Hubbry Logo
M-AudioM-AudioMain
Open search
M-Audio
Community hub
M-Audio
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
M-Audio
M-Audio
M-Audio
View on Wikipedia
from Wikipedia

M-Audio (formerly Midiman) is a business unit of inMusic Brands that designs and markets audio and MIDI interfaces, keyboards and MIDI controllers, synthesizers, loudspeakers, studio monitors, digital DJ systems, microphones, and music software. The company has independent offices in the US, Canada, UK, Germany, France and Japan.

Key Information

History

[edit]

Midiman

[edit]
Logo
Logo

M-Audio was founded in the late 1990s by Tim Ryan, an engineer and graduate of the California Institute of Technology who had co-designed the Con Brio Advanced Digital Synthesizer and helped develop MIDI software for Commodore and Apple computers, including two of the best-selling MIDI software titles at that time, Studio One and Studio Two. After founding the company as Music Soft and changing the name to Midiman due to Yamaha Corporation already owning the rights to the Music Soft name, Ryan began the company with hardware solutions designed to solve the challenges of connecting MIDI, audio, and computer equipment together for the purposes of music production.[1]

Midiman first established itself as a manufacturer of small, affordable MIDI problem solvers, sync devices, and interfaces. The first Midiman product was named the "Midiman," a MIDI-to-tape recorder synchronizer, but the first products that experienced mainstream success were the Syncman and Syncman Pro VITC-to-LTC/MTC converters. The next products of note were the Midisport and Bi-Port range of MIDI interfaces which were far more commercially successful than any other Midiman product to date, and which established a core product category for the company for many years to come.

Following the commercial success of the MIDI interface line, Midiman introduced the Flying Cow and Flying Calf A/D / D/A converters,[2] and entered the audio interface product category for the first time with the 4-input, 20-bit DMAN 2044.[3]

Growth, re-branding and Avid acquisition

[edit]

In the year 2000 and in conjunction with the announcement of the Delta Series PCI audio interfaces, Midiman introduced "M-Audio" as the new brand for their audio products.[4] In the years following, Midiman grew business further by entering into distribution deals with Propellerhead Software, Ableton, ArKaos,[5] and Groove Tubes microphones,[6] The success of the Midiman and M-Audio products, combined with the distribution revenues, resulted in 128% growth for the company in 2001 and 68% growth in 2002, making Midiman the fastest-growing music company in the US for both of those years.[1]

Having now established themselves in the MIDI interface and audio interface product categories, Midiman entered the MIDI keyboard controller market in 2002 with the introduction of the portable 25-key Oxygen8. While not the first 25-key MIDI controller nor the first cost-effective keyboard controller with plenty of hardware MIDI controls, the Oxygen8 helped establish the new category of portable keyboard controller, and a significant product category for M-Audio in the years to come. Similarly, the same year marked M-Audio's entry to the studio monitor speaker market with the Studiophile SP5B.[7] Later that same year, Midiman officially re-branded themselves entirely as M-Audio, the brand they'd been using for their audio division since 1999.[8]

In 2003, Midiman acquired Evolution Electronics LTD, manufacturer of MIDI controllers, as a wholly owned subsidiary, and continued to sell Evolution-branded MIDI controllers and keyboards.[9] The following year, Avid Technology acquired Midiman, Inc. (which was, at that time, doing business as M-Audio). Avid paid approximately $174 million, or nearly eight times the book value of the company.[10] The payment was in the form of $80 million in cash, approximately 2 million shares of Avid common stock issued, and all M-Audio stock options assumed. Tim Ryan continued on with the company as general manager.[11]

2005–2011

[edit]

After Avid purchased M-Audio, Digidesign and M-Audio cooperated to release a limited version of Digidesign's flagship product, Pro Tools, that was compatible with M-Audio's affordable audio interface hardware. This version of Pro Tools was named Pro Tools M-Powered. M-Audio's products continued to be aimed at computer-based home recording enthusiasts, with more and more emphasis on portability and hardware controllers for music software, like Trigger Finger,[12] an early USB MIDI pad controller which utilized a 4x4 grid of 16 pads to trigger sounds via MIDI, the iControl controller for GarageBand,[13] and the ProjectMix I/O[14] integrated control surface/audio interface. The company's keyboard controller range expanded to 3 different sizes of Oxygen-series keyboard, the more affordable and more modestly featured Keystation series, and later the premium Axiom series USB MIDI keyboard controllers.

Audio interfaces remained a dominant category for M-Audio as well, with ongoing versions of the Delta series PCI interfaces, the FastTrack series USB audio interfaces, and the ProFire series firewire audio interfaces, among others. Similarly, studio reference monitors remained a strong category, and included the Studiophile BX series, Studiophile CX series, and premium Studiophile DSM series monitors, along with the consumer electronics-targeted AV series desktop speakers.

M-Audio also branched out into new product categories. In 2005, M-Audio released Black Box, a guitar processor and audio interface with guitar amp modeling, beat-synced effects, and drum tracks for computer based recording that they had co-developed with Roger Linn Design.[15] A digital stage piano, the ProKeys 88, introduced M-Audio to an instrument category. A partnership with Ultimate Ears brought about M-Audio IE-series earphones, and M-Audio joined the handheld digital audio recorder market with the MicroTrack series. With the introduction of Torq and its related hardware, M-Audio established itself in the growing digital DJ category.

M-Audio DJ Setup

Sale to inMusic (2012-present)

[edit]

In mid-2012, Avid sold M-Audio to inMusic as part of an attempt to streamline operations and reduce operating costs.[16] Along with its consumer music hardware products, inMusic also acquired the AIR software group's IP and engineering team, responsible for many of the virtual instruments and plug-ins for the Pro Tools audio production software platform. Avid retained the Mbox range of audio interfaces and some other formerly M-Audio-brand products.

