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Patrick Cargill
Patrick Cargill
Patrick Cargill
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Patrick Cargill (3 June 1918 – 23 May 1996)[1] was an English actor remembered for his lead role in the British television sitcom Father, Dear Father.[2]

Key Information

Early life

[edit]

Cargill was born to middle-class parents living in Bexhill-on-Sea, Sussex. After education at Haileybury College, he made his debut in the Bexhill Amateur Theatrical Society. However, he was aiming for a military career and was selected for training at the Royal Military Academy at Sandhurst. Cargill became a commissioned officer in the British Indian Army.[3]

Career

[edit]

After the Second World War ended, Cargill returned to Britain to focus on a stage career, and joined Anthony Hawtrey's company at Buxton, Croydon and later the Embassy Theatre at Swiss Cottage in London. He became a supporting player in John Counsell's repertory at Windsor alongside Brenda Bruce and Beryl Reid and scored a huge hit in the revue The World's the Limit, which was seen by the Queen and 26 of her guests one evening.[citation needed] He made his first West End appearance in 1953 in Ian Carmichael's revue High Spirits at the London Hippodrome. He also co-wrote the stage play Ring for Catty, with Jack Beale.[4] The second of the Carry On films, Carry On Nurse, produced in 1959, was based on this play as was the 1962 film Twice Round the Daffodils.[5]

After a number of other West End roles he was cast as Bernard in Boeing Boeing at the Apollo Theatre in 1962.[6] The farce, which was ideal for Cargill, drew the attention of major producers led to him starring in Say Who You Are at Her Majesty's Theatre in 1965 and directing Not Now Darling by Ray Cooney and John Chapman at the Strand Theatre in 1968.

Television

[edit]

Cargill first came to TV notice when playing Sergeant Cuff in the 1959 series The Moonstone.

In 1960, Cargill played Gestapo agent Herr Grosnitz in the BBC TV series "The Long Way Home".[7] He also performed on several occasions with Tony Hancock, twice in Hancock's final BBC television series, including a role as the doctor who clashes with him in the well-known episode "The Blood Donor" (1961).[1][8] In 1961–62 he featured as the regular character Miguel Garetta in all 26 episodes of the British spy series Top Secret, and in 1962 he played Herr Straffen in The Last Man Out, a TV series by Shaun Sutton, followed two years later by a major part of an episode of The Avengers TV series. In 1967, he appeared in two episodes of The Prisoner as an unusually cruel and brutal Number Two in "Hammer Into Anvil", and as a colleague from Number Six's pre-Village days in "Many Happy Returns".[9]

Cargill starred in three television series of Feydeau farces, adapted by Ned Sherrin and Caryl Brahms and entitled Ooh La La! (1968–1973), which were shown on BBC 2. These vignette Feydeau farces were originally intended to provide variety for Parisian audiences who were used to more than one production during an evening's entertainment. The third and final series showcased Feydeau's longer pieces.[10] Brahms and Sherrin turned six of their adaptations into book form, and published it as Ooh! La-La! in 1973, with a dedication: "To Patrick Cargill – First among Farceurs".[11]

In 1968, Cargill starred in Father, Dear Father on ITV (written specifically for him) as Patrick Glover, a thriller writer and an inept father of two teenage daughters, played by Natasha Pyne (Anna) and Ann Holloway (Karen). The show ran until 1973 and was produced and directed by William G. Stewart.[12]

Many performers who had worked before with the actor featured in an entertainment special called Patrick, Dear Patrick, An Evening with Patrick Cargill and His Guests (1972). Cargill was a friend of Patrick Macnee from their early acting days, and Macnee returned from California to make a guest appearance on the show. It included both Patricks singing "Mad Dogs and Englishmen".[citation needed] Cargill's companion, Vernon Page, recounts that at the time of casting Cargill wanted to sing this duet with Sir Noël Coward and even visited him at the hotel in London where he was staying in an attempt to persuade him to appear, but Coward was either unwilling or unable to agree to the request and he died 15 months later. This one-off special production by Thames Television also guest-starred Beryl Reid, with whom Cargill sang the duet "I Remember It Well" by Alan Jay Lerner and Frederick Loewe (from Gigi). Cargill added a new response to the line "We drank champagne" (Cargill's line): "You gave me Coke, you drank the wine yourself, you soak!" (Reid's riposte).

