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"Mayham"
The Sopranos episode
Episode no.Season 6
Episode 3
Directed byJack Bender
Written byMatthew Weiner
Cinematography byPhil Abraham
Production code603
Original air dateMarch 26, 2006 (2006-03-26)
Running time56 minutes
Guest appearance
Steve Buscemi as Man
Episode chronology
← Previous
"Join the Club" 		Next →
"The Fleshy Part of the Thigh"
The Sopranos season 6
List of episodes

"Mayham" is the 68th episode of the HBO original series The Sopranos and the third of the show's sixth season. Written by Matthew Weiner and directed by Jack Bender, it originally aired on March 26, 2006.

Starring

[edit]

* = credit only

Guest starring

[edit]

Synopsis

[edit]

Paulie and a member of his crew burglarize an apartment belonging to Colombian drug dealers in Newark. The apartment is not empty as expected and a firefight ensues, leading to the deaths of the building superintendent and two of the drug dealers. There is a huge score, but it contributes to rising tensions within the Soprano family: Silvio, now acting boss, makes rulings on how the money, and Eugene's former Roseville bookmaking revenue, should be split. None of the parties involved like his decisions. A reluctant boss, Silvio is later hospitalized after an asthma attack. In case Tony does not recover, Paulie and Vito delay paying the cut they owe to Carmela.

Vito quietly starts a campaign to position himself as a potential new leader, maintaining a cordial relationship with the Lupertazzi acting boss Phil Leotardo, who is a second cousin of Vito's wife Marie. He happens to be in the hospital when Meadow's fiancé Finn DeTrolio turns up, making a threatening pass at him.

Christopher and Bobby confront A.J. when he attempts to buy a gun, intending to take revenge on Junior. Carmela sees a news report about Tony being shot, in which A.J. remarks that it is weird growing up in their family. She yells at her son, furiously telling him he is a "cross to bear", causing A.J. to angrily storm off, Hugh scolding her, and Carmela then sobs in her room. The next day, Carmela tells Dr. Melfi that while she knew what Tony was when she married him, their kids "don't decide who they're born to."

Chris' passion for the movie industry is reborn. He has Benny Fazio and Murmur rough up screenwriter J.T. Dolan, and orders him to write a script for a slasher mob film he wants to produce. Chris later arranges a meeting with potential investors, the chief adviser and partner being Little Carmine. J.T. comes up with the title, Cleaver, and explains the premise to the investors, including Silvio, Vito and Larry Boy Barese, but they seem confused about its plot. Nevertheless, Chris assures them the film is a guaranteed success.

Although only family members are allowed to see Tony, Silvio and Paulie are smuggled in by Carmela and Meadow. Alone with Tony, Paulie treats his unconscious boss to a tedious and discontented monologue about his current life. Tony's heart rate escalates steadily, but Paulie does not notice it until he goes into cardiac arrest. Hospital staff rush in.

Tony's dream sequence from the previous episode has continued.

At his hotel room, Tony receives a summons from the Buddhist monks addressed to Kevin Finnerty, and he begins to question his identity. He seeks answers from the bartender and the monks but finds none. Tony is disturbed by muffled sounds from an adjoining room at his hotel (Paulie is talking to him) and bangs angrily on the wall for quiet. Having found a flier for the Finnerty family reunion in his briefcase, he is greeted outside the venue by a man who looks like his cousin Tony Blundetto. The man tries to get Tony to enter the light-festooned house, assuring him that "everyone's here" and that he is "coming home"; but he also tells Tony that he must first let go of his "business" and hand over his briefcase. Tony replies that he has already given away a briefcase once which had "his whole life inside" and does not want to do it again. Standing at the steps of the house, Tony hesitates for some time. With the figure of someone similar to his mother standing by the doorway in front of him, and the faint voice of a little girl coming from the trees behind him pleading with him not to go (Meadow is calling to her father), Tony chooses not to enter the house.

