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KARM
KARM
from Wikipedia

KARM (89.7 FM "Promise FM"), is a non-commercial, listener-supported radio station broadcasting a Contemporary Inspirational format. It is licensed to Visalia, California, and serves the Central California communities of Visalia, Tulare and Hanford. The station is currently owned by Harvest Broadcasting Company, Inc.[2] The studios are on South Woodland Drive in Visalia. The station holds periodic fundraisers on the air and on its website.

Key Information

KARM is a Class B1 FM station. It has an effective radiated power (ERP) of 1,000 watts.

History

[edit]

The station signed on the air in 1980; 45 years ago (1980).[3] It has always had a Christian radio format.

Until 2016, KARM's programming was simulcast in Modesto and the San Joaquin Valley via its former sister station, KADV.

The KARM call sign was once used for a station broadcasting on 1430 AM as Fresno's ABC Radio Network affiliate in the 1950s and 1960s. At that time it was the second-oldest AM station in the Fresno market, after KMJ 580 AM. The original KARM got its start on 1310 kHz with 100 watts in 1938.[4][5] It is now sports radio KFIG.

References

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from Grokipedia
Karm is a 1977 Indian Hindi-language drama film produced and directed by from a story by Gajendra Kumar Mitra. The story revolves around themes of fate, love, and the consequences of actions, following a young couple who defy astrological predictions and societal norms by choosing to live together without marriage. Featuring a runtime of 2 hours and 36 minutes, the film stars as Arvind Kumar, a law student and aspiring , as his beloved Asha Shastri, and in a key supporting role, with additional performances by actors such as , , and . The soundtrack, composed by with lyrics by and Inderjeet Singh Tulsi, includes notable songs that underscore the emotional narrative. The film explores the interplay between predestined karma and human agency as the couple faces social backlash for their choices. Released on 29 1977, Karm received for its progressive handling of subjects like live-in relationships and astrology's influence on personal lives, at a time when Indian cinema was increasingly tackling social issues. , known for films addressing moral and ethical dilemmas, delivers a narrative that blends with philosophical undertones, contributing to the director's reputation for thought-provoking cinema. The film achieved moderate commercial success amid competition from blockbuster multi-starrers of the era.

Production

Development

B.R. Chopra founded and led , serving as both producer and director for Karm, a project that aligned with his longstanding commitment to films addressing moral and social dilemmas in Indian society. The film's development occurred in the mid-1970s, positioned between Chopra's successful releases Dhund (1973) and Pati Patni Aur Woh (1978), and was executed as a modest-budget production amid financial strains at B.R. Films following his brother Yash Chopra's departure to establish his own banner. The story was penned by Gajendra Kumar Mitra, whose script integrated philosophical undertones to examine ethical consequences and societal beliefs. Pre-production efforts focused on crafting a narrative that critiqued prevailing superstitions through familial conflicts, though the era's industry challenges, including post-1976 commercial setbacks for key talent like , added hurdles to aligning the theme with audience expectations. The completed film premiered in 1977, but its underwhelming reception prompted Chopra to abandon a planned follow-up project, .

Casting and filming

The lead role of Arvind was portrayed by , with cast as Asha and as Neelam. , who had gained prominence in romantic roles, was selected as the primary female lead following her success in films like (1975). , then a relative newcomer to after her debut in Ankur (1974), took on the supporting role of Neelam, marking an early collaboration with Chopra. The film also featured the debut of child artist , who played the young version of Asha at the age of three. This casting choice introduced a fresh element to the narrative's generational aspects, with Matondkar's performance integrated into key childhood flashback sequences. B.R. Chopra's directorial style, characterized by a focus on moral dilemmas and restrained emotional depth in social dramas, shaped the actors' portrayals, emphasizing subtle expressions of conflict and karma. Principal photography occurred primarily across northern to capture the story's cultural and spiritual settings. Sequences were filmed in , including areas near , as well as in , , , and , requiring the cast and to coordinate multi-location shoots over several weeks. The production faced logistical challenges, including managing large crowds of fans drawn to during outdoor shoots in , which prompted the unit to limit their stay to one week before returning to . Tensions arose on set between director and Khanna, with Chopra later publicly criticizing the actor for allegedly fostering conflicts among the crew, leading to adjustments and strained dynamics.

Content

Plot

Retired Shyamlal Kumar resides in a grand home with his wife and their only son, , a aspiring to become a . falls deeply in love with Shastri, the daughter of astrologer Chintamani, and the two plan to marry. However, Chintamani consults the stars and foresees a : if they wed, will die shortly after, leaving Asha a , leading her father and even Shyamlal's family to vehemently oppose the union. Defying the warnings, Arvind and Asha begin living together without formal marriage, determined to build a family amid growing societal condemnation and backlash from their community, which blacklists Arvind professionally. Asha soon becomes pregnant, but tragedy strikes when Chintamani dies, prompting her to leave for Haridwar while pregnant to raise the child in seclusion away from the scorn; she gives birth to a son there. Under intense pressure from his family, a heartbroken Arvind eventually marries Neelam and relocates to London, attempting to start anew while haunted by his past. Years later, after marrying Neelam and moving to , Arvind returns to and reunites with (now Sadhna), a nurse raising their son Ajay. Seeking to adopt Ajay, tensions rise; Neelam dies in a car accident, and after Arvind survives surgery, the families reconcile, and he marries Asha. These occurrences highlight the film's cause-and-effect driven by karma, as past deeds lead to redemption and eventual within the fractured families. Spanning 2 hours and 36 minutes, the story methodically traces this karmic arc from youthful defiance to poignant resolution.

