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from Wikipedia
OV7, formerly known as La Onda Vaselina, was a Mexican Latin pop group formed in 1989. With a career spanning more than 30 years and several hits in the Latin American markets, OV7 remains as one of the most successful acts in Latin pop history.
Key Information
The group disbanded in 2003. In 2010 they reunited.[1] In 2023, the band announced they were disbanding for an indefinite period.
History
[edit]1989–1993: Formation of La Onda Vaselina, Success with three albums, touring
[edit]OV7 followed a trend that began in the 1980s by another pop group named Timbiriche. In 1989, Mexican singer and producer Julissa decided to make her own version of Grease ("Vaselina" in Spanish) after Grease's theatrical play's season finished in Mexico. Julissa decided to form a group based on the play. After the development of Timbuktu, she founded "La Onda Vaselina." Shortly after they recorded their successful debut album, with singles "Que Buen Reventón" (their first single) and "Que Triste Es El Primer Adios" (a cover of Neil Sedaka's hit "Breaking Up Is Hard to Do") which became big hits in the early 1990s. With her first album they sold over 100,000 copies and had a successful tour. Their second album Onda Vaselina 2 was one of the most successful albums of the '90s in Mexico with popular hits that became public property such as "El Calendario" and "Voy Voy Voy". Their next album was Dulces Para Ti which was followed by a series of live shows in one of Mexico City's main venues for the Teatro Aldama. The album's biggest hits was "Tu Seras Mi Baby" and "La Llorona Loca".
1995–1998: La Band Rock, Touring, Indefinite Hiatus
[edit]Their fourth album was a Regional Mexican Music album named La Banda Rock (The Rock Band, using the word "Banda" both meaning "musical group" and the Mexican music genre), the biggest hit of the album was the song "Pongánse botas, quitense tennis" (Put some boots on and lose the tennis shoes). The group has also had several hits in Spain from the album.
OV7 took a long break after that and then came back with a more mature sound during adolescence They came out with Hoy (Today), an album that was targeted for the teen market featured alternative rock songs mixed with pop and strong texts Hits were "Sube y Baja" and "Perdon". The album flopped and the group decided to take a long pause in which they also considered a split.
1997–2003: Comeback as OV7, CD00, American debut, Disbandment
[edit]In 1997, Onda Vaselina made a huge comeback with a strong album that made history in the Mexican charts: Entrega Total. The album sent the group back to the # 1 spot not only in Mexico but the rest of Latin America. The hits were "Mirame A Los Ojos," "Un Pie Tras Otro Pie," and "Te Quiero Tanto Tanto" which reached # 1 on the Billboard Latin chart is still present in both songs being played at clubs and weddings throughout Latin America, the group also toured and filled the Auditorio Nacional 4 times while they released their album Vuela Más Alto which had the hit "No es Obsesión". After "Vuela Más Alto," Onda Vaselina decided to take a break and ended their relationship with their manager and creator Julissa.
After 8 years passed and Onda Vaselina was ready to come back without Julissa. For legal reasons, changed their name to OV7 (accounting for Onda Vaselina and 7 for the number of members) and released their first single "Enloquéceme" and their album CD00. Around this time, they filled the Auditorio Nacional 10 times at the time reached 1st place in all of Latin America with the singles "Shabadabada," "Más Que Amor," "Jam," and "Enloquéceme." The album sold 2 million copies in Mexico and included an English-speaking song, "Angelica", which was never released.
OV7 tried to make the crossover to English-speakers with an English version of their new single "Love Colada" which was the first single from their album Siete Latidos (Seven Beats). The song was released only promo in North America and because of the group's problems with Televisa they appeared on the Latin American average success. The group was invited to participate in the 2002 World Cup Official Album with the track "Bringing The World Back Home".
In November 2002 the Group announced plans to split on the live TV show Operacion Triunfo, followed by a greatest hits CD, Punto, in 2003. OV7 had a farewell tour and officially split up on June 14, 2003, after 14 years of being together.
Past members
[edit]- Mariana Yolanda Ochoa Reyes: 1989–2003, 2010–2023.
- Ari Borovoy Hoffman: 1989–2003, 2010–2023.
- Lidia Érika Ávila Beltrán: 1991–2003, 2010–2023.
- Érika Zaba Beltrán: 1989–2003, 2010–2023.
- Oscar Schwebel Arizmendi: 1989–2003, 2010–2023.
- M'balia Marichal Ibar, 1989–2003, 2010–2011, 2020-2023.
- Kalimba Kadjaly Marichal Ibar, 1993–1994, 2000–2003,2020-2023.
- Daniel Isaías Vázquez Sánchez, 1989–1992, 1995–1999.
- Anna Borras Canadel, 1989–1990.
- Ariatna Leticia Martínez Vargas, 1989–1993.
- Rodrigo Álvarez Saviñon, 1989–1993.
- Luis García Carranza, 1989–1994.
- Bárbara Macías Sánchez, 1990, 1993–1994.
- Gonzalo Alva, 1992
- Liliana Ríos Iñurreta, 1993–1994
- Alejandro Sirvent Barton, 1992–1994.
- Jair Roman de Rubin, 1993–1994.
