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Julie Bell
Julie Bell
Julie Bell
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Julie Bell (born October 21, 1958) is an American fine artist, illustrator, photographer, bodybuilder and wildlife painter. Bell is also a fantasy artist and a representative of the heroic fantasy and fantastic realism genres. Bell has won Chesley Awards[2] and was the designer of the Dragons of Destiny series. She also won first place awards in the Art Renewal Center International Salon, which bestowed on her the title "ARC Living Master".[3][4]

Key Information

Early life

[edit]

Bell was born on October 21, 1958, in Beaumont, Texas. She attended five different high schools, studying painting and drawing.[5]

In her youth, she was fond of bodybuilding. She took part in various competitions and received national recognition, which later influenced her to portray beautiful and muscular women.[5] In 1978, Bell married writer and academic Donald E. Palumbo.[6] During their eleven-year marriage, she gave birth to two sons, Anthony and David Palumbo, who subsequently also became professional artists. In 1989, she met Boris Vallejo, whom she later married.

Career

[edit]

Bell has painted the cover illustrations of more than 100 fantasy and science fiction books and magazines since 1990.[7]

In the early 1990s, she illustrated painted covers for video games as well as best-selling trading cards for the superheroes of Marvel and DC. A cover art image from the Sega Game Gear video game Ax Battler: A Legend of Golden Axe would depict the semi-barbaric world that the game took place in; thus being entitled Savage Land by Bell herself.[8] She designed the Dragons of Destiny sculpture series, Mistress of the Dragon's Realm dagger series, as well as the Temptation Rides sculpture series produced by The Franklin Mint.[citation needed] Her art was also featured in the 1995 card game Hyborian Gates.[9]

She designed the cover art for Meat Loaf's 2006 album Bat Out of Hell III: The Monster Is Loose as well as its first single "It's All Coming Back to Me Now".[10]

In 2007, Bell and Vallejo illustrated the poster for Aqua Teen Hunger Force Colon Movie Film for Theaters.[11]

In the 2012-2013 Art Renewal Center (ARC) International Salon, Bell won "the most awards in any one competition ARC has ever held", including First Place in the Imaginative Realist Category, First and Third Place in the Animal Category, Best Portrait Runner Up, two purchase awards, and two additional honorable mentions.[12] It was in 2013 that Bell was awarded the aforementioned "Living Master" title by ARC, that organization's highest artist designation.[13]

In November 2015, she was awarded the Mountain Oyster Club's Denise McCalla Memorial Top Choice Award.

Bell shares her studio in Pennsylvania with her husband, renowned fantasy artist Boris Vallejo.

Honors

[edit]
  • Art Renewal Center, multiple 1st place awards and honorable mentions.[14]

Books

[edit]
  • The Julie Bell Portfolio (1994)
  • Hard Curves: The Fantasy Art of Julie Bell (1995), with Hank Rose and Nigel Suckling
  • Soft As Steel: The Art of Julie Bell (1999), with Brian Aldiss and Suckling
  • Titans: The Heroic Visions of Boris Vallejo and Julie Bell (2000), with Suckling, Bell, and Vallejo; also issued 2000 with main title Superheroes
  • Sketchbook (2001), with Suckling, Bell, and Vallejo
  • Twin Visions (2002), with Bell and Vallejo
  • Fantasy Workshop: A Practical Guide: The Painting Techniques of Boris Vallejo and Julie Bell (2003), with Bell and Vallejo
  • Boris Vallejo/Julie Bell: The Ultimate Collection (2005), with Suckling, Bell, and Vallejo
  • The Fantasy of Flowers (2006), with Bell and Vallejo
  • The Fabulous Women of Boris Vallejo and Julie Bell (2006), with David Palumbo, Anthony Palumbo, Bell, and Vallejo
  • Imaginistix: The Art of Boris Vallejo and Julie Bell (2007), with Palumbo, Palumbo, Bell, and Vallejo
  • Boris Vallejo and Julie Bell: The Ultimate illustrations (2009), with Bell and Vallejo
  • Dreamland: The Fantastic Worlds of Boris Vallejo and Julie Bell (2014), with Bell and Vallejo

