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Dominick Fernow
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Key Information
Ian Dominick Fernow[1] is an American experimental musician, poet and multimedia artist. He is best known for extreme music released under the stage name Prurient, as well as numerous other aliases including Vatican Shadow, Rainforest Spiritual Enslavement and Christian Cosmos.[2] His first releases date back to 1998, the same year in which he founded the record label Hospital Productions.
Life
[edit]Fernow hails from Wisconsin[3][4] and his mother is the poet and former Wisconsin Public Radio host Jean Feraca.[5] He recounts his entrance into public school and his exposure to death metal and tape trading as early sources of musical interest.[6] In particular, Fernow cites the death metal band Deicide's album Once upon the Cross as, "frightening ... A huge record for me, still to this day."[6]
Fernow has resided in Providence, New York City, Los Angeles,[7] and Berlin,[8] and runs the labels Hospital Productions and Bed of Nails.[9]
Career
[edit]
In his early work as Prurient, Fernow worked primarily with a microphone and amplifier, and sometimes drums. He eventually began utilizing more electronics, and currently works primarily with laptop and synthesizers. In the past, he collaborated with artists like John Wiese, Jeff Plummer (of Immaculate:Grotesque and Shallow Waters), Kris Lapke (of Alberich and MCMS), Wolf Eyes, Macronympha, and Philip Best (of Whitehouse and Consumer Electronics).[10]
Fernow has also performed in various bands, such as Football Rabbit, Vegas Martyrs, Taylor Bow, Ash Pool, and formerly as part of Cold Cave.[11] Prurient has released material on numerous independent record labels, such as Hanson Records, RRRecords, Load Records, Troubleman Unlimited, Chrondritic Sound, Kitty Play Records, American Tapes, and his own label Hospital Productions. Fernow has also recorded music under a variety of aliases, including Vatican Shadow, Rainforest Spiritual Enslavement, Exploring Jezebel, River Magic, Winter Soldier, Window Cleaning By Ian, December Magic, and Tortured Hooker.
Prurient has been covered in outlets such as The New Yorker, Pitchfork Media,[12] The Village Voice,[13] and Resident Advisor.[8]
Partial discography
[edit]As Prurient
[edit]| Year | Title | Label | Format | Notes |
|---|---|---|---|---|
| 1998 | A Simple Mark | Hospital Productions | Cassette | |
| Blades Steam Red Sweat, Inside The Things I Dread | CD-R | |||
| Persistence | Beeshu Records | Cassette | split with Potassium Cyanide Dogbane Sentiment | |
| 1999 | A Call For Help | Hospital Productions | ||
| Entrepreneur | ||||
| Model | ||||
| Prurient / Jon Borges | split with Jon Borges | |||
| O.C.D. | ||||
| Observer | ||||
| 2000 | Collaboration | Let It Rot | CD | with Richard Ramirez & Flatline Construct |
| Mundane | Ninth Circle Music | CD-R | split with Sickness | |
| Noise Split Tape Vol. 1 | Brainchaos | Cassette | split with Echo System | |
| Ornamentation | Zaftig Research | CD-R | collaboration with Goose | |
| Point And Void | Hospital Productions | 2xCassette | ||
| 2001 | Arbitrary Witness | Deadline Recordings | 2xCassette | |
| Body Language | Peel Back the Sky | LP | ||
| Collaboration | Hospital Productions | CD | with Diagram A and Furisubi | |
| Guide to Grooming | Monorail Trespassing | Cassette | ||
| Hunt in Couples | Hospital Productions, Anti-Everything | 7" | split with ASD | |
| Magnified Healing | Hospital Productions, T.E.F. | CD | split with T.E.F. & Richard Ramirez | |
| Mater Dolorosa | Hospital Productions | CD | ||
| Mummification and Prayer | Cassette | |||
| White Plains Leather: Black River Falls | Cassette | |||
