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Kohram
Poster
Directed byMehul Kumar
Written byIqbal Durrani
Produced byAmitabh Bachchan Corporation
StarringAmitabh Bachchan
Nana Patekar
Jaya Prada
Tabu
Mukul Dev
Mukesh Rishi
Danny Denzongpa
Jackie Shroff
Kabir Bedi
Ayesha Jhulka
CinematographyRasool Ellore
Music byDilip Sen-Sameer Sen
Release date
  • 13 August 1999 (1999-08-13)
Running time
145 minutes
CountryIndia
LanguageHindi
Box office₹13.28 crore[1]

Kohram is a 1999 Indian Hindi-language action thriller film directed by Mehul Kumar.[2] It features an ensemble cast of Amitabh Bachchan, Nana Patekar, Jaya Prada, Tabu, Mukul Dev, Mukesh Rishi, Danny Denzongpa, Jackie Shroff, Kabir Bedi and Ayesha Jhulka.

The film is notable for being the only occasion when Bachchan and Patekar costarred on screen. The film released worldwide on 13 August 1999 to mixed reviews, with praise for the performances of the principal cast, but criticism for the story and screenplay. Commercially the film was an average grosser.

Plot

[edit]

The story starts with the death of an army officer, and it is believed to be the act of a terrorist group headed by Changezi. Colonel Balbir Singh Sodhi is asked to investigate this matter, and he discovers that minister Veerbhadra Singh is involved in this conspiracy. Colonel Sodhi stages his death in an attempt to kill Changezi and starts living as Dadabhai/Devraj Hathoda in Mumbai. Major Ajit Arya is sent in the guise of a Bengali journalist to discover the true identity of Dadabhai/Devraj Hathoda. Once Arya discovers the truth, he joins hands with Colonel Sodhi to bring the minister to justice and terminate the terrorist group.

Cast

[edit]

Songs

[edit]
Kohram
Soundtrack album by
Dilip Sen-Sameer Sen
Released1999
GenreFeature film soundtrack
LabelUniversal Music India

Music by the duo Dilip Sen-Sameer Sen.

  1. "Jay Mata Dee He Ambe Baliharee" – Sanjeevani, Sukhwinder Singh
  2. "Palakon Ko Kalam Banaa Ke, To Meraa Naam Nahin" – Alka Yagnik, Hariharan (Not in the film)
  3. "Satanaam Vaaheguru, Baabaa Naanak Dukhiyaan De Naath Ve" – Kishanpal Singh
  4. "Janeman Janeman Ladakee Too Number One" – Udit Narayan, Kavita Krishnamurthy
  5. "Pagal Huwa Huwa Huwa" – Shankar Mahadevan, Jaspinder Narula
  6. "Ik Mashuka Hai Yeh Jindagee Tum Ho Isape Shaida" – Sudesh Bhosle, Amit Kumar
  7. "Ladakee Ladakee Too Woh Ladakee" – Alka Yagnik, Abhijeet (Not in the film)
  8. "Hum Hai Banaras Ke Bhaya" – Sudesh Bhosle, Amit Kumar

Release

[edit]

Initially the film was slated to release on 6 August, but then Mehul Kumar advanced it to 13 August.[3]

Critical response

[edit]

Sharmila Taliculam of Rediff.com criticised the storyline but praised the performances of Patekar and Bchchan. She further wrote, "Kohram would pass for quite an average film, hadn't it been for these two characters. If it's performance you are seeking, go right ahead and see it. If it's a great film, you want, forget it."[4] Anupama Chopra of India Today wrote, "Kohram has Krantiveer-like crude energy and the first half moves at breakneck speed with Amitabh Bachchan and Nana Patekar, both army men, matching wits in a cat-and-mouse game. But proceedings slow to a crawl in the second half and the novelty of watching Bachchan and Patekar palls."[5]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Kohram

View on Grokipedia
from Grokipedia
is a 1999 Indian Hindi-language action directed and produced by . The film stars in a as ex-army Balbir Singh Sodhi, who disguises himself as the gangster Devraj Hathoda, alongside Nana Patekar as the pursuing Major Ajit Arya, Tabu, as the corrupt Home Minister Veer Bhadra Singh, and supporting actors including and . Clocking in at 136 minutes, it falls within the genres of action, , and thriller, centering on Sodhi's failed assassination attempt on the minister, his faked death, subsequent undercover operations against , and the ensuing cat-and-mouse chase with . Despite featuring prominent Bollywood talent during Bachchan's comeback era, Kohram garnered mixed reviews and a modest audience score, reflected in its 5.4/10 rating on from over 7,000 users.

