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Manjadikuru
Manjadikuru
Manjadikuru
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Manjadikuru
Film official poster
Directed byAnjali Menon
Written byAnjali Menon
Produced byVinod Menon
Anjali Menon
Starring
Narrated byPrithviraj Sukumaran
CinematographyPietro Zuercher
Edited byB. Lenin
Music byRamesh Narayan
Francois Gamaury (BGM)
Production
company
Little Films
Distributed byAugust Cinema
Release dates
  • 12 December 2008 (2008-12-12) (International Film Festival of Kerala)
  • 18 May 2012 (2012-05-18) (India)
Running time
137 minutes
CountryIndia
LanguageMalayalam

Manjadikuru (English: Lucky Red Seeds) is a 2012 Indian Malayalam-language film written and directed by Anjali Menon. A shorter video version of the film was premiered at the 2008 International Film Festival of Kerala, and won the FIPRESCI Award for best Malayalam film and Hassankutty award for Best Debutant Indian director.[1] In 2009, it received awards at the South Asian International Film Festival (SAIFF) at New York, winning five Grand Jury Awards - Best Film, Best Director, Best Screenplay, Best Cinematographer and Best Emerging Talent.[2][3][4][5]

Plot

[edit]

Manjadikuru is a story of homecoming from late 1970s, when 10-year-old Vicky arrives at his grandparents home in rural Kerala to attend his grandfather's funeral. The disjointed family gathers together for the sixteen-day-long funeral period. During this period, Vicky discovers more about himself, his family and culture than he had expected to. The journey is narrated through the memories of an adult Vicky who returns to the same house to recount the experience. After some years the boy returns as a young man, to visit old grounds, and finds the 'Lucky red seeds' scattered away.[6]

Cast

[edit]
  • Sidharth as Vicky
  • Vyjayanthi as Roja
  • Rejosh as Kannan
  • Arathi Sasikumar as Manikutty
  • Thilakan as Appukuttan Nair (Vicky's grandfather)
  • Kaviyoor Ponnamma as Devayani (Vicky's grandmother)
  • Murali as Sanyasi Maaman / Murali
  • Jagathi Sreekumar as Unni
  • Bindu Panicker as Ammu
  • Urvashi as Sujatha (Vicky's mother)
  • Sagar Shiyaz as Hari (Vicky's father)
  • Rahman as Raghu
  • Sharran Puthumana as Ravi
  • Sridevika as Latha
  • Praveena as Sheela
  • Sindhu Menon as Sudhamani
  • Thrissur Chandran as Vasudevan Nair
  • Firosh Mohan as Balu
  • Julia George as Sindhu
  • Shrevya Kannan as Baby Seetha
  • Poojappura Ravi as Lawyer
  • Kannan Pattambi as Marimuthu
  • Venu Machad as Vishnu/Shop owner
  • Sreekumar as Police Inspector

Release

[edit]

The film released in theatres in May 2012, after winning awards in film festivals. For the commercial release, songs and additional scenes are added to the film to make it more appealing to people.[7]

Soundtrack

[edit]
Manjadikuru
Soundtrack album by
Ramesh Narayan
Released2012
LabelUniversal Music India

All lyrics are written by Kavalam Narayana Panicker; all music is composed by Ramesh Narayan.

No.TitleArtist(s)Length
1."Ariya Vazhikalil"K. J. Yesudas 
2."Maargazhi Manjil"K. S. Chithra, Madhushree Narayan 
3."Manchaadipenne Vaadi"Shweta Mohan, Choir 
4."Chaadi Chaadi"Vijay Yesudas, Choir 
5."Manne Nampi"Kavalam Narayana Panicker, Anil, Sathish 
6."Kadamkadha - Mannile Thullikkum"Prithviraj Sukumaran 
7."Keralam Daivathinte Swantham"Prithviraj Sukumaran 

Awards

[edit]
Kerala State Film Awards 2012
13th International Film Festival of Kerala 2008
6th South Asian International Film Festival 2009
  • Grand Jury award for Best Film
  • Grand Jury award for Best Director - Anjali Menon.
  • Grand Jury award for Best Screenplay - Anjali Menon.
  • Grand Jury award for Best Cinematography - Pietro Zuercher.
  • Grand Jury award for Best Emerging Talent - Vyjayanthi.[11]
Other awards

Critical reception

[edit]

