Hubbry Logo
Monkey TroubleMonkey TroubleMain
Open search
Monkey Trouble
Community hub
Monkey Trouble
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Monkey Trouble
Monkey Trouble
Monkey Trouble
View on Wikipedia
from Wikipedia

Monkey Trouble
Theatrical release poster
Directed byFranco Amurri
Written byFranco Amurri
Stu Krieger
Produced byMimi Polk
Heidi Rufus Isaacs
Starring
CinematographyLuciano Tovoli
Edited byRay Lovejoy
Music byMark Mancina
Production
companies
Distributed byNew Line Cinema
Release date
  • March 18, 1994 (1994-03-18)
Running time
96 minutes
CountriesUnited States
Japan
LanguageEnglish
Box office$16.5 million[1]

Monkey Trouble is a 1994 comedy film directed by Franco Amurri and starring Thora Birch and Harvey Keitel. Amurri dedicated the film to his daughter Eva and named the film's protagonist after her.[2]

Plot

[edit]

In Los Angeles, nine-year-old Eva Gregory longs for a pet dog but can't get one because her mother, Amy, believes she isn't responsible enough and her stepfather, Tom, a police lieutenant, is allergic to fur. This is further complicated when she cannot keep a pet at her biological father Peter's house, because of his job as a pilot and his frequent travels. Tom's biological daughter, Tessa, occasionally babysits Eva and her toddler brother Jack.

Romani kleptomaniac Azro lives with his Capuchin monkey Fingers in Venice Beach, using them to lure tourists and pickpocket them. He is approached by Italian American mafia members Drake and Charlie, who propose joining their crime syndicate. Fingers uses his pickpocket skills to burglarize wealthy homes. In a test run, they steal expensive items from Eva's home, leading to Azro's admission to the crime group. Fingers suffers from poor treatment from Azro, which is exacerbated by Azro's family's run-off, leading him to blame Fingers. Fingers eventually runs away and hides in a park near Eva's house.

The next day as Eva is walking home from school, Fingers drops from a tree and latches onto Eva. She instantly connects with him and names him "Dodger", as he likes Eva's Dodgers baseball hat. Eva hides the monkey in her bedroom, but when she has to attend school, she leaves him in the care of a pet store businesswoman named Annie. Meanwhile, Tom finds himself sneezing frequently, and suspects he must have a cold or their apartment has a rat problem. Azro unsuccessfully tries to find the monkey, to the frustration of the mafia members.

On a weekend that Eva is supposed to spend visiting Peter at his house, she learns that Peter will actually be out of town. Eva keeps this from her parents so that she can have his place to herself and Dodger for the weekend. Though she doesn't have a key to the house, Dodger is able to gain entry by climbing in an unlatched upstairs window. With no money for food, Eva decides to busk for earnings with Dodger at the Venice Beach Boardwalk. While Eva is riding her bike to the boardwalk, Dodger and Azro spot each other, and Dodger jumps off the bike, leading to a chase between him and Azro. Azro is taken away by the mafia members before he can capture the monkey. Dodger and Eva start their performance with the former secretly pickpocketing everybody just as he did when with Azro. Eva finds out to her horror, when she sees the stolen goods in her backpack. She spends the rest of the weekend struggling to train Dodger to stop pickpocketing.

Azro learns about the incident and receives Peter's address. Azro arrives at Eva's house, frightening her and Dodger. Eva calls the police, but Azro informs the deputy that Eva dialed 9-1-1 as a joke. Eva arrives home safely, but Tom notices she's dropped a stolen jewelry item. He and Amy discover more stolen jewellery in Eva's room.

Azro manages to steal back Dodger, much to Eva's horror. She tries to explain what happened to her parents, but they don't believe her. Eva tries to look for Dodger in the park but meets Azro. Amy and Tom realize the truth, and Azro is arrested by Tom and other members of the police. Tom also manages to overcome his allergy to monkey fur. Eva meets Azro's son, Mark, who comes to get Dodger back and Dodger leaves with him, but changes his mind and goes back to Eva, and she later shows both him and Jack to her classmates at school.