| Valve Testing | Electronic Musik | Compilation: 1 track:Pastune as Well | ||
| 2002 | Live Prayer | Electronic Musik | 3", CD-R | |
| Something Terrible Has Happened and I Need Your Help | Monorail Trespassing | Cassette | ||
| The History of Aids | Hospital Productions/Armageddon | CD | ||
| 2003 | Recycled Music | RRRecords | Cassette | |
| Troubled Sleep | Truculent Recordings | CD | ||
| We Set off in High Spirits | Gods of Tundra | Cassette | ||
| 2004 | 60 Minutes of Silence | American Tapes | Cassette | |
| Fossil | Truculent Recordings | CD | ||
| Red Head | RRRecords | Cassette | with Pedestrial Deposit | |
| Shipwreckers Diary | Ground Fault | CD | ||
| Starvation | Hospital Productions | Cassette | ||
| Sexual Magic | 2xCassette | |||
| The Hidden Family/+White+ | Load Records | 12"/CD | with Kites | |
| White Magic | Hospital Productions | Cassette | ||
| 2005 | African Division | Hospital Productions | Cassette | |
| Akitsa / Prurient | Cassette | split with Akitsa | ||
| Black Vase | Load Records | CD/LP | ||
| Church of Ammunition | Troubleman Unlimited Records | 7" | ||
| Devil In Broad Daylight | Chondritic Sound | 2xCassette | ||
| Disappearance Of The Maya | Hospital Productions | 4xCassette | split with Aaron Dilloway | |
| In The Slaughterhouse | 7" | |||
| Love and Romance | LP | split with Nicole 12 | ||
| Macronympha + Prurient / Okha | Dada Drumming | 12" | split with Macronympha and Okha | |
| The Baron's Chamber | Nihilist Records | CD | ||
| The Warriors | Hospital Productions/Gods of Tundra | CD/LP | split with Wolf Eyes | |
| Vegas Martyrs - Choking Doberman | Kitty Play Records | 7" | ||
| 2006 | Cloven Spike | Hospital Productions | 7" | with John Wiese |
| Grunt / Prurient | Freak Animal Records | Cassette | split with Grunt | |
| Heavy Rain Returns | iDEAL Recordings | CD | with Carlos Giffoni | |
| Memory Repeating | AA Records | 7" | ||
| Pleasure Ground | Load Records | CD | ||
| Point and Void | Ninth Circle Music | CD | ||
| Snail on a Razor | Hospital Productions | CD | ||
| 2007 | All Are Guests in the House of the Lord | Hospital Productions | Cassette/CD | with Kevin Drumm |
| Caribbean Overdose | Cassette | edition of 200 | ||
| Cave Depression | No Fun Productions | 3x7" | ||
| Cocaine Death | Hospital Productions | Cassette | edition of 46 | |
| Colonialist Nature And Misanthropy | 2xCassette | |||
| Golden Swastika | Cassette | |||
| Prurient | Hanson Records | LP | ||
| Split | Important Records | with Mindflayer | ||
| Taylor Bow - Hate Fuck | Hospital Productions | 7" | ||
| Terminal Cases | aRCHIVE recordings | 2x3" CD | split with Death Unit | |
| The Golden Chamber | Hospital Productions | Cassette | ||
| 2008 | And Still, Wanting | No Fun Productions | CD + Shield 5" | |
| Arrowhead | Mego | CD | ||
| End Of Autumn | Troubleman Unlimited | 2xLP | split with Sutcliffe Jugend | |
| Ghosts Of Niagara | Hospital Productions | 10xCass | split with Burning Star Core | |
| Tylenol Murders | Cassette | edition of 20 | ||
| Cocaine Death | CD | |||
| Time Began in a Garden | 2xCassette, C10 + Box | edition of 100 | ||
| The Black Post Society | Cold Spring Records | CD | ||
| 2009 | Blood of the Lamb | BloodLust! | LP | split with Wilt ( edition of 100) |
| Palm Tree Corpse | Hospital Productions | 3xCassette/LP | ||
| Roman | Harbinger Sound | LP | ||
| Rose Pillar | Heartworm Press | 11" | with book (edition of 500) | |
| Stars Explode | Hospital Productions | Cassette/LP | with Cold Cave | |
| The Complete Kingdom Recordings | The Institute For Organic Conversations | 4xCassette | split with Wilt | |
| 2010 | Jesus | Hospital Productions | 2xCassette | split with Nico Vascellari |
| 2011 | Annihilationist | Hospital Productions | Cassette | |