References

[edit]
[edit]
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Julie Bell

View on Grokipedia
from Grokipedia
Julie Bell (born October 21, 1958) is an American fine artist, illustrator, photographer, former competitive bodybuilder, and wildlife painter best known for her hyper-realistic fantasy artwork featuring powerful female figures, amazons, and intricate wildlife scenes. Born in , to an architect father and artistic mother, Bell developed her drawing skills from childhood and pursued formal studies in human figure and life drawing across multiple colleges. Her career as a nationally ranked bodybuilder in the 1980s influenced her muscular, dynamic depictions of women, while her modeling for fantasy artist —whom she married in 1994—led to collaborative projects and a shared studio in . Bell broke barriers in the male-dominated comic industry as the first woman to illustrate for from 1990 to 1996, creating iconic covers and trading cards that blended eroticism with heroic fantasy. She has produced commercial illustrations for brands like Nike, , and Ford, as well as book covers for major publishers such as and album art for musicians including . Notable achievements include winning two Chesley Awards, earning a Spectrum Fantastic Art Silver Medal in 2016, and being recognized as an ARC Living Master by the Art Renewal Center in 2023. Bell's oeuvre also encompasses wildlife paintings inspired by visits to the Lakota Wolf Preserve, emphasizing themes of strength, , and imaginative realism in oil, graphite, and mixed media.

Early life and education

Childhood and family background

Julie Bell was born on October 21, 1958, in , as the second of four siblings born to parents Sydney and Milton Bell. Her father worked as an , creating a structured home environment that emphasized precision and design, while her mother was highly artistic and infused everyday tasks with creativity, such as turning chores into imaginative games. This family dynamic provided a nurturing backdrop for Bell's early development, with both parents supporting her interests without imposing formal expectations. From a young age, Bell displayed a natural aptitude for , beginning around age five or six after discovering a realistic floral in a that captivated her. She frequently created pictures for family and friends, honing her skills through self-directed play and receiving positive reinforcement from her mother, who encouraged artistic expression as a joyful outlet. By fifth grade, her talent had become evident to others, and a teacher's prompting led her to publicly declare her aspiration to become an , marking an early affirmation of her creative identity amid a supportive family atmosphere. Bell's childhood in Beaumont offered stability until age twelve, when her parents' prompted a relocation to , Georgia, with her mother and siblings, initiating a period of more frequent moves that exposed her to varied surroundings. These experiences, stemming from family changes, broadened her perspectives before she entered formal education.

Formal education and early artistic influences

Julie Bell attended several different colleges and universities over several years due to frequent relocations, and she did not complete a degree at any one institution. Her coursework centered on life drawing and studies of the human figure, with enrollment at institutions such as DeKalb County Community College in , where she majored in drawing and explored ; Lamar University in , under the guidance of wildlife artist and painting professor Jerry Newman; Northern Michigan University in , studying with sculptor Wolfram F. Niessen; Lorain County Community College in ; and Shippensburg University in . Through these programs, Bell engaged in intensive classes that emphasized classical techniques, including the study of , proportion, and realism to capture the and movement of the . At Lorain County Community College in the early 1980s, while continuing her drawing classes, Bell took up weight training and entered the world, gaining exposure to a culture that celebrated muscular physiques and physical power, which deepened her fascination with dynamic human forms. Although she lacked a formal degree, the practical skills acquired across these varied institutions—building on childhood artistic encouragement from her family—formed the technical foundation for her self-directed professional career.

Bodybuilding and modeling

Competitive bodybuilding career

Julie Bell entered competitive in 1983 while studying art at Lorain County Community College in , motivated by her admiration for the muscular figures depicted in classical and fantasy art. She sought to physically embody these powerful forms, turning her artistic passion into a disciplined athletic pursuit that aligned with her interest in human and strength. Her training regimen was rigorous and self-directed, involving daily sessions focused on building symmetry and overall strength, complemented by extensive research into and through library books in the pre-internet era. Bell maintained strict dietary to support muscle development and recovery, approaching with the same intensity she later applied to her artwork, viewing it as a of unwavering commitment to personal limits and potential. This not only honed her physique but also deepened her understanding of muscular dynamics, which influenced her later artistic representations of empowered female figures. During her five-year career peaking in the mid-1980s, Bell competed in regional and national events under the International Federation of Bodybuilding and Fitness (IFBB), earning national rankings in women's categories for her aesthetic muscle definition and balanced proportions. She built a reputation for emphasizing symmetry over sheer mass, participating in contests that highlighted strength and poise, and capped her competitive run by winning her final event in in 1989 before retiring due to concerns over performance-enhancing drugs in the sport. This physique ultimately opened doors to professional modeling opportunities.