Artists

[edit]

M-Audio products are utilized by a wide range of artists, producers, and composers, including Emir Vildic, 9th Wonder, The Black Eyed Peas, Narensound, Brian Transeau, Coldcut, Depeche Mode, Pharrell Williams, Evanescence, Jimmy Chamberlin, Gary Numan, Mark Isham, Los Lobos, Carmen Rizzo, Jeff Rona, Tom Scott, Skrillex, Chester Thompson, and The Crystal Method and many others[17]

Timeline of product releases

[edit]
  • 1989 Syncman & Syncman Pro MIDI-to-Tape synchronizers
  • 1996 AudioBuddy microphone preamp
  • 1996 MultiMixer 6 & Micromixer 18 mini mixers[18]
  • 1996 GMan General MIDI module[19]
  • 1997 Digipatch12X6 digital patchbay[20]
  • 1998 Midisport, BiPort
  • 1999 SAM (1999) mixer/S/PDIF-ADAT converter[21]
  • 1999 CO2 Co-axial-to-Optical converter
  • 1998 Flying Cow, Flying Calf A/D / D/A converters[22]
  • 2000 Delta 66, Delta DiO 2496, Delta 1010 audio interfaces[4]
  • 2000 SuperDAC 2496 digital audio converter
  • 2002 Oxygen 8 USB MIDI keyboard controller[23]
  • 2002 Studiophile SP-5B nearfield studio monitors[24]
  • 2002 Sonica USB audio interface
  • 2002 Midisport Uno [25]
  • 2002 DMP3 Dual Mic Preamp[26]
  • 2002 USB Duo[27]
  • 2003 Transit USB mobile audio interface.[28]
  • 2003 ProSessions Sound + Loop Libraries[29]
  • 2003 Ozone 25-key USB MIDI keyboard controller/control surface and audio interface.[30]
  • 2003 Audiophile USB audio & MIDI interface[31]
  • 2003 BX5 active nearfield reference studio monitors[32]
  • 2003 Solaris large diaphragm condenser microphone[33]
  • 2004 Evolution X-Session USB MIDI DJ control surface.[34]
  • 2004 Ozonic (37-key MIDI and audio interface over FireWire)[35]
  • 2004 Luna large-diaphragm cardioid microphone[36]
  • 2004 Firewire 410 firewire audio interface[37]
  • 2004 Octane 8-channel preamp with digital output[38]
  • 2004 Keystation Pro 88 88-key MIDI keyboard controller[39]
  • 2004 Nova microphone
  • 2004 Firewire Audiophile firewire audio interface[40]
  • 2004 Firewire 1814 firewire audio interface[41]
  • 2005 Black Box[42]
  • 2005 Trigger Finger USB trigger pad controller[12]
  • 2005 iControl control surface for GarageBand[13]
  • 2005 ProKeys 88 digital stage piano[43]
  • 2006 MidAir and MidAir 37 wireless MIDI system and controller keyboard[44]
  • 2006 ProjectMix I/O integrated control surface/audio interface[14]
  • 2007 NRV10 Firewire mixer/audio interface[45]
  • 2007 Fast Track Ultra 8x8 USB and audio interface[46]
  • 2007 IE-40 reference earphones[47]
  • 2008 Pulsar II small-diaphragm condenser microphone[48]
  • 2011 Venom 49-key VA synthesizer[49]
  • 2013 M3-8 [50]
  • 2014 Oxygen MKIV series [51]
  • 2014 Trigger Finger Pro [52]
  • 2014 M3-6 [53]
  • 2014 HDH50 Headphones [53]
  • 2014 BX6 Carbon, BX8 Carbon [54]
  • 2014 M-Track II, Plus II [51]
  • 2014 M-Track Eight [51]
  • 2015 CODE series (25, 49, 61) [55]
  • 2015 Deltabolt 1212 [56]
  • 2015 M40 Headphones [57]
  • 2015 M50 Headphones [57]
  • 2016 CTRL49 [58]
  • 2016 M-Track 2x2, 2x2M [59]
  • 2017 M3-8 Black [60]
  • 2017 Hammer 88 [61]
  • 2017 BX5 D3, BX8 D3 [62]
  • 2017 Uber Mic [63]
  • 2018 AV32 [64]
  • 2018 Keystation MK3 (Mini 32, 49, 61, 88) [65]
  • 2019 AIR series (Hub, 192|4, 192|6, 192|8, 192|14) [66]
  • 2020 BX3, BX4 [67]
  • 2021 M-Track Solo, Duo [68]
  • 2021 Oxygen MKV series [69]
  • 2021 Oxygen Pro series [70]
  • 2021 Hammer 88 Pro [71]
  • 2022 BX3BT, BX4BT [72]

Current products

[edit]

Audio & MIDI interfaces

[edit]

Source:[73]

  • M-Track Solo
  • M-Track Duo
  • AIR 192|4
  • AIR 192|6
  • AIR 192|8
  • AIR 192|14
  • AIR 192|4 Vocal Studio Pro
  • AIR Hub
  • M-Track Eight
  • Midisport Uno

Keyboard controllers

[edit]

Source:[74]

  • Oxygen 25, 49, 61 MKV
  • Hammer 88 Pro
  • Oxygen Pro 25, 49, 61, Mini 32
  • Hammer 88
  • Keystation MK3 49, 61, 88, Mini 32
  • Oxygen 25, 49, 61 MKIV

Studio monitors

[edit]

Source:[75]

  • BX3BT
  • BX4BT
  • BX3
  • BX4
  • BX5 D3
  • BX8 D3
  • AV32
  • BX5 GRAPHITE
  • BX8 GRAPHITE
  • 4060
  • 4080

Microphones

[edit]

Source:[76]

  • Uber Mic
  • Nova

Accessories

[edit]

Source:[77]

  • HDH-40 (Over-ear studio monitoring headphones)
  • Bass Traveler (Portable headphone amplifier)
  • SP-1 (Sustain pedal)
  • SP-2 (Piano style sustain pedal)
  • EX-P (Universal expression controller pedal)

Free software

[edit]

Some M-Audio products in the PCI Audio Interface category contain chipsets which support free software, notably the ICE 1712 chipset. Version 2.6 of the Linux kernel supports M-Audio cards through ALSA without custom configuration or installation of proprietary applications or firmware.