In 1976, Cargill returned to the TV screens with The Many Wives of Patrick, playing a middle-aged playboy and antiques dealer, Patrick Woodford, who is trying to divorce his sixth wife to remarry his first.[13] This series showcased many prominent stars such as Patrick Macnee and Dawn Addams. The 1980s was something of a revival for Cargill's natural talent at farce. He co-starred in Key for Two with Moira Lister at the Vaudeville Theatre and then at the Old Vic Theatre in William Douglas-Home's After the Ball is Over.[14] In 1986, he starred with Frankie Howerd in A Funny Thing Happened on the Way to the Forum at the Chichester Festival Theatre, in which he played the part of Senex.

In his final years, Cargill was seen in Captain Beaky at the Playhouse in 1990 and after that he toured in Derek Nimmo's British Airways Playhouse. He also played British Prime Minister Neville Chamberlain in the 1990 British Sitcom Heil Honey I'm Home, which was cancelled after one episode. For the centenary staging of Charley's Aunt in 1992, Cargill played the part of the dreaded Spettigue.

Films

[edit]

His film appearances included An Alligator Named Daisy and Expresso Bongo; two of the Carry On films: Carry On Regardless and Carry On Jack; Help! (1965) starring The Beatles, The Magic Christian (1969) with Peter Sellers and Ringo Starr and Charlie Chaplin's A Countess from Hong Kong, in which he played the part of the butler, Hudson.[9]

Music

[edit]

A lesser known detail of Cargill's showbusiness career is the handful of recordings that he made in the 1960s and 1970s. The first was an album called Father, Dear Father (1969) in which Cargill sang a medley of songs. The female voice on the album was not Noel Dyson (Nanny) but that of June Hunt, a friend of Cargill.

He followed this with three singles. One called "Father, Dear Father Christmas" and another called "Thinking Young" and the final single called "Father, Dear Father." None of these recordings was commercially successful.

Cargill appeared as Sir Joseph Porter in H.M.S. Pinafore at the Queen Elizabeth Hall in August 1983.[15]

Personal life

[edit]

Cargill was a private man, who did not relish his celebrity status, though he was always kind to fans who approached him. He would shun awards ceremonies in favour of a quiet evening at home playing mahjong. From the mid-1960s, Cargill lived at Sheen Gate Gardens, Richmond on Thames. In the later years of his life, he lived in Henley-on-Thames. He spent time at Spring Cottage, his country retreat situated in Warren Lane, near Cross-in-Hand, East Sussex. The love of his life was his Bentley, a black and dark green model of which only six were ever made. Cargill also had a Mini and often told a story about driving through Barnes one day and on seeing one of the other five Bentley dropheads at the traffic lights, waved furiously at the driver, only to realise that he was driving his Mini that day. In the mid-1980s, he changed the Bentley for a Rolls-Royce. Cargill's many pets included a monkey, a parrot, a wether and his favourites, Ra, a cross-border collie and Charles, a cat that lived at Spring Cottage.

For many years, Cargill was companions with Vernon Page, an eccentric landscape gardener, poet and lampoon songwriter, until Page married in 1984. In his later years he was companion with James Camille Markowski. After his death, it was alleged that Cargill was homosexual but he never made any public acknowledgment of such. It was claimed that while lunching with Ray Cooney, Cargill observed, when a waiter removed his soup spoon, "Aah, look Ray, the dish has run away with the spoon."[citation needed]

Death

[edit]

At the time of his death at the age of 77, Cargill was suffering from a brain tumour and was being nursed in a hospice in Richmond on Thames, London.[16] In 1995, the year before he died, Cargill had been struck by a car in Australia; though he was only slightly injured, this accident led to false reports that the cause of his death was a hit-and-run accident.[17]

