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Miss Universe
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Miss Universe
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Miss Universe is an annual international major beauty pageant that is run by the Thailand and Mexican-based Miss Universe Organization.[1] Along with Miss World, Miss International, and Miss Earth, it is one of the Big Four beauty pageants.[2]

Key Information

The Miss Universe Organization and its brand is owned by JKN Global Group and Legacy Holding Group USA Inc., an American division of Mexican company Legacy Holding through the joint venture company JKN Legacy Inc.[3] Telemundo had the licensing rights to air the pageant through 2023.[4] The pageant's advocacy is "humanitarian issues and is a voice to affect positive change in the world".[5][6]

The reigning Miss Universe is Fátima Bosch from Mexico who was crowned on Thursday, November 20, 2025, in Thailand.[7]

History

[edit]
Miss Universe sash from 2001 until 2022

The title "Miss Universe" was first used by the International Pageant of Pulchritude in 1926. This contest was held annually until 1935, when the Great Depression and other events preceding World War II led to its demise.

The current Miss Universe pageant was founded in 1952 by Pacific Knitting Mills, a California-based clothing company and manufacturer of Catalina Swimwear, and it has since been headquartered in the United States. The company sponsored the Miss America pageant until 1951, when the winner, Yolande Betbeze, refused to pose for publicity pictures wearing one of its swimsuits. In 1952, Pacific Knitting Mills organized the Miss USA and Miss Universe pageants, co-sponsoring them for decades.[8]

Armi Kuusela, the first titleholder, meets people in Helsinki, Finland

The first Miss Universe Pageant was held in Long Beach, California, in 1952. It was won by Armi Kuusela of Finland, who gave up her title, though not officially, to marry shortly before her year was completed.[9] Until 1958, the Miss Universe title, like that of Miss America, was dated by the year after the contest, so Kuusela's title was Miss Universe 1953. Since its founding by Pacific Mills, the pageant has been organized and conducted by the Miss Universe Organization. Eventually, Pacific Mills and its subsidiaries were acquired by the Kayser-Roth Corporation.[10]

The pageant was first televised in 1955. CBS began broadcasting the combined Miss USA and Miss Universe pageants in 1960, and as separate contests in 1965. In 1975, Gulf and Western Industries bought the Kayser-Roth Corporation. It owned the Miss Universe pageant until 1991, when Procter & Gamble bought it.[10]

In 1996, Donald Trump bought the pageant from ITT Corp, with a broadcasting arrangement with CBS until 2002.[11] In 1998, Miss Universe, Inc. changed its name to the Miss Universe Organization, and moved its headquarters from Los Angeles to New York City.[12][13] By late 2002, Trump entered into a joint venture with NBC,[1][14] which in 2003 outbid the other markets for the TV rights.[15] From 2003 to 2014, the pageant was broadcast on NBC in the U.S.

In June 2015, NBC canceled all business relationships with Trump and the Miss Universe Organization in response to controversial statements about immigrants who illegally crossed the border from Mexico.[16][17] As part of the legal settlement, in September 2015, Trump bought out NBC's 50% stake in the company, making him the company's sole owner. Three days later, he sold the company to WME/IMG.[18][19] After the change of ownership, Fox and Azteca became the Miss Universe and Miss USA pageants' official broadcasters in October 2015.[20] The Miss Universe Pageant's broadcast rights were temporarily split between Telemundo and FYI during the 2020 pageant amid COVID-19 pandemic restrictions. The contract with Fox and emcee Steve Harvey resumed for the 2021 edition.

On October 26, 2022, Thailand-based JKN Global Group acquired Miss Universe Organization (MUO) from Endeavor Group Holdings-owned IMG Worldwide at $14 million, making Anne Jakapong Jakrajutatip the first transgender woman to own the organization and marking the first time the organization moved its headquarters outside the U.S. Since the 2022 edition, NBC has regained the pageant's broadcast rights via The Roku Channel as a result of the ownership changes, marking the first time in Miss Universe history that the pageant has transitioned from traditional broadcast network coverage to full streaming service in the U.S.[21]

On November 16, 2023, Paula Shugart, president of the Miss Universe Organization, announced her departure from the Miss Universe Organization.[22] She will not be replaced.[22] On February 8, 2024, Miss Universe Organization CEO Amy Emmerich also announced her departure. She left the organization on March 1, 2024.[23]

Contestant selection

[edit]
Main article: List of Miss Universe countries

To participate in Miss Universe, a country needs a local company or person to buy the competition's local rights through a franchise fee. The fee includes the rights of image, brand, and everything related to the pageant. Often the owner of the franchise returns the franchise to the Miss Universe Organization, which resells it to a new stakeholder. The reselling of the franchise from one owner to another has occurred often in the event's history, sometimes for contractual breaches or financial reasons. The number of participants fluctuates annually because of the franchising of the pageant paired with conflicting schedules to the regular calendar, but has steadied above 70 countries since 1989.

Usually a country's candidate selection involves pageants in the nation's local subdivisions, where local winners compete in a national pageant, but there are some countries who opt for an internal selection. For example, from 2000 to 2004, Australian delegates were chosen by a modeling agency. Although the Miss Universe Organization generally discourages such "castings", Jennifer Hawkins was chosen to represent Australia in Miss Universe 2004 and won the crown. Australia reinstated its national pageant for Miss Universe in 2005.

Recent countries that debuted in the pageant include Cameroon (2020), Bahrain (2021), Bhutan (2022), Pakistan (2023), Belarus, Eritrea, Guinea, Macau, Maldives, Moldova, North Macedonia, Somalia, United Arab Emirates, and Uzbekistan (2024). Macau is the latest newcomer and the most recent country to obtain its first ever semifinal placement at Miss Universe, after debuting in 2024 as a semifinalist in the Top 30.

Botswana remains the most recent first-time entry to win Miss Universe in its debut year (with Mpule Kwelagobe in 1999), and Denmark is the most recent country to obtain its first ever national win in Miss Universe (with Victoria Kjær Theilvig in 2024).

Cultural barriers, particularly with the swimsuit competition, and the event's franchise fees have prevented some countries, such as Mozambique, from participating. Nevertheless, the Miss Universe Pageant has been popular in the Americas, Africa, and Asia, especially in the United States, Philippines, Colombia, Peru, Venezuela, South Africa, France, Thailand, and Indonesia, given their track record of multiple semifinal appearances in the last decade and combined titles in the competition's history. As of 2024, only two countries have been present at every Miss Universe since its inception in 1952: Canada and France.[citation needed]

Since 2012, openly transgender women have been allowed to compete.[24] Six years after this rule went into effect, Angela Ponce of Spain became the first openly transgender competitor, in the 2018[25] edition. In 2019, Myanmar's Swe Zin Htet became the first out lesbian to compete. Spain's Patricia Yurena Rodríguez is the highest-placed LGBT member at Miss Universe, placing second to Venezuela's Gabriela Isler in 2013, but did not come out until years after the competition.[26][27][28] In 2021, the Philippines' Beatrice Gomez became the first openly bisexual (and LGBT) contestant to enter the Miss Universe semifinals, after finishing as a finalist in the Top 5 that year. In 2023, Portugal's Marina Machete became the first transgender contestant to enter the Miss Universe semifinals, after finishing as a semifinalist in the Top 20.

Previously, official rules said that pageant contestants "must not have ever been married, not had a marriage annulled nor given birth to, or parented a child. The titleholders are also required to remain unmarried throughout their reign."[29][30] But in August 2022, the Miss Universe Organization announced that mothers, married, or pregnant women are eligible.[31] This rule has been in effect since 2023. Accepting married contestants renewed tension between the U.S.-based Miss Universe pageant and the Europe-based Mrs. Universe pageant, which was previously the only avenue for married women to compete for the Universe title. Later in 2023, Colombia's Camila Avella became the first candidate to become a mother before clinching a semifinal placement at Miss Universe, after finishing as a finalist in the Top 5.