Cast

[edit]

Production

[edit]

Development on the film, initially titled Pet, began at Paramount Pictures in 1991 with Franco Amurri attached after having done Flashback for the studio.[3] The film came close to being greenlit twice at Paramount until the project went into Turnaround which led to it being picked up by producer Mimi Polk of Ridley Scott's Percy Main Productions.[3]

In May 1993, Pet was one of three active monkey/ape films announced to be in development along with Dunston Checks In (then known as Prime Mates) at 20th Century Fox and Ed (then known as You Should See Them Play) at Universal Pictures.[4]

Soundtrack

[edit]

The film contains the following songs.[5]

  • "Sold for Me" – The Aintree Boys
  • "Posie" – The Aintree Boys
  • "Who Gets the Loot" – Quo
  • "VB Rap" – Gee Boyz
  • "Girls" – Gee Boyz
  • "Monkey Shines" – Robert J. Walsh

Reception

[edit]

Box office

[edit]

The film debuted at number 3 in the North American box office,[6] dropping to seventh place the following week.[7][8][9]

Critical reception

[edit]

On Rotten Tomatoes, Monkey Trouble has a rating of 55% based on 11 critics' reviews.[10]

Roger Ebert awarded the film three stars, and though he said it has a formulaic plot, he called it a "splendid family film."[11] He added, "It's no mistake that the credits for 'Monkey Trouble' give top billing to the monkey, named Finster. He steals the show with a fetching performance that goes beyond 'training,' and into acting itself. And the show is a quirky, bright, PG-rated adventure that's as entertaining as 'Free Willy.'"[11] Ebert did criticize the film's decision to identify the villain character as a gypsy, reasoning Azro "could have had a non-specific background and the movie would have worked just as well, without giving its young audiences a lesson in prejudice."[11]

David Hunter of The Hollywood Reporter positively cited Thora Birch's performance and wrote "Rising to the occasion in just about every scene, she wonderfully executes the humor, wonder, excitement and brief troubles her character experiences in Franco Amurri and Stu Krieger's well-groomed screenplay."[12]

Positive reviews also cited the film for showing Harvey Keitel's "broad comic side."[13] Joanna Berry of the Radio Times wrote, "Quite what the hard-as-nails star of Reservoir Dogs and Bad Lieutenant is doing in this comedy adventure is anyone's guess, but his tongue-in-cheek performance will delight adults almost as much as the monkey business will enchant young children."[14][15]

Year-end lists

[edit]

Home media

[edit]

New Line released Monkey Trouble on DVD on September 3, 2002.[17]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Monkey Trouble

View on Grokipedia
from Grokipedia
is a 1994 American comedy film directed by , following the adventures of a nine-year-old named Eva who secretly adopts a trained as a pickpocket by a street performer. The story revolves around Eva's efforts to hide the monkey, named Dodger, from her family while evading its criminal owner, Azro, who seeks to recover the animal for its thieving skills. Starring as Eva, as Azro, as Eva's mother, and as her stepfather, the film blends family-friendly humor with chase sequences and light-hearted mischief centered on the monkey's antics. Released by on March 18, 1994, Monkey Trouble features practical effects and trained animal performances to depict Dodger's escapades, including thefts and interactions that disrupt Eva's household. Amurri dedicated the film to his daughter , after whom the protagonist is named, reflecting a personal touch in its child-centric narrative. The movie received mixed reviews, with critic praising its quirky charm and the monkey's charisma, rating it three out of four stars, while audience scores hovered around moderate levels. It highlights themes of responsibility and through Eva's bond with Dodger, though some critiques noted its reliance on lowbrow humor like animal and .

Synopsis

Plot Summary

In Monkey Trouble, set in , nine-year-old Eva Kurtzman lives with her divorced mother , younger brother Jack, and stepfather Tom, who suffers from allergies that prevent the family from owning furry pets. Feeling neglected amid her parents' marital tensions and her own desires for companionship, Eva longs for a pet despite the restrictions. One day, while out with her family, she encounters a stray , which she names Dodger after from , and secretly adopts him, hiding him from her parents. Unbeknownst to Eva, Dodger has been trained by Azro, a Romani street performer and criminal boss portrayed as operating a ring, to steal valuables using commands in the . The monkey escapes from Azro's control, prompting the gangster, along with his associates including a henchman named Peter, to pursue Dodger relentlessly to recover their trained asset and continue their theft operations. As Eva bonds with Dodger, the monkey's ingrained habits lead to a series of thefts and mishaps in her home and neighborhood, complicating her efforts to keep him concealed while her stepfather grows suspicious of strange occurrences. The narrative escalates as Azro's closes in, forcing Eva to navigate chases, deceptions, and moral dilemmas about responsibility and the consequences of her secret, ultimately confronting the criminal tied to her pet. The film blends with themes of family dynamics and pet ownership, highlighting Eva's growth through the chaos caused by Dodger's criminal background.