Transition to modeling for artists

In the late 1980s, Julie Bell retired from competitive after achieving national rankings, citing concerns over the use of steroids and performance-enhancing drugs in the sport as a primary reason for her departure. This transition allowed her to leverage her well-developed physique as a source of income through modeling, marking her entry into the artistic community where her athletic form became a valuable reference for illustrators. A pivotal moment occurred in 1989 during her final bodybuilding competition in , where a promoter introduced her to fantasy artist and suggested she pose for him. Bell began modeling for Vallejo that year, participating in sessions that featured dynamic, muscular poses tailored to fantasy themes such as warriors and mythical figures. These collaborations not only provided financial stability but also initiated a personal and professional relationship with Vallejo, who later became her husband in 1994. Beyond her work with Vallejo, Bell took on modeling assignments for other illustrators in the fantasy genre, applying her bodybuilding-honed to serve as a live reference for compositions involving human figures in action. From the model's vantage point, she gained practical insights into artistic elements like composition, , and the challenges of capturing movement, which deepened her pre-existing knowledge of human derived from years of physical training. This directly enhanced her perspective on form and pose, laying the groundwork for her eventual transition into creating her own artwork.

Artistic career

Beginnings in fantasy illustration

Julie Bell entered the professional realm of fantasy illustration in 1990, marking her debut with cover artwork for and fantasy publications, including her first published piece for Heavy Metal magazine titled "Metal Flesh." Over the subsequent years, she produced more than 100 book covers for major publishing houses, quickly gaining recognition for her contributions to the genre. Her early artistic style emerged as a fusion of hyper-realistic techniques derived from extensive life drawing and bold imaginative elements, prominently featuring powerful female protagonists with muscular physiques that drew directly from her competitive background. This influence allowed her to depict epic heroines in dynamic poses, blending anatomical precision with fantastical settings to evoke strength and sensuality. Among her initial major commissions were illustrations for , where from 1990 to 1996 she became the first woman to paint covers for the Conan series, solidifying her status as a preferred for tales of muscular warriors and mythical adventures. As she navigated the demands of tight commercial deadlines, Bell refined her approach by prioritizing artistic spontaneity alongside structured planning, which cultivated her distinctive bold color palettes and energetic compositions that brought vivid life to genre narratives.

Wildlife painting and fine art development

Beginning in the early , Julie Bell expanded her artistic repertoire into wildlife painting, marking a significant evolution from her earlier fantasy illustrations toward representational focused on animals. This shift was inspired by a 2001 visit to the Lakota Wolf Preserve, where she photographed a pack of wolves, igniting a passion for capturing their majestic presence and behaviors in photorealistic detail. Her wildlife works emphasize emotional depth, portraying animals such as wolves, horses, and even mythical creatures like dragons with a sense of movement, interaction with humans or environments, and profound psychological insight, showcasing her versatility in . Bell's technical mastery in this genre relies heavily on oil paints applied to or panel, allowing her to render intricate textures such as the soft fur of wolves, the muscular contours of horses, and the iridescent scales of dragons with exceptional precision and . She draws from extensive sessions with live subjects, including wolves in natural settings and horses in motion, to inform her compositions and achieve hyper-realistic accuracy while infusing emotional narratives—such as pack hierarchies or dreamlike reveries—that evoke the animals' inner lives. This approach, honed through studies in life drawing and animal psychology under mentors like wildlife artist Jerry Newman and sculptor Wolf Niessen, enables her to blend observational fidelity with interpretive depth, distinguishing her from purely commercial endeavors. Bell's wildlife and fine art have been prominently featured in exhibitions emphasizing classical realism and imaginative representation. She participated in the Art Renewal Center's International Salons, earning multiple awards including first, third, and fourth places in the Animal category and first in Imaginative Realism during the 2012–2013 cycles, where works like Alpha Wolf highlighted her prowess in depicting with emotional resonance. Additional recognition came through the 2016 Imaginative Realism exhibition at the Delaware Art Museum, and more recently, her animal portraits and tableaus were showcased in "The Wild Indoors" at the Berkshire Museum from June to September 2024, underscoring her commitment to painting for the love of animals and the joy of the medium. By the 2020s, Bell continued developing series exploring animal traditions and dreamlike themes, exemplified by pieces such as The Order of Wolves, which captures the ritualistic bonds within a wolf pack, and A Dream About a Dragon and a Tree (2012), blending wildlife realism with subtle fantastical elements to convey introspection and harmony with nature. Other notable works from this period include A Wolf Tradition and Wild Horses, further demonstrating her ongoing refinement of photorealistic techniques to portray the fragility and beauty of the natural world. These developments affirm her status as a Living Master recognized by the Art Renewal Center, solidifying her contributions to contemporary fine art beyond genre illustration.

