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List of Excel Saga characters
List of Excel Saga characters
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This list contains the primary and notable secondary characters of Excel Saga, a Japanese manga and anime series.[1]

Creation

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The Excel Saga anime characters were designed by Ishino Satoshi.[2]

ACROSS

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Excel

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Voiced by: Kotono Mitsuishi (Japanese); Jessica Calvello (episodes 1-13)[3] and Larissa Wolcott (episodes 14-26) (English)

Excel (エクセル, Ekuseru), the title character, was initially the sole officer of ACROSS. Excel approaches her work with an excess of determination and enthusiasm, but a lack of foresight and understanding. She is both impossibly lucky and unthinkably unlucky, yet she never manages to complete a mission without help, and even her successes are usually attained by happenstance. In the anime, she has a tendency to speak extremely quickly and frequently refers to herself in the third person. She displays a schoolgirl crush towards Il Palazzo that borders on fanatic obsession, even going as far as to converse with a picture of him while home alone. For an extended period of time in later volumes of the manga, Excel suffers from memory loss, and lives with the Shiouji family under the assumed name, Teriha Shiouji, while Ropponmatsu, disguised as Excel herself, takes her place in the ACROSS ranks.[4]

In the English dub, voice actress Jessica Calvello damaged her voice after the 13th episode, and was replaced by Larissa Walcott for the second half of the series.

Il Palazzo

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Voiced by: Takehito Koyasu (Japanese); Jason Douglas[3] (English)

Il Palazzo (イルパラッゾ, Iru Parazzo) is the leader of ACROSS. Lord Il Palazzo often prefaces his orders and speeches by proclaiming, "The world is corrupt!" He has little patience for Excel, often assigning complex operations to Hyatt. While presented as a mostly dark and serious character in the original manga, the anime lightens the tone with the recurring gag that, despite all his scheming, Il Palazzo really has nothing to do while Excel and Hyatt are out on missions: he is often seen pursuing surprisingly ordinary hobbies like learning to play the guitar and arranging domino blocks. These foibles notwithstanding, Il's yellow, cat-like eyes and seemingly supernatural powers illustrate his superhuman nature, and both manga and anime make it clear that Lord Il Palazzo suffers from severe psychological disorders, most notably multiple personality disorder.

Hyatt

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Voiced by: Omi Minami (Japanese); Monica Rial[3] (English)

Hyatt (ハイアット, Haiatto) is Excel's frail junior officer, with a tendency to cough huge amounts of blood, drop dead and suddenly spring back to life in quick succession. In the original manga, Hyatt joins ACROSS by simply answering an advert placed by Il Palazzo; the anime, meanwhile, states that she is a mysterious princess from space (supposedly) with a connection to the Puuchuus and Space Butler. Her curious medical condition is never explained in detail, neither in the manga nor in the anime (although later volumes of the manga hint that Il Palazzo has implanted something in her body that is causing it—and it is implied in the anime that, as she is from Mars, Earth's atmosphere is bad for her lungs). In both the anime and the manga, she is noticeably Il Palazzo's favorite officer, usually receiving lighter punishment and higher promotions than Excel. Despite this, the two girls usually get along just fine, and Excel even calls her "Ha-chan" while Hyatt calls her senpai.

Elgala

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Elgala (エルガーラ, Erugāra) Elgala is the third agent of ACROSS and Excel's rival for Il Palazzo's affections. She is cursed with the inability to maintain an internal monologue, constantly speaking aloud her innermost thoughts and feelings. Since Elgala is a snob who thinks nearly everyone is below her, these thoughts are often of the disparaging variety and frequently irritate Excel. Elgala has refined, and expensive tastes, which does not suit the austerity demanded by Excel, leading to frequent conflict. Adding to tension with Excel is the secrecy surrounding Elgala's missions for Il Palazzo. Elgala only appears in the manga.

Department of City Security

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Paralleling Il Palazzo's Across is Kabapu's Department of City Security. Kabapu himself occupies a position of inscrutable power in the city, and is able to bend its political establishment to his will. Despite his power, he is an object of ridicule among most of his subordinates due to his appearance, mannerisms, and seeming disregard for lives and laws. Unfazed by this, he informs the six members of the Department that they are to assume the role of the Daitenzin, a sentai fighting force. One Daitenzin is Tooru Watanabe, who pins his hopes for a romantic relationship with Hyatt on his position in the civil service but grows despondent as the nature of his employment becomes clear. Another is Daimaru Sumiyoshi, who is a voice of reason in the Department and is represented as communicating through free-floating text.[5] The third, Norikuni Iwata, is generally disliked for his boorishness but tolerated by his co-workers. Misaki Matsuya, the fourth, is an attractive but ruthless young woman who provides much of the group's leadership. The final Daitenzin are two android bomb-disposal experts called Ropponmatsu Unit 1 and Ropponmatsu Unit 2. Other associates of the Department are Kabapu's assistant Ms. Momochi, and the lolita complex-stricken Gojo Shioji, designer of the Ropponmatsus.

Kabapu

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Voiced by: Ryūzaburō Ōtomo (Japanese); Mike Kleinhenz (English)

Kabapu (蒲腐) is a large man with a very strange hairstyle and a gigantic removable mustache, Kabapu occupies a position of extreme and shadowy power which is never fully explained, but municipal leaders defer to his wishes, and he has no qualms about silencing dissent by violence. This zeal is a result of his genuine desire to protect the City from all dangers. His trump card is his newly founded Department of City Security, the civilian front for his Municipal Force Daitenzin, into which Watanabe, Iwata, Sumiyoshi, Misaki, and Ropponmatsu are recruited. In later volumes of the manga, Kabapu reveals himself as a survivor of an ancient city called "Solaria", similar to Atlantis, which had brought about its own downfall. He proclaims that his mission is to destroy any remaining Solarian technology so humanity can't misuse it. Both the anime and the manga suggest that he and Il Palazzo are old acquaintances.[citation needed]

Toru Watanabe

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Voiced by: Ryōtarō Okiayu (Japanese); Jay Hickman[3] (English)

Toru Watanabe (渡辺通, Watanabe Tōru) is a Japanese twenty-something, Watanabe lives next door to Excel and Hyatt, and close to Norikuni Iwata and Daimaru Sumiyoshi, men whose company he at first detests. Watanabe is infatuated with Hyatt, who seems unaware of his advances. In order to impress her, he claims to be a civil servant and undertakes a position at the Department of City Security to redeem his lie. Much to his consternation, Iwata and Sumiyoshi are hired by the Department at the same time as he. Watanabe is extremely irritable and often reacts to situations with over-the-top emotions: e.g., in the manga allows his feelings for Hyatt to repeatedly compromise his career. He pretty much rues his roommate Iwata's existence. While he starts off as a reasonably normal guy, his appearance and personality change drastically in the manga after his plans to marry Chihaya (Hyatt) are ruined by Il Palazzo taking her back.[6] He ends up being very withdrawn, spiteful, and cynical; and takes up playing S&M video games.

Norikuni Iwata

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Voiced by: Shōtarō Morikubo (Japanese); Mark Laskowski[3] (English)

Norikuni Iwata (岩田紀國, Iwata Norikuni) is a brash, self-centered employee of the Department of City Security. Heavily infatuated with Matsuya and Ropponmatsu Unit 1, Iwata is generally disliked but tolerated by his neighbors and co-workers. His tendency to make inappropriate statements towards women and his rivalry with Ropponmatsu Unit 2 often lead to him being physically assaulted. In volume eight of the manga, Iwata suddenly dies of colon cancer, but is promptly resurrected as a cyborg, with his brain placed into an android replica of his normal body, as created by Shioji.