Cast

The principal cast of Karm (1977) includes the following actors in their respective roles:
ActorRoleCharacter Description
Arvind KumarThe protagonist, a principled young confronting the consequences of his past actions through karmic challenges.
Asha Shastri / SadhanaArvind's first love, a resilient who navigates personal hardships with steadfast .
Neelam KumarArvind's second wife, a dutiful figure who embodies and in the face of adversity.
Child ArtisteUncredited child artist in a minor role, marking her film debut at age three.
Supporting roles contribute to the narrative's exploration of fate and duty, including as Judge Shyamlal Kumar, Arvind's authoritative father who provides paternal guidance; as Chintamani Shastri, Asha's astrologer father serving as an advisor on cosmic influences; and Master Bittoo as Ajay Kumar, portraying the couple's young son. Other notable supporting actors include Govardhan Asrani as Dafaa So & So, a comedic figure tied to community dynamics; as Neelam's father, an influential advocate; and in a minor role enhancing familial tensions. Performances in Karm highlight character arcs through emotional depth, with Khanna's portrayal of emphasizing internal conflict and growth, Sinha's showcasing quiet strength amid trials, and Azmi's Neelam conveying composed fortitude.

Soundtrack

Composition

The soundtrack of Karm was musically directed by , celebrated for his signature fusion of Indian classical traditions with Western instrumentation and rhythms, which lent a distinctive flavor to the film's score. This approach allowed Burman to craft melodies that resonated with the story's philosophical undertones, employing subtle orchestral arrangements alongside traditional elements like and to evoke introspection. The lyrics were written by and Rajkavi Inderjeet Singh Tulsi, whose contributions delved into themes of love, fate, and redemption, infusing the songs with poignant emotional layers that mirrored the narrative's karmic essence. Their poetic sensibility, drawing from literary traditions, ensured the words complemented Burman's compositions without overshadowing the melodic flow. Recording sessions for the soundtrack occurred between 1976 and 1977, ahead of the film's April 1977 release, and involved esteemed playback artists including , who provided vocals for Khanna's character sequences, alongside , , and Mukesh. These sessions, held at studios, highlighted collaborative energy among the singers and Burman's orchestra, resulting in harmonious duets and solos that underscored character emotions. The songs were seamlessly woven into the film's fabric, serving to heighten emotional tension and propel key relational dynamics, thereby reinforcing the overarching exploration of destiny and moral consequences without disrupting the dramatic pace.

Track listing

The soundtrack album of Karm, composed by and released by , features seven songs with a total runtime of approximately 31 minutes.
TitleSinger(s)Duration
Jab Dukh Se Man Ghabra Jaaye7:03
Samay Tu Jaldi Jaldi Chal, 4:44
Jab Chaaron Taraf Andhera Ho, 5:26
Karm Kaho Kismat KahoMukesh2:46
Maine Dekha Tujhe Tune Dekha Mujhe, 5:04
Samay Tu Dheere Dheere Chal, 5:46
Karm Kare Kismat BaneMukesh0:52
The duet songs picturized on and include "Maine Dekha Tujhe Tune Dekha Mujhe" and the "Samay Tu" tracks, while "Karm Kaho Kismat Kaho" features an ensemble cast including , , , , , and .

Release and reception

Release

Karm was theatrically released on 29 April 1977 in , distributed by B.R. Films across theaters primarily targeting Hindi-speaking audiences. The film had an initial screening in major urban centers, with no widely documented events beyond standard theatrical rollout. It runs for 156 minutes. Subsequent home media releases include a DVD edition distributed by Yash Raj Films in 2001. As of 2025, the film is available for streaming on platforms such as Amazon Prime Video and YouTube.

Critical reception

Upon its release in 1977, Karm received mixed responses from audiences and critics, often praised for its moral exploration of karma and astrology but critiqued for its predictable narrative structure. Reviewers noted the film's clean, family-oriented entertainment value, with Rajesh Khanna delivering a strong performance as the conflicted protagonist torn between love and fate, effectively conveying emotional depth amid the melodramatic elements. However, the story's reliance on astrological predictions was seen as formulaic, and the runtime of over 2.5 hours contributed to perceptions of excessive length, diluting the pacing in an era dominated by faster-paced action films. The music by R.D. Burman was frequently described as average, lacking memorable compositions despite the film's thematic weight. Shabana Azmi's portrayal of the second lead was acknowledged for its subtlety, though some felt her talent was underutilized in a role that served more as a than a fully developed character. Vidya Sinha provided reliable support, embodying the film's progressive undertones, particularly in scenes addressing live-in relationships, which were bold for the time. Overall, the film was considered an average commercial success but did not garner major awards or widespread acclaim, reflecting its niche appeal in a competitive 1977 Bollywood landscape. In modern retrospectives, Karm has been reevaluated as a forward-thinking work that challenged societal norms around relationships and , though criticisms persist regarding its draggy songs and wasted opportunities for deeper character exploration, especially for Azmi. It holds a modest online reputation, with an IMDb user rating of 6.6 out of 10 based on 103 votes as of 2025, indicating enduring appreciation for its ethical messaging despite pacing issues.

Box office performance

Karm garnered moderate commercial success in , classified as an average hit or semi-success at the domestic in 1977. This performance came amid stiff competition from blockbuster action films such as , which dominated the year's top grossers. The film's earnings contributed to revitalizing Rajesh Khanna's career trajectory during his professional slump from 1976 to 1978, following a string of underperforming releases. Overseas, distribution was limited, yet it found a positive response in select communities. In comparative terms, Karm ranked among the mid-tier 1977 releases—ninth on of highest-grossing films that year—but proved profitable for producer B.R. Films. Long-term, Karm has not seen theatrical re-releases, but its enduring popularity is sustained through periodic television broadcasts in .

References

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