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Mahuika
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Mahuika
Deity of fire
Gendervaries by region
RegionNew Zealand
Ethnic groupMāori
Genealogy
SiblingsHine-nui-te-pō (In some versions)
ConsortAuahitūroa
OffspringNgā Mānawa, Māui (In some version)
Equivalents
SamoanMafuiʻe
other parts of PolynesiaMafuike, Mahui'e or Mahuike.

Mahuika is a Māori fire deity and consort of the god Auahitūroa.

Myths

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In some versions, she is the younger sister of Hine-nui-te-pō, goddess of death. It was from her that Māui (in some versions he is her grandson) obtained the secret of making fire.

She married Auahitūroa and together they had five children, named for the five fingers on the human hand, called collectively Ngā Mānawa. The symbolism of this connection between toropuku (fingers) and fire is revealed in the stories where Māui obtains fire from Mahuika by tricking her into giving him her fingernails one by one.

Māui stole fire from fingernails of Mahuika

She is also said to have played a role in the formation of Rangitoto Island, asking Rūaumoko, god of earthquakes and eruptions, to destroy a couple that had cursed her.

In some parts of New Zealand,[example needed] Mahuika is a male deity. This is also the case in some parts of tropical Polynesia; for instance, in the Tuamotu archipelago and the Marquesas, Mahu-ika is the fire god who lives in the underworld in addition to being the grandfather of Maui. Maui wrestled him in order to win the secret of making fire.

In other parts of Polynesia, similar deities are known as Mafuiʻe, Mafuike, Mahui'e or Mahuike.

Modern appearances

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See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Mahuika

View on Grokipedia
from Grokipedia
Mahuika is the goddess of fire in , revered as the ancestress of the demigod and consort of Auahi-roa, the god of comets. Her body is depicted as aflame, with hair like a of fire and eyes as black voids, embodying the intense, life-giving yet destructive power of fire. Mahuika's most prominent role appears in the myth of how Māui brought fire to humanity. In this legend, Māui extinguishes all fires in his village to uncover fire's origin, leading him to seek Mahuika in her subterranean realm, where fire is known as Te Ahi-o-Mahuika. She reluctantly shares her fiery fingernails—one for each of her five children, symbolizing the fingers of the hand (named Konui, Koroa, Mapere, Manawa, and Koiti)—which Māui uses but repeatedly extinguishes through trickery. Enraged and nearing death as fire's extinction looms, Mahuika hurls her final toenail, igniting a massive that scorches Māui (explaining the hawk's plumage, his escape form). Through this encounter, is preserved not as an open flame but embedded in certain trees, such as the kaikōmako, where it can be kindled by —a method teaches to his people. Mahuika's offspring, the Fire Children, represent the essential, distributed nature of across the natural world, underscoring her enduring significance in cosmology as both guardian and source of this vital element.

Identity and Attributes

Role as Fire Goddess

In , Mahuika is the central governing fire, specifically ordinary fire known as ahi māori, distinct from volcanic fire (ahi tupua) associated with other . She embodies its essence across manifestations including from wood and flint, and the everyday domestic essential for cooking and warmth. As an ancestress and powerful (), she holds dominion over fire's creation, sustenance, and distribution, ensuring its vital role in human survival and ritual practices. This comprehensive control positions her as the origin point for all such flames in the natural and cultural world, with her power extending from sources preserved in trees to celestial influences through her consort. Mahuika's physical form reflects her fiery domain, portrayed as a formidable figure with flames bursting from every pore, her hair a blazing mass, arms extended in authority, and eyes transformed into dark voids when provoked to rage. This fierce, otherworldly appearance symbolizes her unyielding strength and the destructive potential of uncontrolled , evoking both awe and caution among the people. Her embodiment of fire's dual nature—nurturing yet perilous—reinforces her status as a guardian who dispenses this element sparingly to maintain balance. As the protector of fire's sacred secret, Mahuika hoards its source within her fingernails and toenails, each harboring a living to prevent reckless exploitation that could lead to depletion or catastrophe. This guardianship underscores fire's tapu (sacred restriction) status, requiring reverence and proper use, as she cautiously releases sparks only to those deemed worthy. In recognition of her oversight, is honored in traditions as a direct gift from her, linking communities to ancestral knowledge and environmental harmony. While primarily female in Māori narratives, reflecting her role as an (female ), the fire appears as in some Polynesian mythological variants, such as in the . She is known as the grandmother of the , from whom 's secrets were eventually drawn.