Daimaru Sumiyoshi

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From left to right: the luckless Watanabe, obnoxious Iwata, and the silent but sensible Sumiyoshi

Daimaru Sumiyoshi (住吉大丸, Sumiyoshi Daimaru) is a voice of reason and understanding in the Department, although he is often the butt of jokes. His most notable quirk is his dialogue, which in the original manga is rendered as text that is unconstrained by bubbles or captions, and simply floats by his head, in comparison to the normal speech balloons used by all the other characters. The anime rendered this unusual trait by making the character mute, with his dialogue appearing as written text that hovers beside him. He communicates with an Okayama accent in the manga and in the Kansai dialect in the anime. These are respectively rendered as the Geordie dialect of England and American southern accent in the English translations of the manga and anime.[citation needed] The manga showcases Sumiyoshi's hobby and greatest feat: documenting all dating simulation games on his complex PC system. The anime, showing his fondness for Ropponmatsu 2, hints at his interest. The manga also features the rest of his family. His 13-year-old sister, Kanal, also speaks in floating text, but is adorable and looks nothing like Daimaru. His mother and father also appear, his father appearing normal but with an accent, and his mother looking very much like Daimaru but speaking normally. He also has an ambiguous relationship with Ropponmatsu 2, spending a great deal of time with her, and being much more affectionate to her than he is to the older Ropponmatsu 1. He is also a friend of Shiouji's, the two bonding over their love of dating game image files.

Misaki Matsuya

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Voiced by: Yuka Imai (Japanese); Tiffany Grant[3] (English)

Misaki Matsuya (松屋美咲, Matsuya Misaki) : The attractive and intelligent recruit to the Department of City Security, Matsuya is pragmatic and fiercely independent. She is also talented and vicious at repelling Iwata's frequent leers and advances. The manga reveals that she and Iwata were college classmates and that, to her embarrassment, she bears him some genuine affection. She grows closer to Iwata as the series progresses, striking him far less frequently than normal. The only time she seems to feel the need to do so is when Iwata is being idiotic even by his standards, such as trying to track down Excel by telling a young woman that he's looking for "Naked women". Excel Saga English manga adaptor Carl Gustav Horn notes that she "carries the sobering responsibility of being one of the few people in the cast to possess an ounce of sense." On the volume 15 inside cover, Koshi describes her as being "hard on the outside, soft on the inside...tsundere?"[7]

Ropponmatsu

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Ropponmatsu Unit 1 - Voiced by: Satsuki Yukino (Japanese); Kelli Cousins (English)
Ropponmatsu Unit 2 - Voiced by: Satomi Kōrogi (Japanese); Kira Vincent-Davis (English)

Ropponmatsu, Units 1 and 2 (六本松1式・2式, Ropponmatsu Ichishiki・Nishiki) The Ropponmatsus are gynoids designed to be a general-purpose, if beautiful, tool for Kabapu. The original Ropponmatsu is a full-figured woman, however, her material density gives her an extremely large weight, and she fails her first mission in bomb disposal. A second Ropponmatsu, Unit 2, was created in the form of a lightweight perky, young cat-girl.

In the manga, only one Ropponmatsu unit is active at any one time; the reason for this is later revealed to be that there is only one central "core" that is switched between the two bodies. Kabapu attests that the core contains the soul of the princess of the lost civilization of Solaria, and he has had the Ropponmatsu body created to house it as part of his plan to destroy all remaining traces of Solaria's technology. Conversely, the anime (produced before this revelation occurred in the manga), has the Ropponmatsus appearing as two distinct entities who frequently cooperate on important tasks. Although they have a tendency to be destroyed on their missions, Shiouji keeps a lot of spares, which play a large role in the penultimate episode of the series. The vast difference between the units leads to some tension between Kabapu and Shioji: both incarnations of Ropponmatsu have a tendency to fail in the course of their duty, due either to extreme mass (Unit 1) or lack of appropriate functionality (Unit 2).

When Excel and Elgala are lost at sea, Il Palazzo creates the ILL Corporation and takes over much of the city's business and resources. He names Excel the president of the corporation, but she is actually Ropponmatsu I, renamed Isshiki. She runs the business until the Department of City Security starts to regain power.[vol. 15-16] She still has the same limitations, especially her weight, when her power fails, she almost breaks Elgala's back.[vol. 17] She is extremely powerful, but will stand down if the situation is not threatening. The Department of City Security tries to retrieve her in the later chapters, as she is somehow linked to Iwata's life, however, Excel surprisingly switches bodies with her.[vol. 23]

In the later chapters, Shioji is able to restart Nishiki as a separate entity, and sends her to go after Ishiki.[vol. 22-23]

Gojo Shiouji

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Voiced by: Kazuhiko Inoue (Japanese); Spike Spencer (English)

Gojo Shiouji (四王子五条, Shiōji Gojō) is the brilliant creator of the Ropponmatsus and of Kabapu's "mecha." Excel Saga, the anime, constantly suggests that he is a pedophile, but the manga later expands on this to reveal a much more complex back story. Gojo's father, Tenmangu Shiouji, was lauded as one of the world's most foremost scientists, but vanished when Gojo was young. His mother, Miwa Rengaya, suffered a severe behavioral change after Tenmangu disappeared, becoming overtly sexual and showering affection on Gojo, imprinting on him a distorted perception of women. This perception was shattered when Gojo met his young cousin, Umi Rengaya, and was inspired by her purity and innocence. Unfortunately, Umi - who now works as Gojo's laboratory assistant and intern - is now eighteen years old, and lacking in the innocence of her youth, so Gojo has turned his attention to other young girls in the hopes of recapturing that spirit of purity and inspiration.

Supporting characters

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In addition to the main cast, Excel Saga features a wide array of secondary characters, and among the most important are the anime's director Nabeshin and the Great Will of the Macrocosm. These two have the power to alter or "reset" the storyline, and Excel and others often appeal for them to do so. Other cast additions in the anime include Pedro and his son Sandora, who both suffer cruel turns of fate and eventually become Nabeshin's students. Their objective is to defeat That Man, who desires to become a god by seducing the Great Will and Pedro's "Sexy Wife." Another prominent force introduced by the anime are the Puchuus, a race of insidiously cute aliens competing with Across for world conquest. Dr. Sekifumi Iwata (who the manga reveals is a cousin of the Daitenzin Norikuni Iwata) and his associate, Nurse Shiki Fukuya, provide some comedic interludes in the anime but make more substantial appearances in the manga. Finally, Rikdo spends several chapters of the manga introducing and developing other members of the Iwata, Sumiyoshi and Shioji families. Particularly notable is Shioji's mother Miwa Rengaya, whom Kabapu views as key to finding Shioji's mysteriously vanished father, Tenmangu Shioji, but who clearly has a secret enigmatic agenda of her own that is at cross purposes with Kabapu's own desires.

Menchi

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Voiced by: Satomi Koorogi (Japanese); Hilary Haag[3] (English)

Menchi (メンチ; lit. "mincemeat") is Excel's "pet" dog that also fulfills the role of "emergency rations". Despite numerous threats, Excel comes to care for her after a fashion. Hyatt, though, more intently views Menchi as a ration. In the manga, Menchi gains an apparent ally in Elgâla, only for her to come to view the dog as an emergency food supply as well. Several anime and manga plots, notably episodes ten and nineteen, revolve to some extent around Menchi, her past, and her quest to escape Excel.

Sekifumi Iwata

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Uniformly depicted as a horrible, lecherous doctor, Dr. Iwata owes his prominence in the medical profession mostly to family influence. His most distinct physical feature is the X-shaped scar across his entire face, which was given to him by a four-year-old Norikuni Iwata, his cousin, whom he has come to hate since then. His likeness and character are parodies of Osamu Tezuka's Black Jack. Although several chapters of the manga revolve around him or his hospital, he only has cameo appearances in the anime.