Tony awakes in the hospital, asking, "I'm dead, right?" Later, heavily sedated and still hardly able to talk, Tony listens to an excited Christopher explaining his movie venture to him; he says he left a position for Tony to become a major investor. Christopher then notices an Ojibwe saying taped onto the wall: "Sometimes I go about in pity for myself, and all the while, a great wind carries me across the sky." With Tony now conscious, Paulie and Vito anxiously rush to get their cuts to Carmela. They hand over the cash and she is grateful, but as they are leaving in the elevator, she turns around and sees them looking sour.

First appearances

[edit]

Deceased

[edit]
  • Building Superintendent: inadvertently shot by Colombian #1
  • Colombian #1: shot by Cary DiBartolo and Paulie
  • Colombian #2: shot by Cary DiBartolo and then stabbed by Paulie

Production

[edit]
  • Ray Abruzzo (Little Carmine) is now promoted to the main cast and billed in the opening credits but only in the episodes in which he appears.
  • Lorraine Bracco's sister Elizabeth joins the show playing the character of Marie, the wife of Vito Spatafore.
  • Steve Buscemi, whose character Tony B was killed off in season 5, played a different, unnamed character in Tony Soprano's dream.[1]

Music

[edit]

Reception

[edit]

On its premiere, "Mayham" had nearly 8.93 million viewers, with a 4.1 Nielsen rating and 9 share among adults 18 to 49. This episode marked two straight weeks of declining viewership for season six.[3]

Television Without Pity graded "Mayham" with an A.[4] Lisa Schwarzbaum of Entertainment Weekly praised the "story pacing" and "great comic subplots".[5] For The Star-Ledger, Alan Sepinwall found some comedic moments otherwise rare for the show: Silvio in the restroom and Tony dreaming about hearing Paulie's rants from another hotel room.[6] TV Squad found "a little more action" in contrast to previous episode "Join the Club".[7]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Mayham

View on Grokipedia
from Grokipedia
"Mayham" is the third episode of the sixth and final season of the crime drama television series , originally airing on March 26, 2006. Written by and directed by , the episode centers on Tony Soprano's ongoing recovery from a , delving into his hallucinatory experiences while his family and criminal associates grapple with uncertainty and internal conflicts. It received critical acclaim for its exploration of psychological depth and mob dynamics, earning an 8.8/10 rating from over 9,000 user reviews on . In the episode, Tony remains comatose following the events of the , wandering through surreal dream sequences that evoke themes of identity loss and existential dread, including a journey to a sales convention where he assumes the persona of Kevin Finnerty. Meanwhile, acting boss navigates leadership challenges, dividing spoils from a heist led by Paulie Walnuts and mediating tensions between and New York factions, such as a territorial dispute between and Little Carmine Lupertazzi. Tony's family faces emotional strain: Carmela exhibits manic anxiety over his condition and the implications for their children, while A.J. spirals into distress, contemplating amid revelations about his father's world. The episode highlights the series' signature blend of dark humor and introspection, with subplots including Christopher Moltisanti's return to screenwriting and Vito Spatafore's secretive behavior adding layers to the portrayal of fractured loyalties. The title "Mayham" derives from Paulie Gualtieri's characteristic mispronunciation of "mayhem," reflecting the chaotic aftermath of Tony's injury. Notable for advancing the season's arc on mortality and power vacuums, it sets the stage for Tony's eventual return while underscoring the vulnerabilities within the Soprano crime family.

