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Mae (stylized mae) is an American rock band that formed in Norfolk, Virginia[4] in 2001. The band's name is an acronym for "Multisensory Aesthetic Experience", based on a course taken by drummer Jacob Marshall while a student at Old Dominion University.[5]

Key Information

History

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Early years with Tooth and Nail (2001–2006)

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Jacob Marshall and Dave Elkins began what would become Mae by writing their first song, "Embers and Envelopes", in Marshall's living room. The band signed with Tooth and Nail Records and released their first album, Destination: Beautiful, in 2003. They released their second full-length album, The Everglow, in 2005. The band toured extensively to promote it, and also performed on the Vans Warped Tour. Mae re-released The Everglow in 2006, adding three new songs and a two-hour DVD.

Move to Capitol, Singularity, and (m)(a)(e) EPs (2006–2012)

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Later in 2006, the band signed to Capitol Records for their third full-length album. Mae began recording the album in the fall of 2006, working with producer Howard Benson (who has produced albums for Saosin, My Chemical Romance, Blindside, and Relient K). The album, titled Singularity, was released on August 14, 2007. On June 19, 2007, the band released the first single from Singularity, "Sometimes I Can't Make It Alone".

On September 24, 2007 Padgett and Sweitzer parted ways with Mae.[6] The following year, Mae announced that they had split ways with Capitol Records.[7] They also stated that they would embark on a new, experimental project, releasing one new song for each month of 2009. Each song would be available to download on their website for a minimum donation of $1, with proceeds going to humanitarian projects of Mae's choosing.[8]

In July 2009, Mae announced they were starting their own label called "Cell Records" through which they would release their three-EP set.[9]

On May 7, 2010, word began spreading of Mark Padgett and Rob Sweitzer rejoining Mae for their upcoming fall tour. On June 19, 2010, Mae played a show in Singapore, the first show since 2007 that included both Mark Padgett and Rob Sweitzer. On June 22, 2010, Mae's Dave Elkins confirmed on the band's forums that Mark Padgett and Rob Sweitzer had reunited with Mae.[10] On June 28, 2010, Mae announced that their upcoming "Goodbye, Goodnight" Tour would be their last for the foreseeable future, marking their indefinite hiatus.[11] On August 23, 2010, the newly reunited Mae including Mark Padgett and Rob Sweitzer played their first show back home in the US at Eureka College in Eureka, Illinois, evidently gearing up for the Goodbye, Goodnight tour. On Saturday November 27, 2010, the band played what was billed as its last show at The NorVa. The show was filmed to be released on DVD. What were believed at the time to be Mae's actual final performances consisted of two shows played on February 23 and 24, 2011 at the Shibuya and Shinsaibashi locations of Club Quattro in Japan.[better source needed] However, in late December 2011, the band announced on its website that it would play eight shows in the UK and Europe as part of the Goodbye, Goodnight tour from January 3–10, 2012.

Continued touring, return to Tooth & Nail, Multisensory Aesthetic Experience, and signing to Equal Vision (2012–present)

[edit]

On February 21–23, 2013, Mae played a three show tour to commemorate the 10-year anniversary of the band's album Destination: Beautiful.[12] Two shows took place in Virginia Beach, Virginia, and one in Nashville, Tennessee. The shows consisted of the band playing their first album in its entirety. At the second Virginia Beach show, current E Street Band saxophonist and early Mae member Jacob Clemons made a guest appearance on the band's song "Tisbury Lane" during encore.[13]

On June 7, 2014, Mae played an online show via stageit. During the concert it was announced that Mae would be reuniting in 2015 to complete a reunion tour in commemoration of the 10-year anniversary of The Everglow.[14] They also confirmed that they were re-recording several songs for a pressing of Destination: B-Sides on vinyl rumored to be released via Spartan Records late in the summer of 2014.[15]

Multisensory Aesthetic Experience was released on November 30, 2018 through the band's original record label, Tooth & Nail Records. The inspiration for this album came after the band had created a large-scale virtual reality experience at the Forbes Under30 Summit in Jerusalem.[16] The event took place at the historic Tower of David. Dave Elkins recalled, “We performed in front of 650/700 people who all took their smartphones, put them in these cardboard viewfinders and all the visuals that they were seeing were in virtual reality 360 [which] were accommodating the music that we had written and recorded just to accommodate this experience.”[17]