Miss Universe has always strictly prohibited age fabrication. While the pageant's minimum age has been set at 18, this presents a problem for several European countries that allow 17-year-olds to compete in their pageants. National titleholders under 18 must be replaced by their runners-up or another candidate in the main pageant. In recent years, all Miss Universe candidates have been required to be at least university degree holders or working professionals from the onset of their national pageants. In September 2023, R'Bonney Gabriel announced that the organization would be drop the upper age limit. Previously, contestants had to be less than 29 years old at the start of the pageant. Beginning in 2024, "every adult woman in the world will be eligible to compete to be Miss Universe."[32]

Main pageant

[edit]
For full list and details, see List of Miss Universe editions.

Throughout the history of Miss Universe, the main pageant's scheduling has varied widely. In the last decade, the competition has been consistently held over a two-week period between early November and late January. Because of television schedule demands (largely as a result of international time zone differences) or conflicting national events during the organizing process (such as the COVID-19 pandemic, the Olympics, FIFA World Cup, and elections), four editions (2014, 2016, 2020, and 2022) have been postponed to next year. Since the 2022 edition held in New Orleans in 2023, the Miss Universe Organization has regularly announced the hosting nation of the next edition on coronation night. Between the early 1970s through the late 2000s, the pageant spanned a full month (typically between March and June) to allow time for rehearsals, appearances, and the preliminary competition, with the winner crowned by the previous year's titleholder during the final competition.

According to the organizers, the Miss Universe contest is more than a beauty pageant, though they are expected to participate in swimsuit and evening gown competitions. Women aspiring to become Miss Universe must be intelligent, well-mannered, and cultured. If a candidate is unable to perform well during each round, she may be eliminated. Normally, the candidates' placements are determined by a ranked vote, where each judge ranks the candidates. In the past, semifinalists were chosen by a round-robin system. Between 2017 and 2019, the semifinalists were selected based on highest scores per continental group followed by the judging panel's wildcard list alongside one candidate chosen by the public. In the semifinals, all preliminary results are reset and a new competition starts with the highest-placed positions. In 2020, the round-robin system was reinstated: in each round of the grand final, the group of candidates with the lowest ratings was progressively eliminated. But this criterion has been modified to use weighted averages or points accumulated by stages from the preliminary competition to coronation night, with the assessment in ascending or descending order. From 2011 to 2014 and in 2016, 2020, and since 2022, the public can also select another semifinalist. Since the pageant's inception, all semifinalists have been announced at the beginning of the live telecast regardless of the edition's format. If ties occur in the final rounds, the preliminary results are used.

The winner signs a contract with the Miss Universe Organization that can last from seven months to more than a year as per the organization's demands. Miss Universe takes office immediately after coronation and takes on a public cause for which she becomes the ambassador for a year to spread messages about the control of diseases, peace, AIDS awareness, women's and ethnic minority rights, contemporary racial issues, public health issues, or the consequences of global warming. The winner also receives a cash allowance for her reign, a New York Film Academy scholarship, a modeling portfolio, beauty products, clothes, shoes, styling, healthcare, and fitness services from the pageant's sponsors. She has access to events such as fashion shows and opening galas, as well as casting calls and modeling opportunities in New York City. Between 1996 and 2015, the winner was given a Trump Place apartment in New York City, which she shared with the Miss USA and Miss Teen USA titleholders. Starting in 2022, the winner and the two runners-up in the Top 3 have shuttled between residences in New York and Bangkok.[33]

If for any reason the winner cannot fulfill her duties as Miss Universe, the first runner-up takes over. This protocol has happened only once as of 2024, when Panama's Justine Pasek succeeded Russia's Oxana Fedorova as Miss Universe in 2002 after Fedorova's termination that year. Aside from the winner and her runners-up, special awards are also given to the winners of the Best National Costume, Miss Photogenic, and Miss Congeniality. The Miss Congeniality award is chosen by the delegates themselves. In recent years, Miss Photogenic has been chosen by popular internet vote (she used to be chosen by media personnel covering the event), and the winning country for Best National Costume is announced after the naming of the semifinalists during finals night. Starting in 2024, Continental Queens are announced who travel with Miss Universe.

Crowns of Miss Universe

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The crown of Miss Universe has changed twelve times over the course of its 70-year history.[34]

  • The Romanov Imperial Nuptial Crown (1952) was the first crown. It was previously owned by a Russian czar. It contains 1,529 flawless diamonds weighing 300 carats and was insured for US$500,000. It was used to crown Armi Kuusela in 1952.[34][35]
  • The Christiane Martell Crown (1953), or infamously known as The Metallic Bronze Crown due to its solid metallic bronze design, replaced the inaugural crown. Miss Universe 1953 Christiane Martel was the only titleholder to wear it.[34]
  • The Star of the Universe Crown (1954–1960) was named for the star shape at its top. It is made up of approximately 1,000 oriental cultured black pearls set in solid gold and platinum and weighed 1.25 pounds. It was insured for US$500,000.[34]
  • The Rhinestone Crown (1961–1962) was made from rhinestones. It debuted in 1961 as part of the tenth anniversary of the Miss Universe Organization. Marlene Schmidt and Norma Nolan wore this crown.[34]
  • The Coventry Crown (1963–2001) was designed by the renowned jeweler Sarah Coventry. She remade the rhinestone crown to feature a female figure holding a scepter as its main centerpiece and it was dubbed The Lady Crown. The design was modified in 1973 for the wearer's convenience and was popularly known as The Chandelier Crown. The cheaper cost of its rhinestone design made it possible to create exact replicas of the crown to be given to outgoing titleholders. In the late 1980’s, the crowns were made by International Gem and Jewelry Show, Inc.[36] Miss Universe 2001 Denise Quinones was its last holder.[34]
  • The Mikimoto Phoenix Crown (2002–2007, and 2017–2018) was used for the fifty-first anniversary of the Miss Universe Organization. It was designed by Tomohiro Yamaji for the Mikimoto Company, who were the official jewelry sponsor of the Miss Universe Organization. The crown depicted the phoenix rising, signifying status, power, and beauty, as stipulated in their sponsorship deal. The crown has 500 natural colorless diamonds of almost 30 carats (6.0 g) and 120 South Sea and Akoya pearls, ranging in size from 3 to 18 mm diameter, and was valued at US$250,000.[34] The crown was designed for the pageant on Mikimoto Pearl Island in Japan, with the Mikimoto crown and tiara being first used for Miss Universe 2002, which was unveiled by former proprietor Donald Trump.[37] Catriona Gray was its last holder in 2019, before it was retired from use.
  • The CAO Crown (2008) was used to crown Dayana Mendoza in 2008. It is a tiara designed by Rosalina Lydster and Dang Kim Lien of CAO Fine Jewelry from Vietnam. The crown, valued at US$120,000, was made from a combination of 18K white and yellow gold and has over 1,000 precious stones, including 555 white diamonds (30 carats), 375 cognac diamonds (14 carats), 10 smoky quartz crystals (20 carats), and 19 morganite gemstones (60 carats). The yellow luster of the gold represented the prosperous, thriving economy of Vietnam as symbolized by a Vietnamese crane. However, Mendoza declined to use this crown and insisted on the Mikimoto crown when she crowned Stefanía Fernández as her successor.
  • The Diamond Nexus Peace Crown (2009–2013) was the winning crown made by Diamond Nexus Labs. Fans worldwide were given the opportunity to vote online in 2009 to determine which of the Unity, Hope, and Peace Crowns would be the next crown of Miss Universe.[38] The crown is set with 1,371 gemstones, weighing a total of 416.09 carats (83.218 g). It contains 544.31 grams of 14K and 18K white gold as well as platinum. In 2010, the top arches of the crown were removed for the wearer's convenience. The crown features synthetic rubies to represent Miss Universe's HIV/AIDS education and awareness platform. Diamond Nexus Labs was the first ever eco-friendly official jeweler of the Miss Universe Organization and was selected as part of NBC Universal's Green is Universal initiative.[39][40]
  • The DIC Crown (2014–2016) was used to crown Paulina Vega, Pia Wurtzbach, and Iris Mittenaere. It was produced by Czech company Diamonds International Corporation (DIC) and estimated to be worth US$300,000.[41][42] The whole production process took approximately four months and required the work of ten artisans. The crown is reminiscent of the Manhattan skyline and is composed of 311 diamonds, 5 pieces of blue topaz, 198 pieces of blue sapphire, 33 pieces of heat-fired crystals, and 220 grams of 18K white gold. The total weight of the crown is 411 grams. The crown was retired in 2017 due to a copyright infringement and subsequent payment issues between DIC and the Miss Universe Organization.[43]
  • The Mouawad Power of Unity Crown (2019–2021) was made by Mouawad Jewelry, who became the new jeweler for the Miss Universe Organization. With an estimated worth of almost US$6 million, the Mouawad crowns are the world's most expensive set of pageant crowns on record. From 2019 to 2021, Zozibini Tunzi, Andrea Meza, and Harnaaz Sandhu were crowned with it.[44] The crown consists of a golden canary diamond that weighs 62.83 carats. According to Pascal Mouawad, the crown symbolizes ambition, diversity, community, and beauty.[45]
  • The Mouawad Force for Good Crown (2022–2023) is the second Mouawad crown and was used to crown R'Bonney Gabriel and Sheynnis Palacios. It holds 110 carats of blue sapphires, 48 carats of white diamonds, and a 45.14 carat royal blue sapphire at its center.[46]
  • The Jewelmer Lumière de l’Infini Crown (2024–present), unveiled on 13 November 2024, is designed by Philippine-based luxury jewelry company Jewelmer, known for specializing in golden Philippine South Sea pearls. It was handcrafted by master jewelers through the use of traditional Filipino and French jewelry design and making techniques, particularly the Place Vendôme technique. Each of the golden pearls was harvested and prepared through 377 steps. Its gold and platinum metal foundations resemble those of the waves and the dance of the universe, which are adorned with hundreds of diamonds and 23 golden South Sea pearls. The biggest golden pearl featured at the top-center of the crown represents the sun, bursting with diamond-adorned golden rays. The French Lumière de l’Infini translates to "Light of Infinity" (transliterally) and "Shining Infinitely" or "Infinite Brilliance" (contextually).[47][48][49][50][51]
[edit]