M-Audio Pro Sessions releases

[edit]
  • Pro Sessions vol 01 - Discrete Drums :World Rock Drums & Percussion
  • Pro Sessions vol 02 - Discrete Drums :R'n'B Drums and Percussion
  • Pro Sessions vol 03 - These Drums Are Loud
  • Pro Sessions vol 04 - World Beat Cafe
  • Pro Sessions vol 05 - Latin Element
  • Pro Sessions vol 06 - Latin Street
  • Pro Sessions vol 07 - Hydrosonix 1
  • Pro Sessions vol 08 - Hydrosonix 2
  • Pro Sessions vol 09 - Hella Bumps 1
  • Pro Sessions vol 10 - Hella Bumps 2
  • Pro Sessions vol 11 - Mechanically Separated
  • Pro Sessions vol 12 - Electro Crash
  • Pro Sessions vol 13 - Vector Field
  • Pro Sessions vol 14 - Sounds Logickal
  • Pro Sessions vol 15 - Elektron: Machine Drum
  • Pro Sessions vol 16 - Alien Radio
  • Pro Sessions vol 17 - AdrenaLinn Guitars
  • Pro Sessions vol 18 - Hard Desert Breaks
  • Pro Sessions vol 19 - Underground SoundSystem
  • Pro Sessions vol 20 - Ambient Alchemy :Open Source
  • Pro Sessions vol 21 - Skillz 2 Pay the Billz Electricity
  • Pro Sessions vol 22 - Sound of Unseen Worlds
  • Pro Sessions vol 23 - Beats from Beyond 1
  • Pro Sessions vol 24 - Pop/Rock Guitar Toolbox
  • Pro Sessions vol 25 - Liquid Cinema - Cinematic Impact
  • Pro Sessions vol 26 - Liquid Cinema - Cinematic Ambience
  • Pro Sessions vol 27 - Liquid Cinema - Cinematic Pulse Audio Loop
  • Pro Sessions vol 28 - Liquid Cinema - Tabla Science
  • Pro Sessions vol 29 - Liquid Cinema - Junkyard Sessions
  • Pro Sessions vol 30 - Liquid Cinema - Late Nite Sessions 1
  • Pro Sessions vol 31 - Liquid Cinema - Late Nite Sessions 2
  • Pro Sessions vol 32 - Dope Beatz
  • Pro Sessions vol 33 - Scratch'n Elements: Disc 1 Drums
  • Pro Sessions vol 34 - Da Joints
  • Pro Sessions vol 35 - Dance Static
  • Pro Sessions vol 36 - Tension Theory
  • Pro Sessions vol 37 - Field of Visions
  • Pro Sessions vol 38 - Absolute World Fusion II
  • Pro Sessions vol 40 - Electro Groove
  • Pro Sessions vol 41 - Spooky Ghost
  • Pro Sessions vol 42 - Discrete Drums : Funky Beats
  • Pro Sessions vol 43 - Discrete Drums : Rock Drums
  • Pro Sessions vol 44 - Discrete Drums : Slow Rock Drums
  • Pro Sessions vol 45 - Discrete Drums : One Big World
  • Pro Sessions vol 46 - Discrete Drums : More Funky Beats
  • Pro Sessions vol 47 - Authentic Latin Hip Hop Funk Breaks
  • Pro Sessions vol 48 - Hella Bumps 3
  • Pro Sessions vol 49 - Dirty South
  • Pro Sessions vol 50 - Rice and Beans
  • Pro Sessions vol 51 - Elektron: Monomachine
  • Pro Sessions vol 52 - Dance Remix Toolkit 1 Essential dance music elements
  • Pro Sessions vol 53 - Dance Remix Toolkit 2[78]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

M-Audio

View on Grokipedia
from Grokipedia
M-Audio is an American music technology company specializing in audio interfaces, controllers, keyboard controllers, studio monitors, microphones, and other equipment for music production and performance. Founded in 1988 by engineer Tim Ryan as Midiman, the company initially focused on synchronization and interface solutions before rebranding to M-Audio in 2000 to emphasize its expanding audio product line. It is now a brand under , a leading group of music and audio technology companies, following its acquisition from in 2012. From its origins as Midiman—originally named Music Soft but renamed due to a trademark conflict with Yamaha—Ryan's venture addressed early challenges in integrating MIDI with computers and tape recording. The company's first product in 1990 was a MIDI-to-tape synchronization device, quickly followed by popular sync boxes like the Syncman and Syncman Pro, which dominated the market in the early 1990s. By the late 1990s and early 2000s, M-Audio experienced explosive growth, achieving 128% revenue increase in 2000 driven by soundcards and 68% in 2001, making it one of the fastest-growing music companies in the U.S. at the time; this period saw innovations like the Oxygen series of portable USB MIDI keyboard controllers launched in 2002, which pioneered the category for mobile music production. Under since 2012, M-Audio has continued to innovate in affordable, high-performance gear for producers, composers, and performers, including the AIR series audio interfaces introduced in 2019 with exclusive Crystal preamps for studio-quality recording, the M-Game streaming interfaces launched in 2022, and the Forty Series studio monitors announced in 2024. Its product lineup now encompasses a wide range of tools, from entry-level USB interfaces like the M-Track series to advanced controllers such as the line, supporting integration with digital audio workstations (DAWs) and live setups. M-Audio's emphasis on accessibility and reliability has made it a staple in home studios and professional environments worldwide, with notable market leadership in interfaces and soundcards, capturing up to 80% U.S. share in certain segments during its peak growth years.

History

Origins as Midiman (1988-2001)

Midiman was founded in 1988 by engineer Tim Ryan with a background in , initially under the name Music Soft before being renamed Midiman due to a trademark conflict with Yamaha. Ryan established the company to tackle prevalent challenges in MIDI synchronization for musicians, particularly the timing inaccuracies that arose when integrating sequencers and drum machines with analog tape recording setups. Operating from its headquarters in , Midiman quickly positioned itself as an accessible innovator, offering budget-friendly solutions tailored to home studio enthusiasts and professional musicians seeking reliable MIDI integration without high costs. The company's early product lineup focused on MIDI interfacing technology, with standout releases including the Syncman and Syncman Pro, which addressed synchronization issues by converting clock pulses to compatible signals for tape decks and other hardware. These affordable interfaces enabled precise tempo locking between digital sequencers and analog multitrack recorders, reducing dropouts and drift that plagued early digital music productions. By providing simple, cost-effective hardware that bridged the gap between emerging computer-based music tools and traditional studio workflows, Midiman gained traction in the late and early as a go-to brand for MIDI reliability. Throughout the , Midiman expanded its portfolio to support the rise of computer-driven music production, emphasizing interfaces that connected devices to personal computers. A pivotal innovation came in the early 2000s with the launch of the Midisport USB series, among the first USB-based interfaces, which simplified connectivity for users adopting USB-equipped systems and eliminated the need for cumbersome serial or parallel ports. This development marked Midiman's shift toward broader computer integration, solidifying its role as a key player in democratizing technology for home and semi-professional setups. By the early 2000s, these advancements laid the groundwork for evolving into more comprehensive audio solutions.

