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Ordinary Person
Hangul
보통사람
RRBotongsaram
MRPot'ongsaram
Directed byKim Bong-han
Written bySamuel Cho
StarringSon Hyun-joo
Jang Hyuk
Production
company
Trinity Entertainment
Distributed byOpus Pictures
Release date
  • March 23, 2017 (2017-03-23)
Running time
121 minutes
CountrySouth Korea
LanguageKorean
Box officeUS$2.6 million[1]

Ordinary Person (Korean: 보통사람) is a 2017 South Korean crime-action drama film directed by Kim Bong-han, starring Son Hyun-joo and Jang Hyuk. It was released on 23 March 2017.[2][3]

Synopsis

[edit]

In the spring of 1987, Kang Sung-jin (Son Hyun-joo) was an upright police officer with a wife (Ra Mi-ran) and a son. Their only wish was to lead a simple life and they worked hard towards their dream of owning a two-storey house. One day Sung-jin got involved in a conspiracy led by National Security Planning chief, Choi Gyu-nam (Jang Hyuk) after he arrested a suspected murderer (Jo Dal-hwan) by chance. Gyu-nam, being a cold-blooded and manipulative man, made use of Sung-jin's weakness to strike a deal with him. Despite newspaper reporter Chu Jae-jin (Kim Sang-ho)'s advice to quit from the operation, Sung-jin discovered that he did not have a choice as he had already scheduled an operation to treat his son's legs.[4][5]

Cast

[edit]

Awards and nominations

[edit]
Year Award Category Recipient Result
2017 39th Moscow International Film Festival [8] Best Actor Son Hyun-joo Won
NETPAC Award - Jury Prize Ordinary Person Won
2017 Korean Film Shining Star Awards Star Award Son Hyun-joo Won

References

[edit]
[edit]
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Ordinary Person

View on Grokipedia
from Grokipedia
is a 1980 American drama directed by in his feature-length directorial debut. Adapted from Judith Guest's 1976 novel of the same name by screenwriter , the film portrays the emotional disintegration of the affluent Jarrett family following the accidental death of their eldest son Buck during a mishap, focusing on the surviving younger son Conrad's survivor's guilt, , and sessions. The principal cast includes as the empathetic father Calvin Jarrett, as the emotionally distant mother Beth Jarrett, in his film debut as Conrad, and as the unconventional psychiatrist Dr. Tyrone Berger. Produced by Ronald L. Schwary and released by , the film examines themes of , family dysfunction, and recovery through restrained performances and subtle direction. It received widespread critical acclaim for its honest depiction of suburban and earned four at the 53rd ceremony: Best Picture, Best Director for Redford, Best for Hutton (the youngest recipient at the time), and Best Adapted Screenplay for Sargent.

Production

Development

The screenplay for Ordinary Person originated in 2004, when director penned the script inspired by the real-life case of Kim Dae-doo, whose crimes occurred in the 1970s. Initially titled Gongjak, the story was set in that earlier decade to align with the historical events surrounding the killer's activities. Production faced significant delays over 13 years, during which urban development rendered many intended 1970s-era filming locations unavailable, necessitating a shift in the narrative's timeline to 1987—a year marked by South Korea's pro-democracy movement and political instability. This adjustment allowed Kim to incorporate elements of the era's social tensions, including institutional pressures on , while maintaining a focus on an ordinary detective's moral dilemmas amid procedural investigations. The project was ultimately produced by Trinity Entertainment Co., Ltd., with Kim retaining creative control over the adaptation to emphasize authentic police work and personal stakes over . This evolution reflected practical constraints alongside Kim's intent to portray the constraints faced by rank-and-file officers in a corrupt system, drawing from documented historical contexts rather than purely fictional tropes.

Casting

Son Hyun-joo was cast as the protagonist Kang Sung-jin, an upright detective confronting systemic corruption and personal temptation. His selection aligned with his established proficiency in portraying morally conflicted law enforcement figures, as demonstrated in prior works like (2015), where he depicted a entangled in a . Jang Hyuk portrayed the antagonist Choi Gyu-nam, the manipulative head of the National Security Planning agency who ensnares Sung-jin in illicit operations. Jang's versatility in embodying calculating authority figures, evident from his ambitious schemer in the financial thriller series (2011), contributed to the character's tense dynamic with the lead. Supporting roles enhanced the film's exploration of everyday pressures and institutional interplay, with Ra Mi-ran as Sung-jin's devoted wife Song Jeong-sook, leveraging her experience in grounded maternal and spousal parts, and Kim Sang-ho as investigative reporter Chu Jae-jin, adding realism to journalistic scrutiny of power structures.