Collaborations and commercial works

Bell's longstanding partnership with , whom she married in 1994, has resulted in numerous joint illustrations since the 1990s, spanning advertising, film posters, and collectibles. Their collaborations often blend Vallejo's expertise in dramatic fantasy compositions with Bell's dynamic figure work, producing pieces signed by both artists. A notable example of their joint commercial output is the 2007 promotional poster for the animated film , which features the film's characters in a fantastical, muscular tableau characteristic of their style. Their shared efforts extend to advertising campaigns for prominent brands, including Nike, , , and , where Bell's illustrations of empowered figures were adapted for promotional materials in the late 1990s. Beyond advertising, Bell contributed to music media through her design of the cover for Meat Loaf's 2006 album Bat Out of Hell III: The Monster Is Loose, depicting a dramatic scene of a figure emerging from a beast's maw, aligning with the album's theme. She also created designs for the Franklin Mint's Dragons of Destiny series of collectible sculptures, as well as related fantasy items such as the Mistress of the Dragon's Realm dagger, which features intricate engravings of dragons and a stainless-steel blade inspired by her wildlife motifs. In the gaming sector, Bell provided cover artwork for the 1993 Sega Genesis title Splatterhouse 3, illustrating the game's horror-themed protagonists in a visceral, action-oriented pose that captured the era's intense aesthetics. Their collaborations continue into recent years, with ongoing joint paintings exploring mythological elements, such as sea monsters and ancient heroes, including the annual Fantasy Calendar, which reached its 45th edition in 2025. In October 2025, Bell and Vallejo participated in a panel on fantasy art at , moderated by . Bell enhances the realism in these collaborative compositions by incorporating her own photography as reference material, including portraits of models she photographs personally and wildlife images from visits to preserves, which inform the anatomical accuracy and environmental details in their shared works.

Personal life

Marriage and partnership with Boris Vallejo

Julie Bell first encountered Boris Vallejo in 1989 through their shared interest in bodybuilding, when a mutual friend suggested her as a model for one of his calendar paintings during a competition that Vallejo was judging. Impressed by her physique and artistic potential, Vallejo invited Bell to pose for him, marking the beginning of their personal and professional connection. Their courtship unfolded over the subsequent years, during which Vallejo mentored Bell in oil painting techniques as she worked on various projects, fostering a deep creative bond. The couple married in 1994, solidifying their partnership after a five-year relationship built on mutual admiration for the human form and artistic expression. Following their marriage, Bell and Vallejo transitioned into a seamless synergy, establishing a shared studio in the suburbs of , where they continue to create today. This collaboration allowed them to blend their talents in fantasy , with Bell's hyper-realistic approach to the human figure complementing Vallejo's dynamic, muscular compositions inspired by classical masters and artists like . Their mutual inspiration extended to joint projects, including annual calendars and book covers for major publishers, as well as teaching workshops on fantasy art techniques. By 2025, their partnership had endured for over 35 years, evolving from individual modeling sessions into a prolific collaboration that has produced numerous joint exhibitions and art books, such as those under the Imaginistix imprint, while maintaining their distinct yet harmonious styles within the fantasy genre. This long-term union has not only amplified their creative output but also positioned them as influential figures in the illustration community, often working together on advertising campaigns and comic book illustrations for publishers like Marvel and DC.