| Many Jewels Surround the Crown | Hydra Head | 7" | ||
| Bermuda Drain | CD/LP/Cassette | |||
| Time's Arrow | EP | |||
| Stun Gun | Quasi Pop Records | 7" | ||
| Despiritualized | Hospital Productions | Cassette | ||
| 2012 | Of The Memories Of Friends | Hospital Productions | 2xCassette | |
| Oxidation | Cassette | |||
| Tiger Smells A Corpse | 3xCassette | |||
| Wrapped in the Flame of Illusion, Masked in the Clay of Behavior | Dais Records | 2x7" | ||
| Worship is the Cleansing of the Imagination | Hydra Head | 12" | split with JK Flesh | |
| 2013 | Through the Window | Blackest Ever Black | Cassette, Vinyl, CD | |
| 2014 | Washed Against The Rocks | Handmade Birds | 7" | |
| 2015 | Frozen Niagara Falls | Profound Lore | 2CD/3xLP | |
| Cocaine Daughter | Hospital Productions | Cassette | ||
| 2016 | Unknown Rains | Hospital Productions | 2xLP | |
| 2017 | Rainbow Mirror | Profound Lore | 4CD/7xLP | |
| 2019 | Garden of the Mutilated Paratroopers | Profound Lore | 2CD/Cassette | |
| Noise For Halloween Night | Amazon Music | CD | ||
| 2020 | Casablanca Flamethrower | Tesco Organization | 2xLP/Album | |
| Chain Reaction at Dusk | Hospital Productions | Split with Kelly Moran | ||
| 2021 | Black Crows Cyborg | LP | with Merzbow | |
| 2022 | Creationist | 6CD Cassette/7" | ||
| Annihilationism | Vinyl, CD | Split with Masonna | ||
| 2023 | Carte Blanche | Tesco Organization | CD, Vinyl | with Genocide Organ |
| Cain And Abel S/M | Hospital Productions | LP | ||
| I Used to Sell Flowers by the Roadside | Doom Electronics | 6CD Cassette | ||
| 2024 | Government Controlled Shrines | Hospital Productions | LP | with Linekraft |
| Electronic Storms | Cassette | |||
| BBQ Grave | Cassette | with Agonal Lust | ||
| Destroyed Electricity | Doom Electronics | LP | ||
| Taxi Driver Inferno | Hospital Productions | Cassette | with Agonal Lust | |
| Class Ring | Doom Electronics | 6CD Cassette | ||
| Blood Brothers | Hospital Productions | Cassette | with Alberich | |
| Retaliation | Doom Electronics | 2xCassette | ||
| 2025 | Black Table With The Two Griffins Attacking | 4xCassette |
As Vatican Shadow
[edit]Studio albums
[edit]| Year | Title | Label | Format | Notes |
|---|---|---|---|---|
| 2011 | Kneel Before Religious Icons | Hospital Productions, Type Records | Cassette, Vinyl LP | |
| Pakistan Military Academy | Hospital Productions | Cassette | ||
| 2012 | Atta's Apartment Slated for Demolition | Cassette, Digital | ||
| Ghosts of Chechnya | Cassette, Digital, Vinyl LP (2023 Remaster) | |||
| Ornamented Walls | Modern Love Records | Vinyl LP | ||
| 2013 | Remember Your Black Day | Hospital Productions | CD, Vinyl LP | |
| 2014 | Games Have Rules | CD, Vinyl LP | with Function | |
| 2016 | Media in the Service of Terror | Digital, Cassette | ||
| 2019 | American Flesh for Violence | Hospital Productions | Digital, Cassette | Previously unreleased tracks and remixes by Alessandro Cortini, JK Flesh, Ancient Methods, CUB |
| 2020 | Persian Pillars Of The Gasoline Era | 20 Buck Spin | Digital, Vinyl LP, CD, Cassette | Mastered by Justin Broadrick |
| 2021 | SR-71 Blackbird Survivors | Hospital Productions | Digital, 4x Cassette | |
| 2022 | Coast Guard Gulf of Blood | Hospital Productions | Digital, 4x Cassette | |
| 2023 | Destroy Chemical Weapons | Hospital Productions | Digital | |
| 2025 | 20th Hijacker | 20 Buck Spin | Digital, Vinyl LP, CD, Cassette | Mastered by Justin Broadrick |
EPs and singles
[edit]| Year | Title | Label | Format | Notes |
|---|---|---|---|---|
| 2010 | Byzantine Private CIA | Hospital Productions | Cassette | 4-tracks EP |
| 2011 | Washington Buries Al Qaeda Leader at Sea - Deck 1 | Cassette | 2-tracks single | |