Rebranding, Growth, and Avid Acquisition (2002-2004)

In , Midiman rebranded itself as M-Audio to better align with its growing emphasis on audio hardware alongside its traditional offerings, a shift that had begun with the introduction of the M-Audio name for audio products in 2000. This change reflected the company's expansion into a broader portfolio of musical performance, recording, and solutions, capitalizing on the rising popularity of workstations (DAWs) that demanded high-quality audio interfaces for home and studio production. The rebranding built on Midiman's foundational expertise from the late and , enabling a seamless pivot toward integrated audio-MIDI systems. A key step in this growth occurred in August 2003 when M-Audio acquired Evolution Electronics Ltd., a UK-based manufacturer of USB keyboards and controllers, for an undisclosed amount. This move integrated Evolution's product line, including popular keyboard controllers like the MK-449C, into M-Audio's offerings, enhancing its controller category and combining engineering strengths to reach a wider audience of electronic musicians. The acquisition underscored M-Audio's strategy to consolidate its position in the burgeoning market for affordable, portable and audio gear compatible with DAWs. Among the early standout products under the M-Audio banner was the Audiophile 2496 PCI , released around 2001, which provided 24-bit/96kHz audio conversion with low-latency performance and a digital mixer for , making it a favored choice for in DAW environments. This card exemplified M-Audio's commitment to accessible hardware, supporting both professional and consumer workflows. The period culminated in 2004 with Avid Technology's acquisition of M-Audio for approximately $174 million, comprising $80 million in , two million shares of Avid stock, and the assumption of liabilities. Following the deal, M-Audio operated as a unit within Avid's Digidesign division, facilitating deeper integration with the software ecosystem and expanding Avid's hardware portfolio for audio professionals. This transaction marked a significant milestone, positioning M-Audio for further innovation in the pro audio sector.

Expansion Under Avid (2005-2011)

Following the 2004 acquisition by , M-Audio integrated closely with Avid's Digidesign division, leveraging the ecosystem to enhance its consumer-oriented hardware offerings. This collaboration resulted in the development of M-Powered, a streamlined version of the professional software tailored for M-Audio interfaces, which became a core component of bundled packages aimed at home and mobile producers. Early examples included the 2005 bundling of M-Powered with interfaces like the FireWire 410 and ProjectMix I/O, providing seamless compatibility for without requiring high-end hardware. By 2007, this integration expanded to products such as the Fast Track Pro interface paired with mastering software like , broadening accessibility to Avid's professional tools for entry-level users. M-Audio pursued product diversification during this period, focusing on portable and controller-based solutions to meet the growing demand for mobile music production. The MobilePre USB, released in , exemplified this shift as a compact, bus-powered audio interface with dual preamps and , designed for laptop-based recording in field or studio settings; it was a popular choice in its price category. Complementing this, the series of USB controllers launched in , offering semi-weighted keys, velocity-sensitive pads, and assignable controls for DAW integration, with models like the Axiom 25 targeting compact setups for live performance and beat-making. These releases, including later iterations like the 2009 M-Track and Fast Track Ultra bundled with M-Powered 8, emphasized affordability and plug-and-play functionality to capture the expanding home studio market. By 2011, diversification extended to advanced interfaces such as the ProFire series, bundled with M-Powered for higher-channel-count applications. Despite these innovations, M-Audio faced significant internal challenges amid the global economic downturn and Avid's broader financial pressures. Avid underwent multiple restructurings, including layoffs in that affected operations across its divisions, contributing to a demoralized and shifts in product prioritization. These cutbacks, part of efforts to streamline costs during a period of declining revenues, impacted M-Audio's development resources and market momentum, even as bundles like the 2009 Fast Track Ultra with continued to drive sales.

Sale to inMusic and Modern Era (2012-present)

In 2012, sold its M-Audio consumer audio and video product lines to , a Rhode Island-based company that owns brands such as Professional, Alesis, and Numark, as part of a broader restructuring to reduce costs and focus on professional tools like . This transaction allowed M-Audio to operate independently under , shifting emphasis toward affordable hardware for and markets without the corporate constraints of ecosystem. Following the acquisition, M-Audio experienced a period of product revitalization, introducing updated lines to address evolving needs in workstations (DAWs) and mobile production. The AIR series of USB audio interfaces, launched in late , featured Crystal Preamps for low-noise recording up to 24-bit/192kHz resolution, targeting solo musicians and podcasters with bundled software like MPC Beats and First. In 2020, the Oxygen Pro series of controllers debuted, offering smart chord and scale modes, velocity-sensitive keys, and seamless integration with major DAWs such as and , enhancing accessibility for beginners and live performers. Recent innovations have further solidified M-Audio's position in compact, versatile studio gear. In 2022, the company released the BX3BT and BX4BT reference monitors, incorporating connectivity for wireless streaming alongside traditional inputs, delivering 120 watts of bi-amplified power in a desktop-friendly form factor suitable for hybrid home setups. The AIR 192|4 Vocal Studio Pro bundle, an extension of the AIR line, combined the interface with a condenser microphone, , and in 2020 but saw continued popularity through 2023 for vocal recording kits aimed at content creators. In 2024, the Forty Series monitors were introduced, featuring DSP-tuned woofers (6.5-inch in the Forty Sixty model and 8-inch in the Forty Eighty), rear-ported cabinets for extended low-end response down to 32Hz, and app-controlled EQ presets for room correction, emphasizing professional-grade accuracy at entry-level prices. As of 2025, M-Audio continues to innovate in affordable audio production tools. As a core of , M-Audio maintains its legacy in democratizing audio production, prioritizing budget-friendly tools for home studios and prosumer workflows while leveraging synergies with sister brands for expanded software bundles and distribution.