Cast

Starring

The starring cast of "Mayham," the third episode of ' sixth season, features the series' core ensemble navigating the immediate fallout from Tony Soprano's . These recurring actors portray principal characters central to the ongoing narrative of the DiMeo and Tony's personal life.
  • James Gandolfini as Tony Soprano, the comatose New Jersey mob boss hospitalized after being shot, drifting through disorienting dream sequences that blur his identity.
  • Lorraine Bracco as Dr. Jennifer Melfi, Tony's therapist grappling with the emotional and ethical implications of his critical condition.
  • Edie Falco as Carmela Soprano, Tony's wife coordinating family support and confronting the uncertainty of his recovery amid household strains.
  • Michael Imperioli as Christopher Moltisanti, Tony's nephew and underboss assuming greater responsibilities in the family's operations during Tony's absence.
  • Dominic Chianese as Corrado "Junior" Soprano, Tony's uncle and imprisoned rival, whose confinement limits his direct involvement but underscores ongoing familial tensions.
  • Steven Van Zandt as Silvio Dante, the consigliere stepping in as acting boss to mediate disputes and maintain order in Tony's stead.
  • Tony Sirico as Paulie Gualtieri, the veteran soldier involved in crew activities and reflecting on the power vacuum created by Tony's shooting.
  • Robert Iler as A.J. Soprano, Tony and Carmela's son, whose personal struggles intensify under the shadow of his father's life-threatening injury.
  • Jamie-Lynn Sigler as Meadow Soprano, Tony and Carmela's daughter, supporting the family during the crisis.
  • Aida Turturro as Janice Soprano, Tony's sister offering support at the hospital.
These performances highlight the ensemble's dynamics as the characters react to the crisis, with guest actors appearing in supporting capacities alongside the regulars.

Guest starring

Ron Leibman guest-starred as Dr. Lior Plepler, the neurologist who examines following his shooting and delivers the grim of a persistent to Carmela and the family during a tense meeting, heightening the emotional stakes of Tony's . His performance underscores the medical uncertainty and family distress, interacting directly with Edie Falco's Carmela in a pivotal scene emphasizing vulnerability. Tim Daly portrayed J.T. Dolan, a down-on-his-luck and recovering addict roughed up by Christopher Moltisanti's in a backroom confrontation, then coerced into pitching and writing a mob-themed script to investors like . Dolan's subplot highlights the mob's exploitative side, with Daly's depiction of desperation and reluctant compliance providing comic relief amid the episode's heavier tones. Other guest performers included as Dr. Ba, a physician assisting in Tony's care and contributing to the clinical atmosphere of the medical scenes; Matthew Stocke as the EMT responding to , portraying the initial chaos at the Soprano home; as Dr. Budraja, another attending doctor involved in monitoring Tony's unresponsive state; and as Jason Molinaro, a minor mob associate seen in a brief interaction. These bit roles collectively amplify the episode's themes of crisis and recovery, with hospital staff like Lee's and Bhimani's characters evoking the impersonal efficiency of healthcare during family turmoil. Steve Buscemi appeared uncredited as a mysterious "" in Tony's surreal , adding an enigmatic layer to visions without or extended presence.

Characters

First appearances

In "Mayham," several supporting characters are introduced for the first time, primarily hospital staff and peripheral mob figures whose brief roles emphasize the chaos and interpersonal strains surrounding Tony Soprano's comatose state following his shooting. Geraldine LiBrandi debuts as Patty Leotardo, the wife of New York underboss Phil Leotardo, in a visiting scene following Phil's heart attack, where she interacts with other mob figures including Vito Spatafore, reflecting the fragile alliances and personal courtesies among rival families amid the crisis. She recurs in seven episodes across season 6, often underscoring Phil's domestic life and mob tensions. Carmen López appears as Nurse Alfeo, a member of the hospital staff monitoring Tony's condition during intense family visits, including the moment when his heart stops and emergency procedures are enacted; her presence highlights the relentless medical vigilance required as the grapples with uncertainty. This is her sole appearance in the series. David Francis Calderazzo introduces Nicholas Spagnelli, a low-level associate in the , who participates in discussions about interim and while Tony remains incapacitated, illustrating the opportunistic shifts in mob hierarchy during his absence. Spagnelli does not recur. James Vincent Romano debuts as Cary DiBartolo, a in the DiMeo and member of 's crew, who accompanies Paulie on a of a Colombian drug operation, leading to a violent confrontation; his role underscores the risky operations filling the power vacuum. He recurs in two episodes.