| Washington Buries Al Qaeda Leader at Sea - Deck 2 | Cassette | 2-tracks single | ||
| Washington Buries Al Qaeda Leader at Sea - Deck 3 | Cassette | 2-tracks single | ||
| The Serpent Carries Him Back Into Paradise | Cassette | 4-track split EP with Contrepoison (2 tracks each) | ||
| Mural of Saddam | Cassette | 3-tracks EP | ||
| Yemeni Commandos | Cassette | 2-tracks EP | ||
| 2012 | Kuwaiti Airforce | Cassette, Vinyl 12" Remaster (2019) | 2-tracks EP | |
| Operation Neptune Spear | Cassette, Digital | 3-tracks EP | ||
| Iraqi Praetorian Guard | Vinyl 12" | 3-tracks EP | ||
| September Cell | Vinyl 12" | 4-tracks EP | ||
| Jordanian Descent | Cassette | 2-tracks single | ||
| 2013 | When You Are Crawling | Digital, CD, Vinyl 12" | 4-tracks EP | |
| 2014 | April Silencer | Digital | 2-tracks EP | |
| Easing of Our Task | Digital | 4-tracks EP | ||
| Elohim City | Digital | 3-tracks EP | ||
| Enduring Mysteries | Digital | 3-tracks EP | ||
| Fireball | Digital | 3-tracks EP | ||
| Oklahoma Military Academy | Digital | 4-tracks EP | ||
| 2017 | Luxor Necropolitics | Digital, Vinyl 2x10", Vinyl 12" (2023 Remaster) | 5-tracks EP | |
| Vatican Shadow / Ancient Methods - Bunkerterror | Digital, Vinyl 2x10" | 2-tracks split with Ancient Methods | ||
| Rubbish of the Floodwaters | Ostgut Ton | Digital, Vinyl 12" | 3-tracks EP | |
| 2018 | Volta Forte Remixes | Hospital Productions | Digital | 2-tracks EP |
| 2019 | Opium Crop Airstrikes | Hospital Productions | Digital, Cassette, Vinyl 12" | 3-track EP |
| 2020 | Temple Gas Mask | Hospital Productions | Digital | 5-track split EP with Salford Electronics |
Compilations
[edit]| Year | Title | Label | Format | Notes |
|---|---|---|---|---|
| 2011 | Washington Buries Al Qaeda Leader at Sea: Decks 1-3 | Hospital Productions | Lossless Digital | |
| 2012 | It Stands to Conceal | Vinyl 12", Digital | Compilation of Jordanian Descent, Ghosts of Chechnya and Atta's Apartment Slated for Demolition | |
| 2014 | Death Is Unity With God | Hospital Productions, Modern Love Records | Cassette, Vinyl LP, CD | Compilation of Fireball, Enduring Mysteries, Easing of Our Task, Oklahoma Military Academy, Elohim City and April Silencer |
As Rainforest Spiritual Enslavement
[edit]Studio albums
[edit]- Papua Land Where Spirits Still Rule (2012)
- Folklore Venom (2013)
- Green Graves (2016)
- Ambient Black Magic (2017)
- Red Ants Genesis (2018)
- Simulated Thunderstorm (2019)
- Flying Fish Ambience (2021)
- Gray Eucalyptus Tranquility (2023)
- Killer Whale Atmospheres (2023)
EPs
[edit]- The Plant with Many Faces (2013)
- Black Magic Cannot Cross Water (2013)
- Water Rose Above the Head (2013)
- Venus Flytrap Exotica (2019)
- Panama Canal Left-Hand Path (2019)
- Jellyfish Reproduce Black Magic (2021)
- Saga Of Capsizing Dolphins (2022)
Compilations
[edit]- Water Witches (2017)
- Seashell Altars (2021)
As Christian Cosmos
[edit]Studio albums
[edit]- Enthronement by God as the First-Born of the Dead (2012)
EPs
[edit]- Cadence upon the Threshold of Judgement (2012)
- The Sharp Lines That Delineate His Robes (2012)
- Which Echo Again and Again (2012)
As Exploring Jezebel
[edit]Studio albums
[edit]- On a Business Trip to London (2015)
As a Contributor/Guest Artist
[edit]| Year | Artist | Title | Credits |
|---|---|---|---|
| 2011 | Cold Cave | Cherish the Light Years | Electronics on "Pacing Around the Church", "Catacombs", and "Burning Sage" |
| 2017 | Cavalera Conspiracy | Psychosis | Synthesizer on "Spectral War", "Hellfire" and "Excruciating" |
| 2017 | Power Trip | Nightmare Logic | (As Prurient) Introduction on "Waiting Around to Die" |
| 2018 | Oneohtrix Point Never | Age Of | (As Prurient) Voice on "Babylon", "Warning", and "Same" |
References
[edit]- ^ "Dominick Fernow". Encyclopaedia Metallum.