Filming

Principal photography for Ordinary Person commenced on August 24, 2016, in the Namsan district of , . The production utilized urban locations throughout and nearby areas to capture the mundane yet tense environments reflective of routine police operations during the film's 1987 setting. Cinematographer Kim Sung-chul oversaw the visual capture, contributing to the film's gritty aesthetic through authentic period-evoking setups that emphasized realism in everyday scenarios. Filming concluded in November 2016, allowing for work to wrap by early 2017 ahead of completion. Director prioritized a procedural style that highlighted moral tensions via grounded direction, aligning with the narrative's exploration of institutional pressures on . This approach avoided stylized flourishes, instead drawing on the inherent drama of real-world-like confrontations to convey ambiguity in decision-making.

Plot

Synopsis

Set in 1987 , Ordinary Person follows Kang Sung-jin, an upright homicide detective devoted to his wife and young son, whose leg condition requires costly surgery beyond their modest means. Sung-jin's routine pursuit of intersects with peril when he kills a mysterious assailant in during an arrest for petty crimes, revealing the man as a notorious sought by the . This incident exposes him to a sprawling of high-level , drawing him into procedural beats of evidence gathering, interrogations, and covert dealings amid institutional pressure. The narrative escalates as Sung-jin grapples with threats to his family's safety and wrenching moral trade-offs, including potential compromises for his son's treatment, while piecing together causal links from the killer's connections to powerful figures. His investigation unfolds through tense confrontations with obstructive authorities and betrayals, highlighting the clash between one man's principled resolve and entrenched systemic deceit, without resolution of the broader intrigue.

Cast and Characters

Lead Roles

Son Hyun-joo portrays Kang Sung-jin, a dedicated police detective and whose commitment to procedural and everyday resilience forms the moral core of the narrative. Sung-jin's character grapples with personal vulnerabilities, including providing for a mute wife and a son needing costly leg surgery, which tests his upright nature against institutional temptations in 1980s Korea. Cast in 2017 for his proven range in intense dramatic roles, 's performance highlights the archetype of the ordinary individual resisting corruption through quiet determination. Jang Hyuk plays Choi Gyu-nam, the calculating chief of the Planning Agency, whose manipulative tactics embody elite institutional self-preservation and ethical compromise. Gyu-nam's drives the central conflict by exploiting Sung-jin's familial weaknesses to suppress a serial killer investigation, prioritizing state secrets over . Selected in 2017 for his ability to convey cold , Jang Hyuk's depiction underscores the antagonist's detachment, contrasting sharply with Sung-jin's grounded adherence to .

Supporting Roles

Kim Sang-ho portrays Chu Jae-jin, a reporter who serves as an investigative ally to the , supplying crucial leads and evidence on the scandal without engaging in dramatic heroics, thereby grounding the in procedural realism. His facilitates the exposure of institutional cover-ups by leveraging journalistic access to documents and witnesses, reflecting the causal interplay between media scrutiny and in South Korean society. Ra Mi-ran plays Song Jeong-sook, a family member whose presence heightens the personal stakes for the lead amid threats from powerful adversaries, emphasizing the ripple effects of bureaucratic on ordinary lives. This character underscores the film's theme of individual vulnerability against systemic power, as her involvement draws in familial motivations that propel the protagonist's resolve without overshadowing the central investigation. Ji Seung-hwan depicts Park Dong-gyu, a mid-level entangled in the , whose actions illustrate the layered hierarchies of Korean and the incremental that sustains . His function advances plot by revealing internal obstructions and alliances within offices, providing realistic depictions of how administrative and hinder . Additional ensemble members, such as Jo Dal-hwan as Kim Tae-sang, contribute to the bureaucratic and antagonistic elements by embodying enforcers or intermediaries who enforce the power structure's defenses, reinforcing the narrative's focus on everyday mechanisms of influence rather than overt villainy. These roles collectively enhance the film's causal realism, portraying supporting figures as cogs in a larger machine of societal dysfunction, drawn from verifiable patterns in Korean corruption cases documented in .

Release and Distribution

Premiere and Theatrical Release

Ordinary Person had its VIP premiere in on March 20, 2017. The film was released theatrically nationwide on March 23, 2017, distributed by Opus Pictures. The domestic rollout emphasized the film's investigative thriller elements, with promotional trailers highlighting tense confrontations between the lead detective and characters amid 1980s political unrest. This spring timing positioned it within a competitive window for Korean action-dramas seeking audience draw before major summer blockbusters. Internationally, the film saw limited theatrical distribution but gained exposure via festival circuits, including screenings at the , Fukuoka Asian Film Festival, and Paris Korean Film Festival in 2017.