Shiki Fukuya

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This competent nurse spends most of her time trying to prevent or punish Dr. Iwata's malpractices and misogynies. The manga reveals that she was assigned this role by the Iwata family to guard it against embarrassments caused by Dr. Iwata. She appears along with Dr. Iwata in his cameos in the anime.

Hiyoko Iwata

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A distant relative of Sekifumi and Norikuni Iwata, Hiyoko has a short attention span and often wanders away from her bodyguards. She appears only in the manga.

Umi Rengaya

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The 18-year-old cousin of Professor Gojo Shiouji (the creator of the Ropponmatsu units), and serves both as his intern and lab assistant. Absent minded, easily flustered, and accident prone Umi is nevertheless very kindhearted, and hardworking; although her personality combined with her general clumsiness amounts to a great deal of trouble for the Professor, and his work. Umi is an avid cosplayer, being shown in a multitude of different parody-esque outfits throughout the course of the series, which regularly proves to be a source of irritation to her crush and employer Shiouji. Umi's first appearance is Volume 12 of the manga, but does not become a prominent character until volume 15, when she becomes the caretaker of the amnesiatic Excel (given the name Teriha Shiouji.) Umi Rengaya only appears in the manga.

Anime-only characters

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Rikdo Koshi

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Voiced by: Wataru Takagi (Japanese); Paul Sidello (English)

Rikdo Koshi (六道神士, Rikudō Kōshi) is the author of the Excel Saga manga, but he has only one appearance in the story proper of the anime - namely, when he is killed in the first episode by Excel under orders from Lord Il Palazzo. He does, however, narrate the beginning of every episode, voluntarily—usually—giving his approval to the episode's ostensible genre. Also, as a parody of the struggle manga artists often find themselves in with anime adaptations of their work, Nabeshin and Rikudo come to blows, especially towards the anime's end.[8]

The Great Will of the Macrocosm

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Voiced by: Yuko Mizutani (Japanese); Kelly Manison[3] (English)

The Great Will of the Macrocosm (大宇宙の大いなる意思, Daiuchū no Ōinaru Ishi) appears in the form of galaxy with arms (and lips, when necessary), and has the power to reset or alter the storyline. In later episodes she is torn between her love for Pedro and the power over her held by That Man. Episode nineteen reveals that she and Pedro's sexy wife are actually the same being.

Nabeshin

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Voiced by: Shinichi Watanabe (Japanese); Brett Weaver (English)

Nabeshin (ナベシン, Nabeshin), also known as Afro-man and the Director, is dressed in the likeness of Monkey Punch's Lupin III and sporting a giant afro. Like the Great Will, he is a walking deus ex machina, and appeals are often made to him in that capacity, but apart from cameos in the main storyline he keeps himself to his own subplot with Pedro and That Man.

Pedro

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Voiced by: Takashi Nagasako (Japanese); Rob Mungle[3] (English)

Pedro (ペドロ, Pedoro) : Pedro is a Colombian immigrant living in F City. Having died while working on a construction project, he wanders the Earth as a spirit, trying to return to his "sexy wife," who has shacked up with Gomez, Pedro's ostensible friend and co-worker, who is really That Man in disguise. Nabeshin later explains that Pedro's ultimate purpose is to become an "Afro-Warrior" under his tutelage, and to fight That Man for the fate of the world.

That Man (center) prepares to attack the Afro-warriors (top to bottom: Nabeshin, Pedro, and Sandora), as the Great Will and Pedro's "Sexy Wife" look on in terror.

Puchuu

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Voiced by: Omi Minami (Japanese); Kira Vincent-Davis (English)

The Puchuu (プチュウ, Puchū) : Aliens from outer space who invade Earth in the second and twenty-second episodes, with other frequent appearances. Physically very weak, and shaped like teddy-bears, Puchuu rely on their cuteness to lull potential victims before attack—only Excel and Misaki are depicted as being immune to their cuteness. Once struck with enough force and/or defeated, they are shown to have a face similar to Golgo 13 and their English voices have them sound like Saddam Hussein, although special Puchuu have unique faces and other voices. When their main fleet, led by the Puchuu overlord, arrives in Earth orbit in episode twenty-two, it is repelled by an alliance of Puchuu rebels led by Excel. Debris from the decisive space battle falls to Earth and utterly annihilates F City.

Sara Cosette

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Voiced by: Akiko Yajima (Japanese), Mandy Clark (English)

First encountered in episode eight, Sara is a cute, pink-haired, child-sized assassin, who disguises herself as an eight-year-old girl to facilitate her work. Taken with Hyatt, she views Excel with derision. Sara was orphaned earlier, and became an assassin to survive. The Great Will takes pity on her and resets her mother at the end of the episode. However, in episode twenty-six, she becomes a special member of ACROSS, having learned that she could not so easily forget her bloody past. In this episode, it is also revealed that she may be an adult midget, and not a child in a scene where she is revealed to be extremely well endowed and hirsute- "I'm a G-cup!", she joyously yells as her previously strapped-down breasts burst explosively free of their confines. Although in episode twenty-six, she repeatedly refers to herself as being nine years old, creating ambiguity as to her actual age.[9]

Excel Girls

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Voiced by: Yumiko Kobayashi and Mikako Takahashi (Japanese); Cynthia Martinez and Sheri Sims (English)
Excel Kobayashi and Mikako Hyatt are a pair of self-promoting, neophyte voice actresses who cosplay as Excel and Hyatt and perform the opening song "Ai (Chuuseishin)" as the Excel Girls. They appear in only three episodes (Episodes 5, 9, and 13) of the anime, in which they often receive much comedic physical abuse at the hands of the real Excel.

That Man

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Voiced by: Wataru Takagi (Japanese); Mike MacRae (English)

That Man (あの人, Ano Hito) is the most powerful leader of ACROSS, and Pedro's and Nabeshin's nemesis. "That Man" poses as a friend to Pedro and seduces both Pedro's sexy wife and the Great Will. That Man is part of the ACROSS Six, the governing body of ACROSS, and longs to use "the power of the Great Will and the devilishness of the woman" to take over the universe.

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Notes and references

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The List of Excel Saga characters comprises the fictional figures from , a Japanese manga series written and illustrated by Kōshi Rikudō, which was serialized in Shōnen Gahōsha's magazine from September 1996 to October 2011, spanning 27 volumes. The story follows the absurd and comedic efforts of the secret organization ACROSS to conquer the world starting with Fukuoka City, , through its hapless agents who juggle menial jobs with their covert missions, often clashing with the equally inept Department of City Security. Adapted into a 26-episode television series by from October 1999 to March 2000, the franchise is renowned for its satirical parody of anime tropes, mecha genres, and pop culture, featuring a vast ensemble cast that includes recurring protagonists, antagonists, and episodic guest appearances. At the core of the series are the main characters from ACROSS: Excel, the hyperactive and obsessive dog-girl agent voiced by in the , who idolizes her boss and drives much of the chaotic action; Hyatt, her frail and frequently "dying" human partner, providing deadpan contrast to Excel's energy; Il Palazzo, the pompous and enigmatic leader with grand delusions of domination; and Elgala, the sharp-witted agent recruited later. Excel's loyal pet dog Menchi is often caught in the crossfire of schemes. Opposing them are the Department of City Security's quirky team, led by the authoritarian Kabapu and including the hot-headed Misaki Matsuya and the bumbling trio of Norikuni Iwata, Toru Watanabe, and Daimaru Sumiyoshi, who stumble through their defense duties with incompetence. The list also encompasses a wide array of supporting and minor characters, such as the self-insert author avatar Nabeshin (voiced by the anime's director ), who breaks the in meta episodes, and various one-off parodies like agents, celebrity cameos, and archetypes that highlight the series' experimental structure—each episode often shifts styles to lampoon different subgenres. This diverse cast, totaling over 40 notable figures across the and , underscores 's blend of absurdity, loyalty, and social satire, making it a in the seinen .