Deceased

In the episode "Mayham," no major characters perish, but several minor figures die during a violent confrontation in a apartment building as and his associate Cary DiBartolo raid a Colombian drug operation for and heroin. The building superintendent is fatally shot twice in the chest by one of the Colombian drug dealers, who fires at Paulie and Cary but misses and hits the innocent bystander instead; this accidental killing occurs in the hallway outside , underscoring the chaotic and indiscriminate nature of the mob's incursion amid the power vacuum left by Tony Soprano's . Two Colombian drug dealers are then killed by Paulie and Cary in the ensuing melee inside : one is shot in the head by Paulie with a , while the other is shot in the chest by Cary and subsequently stabbed in the heart by Paulie using a broken bottle after being kneed in the groin during the struggle. These deaths enable the crew to seize approximately $200,000 in cash and a of hidden in the toilet tank, providing a temporary financial windfall for the and highlighting Paulie's opportunistic leadership in the absence of Tony, which subtly shifts internal dynamics by bolstering Paulie's influence within the hierarchy under acting boss . Although no direct off-screen passings of past associates are referenced in relation to the recent shooting of Tony, the episode implies ongoing fallout from mob tensions, with these killings reflecting the escalated risks and retaliatory actions rippling through the organization's operations. The incident marginally affects surviving characters like , who later shares in the spoils but grows wary of the family's instability.

Plot

Tony's storyline

At the conclusion of the season premiere "Members Only," Tony Soprano is shot in the stomach by his uncle Corrado "Junior" Soprano during a heated confrontation at Junior's home, resulting in severe internal injuries, including , that necessitate a medically to protect and stabilize his condition upon his hospitalization in Newark. In "Mayham," Tony's storyline unfolds primarily within this comatose state, where he experiences vivid hallucinatory sequences that blur his sense of identity and mortality. Believing himself to be Kevin Finnerty, a mild-mannered pharmaceutical sales representative, Tony navigates a surreal dream world fraught with existential disquiet. He first grapples with a lawsuit from the monks of the Crystal Monastery, whom he encountered in his prior dream episode; served with papers for failing their philosophical test on unity and selflessness, Tony attends a courthouse hearing where the case is dismissed due to the monks' absence, symbolizing unresolved spiritual debts. Seeking clarity, he travels to a Finnerty family reunion in upstate New York, only to be unrecognized by a man claiming to be his brother, heightening his alienation and prompting reflections on fractured familial bonds and his own life's regrets. Later, drawn to a distant beacon, Tony arrives at the Inn at the Oaks, where he encounters a enigmatic couple—a stern man (portrayed by Steve Buscemi, evoking the deceased Tony Blundetto) and a spectral woman (resembling his late mother Livia)—who bar his entry to a grand house, insisting he cannot proceed without Finnerty's "soul-collecting" briefcase containing unspecified sins. These interactions, laced with themes of guilt over betrayals and the inescapability of his violent past, force Tony to confront the weight of his choices through dream-like visions of judgment and isolation. Tony's gradual awakening is triggered by the sound of his daughter 's voice pleading, "Don't go, Daddy, we love you," pulling him back from the threshold of the unknown; as fades to white, he regains in his hospital bed, profoundly disoriented and asking Carmela if he is dead or in hell. Interactions with medical staff reveal his fragmented memory—he initially struggles to recall or his identity—before piecing together the events, marking a tentative return to reality amid lingering psychological turmoil. Family members, including , visit his bedside during his recovery, offering emotional anchors.