Filmography

[edit]
Year Title Role Notes
1949 Trottie True Party Guest Uncredited
1953 The Sword and the Rose French Diplomat
1955 An Alligator Named Daisy Steward Uncredited
1956 The Extra Day Cashier No. 1
1956 The Baby and the Battleship Navigation Officer Uncredited
1956 Around the World in 80 Days Minor Role Uncredited
1958 Up the Creek Commander
1959 The Night We Dropped a Clanger Fritz
1959 Expresso Bongo A Psychiatrist Uncredited
1960 Doctor in Love Car Salesman Uncredited
1961 Carry On Regardless Raffish Customer
1961 Clue of the Silver Key Binny Edgar Wallace Mysteries
1963 The Cracksman Museum Guide
1963 A Stitch in Time Dr. Meadows
1963 The Hi-Jackers Inspector Grayson
1964 This Is My Street Ransome
1964 Carry On Jack Don Luis, the Spanish Governor
1965 Help! Superintendent Gluck
1967 A Countess from Hong Kong Hudson
1968 Inspector Clouseau Commissioner Sir Charles Braithwaite
1968 Hammerhead Condor
1969 The Magic Christian Auctioneer at Sotheby's
1970 Every Home Should Have One Wallace Trufitt M.P.
1971 Up Pompeii Nero
1973 Father Dear Father Patrick Glover
1974 The Cherry Picker Dr. Harrison
1977 The Picture Show Man Fitzwilliam
1990 Heil Honey I'm Home! Neville Chamberlain

References

[edit]

Sources

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Patrick Cargill

View on Grokipedia
from Grokipedia
Patrick Cargill (3 June 1918 – 23 May 1996) was an English actor renowned for his comedic timing and portrayals of flustered authority figures, most notably as the harried writer and single father in the ITV sitcom Father, Dear Father (1968–1973). Over a career spanning five decades, he excelled in stage farces, television series, and films, often bringing a distinctive blend of pomposity and vulnerability to his roles. Born Edward Sidney Patrick Cargill in London, he initially trained at the Royal Military Academy Sandhurst and served as an officer in the British Indian Army during World War II, before transitioning to acting in the mid-1940s with repertory theatre in Bexhill-on-Sea and Windsor. His stage career flourished in the 1950s and 1960s through West End productions of farces and comedies, including Boeing-Boeing (1962) and a revival of Noël Coward's Blithe Spirit (1970), where he played the role of Charles. Cargill also co-wrote the play Ring for Catty (1956), which inspired the films Carry On Nurse (1959) and Twice Round the Daffodils (1962). On television, beyond Father, Dear Father, he gained acclaim for guest appearances in Hancock's Half Hour as the doctor in the iconic episode "The Blood Donor" (1961), as the villainous Number Two in The Prisoner (1967–1968), and in episodes of The Avengers (1961–1969). His film credits included supporting roles such as the superintendent in the Beatles' Help! (1965), Hudson in Charles Chaplin's A Countess from Hong Kong (1967), and a part in Up Pompeii (1971). Later works encompassed the sitcom The Many Wives of Patrick (1976–1978) and an early dramatic turn as Sergeant Cuff in The Moonstone (1959). Cargill's polished, gentlemanly persona made him a staple of British light entertainment until his death in 1996.

Early life

Birth and family

Patrick Cargill was born Edward Sydney Patrick Cargill on 3 June 1918 in , , to a middle-class military family. His father, Major Ronald Cargill, was a major in the , which shaped the household's expectations for a traditional career path in service. Cargill had a whose in a in deeply affected the family dynamics, prompting Cargill to initially pursue a trajectory to honor his father's wishes. The family's involvement in amateur dramatics fostered his interest in performance, though family pressures leaned toward military discipline. He later attended Haileybury College, where formal education began to intersect with these early influences.

Education and military service

Cargill attended Haileybury College, a public school in , , where he received a traditional education suited to his family's military background. Although specific academic achievements are not widely documented, his time at Haileybury laid the groundwork for the disciplined approach that would later characterize his professional life. Following his schooling, Cargill trained at the Royal Military Academy Sandhurst, entering as a gentleman and emerging as a commissioned officer in the in 1938. His father's influence, stemming from a long line of military service, directed him toward this path despite his growing interest in , nurtured by family involvement in local amateur dramatics. However, within a year, Cargill resigned his commission in 1939 to pursue opportunities. The outbreak of shortly thereafter prompted his re-enlistment, after which he served as an entertainment officer with the throughout the conflict, organizing performances and morale-boosting activities for troops. This role exposed him to structured under challenging conditions, honing skills that proved invaluable post-war. He was demobilized in 1946. The interruption of his early ambitions by duties ultimately enriched Cargill's transition to , as his wartime experience in fostered a practical understanding of audience engagement and logistics, facilitating his entry into upon returning to civilian life.