Family and residences

Julie Bell has two sons from her previous marriage to science fiction writer Donald E. Palumbo: Anthony Palumbo, born in 1980, and David Palumbo, born in 1982. Both sons have pursued successful careers as fantasy artists, with Anthony specializing in digital and traditional and David gaining recognition for his oil paintings and book covers. Bell's family life fosters a supportive environment centered on artistic pursuits, particularly in their shared studio in , where creativity is a collaborative family endeavor. Following her marriage to in 1994, the family established a home that integrates professional art production with daily life, emphasizing a that has influenced her sons' independent achievements in . In the , Bell and Vallejo relocated to eastern , specifically the Allentown area, to create a dedicated art studio within their suburban bordered by woodlands, which remains their primary residence as of 2025. This setting has allowed for a balanced life focused on creativity, with the couple and her sons occasionally drawing inspiration from shared artistic traditions.

Awards and recognition

Illustration and fantasy art honors

Julie Bell has received significant recognition in the field of fantasy and illustration, particularly through the Chesley Awards presented by of Science Fiction & Fantasy Artists (ASFA). She won the Chesley Award for Artistic Achievement in 2009, honoring her overall contributions to the genre. In 2013, she earned the Chesley for Best Color Work—Unpublished for her painting A Passion for the Future, an work showcasing her signature blend of heroic fantasy elements and dynamic composition. Bell also received nominations in multiple categories, including Best Product Illustration for Jeannie's Kitten (with ) in 2014 and Best Color Work—Unpublished for The Wave in Her Heart in 2009, reflecting her versatility in commercial and unpublished fantasy pieces. Early in her illustration career during the , Bell's book covers for titles established her prominence, leading to a Chesley nomination in 2000 for Best Product Illustration for Boris Vallejo & Julie Bell's Fantasy Calendar, affirming her rising status in the fantasy art community by the turn of the millennium. Her designs for the Dragons of Destiny series, launched in the early , further solidified her reputation in genre illustration circles. These early accolades highlighted her innovative approach to heroic fantasy, often featuring muscular figures and mythical creatures in vivid, narrative-driven scenes. On the international stage, Bell garnered a Silver Award in the Institutional category at the 2016 Spectrum Awards for Behind the Veil, a fantasy piece that exemplified her skill in creating immersive, otherworldly environments for gaming and publishing applications. In 2019, she received an Honourable Mention in the Beautiful Bizarre Art Prize, an international competition celebrating contemporary figurative and fantasy art, for her Oracle to the Sphinx Sisters, which drew praise for its imaginative fusion of human and mythical forms. These honors underscore her enduring influence in global fantasy illustration into the late .

Fine art and wildlife painting accolades

Julie Bell's transition into and painting earned her significant recognition within traditional art institutions, particularly through the Art Renewal Center (ARC). In 2013, she was named an ARC Living Master, the organization's highest honor for living artists, acknowledging her mastery in realist techniques applied to both imaginative and naturalistic subjects. This prestigious title underscored her evolution from fantasy illustration to classical , with a focus on realism that captured the anatomy, texture, and emotional depth of animals. Her paintings garnered multiple awards in the 2012–2013 ARC International Salon, where she secured first place in the Animal category for Pride of Philadelphia, an oil-on-linen depiction of lions emphasizing their majestic form and communal bonds, and for Secrets. This marked the most awards won by any in a single ARC competition and highlighted her prowess in rendering with hyper-realistic detail. Additionally, in the 2013 International Artist Contest, Bell earned second prize in the Wildlife category, further affirming her standing in representational animal art. In 2015, Bell received the Denise McCalla Memorial Top Choice Award from the Mountain Oyster Club's annual contemporary western exhibition, selected as the best in show for her animal paintings that blend with subtle narrative elements. This accolade, named in honor of a prominent , recognized her ability to infuse subjects with emotional and technical precision. Exhibition-based honors continued into later years, including an honorable mention in the 2019 Beautiful Bizarre Art Prize for Oracle to the Sphinx Sisters, a work featuring animalistic forms in a realist style. Bell's ongoing contributions to wildlife art have sustained her acclaim into the , exemplified by her 2024 solo exhibition The Wild Indoors: The Animal Art of Julie Bell at the Berkshire Museum, which paired her paintings—such as and series—with specimens to explore themes of nature and form. As a Signature Member of the Society of Animal Artists, she remains active in prestigious shows, with works like Horse Whispers (2012) continuing to exemplify her enduring focus on equine and predatory subjects in contexts.