Recent titleholders

[edit]
For full list and details, see List of Miss Universe editions, List of Miss Universe titleholders, and List of Miss Universe runners-up and finalists.
Edition Year Country/Territory Miss Universe National title Competition venue Number of entrants
70th 2021  India Harnaaz Sandhu Miss Diva Universe 2021 Eilat, Israel 80
71st 2022  United States R'Bonney Gabriel Miss USA 2022 New Orleans, Louisiana, United States 83
72nd 2023  Nicaragua Sheynnis Palacios Miss Nicaragua 2023 San Salvador, El Salvador 84
73rd 2024  Denmark Victoria Kjær Theilvig Miss Universe Denmark 2024 Mexico City, Mexico 125
74th 2025
 Mexico
Fatima Bosch Fernandez Miss Universe Mexico 2025 Nonthaburi, Thailand 120

Miss Universe Organization

[edit]

The Miss Universe Organization owns and runs the Miss Universe, Miss USA, and Miss Teen USA beauty pageants. Between 2020 and 2022, it stopped organizing the Miss USA and the Miss Teen USA competitions. They were operated by Crystle Stewart until her suspension in October 2022, after which they returned to the Miss Universe Organization.[52][53]

Based in New York City and Bangkok, the organization has been owned by the Thai JKN Global Group since October 2022, when WME/IMG sold the pageant. The organization sells television rights to the pageants and pageant organizations in other countries.[citation needed]

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In other media

[edit]

Electronic Arts was reportedly developing a video game based on the pageant in 2013, but development status is currently uncertain due to the closure of EA Black Box, the studio allegedly developing the game.[54]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Miss Universe

View on Grokipedia
from Grokipedia

Miss Universe is an annual international beauty pageant founded in 1952 by Pacific Knitting Mills, a California-based clothing company promoting its Catalina Swimwear line, to select an unmarried woman as titleholder for one year from among national representatives. The competition, now organized by the Miss Universe Organization under the ownership of Thailand's JKN Global Group since its 2022 acquisition, involves preliminary national selections followed by a global event featuring swimsuit, evening gown, and interview segments judged by a panel assessing poise, intelligence, and physical appeal. Recent editions, such as the 2024 pageant in Mexico City, drew contestants from 127 countries, marking a record participation level. The pageant has crowned 74 titleholders as of 2025, with Mexico's Fátima Bosch winning the most recent edition on November 20, 2025. Historically, the United States leads with nine victories, followed by Venezuela and Puerto Rico with seven each, reflecting patterns of national investment in contestant preparation and cultural emphasis on pageant success. Over decades, Miss Universe has shifted from a swimsuit-focused spectacle to incorporating platforms on leadership and social causes, though core judging remains subjective and tied to conventional attractiveness standards. Despite its global reach and viewership exceeding one billion in peak years, the organization has encountered defining controversies, including title dethronements for rule violations like marriage or pregnancy, allegations of judging irregularities, and internal leadership disputes culminating in executive resignations and lawsuits in the 2020s. These issues, often amplified by social media scrutiny of perceived biases or financial instability, underscore the pageant's reliance on opaque selection processes amid evolving societal views on beauty competitions.

History

Founding and Early Development (1952–1960s)

The Miss Universe pageant was established in 1952 by Pacific Knitting Mills, a California-based clothing company that produced Catalina swimwear, primarily as a marketing initiative to showcase its products following a dispute with the Miss America organization. The inaugural event occurred on June 28, 1952, at the Long Beach Municipal Auditorium in Long Beach, California, featuring 30 contestants from various nations and attracting an audience of approximately 3,000 spectators. Actress Piper Laurie crowned 17-year-old Armi Kuusela of Finland as the first titleholder, marking the pageant's immediate international scope despite its American origins. Kuusela's reign lasted less than a year; she relinquished the title in 1953 to marry Filipino businessman Virgilio Hilario, after which Christiane Martel of France succeeded her as Miss Universe 1953. Early editions emphasized swimsuit modeling and poise, with winners including Miriam Stevenson of the United States in 1954, Hillevi Rombin of Sweden in 1955, and Carol Morris of the United States in 1956, reflecting a mix of American dominance and emerging global participation. The pageant maintained its venue in Long Beach through the late 1950s, fostering growth through annual events that highlighted physical proportions and stage presence as judged by criteria such as figure symmetry. By the late 1950s, Miss Universe expanded its reach with Gladys Zender of Peru winning in 1957—the first South American victor—and Akiko Kojima of Japan in 1959, the inaugural Asian winner, underscoring the event's broadening appeal beyond Western contestants. The pageant began television broadcasts in 1955, enhancing visibility, and CBS aired the combined Miss USA and Miss Universe events starting in 1960 from Miami Beach, Florida, signaling a shift in venue and increased media integration. Linda Bement of the United States claimed the 1960 title amid these changes, as the competition solidified its format of preliminary swimsuit and evening gown segments leading to a final selection.