- ^ SPIN. SPIN Media LLC. September 2011. pp. 88–. Retrieved July 9, 2012.
- ^ Weingarten, Christopher. "Generally Inhospitable Hospital". The Village Voice. Archived from the original on September 15, 2018. Retrieved September 8, 2020.
- ^ Masters, Marc. "Review of "The Tunnel" by Silentist". Pitchfork Media. Retrieved January 2, 2024.
- ^ Weingarten, Christopher. "Squall in the Family". The Village Voice. Archived from the original on October 19, 2020. Retrieved June 8, 2023.
- ^ a b Fernow, Dominick (October 2, 2015). "Musical Imbalance: An Interview with Prurient". Aux.Out (Interview). Interviewed by Andy O'Connor. Retrieved May 30, 2016.
- ^ Fernow, Dominick (April 18, 2013). "A Guide to Dominick Fernow". Red Bull Music Academy Daily (Interview). Interviewed by Peter Nix. Retrieved May 30, 2016.
- ^ a b Ryce, Andrew. "Dominick Fernow: Myth of building bridges". Resident Advisor. Retrieved September 8, 2020.
- ^ "Prurient starts new label Bed Of Nails". The Wire. Retrieved December 4, 2013.
- ^ Semtexinc.com Dead Link
- ^ "Boyd Rice Returns to Noise Roots With Cold Cave and Z'ev". self-titled magazine. Retrieved December 4, 2013.
- ^ Stosuy, Brandon. "Show No Mercy". Pitchfork Media. Retrieved December 4, 2013.
- ^ Doyle, Patrick. "The Top Ten Records that Recently Sold at Hospital Productions on East 3rd". The Village Voice. Archived from the original on March 22, 2015. Retrieved December 4, 2013.
External links
[edit]Dominick Fernow
View on GrokipediaEarly Life and Background
Childhood and Initial Influences
Ian Dominick Fernow was born on March 13, 1981, in Wisconsin, United States, where he was raised in Madison in a Roman Catholic household.[10][1] His mother, Jean Feraca, worked as a poet and host on Wisconsin Public Radio, providing an environment infused with literary and communicative elements amid the state's rural and urban contrasts.[11] Fernow's entry into public schooling coincided with his initial exposure to heavier musical forms, marking a shift from conventional surroundings to subversive underground cultures.[11] Fernow's early musical interests centered on death metal, which he encountered through tape trading networks prevalent in the 1990s underground scene.[12] This engagement introduced him to extreme genres characterized by aggressive instrumentation and thematic intensity, serving as a gateway to broader experimental sounds including noise and power electronics precursors.[13] Death metal's incorporation of electronic elements in that era further bridged his fascinations, influencing his perception of rhythm and dissonance beyond traditional metal frameworks.[13] By age 16, during high school, Fernow began experimenting with recording, utilizing a microphone, amplifier, and occasionally drums to generate raw, unstructured sounds without formal awareness of the "noise" genre.[14] These adolescent efforts involved distributing homemade tapes among peers, fostering an initial immersion in self-produced multimedia that emphasized physicality and immediacy over polished production.[15] Such activities laid the groundwork for his affinity for isolationist and confrontational aesthetics, drawn from the DIY ethos of tape-traded extremeties.[12]Education and Formative Experiences
Fernow pursued no formal higher education in music, art, or related fields, relying instead on self-taught methods rooted in personal experimentation and informal networks. He began creating noise sounds at age 16 while in high school in Wisconsin, initially without awareness of the established noise genre, drawing from early influences like death metal and ad hoc recordings using household equipment.[14] His initial forays into multimedia expression preceded structured musical output, incorporating poetic elements influenced by his mother's background as a poet, though these remained private or cassette-based precursors rather than institutional pursuits. By 1997, Fernow produced his earliest documented Prurient recordings, including the cassette Buddha Strangled in Vines, which captured raw sessions blending harsh noise with exploratory sound manipulation.[16][17] Relocating from Wisconsin to New York City in the early 2000s, Fernow immersed himself in the city's underground noise ecosystem, engaging in tape trading, attendance at DIY events, and absorption of the scene's self-reliant ethos during the late 1990s transition period. This period solidified his practical education through direct participation in informal gatherings and exchanges that emphasized analog production and community-driven experimentation over commercial or academic channels.[2][18]Career Development