Family and Relations

In Māori mythology, Mahuika serves as the consort of Auahitūroa, the deity personifying comets and recognized as a key figure in the transmission of fire to humanity. This marital bond underscores the intertwined domains of terrestrial fire and celestial bodies within the cosmological framework. Mahuika and Auahitūroa are parents to five offspring collectively termed the "Fire Children" or Ngā Mānawa, whose names evoke the five fingers of the hand and symbolize the distributed sources of fire preserved in Mahuika's body. These children—variously identified as Takonui, Takoroa, Māpere, Manawa, and Toiti in some traditions—embody the elemental aspects of fire that Māui later seeks to procure. Mahuika holds the position of grandmother to the Māui, establishing her as an ancestress in the heroic lineages central to Māori narratives. Through this relation, she connects to broader genealogical threads in the pantheon. As the spouse of Auahitūroa, who is the son of Tama-nui-te-rā (the of the sun), Mahuika traces her descent from the primordial deities Ranginui () and Papatūānuku (earth mother), aligning her primarily with fire-oriented ancestors amid the expansive of .

Mythological Narratives

The Theft of Fire by Māui

In , the legend of stealing fire from Mahuika recounts how the hero sought to bring the gift of fire to humanity after it had been lost or hoarded away from mortals. Māui, known for his cunning exploits, initiated the quest by extinguishing all the village cooking fires one night, leaving his community unable to prepare food. The next morning, when his brothers or mother lamented the cold hearths and raw meals, Māui volunteered to retrieve fire, embarking on a journey to the where Mahuika, his ancestress and the fierce guardian of fire, resided in her fiery realm. Upon arriving, Māui was welcomed by Mahuika as her grandson, and she tested his intentions by plucking out one of her fingernails, which blazed with fire as a source for him to carry back. Eager but deceptive, Māui accepted the flame but secretly extinguished it upon returning to request more, repeating this trickery multiple times with her fingernails and toenails until Mahuika had given away nearly all of them. Each time, she grew more suspicious, yet complied, drawing from her own body the sacred essence of fire that sustained her power. This exchange highlighted Māui's resourcefulness in exploiting Mahuika's familial affection, but it also underscored the sacred nature of fire as knowledge guarded by divine lineage. Enraged by Māui's final deception, Mahuika hurled her last blazing toenail, transforming her entire body into a torrent of flames that pursued him across the land, scorching forests and threatening to consume everything. Māui fled, shape-shifting into a to evade the inferno, but the closed in relentlessly. Desperate, he called upon his ancestors, including the thunder goddess Whaitiri, to summon and floods that nearly drowned Mahuika and quenched the blaze, allowing his escape. In the chaos, the final sparks from Mahuika's nail ignited the dry undergrowth of trees like the kaikōmako and tōtara, embedding permanently within them so humans could henceforth produce it through . This myth culminates in the resolution of fire's democratization, transforming it from a divine monopoly into an accessible tool for cooking, warmth, and among the . The narrative weaves themes of trickery as a means of cultural innovation, the respect due to sacred knowledge held by ancestors like Mahuika, and the perilous consequences of or overuse, as Māui's near-death illustrates the boundaries of heroic audacity. Through these elements, the story emphasizes fire's dual role as both a life-giving force and a destructive power when provoked.