Aswin J. Kumar from The Times of India gave the movie 3.5 stars saying that "Manjadikuru is a beautifully shot film that can be loved for its sheer earnestness and sense of belonging.".[14] Chris Fujiwara from Federación Internacional de la Prensa Cinematográfica said that "It is a lesson in the ways of society but a metaphorical lesson for the audience, the kind of lesson that (as one imagines, or remembers, while watching Lucky Red Seeds) the cinema was invented to teach."[15] Ben Umstead from Twitch Film said that "Manjadikuru is undoubtedly one of the most beautiful films about childhood I've seen. ".[16]

Veeyen from Nowrunning gave the movie 3 stars saying that "Anjaly Menon's Manjadikuru is an ode to the inherent innocence that once existed in us. Appealing equally to viewers of all ages, the flight of fancy that she offers to this incredible world that once was, is certainly not to be missed! ".[17] Metromatinee said "The film has been kept simple, highlights relationships and family values, and has to be seen with the whole family. Verdict: Small But Beautiful & Nostalgic ...!"[18] Parvathy Anoop from Deccan Herald stated that "Anjali Menon leaves no stone unturned as she explores elements of hypocrisy, love, sympathy and sorrow inside a large Nair family."[19]

Paresh C. Palicha from Rediff.com gave the verdict of 3 stars saying that "Manjadikuru is enchanting. In this film, Anjali Menon succeeds in giving us a charming view of the adult world seen through the eyes of a child."[20] Sify gave the movie a verdict of Good stating that "Manjadikuru comes as a whiff of fresh air. Enjoy this fabulous debut of a new talent called Anjali Menon straightaway!".[21] IndiaGlitz gave the movie a rating of 6.5 in 10 stating that "Manjadikuru is a right addition to the list of well made films that came out this year. Just have a go into this scent of fresh air."[22]

Home media

[edit]

The VCDs and DVDs were released by Satyam Audios on 17 June 2013.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Manjadikuru

View on Grokipedia
from Grokipedia
Manjadikuru (English: Lucky Red Seeds) is a Indian Malayalam-language family drama film written and directed by in her directorial debut. The film stars , , , Rahman, and child actor , among others. It explores themes of family bonds, childhood innocence, and the impact of loss through the eyes of a young boy attending his grandfather's funeral in rural during the late 1970s. Originally developed as a that premiered at the International Short Film Festival in 2008, where it won the Best Short Fiction Award in the International Competition, the feature version was expanded and released theatrically on 18 May 2012. The title refers to the manjadikuru seeds, small red beads symbolizing good luck in culture, which serve as a for cherished family memories in the story. The film received widespread critical acclaim for its sensitive portrayal of rural life and emotional depth, winning multiple awards, including the National Film Award for Best Feature Film in .

Background and Development

Premise and Inspiration

The film Manjadikuru draws its core inspiration from director Anjali Menon's personal childhood memories of summers spent in rural , particularly in and Mahe, where she visited her grandparents' homes during holidays from . These experiences captured the essence of family gatherings in the lush, monsoon-drenched landscapes of late 1970s , evoking a sense of for a vanishing world of simple joys and intergenerational bonds. A pivotal spark came from a depicting children finding moments of playfulness amid the solemnity of a , highlighting the contrast between adult mourning rituals and youthful innocence, which prompted Menon to explore themes of loss and homecoming. The title Manjadikuru, translating to "lucky red seeds," refers to the sacred scarlet seeds of the tree, known in Hindu traditions across as symbols of purity, devotion, wishes, and protection against misfortune. These seeds are commonly offered in temple rituals, such as at , where devotees believe plowing through them brings prosperity and healing. In the film, they serve as a recurring motif representing the protagonist's emotional journey of seeking solace and understanding amid familial turmoil. Originally conceived as a short video, Manjadikuru premiered at the 2008 (IFFK), where it won the FIPRESCI Award for Best Malayalam Film, before evolving into a full-length feature released in 2012. This expansion allowed Menon, a graduate of Film School, to delve deeper into the cultural milieu of Kerala's joint family systems and traditional funeral practices during the late , a period shaped by the recent end of the national (1975–1977), which underscored themes of societal transition and familial resilience without direct political focus.