Growth and International Expansion (1970s–1990s)

During the 1970s, the Miss Universe pageant saw steady growth in international participation, with 64 contestants representing countries and territories competing in the 1970 edition held in Miami Beach, Florida. This marked an increase from the fewer than 60 delegates typical of the prior decade, driven by expanded franchising agreements that empowered national beauty organizations to select and send representatives. The pageant's relocation to international venues, such as Dorado, Puerto Rico in 1972—the first time held outside the continental United States—underscored its broadening appeal, attracting entrants from emerging markets in Latin America and the Middle East, including the first Lebanese winner, Georgina Rizk, in 1971. Satellite television advancements in the 1970s facilitated global broadcasts, allowing the event to reach audiences in Europe, Asia, and beyond for the first time on a wide scale, which boosted visibility and encouraged further national involvement. Under longtime host Bob Barker, who emceed from 1967 to 1987, CBS continued airing the pageant live, with viewership growing due to the format's emphasis on swimsuit, evening gown, and interview segments that highlighted diverse cultural representations. Participation rose to 69 contestants by 1980, when the event was staged in Seoul, South Korea, signaling deeper penetration into Asian markets. The 1980s and early 1990s sustained this trajectory, with delegations from additional countries in Africa and Oceania joining established participants from the Americas and Europe. Franchised national preliminaries proliferated, standardizing selection processes and enabling consistent entries from over 70 nations by 1990, when 71 delegates vied for the title in Los Angeles. This era's expansion reflected causal factors like rising global media access and economic incentives for sponsors, though numbers fluctuated due to geopolitical events and varying national commitments; for instance, post-colonial and developing economies increasingly viewed participation as a platform for soft power projection. By the mid-1990s, the pageant's international footprint was firmly established, setting the stage for commercialization in the subsequent decade.

Commercialization and Challenges (2000s–2010s)

During the 2000s, the Miss Universe Organization, under Donald Trump's ownership since 1996, intensified commercialization efforts to enhance profitability and global appeal. Trump, who gained full control by buying out partners around 2002, focused on amplifying the pageant's entertainment value through edgier production elements, such as smaller swimsuits and higher heels, which he credited for improving ratings and revenue. The organization expanded international hosting, including events in locations like Puerto Rico (2002), Thailand (2005), and Mexico (2007), while licensing national franchises to directors worldwide, increasing participant numbers beyond 80 countries annually and generating franchise fees as a key revenue stream. Broadcast partnerships with NBC drove initial viewership highs, peaking at around 9.65 million U.S. viewers in 2006, supported by sponsorships from brands like Pepsi and Diamond Information Center for crowns. However, the decade saw significant challenges, including high-profile controversies that tested organizational credibility. In 2002, Russia's Oxana Fedorova was dethroned after 119 days as Miss Universe for failing to fulfill travel and promotional duties—attributed to her police commitments—marking the first such replacement in pageant history, with Panama's Justine Pasek assuming the title. Rumors of pregnancy circulated but were denied by Fedorova, who later pursued a television career in Russia. Judging integrity faced scrutiny, with allegations of vote-trading blocs among panelists during the 2002 event, though no formal changes resulted. Trump's personal involvement, including hosting and controversial remarks, drew media attention, such as defending contestants amid tabloid scrutiny, but also fueled perceptions of sensationalism over substance. Into the 2010s, viewership erosion posed mounting financial pressures, signaling declining cultural relevance amid rising reality television competition and shifting attitudes toward beauty pageants. U.S. audiences fell to 6 million in 2010—an all-time low at the time—from earlier peaks, recovering modestly to 6.1 million in 2012 before further drops, such as 5.21 million in 2017. NBC ended its partnership in 2015, prompting Trump to sell the organization to WME/IMG for an undisclosed sum, amid his presidential campaign and network disputes over his immigration statements. Under new ownership, efforts to modernize—such as the 2015 wrong-crowning gaffe by host Steve Harvey, resolved with the Philippines' Pia Wurtzbach retaining the title—highlighted operational vulnerabilities, while persistent low ratings underscored challenges in sustaining commercial viability without diluting the core format.

Recent Transformations (2020s)

In October 2022, the Miss Universe Organization was acquired by Thailand-based JKN Global Group from Endeavor's IMG division for approximately $20 million USD, marking a shift in ownership to a media conglomerate led by CEO Anne Jakrajutatip, a transgender businesswoman. This acquisition followed previous ownership under WME/IMG since 2015 and aimed to expand global media rights management across over 90 countries. In January 2024, JKN sold a 50% stake to Mexico-based Legacy Holding Group USA for $16 million USD, amid JKN's bankruptcy filing in November 2023, though operations continued under joint control. Eligibility criteria expanded in August 2022 to permit mothers and previously married women to compete, reversing longstanding restrictions and aligning with broader inclusivity efforts initiated under prior ownership, such as the 2012 lifting of the transgender ban. These changes facilitated participation by diverse contestants, including two openly transgender women from the Netherlands and Portugal in the 2023 edition, though no transgender contestant has won the title to date. In April 2025, the organization introduced stricter regulations for national directors regarding third-party participation to standardize global operations. The decade saw annual pageants proceed despite disruptions, with the 2020 event delayed to May 2021 in Seminole Hard Rock Hotel, Hollywood, Florida, due to the COVID-19 pandemic, crowning Andrea Meza of Mexico as the first winner from her country in 71 editions. Subsequent victors included Harnaaz Sandhu of India in 2021, R'Bonney Gabriel of the United States in 2022 (notable for her textile design advocacy), Sheynnis Palacios of Nicaragua in 2023 (the first from her nation), and Victoria Kjær Theilvig of Denmark in 2024, held November 16 in Mexico City, representing Denmark's inaugural win. These outcomes occurred amid ongoing debates over inclusivity, with some national affiliates, such as Miss Italy in 2023, imposing biological female requirements, reflecting tensions between organizational policies and local standards. Ownership transitions and rule expansions under JKN influenced pageant dynamics, including reported internal views that transgender and married participants could compete but were unlikely to prevail, as stated by co-owner Alba Cuebas-Fantauzzi in June 2024, though the organization maintains official inclusivity without endorsing such predictions. In June 2025, Jakrajutatip stepped back from certain JKN executive roles amid falsification allegations but retained her position as Miss Universe CEO, underscoring leadership continuity amid financial and legal challenges.

Organization and Governance

Miss Universe Organization Overview

The Miss Universe Organization (MUO) was founded in 1952 by Pacific Knitting Mills, a California-based clothing manufacturer specializing in Catalina Swimwear, as a promotional event to showcase its products following the Miss America winner's refusal to model bikinis. The inaugural competition occurred on June 28, 1952, at the Long Beach Municipal Auditorium in California, featuring 30 contestants and crowning Armi Kuusela of Finland as the first titleholder. Initially structured as a single annual international pageant, the organization licensed preliminary swimsuit events and national selections to build participation, emphasizing physical beauty, poise, and personality judged by panels of celebrities and industry figures. Ownership of the MUO transitioned multiple times amid varying commercial interests. In 1965, control shifted to a group of investors led by entertainment producer Ernest J. Novak, marking a move toward professionalized event production. Donald Trump acquired the organization in 1996 through his Trump Organization, expanding its media presence via partnerships with NBC and emphasizing global broadcasting, before selling it in 2015 to talent agency WME/IMG for an undisclosed sum amid financial pressures. In November 2022, Thai entrepreneur Anne Jakkaphong Jakrajutatip purchased it via her JKN Global Group for $20 million, introducing operational reforms including relaxed eligibility for married women, mothers, and transgender participants. By January 2024, Mexican businessman Raúl Rocha Cantú secured a 50% stake through Legacy Holding Group USA, Inc., co-managing alongside Jakrajutatip. Under current leadership, with Jakrajutatip as CEO and Rocha as president, the MUO operates as a for-profit entity licensing over 80 national franchises to select delegates via preliminary pageants, while centralizing international judging, production, and branding. The organization's governance includes executive roles for legal, creative, and international affairs, supported by a network of directors handling contestant preparation and philanthropy initiatives. Its stated mission focuses on empowering women through platforms for leadership and social impact, though critics note revenue declines from peak viewership eras due to shifting cultural attitudes toward beauty contests. As of 2025, the MUO continues producing annual events amid legal disputes, including suits over national affiliate management.