Products and Innovations

Key Product Milestones

M-Audio's product milestones trace the company's evolution from foundational synchronization tools to sophisticated integrated audio ecosystems, enabling accessible professional-grade recording for home and studio users. Early innovations focused on bridging analog and digital workflows through , while later developments emphasized processing and seamless USB connectivity, culminating in modern devices supporting up to 24-bit/192kHz resolution via interfaces. Around 1999, under its original Midiman branding, the company released the MIDISPORT 1x1, one of the first affordable USB interfaces that simplified connectivity between computers and devices without requiring additional power supplies or complex drivers. This breakthrough democratized integration for musicians transitioning to digital setups, supporting 16 channels of bidirectional data over USB at a price point under $100. By 2002, M-Audio introduced the Quattro USB audio interface, a pivotal advancement that brought multi-channel recording capabilities to home studios with four simultaneous inputs and outputs at 24-bit/96kHz resolution. Designed for USB connectivity, it featured balanced analog I/O and connectivity, allowing users to capture drum kits or multi-mic sessions affordably, marking a shift toward comprehensive audio solutions beyond mere timing. The 2006 launch of the ProjectMix I/O represented a fusion of hardware control and audio interfacing, serving as an all-in-one control surface with eight motorized , transport controls, and a shuttle wheel for intuitive DAW manipulation. This FireWire-based unit supported protocols like Mackie Control and HUI, integrating 18 inputs including eight mic preamps, and facilitated real-time mixing in environments like without relying on software overlays. In 2019, under , M-Audio introduced the AIR series audio interfaces, featuring Crystal preamps for studio-quality recordings at up to 24-bit/192kHz. In 2024, the Forty series studio monitors were introduced, offering bi-amplified designs with waveguide technology for accurate reproduction. In 2021, the Hammer 88 Pro weighted keyboard controller advanced keybed technology with its graded hammer-action mechanism, providing realistic piano-like response and aftertouch sensitivity for expressive virtual instrument performance. Featuring 88 fully weighted keys, RGB velocity-sensitive pads, and smart chord/scale modes, it integrated seamlessly with DAWs via USB, supporting polyphonic aftertouch across zones for nuanced control. This progression reflects M-Audio's adaptation to technological shifts, evolving from basic synchronization in the late 1980s to contemporary ecosystems that deliver pristine 24-bit/192kHz audio, powering everything from mobile production to full studio rigs.

Audio and MIDI Interfaces

M-Audio's audio and interfaces emphasize USB bus-powered connectivity, high-resolution analog-to-digital conversion, and integrated features tailored for contemporary music production, podcasting, and streaming workflows. These devices support low-latency performance through dedicated drivers, enabling real-time monitoring and efficient recording sessions without perceptible delay. Building on the company's foundational expertise in technology, the interfaces incorporate I/O where applicable, facilitating seamless hybrid audio- setups for producers. The entry-level M-Track Solo offers a compact 2x2 I/O configuration via USB-C, capturing audio at up to 48 kHz resolution with a single Crystal preamp input that includes +48V for condenser microphones and a dedicated instrument input for guitar recording. Key recording features include zero-latency monitoring via a USB/ switch and virtual loopback channels through the M-Series , allowing users to route computer audio for streaming or podcasting applications. Bundled software enhances accessibility, providing MPC Beats as a full-featured DAW, Ableton Live Lite for creative sequencing, and a suite of AIR virtual instruments and effects plugins valued at over $500. For expanded capabilities, the AIR 192|14 delivers professional-grade performance with an 8x4 analog I/O array (including four XLR/TRS combo inputs, two instrument inputs, and two line inputs) plus in/out, supporting 24-bit/192 kHz resolution and preamps for pristine signal capture across multiple sources. is available on the mic preamps, while dual headphone outputs and segmented meters enable precise level control during multi-channel sessions, such as tracking bands or ensembles in home studios. Like other models, it includes for integrating system audio and comes with MPC Beats, Ableton Live Lite, and an extensive plugin bundle featuring ReValver amp modeling and over 80 AIR effects. A specialized variant, the AIR 192|4 Vocal Studio Pro, integrates the 2x2 AIR 192|4 interface (24-bit/192 kHz, powered, with one combo input and one instrument input) alongside a Nova Black condenser microphone and HDH40 closed-back for streamlined vocal production. This all-in-one kit supports and zero-latency monitoring, making it suitable for solo artists focused on songwriting, demos, or , with the same bundled software ecosystem as the core AIR series to accelerate . Overall, these interfaces cater to home recording enthusiasts and live streamers by prioritizing portability, ease of setup, and software integration, ensuring high-quality audio capture without complex routing.

Keyboard Controllers and MIDI Devices

M-Audio's keyboard controllers and MIDI devices emphasize expressive performance and seamless integration with digital audio workstations (DAWs), enabling musicians to control virtual instruments and sequencing software efficiently. The Oxygen Pro series, introduced in late 2020 and updated in 2021, represents the flagship line of these controllers, available in configurations with 25, 49, 61, and 88 keys, as well as a compact 32-mini-key Pro Mini model. These USB-powered devices feature velocity-sensitive, semi-weighted PrecisionTouch keybeds with channel aftertouch for nuanced expression, alongside 16 RGB-backlit, velocity-sensitive pads equipped with Note Repeat functionality to facilitate beat production and clip launching. Additional controls include assignable knobs, faders, and buttons for transport operations like play, stop, and record, all designed to streamline workflow in music production. Central to the Oxygen Pro series are innovative features like Smart Chord and Smart Scale modes, which allow users to trigger full chords from single keys or restrict notes to specific scales for easier composition, with 16 scale variations available. An onboard arpeggiator supports momentary and latch modes, syncing to the DAW's tempo for rhythmic pattern generation. DAW integration is achieved through automatic mapping to popular software such as , , Cubase, , and Studio One, where controls like faders, pans, and channel strips (including solo, mute, and record arm) align directly without manual configuration. This series also includes instant mapping to bundled virtual instruments from AIR Music Tech, such as Hybrid 3 and Mini Grand, enhancing playability for virtual piano and synth performance. For pianists seeking a more authentic feel, the Hammer 88 Pro offers a professional-grade, fully weighted 88-key graded hammer-action keybed with aftertouch, capturing the responsive dynamics of acoustic pianos. Released in , this model incorporates MPC-style performance pads for drum programming, along with the same Smart Chord, Smart Scale, and arpeggiator functions as the Oxygen Pro line, plus dedicated inputs for sustain, expression, and secondary pedals to support extended playing techniques. Its display aids in navigating presets and editing parameters, while auto-mapping ensures compatibility with major DAWs and virtual instruments, positioning it as an advanced tool for studio and stage use. The design of these controllers draws from M-Audio's 2003 acquisition of Evolution Electronics, which brought expertise in USB development. Complementing the keyboard controllers, M-Audio's standalone MIDI devices, such as the MIDISPORT series, provide essential multi-port connectivity for expanding setups with external synthesizers and machines. Models like the MIDISPORT 1x1 offer basic 1-in/1-out USB connectivity supporting 16 channels, while the 2x2 and 4x4 variants handle up to 32 and 64 discrete channels respectively, allowing simultaneous control of multiple devices without latency. These bus-powered interfaces, updated in anniversary editions around 2008, ensure reliable throughput for professional sequencing and live performance environments.