Production

Development and Pre-Production

The screenplay for Monkey Trouble was co-written by director Franco Amurri and Stu Krieger, with the latter contributing the primary adaptation following Amurri's original story concept. Revisions to the shooting script were finalized on May 17, 1993, aligning with preparations for later that year. Development was spearheaded by Percy Main Productions, with Ridley Scott credited as a key producer alongside Marcelo Ehrensthal, reflecting Scott's involvement in family-oriented projects during the early 1990s. The production partnered with Italy's Effe Films—Amurri's associated company—and Japan's Victor Company of Japan for financing and co-production support, enabling a budget suited to a mid-tier family comedy featuring extensive animal performance sequences. New Line Cinema acquired distribution rights in the U.S., capitalizing on the studio's success with youth-targeted films amid a surge in animal-adventure genres. Pre-production emphasized logistical planning for the capuchin monkey sequences, including sourcing and training multiple animals to portray the lead primate character, Dodger, under guidelines to minimize on-set risks and ensure animal welfare compliance. Casting focused on securing Thora Birch for the protagonist role, leveraging her emerging reputation from films like Hocus Pocus (1993), while Amurri prioritized naturalistic performances to balance the script's comedic elements with themes of responsibility and family dynamics.

Filming and Technical Aspects

The principal photography for Monkey Trouble occurred primarily in , with key exterior scenes filmed in . Locations included Roxbury Park at 401 S. Roxbury Drive in Beverly Hills, used for the sequence where the protagonist Eva encounters the escaped , and Overland Elementary at 10650 Ashby Avenue, which served as the exterior for Rubyland . Cinematography was led by Luciano Tovoli, who employed 35mm to capture the film's family-oriented adventure sequences, emphasizing natural in urban and park settings to highlight the monkey's antics alongside human characters. Editing was handled by , focusing on pacing the narrative around the animal's unpredictable movements without relying on extensive alterations. Technical challenges arose from integrating live animal performances, with coordination by J.D. Streett and crew member Sandra Stewart addressing minor practical enhancements for dynamic scenes, such as chases and thefts, rather than digital interventions typical of later effects-heavy productions. Animal handling for camera work involved trainer to ensure safe proximity shots, minimizing disruptions from the capuchin monkey's behavior.

Animal Training and Use

Four capuchin monkeys portrayed the character Dodger in the film, with each performing specific actions suited to their training and temperament. The monkeys underwent approximately five months of preparation prior to , learning tricks through visual cues and food rewards provided by professional trainers. Key animal trainers included Janine L. Aines and Mark Harden, who coordinated the monkeys' on-set behaviors, such as simulations using props like fake wallets and tails inserted into trouser pockets. Other sequences involved the monkeys climbing trees or structures, jumping onto actors or sets, opening doors, and hiding, all executed in controlled cuts to ensure safety; for instance, a scene of Dodger chasing a was filmed with both animals directed to separate off-screen cages. More hazardous stunts, including a kite-swinging sequence elevated about 10 feet and a reaction to gunfire, utilized animatronic puppets or fake monkey models manipulated by trainers, avoiding direct animal involvement. The American Humane Association monitored training and production, confirming no animal endangerment through measures like traffic control during outdoor shoots and low-height set constructions. This oversight resulted in a modified certification for the film's animal use, prioritizing welfare without reported incidents.

Cast and Crew

Principal Actors and Roles

starred as Eva Boylan, a nine-year-old girl living in who desperately wants a pet despite her mother's opposition, eventually finding and hiding the escaped Dodger in her home, leading to chaotic adventures as she navigates the consequences of her secret. Finster, a trained , played the titular Dodger, a pickpocket animal conditioned by his previous owner to steal valuables on command, whose mischievous antics drive the film's central conflict after he bonds with Eva but faces pursuit from criminals. portrayed Azro, the ruthless Romani street performer and Dodger's exploitative owner who trains for theft and relentlessly hunts the monkey to recover his prized asset, employing his sons and claims to intimidate. acted as Amy Boylan, Eva's divorced mother and a working as a operator, who enforces strict no-pet rules at home while dealing with family tensions and eventual discovery of the hidden monkey. appeared as Peter, Amy's self-absorbed boyfriend and Eva's prospective stepfather, depicted as an unreliable figure more focused on personal indulgences like than family responsibilities, adding to the household dynamics.