Career

Theatre

Patrick Cargill began his acting journey in the scene, making his debut with the Bexhill Amateur Theatrical Society in 1935 while still a teenager. This early involvement, influenced by his family's interest in dramatics, provided initial exposure to before he pursued formal training. Following his service in the during , where his entertainments officer role honed disciplined performance skills, Cargill transitioned to professional in 1946. He joined Anthony Hawtrey's company, performing at venues such as , , and the Embassy Theatre in , which helped refine his comedic timing through diverse roles in farces and comedies. Over the next several years, he built experience in lesser-known productions across regional theatres, including Dundee Repertory, establishing a foundation in live stage work that emphasized precise timing and audience interaction. Cargill's West End debut came in 1953 with the revue High Spirits at the London Hippodrome, marking the start of his prominent presence in London's theatre district. He quickly progressed to leading roles in the and , specializing in farces that showcased his urbane wit and impeccable delivery. Notable among these was his portrayal of Bernard in Boeing-Boeing (1962) at the Apollo Theatre, a role he sustained for over 1,500 performances across three years, solidifying his reputation as a distinguished actor adept at sustaining long runs. Other key appearances included Dear Delinquent (1957), Say Who You Are (1965), Two and Two Make Sex (1973), Blithe Spirit (1970 revival), and Sleuth (1978), where his collaborations with directors and co-stars further enhanced his command of satirical and light-hearted theatre. Throughout his career, Cargill's work earned acclaim for blending elegance with humor, contributing to his status as a West End stalwart until the 1980s.

Television

Cargill began his television career in the with minor roles in and ITV productions, including appearances in the children's sketch show (1955–1956) and the ventriloquist comedy Educating Archie (1958–1959), which helped transition him from to the small screen. His stage experience in comedic roles provided a strong foundation for his TV persona, characterized by flustered elegance and dry wit. By the early 1960s, he gained visibility through guest spots, such as the doctor in the Hancock episode "The Blood Donor" (, 1961) and various parts in The Avengers (ITV, 1961–1969). In 1967, Cargill appeared in two episodes of the cult series (ITV), first as Thorpe, a former agent, in "Many Happy Returns," and then as the paranoid Number Two in "Hammer into Anvil," showcasing his ability to blend authority with underlying insecurity. These roles highlighted his versatility in dramatic and suspenseful contexts, paving the way for his sitcom success. Cargill's television breakthrough came with the lead role of Patrick Glover, a divorced thriller novelist struggling to raise his two teenage daughters, Anna and Karen, in the ITV sitcom (1968–1973), created by Johnnie Mortimer and Brian Cooke. The series, produced by Thames Television, spanned seven series and 45 episodes, each typically running 25–30 minutes and revolving around Glover's chaotic domestic life amid his writing career and romantic mishaps. It became a staple of British viewing, praised for its gentle humor on generation gaps and family dynamics, with Cargill's portrayal of the hapless yet endearing father earning him widespread recognition as a sitcom icon. The show's popularity was evident in its consistent scheduling and spin-off specials, though it received no major awards; viewer appreciation is reflected in retrospective ratings averaging around 6.5–7.0 out of 10 on platforms like IMDb. Father, Dear Father solidified Cargill's status, transforming him from a supporting stage actor into a household name during the late 1960s and 1970s. Concurrently, Cargill starred in the BBC2 anthology series Ooh La La! (1968–1973), appearing in all 19 episodes across three series as various leads in adaptations of French farces by playwrights like . The program featured him in roles such as the hapless lover Michel or the entangled husband Fadinard, often alongside guest stars like and , emphasizing his flair for and timing in period settings. This series further demonstrated his range, blending his theatrical roots with television's episodic format, and contributed to his reputation for sophisticated .