Studio Monitors and Microphones

M-Audio's studio monitors emphasize accurate sound reproduction for professional and environments, featuring bi-amplified designs with low-frequency drivers for durability and clarity. The BX series, a longstanding line, includes models like the BX5 D3, which employs a 5-inch paired with a 1-inch dome , delivering a of 52 Hz to 35 kHz and 100 watts of bi-amped power for precise monitoring. These monitors incorporate rear-ported cabinets to extend low-frequency response while minimizing , contributing to a flat and reliable playback suitable for mixing and production. The Forty Series, introduced in 2024 under inMusic ownership, represents a modern evolution with waveguide technology integrated into the high-frequency drivers to ensure even dispersion and a neutral frequency response. Available in 6.5-inch (Forty Sixty) and 8-inch (Forty Eighty) configurations, these bi-amplified monitors provide 100 watts and 150 watts respectively, with a rear-ported MDF enclosure and Kevlar woofers for enhanced bass accuracy and reduced cabinet resonance. This series builds on prosumer needs with DSP customization options for tailored room acoustics. Complementing the core lines, M-Audio offers Bluetooth-enabled variants like the 2022 BX3BT and BX4BT, which add wireless streaming capabilities to compact 3.5-inch and 4.5-inch drivers, respectively, powered by 120 watts for versatile desktop use. These models support connectivity up to 100 feet, alongside traditional inputs, while maintaining rear-ported designs for consistent low-end performance. Many BX and Forty series packages include isolation pads to decouple the monitors from surfaces, reducing vibrations and improving overall mixing precision. In the microphone category, M-Audio provides condenser options optimized for vocal and instrument capture in studio settings. The Nova Black is a large-diaphragm condenser microphone with a cardioid polar pattern, featuring an 18 mm aluminum diaphragm and a of 20 Hz to 20 kHz, connected via XLR for integration with professional audio interfaces requiring . For plug-and-play applications, the Mic offers a multi-pattern USB condenser design with cardioid, omnidirectional, figure-8, and modes, supporting up to 48 kHz sample rates and including a headphone output for zero-latency monitoring during podcasting, vocals, or broadcasting. These prioritize low-noise capture and versatility, aligning with M-Audio's focus on accessible recording tools.

Accessories and Bundled Software

M-Audio offers a range of supplementary hardware accessories designed to complement its audio interfaces and controllers, including over-ear studio headphones such as the HDH40 model, which features 40mm neodymium drivers, a closed-back design, and a 2.7m cable for monitoring and podcasting applications. These headphones provide high-quality sound reproduction with a frequency response of 15 Hz to 28 kHz, ensuring accurate audio playback during recording sessions. Studio cables, such as XLR microphone cables and TRS interconnects, are commonly included in vocal recording bundles to facilitate connections between microphones, interfaces, and monitors. Additionally, desk hangers and tabletop stands are bundled with select packages to optimize workspace organization, allowing users to mount interfaces or position microphones securely. Every M-Audio product includes a comprehensive software bundle to support music production, featuring MPC Beats as the core digital audio workstation (DAW) for beat-making and sequencing. This is complemented by AIR Music Tech virtual instruments, such as Mini Grand for realistic piano emulation, along with Electric, Bassline, and TubeSynth for synthesizers and bass sounds. The bundle also incorporates the Mini ToolKit effects suite and over 80 additional AIR plugins, providing essential tools like reverbs, delays, and EQs for mixing and processing audio tracks. Guitar amp simulations via the Revalver plugin further enhance the package for instrumentalists. In recent updates, M-Audio has expanded its producer packs, such as the 2024 M-Track Duo HD Producer Pack, which integrates the , a condenser microphone, and the full software suite to create affordable entry-level setups. These bundles aim to equip beginners with complete starter kits, minimizing the need for separate purchases and enabling immediate creative workflows in home studios or podcasting environments. By combining hardware accessories with bundled digital tools, M-Audio ensures compatibility across its product lines, streamlining user setups for recording and production.

Endorsements and Impact

Notable Artists and Users

M-Audio has garnered endorsements from a diverse array of musicians and producers since the early , with artists praising the brand's reliable, affordable hardware for both studio and touring applications. These partnerships often highlight the gear's portability and integration with workstations, enabling seamless workflows in live and recording settings. In hip-hop and R&B production, has been a prominent user of M-Audio equipment, incorporating the brand's studio monitors into his sampling and beat-making process. Known for his soulful, vinyl-inspired soundscapes on tracks for artists like and , has credited M-Audio's BX8a monitors for providing clear, accurate playback during mixing sessions. His long-standing collaboration with the brand includes official interviews where he discusses transitioning to with M-Audio interfaces and controllers for efficient production. Pharrell Williams, another key figure in hip-hop and R&B, emerged as an early adopter of M-Audio's controllers in the 2000s, using the Axiom 61 for keyboard-based composition in his productions. This semi-weighted USB controller allowed Williams to layer synths and program beats affordably, supporting his mobile studio setups during tours and album sessions for projects like In My Mind. Official brand imagery from the era captures him integrating the Axiom 61 into his workflow, emphasizing its role in accessible, high-quality music creation. Shifting to electronic and pop genres, has relied on M-Audio's Trigger Finger pad controller for live performances, pairing it with to trigger samples and effects in real-time DJ sets. This compact device was central to his breakthrough 2011 setup, enabling laptop-based production that defined his sound on albums like . The controller's inclusion in 's Rock & Roll Hall of Fame exhibit underscores its impact on his touring rigs, where portability and responsive pads facilitated dynamic, on-stage manipulation. The incorporated M-Audio's into their live performance rigs during the mid-, using it to trigger the Yamaha Motif-Rack for synth layers in high-energy shows. This setup supported will.i.am's keyboard contributions on hits from Monkey Business, highlighting the Oxygen series' velocity-sensitive keys for reliable onstage control in pop-electronic arrangements. In rock and electronic music, has utilized M-Audio's Studiophile BX8 studio monitors for mixing tracks, valuing their balanced in his multi-monitor studio environment. These aided in fine-tuning elements like basslines and atmospheric pads for albums such as , with their affordability making them a practical choice for expansive home setups. Artist testimonials from the onward often note M-Audio's role in democratizing professional-grade tools for touring musicians, allowing gear like controllers and interfaces to fit budget-conscious road kits without compromising performance.