Box Office Performance

Ordinary Person earned a total of 383,336 admissions in , generating approximately 2.8 billion KRW in domestic box office revenue. The film, released on March 23, 2017, opened strongly with 43,581 viewers on its debut day across 619 screens, securing second place on the chart behind competing releases. However, attendance declined sharply thereafter, dropping to 15,628 viewers by March 29 as it fell to sixth place amid rising competition from other domestic thrillers like One Line. This performance marked moderate commercial success for a mid-budget crime thriller, bolstered initially by positive word-of-mouth regarding its plot twists and strong performances from leads and , which drew audiences interested in socially resonant narratives inspired by real events. Yet, the film's earnings were constrained by a saturated market for investigative s in South Korean cinema, where high-profile releases dominated screens and viewer attention, preventing Ordinary Person from sustaining momentum beyond its opening weekend. Internationally, the film saw limited theatrical distribution, with negligible overseas earnings contributing minimally to its global total of around $2.6 million USD. Post-theatrical accessibility improved through streaming platforms in subsequent years, though no significant revenue resurgence was reported from digital markets.

Reception

Critical Response

Son Hyun-joo's portrayal of the principled detective Lee Jang-ho earned the award at the in June 2017, with the jury recognizing his restrained and nuanced performance amid moral dilemmas. Professional reviewers similarly praised the actor's ability to convey the of an ordinary man confronting systemic pressures, highlighting his subtle emotional range as a standout element in an otherwise formulaic narrative. The film's tight pacing and authentic depiction of South Korean settings were noted for maintaining tension through procedural realism, focusing on the protagonist's incremental slide into compromise rather than overt action sequences. Critics, however, pointed to the story's reliance on predictable twists and overfamiliar tropes of institutional prevalent in contemporary Korean cinema, such as the lone honest cop ensnared by higher powers protecting their interests. Reviews described the plot's progression into as undermining its initial meditation on ethical erosion, with resolutions feeling contrived despite drawing from real historical contexts like the authoritarian era's police scandals. While the film's emphasis on individual agency within a corrupt offered grounded realism, it lacked innovation, echoing similar narratives in films addressing post-democratization reckonings without introducing fresh perspectives. Aggregate critic sentiment, based on limited English-language professional reviews, aligns with moderate approval, with user-driven platforms like reflecting an average score of 6.4/10 from over 600 ratings that echo professional notes on execution over originality. Overall, the film was commended for technical proficiency and lead performance but critiqued for not transcending conventions in exploring power's corrosive effects on everyday .

Audience and Commercial Analysis

The film resonated strongly with domestic South Korean audiences, particularly those drawn to investigative thrillers emphasizing personal integrity against institutional , as evidenced by its high viewer ratings of 8.5 out of 10 on major portals compared to critics' average of 5.86. This disparity highlights a populist reception valuing suspenseful procedural elements and relatable protagonists over stylistic experimentation favored in some critical circles. Viewer feedback frequently praised the authentic portrayal of 1980s-era systemic abuses and the moral resolve of ordinary individuals, contributing to word-of-mouth momentum despite competition from higher-budget releases. Demographically, the skewed toward middle-aged Korean viewers interested in historical dramas and law-enforcement narratives, aligning with the film's focus on a detective's quest for amid political intrigue. Admissions indicate broad but not explosive appeal, with 383,336 total viewers in , reflecting steady attendance from urban and provincial theaters without reliance on international markets. Repeat viewings were noted anecdotally for the film's taut plotting, though quantitative metrics on this remain limited; its runner-up award at the Florence Asian Film Festival underscores cross-cultural recognition among non-elite viewers for thematic authenticity. Commercially, Ordinary Person achieved modest viability with a domestic gross of approximately 2.96 billion KRW (about $2.6 million USD at exchange rates) from 619 screens, positioning it as the 40th highest-grossing Korean film of the year amid a market dominated by blockbusters exceeding 10 million admissions. Low production costs relative to output—typical for mid-tier thrillers without A-list spectacle—yielded a respectable return, countering narratives that prioritize arthouse prestige over accessible storytelling; post-theatrical streaming availability on platforms like sustained niche interest in its motifs, though specific viewership figures are not publicly detailed. This performance validates the genre's enduring draw for audiences seeking causal in narratives, independent of critical acclaim.

Accolades

Film Festival Awards

At the 39th , held from June 23 to 30, 2017, lead actor received the Silver St. George Award for for his performance as homicide detective Seo Ki-chul in Ordinary Person, marking the third such win for a South Korean performer at the event. The jury, chaired by Iranian director Reza Mirkarimi and including members such as Italian actress , recognized Son's role in a film depicting a detective's moral stand against institutional corruption during South Korea's late-1980s authoritarian era. The picture also secured the NETPAC Jury Prize, awarded by the Network for the Promotion of Asian Cinema to director for advancing narratives of ethical resilience in the crime genre. These honors underscored the film's technical strengths in suspenseful storytelling and character-driven tension, distinguishing it among international entries focused on personal integrity amid systemic pressures.

