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Miles Jaye
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Key Information
Miles Jaye Davis (born November 12, 1957), known professionally as Miles Jaye, is an American R&B and jazz singer, jazz violinist, songwriter, and record producer. He had several hits on the US R&B chart in the late 1980s and early 1990s, the biggest of which was "Let's Start Love Over" in 1987. He was for a time the lead singer of Village People.[1]
Life and career
[edit]He was born in Yonkers, New York,[2] and studied music theory and classical violin for more than a decade at the Brooklyn Conservatory of Music, Saratoga School of Orchestral Studies, Indian Hill and Brooklyn College (now Brooklyn College Conservatory of Music). He also played flute, keyboards and bass while in the US Air Force, and launched his singing career while at Clarke Air Force Base in the Philippines.[1]
Jaye toured Europe with jazz guitarist Eric Gale and singers Phyllis Hyman and Jon Lucien before taking over as "Cop" in the Village People in 1982.[1][3] He stayed with the band for two years before launching his solo career and signing to Teddy Pendergrass' production company Top Priority Records. He released his debut album, Miles, on Island Records, and the song "Let's Start Love Over", written by Micheal Claxton was released as a single and rose to No. 5 on the Billboard R&B chart in late 1987.[4] Its follow-up, "I've Been a Fool for You", a Jaye original, was also a top ten R&B hit.[4] Jaye also contributed, as musician, songwriter and co-producer, to Pendergrass' hit 1988 album, Joy.[1]
Jaye released two further albums on Island, Irresistible (1989) and Strong (1991), and continued to have hits on the R&B chart such as "Heaven" and "Objective" until 1991 before forming his own company, Black Tree Records, on which he released a string of increasingly jazz-influenced albums. He has also worked with leading jazz musicians including George Duke, Roy Ayers, Grover Washington, Jr. and Branford Marsalis.
Discography
[edit]Studio albums
[edit]| Year | Album | Peak chart positions | ||
|---|---|---|---|---|
| US [4] |
US R&B [4] | |||
| 1987 | Miles | 125 | 18 | |
| 1989 | Irresistible | 160 | 16 | |
| 1991 | Strong | — | 54 | |
| 1997 | The Odyssey | — | — | |
| 1999 | Romantic Storm | — | — | |
| 2002 | Humanity | — | — | |
| 2008 | Time to Get My Mind Right | — | — | |
| 2010 | God's Creation | — | — | |
| "—" denotes releases that did not chart. | ||||
Singles
[edit]| Year | Single | Chart positions | |||
|---|---|---|---|---|---|
| US R&B [2] |
UK [5] | ||||
| 1987 | "Let's Start Love Over" (with Roy Ayers) |
5 | 77 | ||
| "I've Been a Fool for You" | 8 | — | |||
| "Lazy Love" | — | — | |||
| 1988 | "Special Thing" | — | — | ||
| 1989 | "Objective" | 10 | — | ||
| "I'll Be There" | 30 | — | |||
| "Heaven" | 12 | 78 | |||
| 1990 | "Irresistible" | 42 | — | ||
| 1991 | "Sensuous" | 42 | — | ||
| "Strong for You" | 67 | — | |||
| "—" denotes releases that did not chart. | |||||
References
[edit]- ^ a b c d Wynn, Ron. "Miles Jaye – Biography". AllMusic. Retrieved May 2, 2019.
- ^ a b Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942–1995. Record Research. p. 225.
- ^ "Miles Jaye Page". Soulwalking.co.uk. Retrieved October 27, 2020.
- ^ a b c d "Miles Jaye – Awards". AllMusic. Archived from the original on April 11, 2013. Retrieved 23 January 2022.
- ^ "MILES JAYE | full Official Chart History | Official Charts Company". Official Charts. Retrieved May 16, 2020.