Published works

Art books and portfolios

Julie Bell's solo art books and portfolios, published through specialty presses specializing in fantasy and , emphasize high-quality reproductions of her original paintings, allowing viewers to appreciate the intricate details of her brushwork and thematic depth. Her first major portfolio, The Julie Bell Portfolio (1994, ), presents 28 early fantasy illustrations across 64 pages, capturing her initial foray into heroic and imaginative scenes with vibrant colors and dynamic compositions. This slim yet impactful volume highlights her emerging style, influenced by her background in and modeling, and serves as a foundational showcase of her technical prowess in rendering muscular forms and fantastical elements. Building on this, Hard Curves: The Fantasy Art of Julie Bell (1995, ), with accompanying text by Nigel Suckling, delves into bodybuilding-inspired themes through sections on metallic imagery, sensuality, portraits, superheroes, and athletic figures, reflecting Bell's personal experiences as a competitive bodybuilder. The 128-page collection features detailed reproductions that emphasize the interplay of strength and grace in her subjects, marking a thematic evolution toward more personal and exploratory narratives. Similarly, Soft as Steel: The Art of Julie Bell (1999, Thunder's Mouth Press), also authored with Suckling's text, explores bodybuilding motifs in fantasy contexts, portraying human forms that blend organic sensuality with metallic rigidity across 128 pages of vivid, large-format images. These works underscore her ability to fuse real-world athleticism with otherworldly aesthetics, using high-fidelity printing to preserve the luminous quality of her oils. Later, Dreamland (2014, ), a collaboration with , shifts focus to and dreamlike paintings, featuring Bell's depictions of animals in ethereal, narrative-driven scenes that trace her transition from 1990s fantasy illustrations to contemporary emphasizing natural harmony and motion. Published in a 192-page with premium reproductions, it highlights her matured style through animal subjects like wolves and horses, evoking emotional connections between viewer and nature. Collectively, these publications document Bell's artistic progression, from the bold, illustrative energy of the to the introspective wildlife of the 2010s, all produced via specialty presses to ensure faithful representation of her originals. She has also briefly contributed to collaborative portfolios with , expanding her reach in joint fantasy collections.

Notable illustrations and covers

Julie Bell has created cover illustrations for more than 100 fantasy and books and magazines since 1990, establishing her as a prominent figure in genre art with dynamic depictions of mythical creatures, warriors, and otherworldly landscapes. In the early 2000s, she illustrated covers for Jane Lindskold's Firekeeper series, such as Through Wolf's Eyes (2001) portraying a shape-shifting in a wolf-pelt against a forested backdrop, and its sequel Wolf's Head, Wolf's Heart (2002), emphasizing themes of human-animal bonds and wilderness survival. Beyond literature, Bell's commercial illustrations highlight her versatility in high-profile media. She designed the cover for Meat Loaf's album III: The Monster Is Loose (2006), featuring a muscular biker wielding a sword on a roaring amid apocalyptic flames, capturing the rock opera's dramatic intensity. She also created covers for (2010), depicting a surreal in a fantastical setting, and (2016), blending rock themes with heroic imagery. In 2007, Bell co-illustrated the promotional poster for the animated film Colon Movie Film for Theaters, blending surreal humor with her fantastical style through vibrant, exaggerated character portraits in a cosmic setting. Bell's video game artwork includes the box art for (1993), depicting a haunted mansion scene with ghostly figures and a determined hero, which exemplified her ability to convey horror-fantasy tension in . Her design for the Mistress of the Dragon's Realm dagger series, produced by , incorporates intricate engravings of dragon motifs and empowered female warriors on blades, merging functional art with mythical . Up to 2025, Bell has continued producing standalone fantasy pieces, such as signed prints of dragon riders and armored heroines available through her official gallery, and contributed to the Boris Vallejo and Julie Bell's Fantasy Wall Calendar 2026 (Workman Publishing, 2025), featuring classic and new images. These works underscore Bell's thematic emphasis on empowering female figures as central protagonists—often warriors or enchantresses—interwoven with mythical elements like dragons and ancient realms, fostering a sense of strength and wonder in commercial illustration.