Film

Cargill's entry into cinema was marked by the 1959 comedy , directed by , which was adapted from his play Ring for Catty, co-written with Jack Beale. Although Cargill did not perform in the film, the adaptation showcased his early comedic sensibilities in a hospital satire that became the highest-grossing British film of the year, establishing a foundation for his later screen contributions. His acting debut in film came in 1953 with a minor role as a French Diplomat in , followed by appearances in An Alligator Named Daisy (1955) and early Carry On films like (1958) and (1961). Throughout the and , Cargill built a modest filmography of supporting roles in British comedies, often embodying pompous authority figures with his signature dry wit and aristocratic poise, a persona refined through his work. Notable among these was his portrayal of Superintendent Gluck in Richard Lester's Help! (1965), where he played a superstitious inspector assisting against a cult pursuing Ringo Starr's ring. During a warehouse shoot, Cargill held a prop gun on the band from behind in a scene; as recounted by Paul McCartney, the Beatles spontaneously turned to face him with hands raised, leaving the actor visibly startled and adding to the film's playful improvisation. He also appeared in Carry On Jack (1964) as the scheming Spanish Governor Don Luis and in Inspector Clouseau (1968) as the exasperated Commissioner Sir Charles Lyon, roles that underscored his talent for satirical takes on bureaucracy. One of Cargill's most prestigious film engagements was in Charlie Chaplin's final directorial effort, A Countess from Hong Kong (1967), where he was personally chosen to play Hudson, the fastidious valet to Marlon Brando's character. After several prominent British actors turned down the part, Chaplin selected Cargill for his ability to deliver understated amid the romantic farce involving a countess (). On set, Cargill noted Chaplin's meticulous guidance, including detailed instructions on routines like a bedsheet tussle, which echoed the director's tramp persona while allowing Cargill to infuse the role with Edwardian stiffness. Other lesser-known appearances included the auctioneer in The Magic Christian (1969), a send-up of and excess, and Ludicrus Sextus in the bawdy (1971), further extending his of eccentric supporting characters in comedies.

Writing and other contributions

Cargill co-wrote the comedy play Ring for Catty with Jack Beale, which premiered in 1956 and centers on the antics of four long-term patients in a under the care of the titular nurse. The play, published by Samuel French as part of their acting edition series, was staged at venues including the in and the Sheffield Repertory Company, blending humor with dramatic elements in a hospital setting. Cargill and Beale also collaborated on Happy Landings, a 1954 comedy about two families mistakenly booking the same houseboat, first presented at Richmond Theatre under the title The Name is Smith. Later works include the 1964 Smith - By Any Other Name, involving identity mix-ups among five men and three women, and the 1985 comedy Don't Misunderstand Me, which explores marital confusions during a dinner party. These contributions reflect Cargill's affinity for British , emphasizing mistaken identities and domestic chaos, though none achieved the commercial longevity of his later directorial efforts. In directing, Cargill achieved notable success with Not Now Darling by and John Chapman, staging the at London's Strand Theatre from April 1968 to January 1970, a run of nearly two years that underscored its popularity among West End audiences. The production, featuring and , revolved around fur coat mishaps in a high-society setting and later inspired a . This directorial outing highlighted Cargill's understanding of timing and ensemble dynamics, contributing to the play's draw through its witty dialogue and . Cargill ventured into music with the 1969 album Father, Dear Father on (SF 8060), a collection of medley songs tied to his television persona, featuring vocals backed by the Gordon Franks Orchestra and uncredited female harmonies. He released several singles in the late and early , including "Father, Dear Father Christmas," "Thinking Young," and "Father, Dear Father," characterized by light comedic tones exploring middle-aged themes, though none charted commercially. These recordings, produced amid his sitcom fame, extended his comedic style into musical novelty without significant sales impact.

Personal life

Relationships

Patrick Cargill never married and maintained a notably private , avoiding public discussion of romantic partnerships or intimate details throughout his career and beyond. Such privacy extended to Cargill's daily life, where he was known to lead a reserved existence, focusing on professional commitments and close, non-public associations that supported his routines without drawing attention. During the peak of his television fame in the 1960s and 1970s, this approach allowed him to navigate his career amid prevailing social norms without apparent disruption.