Industry Influence and Collaborations

M-Audio significantly influenced the music production industry by pioneering affordable USB audio interfaces in the , which lowered barriers to entry for during the explosive growth of digital audio workstations (DAWs). Interfaces like the Audiophile USB offered portable, high-quality solutions at accessible price points, empowering bedroom producers and hobbyists to achieve professional-grade results without expensive studio setups. This innovation democratized music creation, shifting production from costly professional environments to personal computers and fostering a new generation of independent artists and creators. Post-acquisition by in 2012, M-Audio deepened industry collaborations to enhance product ecosystems. A key example is the integration of M-Audio hardware with Professional's MPC software; for instance, the Oxygen Pro series keyboard controllers are officially supported in MPC Beats, enabling seamless control and workflow synergy across inMusic's brands. Retail partnerships, such as those with Sweetwater, provide bundled offerings that pair M-Audio interfaces with complementary software and accessories, streamlining setups for emerging producers. These efforts extend to broader initiatives, including demonstrations at NAMM shows highlighting the AIR series interfaces' capabilities in real-time audio processing. M-Audio's market position as an entry-level gateway brand has shaped trends, particularly in mobile and hybrid production environments. By delivering reliable, scalable tools like the M-Track series for beginners and advanced AIR series for on-the-go recording with Crystal preamps and connectivity, the company has driven the adoption of portable interfaces among semi-professional users seeking studio-quality performance without premium costs. In January 2025, M-Audio expanded this influence through the Native Kontrol Standard (NKS) Hardware Partner Program, partnering with Akai Professional, , Nektar, and to ensure compatibility with over 2,000 NKS instruments and effects, further bridging hardware and software for modern creators.

Resources and Initiatives

Free Software Offerings

M-Audio provides standalone downloads of legacy drivers to maintain compatibility for older hardware with modern operating systems, such as and 11. These drivers ensure continued functionality for discontinued products without requiring new purchases. updates are available for specific product lines, including the AIR series audio interfaces and Oxygen series keyboard controllers, allowing users to address performance issues and enhance stability. For instance, the Oxygen Pro series received firmware version 2.1.2 in late 2022, with ongoing compatibility confirmed for recent OS releases. Among free tools, the M-Audio Edition of Ableton Live Lite offers a basic digital audio workstation (DAW) for music production, accessible to registered users independently of initial product bundles. Virtual instruments like Vacuum Pro, a polyphonic analog synthesizer from AIR Music Technology, are also downloadable as part of these offerings, providing tube-modeled sounds for creative expansion. All downloads are hosted on the official M-Audio website and typically require user registration to access, enabling ongoing support and notifications for updates. In 2024, compatibility patches were extended to (version 14) and , with further support added for macOS 15 Sequoia as of late 2024, prolonging the usability of legacy gear across current platforms.

Educational and Promotional Programs

In addition to sample resources, M-Audio provides educational tutorials through its official website support section and YouTube channel, focusing on product setup and basic music production techniques. Examples include recording tips articles on audio sources and level setting for interfaces, as well as video series like the "M-Audio Oxygen Pro Series Tutorials" covering scale modes, chord assignments, and arpeggiator functions for MIDI controllers. Specific getting-started guides, such as those for integrating the Oxygen Pro with FL Studio, help users navigate initial setup and beat creation processes. These initiatives, including bundled utilities, support entry-level users by democratizing access to professional-grade tools and inspiration without additional cost. M-Audio also engages in promotional activities at industry events like the , where it showcases products and participates in broader giveaways to promote adoption among aspiring creators.