Founding of Hospital Productions
Hospital Productions was established in 1997 by Dominick Fernow in New York City as an independent record label dedicated to experimental noise music.[3] Initially focused on distributing limited-run cassette tapes, the label emerged alongside Fernow's noise project Prurient, serving as a vehicle for underground releases in genres such as power electronics and industrial noise.[3] This DIY approach prioritized small-batch production over commercial scalability, reflecting an anti-mainstream ethos common in the noise community.[19] By the early 2000s, Hospital Productions expanded its output to include vinyl formats while maintaining a commitment to limited editions, which enhanced scarcity and collector appeal.[20] Notable early releases for other artists included Cold Cave's Painted Nails 7-inch single in 2008, marking the label's role in amplifying emerging acts within the noise and post-punk scenes.[2] The label also operated a physical retail store in New York from 2006 onward, functioning as a hub for noise enthusiasts until its closure amid urban changes.[20] Into the 2010s, the imprint incorporated digital distribution via platforms like Bandcamp, broadening accessibility without diluting its archival focus on preserving obscure and extreme recordings.[21] By 2017, Hospital Productions commemorated two decades of operation with events featuring acts like Godflesh and Prurient, underscoring its enduring influence in the noise ecosystem through an extensive catalog of hundreds of titles.[22] This evolution from cassette-centric distribution to multifaceted formats sustained the label's emphasis on curating and safeguarding non-commercial experimental works.[13]Emergence as Prurient
Dominick Fernow initiated the Prurient project in 1998, the same year he established Hospital Productions, with the debut cassette A Simple Mark (HOS-1a) capturing the raw essence of early harsh noise through unrelenting feedback, distorted electronics, and screamed vocals that evoked themes of bodily and psychic torment.[23] Subsequent releases in the late 1990s and early 2000s, often on cassette or limited formats via Hospital, expanded this foundation, blending power electronics influences with performance-oriented extremism to carve a niche in the burgeoning underground noise milieu.[24][14] Prurient's live manifestations in the 2000s amplified this confrontational core, featuring ritualistic sets that prioritized physical endurance and sensory overload—manifesting as prolonged sonic barrages and performative exertion—over conventional stagecraft, thereby forging Fernow's stature among dedicated noise practitioners in venues across North America and Europe.[25][26] These appearances, documented in fragmented recordings from the era, underscored a commitment to immediacy and discomfort, aligning Prurient with the era's most uncompromising acts in circuits like New York's experimental scenes.[27] By the mid-2010s, Prurient attained a critical peak with Frozen Niagara Falls, a double album issued on May 12, 2015, by Profound Lore Records, encompassing 16 tracks over nearly 90 minutes of production that fused noise's abrasive heritage with emergent melodic structures, including pulsating synthesizer lines, acoustic guitar passages, and layered field recordings.[28][29] This release, self-produced by Fernow, represented a deliberate evolution toward formal coherence without diluting intensity, as evidenced by its expansive runtime and integration of hooks amid feedback swells, broadening appeal while retaining the project's foundational abrasiveness.[30]Shift to Vatican Shadow and Techno Influences
In 2011, Fernow introduced the Vatican Shadow alias with the cassette Byzantine Private CIA, marking a pivot from pure noise to rhythmic, militaristic electronica that integrated industrial techno rhythms, EBM-inspired propulsion, and sampled audio from military operations and terrorist events, such as helicopter footage and conflict dispatches.[2][31] This shift expanded his noise foundations by imposing strict, pounding beats over abrasive textures, creating tracks suited for both underground clubs and conceptual listening, without softening the underlying extremity of themes like geopolitical violence and religious fanaticism.[32][33] The 2011 cassette Kneel Before Religious Icons, released on Hospital Productions, exemplified this hybrid approach with tracks layering techno percussion against samples evoking U.S. military mishaps and propaganda narratives, blending noise's confrontational edge with dancefloor functionality for live sets in warehouses and nightclubs.