Ownership Transitions and Leadership

The Miss Universe Organization (MUO) was founded in 1952 by Pacific Knitting Mills, a California-based clothing manufacturer promoting its Catalina Swimwear line, as a one-time event that evolved into an annual international competition. Early ownership transitioned through corporate acquisitions, including Kayser-Roth Corporation by the mid-1970s and later Gulf+Western Industries until the early 1990s, reflecting the pageant's integration into broader media and apparel conglomerates amid fluctuating financial viability. In 1996, Donald Trump acquired the MUO from ITT Corporation for an undisclosed sum estimated around $10 million, marking a pivotal shift toward aggressive commercialization and global television syndication, with Trump serving as chairman during a period of expanded broadcasting deals, including partnerships with CBS and later NBC. Trump's tenure, lasting until 2015, involved buying out NBC's stake to gain full control shortly before divestiture, amid reported financial strains from declining viewership and production costs. In September 2015, Trump sold the organization to WME/IMG (later under Endeavor) for approximately $5 million, a transaction influenced by his presidential campaign and NBC's termination of ties following controversial statements. WME/IMG owned the MUO from 2015 to 2022, focusing on digital expansion and international licensing while navigating criticisms over inclusivity policies and operational scandals, such as the 2022 resignation of Miss USA amid workplace allegations. On October 26, 2022, Endeavor's IMG division sold the organization to Thailand's JKN Global Group for $20 million, with JKN CEO Anne Jakrajutatip becoming the first woman to own the MUO outright, emphasizing empowerment themes in marketing. In January 2024, JKN divested 50% of its stake to Legacy Holding Group USA, controlled by Mexican businessman Raúl Rocha Cantú, for $16 million, establishing co-ownership to bolster financial stability and regional influence in Latin America. This structure persists as of 2025, with JKN and Legacy Holding jointly managing the brand amid ongoing legal disputes, including a 2025 lawsuit against former Miss USA CEO Laylah Rose over alleged mismanagement. Leadership has featured long-serving executives overseeing pageant operations, production, and franchising. Paula Shugart joined in 1998 as vice president of production and ascended to president in 2001, holding the role for 22 years until her departure following the 2023 edition, during which she managed expansions in eligibility rules and broadcast innovations but faced scrutiny over organizational controversies. Post-Shugart, Raúl Rocha Cantú assumed the presidency in 2024, leveraging his co-ownership to prioritize fiscal recovery and event logistics. Anne Jakrajutatip has served as CEO since JKN's 2022 acquisition, directing strategic shifts toward inclusivity while contending with financial pressures that prompted the partial sale; despite 2025 announcements of interim executives like Ronald Day, official statements affirm her continued CEO role alongside Rocha.

Eligibility and Selection Process

National and Regional Qualifications

National representatives for the Miss Universe pageant are selected through processes organized by licensed national directors who acquire franchise rights from the Miss Universe Organization (MUO). These directors, typically individuals or companies, must apply via an official process that includes submitting a proposal, paying a $1,000 non-refundable application fee, completing a virtual interview, and passing a background check, with applications generally opening in the fourth quarter of each year. Once approved, directors are obligated to hold a national selection event adhering to MUO rules, which may take the form of a competitive pageant, casting calls, or direct appointments, ensuring the chosen delegate meets core eligibility criteria such as being a citizen or resident of the represented territory. In countries with robust pageant infrastructures, national selections often incorporate regional or local preliminaries to identify candidates. These sub-national events, held in provinces, states, or major cities, evaluate participants on attributes like presentation, communication skills, and personal platforms before advancing winners to a culminating national competition. For example, in the United States, state-level pageants feed into the Miss USA event, which determines the delegate, while in the Philippines, regional qualifiers such as those in Visayas or Mindanao contribute contestants to the Miss Universe Philippines finale. This tiered structure promotes broader participation but varies widely, with smaller nations or territories sometimes relying solely on national director-led auditions due to limited resources. Regional qualifications extend to autonomous territories, dependencies, or subnational entities without independent franchises, where delegates may be selected via affiliated local pageants or director discretion, subject to MUO oversight. The franchise model incentivizes directors to invest in high-quality selections, as participation fees and event revenues offset costs, though it has drawn scrutiny for potential inconsistencies in competitiveness across nations—some prioritizing pageant experience and advocacy, others favoring celebrity or influencer profiles. In recent years, MUO's expansion of franchise opportunities has increased delegate numbers to around 130 per edition, reflecting a deliberate effort to include diverse regions while maintaining selection integrity through approved methods.

Evolving Eligibility Rules

The eligibility criteria for Miss Universe contestants originated in 1952 with requirements that participants be unmarried women between the ages of 17 and 24, with no explicit prohibitions on prior marriage or motherhood until around 1957. By the mid-20th century, standards had standardized to women aged 18 to 28 who were single, never married, and without children, emphasizing youth and traditional family status as prerequisites for competition. These marital and parental restrictions persisted for decades until August 2022, when the Miss Universe Organization revised its rules to permit married women, divorced individuals, and mothers to enter, marking a shift toward broader inclusivity in personal life circumstances. Subsequent clarifications extended eligibility to pregnant contestants as well, though titleholders must still fulfill reign duties without such conditions affecting their status post-selection. Regarding gender identity, the organization faced controversy in 2012 when Canadian contestant Jenna Talackova was initially disqualified for being transgender; following public backlash and legal threats, she was allowed to compete, prompting an implicit policy adjustment to accommodate transgender women who had undergone required medical transitions. By 2018, the rules were explicitly updated to affirm transgender eligibility, aligning with evolving societal norms on gender while maintaining biological female requirements at birth for some interpretations, though enforcement has varied. In September 2023, the upper age limit was eliminated effective for the 2024 pageant, allowing all women aged 18 and older to participate regardless of prior ineligibility due to age, a change framed as promoting diversity but criticized by some as diluting the pageant's focus on peak physical youth. These evolutions reflect the organization's response to cultural pressures for inclusivity, though core elements like national representation and ethical conduct remain unchanged.

Pageant Format

Competition Stages and Segments

The Miss Universe competition unfolds in two primary phases: the preliminary competition, typically held 1–2 days before the final event, and the final competition on the main broadcast night. The preliminaries evaluate all contestants—usually 80–130 national representatives—through swimsuit presentations, evening gown walks, and closed-door interviews with judges, generating scores that inform semifinalist selection. These interviews, lasting 5–10 minutes per contestant, assess personality, intelligence, and advocacy skills, often influencing up to 50% of preliminary scoring weights. In recent editions, such as 2024, the final competition begins with an initial cut to 20–30 semifinalists based on preliminary results, sometimes incorporating fast-tracks for continental representatives (one per region) and a fan-voted delegate. Semifinalists then compete in a swimsuit segment, where physical poise and confidence are showcased on stage, narrowing the field to 10–12 contestants. These advance to the evening gown segment, emphasizing elegance, posture, and thematic representation of their nation or personal story. The competition culminates in question-and-answer segments for the top 5–10, testing articulation, depth of thought, and relevance to global issues. Each top 5 contestant responds to a unique judge-posed question, after which judges deliberate to select the top 3. The top 3 deliver closing statements or answer final queries, with the winner determined by majority vote among the panel, often revealed via a dramatic announcement. This format prioritizes a blend of physical presentation and substantive responses, though exact numbers and segment orders vary annually to adapt to production and scoring adjustments.

