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Keith Stegall
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Key Information
Robert Keith Stegall (born November 1, 1955[2]) is an American country music recording artist and record producer. Active since 1980, Stegall has recorded two major-label studio albums: 1985's Keith Stegall and 1996's Passages, although he is mainly known for his production work.
Musical career
[edit]Robert Keith Stegall was born in Wichita Falls, Texas, in 1955. He performed in local bands, spent a short time in northwestern Louisiana (in the mid-1970s) where he operated a small-time music recording business, then moved to Nashville, Tennessee, at the persuasion of Kris Kristofferson.[3]
Stegall charted thirteen singles on the Billboard Hot Country Songs charts, with the highest-peaking being 1985's "Pretty Lady", a No. 10 hit.[2] Starting in the late 1980s, Stegall has been active primarily as a record producer for several recording acts, most notably Alan Jackson, George Jones, Zac Brown Band, and Clay Walker.[2] Stegall has also written several of Jackson's singles, as well as George Strait's Number one hit "I Hate Everything" and Dr. Hook's "Sexy Eyes".
In 2008, Stegall co-founded the label Bigger Picture Music Group.[4] The label closed in 2014.
In 2016, Stegall launched a Nashville-based production, management, and publishing firm, Dreamlined Entertainment Group, with Scott Miller of Miller Investment Management.[5]
In October 2017, Fangate Music, a label run by Australian country music promoter Rob Potts, in conjunction with Sony Music Australia, announced their partnership with Stegall's Dreamlined Entertainment Group.[6]
Discography
[edit]Albums
[edit]| Title | Album details | Peak positions |
|---|---|---|
| US Country | ||
| Keith Stegall |
|
45 |
| Passages |
|
— |
| "—" denotes releases that did not chart | ||
Singles
[edit]| Year | Single | Peak chart positions |
Album | |
|---|---|---|---|---|
| US Country | CAN Country | |||
| 1980 | "The Fool Who Fooled Around" | 58 | — | — |
| 1981 | "Anything That Hurts You (Hurts Me)" | 55 | — | |
| "Won't You Be My Baby" | 65 | — | ||
| 1982 | "In Love with Loving You" | 64 | 40 | |
| 1984 | "I Want to Go Somewhere" | 25 | — | Keith Stegall |
| "Whatever Turns You On" | 19 | — | ||
| 1985 | "California" | 13 | 11 | |
| "Pretty Lady" | 10 | 12 | ||
| "Feed the Fire" | 45 | — | ||
| 1986 | "I Think I'm in Love" | 36 | 50 | — |
| "Ole Rock and Roller (With a Country Heart)" | 52 | 48 | ||
| 1996 | "1969" | 43 | 36 | Passages |
| "Fifty-Fifty"A | 75 | — | ||
| "—" denotes releases that did not chart | ||||
- AB-side to "1969."
Music videos
[edit]| Year | Video | Director |
|---|---|---|
| 1985 | "California" | — |
| 1996 | "1969" | Piers Plowden |
| "Fifty-Fifty" | ||
| "Roll the Dice" |
References
[edit]- ^ Whitburn, Joel (2008). Hot Country Songs 1944 to 2008. Record Research, Inc. p. 401. ISBN 978-0-89820-177-2.
- ^ a b c Huey, Steve. "Keith Stegall biography". Allmusic. Retrieved January 7, 2008.
- ^ "Keith Stegall". Archived from the original on June 30, 2013. Retrieved April 27, 2013.
- ^ "News: The Producer's Chair: Keith Stegall | Bigger Picture Group Artist Services". Archived from the original on May 9, 2014. Retrieved May 9, 2014.
- ^ "Keith Stegall Launches Dreamlined Entertainment Group". Jessica Nicholson. February 1, 2016.