Tours
[edit]| 2022 | |||
|---|---|---|---|
| Date | City | Country | Venue |
| September 1 | Monterrey | Mexico | Citibanamex |
| September 2 | |||
| September 6 | Mexico City | Auditorio Nacional | |
| September 7 | |||
| September 8 | |||
| September 17 | Acapulco | Arena GNP | |
| September 22 | Guadalajara | Auditorio Telmex | |
| September 23 | |||
| September 24 | |||
| September 30 | Saltillo | ||
| October 1 | Aguascalientes | Arena San Marcos | |
| October 7 | San Luis Potosí | El Domo | |
| October 8 | Torreón | Coliseo Centenario | |
| October 13 | Oaxaca | ||
| October 15 | Morelia | Plaza de Toros | |
| October 17 | Pachuca | ||
| October 21 | Veracruz | WTC | |
| October 25 | Mexico City | Auditorio Nacional | |
| October 26 | |||
| October 29 | Villahermosa | ||
| November 4 | Merida | Auditorio GNP | |
| November 11 | León | Velaria de la Feria | |
| November 12 | Puebla | Auditorio GNP | |
| November 18 | Mexicali | ||
| November 19 | Tijuana | ||
| November 26 | Querétaro | Centro de Congresos | |
| December 2 | San Jose | United States | |
| December 3 | Los Angeles | Dodger Stadium (Bésame Mucho Fest) | |
| 2023 | |||
| Date | City | Country | Venue |
| March 2 | San Antonio | United States | Majestic Theater |
| March 3 | Laredo | Sames Auto Arena | |
| March 4 | Hidalgo | Payne Arena | |
| March 9 | Houston | Bayou Music Center | |
| March 10 | Irving | The Pavilion at Toyota Music Factory | |
| March 11 | El Paso | County Coliseum | |
| March 12 | Phoenix | Celebrity Theater | |
| March 17 | Las Vega | The Pearl | |
| March 18 | Los Angeles | YouTube Theater | |
| March 19 | Stockton | Bob Hope Theater | |
| March 24 | Chicago | The Rosemont | |
| March 26 | New York City | The Palladium | |
| April 29 | Mexico City | Mexico | Auditorio Nacional |
| April 30 | |||
| May 2 | Aguascalientes | Palenque de la Feria | |
| May 4 | Monterrey | Domo Care | |
| May 6 | Acapulco | Arena GNP | |
| May 12 | Zapopan | Auditorio Telmex | |
| May 13 | |||
| May 25 | Mérida | Foro GNP Seguros | |
| May 27 | Cancún | Estadio Beto Avila | |
| June 2 | Pachuca | Auditorio Explanada | |
| June 8 | Guatemala City | Guatemala | Fórum Majadas |
| June 10 | San Salvador | El Salvador | Complejo Cuscatlán |
| August 18 | Mexico City | Mexico | Auditorio Nacional |
| August 26 | Pueblas de Zaragoza | Auditorio Metropolitano | |
| October 7 | Los Mochis | Centro de Usos Multilples | |
| November 3 | San Diego | United States | Cal Coast Credit Union Open Air Theater |
| November 4 | Riverside | Riverside Municipal Auditorium | |
| November 5 | San Jose | San Jose Civic | |
| November 9 | Charlotte | Ovens Auditorium | |
| November 10 | Atlanta | Tabernacle | |
| November 12 | Miami | James L. Knight Center | |
Discography
[edit]
Albums as La Onda Vaselina[edit]Studio albums
Compilation albums
|
Albums as OV7[edit]Studio albums Live Albums
Compilation albums
|
Singles
[edit]| Title | Year | Chart Positions | ||||
|---|---|---|---|---|---|---|
| EU | MEX | SP | ARG | VEN | ||
| "Que Buen Reventón" | 1989 | – | – | – | – | – |
| "Mi Novio Volvió" | – | – | – | – | – | |
| "Vamos Al Mar" | – | – | – | – | – | |
| "Que Triste Es El Primer Adios" | 1990 | – | 8 | 14 | 21 | 18 |
| "Susanita Tiene Un Ratón" | – | 15 | – | – | – | |
| "El Calendario" | 1991 | – | 12 | – | – | – |
| "Me Siento Beethoven" | – | – | – | – | – | |
| "El Oso Corredor" | – | – | – | – | – | |
| "Voy Voy Voy" | 1992 | – | 32 | – | – | – |
| "México A Bailar" | – | 19 | – | – | – | |
| "Tu Seras Mi Baby" | – | – | – | – | – | |
| "La Llorona Loca" | 1993 | – | – | – | – | – |
| "Juego del Amor" | – | – | – | – | – | |
| "Ponganse Botas, Quitense Tenis" | – | 38 | – | – | – | |
| "El Pachangon" | 1994 | – | – | – | – | – |
| "La Cucaracha" | – | – | – | – | – | |
| "Tomás" | – | – | – | – | – | |
| "Perdon" | 1995 | – | 13 | 8 | – | – |
| "Sube y Baja" | – | 78 | 15 | – | – | |
| "Hoy" | – | – | 18 | – | – | |
| "Mirame A Los Ojos" | 1997 | – | 1 | 1 | 1 | 1 |
| "Un Pie Tras Otro Pie" | – | 1 | 1 | 5 | 4 | |
| "Aunque Muera Por Ti" | – | 8 | 12 | – | 13 | |
| "Te Quiero Tanto Tanto" | 1998 | 1 | 1 | 1 | 1 | 1 |
| "Tus Besos" | – | 5 | 8 | 13 | 2 | |
| "Vuela Más Alto" | – | 1 | 3 | 1 | 2 | |
| "No Es Obsesión" | 1999 | – | 1 | 1 | 1 | 4 |
| "Caleidoscopico" | – | 6 | 9 | 15 | 11 | |
| "Desconectate" | – | 18 | 13 | – | – | |
| "Enloquéceme" | 2000 | 4 | 1 | 1 | 1 | 1 |
| "Shabadabada" | 9 | 1 | 1 | 1 | 1 | |
| "Más Que Amor" | – | 1 | 3 | 4 | 2 | |
| "Jam" | – | 8 | 10 | 4 | 9 | |
| "Rush" | 2001 | – | 16 | 21 | – | – |
| "Shake Shake" | – | 4 | 3 | 7 | 10 | |
| "Love Colada" | – | 2 | 3 | 1 | 5 | |
| "Aum, Aum" | 2002 | – | 1 | 2 | 6 | 2 |
| "Te Necesito" | – | 2 | 7 | 1 | 4 | |
| "Tengo el Control" | – | – | 18 | – | – | |
| "No Me Voy" | 2003 | – | 1 | 2 | 1 | 1 |
| "Prohibido Quererme" | 2010 | – | 3 | – | 2 | 5 |
| "Confieso" | 2011 | – | 2 | – | 9 | 6 |
| "Vuela Mas Alto (En Primera Fila)" | – | 18 | – | – | – | |
| "Te Quiero Tanto, Tanto (En Primera Fila)" | – | – | – | – | – | |
| "En Algun Lado" | – | 14 | – | – | – | |
| "Magia" | 2012 | – | 4 | – | – | – |
| "Prisioneros" | – | – | – | – | – | |
| "Nada Es Imposible (Maniac) (Ft. Gloria Trevi)" | – | – | – | – | – | |
| "Golpe De Calor (single promo)" | 2013 | – | – | – | – | – |
| "Tenemos un Secreto" | – | – | – | – | – | |
| "Desintoxicada" | 2014 | – | – | – | – | – |
| "No Me Digas Nada" | – | – | – | – | – | |
| "Quédate" | 2023 | – | – | – | – | |
| "Si Es Amor" | 2023 | – | – | – | – | |
- Oxígeno: 3.rd sencillo publicado el 8 de junio de 2023.
- Para terminar: 4.º sencillo publicado el 18 de agosto de 2023.
References
[edit]- ^ [LatinGossip.com http://www.latingossip.com/chisme/ov7-gets-back-together.html]