References

  1. https://artfantastix.com/juliebio.html
  2. https://rehs.com/eng/contemporary-bio/julie-bell/
  3. https://www.borisjulie.com/about-us/
  4. https://www.artrenewal.org/artists/julie-bell/7499
  5. https://www.southwestart.com/featured/bell-j-nov2017
  6. https://fineartconnoisseur.com/2017/08/julie-bell-looking-back-looking-within/
  7. https://rehs.com/Julie_Bell_Smoky_Wolf.html
  8. https://enchantedlivingmagazine.com/three-decades-of-painting-powerful-women/
  9. https://rockwellcenter.org/podcast/episode-01-boris-vallejo-and-julie-bell/
  10. https://www.askart.com/artist/Julie_Bell/11009938/Julie_Bell.aspx
  11. https://www.thecollector.com/famous-fantasy-artists/
  12. https://rehs.com/eng/contemporary-images/julie-bell/
  13. https://www.boredpanda.com/fantasy-paintings-by-julie-bell/
  14. https://www.artrenewal.org/16thARCSalon/artist/julie-bell/30291
  15. https://www.berkshireeagle.com/arts_and_culture/arts-theater/art-review-julie-bell-the-wild-indoors-berkshire-museum/article_2b3e4e60-48f9-11ef-aa8d-933c1a0b4b54.html
  16. https://www.borisjulie.com/product/the-order-of-wolves/
  17. https://www.artrenewal.org/artworks/a-dream-about-a-dragon-and-a-tree/julie-bell/45631
  18. https://rehs.com/Julie_Bell_Wild_Horses.html
  19. https://www.borisjulie.com/
  20. https://www.borisjulie.com/product/aqua-teen/
  21. https://segaretro.org/Julie_Bell
  22. https://www.lucasmuseum.org/news/new-york-comic-con-sneak-peek-2025
  23. https://airandspace.si.edu/stories/editorial/boris-vallejo-artist
  24. https://www.mcall.com/2012/07/07/renowned-artists-boris-vallejo-and-julie-bell-are-grounded-in-fantasy-2/
  25. https://www.gamesradar.com/interview-legendary-fantasy-artists-boris-vallejo-julie-bell/
  26. https://www.berkshireeagle.com/arts_and_culture/arts-theater/julie-bell-wildlife-paintings-berkshire-museum-the-wild-indoors/article_39a9e5d4-2416-11ef-a6e4-07f955d14a5e.html
  27. https://www.artcyclopedia.com/awards/julie-bell-chesley.html
  28. https://reactormag.com/announcing-the-2013-chesley-award-winners/
  29. https://www.sfadb.com/Julie_Bell
  30. https://www.sfadb.com/Chesley_Awards_All_Nominees
  31. https://www.muddycolors.com/2016/05/2016-spectrum-award-winners/
  32. https://beautifulbizarreartprize.art/honourable-mention-julie-bell/
  33. https://www.artrenewal.org/Salon2012/Category/Animals
  34. https://rehs.com/Julie_Bell_They_Never_Forget.html
  35. https://www.artrenewal.org/artworks/horse-whispers/julie-bell/45627
  36. https://www.societyofanimalartists.com/wp-content/uploads/2024/08/SAA-64th-Annual-Catalog.pdf
  37. https://www.amazon.com/Hard-Curves-Fantasy-Julie-Bell/dp/1850282234
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  39. http://calmcation.com/page1030.html
  40. https://www.abebooks.com/9781850283454/Julie-Bell-Portfolio-1850283451/plp
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  44. https://www.harpercollins.com/products/boris-vallejo-and-julie-bell-dreamland-boris-vallejojulie-bell
  45. https://www.liberdistri.com/en/411-bell-julie
  46. https://www.goodreads.com/list/show/101073.Book_Covers_by_Boris_Vallejo_and_or_Julie_Bell
  47. https://www.discogs.com/release/12670145-Meat-Loaf-Bat-Out-Of-Hell-III-The-Monster-Is-Loose
  48. https://www.instagram.com/p/CZARbLDPsb-/?hl=en
  49. https://www.originalvideogameart.com/video-game-illustrators/julie-bell-b-1958-r112/
  50. https://comicarttracker.com/julie-bell-original-art-for-sale
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