On June 26, 2018, Mae announced a fall 2018 tour which included "MAE Day" in select cities. The "MAE Day" event consisted of a short video, discussion with the band, listening party, shared meal, VR experience, and additional multi-sensory experiences.[18]

In September of 2023, Mae signed with Equal Vision Records.[19]

Members

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Current

  • Dave Elkins – lead vocals, guitar (2001–present)
  • Zach Gehring – guitar (2003–present)

Touring musicians

  • Josiah Schlater – bass (from the bands Tokyo and Color)
  • Robert Smith – keyboards (from the bands Tokyo and Musicplayer)
  • David Pogge – bass (for the (a)fternoon tour)
  • Tyler Strickland – guitar (for the (a)fternoon tour)
  • Matt Beck – guitar (initial tour, replaced by member Zach Gehring)
  • Drew Smyser – bass and backing vocals (2017, 2023–present, from the band Whistler Lane)
  • Geoffrey Mutchnik – keyboards (2018–2021)
  • Kipp Wilde – keyboards (2017–2018, 2021–present, from the band Windsor Drive)
  • Patrick Ryan – bass and guitar (mid 2017–2021)
  • Josh Grigsby – drums (2021–present, from the band Houston Calls)
  • Aaron Lachman – bass (2022)

Former

  • Jacob Marshall – drums, percussion, piano (2001–2021)
  • Mark Padgett – bass guitar (2002–2007, 2010–2015)
  • Rob Sweitzer – keyboards (2002–2007, 2010–2015)
  • William Clark – bass (2001–2002)
  • Jake Clemons – saxophone (now of the E Street Band)
[edit]
  • Before forming Mae, Dave Elkins was a co-founder and lead vocalist for the indie band "Sky's the Limit". Two songs that Elkins originally wrote for Sky's the Limit have been recorded and released by Mae – "Skyline Drive", on Destination: Beautiful, and "Tisbury Lane", on Destination: B-Sides.[20][non-primary source needed]
  • After Mae finished their final tour, Dave Elkins began a new project called Schematic.
  • Jacob Marshall has formed the band River James with members of the band Army of Me.
  • In the fall of 2014, Mae keyboardist Rob Sweitzer announced a crowd-funding project for a solo record of his own, titled "M29", under the act name My God, It's Full of Stars.[21]

Discography

[edit]

Albums

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Title Year Label Chart Positions
Top 200 US Christian US Rock US Alternative US Digital
Destination: Beautiful 2003 Tooth & Nail Records – – – – –
The Everglow 2005 51 1 – – –
Singularity 2007 Capitol Records 40 – 12 13 40
(M)(A)(E) (Compilation of Morning, Afternoon and Evening EPs) 2017 Cell Records
Multisensory Aesthetic Experience 2018 Tooth & Nail Records – – – – –

EPs and B-sides

[edit]
Title Year Label Chart Positions
Top 200
Mae EP 2002 Unsigned –
Destination: B-Sides 2004 Tooth & Nail Records –
Connect Sets (Mae 2005 Tooth & Nail Records
Sony Connect 		–
Live Music Series: Mae EP 2006 Beyond Warped –
The Everglow EP Tooth & Nail Records –
Morning 2009 Cell Records –
Afternoon –
Evening 2010 –
3.0 2018 Tooth & Nail Records –

Singles

[edit]
Year Title Album
2003 "Embers and Envelopes" Destination: Beautiful
"Summertime"
2005 "Suspension" The Everglow
"Someone Else's Arms"
2007 "Sometimes I Can't Make It Alone" Singularity
2009 "The House That Fire Built" (m)orning
2017 "Our Love Is A Painted Picture" –
2017 "Light" –
2018 "5 Light Years" –
2018 "Let It Die" –

DVDs

[edit]

Compilation appearances

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Song of the Month

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Throughout 2009, Mae released 'Songs of the Month' (proceeds benefiting Habitat for Humanity and Donorschoose.org), with the first four tracks going onto the (M)orning EP, the second set of four going onto the (A)fternoon EP, and the final four on the (E)vening EP:

  • January: "The House that Fire Built"
  • February: "Boomerang"
  • March: "A Melody, The Memory"
  • April: "Night/Day"
  • May: "Over and Over"
  • June: "The Cure"
  • July: "The Fight Song"
  • August: "In Pieces"
  • September: "I Just Needed You To Know"
  • October: "Seasons"
  • †November: "Sleep Well"
  • †December: "Bloom"
  • † - Release delayed due to the theft of Mae's instruments and gear in Philadelphia