- ^ Admin (September 26, 2022). "OV7 anuncia las fechas de su TOUR 30 AÑOS en Estados Unidos". LaChicuela.com (in Spanish). Retrieved July 22, 2025.
- ^ Infobae, Por Newsroom (April 1, 2022). "OV7 announced dates for the "30 Years Tour" for 2022". infobae (in European Spanish). Retrieved July 22, 2025.
{{cite web}}:|first=has generic name (help) - ^ Cd00 de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ 7 Latidos de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ Punto de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ Forever 7 de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ A Tu Lado de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ OV7: En Directo – Rush de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ Primera Fila (En Vívo) de OV7 en iTunes (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ OV7 (En Vívo Desde El Palacio de los Deportes) de OV7 en iTunes (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ En Vivo de OV7 & Kabah (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
- ^ Lo Mejor de OV7 de OV7 (in Mexican Spanish), iTunes Store, retrieved December 13, 2019
| International | |
|---|---|
| Artists | |
from Grokipedia
History
Formation and early success as La Onda Vaselina (1989–1993)
La Onda Vaselina was formed in 1989 by Mexican actress, singer, and producer Julissa, who drew inspiration from the successful children's musical Vaselina, a localized adaptation of the American production Grease. Julissa assembled an initial lineup of seven young performers—primarily children aged around 10 to 12 years old—to create a vibrant pop group aimed at a preteen and adolescent audience. The original members included Ari Borovoy, Mariana Ochoa, Erika Zaba, Lidia Ávila, M'Balia Marichal, Kalimba Marichal, and Oscar Schwebel, selected through auditions that began in early 1988 from over 1,500 candidates. This formation capitalized on the era's trend of teen idol groups, positioning La Onda Vaselina as a fresh, energetic act in Mexico's burgeoning pop scene.[4][5][6][7] The group made its public debut on April 30, 1989, performing on the high-profile television program Siempre en Domingo, hosted by Raúl Velasco, which provided immediate national exposure. This appearance marked the start of their rapid rise, as their choreographed routines and upbeat songs resonated with young viewers. Their self-titled debut album, La Onda Vaselina, followed in late 1989 or early 1990 under Discos Melody, featuring playful tracks like "¡Qué buen reventón!" and "Qué triste es el primer adiós," which captured themes of school life, first loves, and summer fun. The album's lighthearted pop style, influenced by 1960s rock and roll, helped establish them as a staple in Mexican youth culture.[8][6][9] Building on this momentum, La Onda Vaselina released La Onda Vaselina, Vol. 2 in 1991, which included hits such as "El calendario," further solidifying their appeal through radio play and TV rotations. The 1992 album Dulces para ti continued their string of successes with sugary pop anthems, while 1993's La Banda Rock introduced subtle rock elements, signaling an evolution in sound. By this period, the group had achieved multiple gold certifications in Mexico and topped charts across Latin America, amassing a dedicated fan base that attended sold-out concerts and formed widespread fan clubs. Their early career emphasized visual performances and relatable lyrics, contributing significantly to the 1990s Latin pop wave.[6][5][4]Transition to rock and first hiatus (1995–1998)
In 1995, La Onda Vaselina released the album Hoy under the Melody label, incorporating a pop rock style that represented a shift toward a more mature sound compared to their earlier bubblegum pop roots. Recorded at studios in Mexico City and Beverly Hills, the album featured 11 tracks, including "El Vampiro Trasnochado" and "Sube y Baja," and was aimed at an evolving teenage fanbase as the members entered their late teens.[10][11] The group toured extensively to promote Hoy, performing at venues like the Teatro de los Insurgentes in Mexico City, where their performance caught the attention of Sony Music executives in 1996, leading to a new recording contract. This period marked growing independence from their original creator Julissa, with the band experimenting with edgier production elements influenced by rock while retaining pop sensibilities. In 1997, now occasionally credited as OV7 for promotional purposes, they debuted Entrega Total on Columbia Records, a pivotal release with hits like "Mírame a los Ojos" and "Aunque Muera Por Ti" that broadened their appeal and solidified their status in the Latin pop scene. The album's success included sold-out shows at the Palacio de los Deportes and three consecutive performances at the Auditorio Nacional in 1998. Later in 1998, La Onda Vaselina issued Vuela Más Alto, their final album under the name before an indefinite hiatus, featuring tracks such as the title song and "No Es Obsesión." Celebrating a decade since formation, the group held anniversary concerts but soon paused activities to sever ties with Julissa and restructure amid legal and creative tensions, allowing members to pursue solo endeavors until a reformation in the early 2000s.Rebranding to OV7 and initial disbandment (1997–2003)