Key Crew Members

Franco Amurri directed Monkey Trouble, marking his second feature film after Waiting for the Moon (1987), and he co-wrote the screenplay with Stu Krieger, drawing from Amurri's personal inspiration of dedicating the story to his daughter . The film was produced by Heide Amurri (credited as Heide Rufus Isaacs, Amurri's wife) and Mimi Polk Gitlin under , with executive production support from entities including Productions. Cinematography was led by Luciano Tovoli, known for his work on films like (1977), employing 35mm film to capture the settings. Editing was handled by , a veteran editor from projects such as 2001: (1968), ensuring the 96-minute runtime balanced comedic pacing with animal action sequences. The original score was composed by , incorporating playful orchestral elements to underscore the capuchin monkey's antics.

Music

Soundtrack Composition

The original score for Monkey Trouble was composed by , an American composer credited with providing the film's primary musical framework. Mancina's contribution, completed in 1994 for New Line Cinema's production, integrates with the narrative's lighthearted pursuit sequences and character-driven humor. Additional music elements were handled by , who contributed to the score's orchestration and recording aspects, including work at Cyberia Studios under music mixer . Unlike the featured songs, the score by Mancina and collaborators was not commercially released as a standalone album, limiting public access to isolated cues beyond the film's audio.

Notable Songs and Score

The original score for Monkey Trouble was composed by , who crafted a whimsical orchestral emphasizing playful motifs to underscore the film's comedic and adventurous tone. Mancina's contributions include energetic cues for chase sequences and tender themes highlighting the bond between Eva and the Azro, with the closing titles track serving as a memorable finale blending upbeat rhythms and brass fanfares. Several songs appear in the film, primarily original tracks written for the production to enhance its lighthearted streetwise atmosphere. "Sold for Me," performed by The Aintree Boys and written by Dylan MacAlinion and Granville Ames, plays during key scenes involving the monkey's antics and the antagonist's schemes, featuring a catchy, upbeat pop-rock style. Similarly, "Posie," also by The Aintree Boys with lyrics by the same writers, recurs in transitional moments, adding a folksy, rhythmic layer that evokes the film's underbelly setting. Another featured track is "Girls" by Gee Boyz, a hip-hop influenced number that accompanies youthful ensemble scenes, contributing to the pop sensibility. Additional music elements include "VB Rap" by Howard Perback and Robert J. Walsh's "Monkey Shines," which provide brief, thematic interludes supporting the narrative's chaotic energy without overshadowing Mancina's score. No commercial soundtrack album was released, limiting broader exposure of these pieces beyond the film's context.

Release

Theatrical Premiere and Distribution

Monkey Trouble was released theatrically in the United States on March 18, 1994, distributed by New Line Cinema. The studio handled domestic theatrical distribution as a wide release, presenting the film as a Percy Main production aimed at family audiences. No special premiere events, such as film festival screenings, were reported prior to the general rollout. International distribution varied by territory, with New Line Cinema's partnerships facilitating releases in select markets, though specific foreign theatrical details remain limited in primary records.

Box Office Results

Monkey Trouble premiered in wide release on March 18, 1994, distributed by New Line Cinema across 1,412 theaters. The film generated $4,523,597 in its opening weekend, accounting for approximately 27.7% of its total domestic earnings. Over its theatrical run, Monkey Trouble accumulated $16,453,258 in domestic box office revenue. This figure represented the entirety of its worldwide gross, as no substantial international earnings were recorded. The film's performance reflected modest success for a mid-1990s family comedy, with an average theatrical run of 2.0 weeks per screen. Production budget details remain undisclosed in available financial reports.