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Mae

View on Grokipedia
from Grokipedia
Mae is an American rock band from , formed in early 2001. The band's name is an acronym for "Multisensory Aesthetic Experience". The current lineup consists of Dave Elkins (lead vocals, guitar), Zach Gehring (guitar), Jacob Marshall (drums), Mark Padgett (bass), and Rob Sweitzer (keyboards). Known primarily for their and styles, Mae blends intricate melodies with emotional lyrics, drawing influences from alternative and . Mae debuted with the album Destination: Beautiful (2003) on Tooth & Nail Records, followed by the critically acclaimed The Everglow (2005). After signing with Capitol Records, they released Singularity (2007) and (A)sianjunkie (2008). The band went independent before returning to Tooth & Nail for their self-titled album Multisensory Aesthetic Experience (2018), their first full-length in a decade. As of 2025, Mae remains active, touring in support of their 20th anniversary celebrations and developing a sixth studio album.

History

Formation and early career with Tooth and Nail Records (2001–2006)

Mae was formed in 2001 in , as a side project by vocalist and Dave Elkins (born David Gimenez) and Jacob Marshall, who co-wrote the band's first song, "Embers and Envelopes," during a casual session in Marshall's living room. The name Mae stands for "Multi-sensory Aesthetic Experience," drawn from a college aesthetics course Marshall had taken. What began as a creative outlet for Elkins and Marshall quickly expanded into a full band, incorporating Matt Beck, keyboardist Rob Sweitzer, and bassist Mark Padgett to round out the lineup for initial recordings. The group recorded early demos that showcased their blend of melodic rock, piano-driven arrangements, and introspective lyrics, attracting attention within the indie and alternative scenes. These efforts led to a signing with Tooth and Nail Records in 2003, a label known for supporting Christian-leaning alternative acts. The band's debut full-length album, Destination: Beautiful, was released on February 25, 2003, produced by the band alongside engineer Sam Snyder at Padgett's home studio in . Featuring 11 tracks that balanced energetic rockers like "This Time Is the Last Time" with atmospheric ballads such as "Sun," the album received strong critical acclaim for its emotional depth and polished production, earning 4 out of 5 stars from reviewers who praised its peaceful yet edgy vibe. It marked Mae's entry into national charts and established their reputation for intricate songcraft. Following the release, Mae embarked on initial tours to support Destination: Beautiful, but faced a lineup shift when guitarist Matt Beck departed during the cycle, prompting the addition of guitarist Zach Gehring to solidify the core group of Elkins, Marshall, Sweitzer, and Padgett. This period strengthened the band's internal dynamics, with Elkins emerging as the primary songwriter and the members collaborating closely on evolving their sound amid growing fan demand. The follow-up, The Everglow, arrived on March 29, 2005, as a concept album structured like a fairy-tale storybook, complete with illustrated lyrics and audio cues to "turn the page" between tracks. Produced by the band with Shaun Lopez, it featured 15 songs weaving themes of loss, hope, and renewal, highlighted by singles "The Everglow" and "Prologue," alongside piano-heavy tracks like "We're So Far Away." Critics lauded it as a masterpiece of emo-pop, awarding it 4.5 out of 5 stars for its narrative ambition and sonic versatility, often calling it one of the year's standout releases. Commercially, it reached No. 51 on the Billboard 200, reflecting increased visibility. Mae's early momentum included high-profile touring, such as their debut appearance on the Vans Warped Tour in 2005, where they shared stages with acts like and Fall Out Boy, further honing their live energy and fan connection. These experiences, combined with the success of The Everglow, positioned the band for broader opportunities, culminating in a transition to in 2006 as a natural progression from their rising popularity.