Creation and development

Manga origins

The Excel Saga manga originated from Kōshi Rikudō's 1994 doujinshi Municipal Force Daitenzin, an adult-oriented parody of superhero genres depicting civil servants transforming into a Power Rangers-style team to combat threats. When adapted for professional serialization in Shōnen Gahōsha's magazine starting in 1996, Rikudō shifted the narrative focus to the antagonists, establishing ACROSS as a secret organization bent on conquering Fukuoka City as a stepping stone to global domination. Core characters like Excel, the hyperactive and loyal agent whose obsessive devotion parodies enthusiastic sidekicks in and spy narratives; Il Palazzo, the haughty leader embodying megalomaniacal villains from 1990s tropes; the perpetually ill , satirizing fragile yet resilient heroines; and Kabapu, the bombastic chief of the opposing Department of City Security, were conceptualized to mock bureaucratic and ideological conflicts in genres such as and Lupin III. Early character arcs center on ACROSS's comically inept schemes for city conquest, including infiltration and sabotage efforts that repeatedly fail due to the agents' incompetence and interference from the Department of City Security's bumbling operatives like Toru Watanabe and Norikuni Iwata. This opposition structure highlights Rikudō's satire of manga dynamics, where over-the-top loyalty and rivalry drive absurd escalations, as seen in Excel's frantic missions to impress Il Palazzo while clashing with security forces. Manga-exclusive elements include Elgala's introduction as a snobbish rival agent to Excel within ACROSS, whose refined tastes and vocalized thoughts exacerbate internal tensions and competitive hierarchies in spy organizations. Similarly, Umi Rengaya appears in side stories as Dr. Gojyo Shiouji's dim-witted cousin and lab assistant, contributing to comedic subplots exploring familial and romantic entanglements amid the main conflict. These additions underscore Rikudō's expansion of group dynamics beyond the core duo, emphasizing through exaggerated personality clashes influenced by the era's pop culture obsessions.

Anime adaptations

The anime adaptation of Excel Saga, produced by J.C.Staff and directed by Shinichi Watanabe, aired on TV Tokyo from October 7, 1999, to March 30, 2000, spanning 26 episodes to accommodate a standard television season format. This structure allowed for expansive episodic storytelling, where each installment parodied a different anime genre or trope, such as mecha battles or magical girl transformations, thereby heightening the chaotic humor in character interactions compared to the manga's more serialized narrative. Character designs were handled by Satoshi Ishino, who adapted the originals with stylistic tweaks to suit the animated medium, including more exaggerated expressions to emphasize comedic timing. A key example of these adaptations is the robot Ropponmatsu, reimagined in the as two separate units—Unit 1, a sleek and seductive android voiced by in Japanese, and Unit 2, a bumbling, childlike counterpart—diverging from the manga's depiction of a single core unit with interchangeable bodies. Voice casting further tailored the characters for ; in the Japanese version, Excel was voiced by , capturing her hyperactive energy, Hyatt by Omi Minami for her soft-spoken demeanor, and Il Palazzo by to underscore his megalomaniacal authority. The English dub, produced by ADV Films, featured as Excel for episodes 1–13 (replaced by Larissa Wolcott due to vocal strain), as Hyatt, and as Il Palazzo, with ADV handling the 2002 North American DVD release. Production notes highlight ADV Films' role in localizing the series for Western audiences during 1999–2000, including script adjustments to preserve the satirical edge while navigating broadcast standards. Censorship significantly impacted character portrayals, particularly in episode 26, which director intentionally overloaded with extreme violence, nudity, and to defy TV regulations; it was banned from broadcast and released only on , toning down some depictions of characters like Excel and to avoid full excision.

ACROSS

Excel

Excel is the titular protagonist of Excel Saga, serving as the primary field agent for the secretive organization ACROSS, which seeks to conquer Fukuoka as a stepping stone to global domination. Excel is a human agent with enhanced physical capabilities, including durability and strength that allow her to survive explosions and overpower opponents in combat scenarios. Her transformation in the anime emphasizes her role in high-stakes, absurd missions, often involving mechanical augmentations that amplify her already formidable physical prowess. Excel's personality is defined by her hyperactive energy and unwavering loyalty to ACROSS's leader, Il Palazzo, whom she idolizes with fervent devotion, often prioritizing his approval over mission success. Voiced by in Japanese and in English. She is prone to malapropisms and rapid, incoherent speech patterns that confuse those around her, contributing to her frequent mission failures despite her enthusiastic determination. This chaotic enthusiasm drives the series' humor, as her overzealous attempts at or devolve into comedic mishaps, such as botched infiltrations or accidental alliances with enemies. Her key relationships highlight her dynamic role within the narrative. Excel shares a close but competitive partnership with fellow agent , marked by a rivalry fueled by Il Palazzo's favoritism toward , leading to frequent bickering amid their joint operations. Additionally, she experiences romantic tension with Toru Watanabe, a Department of City Security officer and her neighbor, whose infatuation creates awkward encounters that complicate her covert activities. In both the by Kōshi Rikudō and the directed by , Excel's depictions emphasize her as the comedic heart of the story, with episodic schemes ranging from school infiltrations to media takeovers that parody various genres. Her iconic catchphrases, such as the exasperated "Urusai urusai urusai!" (meaning " shut up shut up!"), punctuate moments of frustration during these failed endeavors, underscoring her impulsive and vocal nature.

Il Palazzo

Il Palazzo serves as the enigmatic and authoritative leader of ACROSS, a clandestine organization dedicated to achieving by first seizing control of Fukuoka, , under the conviction that the world is irredeemably corrupt and requires salvation through conquest. Portrayed as a quintessential power-hungry , his character draws from exaggerated parodies of dictators and megalomaniacal overlords, emphasizing themes of ideological and futile ambition within the satirical framework of the series. This backstory underscores his role as the central , whose unyielding obsession propels the central conflict against the city's defenders. In terms of physical design, Il Palazzo appears as a tall, imposing figure with long pale hair—rendered in tones in the and lavender in the —and distinctive yellow, cat-like eyes that hint at his origins. He is typically clad in a dramatic, flowing cape that enhances his theatrical presence in the anime adaptation, while the manga opts for a more subdued black business suit; his voice is delivered with a deep, modulated timbre for maximum intimidation, provided by Japanese voice actor Takehito Koyasu and English dub actor Jason Douglas. These elements collectively craft an archetype of the shadowy overlord, blending menace with comedic exaggeration. Il Palazzo drives the narrative primarily through bombastic monologues decrying global corruption and outlining elaborate, often ill-fated schemes for domination, such as leveraging technology from ILL Electronics to escalate his plans. His psychological complexity, including multiple personality disorder and bouts of amnesia that add layers to his enigmatic origins in the manga, adds layers to his villainy, occasionally revealing vulnerability amid his ruthless demeanor. Though he briefly oversees subordinates like Excel and Hyatt, his influence manifests more through ideological fervor than direct involvement, frequently resulting in chaotic failures that highlight the series' absurdity. The character's portrayal varies notably between mediums: the delves deeper into his origins as a mad creator with fragmented memories, contrasting his divine ambitions with mundane lapses, whereas the heightens the comedic absurdity, depicting him idly pursuing hobbies like guitar playing and domino arrangements while his agents bungle missions, and showcasing powers in climactic episodes. This adaptation amplifies his role as a of inactive villains, emphasizing satirical commentary on leadership and over sustained menace.