Judging Criteria and Process

The judging panel for Miss Universe typically comprises 5 to 10 members selected from entertainment, business, fashion, and philanthropy sectors, tasked with evaluating contestants holistically to identify a representative capable of global advocacy and media duties. Criteria emphasize physical fitness and aesthetic appeal in swimsuit and evening gown segments, alongside poise, confidence, intelligence, and personality in interviews and questions, with judges seeking authenticity and stage command over scripted performance. Scores are assigned privately per segment, often on a 1-10 scale, aggregated to rank contestants without public disclosure of individual tallies to maintain competitive integrity. The process unfolds in preliminary and final phases. Preliminaries, held days before the main event, feature swimsuit presentations, evening gown walks, and closed-door interviews probing background, goals, and worldview, yielding semifinalist scores that cull the field from 80-130 entrants to 10-20 advancers. Semifinals during the televised finale include swimsuit and evening gown displays, sometimes augmented by national costume exhibitions, narrowing to a top 5-6 based on cumulative rankings. These finalists then field on-stage questions, often drawn randomly or selected by contestants from judges, testing articulation and insight under pressure. Winner selection culminates in judges' final deliberation post-questions, where overall scores—weighting interviews highest in some eras for substance over appearance—determine the titleholder via majority consensus or averaged rankings. Since 2023, fan voting via app integrates one semifinalist slot, blending public input with panel authority to reflect broader appeal, though core judging remains judge-driven. This structure, refined since the pageant's 1952 inception, prioritizes a balanced profile but has faced scrutiny for opacity, as scoring methodologies vary annually without standardized public rubrics.

Symbols and Regalia

The Crown and Its Evolution

The Miss Universe crown, bestowed upon the winner as the ultimate symbol of victory, has undergone numerous transformations since the pageant's inception in 1952, reflecting advancements in jewelry craftsmanship, sponsor influences, and escalating pageantry prestige. Initially modest in design and materials, later iterations incorporated precious gems, pearls, and intricate motifs, with values reaching millions of dollars. The Miss Universe Organization retains ownership of all crowns, which are loaned to titleholders for their reign rather than kept permanently. The inaugural crown, a replica of the Romanov Imperial Nuptial Crown, was awarded to Armi Kuusela of Finland in 1952; crafted from metal with minimal embellishments, it emphasized simplicity aligned with the pageant's early post-war origins. In 1953, a metallic bronze crown succeeded it, worn solely by Christiane Martel of France, marking the first notable design shift toward durability over ornate replication. By 1957, the Star of the Universe Crown, featuring a star-shaped structure with 1,000 black and cultured pearls set in platinum and gold, introduced opulence and was donned by Gladys Zender of Peru. From 1963 to 1972, the Sarah Coventry Crown, sponsored by the American jewelry firm, utilized rhinestones for a sparkling yet affordable aesthetic, first worn by Marlene Schmidt of Germany in 1961 in a precursor form. The subsequent Chandelier Crown, used from 1973 to 2001, evoked dangling crystals reminiscent of chandeliers, prioritizing visual drama over gem authenticity during an era of expanding global broadcasts. Sponsorship-driven changes accelerated in the 2000s; the Mikimoto Crown (2002–2007, revived 2017–2018), designed by the Japanese pearl company, incorporated 500 natural diamonds totaling nearly 30 carats alongside South Sea and Akoya pearls up to 18 mm in diameter, valued at $250,000 and emphasizing cultured pearl expertise. Subsequent crowns highlighted thematic elements and high-end sponsors: the CAO Fine Jewellery Crown (2008), worn by Dayana Mendoza of Venezuela, featured emerald-cut diamonds; the Diamond Nexus Peace Crown (2009–2012), promoted by lab-grown diamond advocates, symbolized harmony with synthetic stones; and the DIC Crown (2013–2016) from Diamond International Company stressed ethical sourcing. Mouawad's involvement began with the Power of Unity Crown in 2019, evolving to the 2022 Force for Good Crown valued at $6 million, incorporating 110 carats of blue sapphires, 48 carats of white diamonds, and a central 45.14-carat royal blue sapphire to represent global unity. The 2024 Lumière de l'Infini Crown, crafted by Filipino jewelers Jewelmer with rare South Sea pearls, continued this trend of localized luxury production amid organizational shifts. These evolutions underscore a progression from functional regalia to multimillion-dollar artifacts, often tied to corporate partnerships that fund the pageant's operations while enhancing perceived exclusivity.

Sashes, Jewels, and Traditions

The sash constitutes a primary symbol of the Miss Universe title, presented to the winner during the pageant's finale to signify her assumption of global representational duties. Produced by The Sash Company as the official supplier, it consists of a white satin band approximately 4 inches wide, adorned with "Miss Universe" in gold-embossed script lettering, worn diagonally from the right shoulder to the left hip. This design has remained consistent in its core elements since the pageant's early years, emphasizing elegance and visibility during public appearances. In December 2022, the Miss Universe Organization announced the adoption of sustainable sashes for the 2023 edition onward, crafted from 100% post-consumer recycled polyester fabrics and threads, supplemented by ethically produced synthetic rhinestones to minimize ecological footprint while maintaining aesthetic standards. These sashes, like their predecessors, are custom-made for national delegates during preliminaries and for the titleholder at coronation, with the sashing ritual performed by an official or the outgoing queen to formalize the title transfer. Jewelry elements beyond the crown, often sponsored by luxury brands like Mouawad, have included bespoke pieces such as diamond necklaces or earrings awarded to titleholders, though details vary annually based on partnerships and are not standardized regalia. Key traditions surrounding these items encompass the coronation ceremony's oath recitation, instituted in 1960, wherein the new titleholder vows to promote world peace, goodwill, and humanitarian causes. Titleholders maintain the custom of donning the full regalia—sash, crown, and select jewels—for official duties, including international travel and advocacy events, reinforcing the pageant's emphasis on poise and philanthropy throughout the one-year reign.

Titleholders and Achievements

Record-Holding Winners

The United States has won the Miss Universe title nine times, more than any other country, with victories in 1954, 1956, 1960, 1967, 1980, 1995, 1997, 2012, and 2022. Venezuela follows with seven titles, achieved in 1979, 1981, 1986, 1996, 2008, 2009, and 2013, including the only back-to-back wins in pageant history during 2008–2009. Puerto Rico has secured five crowns (1970, 1985, 1993, 2001, 2006), while the Philippines has four (1969, 1973, 2015, 2018). Four countries tie for the next highest total with three titles each: India (1994, 2000, 2021), Mexico (1991, 2010, 2020), South Africa (1978, 2017, 2019), and Sweden (1955, 1966, 1977). No individual has won the Miss Universe title more than once, as the competition crowns a single winner annually for a one-year reign, with titleholders passing the crown to their successor at the next event.
CountryNumber of TitlesYears Won
United States91954, 1956, 1960, 1967, 1980, 1995, 1997, 2012, 2022
Venezuela71979, 1981, 1986, 1996, 2008, 2009, 2013
Puerto Rico51970, 1985, 1993, 2001, 2006
Philippines41969, 1973, 2015, 2018
India31994, 2000, 2021
Mexico31991, 2010, 2020
South Africa31978, 2017, 2019
Sweden31955, 1966, 1977

Recent Titleholders (2015–Present)