Production

Development

Mehul Kumar conceived Kohram as an action thriller extending his signature style of patriotic narratives critiquing societal and political ills, as seen in his earlier successes Tirangaa (1993) and Krantiveer (1994), which blended high-stakes action with commentary on corruption and national integrity. The screenplay, penned by Iqbal Durrani, centered on themes of military valor clashing with governmental betrayal, employing a dual-role protagonist to intensify conflict and underscore moral dichotomies. Kumar deliberately shifted from overt moralizing—deeming audiences weary of such "lecturebaazi"—toward a more dynamic, entertainment-focused structure to sustain engagement while retaining core ideological undertones. Pre-production aligned with Amitabh Bachchan Corporation Limited (ABCL)'s pivot after the commercial underperformance of its debut venture (1997), where an initial script exploring themes was abandoned in favor of Kumar's vision for Kohram, leveraging his established rapport with key collaborators. Budgeting reflected ABCL's constrained finances amid Bachchan's broader recovery from late-1990s production setbacks, including mounting debts from event ventures, yet proceeded under Kumar's direction to capitalize on Bachchan's action-hero resurgence. Development culminated in commencing in early 1999, targeting a mid-year release to align with audience appetite for escapist yet resonant spectacles.

Casting

Amitabh Bachchan was cast in the of Colonel Balbir Singh Sodhi and Devraj Hathoda for Kohram, positioning the film as a vehicle for his attempted resurgence following the commercial disappointment of Mrityudaata in 1997. Director , who had previously collaborated with Bachchan on Mrityudaata, approached him specifically for this project to leverage his star power in an action-oriented narrative. Nana Patekar was selected for the lead antagonistic role opposite Bachchan, selected for his established reputation in intense, confrontational characters from prior films. However, Patekar initially rejected the offer, prompting producers to consider Jackie Shroff as an alternative before Patekar ultimately agreed. Bachchan expressed initial reluctance to co-star with Patekar, reportedly due to hearsay regarding Patekar's reputed rudeness toward crew members on previous sets, but Kumar intervened to assure him and facilitate the pairing. The female leads were filled by Tabu as Inspector Kiran Patekar and as Amrita Sodhi, complementing the male-dominated action ensemble that included as the corrupt Minister Virbhadra Singh, , , and others. This casting aimed to integrate emotional depth amid the thriller elements, drawing on the actors' prior successes in similar genres.

Filming

Principal photography for Kohram occurred primarily in , with director stating that extensive sequences were shot in the and regions to represent Kashmir's terrain, though the resulting visuals closely resembled sets at Mumbai's Film City. Filming incorporated action sequences involving pursuits and clashes, captured across mountainous and urban-like environments to contrast structured military elements with disorganized elements of corruption. Logistical hurdles arose from actor dynamics, as , cast in dual roles as Major Ajay and Dada Thakur, initially resisted pairing with owing to accounts of Patekar's reputed rudeness on sets, yet the production advanced under Kumar's oversight.

Synopsis

Plot summary

The narrative of Kohram opens with the murder of an army officer, initially blamed on the terrorist headed by Changezi. Balbir Singh Sodhi, portrayed by , probes the incident and reveals the complicity of Home Minister Veer Bhadra Singh in funding and shielding the terrorists for political gain. After multiple failed attempts on the minister, Sodhi stages his own death in a to evade capture and continues his vendetta undercover as the Mumbai-based scrap dealer Devraj Hathoda, alias Dadabhai. Major Ajit Arya, played by , is dispatched to track down the presumed-dead Sodhi, infiltrating Mumbai's by posing as the eccentric Bengali Basu Bankimchandra Chattopadhyay. Through persistent surveillance and confrontations, Arya exposes Hathoda's true identity as Sodhi and learns of the minister's conspiracy linking state corruption to terrorism. Kiran Patil, Ajit's love interest, aids in the investigation amid personal stakes, while Sodhi's wife grapples with his absence. The duo unites for a high-stakes operation, dismantling Changezi's network through targeted strikes and gathering irrefutable evidence against the minister. In the climax, they orchestrate the minister's public exposure and downfall, culminating in for the slain and the eradication of the terrorist threat via Sodhi's calculated revenge.