[34][35] Fernow's performances under the alias maintained aggression through distorted synths and relentless tempos, adapting Prurient's intensity to techno structures that prioritized utility over melody, as seen in sets incorporating EBM's mechanical drive.[13] Subsequent releases like Media in the Service of Terror (2016) further refined this formula, using looped field recordings of terror incidents to underscore industrial rhythms, ensuring the project's output remained thematically uncompromised.[31][36] Vatican Shadow's activity persisted through the 2020s, with releases such as Destroy Chemical Weapons in 2023 and Demolished Holy Sites (Redacted) in 2024 upholding the alias's focus on sampled warfare motifs amid techno frameworks, followed by Church of All Hallows' Eve in October 2025, demonstrating consistent productivity without diluting the raw, extremist sonic palette.[37][38] These outputs, often limited-edition vinyl or digital via Hospital Productions, reinforced the project's evolution as an extension of noise principles into rhythmic domains, prioritizing causal depictions of conflict over mainstream accessibility.[39]Other Project Aliases and Collaborations
Fernow has employed numerous aliases beyond his primary projects, exploring diverse experimental genres such as ambient noise and harsh electronics. Under the moniker Rainforest Spiritual Enslavement, he produces dark ambient techno characterized by slow-paced bass studies and synthetic dub textures, with the project debuting in 2011 through a series of cassettes issued on Hospital Productions.[40] [41] Christian Cosmos represents another outlet for esoteric and religious-themed industrial techno, often incorporating source material from collaborator Kris Lapke of Alberich, emphasizing ritualistic and atmospheric soundscapes.[42] [43] Exploring Jezebel delves into libidinous and confrontational harsh electronics, as evidenced by releases probing themes of forced feminization and societal norms, underscoring Fernow's interest in provocative multimedia expressions tied to audio works.[44] [45] In terms of collaborations, Fernow joined the band Cold Cave as a performing member after releasing their early 7-inch single Painted Nails on Hospital Productions in 2008, contributing to their live shows and expanding his reach into post-punk and synth-driven territories.[2] Through Hospital Productions, he has facilitated guest contributions and splits, including a 2005 split release as Prurient with Nicole 12, though his label role often intersects with direct artistic partnerships.[7] In 2018, Fernow participated in a collaborative live performance with Jesu and Nothing to mark the 20th anniversary of Hospital Productions, blending noise and metal elements in a multimedia event.[46] These efforts highlight his versatility in fostering experimental alliances up to the late 2010s.[47]Artistic Style and Philosophy
Core Themes and Techniques
Fernow's oeuvre recurrently interrogates themes of violence and sadomasochistic excess, particularly through Prurient's deployment of layered feedback and guttural vocals to evoke Sadean explorations of lustmord and corporeal torment.[48] These elements intersect with personal catharsis, manifesting as sonic proxies for isolation, sexual compulsion, and substance-induced disintegration, where raw intensity serves as a vehicle for unmediated psychic release rather than narrative resolution.[49] Militarism emerges as a parallel motif in Vatican Shadow, framing industrial techno tracks with allusions to covert operations, geopolitical conflict, and institutional power structures, often amplified by cover art and titles drawing on military and paramilitary iconography.[50] [51] This thematic strand underscores a causal realism in sound design, prioritizing the inexorable mechanics of aggression and hierarchy over emotive abstraction. Production techniques hinge on analog hardware and feedback loops to cultivate unpolished, emergent textures, eschewing digital refinement for the unpredictable causality of hardware saturation and loop decay.[48] Fernow favors limited-edition physical formats—such as cassette tapes and vinyl pressings via Hospital Productions—to emphasize the artifact's scarcity and tactile presence, countering ephemeral streaming paradigms with deliberate constraints on accessibility and replication.[52] This approach reinforces a philosophy of extremity, where sonic and material rawness asserts existence as paramount over commodified accessibility.[53]Evolution Across Projects