Transition to Capitol Records and mid-period releases (2006–2012)

In late 2006, Mae signed a two-album deal with , marking their transition from the independent Tooth and Nail label to a major label platform. This move followed the success of their previous releases, which had built a dedicated fanbase and attracted major label interest. The band's third studio album, Singularity, was recorded in starting in October 2006 and released on August 14, 2007. Produced by , known for his work with acts like and , the album explored themes of personal growth and introspection, reflecting the band's experiences with change and self-discovery. Despite its artistic ambitions, Singularity received mixed reception, praised for its polished production but criticized by some for shifting toward a more radio-friendly sound compared to Mae's earlier indie work. The shift to Capitol brought significant challenges, including internal band changes and label instability. By the time Singularity was released, the original Capitol staff who had signed had departed amid a major restructuring, where Capitol merged into the . This led to minimal promotion and support for the album, creating frustration over creative direction and resource allocation, as the band navigated expectations for commercial success without the anticipated backing. Two founding members, Mark Padgett and Rob Sweitzer, subsequently left the group in 2008, further complicating dynamics as Mae parted ways with the label. Following these upheavals, Mae launched an independent charitable project in 2009, releasing a of EPs under their own imprint as part of the "(m)(a)(e)" series—(m)orning, (a)fternoon, and (e)vening—intended to benefit global causes like clean water initiatives and community rebuilding. The (m)orning EP, released on April 19, 2009, emphasized acoustic and organic elements, featuring stripped-down arrangements and folk-infused tracks like "The Fisherman's Song (We All Need Love)" to evoke themes of renewal and connection. Limited to 5,000 copies initially, it engaged fans through direct sales and donations, fostering a involvement. The (a)fternoon EP, issued on September 24, 2009, shifted to electronic and experimental sounds, incorporating synthesizers and ambient production on songs such as "," highlighting innovation and energy while maintaining the project's nonprofit focus. Also limited edition, it continued the monthly song-release model to sustain fan interaction. The series concluded with the (e)vening EP on February 22, 2010, which incorporated orchestral and piano-driven elements, including a 13-minute suite and reflective tracks like "Sleep Well" that conveyed closure and hope. This final installment tied into the band's , "Multisensory Aesthetic ," a concept originating from drummer Jacob Marshall's explorations in and multimedia art, aiming to blend sound, visuals, and emotion for an immersive listener journey. The EPs were sold in limited physical formats with accompanying DVDs of live performances and behind-the-scenes content, emphasizing direct fan engagement over traditional distribution. During this period, Mae maintained an active touring schedule to promote Singularity and the EPs, including headlining U.S. runs partnered with organizations like and performing at festivals such as the Vans Warped Tour. These efforts helped sustain their audience amid label transitions, blending high-energy sets with acoustic showcases to reflect their evolving sound. By late 2011, amid ongoing adjustments from the Capitol experience and member shifts, Mae announced an indefinite hiatus to allow for personal pursuits and creative recharge, effectively pausing full-band activities until future reunions.

Independent era, return to Tooth and Nail, and recent label changes (2012–present)

Following a period of hiatus, Mae resumed activities in early 2013 with a three-show mini-tour celebrating the 10th anniversary of their debut album Destination: Beautiful, performing the album in full at intimate venues including Rocketown in Nashville and The NorVa in Norfolk, Virginia. These fan-driven events marked the band's independent revival, emphasizing acoustic and live performances without major label support, as members pursued solo projects like Dave Elkins' work under the alias Borders & Boundaries. In 2014, Mae participated in a one-time virtual performance via StageIt from their studio, signaling continued low-key engagement during their independent phase. The following year, independent label Spartan Records reissued the 2004 compilation Destination: B-Sides on vinyl for the first time, featuring an updated track listing with new recordings like "Skyline Drive 3.0" and "Where the Falls End," alongside remixes and live tracks, to honor the project's 10th anniversary. This release underscored the band's focus on archival material and direct fan connection through limited-edition formats. Mae re-signed with in 2018, their original label, leading to the release of their fourth studio album, Multisensory Aesthetic Experience, on November 30. Produced by frontman Dave Elkins at Schematic Studios in Nashville, the album served as a career , blending re-recorded classics like "The Everglow" with new tracks such as "" and "Overview," incorporating experimental elements like VR visuals and immersive to evoke the band's namesake. To promote it, the band hosted "MAE Day" VIP events during their fall U.S. tour, featuring multi-sensory experiences including video discussions, listening parties, shared meals, and a VR installation centered on the track "," which had premiered at the . The album received positive reception for its innovative production and nostalgic depth, with critics praising its soaring melodies and emotional resonance as a fitting return after nearly a decade. In September 2023, Mae signed with , citing the label's emphasis on creative freedom as a key factor in the partnership. Elkins stated, "Equal Vision gives us the space to explore without constraints," aligning with the band's evolving focus on immersive live experiences over rigid commercial timelines. The deal included plans for new music, the first original material since 2018. That fall, Mae launched a 20th tour for Destination: Beautiful, spanning 13 U.S. cities with full album performances and support from acts like Maggie Miles and Valleyheart, highlighting the record's enduring fan appeal. In 2024 and 2025, they co-headlined a 24-city tour with to mark the 20th of The Everglow and One Fell Swoop, respectively, delivering complete album playthroughs alongside opener Leighton Antelman of ; the run extended into December 2025, with dates including The NorVa in Norfolk on November 29 and The Basement East in Nashville on December 3. Equal Vision also released a 20th vinyl edition of The Everglow in September 2025, available in multiple variants. As of 2025, Mae remains active without a new studio , prioritizing live performances and fan engagement through Patreon-exclusive demos and behind-the-scenes content, including work on their sixth LP for Equal Vision and the release of Schematic Sessions, a live recording of 12 tracks captured at Elkins' Nashville studio over one weekend. This approach emphasizes experiential connections, with no full-length release announced but ongoing tours sustaining their legacy.