Cast and characters

Principal cast

stars in a as Balbir Sodhi, an honorable and duty-bound army officer seeking justice for his family's tragedy, and Devraj Hathoda (also known as Dada Bhai), a menacing underworld enforcer; this casting leverages Bachchan's longstanding action-hero persona from films like and Zanjeer, where he excelled in portraying conflicted protagonists blending righteousness with raw intensity in the masala action genre.
plays Major Ajit Arya, a disciplined and vengeful investigator, aligning with Patekar's of gritty, no-nonsense anti-heroes in 1990s action dramas such as , emphasizing his ability to convey controlled aggression and moral complexity.
Tabu portrays Inspector Kiran Patekar, serving as the emotional and investigative anchor tied to the protagonists' personal stakes, drawing on her emerging reputation for nuanced, resilient female leads in thrillers that balance vulnerability with determination.
appears as Amrita Sodhi, providing maternal support and familial motivation in the narrative, consistent with her frequent casting in empathetic, anchoring roles within family-centric action plots of the era.
enacts the villainous minister, embodying the corrupt authority figure prevalent in Bollywood action films, where he specialized in portraying scheming power brokers with a veneer of respectability masking ruthless ambition.

Supporting cast

Jackie Shroff portrayed Major Rathod, a whose role underscores tensions within the armed forces and contributes to the film's exploration of loyalty among comrades. Danny Denzongpa played Home Minister Virbhadra Singh, an authoritative antagonist whose decisions drive institutional conflicts and betrayals central to the ensemble dynamics. Mukesh Rishi appeared as Ghafoor Changezi, a figure involved in adversarial subplots that amplify themes of and alliance shifts without overshadowing the principals. Mukul Dev and Kabir Bedi filled supporting positions as aides and operatives, enhancing plot intricacies through their characters' roles in witnessing events and navigating moral ambiguities. Additional ensemble members, including Ayesha Jhulka and Avtar Gill as a , provided familial and bureaucratic layers that facilitate twists involving trust and revelation.

Soundtrack

Composition and release

The soundtrack for Kohram was composed by the duo Dilip Sen and Sameer Sen, who crafted a selection of songs incorporating romantic melodies, devotional hymns, and energetic tracks to complement the film's action-thriller narrative. Lyrics were penned by , with vocal performances featuring artists such as Hariharan, , , Sudesh Bhosle, , and Sanjeevani Bhelande. Composition and recording occurred in the lead-up to the film's production, emphasizing rhythmic percussion and string arrangements to heighten tension in action sequences alongside softer interludes for emotional scenes. The album includes an track amid its primarily vocal songs, underscoring the thriller's dramatic undertones without dominating the lyrical focus. The soundtrack was released on audio cassette in June 1999 by Music India, ahead of the film's theatrical debut on August 13, 1999, as a key element of pre-release promotion to build audience anticipation through radio and music channels. Digital reissues followed years later, but the original physical distribution aligned with standard Bollywood strategies of leveraging hit songs for .

Track listing

The soundtrack of Kohram consists of eight tracks composed by Dilip Sen and Sameer Sen, featuring a mix of romantic, devotional, and situational songs integral to the film's narrative, such as the Banarasi-themed "Hum Hain Banaras Ke Bhaiya" and the title-evoking devotional track. Lyrics were penned by , , and Sameer. The 's total duration is approximately 46 minutes.
No.TitleSinger(s)Lyricist
1Tere Dil Pe Naam Na Likh DoHariharan,
2Hum Hain Banaras Ke Bhaiya, Sudesh Bhosle, Chorus
3Baba Nanak Dukhia De Nath ReKishanpal Singh, Chorus
4Ladki Ladki Tu Woh LadkiAbhijeet, Sameer
5Pagal Hua Deewana Hua,
6Jaaneman Jaaneman, Kavita Krishnamurthy, Chorus
7Jai Mata Di Jai Mata Di, Sanjeevani
8Pagal Hua Deewana Hua (Instrumental)Instrumental—
The original release includes no remixes or alternate versions beyond the standard vocal and instrumental tracks.