External links
[edit]- Miles Jaye discography at Discogs
| International | |
|---|---|
| National | |
| Artists | |
Miles Jaye
View on Grokipediafrom Grokipedia
Early life and education
Childhood and family background
Miles Jaye was born Miles Jaye Davis on November 12, 1957, in Yonkers, New York.[1][5] He was named after the renowned jazz trumpeter Miles Davis, reflecting his parents' admiration for the genre.[6][1] Jaye was raised in Brooklyn's Bedford-Stuyvesant neighborhood, a vibrant area that exposed him to diverse musical sounds during his formative years.[6] This early environment laid the groundwork for his lifelong passion for music, leading him toward formal training in his adolescence.[7]Musical training and military service
Following his early exposure to music through family influences, Miles Jaye pursued formal musical education after high school, focusing on classical violin and music theory. He attended the Brooklyn Conservatory of Music, the Saratoga School for Orchestral Studies, Indian Hill Music Center, and Brooklyn College, where he received music scholarships that supported his development as a classically trained violinist. These programs provided rigorous training in orchestral techniques, ensemble performance, and theoretical foundations, expanding his instrumental proficiency to include flute, piano, and bass guitar.[8] At age 19, Jaye enlisted in the U.S. Air Force, serving for five years as a musician in the Band of the Pacific, where he performed military marches, classical concert band repertoire, and contemporary pop arrangements. During this period, he played flute, piccolo, keyboards, and bass, honing skills in large-scale ensemble playing and adapting to diverse musical styles under disciplined military conditions. His service at Clarke Air Force Base in the Philippines marked the initiation of his singing career, as he took on the role of lead vocalist for the band, blending his classical background with emerging vocal talents.[8][9][7]Music career
Early professional experiences
Following his discharge from the U.S. Air Force in the late 1970s, where he had honed his skills on flute, keyboards, and bass, Miles Jaye transitioned into professional music as a multi-instrumentalist in New York's R&B and jazz scenes. He began contributing as a session violinist, leveraging his classical training to perform on electric violin and other instruments in local studios and live settings, often collaborating with emerging R&B and jazz ensembles. This period marked his initial foray into freelance work, building a reputation for his versatile string and wind playing amid the vibrant urban music circles of the era.[10] In the late 1970s and early 1980s, Jaye expanded his professional footprint through extensive tours across Europe, performing at major jazz festivals such as Montreux, North Sea, Nice, and Capitol. He accompanied renowned jazz guitarist Eric Gale on guitar-led sets, providing violin and keyboard support that blended classical precision with improvisational flair. Similarly, he toured with vocalist Phyllis Hyman, contributing multi-instrumental accompaniment including flute and electric violin to her soulful R&B performances, and joined singer Jon Lucien for jazz-infused outings where he handled vocals, keys, and strings. These international engagements solidified his role as a sought-after sideman in jazz and R&B, exposing him to diverse audiences and refining his stage presence.[11][12] During these formative years of touring and session contributions, Jaye began cultivating his interests in songwriting and production, drawing from his extensive music theory background acquired at institutions like the Brooklyn Conservatory of Music. He experimented with composing original pieces that fused jazz harmonies with R&B rhythms, often sketching arrangements during downtime on the road with Gale, Hyman, and Lucien. This creative exploration laid the groundwork for his later self-authored material, as he increasingly focused on crafting melodies and production elements that highlighted his violin and vocal talents, transitioning from pure instrumentalist to a more holistic musical artist.[10][12]Time with Village People
In 1982, Miles Jaye joined the Village People as the "Cop" character and lead singer, replacing Ray Simpson.[9][13] This role marked a shift for Jaye from his earlier jazz and R&B touring experiences in Europe to the high-energy disco and pop arena of the group.[9] During his tenure from 1982 to 1984, Jaye participated in extensive global tours, performing to sold-out crowds in locations including South America, Brazil, and Europe.[9][14] He delivered lead vocals on the group's signature hits such as "Y.M.C.A.," "Macho Man," and "In the Navy" during these live shows, contributing to the band's continued popularity in the post-disco era.[9] Additionally, Jaye recorded lead vocals for the 1983 single "America," a patriotic track produced by Jacques Morali that was later included as a bonus on reissues of the group's album In the Street.[15] Jaye's time with the Village People provided significant exposure in mainstream pop and disco scenes, broadening his audience beyond jazz circles and serving as a crucial stepping stone to his solo R&B career.[9] This visibility helped facilitate his transition to urban contemporary music, where he later collaborated with artists like Teddy Pendergrass.[9][3]Solo debut and major label success