In 1997, after a period of transition, Onda Vaselina returned to the music scene without the involvement of their founder, Julissa, following a decision by the members to end their professional relationship with her after 12 years of collaboration. This breakup allowed the group to gain greater creative control, leading to the release of their sixth studio album, Entrega Total, under Sony Music. The album marked a return to their pop roots, featuring upbeat tracks such as "Mírame a los Ojos" and "Aunque Muera Por Ti," which became radio staples and helped reestablish their popularity among fans in Mexico and Latin America. Produced by Memo Méndez Guiú and J.R. Flórez, Entrega Total achieved significant commercial success, solidifying the group's position in the Latin pop landscape during a time of evolving musical tastes.[12][13][14] Despite the stylistic exploration in prior releases, underlying tensions over the group's name arose, as Julissa had legally registered "La Onda Vaselina" with the Mexican Institute of Industrial Property (IMPI), limiting the members' ability to fully control their brand.[15] By 2000, these legal constraints prompted a rebranding to OV7—derived from "Onda Vaselina" and the seven remaining members: Ari Borovoy, Lidia Ávila, Mariana Ochoa, M'Balia Marichal, Oscar Schwebel, Érika Zaba, and the returning Kalimba Marichal. The name change symbolized independence and a fresh start, with the group registering "OV7" themselves at the IMPI to secure ownership. Their debut album under the new moniker, OV7 CD 00 (also known as OV7), was released that year, produced by Loris Ceroni in Italy and featuring self-composed tracks like the lead single "Enloquéceme," which served as the theme for the telenovela Locura de amor. This release, along with follow-up Siete Latidos in 2001, revitalized their career, emphasizing mature pop themes and earning critical praise for their evolution. The rebranding was suggested by Ari Borovoy during recording sessions, marking a pivotal moment in their artistic autonomy.[15][16][17] OV7's activities peaked with the 2003 compilation album Punto, a greatest hits collection that included re-recorded favorites like "Más Que Amor" and selections from their Onda Vaselina era, serving as a capstone to their collective run. However, by late 2002, the members announced their decision to disband temporarily, citing a desire to pursue individual solo projects and personal growth after over a decade together. This led to a farewell tour across Mexico and Latin America, culminating in June 2003 with emotional final performances that drew thousands of fans. The split was amicable, allowing members like Kalimba and Mariana Ochoa to launch successful solo careers in music and acting, though it marked the end of OV7's initial chapter.[18][19][14]Reformation and activities until second hiatus (2010–2023)
In 2010, OV7 reformed after a seven-year hiatus, initially planning a limited series of 30 concerts but extending their activities due to strong fan demand. The reunion featured core members including Lidia Ávila, Mariana Ochoa, Érika Zaba, Óscar Schwebel, and Ari Borovoy, marking a return to live performances across Mexico. This resurgence culminated in the release of their live album Primera Fila on September 28, 2010, which included re-recorded hits like "Enloquéceme" and achieved platinum and gold certifications in Mexico for its commercial success.[20][21][22] The group's momentum continued into 2011 with a major concert at Palacio de los Deportes in Mexico City to celebrate their 22nd anniversary, which was recorded and released as the live album OV7 Desde El Palacio de los Deportes. This performance highlighted their enduring appeal, blending nostalgic pop anthems with energetic staging. Following this, OV7 ventured into new studio material, releasing Forever 7 in 2012, their first original album since 2003 and a collection of covers of 1980s hits such as "Golpe de Calor (The Heat Is On)," exploring mature themes while retaining their signature upbeat sound. In 2013, they followed up with A Tu Lado, another studio effort produced in collaboration with Sony Music, which included collaborations and further solidified their post-reformation creative output.[20] By 2014, OV7 marked their 25th anniversary with a special concert at Auditorio Nacional in Mexico City, drawing thousands and reinforcing their status as pop icons. The following year, they embarked on a joint tour with fellow 1990s group Kabah, performing 25 shows across Mexico from 2015 to 2016, which emphasized shared era nostalgia and resulted in the collaborative live album OV7 & Kabah: En Vivo released in 2015. This period also saw OV7 joining the multi-artist 90's Pop Tour starting March 24, 2017, in Monterrey, where they shared stages with acts like Fey, JNS, and The Sacados for high-energy sets of 1990s hits, contributing to sold-out arenas and a live compilation album 90's Pop Tour that captured their performances. Despite internal tensions leading to some date adjustments in late 2019, the tour showcased OV7's role in reviving 90s pop culture, with appearances continuing sporadically through the early 2020s.[20][23] A pivotal full reunion occurred in 2022, bringing back all seven original members—including Kalimba Marichal and M'Balia Marichal—after resolving longstanding differences through mediation, enabling the launch of the OV7 Treinta tour to celebrate 30 years since their debut as La Onda Vaselina. Announced on April 1, 2022, the tour comprised 18 initial dates across Mexico, starting September 3 in Monterrey, with multiple sold-out shows at Auditorio Nacional (six in 2022 alone) that attracted approximately 300,000 fans cumulatively since their first venue appearance in 1998. The production featured elaborate choreography, updated visuals, and a setlist spanning their career, though not without publicized challenges like contract disputes that briefly threatened cancellation. Extending into 2023, the tour added U.S. legs with six new dates in cities including San Diego and Miami, alongside Mexican stops, before the group announced an indefinite second hiatus on May 29, 2023, citing the need for personal breaks after 34 years. Their final performance took place on December 14, 2023, at Arena Ciudad de México, concluding the Treinta era with emotional renditions of classics like "Shabadabada." As of 2025, the group remains on indefinite hiatus.[24][25][20]Members