Band members

Current and touring members

As of 2025, Mae's core lineup consists of five members who handle both studio and live performances, including their ongoing 20th anniversary tour celebrating The Everglow. This stable configuration has supported the band's independent releases and live shows since their 2013 reunion. Dave Elkins serves as and , while also acting as the primary songwriter and since the band's formation in 2001. His contributions emphasize emotional lyricism and melodic structures that define Mae's sound, drawing from personal themes of growth and resilience. Elkins' longevity anchors the group's creative direction, including production on recent projects like the 2018 album Multisensory Aesthetic Experience. Zach Gehring plays guitar and joined in 2003 during the promotional tour for Mae's debut album Destination: Beautiful. His rhythmic and textural guitar work adds layers to the band's dynamic arrangements, particularly in bridging energy with atmospheric elements on records like The Everglow. Gehring's two-decade tenure has contributed to the evolution of Mae's live performances, enhancing their multisensory aesthetic approach. Jacob Marshall has been the drummer since 2001, co-founding the band with Elkins and providing the foundational pulse for their upbeat, anthemic style. Marshall's academic background in influences the band's , integrating sensory experiences into music and touring visuals. His consistent role has shaped Mae's propulsive rhythms, evident in high-energy tracks across their discography. Mark Padgett handles bass duties, joining in 2002 and serving as a key member through various lineup changes, including rejoining in 2010 after a hiatus from to 2010. Padgett's steady low-end grooves underpin the band's depth, supporting transitions from verses to expansive choruses in songs like those on Singularity. His return solidified the rhythm section for post-reunion tours and recordings. Rob Sweitzer provides keyboards, an original member since 2001 and rejoining alongside Padgett in 2010. Sweitzer's atmospheric synths and elements enrich Mae's soundscapes, adding emotional texture to ballads and electronic-infused tracks on albums such as (e)vening. His contributions extend to live enhancements, including integrations for recent anniversary shows. No additional touring musicians are currently listed for Mae's 2025 fall tour dates, with the core five delivering full performances alongside support acts like .

Former members

Mae's original lineup underwent several changes in its formative years. Guitarist Ryan Field contributed to the band's debut Destination: Beautiful (2003), providing guitar parts across multiple tracks during the recording sessions. His tenure spanned from the band's formation in 2001 until approximately 2006, after which he departed amid creative differences as the group transitioned toward a more stable configuration for subsequent releases. Bassist served as an early foundational member from 2001 to 2002, handling bass duties on most tracks of Destination: Beautiful, including key songs like "Embers and Envelopes" and "The Everglow." He was replaced by Mark Padgett in 2002, marking one of the band's initial lineup shifts as they solidified their sound on Tooth and Nail Records. Seth Huffman briefly contributed bass on select tracks of Destination: Beautiful, specifically tracks 2 and 12. Guitarist Matt Beck participated in the band's initial tours around 2001–2004, supporting early performances and the promotion of Destination: Beautiful, before being replaced by Zach Gehring to refine the live dynamic. Mark Padgett joined as bassist in 2002 and played a pivotal role in recording The Everglow (2005), contributing to its orchestral arrangements and tours, as well as later works like Singularity (2007). He and keyboardist Rob Sweitzer, an original member since 2001 who co-produced elements of The Everglow, left in late 2007 to pursue other endeavors following the challenges of their major-label transition to Capitol Records. Both rejoined Mae in 2010 and have remained active members since, contributing to recent tours and releases as of 2025.