Residences and interests

In the later years of his life, Patrick Cargill resided in Lower Assendon, a village near in , where he maintained a comfortable home reflective of his established status in the entertainment industry. This location provided a serene setting amid the countryside, aligning with his preference for a more relaxed pace following decades in London's theatrical scene. Earlier, during the height of his television fame in the and 1970s, Cargill owned Spring Cottage in Lower Assendon, which served as his country retreat and offered respite from urban demands. Cargill's personal interests centered on symbols of affluence and leisure, notably his passion for fine automobiles, which underscored his sophisticated and leisurely lifestyle enabled by career success. He owned a 1954 R-Type Drophead Coupé, a model that frequently appeared in his Father, Dear Father as an extension of his on-screen persona. In a 1971 appearance on BBC Radio 4's , Cargill selected his Bentley as his luxury item, highlighting its significance to his daily enjoyment and mobility. This enthusiasm for luxury cars connected him to elite social circles within the British world, where such vehicles were common among peers seeking elegance and status.

Illness and death

In late 1995, Cargill was involved in a hit-and-run car accident in Australia, which led to the discovery of a brain tumour. In the mid-1990s, the tumour marked the beginning of a short but severe illness that significantly impacted his health. As his condition worsened, Cargill received end-of-life care in a hospice in Richmond upon Thames, London. He died peacefully in his sleep there on 23 May 1996, at the age of 77. His agent, Roger Carey, confirmed the circumstances of his passing, stating that Cargill "died peacefully in his sleep." Fellow actor Derek Nimmo paid tribute, describing him as "one of an almost extinct breed - an actor who was always a gentleman." No public details emerged regarding funeral arrangements or direct family responses.

Legacy

Recognition and influence

Patrick Cargill established a strong reputation as a specialist in British farce during the mid-20th century, excelling in roles that showcased his impeccable timing and gentlemanly charm, such as in Boeing-Boeing (1962) and Blithe Spirit (1970 revival). His performances often embodied the archetype of an ageing, eager public schoolboy—slightly dim yet lascivious—contributing to the enduring appeal of high and low farce on the West End stage. This expertise extended to co-authoring Ring for Catty, which inspired film adaptations like Carry On Nurse (1959) and Twice Round the Daffodils (1962), highlighting his role in bridging theatrical farce to screen comedy. Cargill's influence permeated 1960s–1970s British sitcoms, particularly through his direction of Ray Cooney and John Chapman's Not Now Darling (1968) at the Strand Theatre, which exemplified the fast-paced, misunderstanding-driven humor that defined the era's farcical television. His lead role in the sitcom Father, Dear Father (1968–1973) further amplified this impact, where his disciplined delivery of lines like “Marriage is like a bath, the longer you stay in it the colder it gets” elicited consistent audience laughter through precise, naughty-boyish timing. Although Cargill received no major honours such as BAFTA nominations or theatre awards, critical assessments praised his ability to extract humor from subtle pauses and expressions, solidifying his legacy in comedic performance. Cargill's seamless transition from stage farce to television and inspired subsequent performers by exemplifying the amiable "silly-ass" tradition that blended authority with vulnerability in . This cross-medium adaptability helped shape the portrayal of flustered, upper-middle-class characters in later sitcoms and farces, ensuring Cargill's contributions remained a touchstone for comedic timing and character depth.

Posthumous tributes

Following his death on 23 May 1996, Patrick Cargill received tributes in major British newspapers that highlighted his versatility as a comic actor and his gentlemanly demeanor. In The Independent, obituary writer Adam Benedick praised Cargill's mastery of both high and low farce, noting his memorable performances in stage productions like Blithe Spirit (1970) and Boeing-Boeing (1962), as well as his television work in Father, Dear Father, which captured his "naughty-boyish charm" and precise timing. Similarly, The Herald quoted actor Derek Nimmo, who described Cargill as "an almost extinct breed—an actor who was always a gentleman" and "a most accomplished actor" capable of "extract[ing] a laugh from thin air," emphasizing his enduring appeal in comedies like The Blood Donor (1961). In the , Cargill's contributions to have been revisited in retrospective works on television history. The British Film Institute's Screenonline biography underscores his lasting association with Father, Dear Father (1968–1973), portraying him as the archetype of the flustered, aloof authority figure in sitcoms and farces, with roles in cult series like The Avengers (1961–1969) and films such as Help! (1965) contributing to his cult status. Robert Ross's 2021 book Forgotten Heroes of Comedy includes Cargill among overlooked figures of mid-20th-century British humor, crediting his work in Father, Dear Father and The Many Wives of Patrick (1976) for embodying the refined, character-driven style of 1970s . No major revivals of Father, Dear Father or Cargill's stage plays have occurred in the 2000s or 2020s, though the series maintains a niche following through archival broadcasts and fan discussions. As of November 2025, episodes are not widely available on major streaming platforms, limiting access to physical media or occasional YouTube uploads, which reflect ongoing interest in his portrayal of domestic farce.