Current members
As of November 2025, four former members of OV7—Ari Borovoy, Kalimba Marichal, M'Balia Marichal, and Érika Zaba—continue collaborative activities including tours and concerts as a quartet, but without using the OV7 name due to trademark disputes and shared ownership among all seven original members.[26] These members have performed in events like the 90's Pop Tour "El Antro," highlighting ongoing divisions with the other original members stemming from economic disagreements and lack of communication since 2019.[27] Ari Borovoy, born Ariatna de los Ángeles Borovoy, is a founding member and lead vocalist known for his songwriting contributions and charismatic stage presence. He has been central to the band's reformation efforts and recent performances.[27][28] Kalimba Marichal, born Kalimba Marichal Caballero, serves as a lead singer and has been involved in OV7 since his early days with La Onda Vaselina; he continues active participation in the quartet's live shows amid personal legal challenges unrelated to the band.[27][28] M'Balia Marichal, Kalimba's sister and a founding member, contributes vocals and has emphasized the emotional bonds within this subgroup during recent interviews; she rejoined periodically after a 2011 departure, including full participation in 2025 performances.[27][29] Érika Zaba Beltrán, another longtime vocalist, has been vocal about the trademark issues surrounding the OV7 name and participates in joint ventures with the other three, including the 90's Pop Tour "El Antro" in October 2025.[26][28] This quartet performed at Arena CDMX on March 21, 2025, without the involvement of Mariana Ochoa, Lidia Ávila, and Oscar Schwebel, followed by additional appearances such as in October 2025 at Auditorio Nacional.[27][30][31]Former members
OV7 has experienced numerous lineup changes since its formation as La Onda Vaselina in 1989, primarily due to members aging out of the group's youthful image, creative differences, and personal career pursuits. Early departures occurred as the band transitioned from a children's pop act to a teen-oriented group in the early 1990s. Later changes during the OV7 era were influenced by the 2003 disbandment and 2010 reformation, with additional exits tied to solo endeavors. In recent years, internal conflicts over management, finances, and tour participation led to a major split in 2024–2025.[19] The original La Onda Vaselina lineup featured ten young performers, but several left shortly after formation as the group evolved. Notable early former members include:| Name | Tenure | Notes |
|---|---|---|
| Anna Borras | 1989–1990 | Part of the initial children's cast; departed early due to the group's shift in direction.[19] |
| Luis Carranza | 1989–1993 | Original member; left during the early teen transition phase.[19] |
| Rodrigo Álvarez | 1989–1993 | Founding member; exited as the band matured beyond its kid-pop roots.[19] |
| Ariatna Martínez | 1989–1993 | Early participant; departed amid lineup adjustments in the early 1990s.[19] |
| Bárbara Macías | 1989–1993 | Original cast member; left following the initial success of the debut album.[19] |
| Daniel Vázquez | 1989–1996 | Longtime early member featured in the 1995 lineup; replaced by Kalimba during the rebranding to OV7.[19] |
- Jair Romero (1993–1995): Brief tenure during the rock-influenced phase; left to pursue other opportunities.[19]
- Liliana Ríos (1993–1995): Joined alongside Romero; exited after contributing to early albums.[19]
- Alex Sirvent (1993–1994): Temporary addition; departed early in the OV7 transition period.[32]
Musical style and influences
Evolution of sound
OV7's sonic journey began in the late 1980s as La Onda Vaselina, with music rooted in cheerful children's Latin pop designed for young audiences. Their debut album, La Onda Vaselina (1991), featured playful, energetic tracks blending rock & roll rhythms and simple pop structures, such as covers and originals like "Que Triste Es El Primer Adios," emphasizing fun and accessibility for kids.[35][36] As the members aged into their teens, the group experimented with rock influences to signal maturity. The 1993 album La Banda Rock introduced a harder-edged sound, fusing pop with rock elements in a children's pop context and band-style arrangements, though it retained a youthful, performative vibe through songs like "La Banda Rock."[37][38] This transition reflected an effort to evolve beyond children's music while appealing to a slightly older demographic. By 1995's Hoy, the sound shifted further toward pop rock integrated with pop ballads and upbeat anthems, targeting teenagers with more introspective and energetic compositions, such as the title track's rock-infused drive.[39][40] The rebranding to OV7 in 2000 accelerated this maturation, embracing dance-pop and electropop on CD00, where tracks like "Shabadabada" combined Latin rhythms, house beats, and tropipop flair for a club-ready, sensual energy.[41][42] Tracks like "Enloquéceme" from CD00 amplified this direction, featuring nocturnal, party-oriented electropop with anthemic hooks and female-led vocals that evoked empowerment and romance. Upon reforming in 2010, OV7 maintained a core Latin pop foundation but incorporated contemporary production polish in live recordings and tours, blending nostalgic early hits with evolved, fan-appreciated maturity in choreography and image.[43] This progression from innocent pop to dynamic, genre-blending dance sounds underscored their adaptability across decades.Key influences and themes