Musical style and influences

Genre classification and evolution

Mae's music is primarily classified as , incorporating elements of , , and , often characterized by its emotional intensity and melodic accessibility. Early works emphasize a piano-driven , blending introspective lyrics with dynamic instrumentation that balances serenity and energy. Over time, the band's style has evolved to incorporate broader influences, moving from the heartfelt, piano-centric of their debut era to more experimental textures in later releases. The progression of Mae's sound is evident across key albums, reflecting adaptations in response to creative exploration and label transitions. Their 2003 album Destination: Beautiful exemplifies melodic pop-rock with soft piano intros leading into uplifting guitar-driven choruses, creating a cohesive, anthemic feel. By contrast, the 2007 release Singularity introduces heavier riffs and power pop hooks, shifting toward a more energetic, mainstream-oriented alternative rock palette while retaining melodic cores. In their extended plays and later works, such as the 2018 album Multisensory Aesthetic Experience, electronic elements and orchestral swells emerge, expanding the sonic landscape with ambient layers and innovative production to evoke a transcendent, immersive quality. This evolution culminated in a 2018 live approach that integrated multisensory elements, including visual projections and fan-driven interactions, to enhance the performative resonance of their evolving sound. Mae's production techniques contribute significantly to their genre fluidity, featuring multi-layered vocals that build depth and emotional crescendos. Dynamic shifts—from quiet, contemplative verses to explosive, riff-heavy refrains—create tension and release, underscoring the band's thematic cohesion in concept-driven albums. These methods, combined with deliberate soundscaping, allow Mae to maintain intricate yet approachable compositions that adapt across eras without losing their core resonant identity.

Key influences and thematic elements

Mae's musical influences draw from a diverse array of rock and pop icons, with frontman Dave Elkins citing Nirvana, , , and as key personal inspirations that shaped his approach to melody and songwriting. Early exposure to alternative grunge acts, including , further fueled Elkins' desire to pursue music, informing the band's dynamic energy and emotional depth. The band's name serves as an for "Multisensory Aesthetic Experience," a concept originating from Jacob Marshall's that emphasizes , , , and sensory engagement in . This foundation permeates Mae's work, where thematic elements often revolve around vivid sensory motifs—such as stars painting elaborate scenes or the rhythm of waves—to evoke immersive emotional responses. Lyrically, Mae explores recurring themes of and redemption, portraying life's challenges as pathways to renewal and self-discovery, as evident in the narrative arc of albums like The Everglow, which urges "get this heart start beating again" amid uncertainty. Personal struggles and intimate relationships form core motifs, with introspective writing that reflects relatable human experiences, such as emotional distance in tracks like "We're So Far Away." This poetic style, blending storytelling with raw vulnerability, avoids overt religious undertones despite the band's Tooth & Nail roots, focusing instead on universal journeys of growth and connection.

Discography

Studio albums

Mae's debut studio album, Destination: Beautiful, was released on February 25, 2003, by . The album features 11 tracks and showcases the band's early sound with emotive lyrics and melodic hooks, highlighted by standout songs such as "Embers and Envelopes" and "Summertime." It contributed to the band's initial commercial success, with Mae's first two albums collectively selling over 250,000 copies. A reissue of related B-sides material, Destination: B-Sides, followed in 2014, including vinyl and digital formats with bonus tracks. The band's second studio album, The Everglow, arrived on March 29, 2005, also via . Comprising 14 tracks, it is structured as a presented in a storybook format, weaving a narrative through songs like "Suspension," "We're So Far Away," and the title track "The Everglow." The record peaked at No. 1 on the Independent Albums chart for one week and remained on the chart for 28 weeks. Expanded editions were released in 2006 with additional tracks and a DVD, followed by a vinyl reissue in 2016. A 20th vinyl edition was released in September 2025. In 2007, Mae transitioned to for their third studio album, Singularity, released on August 14. The 11-track effort marked their major-label debut, featuring energetic rock arrangements and introspective themes, with the single "Sometimes I Can't Make It Alone" receiving notable radio play. It debuted at No. 40 on the , No. 12 on the Top Rock Albums chart, No. 13 on the Digital Albums chart, No. 3 on the Tastemaker Albums chart, and No. 10 on the Heatseekers Albums chart. Mae's fourth studio , Multisensory Aesthetic Experience, was released on November 30, 2018, returning to . This 11-track self-titled effort, serving as an acronym for the band's name, incorporates layered production and fan-involved recording sessions at Schematic Studios, with highlights including "" and "5 Light Years." It reached No. 35 on the chart. Across their , Mae's studio albums have collectively sold over 500,000 copies worldwide. In 2025, Mae released the live album Schematic Sessions, recorded over one weekend at Dave Elkins' Schematic Studios, featuring twelve songs, old and new.