After gaining visibility from his stint with Village People, Miles Jaye transitioned to a solo R&B career by signing with Teddy Pendergrass's Top Priority Productions, a label distributed by Island Records.[16][3] His self-produced debut album, Miles, released in 1987, showcased his smooth, romantic style and peaked at number 18 on the US Billboard R&B albums chart. The lead single, "Let's Start Love Over," became his biggest hit, reaching number 5 on the US R&B singles chart and number 77 on the UK Singles Chart, while the follow-up "I've Been a Fool for You" climbed to number 10 on the US R&B chart.[17][18] Critics praised the album's polished production and Jaye's emotive vocals, positioning him as a promising newcomer in contemporary R&B.[3] Jaye's momentum continued with his second album, Irresistible, released in 1989 on Island Records, which featured the single "Heaven" that hit number 14 on the US R&B chart and number 78 in the UK.[17][18] The album maintained his focus on heartfelt ballads and mid-tempo grooves, earning positive notices for its sophisticated arrangements. In 1991, he issued his third Island release, Strong, which included tracks emphasizing resilience and sensuality, though it received less commercial attention amid shifting R&B trends. During this period, Jaye also contributed significantly to Pendergrass's 1988 album Joy by writing and producing six tracks, including "Good to You" and "I'm Ready," helping the project achieve gold certification.[4][16] This major-label phase from 1987 to 1991 marked Jaye's peak commercial success, with multiple R&B hits establishing his reputation as a versatile songwriter and performer.[17]Independent releases and later career
Following his major label tenure with Island Records, where he achieved R&B chart success with singles like "Heaven," Miles Jaye transitioned to independent artistry by founding Black Tree Records in the mid-1990s.[1] This shift allowed greater creative control, leading to the release of his 1998 album The Odyssey, a 14-track project blending R&B, soul, and emerging jazz elements, distributed through Black Tree.[19] The album featured covers such as "Wildflower," showcasing Jaye's violin skills alongside his vocal style.[20] Jaye continued his independent output with Black Tree, culminating in the 2010 album God's Creation, a spiritually themed collection of 14 original tracks emphasizing smooth R&B and gospel influences, produced and released under his own label.[21] This period marked a deeper exploration of jazz violin, as Jaye incorporated instrumental performances into his compositions, drawing from his classical and jazz training.[22] In the 2010s and 2020s, Jaye focused increasingly on live performances and tours highlighting his jazz violin prowess, performing at international jazz festivals and U.S. venues with a live band. In 2024, Jaye continued releasing new material independently, including singles such as "Make It Last," "Still Sexy," and "Next Time."[23] Notable events included a May 17, 2023, show at Yoshi's in Oakland, California, where he delivered a set blending vocal and violin-driven jazz interpretations.[22] Earlier, on May 3, 2020, he discussed his ongoing projects in an interview on the Quiet Storm podcast, reflecting on his evolution toward instrumental jazz work.[24] Jaye marked a career milestone on November 12, 2022, with a special performance celebrating 35 years in the music industry and his 65th birthday, held in Jacksonville, Florida, featuring music and entertainment tributes to his multifaceted career.[25] Throughout the decade, he maintained an active touring schedule, emphasizing jazz violin in sets that revisited his catalog while introducing contemporary arrangements, solidifying his role as a versatile independent artist.[10]Musical style and legacy
Genres, instruments, and influences