References

  1. http://www.screenonline.org.uk/people/id/1396912/index.html
  2. https://www.independent.co.uk/news/obituaries/patrick-cargill-obituary-1348893.html
  3. https://www.imdb.com/name/nm0137092/bio/
  4. https://ancestors.familysearch.org/en/G9ZW-NK2/edward-sidney-patrick-cargill-1918-1996
  5. https://www.imdb.com/name/nm0137092/
  6. https://www.independent.co.uk/news/patrick-cargill-the-perfect-gentleman-dies-in-sleep-1348852.html
  7. https://archive.org/stream/NewsUK1996UKEnglish/May%252024%25201996%252C%2520The%2520Times%252C%2520%252365588%252C%2520UK%2520%2528en%2529_djvu.txt
  8. https://www.findagrave.com/memorial/40802940/patrick-cargill
  9. https://www.independent.co.uk/news/obituaries/patrick-cargill-obituary-5614694.html
  10. https://www.bexhillmuseum.org.uk/access-centre/bexhill-remembers-first-world-war/
  11. https://www.the-independent.com/news/obituaries/patrick-cargill-obituary-5614694.html
  12. https://www.facebook.com/sandhursttrust/posts/the-son-of-an-indian-army-major-edward-sydney-patrick-cargill-was-born-in-bexhil/2660986397263002/
  13. https://www.facebook.com/RoyalMilitaryAcademySandhurst/posts/2420781661538872/
  14. https://www.screenonline.org.uk/people/id/1396912/index.html
  15. https://www.heraldscotland.com/news/12059257.patrick-cargill-man-of-many-parts-dies-at-77/
  16. https://theatricalia.com/play/4e2/boeing-boeing/production/9k5
  17. https://www.imdb.com/title/tt0679180/
  18. https://www.comedy.co.uk/tv/father_dear_father/episodes/
  19. https://televisionheaven.co.uk/reviews/father-dear-father
  20. https://www.imdb.com/title/tt0062560/ratings/
  21. https://www.comedy.co.uk/tv/ooh_la_la/
  22. http://www.beatlesinterviews.org/dbmoviesb.html
  23. https://www.charliechaplin.com/en/films/11-a-countess-from-hong-kong
  24. http://www.classicmoviehub.com/facts-and-trivia/film/a-countess-from-hong-kong-1967
  25. https://www.bfi.org.uk/film/af42944d-9c82-57b4-90fc-5d11873c05cc/up-pompeii
  26. https://www.mercurytheatre.co.uk/mercury-voices/programme-for-ring-for-catty/
  27. https://www.doollee.com/PlaywrightsC/cargill-patrick.php
  28. https://www.the-independent.com/news/obituaries/patrick-cargill-obituary-1348893.html
  29. https://theatricalia.com/play/54m/not-now-darling/production/w3s
  30. https://www.imdb.com/title/tt0070459/
  31. https://www.discogs.com/release/2653442-Patrick-Cargill-Father-Dear-Father
  32. https://www.discogs.com/artist/375610-Patrick-Cargill
  33. https://www.independent.co.uk/news/people/wills-5599271.html
  34. https://bixandassendon.wordpress.com/2012/04/06/famous-ex-residents/
  35. https://www.comedy.co.uk/tv/father_dear_father/trivia/
  36. https://www.bbc.co.uk/programmes/p009nd6j
  37. https://nostalgiacentral.com/television/tv-by-decade/tv-shows-1960s/father-dear-father/
  38. https://books.google.com/books/about/Forgotten_Heroes_of_Comedy.html?id=e2gtEAAAQBAJ
  39. https://www.justwatch.com/us/tv-show/father-dear-father
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