Extended plays and side projects

In 2009, following challenges after their album Singularity, Mae launched the (m)(a)(e) EP series as an independent, non-profit charitable initiative, releasing songs monthly via their website with proceeds benefiting various causes. This consisted of three EPs, each exploring distinct phases of a daily cycle while emphasizing themes of personal and communal renewal. The series totaled 17 tracks across the releases and was later remastered and compiled into a single in 2018. The first installment, (m)orning, was issued on , 2009, as a limited-edition EP containing eight tracks, including instrumentals that contributed to its multi-layered production style. Focused on themes of new beginnings and redemption, standout songs like "The Fisherman's Song (We All Need Love)" and "The House That Fire Built" reflected the band's redefinition of success amid lineup changes and label transitions. (a)fternoon, released on September 24, 2009, featured six tracks in a similarly limited format, shifting toward acoustic-driven arrangements that highlighted community building and social impact. Tracks such as "The Fight Song (Crash and Burn)" and "In Pieces" underscored efforts to connect with fans and support charities, aligning with the EP's emphasis on and . The concluding (e)vening arrived on March 8, 2011, via Tooth & Nail's Cell Records imprint, comprising nine tracks bundled with a DVD of the band's farewell concert in . With a subdued, electronic-tinged aesthetic evoking rest and reflection, it included piano-centered pieces like "Bloom" and "Sleep Well," serving as a contemplative close to the series and the band's initial active period. Earlier in their career, Mae released Destination: B-Sides on November 16, 2004, through , a compilation of 11 tracks featuring outtakes, remixes, live recordings, and acoustic versions from their formative years. This collection provided fans with rarities like the "Wave Remix" of "This Time Is the Last Time" and acoustic renditions of "Sun," offering deeper into their evolving sound. It was reissued on vinyl in a revised 10-track edition on January 27, 2015, via Spartan Records, with digital versions including bonus updates such as " 3.0." Pre-2012, Mae also shared limited fan-only releases, including early demos circulated through their website and shows, such as the 2002 self-titled EP with four tracks previewing their foundations, and select acoustic sessions available exclusively to subscribers during the (m)(a)(e) campaign's monthly drops. These supplementary materials, often under 1,000 copies, fostered direct engagement with supporters before the band's hiatus.

Singles and compilations

Mae released several standalone singles throughout their career, often as promotional tools to support album cycles or as digital-only offerings. Their early singles focused on rock radio airplay within the alternative and scenes. In 2005, "Suspension," drawn from their album The Everglow, was issued as a promotional by , receiving moderate airplay on rock radio stations as documented in 's Radio Monitor charts for that year. Following the release of their 2007 album Singularity, Mae issued "Sometimes I Can't Make It Alone" as a promotional through , aimed at expanding their reach in the emo-pop genre. This track highlighted the band's evolving sound with intricate instrumentation and emotional lyrics, though it did not achieve significant commercial chart success. In the post-2012 independent era, Mae shifted toward digital releases upon returning to . Notable examples include "Our Love Is a Painted Picture" in 2017 via Spartan Records, which served as a teaser for their reunion activities. The band's 2018 comeback saw multiple digital singles tied to their self-titled album Multisensory Aesthetic Experience. "5 Light Years," released in June 2018, marked their re-signing with Tooth & Nail and garnered attention in circles for its atmospheric production. This was followed by "Let It Die" later that year, both functioning as promotional singles to build anticipation for the full album. Additionally, featuring Tim Fain appeared in 2017 as a standalone digital release, blending orchestral elements with Mae's signature style. Mae frequently contributed tracks to compilations, particularly Tooth & Nail samplers that showcased label artists. In 2004, they appeared on the Tooth & Nail Tour: 2004 Sampler with "Tisbury Lane," an early demo highlighting their pop-rock roots. The following year, 2005, saw their instrumental cover of "Carol of the Bells" featured on Happy Christmas, Vol. 4, a holiday compilation from BEC Records that included contributions from acts like Switchfoot and Relient K. Other notable appearances include "Suspension" on the Vans Warped Tour 2005 compilation CD, tying into their live festival performances, and "The Everglow" on Tooth & Nail's The Ultimate Collection in 2008, which curated highlights from the label's roster. These compilation spots helped maintain Mae's visibility in the Christian and alternative music communities during periods of transition.