Reception

Critical Analysis

Critics generally viewed Monkey Trouble as a serviceable family comedy that succeeds in delivering lighthearted entertainment for young children through its mischievous antics and relatable child protagonist, though it falls short of innovation within the genre. awarded the film three out of four stars, praising its "quirky, bright" tone and the inherent charisma of monkeys over larger animals like whales in , noting the story's ability to blend adventure with humor effectively for a PG audience. The critic score aggregates to 58% based on 12 reviews, reflecting a consensus that the film's charm lies in its straightforward appeal to juvenile viewers rather than artistic ambition. Thora Birch's performance as the nine-year-old Eva received particular acclaim for conveying emotional authenticity amid the chaos, with reviewers highlighting her ability to anchor the narrative's themes of responsibility and secrecy without overacting. The Los Angeles Times commended the filmmakers for making the most of the premise despite lacking "storybook magic," crediting the monkey's trained behaviors for sustaining visual interest through slapstick sequences involving theft and evasion. However, Harvey Keitel's villainous role as the monkey's shady owner was seen as an odd fit for a children's film, introducing tension that occasionally veers into unease, as noted by The New York Times, which pointed to mild profanity and bathroom humor as concessions to edgier elements unlikely to elevate the material. From a structural standpoint, the film's predictability—rooted in a classic "stolen pet" trope—undermines for adults, with critics like those in the describing it as "fairly innocent amusement" that prioritizes episodic gags over cohesive plotting or character development. This reliance on animal-driven comedy, while causally effective for short attention spans, exposes limitations in Franco Amurri's direction, which favors broad physical humor over nuanced , as evidenced by the Austin Chronicle's observation that the monkey's "finely honed " overshadows human elements. Ultimately, Monkey Trouble exemplifies mid-1990s that entertains transiently but lacks enduring critical depth due to its formulaic execution and minimal thematic exploration beyond surface-level lessons on trust and consequences.

Audience Response

The film garnered a mixed reception, reflected in aggregate user ratings. On IMDb, Monkey Trouble holds a 5.3 out of 10 rating based on approximately 7,600 user votes, with many viewers describing it as a lighthearted family entertainer appealing primarily to children through its mischievous monkey antics and comedic elements. On , the score is 40% from over 25,000 ratings, indicating general ambivalence, though some reviews highlight its charm as a quirky adventure comparable to other 1990s family films. Family audiences frequently praised the movie's accessibility for younger viewers, citing the capuchin monkey's engaging and Thora Birch's relatable portrayal of the as standout features that made it enjoyable for repeat watches with kids. User comments often emphasize its nostalgic value for those who grew up in the , positioning it as a "mischievous classic" evoking simple, adventure-driven storytelling without heavy reliance on . The modest performance, with a domestic gross of approximately $16.3 million against a reported under $20 million, suggests limited but steady audience draw, particularly among families seeking PG-rated content in the mid-1990s market dominated by similar animal-themed comedies. Overall, while not achieving status or widespread acclaim, the film maintains a niche affection for its unpretentious humor and themes of and responsibility, as evidenced by enduring positive recollections in user feedback.

Awards and Nominations

Monkey Trouble (1994) did not receive any awards or nominations from major film organizations, including the , Golden Globes, or . Comprehensive searches of industry databases and archives confirm the absence of recognition in categories such as Best Picture, Best Director, or for lead performer . Similarly, the film was not nominated at youth-focused ceremonies like the Young Artist Awards, despite Birch's starring role as a child actress. This lack of accolades aligns with the film's modest critical and commercial reception, which limited its visibility among awards voters.

Controversies

Portrayal of Ethnic Stereotypes

The character Azro, portrayed by , is depicted as a Roma street performer and organ grinder who trains his to commit thefts such as and burglarizing homes along the Venice Beach boardwalk. Azro exhibits traits including a heavy Eastern European accent, gold teeth, unkempt appearance, and abusive treatment of the animal, positioning him as the primary in pursuit of the escaped monkey. Contemporary reviews criticized this characterization for perpetuating longstanding negative stereotypes associating Roma people with criminality, nomadism, and deceit. Roger Ebert noted that the film reinforces "all kinds of negative stereotypes" through Azro's role as a thieving Gypsy master, though he praised other elements like the monkey's performance. Similarly, a Washington Post review described it as a "gratuitous Gypsy stereotype," highlighting the portrayal's reliance on ethnic tropes without narrative justification beyond plot convenience. These depictions echo historical media representations of Roma as inherently untrustworthy tricksters, a pattern documented in cultural analyses but not substantively challenged within the film's family-oriented context. No organized protests or formal complaints from advocacy groups emerged at the time of release on March 18, 1994, but the ethnic framing contributed to minor detractors in otherwise positive assessments of the film's lighthearted tone. The screenplay, written by Franco Amurri and Stu Krieger, employs the "evil Gypsy" archetype without exploring cultural nuance, aligning with 1990s Hollywood tendencies to use simplified ethnic villains in children's entertainment. Keitel's performance, while committed, amplifies the caricature through exaggerated mannerisms, drawing no defensive commentary from the production team in available records.