References

  1. https://www.m-audio.com/company/about.html
  2. https://www.soundonsound.com/people/tim-ryan-m-audio
  3. https://cdm.link/m-audio-air-join-akai-alesis-numark-at-inmusic-qa-with-new-owners-and-a-timeline/
  4. https://www.m-audio.com/news/articles/m-audio-announces-innovative-high-performance-air-series-audio-interfaces
  5. https://musictech.com/news/gear/m-audio-m-game-usb-audio-interface-rgb-dual-solo/
  6. https://gearspace.com/board/new-product-alert-2-older-threads/1435850-m-audio-introduces-forty-series-studio-monitors.html
  7. https://www.m-audio.com/news/articles/m-audio-updates-renowned-keystation-series-the-worlds-best-selling-usb-midi
  8. https://www.bloomberg.com/profile/company/370899Z:US
  9. https://www.mixonline.com/recording/midiman-creates-new-corporate-identity-m-audio-372533
  10. https://www.mixonline.com/recording/m-audio-acquires-evolution-electronics-375145
  11. http://ixbtlabs.com/articles/maudioaudiophile/index.html
  12. https://www.soundonsound.com/reviews/m-audio-audiophile-2496-terratec-bwx-2496
  13. https://www.nytimes.com/2004/08/14/business/company-news-avid-to-acquire-midiman-for-174.5-million.html
  14. https://www.mixonline.com/recording/avid-adds-m-audio-its-fold-377196
  15. https://www.mixonline.com/technology/avid-acquire-m-audio-380512
  16. https://www.upi.com/Business_News/2004/08/13/Avid-Technology-buys-M-Audio/43531092422570/
  17. https://www.production-expert.com/home-page/2018/3/5/the-history-of-pro-tools-2007-to-2012
  18. https://images.thomann.de/pics/prod/254509_datasheet.pdf
  19. https://www.soundonsound.com/reviews/m-audio-axiom-25
  20. https://www.reuters.com/article/business/avid-to-sell-certain-products-cut-jobs-idUSL3E8I25RI/
  21. https://sonicscoop.com/inside-the-m-audio-acquisition-why-inmusic-made-the-deal-with-avid/
  22. https://www.musicconnection.com/m-audio-announces-oxygen-pro-keyboard-controllers/
  23. https://gearspace.com/board/new-product-alert-2-older-threads/1376236-m-audio-adds-bluetooth-bx-speaker-series-new-bx3bt-bx4bt-desktop-monitors.html
  24. https://www.sweetwater.com/store/detail/AIR192x4SPro--m-audio-air-192x4-vocal-studio-pro-complete-vocal-production-package
  25. https://djlifemag.com/2024/11/m-audio-unveils-forty-series-studio-monitors/
  26. https://www.prnewswire.com/news-releases/inmusic-brands-and-avid-technology-form-new-alliance-188068051.html
  27. https://www.m-audio.com/audio-midi-interfaces/air-192-8.html
  28. https://cf3.zzounds.com/media/Uno_Manual-8698591c6d44de854216d1ec01f45146.pdf
  29. https://www.amazon.com/Midisport-Portable-Interface-connection-channels/dp/B0BK6R84NL
  30. https://www.philrees.co.uk/audio/AUDQUATROUSB.html
  31. https://www.zzounds.com/item--MDOQUATTRO
  32. https://www.soundonsound.com/reviews/m-audio-project-mix-io
  33. https://tapeop.com/reviews/gear/53/projectmix-io
  34. https://www.recordingmag.com/news/m-audio-introduces-the-forty-series-studio-monitors/
  35. https://www.youtube.com/watch?v=sK0pcoX4FRk
  36. https://www.sweetwater.com/store/detail/Hammer88Pro--m-audio-hammer-88-pro-88-key-keyboard-controller
  37. https://www.amazon.com/AIR-Interface-Recording-Production-Software/dp/B07YZLN475
  38. https://www.m-audio.com/category/usb-audio-and-midi-interfaces.html
  39. https://www.m-audio.com/audio-midi-interfaces/m-track-solo.html
  40. https://www.m-audio.com/audio-midi-interfaces/air-192-14.html
  41. https://www.m-audio.com/audio-midi-interfaces/air-192-4-vocal-studio-pro.html
  42. https://www.m-audio.com/keyboard-controllers/oxygen-pro-61.html
  43. https://support.m-audio.com/en/support/solutions/articles/69000804554-m-audio-oxygen-pro-series-setup-in-fl-studio
  44. https://www.m-audio.com/keyboard-controllers/hammer-88-pro.html
  45. https://www.m-audio.com/legacy/midisport-4x4-anniversary-edition.html
  46. https://www.m-audio.com/monitors-headphones/bx3.html
  47. https://www.bhphotovideo.com/c/product/1345408-REG/m_audio_bx5_d3_5_powered.html
  48. https://www.getinthemix.com/m-audio-bx5-d3-monitors-with-isolation-pads-cable.htm
  49. https://www.m-audio.com/monitors-headphones/forty-sixty.html
  50. https://mixdownmag.com.au/features/m-audio-forty-series-powered-monitors-a-modern-studio-experience/
  51. https://www.musicradar.com/news/m-audio-bx3bt-bx4bt-monitor-speakers
  52. https://www.amazon.com/M-Audio-Bluetooth-Recording-Multimedia-Production/dp/B09V1FYVTB
  53. https://www.m-audio.com/legacy/bx5-d2.html
  54. https://www.ebay.com/itm/256017884520
  55. https://www.m-audio.com/microphones/ubermic.html
  56. https://www.sweetwater.com/store/detail/UberMic--m-audio-uber-mic-usb-microphone-with-headphone-output
  57. https://www.m-audio.com/accessories/hdh40.html
  58. https://www.amazon.com/M-Audio-HDH40-Headphones-Monitoring-Podcasting/dp/B09S3VWMX6
  59. https://www.m-audio.com/legacy/vocal-studio-pro-mkii.html
  60. https://www.sweetwater.com/store/detail/MTrackDuoHDPk1--m-audio-m-track-duo-hd-producer-pack-with-stand-and-desk-hanger
  61. https://www.m-audio.com/audio-midi-interfaces/air-192-4.html
  62. https://www.youtube.com/watch?v=2IZm8bPKrDo
  63. https://www.m-audio.com/audio-midi-interfaces/m-track-duo.html
  64. https://www.m-audio.com/audio-midi-interfaces/m-track-duo-hd-producer-pack.html
  65. https://www.sweetwater.com/store/detail/MTrackDuoHDpk--m-audio-m-track-duo-hd-producer-pack
  66. https://www.m-audio.com/audio-midi-interfaces/air-hub.html
  67. https://www.youtube.com/watch?v=yUf4S6qTSS0
  68. https://www.youtube.com/watch?v=UYU0DivTqSQ
  69. http://www.superduperfly.com/m-audio-9th-wonder-interview/
  70. https://www.facebook.com/M-Audio/photos/a.382949722390/10152280098122391/?type=3
  71. https://midnightrebels.com/a-laptop-glasses-and-a-midi-controller-why-skrillexs-hall-of-fame-exhibit-matters/
  72. https://whatgear.com/pro/skrillex/m-audio-trigger-finger-midi-controller
  73. https://cdm.link/black-eyed-peas-live-performance-rig-dream-keys-mac-setup/
  74. https://whatgear.com/pro/deadmau5/m-audio-studiophile-bx8-studio-monitors
  75. https://support.m-audio.com/en/support/solutions/articles/69000804876-m-audio-oxygen-pro-series-i-setup-in-mpc-beats
  76. https://www.sweetwater.com/store/manufacturer/M-Audio
  77. https://www.youtube.com/watch?v=GZVNg_kR4Es
  78. https://thebeatcommunity.com/2025/01/23/ni-partners-with-akai-professional-novation-nektar-korg-m-audio/
  79. https://www.m-audio.com/support/legacy-downloads
  80. https://www.m-audio.com/support/downloads
  81. https://support.m-audio.com/en/support/solutions/articles/69000824996-how-do-i-find-out-which-version-of-the-firmware-is-installed-on-my-m-audio-keyboard-
  82. https://support.m-audio.com/en/support/solutions/articles/69000804463-m-audio-oxygen-pro-series-i-setup-in-ableton-live-lite
  83. https://www.airmusictech.com/virtual-instruments/vacuum-pro/
  84. https://support.m-audio.com/en/support/solutions/articles/69000845652-m-audio-macos-14-sonoma-compatibility
  85. https://support.m-audio.com/en/support/solutions/articles/69000810071-m-audio-windows-11-compatibility
  86. https://support.m-audio.com/en/support/solutions/articles/69000859828-m-audio-macos-15-sequoia-compatibility
  87. https://support.m-audio.com/en/support/solutions/articles/69000858515-m-audio-interface-recording-tips-part-1-audio-sources
  88. https://support.m-audio.com/en/support/solutions/articles/69000858597-m-audio-interface-recording-tips-part-2-setting-levels
  89. https://www.youtube.com/playlist?list=PLLY6HwcyBqEdChuYsPfMJJbu1KdZQbjDf
  90. https://www.youtube.com/playlist?list=PLx55YY7kkCU3rnF1L6oLMgAuZyaNrkzzc
  91. https://www.namm.org/trade-show/giveaways-make-music-experience
  92. https://www.youtube.com/watch?v=K-HHJY66H4w
Add your contribution
Related Hubs
User Avatar
No comments yet.