YearTitleholderNationalityCoronation Date and Location
2015Pia WurtzbachPhilippinesDecember 20, 2015, Las Vegas, Nevada, USA
2016Iris MittenaereFranceJanuary 30, 2017, Pasay, Philippines
2017Demi-Leigh Nel-PetersSouth AfricaNovember 26, 2017, Las Vegas, Nevada, USA
2018Catriona GrayPhilippinesDecember 16, 2018, Bangkok, Thailand
2019Zozibini TunziSouth AfricaDecember 8, 2019, Atlanta, Georgia, USA
2020Andrea MezaMexicoMay 16, 2021, Seminole Hard Rock Hotel & Casino, Hollywood, Florida, USA
2021Harnaaz SandhuIndiaDecember 12, 2021, Eilat, Israel
2022R'Bonney GabrielUnited StatesJanuary 14, 2023, New Orleans, Louisiana, USA
2023Sheynnis PalaciosNicaraguaNovember 18, 2023, El Salvador
2024Victoria Kjær TheilvigDenmarkNovember 16, 2024, Mexico City, Mexico
2025Fátima BoschMexicoNovember 20, 2025, Chonburi, Thailand
Pia Wurtzbach's victory marked the Philippines' third Miss Universe title and followed a controversial announcement error where she was initially declared runner-up before being corrected as the winner. Iris Mittenaere became the first French winner in 64 years and later won Miss France in subsequent years. Demi-Leigh Nel-Peters emphasized self-defense training during her reign, launching initiatives on the topic. Catriona Gray's win secured the Philippines' fourth title, noted for her advocacy on HIV/AIDS awareness and environmental causes. Zozibini Tunzi advocated for natural hair acceptance and became the third South African winner. The 2020 pageant, delayed due to the COVID-19 pandemic, saw Andrea Meza crowned as Mexico's third titleholder. Harnaaz Sandhu's triumph ended a 21-year drought for India. R'Bonney Gabriel, the first Filipino-American winner for the U.S., focused on sustainable fashion. Sheynnis Palacios represented Nicaragua's first victory, highlighting mental health advocacy. Victoria Kjær Theilvig, a 21-year-old entrepreneur and animal rights advocate, achieved Denmark's inaugural Miss Universe crown. Fátima Bosch secured Mexico's fourth Miss Universe title.

Controversies and Criticisms

Scandals Involving Judging and Integrity

In 2015, during the Miss Universe final on December 20 in Las Vegas, host Steve Harvey erroneously announced Ariadna Gutiérrez of Colombia as the winner due to misreading the results card, leading to her brief celebration and partial crowning before the correction to actual winner Pia Wurtzbach of the Philippines approximately two minutes later. The incident, viewed by millions, exposed vulnerabilities in the live announcement protocol but was officially attributed to human error rather than any manipulation of judging tallies, with no evidence of ballot tampering uncovered. Gutiérrez later received $1 million from the organizers as compensation, highlighting procedural lapses in high-stakes result verification despite the judging panel's confidentiality. Allegations of outright rigging have arisen sporadically, often from eliminated contestants lacking corroborative proof. In June 2012, following Olivia Culpo's Miss USA victory, Sheena Monnin, Miss Pennsylvania USA, resigned and posted on Facebook that she had overheard discussions of predetermined outcomes and witnessed improper ballot handling in the dressing room, labeling the event "fraudulent." The Miss Universe Organization filed a defamation suit; a New York arbitrator ruled in December 2012 that Monnin's unsubstantiated claims damaged the pageant's reputation, awarding $5 million in damages, which courts upheld despite her appeals, underscoring the evidentiary burden on such accusations from disgruntled participants. Renewed scrutiny emerged in 2022 surrounding the Miss USA pageant on October 3, where winner R'Bonney Gabriel faced claims from multiple contestants, including Miss Montana Heather Lee O'Keefe, of favoritism such as scripted interview responses, preferential rehearsal access, and judging bias toward her. The Miss Universe Organization investigated these assertions of a "fixed" outcome but concluded no violations occurred, attributing complaints to competitive tensions. Gabriel's subsequent Miss Universe win on January 14, 2023, fueled viral social media theories of orchestrated favoritism by new Thai owner Anne Jakkaphong Jakrajutapha, which CEO Amy Harwick explicitly denied as baseless, noting the independent judging panels and lack of concrete evidence. In 2023, a former judge accused Jakrajutapha of attempting to sway decisions by advocating for specific entrants, including a transgender contestant, during the competition leading to Sheynnis Palacios's victory, though the organization rejected these unproven assertions and no formal inquiry substantiated interference. Persistent doubts about judging opacity—where panels of celebrities and experts score on subjective criteria like poise and advocacy without public disclosure—perpetuate skepticism, yet no empirical investigations have confirmed systemic corruption, with allegations typically evaporating under scrutiny or legal challenge. In January 2025, Magalí Benejam, stripped of her Miss Argentina title, reiterated in an interview that Miss Universe results are "always fixed," echoing unverified patterns from past claimants but offering no new documentation.

Debates on Inclusivity and Biological Sex

In 2012, the Miss Universe Organization revised its eligibility rules to permit transgender women to compete, effective for the 2013 pageant, following the disqualification and subsequent reinstatement of Canadian contestant Jenna Talackova, who had undergone gender reassignment surgery but was initially barred for not being a "naturally born female." The policy shift came amid legal threats from Talackova's representatives, who argued the exclusion violated human rights and anti-discrimination laws in Canada. The first transgender woman to participate in the Miss Universe pageant was Ángela Ponce of Spain in 2018, who advanced to the preliminary rounds but did not place in the finals. Subsequent years saw increased participation, including Rikkie Kollé representing the Netherlands in 2023 and Marina Machete for Portugal in the same year, marking the first instance of multiple transgender contestants in a single edition. As of 2024, no transgender woman has won the Miss Universe title, with biological females continuing to claim victories, such as Denmark's Victoria Kjaer Theilvig in 2024. Proponents of the policy frame it as advancing inclusivity and equality, arguing that gender identity should supersede biological sex in defining eligibility for women's categories, with the organization positioning the change as a rejection of discriminatory barriers. Critics, however, contend that biological males retain inherent physical advantages—such as greater average height, skeletal structure, and muscle mass developed during male puberty—that confer unfair edges in pageant criteria emphasizing poise, physique, and stage presence, potentially undermining the competition's foundation as a female-only event. Former Miss Universe Gloria Diaz, the 1967 titleholder from the Philippines, has publicly opposed transgender inclusion, advocating for separate pageants to preserve sex-based distinctions while allowing participation elsewhere. In response to such debates, Italy's national Miss Universe selection in 2023 explicitly required contestants to be biological females, excluding transgender entrants at the domestic level. These controversies highlight tensions between self-identified gender and immutable biological sex, with detractors noting that mainstream media coverage often amplifies pro-inclusivity narratives while downplaying empirical differences in male and female physiology that persist post-transition. No peer-reviewed studies have demonstrated that hormone therapy fully eliminates sex-based advantages in aesthetic competitions like beauty pageants, where visual and structural traits play a central role. The organization's 2023 expansions to include married, divorced, and plus-size contestants have compounded scrutiny, with some alleging performative diversity over substantive fairness.

Financial Instability and Organizational Turmoil

In October 2022, JKN Global Group Public Company Limited, a Thai media firm led by Anne Jakrajutatip, acquired the Miss Universe Organization, including Miss USA and Miss Teen USA, for $20 million from its previous owner, the U.S.-based agency WME/IMG. The purchase was financed largely through corporate bonds, a strategy that exposed the company to significant debt obligations amid volatile media revenues. By September 1, 2023, JKN missed a bond repayment deadline of approximately 610 million Thai baht (around $17-18 million USD), triggering default proceedings and a sharp decline in investor confidence. On November 8, 2023—mere days before the 72nd Miss Universe pageant—JKN filed for bankruptcy protection in Thailand, following an 80% drop in its stock value over the preceding year. The filing highlighted overleveraged expansion into international pageants without corresponding revenue growth, as JKN's core business in content distribution struggled with digital streaming disruptions. The bankruptcy precipitated widespread organizational upheaval. JKN's longtime president resigned shortly after the filing, followed by the rapid departure of her successor, exacerbating leadership voids within the Miss Universe Organization. In February 2024, JKN sold a 50% stake in Miss Universe to a Mexican businessman affiliated with Legacy Holding Group USA Inc., aiming to stabilize operations, though full recovery remained uncertain. By June 2025, Jakrajutatip resigned from JKN amid Thai regulatory investigations into alleged financial fraud related to the Miss Universe deal, with expectations of her exit from pageant leadership. Subsidiary pageants faced acute fallout, including unpaid prizes and contracts. In 2024, Miss Universe sued former Miss USA CEO Laylah Rose, alleging she fostered a toxic work environment and failed to disburse the $100,000 prize to that year's winner, amid broader claims of contract breaches by her firm, VVV Global. Miss USA encountered rigging allegations, sexual harassment claims, and non-payment issues for state titleholders, contributing to a cascade of resignations and public scrutiny. These events underscored systemic mismanagement, with franchise affiliates in countries like Mexico reporting similar leadership churn and funding shortfalls. Despite official denials of imminent collapse, the turmoil eroded sponsor trust and operational continuity, as evidenced by delayed payments and fractured affiliate relations.