Miles Jaye's primary genres are rooted in R&B and soul, particularly during the 1980s, where his work featured smooth, emotive vocals and ballads that emphasized romantic themes and melodic phrasing.[2] Over time, his style transitioned toward contemporary and smooth jazz, incorporating improvisational elements and instrumental textures that highlight his versatility as a performer and producer.[4] This evolution reflects a shift from vocal-driven pop-disco influences in his early professional phase to more introspective soulful ballads and jazz-oriented instrumentals in later releases.[16] As a multi-instrumentalist, Jaye is classically trained on the violin, which he studied for over ten years, and he has recorded on up to twelve different instruments across his projects, including flute, keyboards, bass (both upright and electric), saxophone, piano, and guitar.[4][2] His proficiency on these instruments allows for seamless integration of strings and woodwinds into R&B arrangements, as well as leading jazz ensembles with saxophone and violin solos that blend technical precision with expressive improvisation.[4] Jaye's influences draw heavily from his classical training, which instilled a foundation in music theory and orchestral technique, shaping his approach to composition and arrangement. In the R&B realm, he was notably mentored by Teddy Pendergrass, for whom he wrote and produced several tracks, absorbing the soulful intensity and vocal delivery of 1970s Philly soul.[4] Jazz figures encountered through tours and collaborations, such as George Duke, Roy Ayers, Grover Washington Jr., and Branford Marsalis, further informed his style, introducing fusion elements and harmonic sophistication that bridged soul's accessibility with jazz's depth.[4][2]Key collaborations and contributions
Throughout his career, Miles Jaye has collaborated extensively with prominent figures in jazz and R&B, blending smooth vocals with instrumental prowess on vibraphone, saxophone, and keyboards. On his debut album Miles (1987), he featured vibraphonist Roy Ayers on the hit single "Let's Start Love Over," which peaked at No. 5 on the Billboard R&B chart and showcased Ayers' signature fusion style enhancing Jaye's romantic balladry.[26] Similarly, saxophonist Branford Marsalis contributed soprano saxophone to "Come Home" from the same album, adding a layer of sophisticated jazz improvisation to the track's emotional depth.[27] Jaye's partnerships extended to other jazz luminaries, including a notable feature with Grover Washington Jr. on soprano saxophone for "Objective" from his 1989 album Irresistible. This collaboration highlighted Washington's melodic phrasing in a soulful R&B context, helping the single reach No. 8 on the R&B chart and exemplifying Jaye's ability to integrate jazz elements into mainstream urban music.[28][2] Keyboardist and producer George Duke also worked with Jaye on the 1991 album Strong, helming production for tracks like "Make Love Last" and "Kiss," which infused the recordings with Duke's renowned funk-jazz sensibilities.[29] Beyond performances, Jaye made significant contributions as a songwriter and co-producer for other artists, particularly on Teddy Pendergrass's 1988 album Joy. He co-produced and co-wrote several tracks, including the No. 3 R&B hit "2 A.M." and "I'm Ready," revitalizing Pendergrass's sound post-accident with contemporary R&B grooves while drawing on Jaye's violin and keyboard skills.[30] These efforts underscored Jaye's versatility, bridging R&B's emotional storytelling with jazz's improvisational flair through session work and guest spots that influenced the urban jazz crossover scene of the late 1980s and early 1990s.[31]Personal life and other pursuits
Family and relationships
Miles Jaye was married in the early 1980s and resided with his wife and children in Maine by 1987, where he described his family as providing essential stability amid his rising music career.[3] During this period, he had a young son and a daughter on the way, which motivated his decision to join the Village People in 1982 as a means to secure financial support for his growing family.[32] These family responsibilities influenced his career transitions, as he later reflected on the challenges of balancing the demands of touring and performing with his roles as a husband and father.[32] Public details about Jaye's marital status and relationships remain limited, with no verified information on current partnerships or subsequent marriages available from reputable sources. He is known to have at least two children—a son and a daughter—born during his early professional years, though he has maintained privacy regarding their personal lives and involvement in his career beyond this context.[32][3] Jaye's family dynamics post-childhood appear to have centered on mutual support, with his commitments to them shaping decisions like leaving high-profile opportunities to prioritize home life.[32]Non-musical interests and activities