Pre-production

The pre-production of Manjadikuru involved completing the script by 2008, drawing inspiration from her personal childhood memories of summers in , which shaped the film's nostalgic portrayal of family and rural life. The project was produced under Little Films India, a company founded in 2006 to handle fiction and works, with serving as to navigate the debut feature's logistical needs. Initial funding limitations as a first-time director prompted a modest budget approach, emphasizing intimate over high production values. The film premiered at the 2008 , earning the FIPRESCI award for Best Malayalam Film and setting the stage for its 2012 theatrical release. For the commercial version, the original festival cut was revised and expanded from approximately 90 minutes to 137 minutes, incorporating additional scenes to enhance emotional depth and appeal to mainstream audiences. Key crew selections included Swiss cinematographer Pietro Zuercher, an alumnus of the , whose expertise in capturing natural environments was ideal for portraying the film's rural settings with authentic, unadorned visuals. Composer , a -born Hindustani classical vocalist, was brought on board to craft a score blending folk elements that reinforced the film's evocative, nostalgic tone rooted in regional traditions.

Narrative and Cast

Plot Summary

Manjadikuru is set in rural during the late 1970s, focusing on a 16-day period following the death of the protagonist's grandfather. The story centers on 10-year-old , who arrives at his grandparents' for the rituals, where the gathers amid underlying tensions and traditions. Narrated through the reflective voice of adult , voiced by , the narrative explores Vicky's experiences as he navigates the household dynamics, uncovering subtle family secrets and sibling rivalries through everyday interactions and cultural observances. The film's structure interweaves non-linear reflections from the present with the main timeline of the mourning period, allowing for a layered portrayal of personal growth and emotional discovery. Vicky's journey highlights themes of loss and the of childhood, as he engages in rituals that bridge generational gaps and foster unexpected bonds. Central to this is the symbolism of manjadikuru seeds—small red seeds traditionally used in for making wishes and offerings—which represent , , and emotional amid . Through these elements, the narrative culminates in Vicky's subtle transformation, emphasizing the passage of time and the enduring impact of family on individual identity, all without resolving every thread in overt drama. The story's arc underscores how ordinary moments during the rituals reveal deeper insights into resilience and human connection.

Cast and Characters

The film employs an to depict the intricate multi-generational family interactions central to its narrative. Lead child actor Sidharth plays Vicky, the curious 10-year-old protagonist whose journey through grief and familial bonds drives the story's emotional core. voices the adult Vicky as the narrator, offering reflective depth that frames the younger character's experiences. Veteran actor portrays the deceased grandfather Muthassan, appearing in flashbacks to underscore the family's lingering emotional ties and conflicts. His role was selected deliberately to infuse the proceedings with profound emotional weight, enhancing the ensemble's portrayal of loss and legacy. embodies the grandmother Muthassi, symbolizing matriarchal resilience that anchors the household amid tensions. The supporting cast features Rahman as uncle Raghu Maaman and as uncle Unni Valliachan, whose portrayals highlight intergenerational frictions and reconciliations within the family unit. Additional child performers, including Rijosh as , Vyjayanthi as Roja, and Aarti as Manikutty, contribute to the youthful perspective on adult dynamics. Casting prioritized non-professional child actors to achieve authentic, unpolished performances that amplify the film's naturalistic ensemble interplay.

Production

Filming

Principal photography for Manjadikuru commenced in early August 2008 in rural , following a four-week preparation period. The shoot was fast-paced, with the crew capturing scenes in authentic locations such as fields, rivers, hills, and traditional Kerala houses to immerse viewers in the film's late-1970s nostalgic setting. These sites, including ancestral homes near and Mahe, were selected for their natural evocation of the era, minimizing the need for constructed sets and relying on the region's landscapes for atmospheric authenticity. Challenges during filming included managing a tired crew after back-to-back schedules and the complexities of recording in outdoor environments. Working with child actors proved particularly demanding; hundreds of children revealed issues like over-preparation, heavy makeup on girls, and boys imitating adult celebrities, which hindered the desired natural innocence for the film's young protagonists. The humid monsoon conditions in added physical strain, while dark interiors of traditional houses required careful lighting adjustments to maintain visual consistency without extensive artificial setups. For the film's expanded theatrical release in 2012, reshoots were conducted between 2011 and 2012 to incorporate additional family interaction scenes and songs, transforming the original 90-minute version into a more commercially appealing feature while preserving its core narrative. These additions were guided by the pre-production script's established shot lists to ensure seamless integration.