- ^ "Sony Music Australia & Fangate Music partner with Dreamlined Entertainment". Tyler Jenke. October 17, 2017.
| International | |
|---|---|
| National | |
| Artists | |
Keith Stegall
View on Grokipediafrom Grokipedia
Early life
Upbringing in Texas and Louisiana
Keith Stegall was born Robert Keith Stegall on November 1, 1955, in Wichita Falls, Texas.[5] His family soon relocated to Shreveport, Louisiana, where Stegall was primarily raised amid the cultural landscape of the American South.[1] Shreveport, a hub for early country music traditions as the longtime home of the influential Louisiana Hayride radio program, offered a setting steeped in regional history and community life during Stegall's formative years.[1] Stegall grew up in a close-knit family environment shaped by his father's career in the music industry. His father, Bob Stegall (born Robert O. Stegall in Cortez, Colorado), had performed across Texas and California before settling in Shreveport, where he became a fixture in local country scenes.[6] Bob Stegall recorded as an artist on Abbott Records in the 1950s and played steel guitar for prominent country singer Johnny Horton, providing young Keith with direct exposure to the era's country and rockabilly sounds through constant performances and recordings in the home.[1] This familial immersion in 1950s music contrasted with the broader Southern surroundings of everyday life in mid-century Texas and Louisiana, fostering Stegall's foundational connection to the region's artistic heritage.[7]Early musical influences and local performances
Growing up in a musical family, Keith Stegall was profoundly influenced by his father, Bob Stegall, a 1950s recording artist on Abbott Records who also played steel guitar for country star Johnny Horton, known for blending country with rockabilly elements in hits like "The Battle of New Orleans."[1][6] This exposure to the era's country and emerging rock sounds, often heard through family jam sessions on guitars and piano, instilled in young Keith a deep appreciation for songwriting and performance.[7] His father's involvement in the Louisiana Hayride further immersed him in live music traditions during his upbringing in Shreveport.[1] During his teenage years, Stegall began actively participating in local music scenes across Texas and Louisiana, starting with piano lessons at age four and making his stage debut at eight.[4] By age fifteen, he was playing guitar in the folk group the Cheerful Givers, a high school ensemble that performed regionally and recorded an album, marking his entry into collaborative performances.[4] These experiences honed his skills and fueled his passion for music amid the vibrant local circuits of Wichita Falls and northwestern Louisiana.[8] Stegall gained hands-on experience in production and session work from an early age through his family's ties to the industry.[9] A pivotal moment came during his college years at a small liberal arts school in Shreveport, Louisiana, where he earned a degree in theology, when Stegall had a chance encounter with Kris Kristofferson, another Texas native, backstage at a show.[10][11] After playing his original songs for Kristofferson, the singer encouraged him, saying, “Son, you need to get your ass to Nashville and hang out with other writers. They will break you down and make you the best you can be,” solidifying Stegall's resolve to pursue music as a profession.[1][4] This interaction, highlighting Kristofferson's raw, storytelling style, directly inspired Stegall's professional ambitions in country music.[12]Recording career
Debut as a recording artist