Family's storyline

With Tony's hospitalization catalyzing family tensions, returns from and attempts to take charge of household affairs at the Soprano home, insisting on making decisions about meals, visitors, and logistics, which immediately clashes with Carmela's authority as the primary caregiver. Carmela, already overwhelmed, views Janice's interventions as intrusive and self-serving, leading to heated arguments; meanwhile, , visiting sporadically while focusing on pitching his Cleaver, sides with Carmela and rebuffs Janice's attempts to rally the family under her leadership. The absence of Tony disrupts mob operations, with Silvio Dante assuming the role of acting boss and struggling to maintain order amid emerging conflicts. Silvio mediates a territorial dispute between Bobby Baccalieri, who claims rights to an area formerly controlled by Junior, and Vito Spatafore, who asserts prior involvement, temporarily resolving it by deferring decisions until Tony's status clarifies. Paulie Walnuts, meanwhile, leads a crew on a tip from Vito to burglarize a Colombian drug dealers' apartment, expecting it to be empty, but encounters occupants, triggering a chaotic shootout in which Paulie is wounded in the groin and the building superintendent is killed; Silvio later demands Paulie kick up a portion of any future earnings to support Carmela, enforcing a power shift that highlights the crew's reluctance to treat her as the new beneficiary. Personal strains intensify through family therapy and hospital interactions. Carmela attends a session with Dr. , confessing her complicity in the criminal lifestyle and fears for her children's futures, particularly how A.J.'s growing —manifested in attempts to buy a for against Junior and emotional outbursts—mirrors Tony's volatility. A.J. rebels further by skipping school and fixating on morbid thoughts about death, while , balancing college and family duties, expresses profound concern during hospital visits, urging unity amid the chaos. These visits become fraught, as associates like Paulie and Vito prioritize business scores over bedside vigils, sparking inheritance discussions where crew members privately gripe about potential obligations to Carmela and the kids if Tony succumbs, further straining loyalties and exposing fractures in the extended family network.

Production

Development

The episode "Mayham" was written by , who joined writing staff in season 5 as a and supervising producer. Weiner's script, the third episode of season 6, emphasized psychological introspection in the wake of the shooting that ended season 5, using Tony Soprano's vulnerable state to probe themes of identity and existential uncertainty. This approach built on Weiner's earlier contributions, such as co-writing the season 5 dream-heavy episode "," showcasing his affinity for surreal narrative structures to unpack character psyches. Central to the script's development was the coma storyline, crafted as a narrative device to explore Tony's through disjointed dream sequences that contrasted sharply with the external family and mob tensions. , the series creator, revised Weiner's draft to infuse Buddhist spiritual motifs into the coma resolution, including symbolic of and trees, which heightened the philosophical undertones. The title "Mayham" originated as a for "mayhem," a stylistic choice reflecting the pervasive disorder in Tony's personal and criminal life, consistent with the series' use of linguistic quirks to underscore thematic chaos. The episode aired on March 26, 2006, as the 68th overall installment. Director offered guidance during pre-production on realizing the script's blend of reality and in visual terms.

Filming

The episode "Mayham" was directed by , who oversaw principal photography primarily in to maintain the series' commitment to authentic regional settings. Key locations included the Soprano family home at 14 Aspen Drive in North Caldwell for domestic scenes involving Carmela and the children, as well as hospital interiors at Cullimore Hall, (NJIT) in Newark, to depict Tony's comatose state and family visits. Additional exteriors featured Silvio's house in Fairfield for mob-related interactions and a supermarket in Clifton for Dr. Melfi's everyday errand scene, emphasizing the blend of ordinary life with underlying tension. Filming the coma and hallucination sequences posed significant technical challenges, particularly in balancing medical realism with surreal dream elements. Hospital bed scenes relied on practical effects, such as medical props and controlled set builds, to portray Tony's immobility convincingly while accommodating James Gandolfini's physical performance in prolonged lying positions. For the dream visuals—spanning hotel rooms, airport lounges, and a pivotal "light" motif—crews employed on-location shooting augmented by post-production enhancements to create an otherworldly atmosphere, drawing briefly from script directives to symbolize Tony's subconscious turmoil. Some dream sequences, including hotel and inn scenes, were filmed at locations such as the Omni Hotel in Costa Mesa, California. This approach, informed by Bender's direction, ensured the surreal elements felt psychologically immersive without relying on excessive CGI, aligning with the series' grounded aesthetic.