OV7's music draws heavily from the Latin pop tradition pioneered by groups like Timbiriche, which served as a direct inspiration for the band's formation as La Onda Vaselina in 1989. Producer Julissa produced La Onda Vaselina, which was inspired by Timbiriche's successful formula of youthful, ensemble-driven pop aimed at teenage audiences, incorporating catchy melodies and group dynamics that emphasized harmony and performance energy.[44] Euro pop elements are evident in their hook-laden tracks, blending upbeat rhythms with dance-oriented production that echoed European influences popular in the 1990s Latin scene. Additionally, the band incorporated rock and roll undertones in their evolution, particularly during their transition to OV7, experimenting with edgier sounds while maintaining pop accessibility. Traditional Latin rhythms also feature prominently, reflecting Mexico's cultural diversity through fusions of modern pop with regional flavors.[43][45] Thematically, OV7's lyrics revolve around romantic love, youthful exuberance, and the emotional turbulence of adolescence, often portraying intense affections and heartbreak in accessible, relatable ways. Songs like "Te Quiero Tanto, Tanto" exemplify this through tender ballads expressing profound romantic devotion, capturing the innocence and passion of young love. Tracks such as "Enloquéceme" further explore obsessive romance and desire, serving as anthems for emotional highs in relationships, while their early work as La Onda Vaselina emphasized fun, friendship, and coming-of-age experiences tailored to a teen demographic. These themes not only resonated with '90s youth but also contributed to the group's enduring nostalgic appeal in Latin pop culture.[46][47]Tours
Early tours as La Onda Vaselina (1990s)
La Onda Vaselina embarked on their initial national tour in Mexico during 1990–1991 to promote their self-titled debut album, performing energetic sets featuring hits like "Que Buen Reventón" and "Viva la Gula" at venues such as Teatro San Rafael in Mexico City.[48] These early shows targeted a young audience, blending pop covers and original tracks with choreographed routines that captured the group's youthful, playful aesthetic. The tour helped solidify their popularity among teenagers, drawing crowds through school-oriented promotions and television appearances that amplified their reach across the country. In 1992, the group expanded internationally by representing Mexico at the Expo 92 in Sevilla, Spain, where they delivered a special concert tailored for children, including songs from their repertoire that evoked fun and nostalgia.[49] This performance, part of the event's cultural program, marked one of their first high-profile appearances abroad and showcased their appeal beyond Mexico, with additional stops in Madrid that year.[48] The exposure contributed to their growing European management ties, as they were represented by Mercado Crab Marti for activities in Spain and the continent.[50] Following the release of their second album, La Onda Vaselina 2 (1991), and Dulces Para Ti (1992), the band continued touring domestically in 1992–1993, with performances at Teatro San Rafael highlighting tracks like "El Calendario" and "Trece Velas."[48] These tours emphasized their evolution toward more polished pop productions, incorporating medleys of rock and roll standards alongside originals, and often featured guest appearances on programs like Siempre en Domingo to boost attendance. By 1993, to support La Banda Rock, they maintained a rigorous schedule of live shows in Mexico, transitioning toward a rock-infused stage presence while retaining their core fanbase from the early 1990s.[48]OV7-era tours and reunions (2000s–2020s)
Following the rebranding from Onda Vaselina to OV7 in 2000, the group maintained an active touring schedule through the early 2000s, promoting albums such as CD00 (2000) and Siete Latidos (2001) with performances across Mexico and select international venues.[51][52][53] In 2003, amid growing individual career pursuits, OV7 embarked on their farewell tour, Gira del Adiós, which featured elaborate stage productions and a setlist spanning their hits like "Mírame a los Ojos" and "Love Colada." The tour concluded with a massive free concert at Mexico City's Zócalo on June 14, 2003, drawing an estimated 105,000 attendees and marking the group's initial disbandment after 14 years together.[54][55][56] After a seven-year hiatus, OV7 reunited in 2010, announcing their comeback via a television interview and launching the Regresa Tour to coincide with the release of their live album Primera Fila. Recorded on July 21, 2010, in front of 500 fans at a studio in Mexico City's Ajusco neighborhood, the project captured acoustic renditions of classics like "Tus Besos" and new material, serving as a nostalgic anchor for the tour. The Regresa Tour included high-profile stops such as the Auditorio Nacional on October 16, 2010, and the Auditorio Telmex on October 21, 2010, where the group emphasized renewed energy and fan interaction.[57][58][59] This reunion extended into 2011 with a live recording at Palacio de los Deportes, further solidifying their return. Throughout the 2010s, OV7 participated in collaborative tours that amplified their 1990s legacy. In 2015, they joined fellow Mexican pop group Kabah for the OV7 Kabah Tour, a joint venture that blended their catalogs with synchronized choreography and multimedia effects, running for over two hours per show and touring Mexico and the United States to enthusiastic crowds.