After moving to Nashville in 1978 at the encouragement of Kris Kristofferson, Keith Stegall quickly established himself in the music scene by co-writing hits for other artists, leading to his own recording contract with Capitol Records in 1980.[1][4] His debut as a recording artist came that year with the single "The Fool Who Fooled Around," which reached No. 58 on the Billboard Hot Country Songs chart, marking his entry into the national country music landscape.[13] Additional early singles on Capitol, such as "Goodbyes Don't Come Easy" and "Keep On Playing That Country Music," followed in 1980.[14] Stegall transitioned to Epic Records for his first full-length release, the self-titled album Keith Stegall in April 1985, which peaked at No. 45 on the Billboard Top Country Albums chart.[15] The album's lead single, "Pretty Lady," became his biggest hit as a performer, climbing to No. 10 on the Billboard Hot Country Songs chart in mid-1985 and also reaching No. 12 on Canada's RPM Country Tracks.[16] Other singles from the album, including "California" and "Our Love," contributed to its moderate success, showcasing Stegall's blend of traditional country with pop influences through his songwriting and smooth vocals.[4] Following a period focused on songwriting and production, Stegall returned as a recording artist with his second album, Passages, released on Mercury Nashville in February 1996.[1] Critically praised for its mature songcraft and reflective themes, the album did not achieve significant commercial chart performance, reflecting the challenges of re-entering the solo market after years behind the scenes.[17] Over the span from 1980 to 1996, Stegall amassed 13 charting singles on the Billboard Hot Country Songs chart, with "Pretty Lady" as his career high.Songwriting contributions
Keith Stegall's songwriting career gained momentum in the early 1980s, with several of his compositions appearing on his own debut album, including the self-written single "Pretty Lady," which peaked at No. 10 on the Billboard Hot Country Singles chart in 1985. This track exemplified his ability to craft emotive, narrative-driven country songs centered on personal longing and resilience.[18] Throughout the 1980s and 1990s, Stegall co-wrote hits for a range of country artists. As a songwriter and producer, he has contributed to over 55 No. 1 hits overall.[4] Notable examples from this period include "Lonely Nights" for Mickey Gilley, which topped the country charts in 1981, and "Hurricane" for Leon Everette, reaching No. 4 that same year.[19] His collaborations often featured straightforward, heartfelt lyrics that resonated with mainstream country audiences, as seen in "My Lady Loves Me" for Leon Everette (No. 9, 1983) and "Stranger Things Have Happened" for Ronnie Milsap (No. 2, 1990).[19] Stegall particularly supported emerging country acts before 1996, penning chart-topping songs like "Don't Rock the Jukebox" and "Dallas" for Alan Jackson in 1991 and 1992, respectively, which helped launch the artist's career with traditional honky-tonk flair.[19] Similarly, he co-wrote "If I Could Make a Living" for newcomer Clay Walker, a No. 1 hit in 1994 that showcased upbeat, relatable themes of ambition and romance, and "Between an Old Memory and Me" for Travis Tritt, peaking at No. 3 in 1995.[19] These contributions highlighted his versatility in tailoring songs to rising talents while maintaining a core country sound.Production career
Breakthrough productions in country music
Stegall entered the production arena in 1986, co-producing key tracks such as "On the Other Hand" and "Reasons I Cheat" on Randy Travis's debut album Storms of Life alongside Kyle Lehning for Warner Bros. Records.[20] This project, which sold over four million copies, helped revitalize traditional country and marked one of Stegall's initial major credits, blending classic sounds with broad appeal and setting the stage for future collaborations. A pivotal breakthrough arrived in 1991 when Stegall co-produced Alan Jackson's sophomore album Don't Rock the Jukebox with Scott Hendricks for Arista Nashville, which achieved quadruple platinum certification by the RIAA and spawned four No. 1 singles on the Billboard Hot Country Songs chart, including the title track, "Someday," "Dallas," and "Love's Got a Hold on You."[17] The album's success, driven by Stegall's production emphasizing Jackson's neotraditional style, propelled Jackson to stardom and solidified Stegall's role in shaping the 1990s country landscape; Stegall also co-wrote the title track with Jackson and Roger Murrah.[21] In the mid-1990s, Stegall extended his influence through songwriting, co-writing Clay Walker's hit single "If I Could Make a Living," which topped the Billboard Hot Country Songs chart in 1994 alongside Alan Jackson and Roger Murrah. This track from Walker's sophomore album highlighted Stegall's ability to craft chart-topping material for emerging talents, contributing to Walker's early career momentum with multiple top-10 hits. By the early 2000s, Stegall's production portfolio, including these foundational projects, had generated sales exceeding 70 million units worldwide.[4]Long-term collaborations with major artists