Release

Theatrical release

Kohram was released theatrically across on August 13, 1999. The film underwent certification by the (CBFC) on July 28, 1999, under certificate number CIL/2/23/1999, permitting public exhibition following review of its content, including action elements typical of the thriller genre. Distributed worldwide by NH Studioz, the release emphasized multiplex and single-screen theaters in major Indian urban centers, with an rollout on approximately 280 screens domestically. Overseas distribution targeted communities, featuring limited theatrical screenings in markets like the beginning in early August 1999 via Video Sound, aligning with the era's growing export of action films to non-resident Indian audiences. This strategy reflected Bollywood's mid-1990s expansion into international circuits, where films starring established actors like drew expatriate viewership amid domestic market saturation.

Marketing and promotion

The marketing for Kohram leveraged the star power of Amitabh Bachchan in a dual role as both an elite assassin and a rogue army officer, positioning the film as a high-stakes action thriller centered on themes of justice and confrontation with corruption. Trailers and posters spotlighted the intense on-screen clash between Bachchan's characters and Nana Patekar's vengeful ex-officer, aiming to capitalize on the actors' established personas as intense, no-nonsense figures in Indian cinema. Promotional efforts proceeded despite reported pre-production hesitations from Bachchan regarding collaboration with Patekar, stemming from accounts of the latter's reputed abrasiveness on sets; director Mehul Kumar recounted convincing Bachchan by emphasizing the project's potential and assuring professional conduct. The duo's pairing was nonetheless highlighted in advertising to generate buzz around their combined draw, reflecting standard 1990s Bollywood strategies reliant on lead star rivalries for hype. In the context of 1999 India, where television penetration was growing but print media and radio remained dominant for film outreach, Kohram's campaign included song promotions and media appearances tied to Bachchan's production company ABCL, though detailed records of specific tie-ins such as radio spots or print ads are scarce. The approach focused on urban multiplex audiences and Bachchan's resurgence post-financial setbacks, using the film's patriotic undertones to align with contemporary sentiments against systemic graft.

Commercial performance

Box office analysis

Kohram collected ₹8.97 in nett gross at the Indian . The film's budget was estimated at ₹11 , resulting in a partial recovery of approximately 81% from domestic theatrical earnings. It achieved a first-week nett collection of ₹4.91 , followed by ₹1.97 in the second week and thereafter. The film was classified as a flop by industry trackers, ranking outside the top 10 highest-grossing Hindi films of 1999. This verdict stemmed from its inability to meet profitability thresholds relative to the , despite a gross domestic collection of around ₹15.28 including taxes. from the simultaneous release of Taal on 13 August 1999, which garnered stronger audience interest and higher collections of approximately ₹18 nett, contributed to Kohram's subdued performance. Overseas earnings were limited at $185,000 (equivalent to roughly ₹0.80 at contemporary exchange rates), underscoring minimal international draw for the action-oriented narrative. Worldwide gross totaled approximately ₹16.08 , reflecting primarily domestic reliance amid genre saturation in the late 1990s market.

Reception

Critical response

Critics offered mixed assessments of Kohram following its release on , 1999, frequently praising the lead performances while faulting the screenplay's predictability and melodramatic excesses. Amitabh Bachchan's as the assassin Arjun and his virtuous , army officer Balbir Sodhi, drew acclaim for its commanding presence and versatility, with reviewers noting how Bachchan anchored the film's high-stakes confrontations. Similarly, Nana Patekar's intense depiction of the vengeful Thakur was highlighted for its gritty authenticity and emotional depth, contributing to the film's raw confrontational energy between the protagonists. However, Mehul Kumar's direction faced criticism for amplifying formulaic elements, including overlong action set pieces and contrived plot twists that undermined narrative tension. The script's reliance on standard tropes—such as abrupt shifts from intrigue to crusades—was deemed unoriginal, with the second half devolving into repetitive chases and expository dialogues that diluted the initial momentum. Kumar's stylistic choices, echoing his earlier work in (1994), were described as crudely energetic but lacking subtlety, prioritizing spectacle over coherent storytelling. The film's unyielding anti-corruption theme, portraying systemic graft in politics and law enforcement as a pervasive evil demanding ruthless rectification, elicited divided interpretations: some viewed it as a forthright reflection of real institutional failures in late-1990s India, while others dismissed it as propagandistic moralizing akin to commercial masala cinema's didacticism. Aggregate critic and user ratings averaged approximately 5.4 out of 10, reflecting this ambivalence, with strengths in star-driven action offset by scripting weaknesses. Supporting roles, including Tabu as the romantic interest and Jackie Shroff in a brief military cameo, received passing mentions but were overshadowed by the central duo's dominance.