Beyond his musical pursuits, Miles Jaye has pursued formal training in the culinary arts, graduating as an honors student from Le Cordon Bleu College of Culinary Arts in Orlando, Florida, in April 2014, with a perfect 4.0 GPA in the Culinary Arts major.[33] He identifies professionally as an "Artist Chef," blending his creative background with gastronomic skills.[34] This interest manifested in his ownership of the Miles Jaye Jazz Cafe in Jacksonville, Florida (2017–2025), where he incorporated culinary elements alongside live performances, employing dedicated chefs and staff to offer dining experiences as part of the venue's offerings.[35] Jaye has also engaged in playwriting and other literary endeavors through his company, Miles Jaye Davis Productions, LLC, authoring the novel Margerette (2003) and plays such as Meeting Miles Davis and The Last Love Song, as well as other novels.[33] These works reflect his broader creative output as a playwright and novelist, extending his artistic expression into narrative forms.[4] Additionally, he has worked as an award-winning journalist, contributing editorial features.[4] In terms of philanthropy and community involvement, Jaye has been an active supporter of AIDS awareness campaigns, headlining events like the AIDS Outreach Center's Red Ribbon Benefit Concert in Fort Worth, Texas, in 2024 to raise funds and promote HIV prevention.[36] He has advocated for breast cancer research and served as a supporter of domestic violence victims, performing at benefits such as those for Micah's Place in 2007 to heighten awareness and prevention efforts.[2] These activities underscore his commitment to community causes, including participation in galas like the Jesse N. Stone, Jr. Foundation's inaugural event in 2024, where he provided entertainment to support educational initiatives.[37]Discography
Studio albums
Miles Jaye's studio discography spans over three decades, beginning with his major-label debut on Island Records in the late 1980s and transitioning to independent releases on his own Black Tree Records label starting in the mid-1990s. His early albums achieved moderate success on the US R&B charts, driven by smooth R&B ballads and his multifaceted role as singer, violinist, and producer. Later works reflect a shift toward jazz-infused R&B and self-produced projects exploring personal and spiritual themes. The following table lists his studio albums chronologically, including release years, labels, and peak positions on the Billboard R&B Albums chart where applicable.[38][1]| Year | Album | Label | US R&B Peak |
|---|---|---|---|
| 1987 | Miles | Island Records | 18 |
| 1989 | Irresistible | Island Records | 16 |
| 1991 | Strong | Island Records | 54 |
| 1994 | Divine Ascension | Black Tree Records | — |
| 1997 | The Odyssey | Black Tree Records | — |
| 1999 | Romantic Storm | Black Tree Records | — |
| 2003 | Humanity | Black Tree Records | — |
| 2009 | Time to Get My Mind Right | Black Tree Records | — |
| 2010 | God's Creation | Black Tree Records | — |
| 2018 | 360 | Miles Jaye | — |
| 2020 | A Romantic Night | Miles Jaye Davis Productions | — |
Singles and notable tracks
Miles Jaye's breakthrough single "Let's Start Love Over," featuring Roy Ayers, was released in 1987 from his debut album Miles. It peaked at number 5 on the US Billboard Hot R&B/Hip-Hop Songs chart and reached number 77 on the UK Singles Chart.[47][48] The follow-up single "I've Been a Fool for You," also from Miles and released the same year, became another R&B success, climbing to number 10 on the US Billboard Hot R&B/Hip-Hop Songs chart.[49] This smooth ballad highlighted Jaye's romantic vocal style and contributed to his early major label momentum. In 1989, "Heaven" from the album Irresistible entered the charts, achieving a peak of number 14 on the US Billboard Hot R&B/Hip-Hop Songs chart and number 78 on the UK Singles Chart.[49][50] A remix version, the Celestial Club Mix, later gained popularity in dance circles for its extended instrumental elements.[51] "Objective," released in 1989 from Irresistible (with some sources listing a 1991 reissue), featured Grover Washington Jr. on saxophone and peaked at number 8 on the US Billboard Hot R&B/Hip-Hop Songs chart.[49] This track showcased Jaye's jazz influences through its sophisticated arrangement and received international attention in Europe. Other notable singles from the late 1980s and early 1990s include "I'll Be There" (1989, US R&B #30) and "Irresistible" (1990, US R&B #42), both from Irresistible, which demonstrated his consistent presence on R&B airwaves.[49] Later efforts like "Sensuous" (1991, US R&B #42) and "Strong for You" (1991, US R&B #67) from the album Strong marked his final major label singles, with remixes aiding club play.[49][1] Among non-single album tracks, "Wildflower" from The Odyssey (1997) stands out as a fan favorite for its gentle, acoustic-driven melody and introspective lyrics, reflecting Jaye's evolution toward jazz-infused contemporary R&B.[52]| Single | Year | US R&B Peak | UK Peak |
|---|---|---|---|
| "Let's Start Love Over" | 1987 | 5 | 77 |
| "I've Been a Fool for You" | 1987 | 10 | — |
| "Heaven" | 1989 | 14 | 78 |
| "Objective" | 1989 | 8 | — |
| "I'll Be There" | 1989 | 30 | — |
| "Irresistible" | 1990 | 42 | — |
| "Sensuous" | 1991 | 42 | — |
| "Strong for You" | 1991 | 67 | — |