Stegall's enduring partnership with Alan Jackson exemplifies his commitment to long-term artist development in country music, spanning the 1990s and 2000s with production credits on multiple albums, including the platinum-certified A Lot About Livin' (And a Little 'bout Love) released in 1992, which featured the No. 1 hit "Chattahoochee."[20] This collaboration extended through the decade, encompassing works like Who I Am (1994) and Everything I Love (1996), where Stegall shaped Jackson's signature blend of traditional honky-tonk and contemporary sounds, resulting in sustained chart success and over 30 million albums sold by the artist.[4] By the 2000s, Stegall continued producing Jackson's releases, such as Like Red on a Rose (2006) and Good Time (2008), fostering a mentorship that emphasized authentic storytelling and hit song selection. The partnership persisted into the 2020s, with Stegall producing Jackson's 2021 album Where Have You Gone.[20] In 2006, Stegall began a pivotal mentorship and production relationship with the Zac Brown Band, co-producing their breakthrough album The Foundation (2008), which included the multi-week No. 1 single "Chicken Fried."[20] This partnership evolved over the following years, with Stegall co-producing subsequent releases like You Get What You Give (2010) and the Grammy Award-winning Uncaged (2012), which debuted at No. 1 on the Billboard 200 and earned Best Country Album at the 2013 Grammys for its innovative fusion of country, rock, and reggae elements.[22] Stegall's guidance helped the band achieve nine consecutive No. 1 country singles from their early releases, highlighting his role in nurturing their organic growth and genre-blending style through the mid-2010s.[11] Beyond these marquee relationships, Stegall maintained collaborations with established artists like Randy Travis, co-producing key tracks such as "On the Other Hand" and "Reasons I Cheat" on Travis's landmark debut Storms of Life (1986), which sold over four million copies and revitalized traditional country.[20] His work extended into later projects, including songwriting contributions to Travis's 2020 single "Fool's Love Affair," demonstrating a sustained creative connection into the late 2010s.[23] Overall, Stegall's production career has been marked by deep involvement in artist evolution and hit creation, amassing over 55 No. 1 hits across his credits, including multi-platinum successes that underscore his impact on country music's commercial landscape through 2017 and beyond.[24]Business ventures
Founding of record labels
In 2008, Keith Stegall co-founded Bigger Picture Music Group, an independent entertainment company based in Nashville, Tennessee, alongside partners Bob Ezrin and William Hein, with a focus on artist development, music production, and distribution through partners like Atlantic Records and Universal Music Group.[25] The label aimed to provide a dynamic alternative to major-label structures, emphasizing creative control and long-term career building for emerging talent in country music.[25] Key signings included artists such as Chris Cagle, whose single "Got My Country On" reached No. 15 on the Billboard Country Airplay chart in 2011, and Craig Campbell, whose debut "Family Man" also peaked at No. 15 that year, marking early successes for the venture.[25][4] Other notable roster members were Rachel Bradshaw, Ryan Kinder, and Chris Janson, reflecting the label's strategy of nurturing singer-songwriters and performers outside the constraints of traditional major-label deals.[25] Stegall departed the company in late 2012 to prioritize his production work, though Bigger Picture continued operations until its closure in 2014.