Audience and commercial reception

The film's audience reception was buoyed by the enduring star power of , who was in the midst of a resurgence following financial difficulties, drawing crowds eager for his authoritative portrayal of a vengeful officer. Reports from initial screenings indicated enthusiastic responses, with patrons cheering during action sequences and romantic interludes featuring Tabu, particularly in urban theaters like Geeta Cinema in , . This appeal stemmed from the narrative's emphasis on vigilante justice and personal retribution, themes that provided escapist satisfaction amid late-1990s India's social flux, where public frustration with institutional failures found indirect expression in such heroic archetypes. Commercial performance served as a proxy for broader engagement, with Kohram achieving a robust first-week nett collection of ₹4.91 across , reflecting strong walk-ins driven by multiplex and single-screen audiences alike. However, collections tapered sharply thereafter—₹1.97 in the second week—yielding a lifetime domestic nett of approximately ₹8 , classifying it as a flop against its reported budget exceeding ₹10 . This underperformance highlighted a divide: the over-the-top action and dual-role twists resonated with mass-market viewers seeking unnuanced heroism, evidenced by sustained footfalls in B- and C-circuit theaters, but failed to sustain urban elite interest, contributing to its rapid drop-off post-opening. Overseas earnings were negligible, with U.S. gross at $70,257, underscoring limited appeal.

Legacy

Cultural impact

Kohram exemplified the surge in Bollywood's patriotic action cinema during the late 1990s, particularly in the immediate aftermath of the , by portraying military protagonists as bulwarks against elite corruption and terrorist infiltration rather than glossing over systemic vulnerabilities. Released on August 13, 1999, just weeks after India's victory in the conflict, the film aligned with a broader trend of narratives valorizing individual soldierly resolve amid institutional lapses, as seen in its dual-lead structure featuring and as undercover operatives dismantling a terror network enabled by political graft. This approach perpetuated genre tropes of heroism decoupled from unqualified state praise, influencing subsequent films that prioritized causal accountability for security failures over unnuanced . The film's prescient exploration of corruption-fueled chaos found eerie echoes in real-world events shortly after its release, when its depiction of a venal minister named —mirroring the real politician of the same name—ignited unrest in . On August 21, 1999, NSUI activists, aligned with the party, ransacked a cable operator's office for broadcasting the film, assaulted staff, and prompted widespread shop closures across the city, illustrating how fictional indictments of elite malfeasance could provoke tangible backlash akin to the plot's orchestrated disorder. This incident underscored the film's inadvertent role in societal discourse on political accountability, predating similar real-life sensitivities in media portrayals of power. Lacking formal accolades, Kohram nonetheless contributed to Amitabh Bachchan's stabilization amid his late-1990s commercial struggles, serving as a vehicle for his return to high-stakes action roles following financial distress from ABCL's collapse. By casting Bachchan as a vengeful ex-colonel, the film helped bridge his earlier angry-young-man to mature authority figures, paving the way for his full resurgence in versatile parts by , though it drew no major industry recognition.

Retrospective views

In a July 2024 interview, director revealed that initially expressed hesitation about co-starring with in Kohram, reportedly due to rumors of Patekar's on-set rudeness and outspoken demeanor. Kumar reassured Bachchan, noting his prior successful collaborations with Patekar and emphasizing professional respect, after which Bachchan agreed to the project, citing trust in Kumar's direction. This account frames the perceived tensions as stemming from hearsay rather than substantive conflicts, with no reported disruptions during production. The film's depiction of systemic corruption involving politicians and security forces has been retrospectively linked to real-world institutional vulnerabilities, exemplified by backlash in just days after its August 13, 1999 release. Local activists, protesting a cable airing of the film, vandalized equipment and shut down businesses, objecting to the villain—a corrupt minister named Virbhadra Singh "Raja Saheb"—mirroring the name and title of a prominent regional leader. This incident, detailed in 2024 analyses, underscores how Kohram's narrative pierced contemporary political sensitivities, anticipating public outrage over elite impunity in a manner prescient for later exposés of graft in Indian governance.