Technical Aspects

The cinematography of Manjadikuru was crafted by Swiss cinematographer Pietro Zuercher, an alumnus of the , who meticulously analyzed the script scene by scene to align visuals with the narrative. Employing natural lighting, Zuercher captured the lush rural landscapes—including fields, rivers, and hills—as well as the intimate, dimly lit interiors of traditional family homes, fostering a real-life ambiance that underscores the film's nostalgic essence. This technique highlights the authenticity of the village setting, with endless verandas and fusty rooms evoking a sense of lived-in warmth and emotional depth. Editing duties fell to , whose work ensures a smooth, free-flowing narrative structure, particularly in weaving flashbacks that frame the protagonist's childhood memories within his adult reflections. The film's theatrical version runs 137 minutes, allowing for deliberate pacing in sequences that mirrors the contemplative tempo of and family gatherings. Sound design was overseen by , who earned the Kerala State Film Award for Best Sound Recordist in 2012, with location sound recording by Harikumar Madhavan . The team utilized recording to layer ambient rural elements—like birdsong, rain, and everyday village noises—with subtle atmospheric effects, amplifying emotional realism without overpowering the dialogue or minimalistic score. This approach integrates the auditory landscape seamlessly, reinforcing the film's intimate portrayal of village life during a 16-day . The overall visual style prioritizes a warm, earthy palette in nostalgic interior scenes and expansive outdoor shots, complemented by slow, measured pacing in ceremonial moments to evoke the reflective rhythm of and remembrance.

Music

Soundtrack

The soundtrack for Manjadikuru was composed by , with all lyrics written by . Released in 2012 by as a seven-track , it consists of seven vocal songs designed to complement the film's themes of and bonds. These songs were incorporated specifically for the film's 2012 commercial theatrical release, having been absent from the shorter version screened at film festivals starting in 2008; director added them, along with extra scenes, to broaden the film's appeal to mainstream audiences while amplifying key emotional sequences. The album's vocal tracks feature renowned playback singers and draw on Ramesh Narayan's expertise in , incorporating subtle folk influences from traditions to evoke rural authenticity. Representative songs include "Ariya Vazhikalil," a melancholic piece rendered by that underscores themes of passage and memory; "Margazhi Manjil," sung soulfully by to capture seasonal introspection; "Manjadi Penne," performed by with choral elements for a playful yet poignant family vibe; "Manne Nambi," an ad-lib rendition by Kavalam Sree Kumar; "Kadamkatha," featuring folk sounds by ; "Chaadi Chaadi" by , infusing light-hearted rhythm; and "Manjadikuru" by Sreevalsan Menon and , which ties directly to the film's titular motif of lucky red seeds. The compositions emphasize acoustic textures, prioritizing emotional over elaborate to align with the narrative's intimate, reflective tone.

Background Score

The background score for Manjadikuru was composed by , who drew on traditional Kerala folk-inspired melodies and simple orchestration to evoke a sense of melancholy and warmth that underscores the film's emotional depth. This approach aligned with the narrative's nostalgic tone and cultural roots in . Key motifs in the score recur to highlight Vicky's innocence and the simmering family tensions, featuring subtle builds during ritual sequences to amplify tension without overpowering the scenes. The score was originally composed prior to the film's festival , capturing the essence of the story's intimate, childhood perspective. Designed to be unobtrusive, the background score supports the natural flow of dialogue and meaningful silences in the original 90-minute cut, allowing the performances and visuals to take precedence while subtly enhancing mood transitions.

Release

Premiere and Theatrical Release

Manjadikuru had its world premiere at (IFFK) on December 12, 2008, where a shorter version of the film was screened and it won the FIPRESCI Prize for the Best as well as the Hassankutty for the best Indian debut director. The appearance marked a significant debut for director , with limited public screenings following the event to build initial buzz among cinephiles. The film's commercial theatrical release occurred on May 18, 2012, across select theaters in , distributed by August Cinema. Produced on a modest budget, it targeted art-house audiences and achieved moderate returns reflective of its niche, introspective narrative rather than mainstream commercial success. Marketing efforts centered on promotional trailers that evoked for rural family life and childhood memories in 1980s , initially confining distribution to art-house circuits to reach discerning viewers. Internationally, Manjadikuru gained further exposure through its screening at the 2009 South Asian International Film Festival (SAIFF) in New York, where it secured five Grand Jury Awards, including Best Film, Best Director, Best Screenplay, Best Cinematographer, and Best Emerging Talent.

Home Media and Distribution

The VCDs and DVDs of Manjadikuru were released on 17 June 2013 by Satyam Audios in Cochin, providing physical home media access to the film's expanded 2012 theatrical version. Internationally, the film received distribution through subtitled screenings at various film festivals, including the South Asian International Film Festival (SAIFF) in New York in 2009, where it secured five Grand Jury Awards for Best Film, Best Director, Best Screenplay, Best Cinematographer, and Best Emerging Talent. As of 2025, the film is available for streaming on platforms such as MUBI and Plex. While specific sales figures for home media are not publicly detailed, the modest physical releases contributed to the film's growing among Malayalam cinema enthusiasts rather than achieving widespread commercial dominance. The 2012 theatrical expansion aided in broadening these post-theatrical distribution channels.