[60][61] The group then integrated into the multi-artist 90's Pop Tour starting in 2017, sharing stages with acts like JNS, Fey, Aleks Syntek, and Caló for a celebration of 1990s Latin pop; performances featured medleys such as "Enloquéceme" and drew sold-out arenas, with live albums capturing the event's high-energy collaborations.[62][63] Entering the 2020s, OV7 marked their 30th anniversary with the 30 Años Tour, announced in 2022 and focusing on retrospective sets that revisited their evolution from La Onda Vaselina to OV7. The tour included Mexican dates like Guadalajara in September 2022 and extended to the U.S. in 2023, adding six cities—San Diego, Riverside, San Jose, Atlanta, Charlotte, and Miami—due to demand, with shows emphasizing fan sing-alongs to tracks like "Shabadabada."[64][65] The tour concluded in December 2023 at Arena CDMX with a sold-out finale (as of December 2023), after which the group entered a second indefinite hiatus, reflecting on their enduring impact while leaving the door open for future reunions.[66]Discography
Studio albums
OV7 released their first studio album under the new moniker in 2000, marking a transition from their earlier identity as La Onda Vaselina to a more mature pop sound aimed at a broader audience. CD00, issued by Columbia Records, features 13 tracks blending dance-pop and Latin influences, with standout singles like "Enloquéceme" and "Shabadabada" that became radio hits in Mexico and Latin America. The album achieved significant commercial success, earning a 4× Platinum certification in Mexico for 600,000 units sold on March 12, 2001, and 2× Platinum in the United States for 200,000 copies on July 24, 2001.[67][42] Their sophomore effort, Siete Latidos (also known as 7 Latidos), followed in 2001 on Columbia Records, expanding on the upbeat electronic and pop elements with 15 songs. Key tracks include "Aum Aum," "Love Colada," and "Te Necesito," which highlighted the group's evolving choreography and vocal harmonies. The album received positive reception for its energetic production and was promoted through extensive touring, solidifying OV7's presence in the Latin pop scene.[68][69] Punto, released in 2003 by Sony Music, contains 11 original tracks and collaborations, blending pop and rock elements. Notable singles include "Vuelve" and "No Control," which continued the group's commercial momentum with themes of love and resilience.[18] After a hiatus, OV7 returned in 2012 with Forever 7 on Sony Music, a concept album consisting of 12 covers of 1980s hits reinterpreted in Spanish, such as "Prisioneros" (a version of A-ha's "Take on Me") and "Magia" (Starship's "Nothing's Gonna Stop Us Now"). This release celebrated the band's longevity and nostalgia, earning acclaim for its faithful yet fresh arrangements that appealed to both longtime fans and new listeners.[70][71] The group's most recent studio album under the OV7 name, A Tu Lado, arrived in 2013 via Sony Music Entertainment México, comprising 14 original tracks that returned to contemporary pop with romantic and dance-oriented themes. The title track "A Tu Lado" and others like "No Me Digas Nada" showcased matured vocals and modern production, reflecting OV7's adaptation to evolving music trends while maintaining their signature style.[72] As La Onda Vaselina, the group released the following studio albums: La Onda Vaselina (1989, Melody Records, 10 tracks); La Onda Vaselina Vol. 2 (1991, 12 tracks); Dulces Para Ti (1992, 12 tracks); La Banda Rock (1993, 12 tracks); Hoy (1995, 12 tracks); Vuela Más Alto (1996, 12 tracks). In 2025, they released Todos Somos la Onda Vaselina (14 tracks), a reunion album blending nostalgia and new material.[73][74]| Album Title | Release Year | Label | Number of Tracks | Notable Singles |
|---|---|---|---|---|
| CD00 | 2000 | Columbia Records | 13 | Enloquéceme, Shabadabada |
| Siete Latidos | 2001 | Columbia Records | 15 | Aum Aum, Love Colada, Te Necesito |
| Punto | 2003 | Sony Music | 11 | Vuelve, No Control |
| Forever 7 | 2012 | Sony Music | 12 | Prisioneros, Magia |
| A Tu Lado | 2013 | Sony Music México | 14 | A Tu Lado, No Me Digas Nada |
| Todos Somos la Onda Vaselina | 2025 | Independent | 14 | Title track |
Compilation and live albums
OV7 has released several compilation albums that gather their most popular tracks from both their La Onda Vaselina era and OV7 period, often highlighting their evolution from teen pop to more mature Latin pop sounds. These compilations typically feature remastered hits and occasional new recordings, serving as accessible entry points for fans and newcomers. Live albums, on the other hand, capture the band's energetic performances during key tours and reunions, emphasizing their stage presence and audience interaction.[75][2] The first live album, En Directo Rush, was released in 2001 by Columbia Records, documenting performances from the band's Rush Tour. It includes live versions of tracks like "Rush," "Que Quede Claro," and "Shabadabada," showcasing OV7's transition to a more adult-oriented pop style post-rebranding. The album was issued in CD format and received positive reception for its faithful reproduction of the concert energy.[76] In 2007, Sony Music released Lo Mejor de OV7, a compilation spanning 20 tracks that compile greatest hits such as "Enloquéceme" and "Te Quiero Tanto, Tanto" from their early 2000s albums. This collection emphasizes the band's chart-topping singles and was marketed as a retrospective of their post-La Onda Vaselina success. A follow-up, 10 de Colección, arrived in 2007, featuring 10 selected tracks including live renditions of "Como Eres" and "No Es Obsesión," blending studio and live elements to celebrate a decade of hits.