References

  1. https://www.imdb.com/title/tt0213775/
  2. https://www.rottentomatoes.com/m/kohram_the_explosion_1999
  3. https://www.imdb.com/title/tt0213775/trivia/
  4. https://www.boxofficeindia.com/movie.php?movieid=2387
  5. https://www.cinemaazi.com/people/amitabh-bachchan-1?ctr=779&filterBy=&search=&people=
  6. https://www.timesnownews.com/entertainment-news/bollywood/news-for-akshay-kumar-nana-patekar-mehul-kumar-reunite-for-another-tirangaa-article-112532768
  7. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/director-mehul-kumar-recalls-amitabh-bachchan-was-hesitant-to-work-with-nana-patekar-in-kohram-must-have-heard-about-his-rudeness/articleshow/111995113.cms
  8. https://m.rediff.com/entertai/1999/jul/05koh.htm
  9. https://indianexpress.com/article/entertainment/bollywood/amitabh-bachchan-was-reluctant-to-star-with-nana-patekar-in-kohram-recalls-director-mehul-kumar-must-have-heard-about-his-rudeness-9472773/
  10. https://www.imdb.com/title/tt0213775/fullcredits/
  11. https://www.primevideo.com/detail/Kohram/0T64E23J48GXYFUTSOTC06WBLG
  12. https://www.indiatoday.in/magazine/your-week/story/19990823-film-review-mehul-kumar-kohram-starring-amitabh-bachchan-nana-patekar-tabu-824416-1999-08-22
  13. https://www.indiaforums.com/movie/kohram_3697/story
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  19. https://www.bollywoodhungama.com/movie/kohram-2/cast/
  20. https://music.apple.com/us/album/kohram-original-motion-picture-soundtrack/1556413478
  21. https://www.discogs.com/release/14202590-Dilip-Sen-Sameer-Sen-Kohram-The-Explosion
  22. https://www.facebook.com/groups/1030667071239419/posts/1490482648591190/
  23. https://open.spotify.com/album/0sw1uaXHnSF62iRrvO0XBJ
  24. https://www.amazon.com/Kohram-Explosion-hariharam/dp/B00161CWE4
  25. https://www.discogs.com/master/1471825-Dilip-Sen-Sameer-Sen-Kohram-The-Explosion
  26. https://www.discogs.com/release/12436475-Dilip-Sen-Sameer-Sen-Kohram-The-Explosion
  27. https://myswar.co/album/kohram-1999
  28. https://www.imdb.com/title/tt0213775/releaseinfo/
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  33. https://www.youtube.com/watch?v=j5zGoxB_c8Y
  34. https://www.boxofficeindia.com/years.php?year=1999&pageId=4
  35. https://www.boxofficeindia.com/circuit_collection.php?movieid=2387&cityid=118&area=domestic
  36. https://www.boxofficeindia.com/years.php?year=1999&pageId=5
  37. https://m.rediff.com/entertai/1999/aug/12koh.htm
  38. https://www.imdb.com/title/tt0213775/reviews
  39. https://www.koimoi.com/box-office/aishwarya-rais-taal-box-office-with-175-higher-collection-destroyed-amitabh-bachchan-on-august-13-1999-heres-how-the-date-turned-unluckiest-for-aish/
  40. https://www.firstpost.com/entertainment/independence-day-2019-kohram-and-the-evolution-of-propaganda-in-bollywood-7165611.html
  41. https://www.bollywoodhungama.com/news/features/kohrams-fiction-turned-reality-1999-film-sparked-real-life-chaos-shimla-wont-believe-reason/
  42. https://www.india.com/entertainment/amitabh-bachchans-career-was-saved-by-this-film-pulled-him-from-rs-90-crore-debt-retirement-the-film-was-bade-miyan-chote-miyan-earned-rs-35-crore-7736727/
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