Hyatt

Hyatt serves as the second agent of ACROSS, acting as the junior officer to Excel in the organization's efforts to conquer Fukuoka as a stepping stone to . She was recruited into ACROSS alongside Excel, where the pair take on minimum-wage jobs to fund their covert operations while executing infiltration missions on behalf of leader Il Palazzo. Voiced by Omi Minami in Japanese and in English. In contrast to Excel's hyperactive and impulsive nature, Hyatt exhibits a calm, polite, innocent, and sensible personality, often providing a rational perspective during their chaotic assignments. Her frail demeanor is a recurring comedic element, marked by frequent bouts of coughing up blood—sometimes described as poisonous—and sudden "deaths" from which she rapidly regenerates, highlighting her regenerative abilities amid chronic health vulnerabilities resembling severe anemia. Throughout the series, Hyatt participates in various infiltration and sabotage missions against the Department of City Security, frequently regenerating from fatal injuries sustained in the . A notable subplot involves her unwitting role in a romantic interest from neighbor Toru Watanabe, who harbors unrequited affection for her, adding layers of awkward interpersonal dynamics to her otherwise subdued character arc. Il Palazzo shows favoritism toward her, granting lighter punishments and faster promotions compared to Excel. Visually, Hyatt is depicted with pale features and a delicate, understated appearance that emphasizes her fragility, often dressed in a schoolgirl uniform to blend into everyday life in Fukuoka. In the adaptation, her graphic elements, such as excessive blood loss and gore from injuries, were moderated compared to the manga's more unrestrained portrayals to comply with broadcast standards, though her regenerative gags remain a staple of the humor.

Elgala

Elgala (エルガーラ, Erugāra) is a manga-exclusive character in , introduced in volume 8 as the third agent recruited to ACROSS, the organization's secretive group aiming to conquer Fukuoka as a step toward world domination. Unlike the earlier agents Excel and Hyatt, Elgala joins with a more polished demeanor, quickly establishing herself as a direct rival within the faction by questioning Excel's leadership and competing for the favor of ACROSS's leader, Il Palazzo. Her recruitment adds internal tension to ACROSS's already chaotic operations, highlighting the group's incompetence through her clashes with her teammates. Elgala's personality is marked by arrogance and a seductive charm, often portraying herself as superior to those around her, including her fellow agents. She possesses refined, expensive tastes that frequently conflict with Excel's emphasis on austerity and mission secrecy, leading to petty disputes and comedic betrayals during assignments. A distinctive trait is her inability to maintain an internal monologue, causing her to verbalize her thoughts aloud—often disparaging or self-aggrandizing—which irritates Excel and amplifies the humor in their interactions. In specific arcs, such as those involving infiltration or , Elgala's interference disrupts ACROSS plans, resulting in absurd failures like unauthorized spending sprees or ill-advised alliances that underscore the series' satirical take on organizational dysfunction. Though depicted as physically capable and devoted to Il Palazzo, Elgala shares the series' theme of flawed operatives, with her vanity and impulsiveness—exemplified by her prowess in card games turning into reckless escapades—contributing to the 's escalating absurdity in later volumes. She does not appear in the adaptation, as it concluded after covering earlier manga content up to approximately volume 7, leaving her role unadapted.

Department of City Security

Kabapu

Kabapu is the enigmatic leader of the Department of City Security, a Fukuoka-based dedicated to defending the city against threats, particularly the subversive organization ACROSS and its attempts at world domination. Portrayed as a shadowy professor with an obsessive focus on municipal protection, Kabapu employs unorthodox tactics such as bribery, blackmail, and recruitment of unlikely civilians to bolster his operations. In the anime adaptation, he dramatically reveals his authority by transforming the department into a of a team, complete with costumes and over-the-top missions, highlighting the inefficiencies of bureaucratic responses to crises. In the original manga, Kabapu's background is unveiled as originating from the ancient, advanced civilization of Solaria—a lost planet akin to a futuristic that self-destructed due to its own technological excesses. As a survivor, he disguises himself as a official on , driven by a mission to prevent similar cataclysms by safeguarding humanity from exploitative powers like ACROSS. This alien heritage underscores his role in the series' broader of authority figures, positioning him as a pompous yet well-intentioned guardian whose true motives blend interstellar protection with earthly . Kabapu's personality embodies bureaucratic inefficiency and grandiosity; he delegates most fieldwork to subordinates like Toru Watanabe and Norikuni Iwata while issuing commands from his office with theatrical flair. His oversight of anti-ACROSS initiatives often devolves into absurd escalations, such as enlisting former students or deploying experimental technology, parodying the bloat and incompetence of real-world government agencies. The expands on these elements with heightened dramatic reveals, including Kabapu's increasingly eccentric monologues and schemes that amplify the series' mockery of officialdom.

Toru Watanabe

Toru Watanabe is a key member of the Department of City Security, a Fukuoka-based organization tasked with thwarting ACROSS's takeover attempts, operating under the leadership of Dr. Kabapu. As the team's primary inventor, Watanabe specializes in developing high-tech gadgets and suits designed to combat ACROSS agents, though his creations are notorious for malfunctioning in spectacular and comedic fashion, such as experimental weapons that backfire during critical moments. One representative example is his attempt to build a device aimed at neutralizing Excel, which instead causes unintended chaos in battles against her and . Watanabe's personality is defined by his nerdy enthusiasm for and unwavering , often blinding him to the disinterest shown by his unrequited crush, Excel, the hyperactive ACROSS minion living next door. This obsession drives many of his actions, leading to awkward pursuits where he tries to impress her with his inventions, only to spark violent or absurd confrontations that escalate the rivalry between City Security and ACROSS. His optimistic nature persists despite repeated failures, making him a comic foil in the series' parody of tropes. In the anime adaptation, Watanabe's role is amplified through dynamic depictions of him piloting custom suits during team missions, where technical glitches frequently result in humorous defeats or self-inflicted injuries. The manga maintains consistency with these tech failures, portraying his gadgets as unreliable extensions of his earnest but misguided efforts to protect the city and win Excel's affection, without the anime's added visual flair for action sequences.

Norikuni Iwata

Norikuni Iwata serves as the physical powerhouse of the Department of City Security in Excel Saga, embodying the archetype of a dim-witted muscle man whose brute strength and lack of forethought drive much of the team's comedic mishaps during anti-ACROSS patrols. His enthusiastic but brainless approach often leads to reckless actions and slapstick injuries, from which he recovers with superhuman durability, turning potential disasters into humorous spectacles. This characterization underscores the series' parody of action tropes, where Iwata's brawn contrasts sharply with his colleagues' more strategic tendencies. Iwata's family connections infuse his role with domestic humor, revealing a fraught with awkward ties that amplify the absurdity of his professional duties. He is the cousin of Dr. Sekifumi Iwata, a relationship marked by resentment after Norikuni scarred Sekifumi's face with a childhood involving scalpels, an incident that fuels ongoing familial tension. Additionally, his link to Hiyoko Iwata, a distant relative known for her wandering tendencies and need for bodyguards, introduces lighthearted vignettes of everyday chaos amid the larger conspiracy plot. These elements humanize Iwata, blending his oafish exterior with relatable, if comically dynamics. In the manga, Iwata's durability gains a literal explanation when he dies from colon cancer and is resurrected in an android body by Dr. Gojo Shiouji, allowing him to endure repeated destructions and rebuilds while maintaining his core personality. This evolution enhances the slapstick elements, as his mechanical form enables even more exaggerated survivals without altering his dim-witted charm. Across both the manga by Kōshi Rikudō and the anime adaptation, Iwata's portrayal remains steadfastly comedic, prioritizing physical comedy and misguided bravado over intellectual depth, though the android twist is manga-exclusive. His romantic pursuits, often directed at co-worker Misaki Matsuya with noisy infatuation and inevitable rejection, further highlight his self-centered yet endearing boorishness.