Reception and Legacy

Critical Reception

Upon its premiere at the (IFFK) in 2008, Manjadikuru garnered positive attention from critics for its sensitive exploration of childhood innocence amid familial tensions. At the South Asian International Film Festival (SAIFF) in New York the following year, reviewers commended first-time director Anjali Menon's memoir-like narrative and vivid depiction of rural life through a child's perspective, drawing comparisons to films like for its evocative portrayal of wonder and social contrasts, though some found certain scenes overly sentimental and the runtime extended by about 20 minutes. Overall, the film achieved an 83% approval rating on based on limited festival critiques, establishing it as a promising entry in . The 2012 theatrical release in India elicited generally favorable responses from mainstream critics, with The Times of India awarding it 3.5 out of 5 stars and praising its aura of innocence, nostalgic evocation of lost childhood pleasures, and strong ensemble performances, particularly from the child actors who conveyed emotional control beyond their years. Rediff.com described the film as "enchanting," highlighting its layered storytelling, realistic script, and charm in viewing adult complexities through young eyes, supported by natural performances from veterans like Thilakan and Urvashi; however, it noted that prolonged silences occasionally disrupted the narrative flow, making it less accessible for viewers seeking faster pacing. Audience reception was even stronger, averaging 8.2 out of 10 on IMDb from over 1,000 ratings, reflecting appreciation for its heartfelt authenticity. Across both phases, common praises centered on Menon's assured direction, the outstanding child performances that captured naivety without cheesiness, and the film's emotional depth in examining family fragmentation and human relationships. Criticisms were minor and often tied to pacing issues, which some felt suited festival audiences better than commercial ones. In later years, the film has been retrospectively viewed as a standout in cinema's new wave, with outlets like Lensmen Reviews in 2012 calling it an "emotional and nostalgic journey" that touches the heart deeply.

Awards and Accolades

At the 13th (IFFK) in 2008, Manjadikuru received the FIPRESCI Award for Best Film, recognizing its artistic merit in international competition. The film also won the Federation of Film Societies of India-Hassankutty Award for best debut director, awarded to for her promising entry into . In 2009, Manjadikuru dominated the South Asian International Film Festival (SAIFF) in New York, securing five Awards: Best , Best Director for , Best Screenplay for , Best Cinematography, and Best Emerging Talent. These honors highlighted the film's narrative depth and technical excellence on an international platform. The 43rd in 2012 (announced in 2013) bestowed three accolades on Manjadikuru: Best Screenplay to , Best Child Artist to Vyjayanthi for her supporting role, and Best Sound Recordist to . Manjadikuru was considered for the National Film Awards but did not secure any wins. Overall, the film amassed more than 10 accolades from regional and international bodies, including recognitions at several international film festivals.

Cultural Impact

Manjadikuru is recognized as a pioneering effort in realistic family dramas in , emphasizing nuanced portrayals of joint family dynamics and childhood perspectives that influenced Anjali Menon's later works, including . The film's exploration of familial tensions during a gathering in a traditional tharavadu set a benchmark for authentic depictions of Kerala's social structures, contributing to a shift toward introspective narratives in the industry. Thematically, Manjadikuru has reignited interest in surrounding manjadikuru seeds—symbolizing luck and used in children's games—and mourning customs, as seen through the Vicky's experiences at his grandfather's in the . By contrasting children's and with adult greed and discord, it highlights cultural practices in rural households, fostering deeper appreciation for these traditions in contemporary discussions. The film has been analyzed in for its role in representing societal realities, such as class differences and emotional vulnerabilities within families, making it a reference point for understanding Kerala's evolving heritage. As Anjali Menon's debut feature, Manjadikuru marked a significant milestone, earning her international acclaim through awards like five prizes at the South Asian International Film Festival (SAIFF) in New York and the FIPRESCI Prize for Best Film. This success propelled her career, transitioning her from independent shorts to mainstream hits and establishing her as a key voice in focused on relational themes. By 2025, Manjadikuru's enduring relevance lies in its timeless examination of joint erosion amid , with academic analyses underscoring its portrayal of and moral insights from childhood as counterpoints to modern societal shifts. In 2024, online film communities celebrated its 16th anniversary, reaffirming its status as one of Anjali Menon's finest works. While no major remakes have emerged, the film continues to inspire re-screenings and scholarly discourse on and in .