Animal Welfare Issues

The film employed four trained monkeys (Sapajus apella) to depict the lead animal character Dodger, supplemented by puppets, , and fabricated props for action sequences involving potential hazards such as falls, chases, and interactions with vehicles. These monkeys underwent five months of training focused on behaviors like opening doors, climbing, and simulated , utilizing positive techniques including food rewards and handler cues. American Humane Association (AHA), now affiliated with Humane Hollywood, provided on-set monitoring throughout to ensure compliance with welfare standards, including traffic control around filming locations and the use of safety harnesses or low-elevation sets for elevated stunts. No verified incidents of animal injury or mistreatment were documented during production, with trainers emphasizing animal comfort and limiting exposure to stressors. The production received AHA's modified certification, denoting comprehensive oversight but acknowledging possible procedural adjustments rather than full adherence to every guideline without exception. Other animals featured, such as a , puppies, a , and a , were handled in isolated scenes with similar precautions, including the avoidance of direct peril through editing and substitutes. While capuchin monkeys' high intelligence enables complex performances, their use in 1990s-era films like this raised no film-specific protests from groups such as People for the Ethical Treatment of Animals (PETA), unlike contemporaneous productions involving . Broader critiques of primate training highlight risks of maternal separation and enclosure-induced stereotypic behaviors, though evidence from this monitored set indicates these were mitigated through structured care.

Legacy

Cultural Impact

Monkey Trouble has been analyzed in academic contexts for its reinforcement of media stereotypes, particularly the portrayal of librarians as authoritarian figures in children's films. In the movie, the librarian character, played by Julie Payne, is depicted as stern and obstructive, exemplifying a negative that limits imaginative play and enforces rigid rules, a trope critiqued in studies of cinematic representations of library professionals. The film also figures in scholarly examinations of 1990s "suburban fantastic" narratives, where protagonists—often children or teenagers—form bonds with anomalous creatures like trained animals, facilitating coming-of-age themes amid everyday settings. Alongside titles such as (1993), Monkey Trouble illustrates Hollywood's use of such genres to adapt fantastical elements for family audiences, emphasizing themes of independence and moral growth through interspecies relationships. Beyond these niche discussions, the movie lacks prominent parodies, memes, or direct influences on broader pop culture, though its capuchin monkey character, Dodger, exemplifies early 1990s trends in animal-led comedies that highlighted trained primate performances. Referenced sporadically in retrospectives on Harvey Keitel's diverse roles or Thora Birch's child acting career, it endures primarily as a minor artifact of pre-digital era family entertainment rather than a transformative cultural touchstone.

Home Media and Availability

Monkey Trouble was first released on VHS in 1994 by New Line Home Video, shortly after its theatrical debut, making it available for home rental and purchase through major retailers. A DVD edition, produced as a manufactured-on-demand title by Warner Archive Collection, became available on December 5, 2017, distributed through online platforms such as Amazon and Walmart, with no widespread retail physical copies beyond this format. No official physical Blu-ray Disc release has been issued, though digital versions compatible with Blu-ray players exist via streaming services. As of October 2025, the film is accessible for streaming on ad-supported platforms including The Roku Channel, Tubi, Plex, and Hoopla, often at no additional subscription cost beyond the service itself. Digital purchase or rental options are offered on Amazon Prime Video, Apple TV, Google Play Movies, and Fandango at Home, typically priced from $3.79 to $3.99 for rental or $9.99 for ownership. Availability on subscription services like Netflix or Starz may vary by region and licensing agreements, but it is not consistently listed across major platforms without ads or purchase.