Daimaru Sumiyoshi

Daimaru Sumiyoshi is a in the series Excel Saga, serving as the youngest member of Fukuoka's Department of City Security. He is depicted as an overweight young man with glasses that obscure his eyes, a perpetually neutral expression, and black hair, often providing through his sensible yet hapless demeanor amid the department's chaotic operations. Sumiyoshi hails from and speaks with a distinct regional dialect akin to Kansai-ben, which contributes to his quirky, outsider charm in the predominantly standard-speaking cast. His expertise in computers and dating simulation games positions him as a tech-savvy individual, frequently handling technical aspects of security tasks. In missions, Sumiyoshi often acts as the voice of reason within the Department of City Security, contrasting the recklessness of colleagues like Norikuni Iwata by avoiding unnecessary risks and offering practical solutions, sometimes emerging as an accidental hero through his logical interventions. His innocent and fun-loving personality makes him a in team disputes, adding humorous balance to the group's dynamics while highlighting his role in thwarting ACROSS's schemes. As part of the Municipal Force Daitenzin unit, he integrates into sentai-style operations, donning a yellow ranger suit that underscores his supportive, problem-solving contributions without seeking the spotlight. Throughout the series, Sumiyoshi undergoes a subtle development arc, maturing from a passive observer to a more assertive team member shaped by shared experiences with the Department of City Security, particularly during high-stakes confrontations that test his resolve. This growth emphasizes his transition from naive youthfulness to reliable composure, though he retains his core innocence for comedic effect. In the , his maturation becomes evident around later volumes as he steps up during crises involving key agents. In the anime adaptation, Sumiyoshi's communication is uniquely portrayed without a dedicated voice actor, relying instead on on-screen text to convey his dialect-heavy , which accentuates his youthful energy and silent, expressive presence. This stylistic choice, distinct from the manga's floating text bubbles, enhances the humor of his understated reactions and ties into running gags about his hidden eyes and unchanging face.

Misaki Matsuya

Misaki Matsuya serves as a key operative in the Department of City Security within the series, balancing her role as a college student with undercover work to monitor threats to the city. As part of this dual existence, she adopts the persona of "Misaki" to infiltrate ACROSS, the antagonistic organization aiming to conquer F City, allowing her to gather intelligence while maintaining a low profile among civilians. Her position enables close observation of ACROSS's operations, often placing her in proximity to its members without arousing suspicion. Renowned for her martial arts prowess, Matsuya excels in , frequently overpowering opponents with precise and efficient techniques during security missions. She demonstrates exceptional skill in , particularly in replicating Excel's distinctive appearance and energetic demeanor to impersonate her and penetrate ACROSS's ranks undetected. These abilities make her a versatile agent, capable of both direct confrontations and subtle . In contrast to the disorganized and whimsical nature of her fellow City Security teammates, Matsuya embodies a serious and duty-oriented personality, prioritizing professionalism and rationality in all endeavors. She takes great pride in her responsibilities, often expressing disdain for incompetence and maintaining a composed exterior amid the series' escalating absurdities. This steadfast approach underscores her independence and strategic mindset, as she navigates complex scenarios with minimal reliance on others. Matsuya's efforts against ACROSS drive significant plot developments, including instances of mistaken identities that escalate comedic tensions and expose vulnerabilities in the organization's security. Her infiltrations frequently result in mix-ups, such as confusing encounters with ACROSS agents, which heighten the narrative's satirical elements while advancing the conflict between city defenders and invaders. She occasionally clashes with female ACROSS members in rivalries marked by competitive tension.

Ropponmatsu

Ropponmatsu serves as the robotic enforcer for the Department of City Security in , providing mechanical support in operations against subversive groups like ACROSS. Designed by Dr. Gojo Shiouji, this android is equipped for high-impact tasks such as and , often deployed under Kabapu's direct orders to maintain order in Fukuoka. In the version, Ropponmatsu appears as a single android unit prone to emotional glitches, which cause unpredictable behavior and malfunctions during missions, adding layers of humor to its otherwise formidable role. These glitches manifest as sudden shifts in demeanor, contrasting its intended stoic functionality and highlighting the series' satirical take on robotic enforcers. The adaptation expands Ropponmatsu into two distinct units sharing a single power source, which alternate in activation for comedic effect. Unit 1 is portrayed as an aggressive, adult female android with a sleek, busty optimized for heavy and physical confrontations, though it struggles with precision tasks like . Unit 2, in contrast, takes the form of a hyperactive, childlike female android resembling a cat-girl, bringing chaotic energy and irritation to team dynamics while offering versatile support. This dual setup amplifies the characters' clashing personalities, frequently leading to humorous breakdowns in coordination. Both versions parody robot tropes common in , emphasizing overpowered designs that backfire through technical flaws or personality conflicts. In dubs, voice distinctions further underscore these traits: Unit 1's deep, commanding tone conveys aggression, while Unit 2's high-pitched, squeaky delivery captures its childish exuberance.

Gojo Shiouji

Gojo Shiouji serves as the chief scientist within Fukuoka's Department of City Security, where he spearheads the development of advanced technologies and experimental weapons designed to thwart threats from organizations like ACROSS. His role emphasizes innovative engineering in a bureaucratic setting, often pushing the boundaries of feasibility to equip the department with tools for urban defense. Embodying the trope, Shiouji is depicted as an eccentric genius whose unorthodox methods include conducting bizarre experiments on his colleagues, blending intellectual brilliance with comedic instability. This personality manifests in his affinity for young girls, portrayed as a humorous eccentricity in the but rooted in psychological complexity in the , where it ties into his distorted worldview shaped by familial trauma. The further expands on his backstory as a rogue inventor, detailing how the disappearance of his father, the esteemed scientist Tenmangu Shiouji, and his mother Miwa Rengaya's subsequent behavioral shifts profoundly influenced his path, with early inspiration drawn from the innocence of his cousin Umi Rengaya, now an adult lab assistant under his employ. Throughout the series, Shiouji's inventions, such as bomb-dismantling robots and experimental weaponry, frequently backfire in chaotic sequences that parody the overambitious, failure-prone nature of sci-fi laboratories. These key moments underscore the department's comedic ineptitude, as his high-tech creations exacerbate rather than resolve crises, contributing to the narrative's satirical take on technological hubris in government operations. He occasionally collaborates with Toru Watanabe on gadget prototypes, though his extreme experimental style contrasts sharply with more practical efforts.

Supporting characters

Menchi

Menchi is a supporting animal character in the and series , initially introduced as a stray adopted by Excel as an emergency food supply due to her hunger. Portrayed as a highly intelligent talking , she demonstrates exceptional cognitive abilities, such as communicating in human language and contributing to plot developments through her insights. Her role primarily serves as and a narrative device, frequently translating animal communications for human characters and injecting humor into chaotic scenarios involving the Department of City Security. Menchi exhibits strong loyalty to the Iwata household after being taken in by Norikuni Iwata, where she aids in informal investigations by leveraging her keen senses and quick thinking. She often displays disdain toward Excel, stemming from her origins as a potential meal, leading to tense yet comedic interactions marked by evasion and sarcasm. This dynamic highlights Menchi's resourceful personality and her preference for a stable life away from Across operatives. Menchi's characterization remains consistent across the manga by Kōshi Rikudō and the J.C. Staff anime adaptation, with the latter enhancing her expressiveness through voice acting by Satomi Kōrogi in Japanese and Hilary Haag in English, emphasizing her barks and occasional translated quips. Her adventures, including global escapades and encounters with other animals, underscore her role as a resilient survivor in the series' absurd world.