Associations with Other Deities and Elements

In , Mahuika is closely linked to celestial phenomena through her marriage to Auahi-tūroa, the god personifying comets and the origin of , whose union symbolizes the descent of cosmic to . Their offspring, known as the five Fire Children—named after the fingers of the hand (Takonui, Takoroa, Māpere, Manawa, and Toiti)—represent the sources of flame embedded in Mahuika's body, which were later retrieved by and implanted in trees for human use. This connection underscores 's ties to transient celestial forces, blending the enduring earthly element with the fleeting nature of comets. Mahuika's domain extends to geothermal and volcanic activity, embodying the intense, subterranean manifestations of fire in Māori lore. In traditions of the Tāmaki tribes, she responds to the call of Mataaho, the god of hidden things, by sending fire to warm him after his abandonment, resulting in the formation of volcanic landscapes such as Ngā Huinga-a-Mataaho (the gatherings of Mataaho). These eruptions and geothermal features are seen as expressions of her fiery essence, linking her to the dynamic, transformative power of New Zealand's volcanic terrain. As the of fire in cosmology, Mahuika maintains an elemental balance alongside other primordial forces, including water (personified by , god of the sea), earth (Papatūānuku), and air (, god of winds and storms). Fire and water often appear as opposing forces in Polynesian narratives, with Mahuika's flames symbolizing creation and warmth in tension with the sea's quenching and chaotic power, reflecting broader Austronesian motifs of and conflict. Comparatively, Mahuika shares Austronesian roots with other Polynesian fire deities, such as Mahuike in Mangarevan mythology, where a similar figure (often male) guards fire's secrets and is tricked by a Māui-like hero to release it for humanity. In Hawaiian traditions, she parallels Pele, the volcano goddess, and her sister Hi'iaka, who is associated with fire dances and protective chants amid volcanic landscapes, highlighting shared themes of fire as a life-giving yet destructive ancestral force across Polynesia. These variants, including Samoa's Mafui'e, trace back to a common proto-Polynesian myth of fire's arduous acquisition, emphasizing cultural diffusion through migration.

Cultural Significance

In Traditional Māori Society

In traditional Māori society, fire was indispensable for daily sustenance and spiritual safeguarding, with Mahuika, the of fire, frequently invoked during the kindling of sacred fires known as ahi kā to ensure protection and communal warmth. These rituals, performed by or knowledgeable elders, involved reciting that called upon Mahuika's enduring power to demarcate sacred spaces and fortify against spiritual threats, such as during ceremonies for purification, healing, and land occupation. Ahi kā not only symbolized ongoing connection to whenua but also practically provided warmth for gatherings and protection in harsh environments, reflecting Mahuika's role as a regenerative force tied to ancestral continuity. Stories of Mahuika formed a key part of oral traditions, transmitted through pūrākau, , and kōrero to impart lessons on resource stewardship and communal responsibility. These narratives were often shared during whakatau, welcoming ceremonies that reinforced bonds and cautioned against the reckless depletion of natural elements, much like Māui's from Mahuika served as an origin tale for human access to this vital resource. Oral recountings emphasized careful fire management to honor Mahuika's , preserving ecological balance in pre-colonial practices. Variations in Mahuika's tellings existed across , influenced by regional landscapes; for instance, Kāi Tahu traditions recorded in the early describe Mahuika depositing fire into trees like kaikōmako for easy kindling, adapting to cooler climates with limited geothermal activity. In contrast, North Island near geothermal areas such as , including , integrated volcanic manifestations into narratives, portraying Mahuika's fire as emerging from earth's heated vents to underscore the sacred tapu of these . These differences highlighted localized adaptations while maintaining core themes of fire's divine origin. Fire's practical significance permeated Māori historical contexts, serving as a patron technology under Mahuika's mythological oversight following Māui's acquisition, essential for cooking via pits, signaling in navigation across waka voyages, and warfare through weapon anointing or defensive burning. In battles, sacred fires ritually empowered and other arms for protection, while in exploration and resource gathering, controlled burns cleared paths and managed forests, all invoking Mahuika to sustain survival and mobility.

Symbolism of Fire and Mahuika

In thought, embodies the life force essential to existence, symbolizing transformation through its capacity to change and states of being. It serves as a purifying agent, as seen in practices where passing through or near cleanses spiritual impurities, facilitating renewal after loss or transition. This aligns with cycles of destruction and rebirth, where consumes the old to enable new growth, mirroring processes like volcanic activity that enrich the land. Such symbolism underscores 's role in sustaining vitality, akin to the of ahi kā, the perpetual home that maintains personal and communal life essence. Mahuika exemplifies fire's dual nature as both a benevolent provider and a fierce guardian, reflecting the perils of exploiting sacred power without respect. In mythological narratives, she initially shares her fiery essence generously, embodying nurturing warmth that sustains humanity, yet transforms into a vengeful force when deceived, nearly extinguishing her own vitality in retaliation. This duality warns of unchecked ambition's consequences, portraying —and by extension Mahuika—as a potent ally that demands balance and reciprocity to avoid catastrophe. Fire contributes to cosmological balance in Māori worldview by harmonizing with other elemental forces, such as water, earth, and air, to uphold the interconnected web of creation. Represented as one of the four cosmic elements alongside the domains of major atua, fire ensures dynamic equilibrium, preventing dominance by any single aspect and fostering overall stability. This interplay echoes the Māori concept of mauri, the inherent life essence animating all things, where fire's transformative energy binds physical and spiritual realms in perpetual renewal. The name Mahuika ties etymologically to 's origins, incorporating elements suggestive of and hika, the traditional method of kindling through . This derivation evokes themes of enlightenment born from conflict or effort, as rubbing sticks to produce flame parallels the mythological struggles yielding and for humanity.