[25][26] Building on his experience with independent ventures, Stegall launched Dreamlined Entertainment Group in 2015 as a multifaceted Nashville-based entity specializing in artist development, publishing, production, management, and record label services.[25][24] Distributed through Caroline/Universal Music Group, Dreamlined emphasized hands-on guidance for artists seeking autonomy from major labels, allowing for tailored creative processes and sustainable growth in the competitive country music landscape.[25] The company's operations integrated Stegall's expertise in songwriting and production to foster emerging talent, prioritizing quality over volume in a market dominated by corporate imprints.[24] This strategic approach continued Stegall's commitment to independent artist empowerment, echoing the foundational principles of Bigger Picture while adapting to evolving industry dynamics.[25]Partnerships and recent activities
In 2017, Dreamlined Entertainment, led by Keith Stegall, formed a strategic partnership with Fangate Music and Sony Music Australia to expand country music distribution and artist development in international markets, including Australia, the UK, New Zealand, and Tasmania.[27] This alliance facilitated early projects such as the signing of The Davisson Brothers Band, enabling their performances at events like Australia's CMC Rocks festival.[28] Post-2017, Stegall and Dreamlined have focused on mentoring and producing for emerging artists, including monthly songwriting sessions with South Carolina-based singer Luke Deuce since January 2023, where Deuce records at Dreamlined's Nashville studio and refines his craft under Stegall's guidance.[29] In February 2024, Dreamlined partnered with Major Bob Music to sign songwriter and producer Jen Stegall, expanding its publishing and development roster.[30] Stegall also secured a record deal for artist Bradley Gaskin in 2024, marking Gaskin's first full-length album in over a decade.[31] In 2025, Stegall continued his production role as vice president of Jamie O'Neal's label, supporting a new recording of her hit "There Is No Arizona" to commemorate its 25th anniversary.[32] He launched High Dollar Hill, a Heartland Network series and podcast in January 2025, hosting conversations with country music figures to explore career stories and industry history; the show's first season concluded in April 2025, with Season 2 premiering in September, including special CMA Fest coverage in July.[2][33] Stegall appeared on the Drifting Cowboy podcast in August 2025, reflecting on his collaborations with Alan Jackson and songwriting partners Roger Murrah and Jim McBride.[34] Stegall participated in the Southeastern Wildlife Exposition (SEWE) in February 2025, performing in the Lowcountry Lyrics writers' round alongside Lori McKenna and Paul Overstreet, sharing musical storytelling in Charleston.[35] These activities underscore Dreamlined's ongoing emphasis on artist nurturing and Stegall's role in preserving country music narratives through 2025.[36]Awards and honors
Grammy nominations
Keith Stegall has received six Grammy Award nominations throughout his career, primarily recognizing his production and songwriting contributions to country music albums and singles. These nominations span from the early 1990s to the 2010s, highlighting his collaborative work with artists such as Alan Jackson and the Zac Brown Band, and underscore his influence in shaping modern country soundscapes. Although he did not win in all instances, two of these nominations resulted in victories, elevating his reputation as a key figure in the genre's production landscape.[4] His first nomination came in 1992 for Best Country Song for co-writing "Don't Rock the Jukebox" performed by Alan Jackson, a track that exemplified Stegall's early songwriting prowess and helped launch Jackson's career.[37] This was followed in 1998 by a nomination for Best Country Album for producing Alan Jackson's Everything I Love, which showcased Stegall's ability to blend traditional country elements with commercial appeal.[38] In 2003, he earned another Best Country Album nod for producing Jackson's Drive, an album that captured post-9/11 introspection and featured the reflective title track.