Domestic Awards

Son Hyun-joo received the Star Award for his portrayal of the protagonist detective at the 2017 Korean Film Shining Star Awards, recognizing standout performances in that year's Korean releases. This honor underscored the film's emphasis on authentic character depth amid a year dominated by high-profile action and historical dramas. In the broader context of South Korean cinema in 2017, major accolades like the 38th favored commercially successful entries such as (leading with multiple nominations) and (securing eight nominations), which blended spectacle with broad appeal. Ordinary Person, by contrast, received no nominations there, reflecting its more restrained procedural focus on institutional intrigue and moral ambiguity rather than explosive set pieces or mass-market sensationalism—a distinction that aligned with its critical notes on realistic investigative dynamics over dramatized heroism. No wins were recorded in technical categories like or at prominent domestic ceremonies, though the film's meticulous depiction of 1980s-era policing procedures drew commendations from industry observers for factual grounding in historical police operations. This selective validation highlighted a niche appreciation for the film's causal emphasis on systemic pressures on ordinary functionaries, differentiating it from peers prioritizing narrative exaggeration for awards traction.

Themes and Analysis

Core Themes

The film portrays the tension between individual and entrenched institutional corruption, exemplified by a detective's confrontation with a system that fabricates to shield powerful interests. In the setting of authoritarian , where national security apparatus prioritizes political stability over factual inquiry, the narrative underscores how ordinary integrity manifests through persistent, evidence-driven pursuit of truth rather than ideological allegiance or expediency. This agency prevails not through abstract heroism but via causal chains of verifiable actions, such as scrutinizing inconsistencies in official narratives, revealing the empirical fragility of corrupt constructs when exposed to rigorous examination. Central to the motifs is a of power , where high-ranking officials manipulate to evade , privileging self-preservation over the tangible consequences of their decisions on innocents. The story illustrates causal realism in : fabricated frames intended to suppress unrest lead to broader societal erosion, as unchecked deviations from evidence-based process amplify harm, contrasting with the protagonist's adherence to procedural that yields concrete revelations. Excuses rooted in or hierarchical loyalty are depicted as veils for personal gain, with outcomes hinging on the real-world fallout—escalated and eroded —rather than rhetorical justifications. Familial vulnerabilities anchor these abstract ethical conflicts in immediate human costs, transforming institutional dilemmas into visceral personal reckonings. The detective's impoverished household, marked by a disabled son requiring costly surgery and a mute spouse, serves as leverage for corrupt inducements, yet also as the emotional core compelling resistance; this grounds the in the causal that ethical lapses exact disproportionate tolls on dependents, reinforcing that true agency weighs familial welfare against systemic temptations without illusion. Such stakes highlight how ordinary lives, burdened by everyday hardships, expose the hollowness of power's abstractions when measured against irrefutable personal suffering.

Interpretations and Legacy

Interpretations of Ordinary People emphasize its unflinching portrayal of survivor's guilt and familial repression following traumatic loss, with Conrad Jarrett's manifesting in and isolation, while his mother Beth exhibits emotional unavailability rooted in control rather than overt . Scholars analyze the film through the lens of bereavement theory, highlighting how the Jarrett family's dynamics illustrate complicated grief, where unresolved trauma disrupts relational bonds and impedes collective healing. The narrative's focus on —depicted via Conrad's sessions with Dr. Berger—interprets recovery as an active confrontation of suppressed pain, diverging from earlier cinematic tropes that stigmatized interventions. Critics have noted the film's causal exploration of how individual coping mechanisms exacerbate family dysfunction, such as Beth's preference for composure over , which alienates her survivors and underscores the realism of differential responses. This interpretation aligns with psychological frameworks positing that unaddressed trauma perpetuates cycles of isolation, as evidenced by Calvin's eventual recognition of marital incompatibility. Unlike sensationalized depictions, the film privileges incremental emotional progress over tidy resolutions, reflecting first-hand accounts of therapy's role in rebuilding agency amid loss. The legacy of endures in its pioneering normalization of narratives in mainstream cinema, influencing subsequent works on familial trauma by prioritizing psychological depth over . Released in 1980, it contributed to shifting public discourse on during a period of emerging awareness about depression and PTSD, with its Oscar wins amplifying visibility for such themes. Contemporary analyses, including 2023 studies on trauma recovery, continue to reference the film as a for understanding within structures. Robert Redford's directorial restraint established a template for introspective dramas, impacting directors exploring suburban alienation and emotional authenticity in the decades following.

References

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