References

  1. https://www.imdb.com/title/tt1353033/
  2. https://timesofindia.indiatimes.com/entertainment/malayalam/movie-reviews/manjadikkuru/movie-review/13315048.cms
  3. https://www.thehindu.com/features/cinema/summer-of-1980/article3428865.ece
  4. https://anjalimenon.in/am-blog/the-manjadikuru-journey/
  5. https://timesofindia.indiatimes.com/life-style/soul-search/why-is-manjadikuru-aka-red-seeds-offered-to-guruvayoorappan/photostory/108077964.cms
  6. https://anjalimenon.in/am-blog/the-moment/
  7. https://www.deccanherald.com/features/dreams-her-eyes-2-2380150
  8. https://www.nowrunning.com/movie/10471/malayalam/manjadikuru/cast.and.crew.htm
  9. http://dff.nic.in/images/Documents/18_IPCatalogue2015.pdf
  10. https://www.khaleejtimes.com/entertainment/the-power-of-simplicity
  11. https://www.thehindu.com/news/cities/Kochi/row-over-film-unfounded-says-anjali-menon/article4466420.ece
  12. https://manjadikuru.wordpress.com/2010/12/02/the-cinematographer-speaks/
  13. http://vivekranjit.blogspot.com/2012/05/manjadikkuru.html
  14. https://www.rottentomatoes.com/m/manjadikuru
  15. https://eastwesttalkies.wordpress.com/2013/04/23/manjadikuru-lucky-red-seeds/
  16. https://letterboxd.com/film/manjadikuru/
  17. https://manjadikuru.wordpress.com/2007/07/11/manjadi-memories/
  18. https://gulfnews.com/entertainment/a-trip-down-memory-lane-3-1.1023803
  19. https://anjalimenon.in/am-blog/ustad-thilakan/
  20. https://www.imdb.com/title/tt1353033/fullcredits/
  21. https://manjadikuru.wordpress.com/2007/12/01/the-film-is-shot/
  22. https://manjadikuru.wordpress.com/2010/10/18/casting-round-1/
  23. https://timesofindia.indiatimes.com/entertainment/regional/movie-details/news-interviews/manjadikuru-goes-commercial/articleshow/12623411.cms
  24. https://www.newindianexpress.com/entertainment/2009/Jul/05/mistress-of-composure---anjali-menon-65292.html
  25. https://manjadikuru.wordpress.com/
  26. https://music.apple.com/us/album/manjadikuru-original-motion-picture-soundtrack/1443611970
  27. https://www.jiosaavn.com/album/manjadikuru/CGdTFo0S9Vc_
  28. https://www.musicaloud.com/2012/06/11/manjadikkuru-music-review-malayalam/
  29. https://www.imdb.com/title/tt1353033/soundtrack/
  30. https://www.imdb.com/title/tt1353033/awards/
  31. https://timesofindia.indiatimes.com/entertainment/malayalam/movies/previews/manjadikuru/articleshow/13206693.cms
  32. https://www.worldcat.org/title/manjadikuru/oclc/861187350
  33. https://www.mallurelease.com/2013/06/manjadikuru.html
  34. https://mubi.com/en/us/films/manjadikuru
  35. https://watch.plex.tv/movie/manjadikuru
  36. https://www.rediff.com/movies/report/south-review-manjadikuru-is-enchanting/20120521.htm
  37. https://screenanarchy.com/2009/10/saiff-09-manjadikuru-review.html
  38. https://lensmenreviews.com/manjadikuru/
  39. https://www.indiaglitz.com/anjali-menon-and-manjadikuru-honoured-hollywood-news-51631
  40. https://www.thehindu.com/news/national/kerala/seven-awards-for-celluloid/article4443795.ece
  41. https://www.newindianexpress.com/cities/kochi/2013/May/24/opinion-sought-on-award-for-manjadikuru-480170.html
  42. https://scroll.in/reel/930775/how-anjali-menon-went-from-successful-writer-to-director-of-one-of-malayalam-cinemas-biggest-hits
  43. https://www.researchgate.net/publication/376693728_The_Embodiment_of_the_Post-human_Child_in_Malayalam_Films
  44. https://www.academia.edu/98892774/Revisiviting_the_Childhood_Through_Selected_Children_s_Films_in_Malayalam
  45. https://www.reddit.com/r/MalayalamMovies/comments/1bwagwz/16_years_of_manjadikkuru_genuinely_think_its/
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