Music

The episode "Mayham" incorporates several licensed popular songs to underscore key emotional and atmospheric moments, enhancing the narrative's exploration of chaos, reflection, and vulnerability within the Soprano family and mob dynamics. "Smoky Places" by The Corsairs (1961), a classic, opens the episode as Paulie Walnuts waits in his car outside a potential hit location, evoking a sense of lurking danger and nostalgic tension through its hazy, evocative lyrics about hidden romantic encounters. In a lively scene at the strip club, "Donde Están Las Gatas" by featuring (2001), a track, plays during a gathering of mob associates, amplifying the hedonistic and escapist energy amid escalating internal conflicts. An acoustic cover of "These Dreams" by Heart, performed by Time Pools (original 1985 by Heart, written by Martin Page and Bernie Taupin), sounds in the supermarket as Carmela Soprano unexpectedly encounters Dr. Jennifer Melfi, highlighting their mutual anxiety over Tony's condition and themes of subconscious longing and isolation. During Tony's hallucinatory sequence in his coma-induced dream state, where he talks to the bartender about his Alzheimer's diagnosis, the instrumental jazz piece "The Sermon" by Jimmy Smith (1958) provides a soulful, improvisational backdrop that mirrors his introspective turmoil and spiritual questioning. As Carmela visits the comatose Tony in the hospital and tends to him, a 1950s-style cover of "" (original 1939 by and ), performed by , plays, emphasizing themes of hope and emotional intimacy amid uncertainty. Sheryl Crow's cover of "The First Cut Is the Deepest" (original 1965 by , Crow's version from 2003) also plays during Carmela's hospital visit with Tony, emphasizing the raw pain of emotional wounds and the depth of familial bonds strained by violence. Over the end credits, the instrumental "The Deadly Nightshade" by (1987) plays, providing an eerie, atmospheric close selected by series creator as a substitute for a desired track. These selections, licensed from their respective labels (including for Smith's track and A&M for Crow's), were chosen to align precisely with the episode's pivotal beats, contributing to its acclaimed use of music for psychological depth without relying on original compositions.

Original score

The episode "Mayham" relies on licensed rather than a traditional original score, consistent with the series' approach of using pre-existing to underscore key moments without custom composition. While ambient , including hospital noises, enhances scenes of tension such as Tony's recovery, these elements are integrated with diegetic audio rather than newly composed cues. This method aligns with the season's evolving darker tone, where music selection by creator and music editor Kathryn Dayak emphasizes emotional disorientation in dream-like sequences through carefully placed tracks, evolving from earlier seasons' lighter integrations.

Reception

Critical reception

Critics widely praised James Gandolfini's performance in the episode's coma sequences, where he portrays Tony's alter ego, Kevin Finnerty, a weary salesman grappling with existential disconnection, highlighting the actor's ability to convey subtle psychological turmoil. The portrayal was described as astonishing in its nuance, with Gandolfini altering his voice and mannerisms to differentiate the dream persona from , emphasizing themes of identity and escape from mob life. Reviewers noted the episode's innovative dream structure as a surreal riff on , juxtaposing Tony's subconscious wanderings with the real-world chaos of family and crime, effectively exploring mortality and dysfunction within both personal and criminal spheres. The episode received strong acclaim for its thematic depth, averaging an 8.8/10 rating from over 9,000 user reviews on , reflecting its impact on discussions of and relational in the Soprano family. Season 6, Part 1 holds an 89% approval rating on based on 37 reviews. Some critiques pointed to uneven pacing in the extended dream sequences, which, while visually striking with seamless transitions between realities, occasionally felt drawn out amid the parallel mob power struggles. In post-series retrospectives, particularly as of 2025, the episode has been analyzed for Tony's broader arc, with its enigmatic dreams—depicting a liminal state between —mirroring the show's unresolved questions about fate and redemption, cementing its status as a pivotal, debated installment. This enduring resonance underscores the episode's cultural footprint, amplified by the series' high viewership during its original run.