[39] Stegall's production work with the Zac Brown Band brought further acclaim in the 2010s. In 2011, he received two nominations: one for Best Country Album for You Get What You Give, praised for its genre-blending innovation, and another for Best Country Duo or Group Performance for producing "As She's Walking Away" (featuring Alan Jackson), which he won.[40] His final nomination, in 2013 for Best Country Album for Uncaged by the Zac Brown Band, also resulted in a win, cementing his role in the band's Grammy success and demonstrating his versatility in producing platinum-selling records.[22]| Year | Category | Work | Role | Outcome | Artist |
|---|---|---|---|---|---|
| 1992 | Best Country Song | "Don't Rock the Jukebox" | Co-writer | Nomination | Alan Jackson |
| 1998 | Best Country Album | Everything I Love | Producer | Nomination | Alan Jackson |
| 2003 | Best Country Album | Drive | Producer | Nomination | Alan Jackson |
| 2011 | Best Country Album | You Get What You Give | Producer | Nomination | Zac Brown Band |
| 2011 | Best Country Duo or Group Performance | "As She's Walking Away" | Producer | Win | Zac Brown Band feat. Alan Jackson |
| 2013 | Best Country Album | Uncaged | Producer | Win | Zac Brown Band |
CMA and ACM awards
Keith Stegall has received four Country Music Association (CMA) Awards, primarily recognizing his production work on landmark country recordings during the 1990s and early 2000s.[3] In 1993, he won Single of the Year for producing Alan Jackson's "Chattahoochee," a track that exemplified his ability to craft infectious, chart-topping hits blending traditional country with mainstream appeal.[41] The following year, in 1994, Stegall earned Album of the Year for his production on Common Thread: The Songs of the Eagles, a tribute album featuring top country artists that showcased his skill in coordinating ensemble projects.[3] His 2002 wins further highlighted his impact, securing both Album of the Year for Alan Jackson's Drive and Single of the Year for "Where Were You (When the World Stopped Turning)," underscoring his role in creating emotionally resonant music amid national events.[3] Stegall's contributions have also been honored with ten Academy of Country Music (ACM) Awards, many tied to his long-term production partnership with Alan Jackson and early breakthroughs with Randy Travis.[3] In the 1980s, he received two 1986 awards for producing Randy Travis's debut album Storms of Life (Album of the Year) and its lead single "On the Other Hand" (Single of the Year), which helped launch Travis's career and revitalized traditional country sounds.[3] The 1990s brought multiple wins for Jackson projects, including 1991's Album of the Year and Single of the Year for Don't Rock the Jukebox and its title track (where Stegall also co-wrote), as well as 1993's Album of the Year for A Lot About Livin' (And a Little 'bout Love) and Single of the Year for "Chattahoochee."[3] Entering the 2000s, Stegall won 2001's Single of the Year for Jackson's "Where Were You (When the World Stopped Turning)," 2002's Album of the Year for Drive, and in 2003, both Single of the Year and Vocal Event of the Year for "It's Five O'Clock Somewhere" with Jimmy Buffett, demonstrating his versatility in collaborative hits.[3]| Year | Organization | Award | Project (Role) |
|---|---|---|---|
| 1986 | ACM | Album of the Year | Storms of Life by Randy Travis (producer) |
| 1986 | ACM | Single of the Year | "On the Other Hand" by Randy Travis (producer) |
| 1991 | ACM | Album of the Year | Don't Rock the Jukebox by Alan Jackson (producer) |
| 1991 | ACM | Single of the Year | "Don't Rock the Jukebox" by Alan Jackson (producer/writer) |
| 1993 | ACM | Album of the Year | A Lot About Livin' (And a Little 'bout Love) by Alan Jackson (producer) |
| 1993 | ACM | Single of the Year | "Chattahoochee" by Alan Jackson (producer) |
| 2001 | ACM | Single of the Year | "Where Were You (When the World Stopped Turning)" by Alan Jackson (producer) |
| 2002 | ACM | Album of the Year | Drive by Alan Jackson (producer) |
| 2003 | ACM | Single of the Year | "It's Five O'Clock Somewhere" by Alan Jackson and Jimmy Buffett (producer) |