Sekifumi Iwata

Sekifumi Iwata is a in the and series Excel Saga, portrayed as a prominent but ethically dubious physician whose career benefits significantly from familial connections in the medical field. He operates a and frequently appears alongside his assistant, Nurse Shiki Fukuya, contributing to the series' comedic elements through his professional mishaps and personal flaws. His character design and behavior serve as a direct parody of the titular protagonist from Osamu Tezuka's Black Jack, featuring a similar rogue doctor archetype with exceptional surgical skills but a disregard for conventional ethics./Characters) Iwata's personality is characterized by lechery and irresponsibility, often leading to humorous yet problematic interactions with patients and colleagues, though his brilliance as a occasionally shines through in critical situations. A defining physical trait is the prominent X-shaped scar across his face, resulting from a childhood prank by his cousin, Norikuni Iwata, which has fueled a lasting animosity between the two. This familial tension extends to broader dynamics, as Sekifumi maintains a distant but acknowledged relation to Hiyoko Iwata, positioning him as an uncle figure in the extended Iwata family network. In the manga, several chapters center on Iwata's hospital and his personal antics, providing standalone comedic relief amid the larger narrative of organizational conflicts in Fukuoka, while his anime appearances are limited to brief cameos that highlight his eccentricities. He occasionally encounters elements of the series' chaotic events, such as indirect brushes with ACROSS operatives, which he observes with detached amusement during his routine.

Shiki Fukuya

Shiki Fukuya is a in the Excel Saga manga and anime, serving as a competent nurse and assistant to Dr. Sekifumi Iwata. She spends most of her time trying to prevent or punish Dr. Iwata's malpractices and misogynies, acting as his beleaguered foil in hospital scenes that parody medical tropes. Fukuya's role emphasizes her professionalism and exasperation with Iwata's antics, providing comedic contrast through her competent yet frustrated demeanor. The manga reveals that she harbors a crush on Dr. Iwata despite his flaws. Her appearances are primarily tied to the hospital setting, where she handles the fallout from Iwata's irresponsible behavior, occasionally intersecting with the series' broader chaotic events in Fukuoka.

Hiyoko Iwata

Hiyoko Iwata is a in Excel Saga, serving as a young distant relative of the Iwata family, including Norikuni and Sekifumi Iwata, and bringing a sense of familial innocence to the narrative. She is characterized as a sassy child genius with a sharp wit and short attention span, frequently outsmarting the adults around her through clever remarks and unexpected insights that highlight her precocious nature, though she often wanders away from her bodyguards. Her role primarily involves adding domestic comedy to the series, often through playful interactions with the family dog Menchi and other household members, which contrast the larger-scale chaos of the main plot and emphasize everyday family antics. Hiyoko's brief references to her relative Norikuni Iwata's job underscore her ties to the family's dynamic without delving into specifics. Over the course of the story, Hiyoko exhibits minor development, gradually gaining a subtle awareness of the dangers her relatives encounter, which adds depth to her otherwise lighthearted presence. In the anime adaptation, her voicing captures the duality of her cute appearance and sharp dialogue, making her exchanges particularly endearing and humorous.

Umi Rengaya

Umi Rengaya is a exclusive to the adaptation of Excel Saga, appearing from volume 12 onward and becoming more prominent in later volumes such as 15 and 17. As the 18-year-old cousin of Gojo Shiouji—the inventor of the Ropponmatsu android units—she serves as his intern and lab assistant, assisting with his scientific endeavors in Fukuoka. Her role highlights themes of unrequited affection, as she develops a deep crush on Shiouji, inspired by childhood memories of his kinder side, though his preferences for younger girls leave her advances unreciprocated. Personality-wise, Umi is portrayed as shy and somewhat clumsy in everyday interactions, yet she becomes dramatically passionate when pursuing her romantic interests, often resorting to or bold gestures to capture Shiouji's attention. This contrast adds comedic tension to her character, with her enthusiastic but inept efforts frequently causing chaos in the lab, such as accidental equipment damage. Her unassuming nature makes her a foil to the series' more eccentric figures, emphasizing genuine teen vulnerability amid the overarching absurdity. In terms of plot contributions, Umi features in minor side arcs that delve into adolescent emotions and relationships against the backdrop of ACROSS's world-domination schemes and the Department of City's countermeasures. Notably, in volumes 15–17, she discovers the amnesiac Excel washed up on a beach and takes her in as "Teriha," fostering a close friendship while helping her regain her memories during their time living together in the Shiouji household; they even work side-by-side at a . These storylines provide lighter, character-driven interludes exploring loyalty and recovery. Umi's absence from the stems from efforts to streamline the for its 26-episode run, prioritizing core action and elements over extended supporting subplots. She shares brief school connections with characters like Matsuya through Fukuoka's local setting.

Anime-exclusive characters

Rikdo Koshi

Rikdo Koshi (六道神士, Rikudō Kōshi), the pen name of ka Kōshi Rikudō, appears as an anime-exclusive self-insert cameo character at the beginning of each episode. Voiced by in the Japanese version, he delivers a brief monologue giving "permission" or approval for the ensuing chaotic content, parodying authorial oversight and breaking the to highlight the series' meta-humor. This recurring gag underscores the adaptation's divergence from the , where Rikdō's involvement is limited to creation, and emphasizes the anime's satirical take on production and creative control. His appearances are brief and non-narrative, serving as an introductory signature rather than integrating into plots.

The Great Will of the Macrocosm

The Great Will of the Macrocosm is an anime-exclusive character in , serving as a god-like cosmic entity that embodies the capricious hand of narrative control, often intervening to preserve the show's chaotic structure. This portrayal parodies the interference of television production teams, where external forces dictate episode formats and prevent premature conclusions, highlighting the series' self-aware humor about conventions. As a meta-element unique to the adaptation, it underscores the divergence from the original by Kōshi Rikudō, introducing overt commentary on the medium's artificiality. In its primary role, the Great Will appears during critical plot disruptions, particularly in meta-episodes, to enforce continuity by resetting events and reviving characters like Excel after fatal mishaps. For instance, it alters reality to resurrect Excel multiple times in early episodes, ensuring her ongoing missions for ACROSS persist despite lethal failures, which satirizes plot conveniences in serialized . These interventions often occur when the storyline veers into , such as structural collapses or mission derailments, allowing the of various genres to continue uninterrupted. The entity's authoritative declarations, delivered with commanding presence, reinforce its function as an overseer of the show's enforced episodic framework. Depicted as an ethereal, otherworldly force with a swirling cosmic form from which disembodied arms emerge to manipulate events, the Great Will conveys through its abstract design. Voiced by Yūko Mizutani in the Japanese version and Kelly Manison in the English dub, its tone exudes divine authority, amplifying the comedic contrast between its grandeur and the mundane chaos it corrects. This vocal performance enhances the parody, as the character's proclamations frequently break the , directly addressing narrative logic. The Great Will holds particular significance in (episode 26, "Going Too Far"), where it contributes to resolving the escalating by intervening in the production-level mayhem involving figures like Nabeshin. Here, its role culminates the anime's meta-commentary, tying together the themes of creative control and absurdity into a cohesive, if chaotic, conclusion that affirms the show's playful defiance of traditional storytelling.

Nabeshin

Nabeshin is the self-insert character representing anime director in the anime adaptation. Voiced by Watanabe himself, the character is depicted as a charismatic with a signature hairstyle, red jacket, , and an outrageous sense of humor, directly mirroring the director's real-life appearance and personality. As a recurring figure, Nabeshin functions as a who intervenes to resolve plot complications, often breaking the to parody anime production tropes and the fictional nature of the series. He appears in a parallel storyline to the main protagonists Excel and Hyatt, acknowledging the show's meta elements by discussing its creation and business aspects, which enhances 's satirical take on genre conventions. Nabeshin's appearances include cool, savior-like rescues, such as boarding a Puchuu spaceship in episode 2 to aid escapes from the cute yet villainous creatures. Recurring gags feature him performing energetic theme song renditions, like his afro-themed musical number in episode 5, and engaging in over-the-top battles against the Puchuu, emphasizing his guitar-wielding, heroic persona. These elements culminate in episodes 24-26, where Nabeshin's meta interventions drive the series' chaotic finale, solidifying his role as a of directorial authority and contributing to his status as a fan-favorite for injecting self-aware humor into the narrative. Occasionally receiving directives from The Great Will of the Macrocosm, Nabeshin underscores the show's blend of cosmic and production .