Cultural Impact and Legacy

Global Influence and Charitable Efforts

The Miss Universe Organization (MUO) broadcasts its annual pageant to audiences in over 190 countries, establishing it as one of the most widely viewed international events and providing a platform for cultural exchange and national representation. This global reach extends to more than 500 million viewers across over 130 countries, influencing perceptions of beauty standards and enabling contestants to advocate for issues such as women's empowerment and health on an international stage. During the 2022 Global Fan Vote, over 116 million votes were cast by 6.5 million unique participants from 230 countries, demonstrating substantial digital engagement and the pageant's role in fostering worldwide participation. Titleholders leverage the crown to promote leadership and philanthropy, with recent winners conveying messages focused on women's empowerment, education access, and wellness through public platforms and social media. For instance, the pageant has served as a mechanism for women from developing nations to gain visibility for political and social causes, amplifying voices on global issues like gender equity. MUO emphasizes transforming lives by building confidence and encouraging advocacy, though its influence on beauty ideals has sparked debates about reinforcing traditional standards rather than universally diversifying them. In charitable endeavors, MUO facilitates volunteering, fundraising, and advocacy initiatives, partnering with organizations to support community projects in areas like education and health. Contestants have visited facilities such as Food For The Poor headquarters to learn about and promote housing, water, and educational programs, highlighting the pageant's commitment to direct aid. Individual titleholders often establish or support nonprofits; for example, former Miss Universe Bui Simon founded Angels Wings Foundation International to assist underprivileged children, while Catriona Gray, Miss Universe 2018, launched the Legacy Ball in 2024 to fund education initiatives through Young Focus Philippines. The organization maintained a nine-year partnership with Smile Train, the world's largest cleft repair charity, which concluded in 2024, reflecting targeted but sometimes temporary alliances in global health efforts. Recent "Beyond the Crown" projects under MUO concentrate on social causes, enabling delegates to drive purpose-driven activities during their reigns. The Miss Universe pageant has received mixed reception, lauded in some quarters for fostering global cultural exchange and providing platforms for women's advocacy, while facing persistent scrutiny for emphasizing physical appearance over substantive achievements. Early broadcasts in the mid-20th century garnered acclaim for their spectacle and international scope, with proponents arguing they elevated participants' visibility for charitable causes. However, by the 21st century, reception has increasingly highlighted tensions between empowerment narratives and perceived superficiality, particularly as the organization attempted rebrands toward inclusivity amid declining traditional appeal. Viewership trends in the United States, a primary market, illustrate a marked decline from peak popularity in the 1980s and 1990s, attributable in part to fragmented media consumption, competition from streaming services, and shifting cultural priorities rather than isolated scandals. The 2014 NBC broadcast peaked at 7.6 million viewers, buoyed by a 122% year-over-year increase in the 18-49 demographic rating to 2.0. Subsequent years showed volatility: 3.8 million in 2016 on Fox, 5.21 million in 2017, another 3.8 million in 2019, and a drop to 2.7 million in 2021. This downward trajectory reflects broader erosion in linear TV audiences for event programming, though global estimates claim reach exceeding 500 million in select markets like the Philippines, where local fervor sustains high engagement.
YearU.S. Viewers (millions)NetworkNotes
20133.75NBCPre-2014 surge baseline
20147.6NBCHighest recent peak, up 122% in key demo
20163.8FoxSlight improvement over prior low
20175.21FoxEvening buildup in ratings
20193.8FoxStable but low relative to history
20212.7FoxContinued decline amid pandemic effects
Societal critiques, predominantly from feminist activists and academics, center on the pageant's role in objectifying women by prioritizing metrics like swimsuit competitions and physical measurements, which reinforce patriarchal beauty ideals and contribute to body image pressures among viewers and participants. Critics argue these elements commodify female bodies, with historical analyses tracing such practices to male-dominated judging panels that sustain narrow standards of attractiveness. Such viewpoints, often amplified in media and scholarly outlets with documented ideological leanings toward critiquing traditional gender norms, overlook empirical participation rates—over 50,000 annual contestants globally—and titleholders' subsequent careers in advocacy, suggesting the format's appeal persists despite ideological opposition. Recent iterations, including expanded inclusivity rules post-2022, have drawn counter-critiques for performative diversity, as evidenced by backlash to the 2024 Danish winner for allegedly underrepresenting non-Western or plus-size contestants, underscoring tensions between merit-based selection and equity demands.

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  33. https://sashesandscripts.wordpress.com/2024/03/03/the-death-of-the-miss-universe-brand/
  34. https://www.youtube.com/watch?v=yqdGZNPtqiA
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  42. https://www.abc.net.au/news/2022-10-29/miss-universe-sold-thai-trans-businesswoman/101593864
  43. https://deadline.com/2022/10/endeavor-miss-universe-pageant-img-thailand-jkn-global-media-1235155035/
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  45. https://www.caproasia.com/2024/01/25/thailand-media-group-jkn-sells-50-of-miss-universe-pageant-to-mexico-based-legacy-holding-group-for-16-million-jkn-filed-for-bankruptcy-in-november-2023-thailand-project-runway-host-ceo-of-media/
  46. https://www.facebook.com/sashesandscriptsofficial/posts/big-newsits-official-miss-universe-has-changed-their-eligibility-requirements-as/1319017851965492/
  47. https://edition.cnn.com/2012/04/10/showbiz/miss-universe-transgender
  48. https://www.cnn.com/style/miss-universe-trans-contestants-netherlands-portugal
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  50. https://www.marca.com/en/lifestyle/celebrity-net-worth/2024/11/16/6738ed0f268e3e305c8b4590.html
  51. https://www.heritage.org/gender/commentary/make-miss-universe-pageant-all-female-again
  52. https://nypost.com/2024/06/02/world-news/miss-universe-co-owner-says-trans-and-married-women-can-compete-under-new-guidelines-but-they-cannot-win/
  53. https://www.abs-cbn.com/lifestyle/2025/6/7/anne-jakrajutatip-temporarily-leaves-exec-roles-at-jkn-global-group-but-remains-miss-universe-ceo-1508
  54. https://www.pageantlovers.com/miss-universe
  55. https://likuyani.cdf.go.ke/uploaded-files/5P8041/default.aspx/MissUniverseOwnerHistory.pdf
  56. https://www.youtube.com/watch?v=AF71xEFq9I4
  57. https://www.hola.com/us/celebrities/20240129355303/miss-universe-is-now-co-owned-by-a-mexican-businessman/
  58. https://sashesandscripts.wordpress.com/2024/03/13/the-new-miss-universe-organization-and-structure/
  59. https://www.facebook.com/arissone28/posts/miss-universe-owners-foundersceo-1952-1974-pacific-mills-kayser-roth1975-1991-gu/1126245672837898/
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  62. https://variety.com/2023/tv/news/miss-universe-organization-president-paula-shugart-exits-1235793531/
  63. https://entertainment.inquirer.net/612325/anne-jakrajutatp-still-ceo-of-miss-universe-organization
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  160. https://thecaribbeancamera.com/miss-universe-2024-victoria-kjaer-denmark-backlash/
  161. https://advocate.jbu.edu/miss-universe-2024-do-they-truly-promote-inclusivity
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