Tours and legacy

Major tours and live milestones

Mae's early touring efforts from 2003 to 2005 primarily consisted of support slots on prominent festivals and packages, helping to build their fanbase in the indie rock scene. The band secured a spot on the Vans Warped Tour in 2005, performing across multiple dates from late July through mid-August, sharing stages with acts like Fall Out Boy, My Chemical Romance, and Motion City Soundtrack. These appearances marked a key milestone in exposing Mae to larger audiences during the tour's 11th installment. During the mid-2000s, particularly from 2007 to 2010 under , Mae transitioned to headlining tours that expanded their reach domestically and internationally. In spring 2008, they launched a headlining run to promote their major-label debut Singularity, partnering with Capitol for broader promotion and featuring support from emerging acts. By 2009, Mae continued headlining with openers like and Deas Vail, incorporating a "12 Songs, 12 Months" initiative tied to their releases. The period culminated in a 2010 reunion tour following a lineup hiatus, including their first performance with original members in over three years at a show in on June 19, marking a significant international milestone outside . After a period of reduced activity post-2012, Mae marked their return with innovative live events, starting with an online via StageIt on June 7, 2014, streamed from their studio for interactive fan engagement. In 2018, Mae incorporated "MAE Day" events into their fall tour supporting the album (m)(a)(e), transforming select shows into festival-style experiences with VIP packages featuring immersive elements like meals, discussions, and sessions in unique locations. More recently, Mae revived full-album performances with their 2023 fall tour, dedicating sets to playing Destination: Beautiful in its entirety to commemorate the album's 20th , alongside reissued vinyl pressings. Building on this momentum, the band announced the 2025 Everglow 20th Anniversary Tour, co-headlining with across multi-city U.S. dates from September through December, including venues in , Nashville, and New York; as of November 2025, the tour is ongoing.

Anniversary events and cultural impact

In 2013, Mae marked the 10th anniversary of their debut album Destination: Beautiful with a limited three-show mini-tour, performing the full album at intimate venues in their hometown of Virginia Beach and nearby areas, reigniting fan enthusiasm after a period of hiatus. Two years later, in 2015, the band reunited for the 10th anniversary tour of The Everglow, delivering complete album performances across multiple U.S. cities from January to May, including stops in , , and Orlando, complete with VIP packages offering acoustic sets and meet-and-greets to deepen fan connections. Celebrating two decades, Mae launched the 2023 Destination: Beautiful 20th Anniversary Tour, featuring 13 shows with supporting acts and full album playthroughs that highlighted the record's enduring resonance in the indie rock landscape. Building on this momentum, the band announced the 2025 Everglow 20th Anniversary Tour, co-headlining with The Spill Canvas and featuring support from acts like Ace Enders and Leighton Antelman of Lydia on select nights, incorporating immersive full-album sets and enhanced VIP experiences such as exclusive merchandise and pre-show interactions; as of November 2025, the tour is ongoing, further solidifying their commitment to nostalgic yet innovative live engagements. Mae played a pivotal role in the early 2000s , contributing to the genre's mainstream surge through albums like The Everglow in 2005, which blended intricate instrumentation with emotional depth to capture the era's youth-driven angst and introspection. Their influence extended to later acts in the and scenes, such as The Maine, whose neon-tinged sound echoed Mae's melodic accessibility and thematic vulnerability, fostering a lineage of bands prioritizing heartfelt storytelling. Fan engagement has remained a cornerstone, exemplified by the band's "Song of the Month" initiative on their official site, where monthly digital releases supported humanitarian causes and invited direct listener donations starting at $1, cultivating a dedicated community around shared values and discovery. Mae's legacy endures through their pioneering multisensory concept, an approach embedded in their name—Multisensory Aesthetic Experience—that innovated live shows by integrating visual elements, atmospheric lighting, and spatial audio to create immersive journeys beyond traditional performances. This holistic ethos, blending for emotional impact, has influenced presentations emphasizing experiential depth. In 2023, their signing to for reissues and new material underscored this lasting appeal, affirming Mae's relevance in a revitalized indie-emo circuit two decades after their breakthrough.

References

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