Viewership

"Mayham" premiered on HBO on March 26, 2006, attracting 8.93 million viewers in its initial airing. This figure reflected a Nielsen rating of 4.1 in key demographics, underscoring a robust resurgence for the sixth season following a 21-month production hiatus. Compared to adjacent episodes, viewership for "Mayham" dipped slightly from the season premiere's 9.47 million viewers on March 12 and the second episode's 9.18 million on March 19, a decline often attributed to the installment's more introspective and contemplative tone. Despite this, the episode aligned with the season's overall average of approximately 8.6 million viewers, solidifying ' position as 's flagship program. Internationally, season 6, including "Mayham," aired across more than 60 countries, with notable trends in the UK where broadcast the first part of the season starting in April 2006, drawing consistent audiences that bolstered the series' global . In , the season maintained strong performance on , mirroring U.S. trends with high demand relative to average TV series viewership. Home media sales for have remained robust up to 2025, with the complete series DVD and Blu-ray collections surpassing several million units sold since 2003; the 25th anniversary limited edition Blu-ray release in December 2024 further drove renewed sales, emphasizing the episode's role in the show's enduring commercial appeal. Critical acclaim for "Mayham" has notably influenced this sustained interest among international audiences and collectors.

References

  1. https://www.imdb.com/title/tt0763238/
  2. https://www.avclub.com/the-sopranos-mayham-1798172659
  3. https://tvtropes.org/pmwiki/pmwiki.php/Recap/TheSopranosS6E3Mayham
  4. https://www.slantmagazine.com/tv/the-sopranos-mondays-season-6-ep-3-mayham/
  5. https://www.hbomax.com/shows/sopranos/s6/818c3d9d-1831-48a6-9583-0364a7f98453/e3-mayham/4242a511-57c4-4d85-bfda-194535909b4e
  6. https://sopranosautopsy.com/season-6-part-i/mayham-6-03/
  7. https://insidepulse.com/2006/03/28/47513/
  8. https://www.imdb.com/title/tt0763238/fullcredits
  9. https://www.tvmaze.com/episodes/47907/the-sopranos-6x03-mayham
  10. https://sopranos.fandom.com/wiki/Patty_Leotardo
  11. https://sopranos.fandom.com/wiki/Nicholas_Spagnelli
  12. https://sopranos.fandom.com/wiki/Cary_DiBartolo
  13. https://sopranos.fandom.com/wiki/Mayham
  14. https://listofdeaths.fandom.com/wiki/The_Sopranos
  15. https://www.imdb.com/title/tt0763238/plotsummary/
  16. https://www.hbomax.com/gy/en/shows/sopranos/s6/818c3d9d-1831-48a6-9583-0364a7f98453/e3-mayham/4242a511-57c4-4d85-bfda-194535909b4e
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  19. https://www.tunefind.com/show/the-sopranos/season-6/9300
  20. https://www.imdb.com/title/tt0763238/soundtrack/
  21. http://www.tunesonthetube.tv/Sopranos.htm
  22. https://www.tunefind.com/song/jimmy-smith/the-sermon
  23. https://rockandrollglobe.com/rock/singing-sopranos/
  24. https://screenrant.com/the-sopranos-coma-episodes-james-gandolfini-performance/
  25. https://www.denofgeek.com/tv/remembering-the-other-character-james-gandolfini-played-on-the-sopranos/
  26. https://www.rottentomatoes.com/tv/the_sopranos/s06.1
  27. https://www.imdb.com/title/tt0763238/reviews/
  28. https://www.cbr.com/the-sopranos-most-debated-episode-dream-sequence/
  29. https://www.bloomberg.com/news/articles/2006-04-05/sopranos-ratings-slide-exposes-flaws-in-ratings-system
  30. https://www.foxnews.com/story/fox-tops-ratings-sopranos-returns-strong
  31. https://www.lowellsun.com/ci_3639179/
  32. https://www.latimes.com/archives/la-xpm-2006-jun-07-et-channel7-story.html
  33. https://tv.parrotanalytics.com/CA/the-sopranos-hbo
  34. http://www.thefutoncritic.com/news/2003/03/13/dvd-sales-place-six-sets-over-one-million-copies-sold-15816/5806/
  35. https://www.blu-ray.com/movies/The-Sopranos-The-Complete-Series-Blu-ray/370024/
  36. https://www.rottentomatoes.com/tv/the_sopranos/s06.1/e03
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