechild-review.html
  30. https://sambeamandjescahoop.bandcamp.com/album/love-letter-for-fire
  31. https://pitchfork.com/reviews/albums/21800-love-letter-for-fire/
  32. https://jescahoop.bandcamp.com/album/kismet
  33. https://jescahoop.bandcamp.com/album/undress
  34. https://giantsandmusic.bandcamp.com/album/sandworms-the-songs-of-howe-gelb-and-giant-sand
  35. https://www.theguardian.com/culture/2010/feb/07/elbow-guy-garvey-jesca-hoop
  36. https://www.npr.org/2016/04/07/473092904/first-listen-sam-beam-jesca-hoop-love-letter-for-fire
  37. https://pitchfork.com/reviews/albums/14495-hunting-my-dress/
  38. https://higherplainmusic.com/2022/09/26/jesca-hoop-order-of-romance-review/
  39. https://www.npr.org/artists/15029347/jesca-hoop
  40. https://heroinchic.weebly.com/music.html
  41. https://brightonsfinest.com/music/album-reviews/jesca-hoop-memories-are-now/2017/
  42. https://www.npr.org/2006/08/17/5132766/jesca-hoop-silverscreen
  43. https://www.songfacts.com/facts/jesca-hoop/tulip
  44. https://www.npr.org/2010/07/18/128512629/first-listen-jesca-hoop-hunting-my-dress
  45. https://www.treblezine.com/33986-jesca-hoop-memories-are-now-review/
  46. https://www.npr.org/2007/09/18/14512526/jesca-hoop-abstract-and-compelling
  47. https://wfuv.org/content/jesca-hoops-five-essential-patti-smith-songs
  48. https://www.outsideonline.com/podcast/jesca-hoop-testament-music-nature/
  49. https://katestableslailaradjescahoop.bandcamp.com/
  50. http://www.writeonmusic.com/2007/10/last-month-singersongwriter-jesca-hoop.html
  51. https://www.theguardian.com/music/2009/nov/15/jesca-hoop-hunting-my-dress
  52. http://oliverdiplace.blogspot.com/2010/07/jesca-hoop-hunting-my-dress.html
  53. https://www.popmatters.com/129476-jesca-hoop-hunting-my-dress-2496154209.html
  54. https://undertheradarmag.com/reviews/hunting_my_dress/
  55. https://www.theguardian.com/music/2012/jun/24/jesca-hoop-house-jack-built
  56. http://drownedinsound.com/releases/17084/reviews/4145122
  57. https://pitchfork.com/reviews/albums/22885-memories-are-now/
  58. https://www.theguardian.com/music/2017/feb/09/jesca-hoop-memories-are-now-review-sub-pop
  59. http://drownedinsound.com/releases/19806/reviews/4150772
  60. https://www.popmatters.com/jesca-hoop-memories-are-now-2495402099.html
  61. https://pitchfork.com/reviews/albums/jesca-hoop-stonechild/
  62. https://www.theguardian.com/music/2019/jul/05/jesca-hoop-stonechild-review
  63. https://echoesanddust.com/2019/07/jesca-hoop-stonechild/
  64. https://www.song-bar.com/album-releases/jesca-hoop-order-of-romance-album-review
  65. https://www.qobuz.com/us-en/interpreter/jesca-hoop/575012
  66. https://www.normanrecords.com/records/192994-jesca-hoop-order-of-romance/reviews
  67. https://jescahoop.bandcamp.com/album/the-complete-kismet-acoustic
  68. https://www.discogs.com/release/4309987-Jesca-Hoop-The-Complete-Kismet-Acoustic
  69. https://www.discogs.com/release/5370665-Jesca-Hoop-Undress
  70. https://drownedinsound.com/releases/18134/reviews/4147549
  71. https://higherplainmusic.com/2021/09/26/jesca-hoop-the-deconstruction-of-jacks-house-review/
  72. https://higherplainmusic.com/2025/10/24/jesca-hoop-selective-memory-review/
  73. https://www.popmatters.com/sam-bean-and-jesca-hoop-love-letter-for-fire-2495442390.html
  74. https://www.npr.org/sections/world-cafe/2016/05/12/477804843/sam-beam-jesca-hoop-on-world-cafe
  75. https://www.discogs.com/master/1562387-Jesca-Hoop-Snowglobe
  76. https://drownedinsound.com/releases/16124/reviews/4142375
  77. https://music.apple.com/us/album/snowglobe-ep/434376230
  78. https://www.thelineofbestfit.com/news/jesca-hoop-kate-stables-and-lail-arad-announce-new-ep-the-songs-of-joni-mitchell-vol-1
  79. https://songsof.co.uk/
  80. https://www.discogs.com/release/2895255-Jesca-Hoop-Silverscreen-Demos
  81. https://www.discogs.com/artist/1005501-Jesca-Hoop
  82. https://music.apple.com/us/album/pack-animal-dojh-single/1578978399
  83. https://music.apple.com/us/album/hatred-has-a-mother-single/1624799647
  84. https://music.apple.com/us/album/but-i-did-not-single/1742839352
  85. https://usa.firerecords.com/products/various-artists-sandworms-the-songs-of-howe-gelb-and-giant-sand
  86. https://dustedmagazine.tumblr.com/post/791595729131126784/various-artists-giant-sandworms-the-songs-of
  87. https://www.discogs.com/release/7370223-Various-Tru-Thoughts-Covers-2
  88. https://www.discogs.com/release/3794823-Various-Complete-Control-15-Tracks-From-The-Months-Best-New-Albums
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