Modern Representations

In Art and Literature

In 19th- and early 20th-century ethnographies, Mahuika was frequently depicted as a primordial force embodying the sacred and transformative power of in Māori cosmology. Elsdon Best, in his comprehensive study The Maori (1924), portrayed her as the and ancestress of , emphasizing her role in the mythic origins of as a vital element sustaining human life and ritual practices. Similarly, S. Percy Smith documented the story of and Mahuika in the Journal of the Polynesian Society (1917), drawing from oral traditions of the Ngāti Kuia tribe to illustrate her as a fierce guardian of , whose nails served as its source, romanticizing her as an ancient, elemental central to Polynesian heritage. In , Mahuika has been reimagined through contemporary perspectives that blend traditional with modern media. Lisa Reihana's 2001 photographic series Digital Marae features a striking portrait of Mahuika, portrayed by the artist's aunt, depicting her as a volcanic, imposing figure seated on her underworld stool, with flames evoking her mythic essence while integrating digital techniques to honor ancestral narratives. This work, part of Reihana's ongoing project since 1995, positions Mahuika within a virtual , symbolizing cultural revival and the fusion of past and present artistry. Literary representations of Mahuika appear in traditional Māori waiata and modern prose, highlighting her enduring symbolic role in cultural expression. Ancient poems, such as one recorded in the Journal of the Polynesian Society (1912), invoke "Te Ahi-a-Mahuika" as a recurring motif for fire's divine origin, alluding to Māui's theft and portraying her as a tipua-like entity of supernatural power. In contemporary literature, Patricia Grace reinterprets Mahuika in Wahine Toa: Women of Māori Myth (1984), co-authored with Robyn Kahukiwa, presenting her as a resilient female deity among key mythological women, emphasizing empowerment and overlooked narratives. Grace further explores this in her 2024 collection Bird Child & Other Stories, particularly in "Mahuika et al.," where the goddess is humanized as a doting yet formidable figure, challenging patriarchal retellings and centering female agency in mythic revival. Mahuika's image has also been immortalized in numismatic art as a symbol of national heritage. The 2019 New Zealand coin series "Māui raua ko Mahuika," issued by New Zealand Post, features two proof coins designed by Māori artist David Hakaraia, one depicting Māui and the other Mahuika with her flaming fingernails, inlaid with gold to evoke the legend's fiery theme and celebrate indigenous cultural icons. Limited to 500 silver sets worldwide, these coins integrate koru motifs and traditional patterns, underscoring Mahuika's significance in contemporary expressions of Māori identity. In the 2020s, Mahuika has gained prominence in global video games, particularly through the character Mavuika in Genshin Impact, a popular action role-playing game developed by miHoYo. Released in version 5.3 on January 1, 2025, Mavuika serves as the Pyro Archon and God of War for the fictional nation of Natlan, drawing direct inspiration from Mahuika's attributes as the Māori fire goddess, including motifs of flame-giving and volcanic power. This portrayal incorporates elements of Māori mythology, such as fire symbolism and warrior aesthetics, though it blends them with influences from other indigenous cultures like Aztec and Nahua traditions. The character's design and lore have sparked discussions within Māori communities about cultural representation in international media, highlighting both appreciation for visibility and concerns over potential appropriation. Digital animations and short-form content on platforms like and have revitalized Mahuika's narratives for contemporary audiences, often adapting the myth of stealing fire into accessible, visually engaging formats. For instance, a 2024 YouTube video titled "Mahuika - The Untamed Goddess of Fire - Maori Mythology" retells her story as a guardian of fire's secrets, emphasizing her role in Polynesian lore through narrated animation and cultural commentary. Similarly, creators have produced AI-assisted animated portraits and shorts depicting Mahuika's fiery essence, blending traditional tales with modern visual effects to educate younger viewers on heritage. These online retellings contribute to Mahuika's ongoing cultural relevance by making indigenous stories interactive and shareable in the digital age. Mahuika's influence extends to scientific nomenclature, where a submarine feature on the New Zealand continental shelf, proposed as the Mahuika crater in the early 2000s and named in her honor, reflects her association with fire and geological forces. Approximately 20 km wide and over 150 m deep, the feature's proposed origin as an impact crater has been disputed by subsequent geophysical research, which finds no supporting evidence. This naming underscores Mahuika's symbolic connection to volcanic and seismic activity in contemporary geological discourse, bridging mythology with empirical research.