Pedro

Pedro is an anime-original recurring character in Heppoko Jikken Animation , depicted as a hardworking immigrant from who travels to seeking employment to support his young son and wife. His storyline serves as a dark humor gag, where he repeatedly meets untimely and gruesome deaths due to chaotic events in F City, often tied to the antics of ACROSS operatives. Despite these misfortunes, Pedro embodies optimism and resilience, persistently attempting to return to his family while enduring revival after each demise, facilitated by supernatural interventions like those from the Great Will of the Macrocosm. Introduced in early episodes as a who perishes in a accidentally ignited by Excel's hyperactivity, Pedro's appearances consist of brief cameos scattered throughout the series, parodying the struggles of immigrant laborers through exaggerated, tragicomic scenarios such as being thrown into the ocean or caught in urban destruction. These vignettes highlight his brief interactions with the broader city chaos unleashed by ACROSS, underscoring themes of disposability in a parody of societal toward migrant workers. Upon one attempted return home, he discovers his has moved on, with his wife remarried, amplifying the humor through absurd despair. Visually, Pedro is designed as a simple, laborer with a basic outfit reflecting manual work, complemented by an exaggerated Spanish accent in to emphasize his foreign origins. He is voiced by Takashi Nagasako in the Japanese version, providing a earnest yet comically strained tone, and by in the English dub, who amplifies the character's resilient pathos.

Puchuu

The Puchuu are a race of extraterrestrial beings exclusive to the anime adaptation of , designed as hamster-like aliens from Mars who resemble pale yellow teddy bears clad in diapers and wielding traditional Japanese futon beaters as weapons. Their primary strategy for planetary conquest relies on leveraging an overwhelming " proximity" effect to disarm and deceive humans, particularly males, into lowering their guards, allowing the Puchuu to advance their plans undetected. This deceptive adorability serves as their main defense and offensive tool, with the creatures communicating only by repeating their name in a high-pitched, endearing manner during infiltration phases. Introduced early in the series as a recurring comedic foil to the Excel, who uniquely perceives their true malevolent nature beneath the facade—revealing hardened, Golgo 13-like faces when unmasked—the Puchuu escalate into a major late-season antagonistic force. Their plot arc parodies classic mascots, such as those in or , by subverting the "" trope into a tool for , complete with wands modeled after laundry beaters and coordinated "war dances" that mimic innocent play. The invasion storyline, spanning episodes like the second installment where their mothership appears and culminating around episodes 21-22, draws from tropes in works by and the series, featuring battles, masked overlords, and a massive fleet assault on Earth. Excel repeatedly thwarts their schemes through chaotic interventions, often squishing individuals for humor, while multiple Puchuu instances amplify the by multiplying the absurdity of their failed conquests. The arc reaches its climax in a parody-laden space battle where the Puchuu mothership is destroyed, scattering debris that inadvertently aids Across's city takeover plans, with Nabeshin playing a pivotal role in the heroic counteroffensive against the invaders. Once defeated, the Puchuu's frail bodies and reliance on illusion highlight their vulnerability, leading to their rout by a including and Earth defenders. This resolution underscores the series' satirical take on narratives, blending guile with direct confrontation for comedic effect. The Puchuu have become iconic among fans for masterfully inverting kawaii stereotypes, transforming seemingly harmless mascots into aggressive conquerors and earning recognition in anime retrospectives as a standout example of subversive humor in the genre. Their design and antics, featured prominently in episode highlight discussions, contribute to Excel Saga's reputation for parodying culture through exaggerated, multi-layered gags.

Sara Cosette

Sara Cosette is an anime-original character in , introduced as a child assassin disguised as an innocent young girl who temporarily bonds with , providing comedic relief through maternal scenarios amid the series' chaotic action. She first appears in episode 8, "Increase Ratings Week," where Excel and Hyatt encounter her at a and adopt a protective role toward the seemingly vulnerable child, who hides her true identity as a pint-sized killer orphaned and trained for murder. This duality parodies dramatic assassin tropes in , contrasting her cute exterior with lethal skills, such as in assassination attempts that intersect with the protagonists' antics. Her apparent innocence starkly contrasts the series' violence, but her hidden assassin profession drives plot tension, humanizing Excel and through protection efforts while revealing Sara's derision toward Excel and emotional backstory of survival through killing. In key episodes, she is shielded from dangers and family conflicts, with her regenerative ties to adding layers, culminating in poignant resolutions. She reappears in episode 26, "Going Too Far," integrating into the group's dynamics. Sara's design emphasizes a childlike appearance with pink hair in braids, wide eyes, and simple clothing that accentuates her deceptive fragility. Voiced by in the Japanese version, her performance delivers soft, hesitant tones that mask her ruthless side, enhancing the .

Excel Girls

The Excel Girls are an -exclusive pop duo introduced in Heppoko Jikken Animation Excel Saga, consisting of the characters Excel Kobayashi and Mikako Hyatt, who cosplay as the series' protagonists Excel and Hyatt while promoting themselves as aspiring voice actresses. Voiced by as Excel Kobayashi and as Mikako Hyatt—punning on their real names and the main characters' voice actresses—the duo embodies a satirical of Japan's idol culture and the commercialization of tie-in merchandise. Formed specifically for the adaptation to enhance its meta-humor and support releases, they do not appear in the original by Kōshi Rikudō, serving instead as a lighthearted addition to the show's filler segments. In the series, the Excel Girls perform in comedic, self-referential episodes that poke fun at entertainment tropes, such as episode 9, "Bowling Girls," where they compete in a tournament while exaggerating their idol personas with over-the-top enthusiasm and promotional antics. Their primary role ties into the anime's broader of J-pop idol groups, with performances featuring upbeat, exaggerated songs that mock loyalty themes central to the Across organization's ideology. They contribute to the show's absurd humor by breaking the , often blurring the line between in-universe entertainers and the production itself. Musically, the duo records the anime's opening theme "Ai (Chūseishin)" (Love ()), a high-energy track that plays over episodes 1–26, and the ending themes "Menchi Aishō no " (episodes 1–25) and its variant "Menchi Aishō no Bolero (Gyakuna)" (episode 26), all parodying dramatic ballads with lyrics emphasizing devotion and whimsy. These songs were released on soundtracks like Excel Saga Original Soundtrack Experiment 1, facilitating merchandise tie-ins such as CDs and promotional materials that capitalized on the 's cult appeal. Their designs draw briefly from the original Excel and aesthetics—energetic blonde and fragile blue-haired motifs—but adapt them into flashy, stage-ready idol outfits to heighten the commercial .

That Man

That Man (あの人, Ano Hito) is an anime-exclusive character in , serving as a supporting and the most powerful leader of the organization ACROSS. He is a member of the ACROSS Six governing body and acts as the archnemesis to both and Nabeshin. Portrayed as a manipulative thug, he is revealed to be the true boss of Ilpalazzo, orchestrating ACROSS's broader schemes for global and universal domination from behind the scenes. In the series, That Man masquerades as a friend to while seducing Pedro's wife and the Great Will of the Macrocosm, exploiting these relationships to harness "the power of the Great Will and the devilishness of the woman" for his conquest plans. His vengeful nature emerges prominently when he discovers Pedro's affair with the Great Will, leading him to throw into the ocean and kidnap the Great Will as part of his domination strategy. Additionally, he capitalizes on the destruction of F City to advance his ambitions and is ultimately unmasked as , the second husband of Pedro's sexy wife. Visually, That Man appears as a stern, shadowy figure with facial hair, often depicted in a suit that underscores his authoritative and criminal undertones. His personality is marked by cold calculation and explosive anger, driving his ruthless pursuit of power without remorse. He is voiced by in the Japanese version and in the English dub.

References

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