[77][78][79] Primera Fila, released on September 28, 2010, by Sony Music, stands out as both a live and compilation album. Recorded live at the Auditorio Nacional in Mexico City during 2009 sessions, it presents acoustic versions of classics like "Mírame a los Ojos" and new material, formatted as a double CD with a DVD of performances. The release marked a reflective phase for the band, earning acclaim for its intimate arrangements and production quality.[80] The following year, 2011 saw En Vivo Desde el Palacio de los Deportes, a live album and concert film capturing OV7's performance at Mexico City's Palacio de los Deportes. Issued as a 2-CD + DVD set by Sony Music, it features high-energy renditions of hits from their entire catalog, including "Pelo en la Sopa" and "Shabadabada," highlighting the band's reunion momentum and sold-out show scale.[81] Later live releases tied to major tours include 90's Pop Tour in 2017, a collaborative live album from the multi-artist 90's Pop Tour, featuring OV7 alongside acts like Fey and Magneto. Released by Sony Music and BoBo Producciones as a 2-CD + DVD set, it documents nostalgic performances of shared era hits. The sequel, 90's Pop Tour Vol. 2, followed in 2018, continuing the format with additional live tracks from the extended tour, reinforcing OV7's role in Latin pop nostalgia revivals.[82] An additional live compilation, En Vivo (2015), compiles select concert recordings from various shows, focusing on fan favorites and available primarily through digital platforms. These releases collectively underscore OV7's enduring appeal through preserved live moments and curated hits, contributing to their legacy in Mexican pop music. A 2024 edition of Lo Mejor de OV7 was released, updating the 2007 compilation with additional tracks.[83]| Album Title | Type | Release Year | Label | Format |
|---|---|---|---|---|
| En Directo Rush | Live | 2001 | Columbia | CD |
| Lo Mejor de OV7 | Compilation | 2007 | Sony Music | CD |
| 10 de Colección | Compilation | 2007 | Sony Music | CD |
| Primera Fila | Live/Compilation | 2010 | Sony Music | 2×CD + DVD |
| En Vivo Desde el Palacio de los Deportes | Live | 2011 | Sony Music | 2×CD + DVD |
| En Vivo | Live/Compilation | 2015 | Sony Music | Digital/CD |
| 90's Pop Tour | Live/Compilation | 2017 | Sony Music / BoBo Producciones | 2×CD + DVD |
| 90's Pop Tour Vol. 2 | Live/Compilation | 2018 | Sony Music / BoBo Producciones | 2×CD + DVD |
| Lo Mejor de OV7 | Compilation | 2024 | Sony Music | Digital/CD |
Singles
OV7, originally formed as La Onda Vaselina in 1989, released their first singles in the early 1990s, blending teen pop with covers of classic hits adapted into Spanish. Their debut single "Que Buen Reventón," released in 1990 on Melody Records, marked their entry into the Mexican music scene and became an instant hit, capturing the energetic spirit of youth culture.[73] Followed closely by "Qué Triste Es El Primer Adiós" that same year, these tracks established the group's playful, dance-oriented sound and topped regional charts in Mexico.[73] In the mid-1990s, as La Onda Vaselina, the group achieved widespread popularity with singles like "El Calendario" (1991), a Spanish adaptation of "Calendar Girl," and "Te Quiero Tanto, Tanto" (1995), which showcased their evolving romantic pop style and amassed over 208 million streams on platforms like Spotify as of November 2025, reflecting enduring fan appeal.[3] Another standout, "Pop" from the 1995 album Hoy, highlighted their bubblegum pop influences and contributed to their status as a leading act in Latin American teen music. Additional early hits include "Mírame a los Ojos" (1991) and "Un Pie Tras Otro Pie" (1992).[73] Upon rebranding to OV7 in 2000, the group shifted toward more mature dance-pop, with "Enloquéceme" leading the album CD00 and becoming a signature hit with 128 million Spotify streams as of November 2025, noted for its infectious eurodance rhythm.[3][2] "Shabadabada" (2001, standalone single) followed as a club favorite, exceeding 158 million streams and exemplifying their fusion of Latin and electronic elements.[3][84] Other key releases from this era, such as "Más Que Amor" and "Jam" (both 2000), reinforced their chart dominance in Mexico and Latin America. From Punto (2003), "Vuelve" became a notable hit.[2] During their hiatus and reunions in the 2010s, OV7 released sporadic singles tied to live albums and tours, including "Prisioneros" (2012) from Forever 7, which revisited their pop roots.[85] In the 2020s, following a full reunion, they issued fresh material like "Si Es Amor," "Oxígeno," and "Para Terminar" (all 2023), marking a return to upbeat, nostalgic pop with modern production. These tracks, released independently, underscore the group's adaptability and continued relevance in the Latin pop landscape. In 2025, singles from Todos Somos la Onda Vaselina continued their output.| Year | Single | Album | Notes |
|---|---|---|---|
| 1990 | Que Buen Reventón | La Onda Vaselina | Debut hit, Melody Records |
| 1991 | El Calendario | La Onda Vaselina 2 | Adaptation of "Calendar Girl" |
| 1991 | Mírame a los Ojos | La Onda Vaselina | Early hit |
| 1995 | Te Quiero Tanto, Tanto | Hoy | Over 208 million Spotify streams |
| 2000 | Enloquéceme | CD00 | Signature dance-pop track, 128 million streams |
| 2001 | Shabadabada | Standalone single | Club anthem, 158 million streams |
| 2003 | Vuelve | Punto | From 2003 album |
| 2023 | Para Terminar | Single | Reunion-era release |
| 2025 | Todos Somos la Onda Vaselina | Todos Somos la Onda Vaselina | Recent title track |