References

  1. https://teara.govt.nz/en/artwork/5185/mahuika-and-her-fingernails-of-fire
  2. https://pantheon.org/articles/m/mahuika.html
  3. https://eng.mataurangamaori.tki.org.nz/Support-materials/Te-Reo-Maori/Maori-Myths-Legends-and-Contemporary-Stories/How-Maui-brought-fire-to-the-world
  4. https://paperspast.natlib.govt.nz/periodicals/TPRSNZ1887-20.2.6.1.46
  5. https://www.boprc.govt.nz/media/509127/the-legacy-of-ngatoroirangi-maori-customary-use-of-geothermal-resources.pdf
  6. https://natlib.govt.nz/schools/teaching-and-learning-resources/te-kupenga-stories-of-aotearoa-nz/gift-of-fire
  7. https://www.sav.sk/journals/uploads/092611369_Buckov%C3%A1.pdf
  8. https://link.springer.com/article/10.1007/s42322-023-00128-2
  9. https://teara.govt.nz/en/1966/maui-legends-of/page-5
  10. https://sacred-texts.com/pac/maui/maui08.htm
  11. https://teara.govt.nz/en/ranginui-the-sky/page-5
  12. https://teara.govt.nz/en/tamaki-tribes/page-1
  13. https://teara.govt.nz/en/tamaki-tribes/print
  14. https://www.ebsco.com/research-starters/religion-and-philosophy/tangaroa
  15. https://researchcommons.waikato.ac.nz/bitstreams/2abd6d6e-f00e-43d0-9517-59ff286d9ab5/download
  16. https://journal.mai.ac.nz/system/files/MAIJrnl_V4Iss1_Stone.pdf
  17. https://blog.tepapa.govt.nz/2014/08/27/hika-ahi-making-fire/
  18. https://www.tota.world/article/1348/
  19. https://openaccess.wgtn.ac.nz/ndownloader/files/31457380
  20. https://ojs.aut.ac.nz/ata/article/download/296/267/
  21. https://www.sciencedirect.com/science/article/pii/S2212041617302711
  22. https://maoridictionary.co.nz/search?keywords=mahuika
  23. https://www.jstor.org/stable/20701967
  24. https://rauropiwhakaoranga.landcareresearch.co.nz/references/f0da3aa4-03b2-4cd9-8351-44b7ae8bd025
  25. https://www.brooklynmuseum.org/objects/5029
  26. https://teara.govt.nz/en/artwork/44625/mahuika-by-lisa-reihana
  27. https://www.jstor.org/stable/20700806
  28. https://maorilitblog.substack.com/p/wahine-toa-women-of-maori-myth
  29. https://thespinoff.co.nz/books/10-03-2024/patricia-graces-bird-child-other-stories-review-not-just-refreshing-but-revolutionary
  30. https://www.numismaticnews.net/world-coins/new-zealand-honors-cultural-heroes
  31. https://collectables.nzpost.co.nz/2019-maui-and-the-goddess-of-fire-maui-raua-ko-mahuika-silver-coin-set-pid-cu9cspcs/
  32. https://www.massivemagazine.org.nz/articles/3a92l22pqt3s4cxr1qi898lf2ikaxf
  33. https://www.youtube.com/watch?v=wQvlhygtwlk
  34. https://www.ldeo.columbia.edu/sites/default/files/uploaded/image/2004June_Abbott_Pekar.pdf
  35. https://www.tandfonline.com/doi/abs/10.1080/00288306.2022.2121288
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