| 2003 | ACM | Vocal Event of the Year | "It's Five O'Clock Somewhere" by Alan Jackson and Jimmy Buffett (producer) |
Discography
Studio albums
Keith Stegall released his debut studio album, titled Keith Stegall, on Epic Records in 1985.[43] The self-titled project featured ten tracks blending traditional country with pop influences, showcasing Stegall's songwriting and vocal style early in his career.[44] It peaked at number 45 on the Billboard Top Country Albums chart, reflecting modest commercial reception.[45] Key singles from the album included "Pretty Lady," which reached number 10 on the Billboard Hot Country Songs chart. "Love Is What We Make It" was released as a non-album single in 1985, peaking at number 37.[46] The album's track listing is as follows:| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | "California" | Charlie Craig, Jim McBride, Keith Stegall | 3:16 |
| 2 | "I Want to Go Somewhere" | Donny Lowery, Mac McAnally | 2:45 |
| 3 | "Feed the Fire" | Brent Mason, John Jarrard | 3:20 |
| 4 | "Whatever Turns You On" | David Lowery, Keith Stegall | 2:42 |
| 5 | "Daylight Lovin' Time" | Dan Seals, Keith Stegall | 3:22 |
| 6 | "Pretty Lady" | Keith Stegall | 3:26 |
| 7 | "These Tears" | Keith Stegall, Wayland Holyfield | 3:27 |
| 8 | "Straight Shooter" | Keith Stegall | 3:32 |
| 9 | "I'm Beside Myself" | Charlie Jackson, Eddie Reilly | 3:17 |
| 10 | "Marylee" | Keith Stegall, Stuart Harris | 3:32 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | "Roll the Dice" | Carson Chamberlain, Keith Stegall | 3:35 |
| 2 | "Baltimore Street" | Billy Kirsch, Keith Stegall | 4:06 |
| 3 | "1969" | Denny Henson, Keith Stegall | 3:28 |
| 4 | "Hard Luck Cafe" | George Teren, Keith Stegall | 4:23 |
| 5 | "Every Time It Rains (Lord Don't It Pour)" | Sonny LeMaire, Keith Stegall | 3:21 |
| 6 | "Guilty Rose" | Roger Murrah, Keith Stegall | 3:22 |
| 7 | "Fifty-Fifty" | Jim Weatherly, Keith Stegall | 3:37 |
| 8 | "Middle-Aged Man" | George Teren, Keith Stegall | 3:48 |
| 9 | "In a Perfect World" | Chick Rains, Keith Stegall | 3:25 |
| 10 | "Boo Hoo" | Roger Murrah, Keith Stegall | 3:20 |
| 11 | "My Life" | George Teren, Keith Stegall | 4:10 |
Charting singles
Keith Stegall released several singles as a solo artist during the 1980s and 1990s, primarily on the Epic and Mercury labels, with his efforts concentrated between 1985 and 1996. These tracks, drawn from his debut self-titled album and the later Passages, as well as standalone releases, appeared on the Billboard Hot Country Songs chart, peaking mostly in the top 40 and establishing his presence as a recording artist before he shifted focus to production and songwriting. His highest-charting single, "Pretty Lady," reached No. 10 and was accompanied by a music video that received airplay on Country Music Television (CMT). Other singles like "California" and "I Want to Go Somewhere" also benefited from promotional videos, helping to build his visibility in the country music scene. The following table lists Stegall's 13 charting singles from 1985 to 1996, including release dates, labels, parent albums (where applicable), and peak positions on the Billboard Hot Country Songs chart. Notable B-sides, such as "Fifty-Fifty" from the "1969" single, are included if they charted independently.| Single Title | Release Date | Label | Parent Album | Peak Position |
|---|---|---|---|---|
| I Want to Go Somewhere | May 1984 | Epic | Keith Stegall (1985) | 25 |
| Whatever Turns You On | September 1984 | Epic | Keith Stegall (1985) | 19 |
| California | February 1985 | Epic | Keith Stegall (1985) | 13 |
| Pretty Lady | June 1985 | Epic | Keith Stegall (1985) | 10 |
| Love Is What We Make It | 1985 | Epic | N/A | 37 |
| Feed the Fire | November 1985 | Epic | Keith Stegall (1985) | 45 |
| I Think I'm in Love | February 1986 | Epic | N/A | 36 |
| Ole Rock and Roller (With a Country Heart) | October 1986 | Epic | N/A | 52 |
| We Can't Unmake Love | 1987 | Epic | N/A | 58 |
| One Wish Left | 1988 | Epic | N/A | 60 |
| 1969 | January 1996 | Mercury | Passages (1996) | 43 |
| Fifty-Fifty (B-side to "1969") | May 1996 | Mercury | Passages (1996) | 75 |
| Love of My Life | 1996 | Mercury | Passages (1996) | 67 |