References

  1. https://www.imdb.com/title/tt0110557/
  2. https://www.rottentomatoes.com/m/monkey_trouble
  3. https://www.commonsensemedia.org/movie-reviews/monkey-trouble
  4. https://www.rogerebert.com/reviews/monkey-trouble-1994
  5. https://www.imdb.com/title/tt0110557/plotsummary/
  6. https://screenrant.com/db/movie/monkey-trouble/
  7. https://www.netflix.com/title/60023861
  8. https://www.ucr.edu/magazine/summer-2023/the-writers-journey-stu-krieger
  9. https://tvtropes.org/pmwiki/pmwiki.php/Film/MonkeyTrouble
  10. https://hollywoodscriptshop.com/movie-scripts-m/
  11. https://variety.com/1994/film/reviews/monkey-trouble-1200436275/
  12. https://humanehollywood.org/production/monkey-trouble/
  13. https://www.itsfilmedthere.com/2010/01/monkey-trouble.html
  14. https://filmoblivion.com/2021/03/25/monkey-trouble-1994/
  15. https://shotonwhat.com/monkey-trouble-1994
  16. https://www.tcm.com/tcmdb/title/18282/monkey-trouble
  17. https://www.imdb.com/title/tt0110557/fullcredits/
  18. https://www.rottentomatoes.com/m/monkey_trouble/cast-and-crew
  19. https://www.themoviedb.org/movie/41582-monkey-trouble/cast?language=en-US
  20. https://www.themoviedb.org/movie/41582-monkey-trouble?language=en-US
  21. https://pro.imdb.com/title/tt0110557/
  22. https://www.boxofficemojo.com/title/tt0110557/credits/
  23. https://www.gsamusic.com/wp-content/uploads/Mancina_Mark.pdf
  24. https://www.last.fm/music/Mark%2BMancina/_/Monkey%2BTrouble:%2BClosing%2BTitles
  25. https://www.imdb.com/title/tt0110557/soundtrack/
  26. https://www.youtube.com/watch?v=mKaS8ym_3bQ
  27. https://ringostrack.com/en/movie/monkey-trouble/33304
  28. https://www.the-numbers.com/movie/Monkey-Trouble
  29. https://www.boxofficemojo.com/title/tt0110557/
  30. https://www.latimes.com/archives/la-xpm-1994-03-18-ca-35508-story.html
  31. https://www.imdb.com/title/tt0110557/releaseinfo/
  32. https://www.imdb.com/title/tt0110557/companycredits/
  33. https://www.nytimes.com/1994/03/18/movies/review-film-harvey-keitel-in-a-family-movie-really.html
  34. https://www.deseret.com/1994/3/22/20088169/film-review-monkey-trouble/
  35. https://www.austinchronicle.com/screens/monkey-trouble-12003991/
  36. https://www.imdb.com/title/tt0110557/reviews/
  37. https://nomorepopcorn.wordpress.com/2011/02/16/nostalgiaville-monkey-trouble/
  38. https://www.facebook.com/Emilee.Lynn.ciz/posts/-monkey-trouble-1994-a-mischievous-classic-from-the-90sback-in-the-golden-age-of/826133197021490/
  39. https://www.imdb.com/title/tt0110557/awards/
  40. https://scholar.lib.vt.edu/VA-news/ROA-Times/issues/1994/rt0394/940319/03190064.htm
  41. https://www.washingtonpost.com/archive/lifestyle/1994/03/24/monkey-trouble-the-primal-thief/96cdaef2-8bfe-4af3-bad7-08ce77515b75/
  42. https://www.americanhumane.org/production/monkey-trouble/
  43. https://howardbesser.name/impact/f01/Papers/Acerro/finalpaper.html
  44. https://oca.observatorio.uff.br/?p=8373
  45. https://www.amazon.com/Monkey-Trouble-VHS-Thora-Birch/dp/6303697232
  46. https://www.ebay.com/itm/116129525074
  47. https://www.deepdiscount.com/monkey-trouble-1994/888574564810
  48. https://www.walmart.com/ip/Monkey-Trouble-DVD-Warner-Archives-Comedy/608242902
  49. https://www.blu-ray.com/dvd/Monkey-Trouble-DVD/148337/
  50. https://www.blu-ray.com/movies/Monkey-Trouble-Blu-ray/142763/
  51. https://www.justwatch.com/us/movie/monkey-trouble
  52. https://www.reelgood.com/movie/monkey-trouble-1994
  53. https://www.tvguide.com/movies/monkey-trouble/2000123117/
  54. https://www.amazon.com/Monkey-Trouble-Thora-Birch/dp/B006DYPRTG
  55. https://tv.apple.com/us/movie/monkey-trouble/umc.cmc.49tlrs6glkkxqkq95riz02v8z
  56. https://athome.fandango.com/content/browse/details/Monkey-Trouble/27600
  57. https://decider.com/movie/monkey-trouble/
Add your contribution
Related Hubs
User Avatar
No comments yet.