Fernow's Prurient project, active from the late 1990s, centered on harsh noise characterized by treble-dominated feedback and confessional screams that evoked visceral personal horror and physical extremity, as in early works exploring themes of disease and emotional rupture.[9] Live manifestations amplified this through sweat-drenched, shirtless performances emphasizing bodily confrontation and direct sound-body translation.[9] This head-oriented intensity defined the 1990s and 2000s output, prioritizing abstract psychological assault over rhythmic structure.[54] The introduction of Vatican Shadow in 2011 represented a pivot to lower-frequency, bass-driven industrial techno, shifting focus to physical embodiment and incorporating militaristic imagery—such as track titles referencing war contractors and religious icons—for abstracted engagements with geopolitical conflict.[13][9] This evolution reflected influences from techno collectives like Sandwell District and personal imperatives for immediacy, enabling structured compositions suitable for broader auditory contexts.[13] Techno integration proved pragmatic for live adaptations, with Vatican Shadow facilitating nightclub performances from the early 2010s, including extended sets at venues like Berghain and alignments with Ostgut Ton, allowing noise-derived aggression to interface with dancefloor propulsion during the 2013–2018 period.[13] These sets, often employing iPod-based delivery, contrasted earlier DIY noise chaos while preserving core confrontational energy.[13] Releases in 2023, including the Prurient reissue Oxidation on Hospital Productions, upheld this hybrid trajectory, merging noise's abstract ferocity with rhythmic underpinnings to maintain intensity across evolving formats and aliases.[55]Reception and Impact
Critical Acclaim and Influence
Hospital Productions, founded by Fernow in 1997, has released approximately 600 titles over two decades, establishing it as a pivotal force in disseminating noise, power electronics, and experimental electronic music globally.[13] The label's catalog has provided early platforms for emerging acts, including the 2008 release of Cold Cave's Painted Nails 7-inch, which introduced the project to wider underground audiences and facilitated its subsequent breakthrough in darkwave and synthpop scenes.[2][56] By prioritizing limited-edition cassettes, vinyl, and digital formats, Hospital has sustained DIY economics for niche artists, enabling archival preservation of obscurities in black metal, industrial, and techno that might otherwise remain inaccessible.[57] Fernow's work as Prurient has garnered acclaim for its innovative personalization of harsh noise, blending minimalist abrasion with introspective textures that distinguish it from more impersonal genre peers.[58] Reviews highlight the project's extremity and prolific output, as seen in Frozen Niagara Falls (2015), praised as a definitive statement album reviving core harsh elements while showcasing Fernow's command of dynamic sound design.[29] This evolution from raw noise to structured compositions has influenced experimental musicians seeking to merge visceral intensity with accessibility. Under the Vatican Shadow alias, Fernow's techno explorations have been lauded for their focused synthesis of martial rhythms and melodic loops, marking his most accomplished genre-blending efforts to date.[59] Critics note the project's seductive yet sinister immediacy, extending Prurient's underground ethos into club-oriented formats and broadening its reach within electronic scenes.[59] Through such aliases and label mentorship—evident in debuts like Silent Servant's LP—Fernow has shaped experimental communities by modeling relentless productivity and cross-genre infiltration, fostering a legacy of innovation amid niche preservation.[19]Criticisms and Controversies
Fernow's Vatican Shadow project has elicited controversy since 2013 for its recurrent use of militaristic and terrorist imagery, including track titles evoking armed conflict, religious extremism, and covert operations, alongside cover art featuring balaclavas, weaponry, and obscured militant figures.[51][60] Critics from outlets like The Quietus have questioned whether such elements glorify violence or terrorism, particularly given Fernow's reticence to explain his intent through interviews, which amplifies perceptions of endorsement over artistic distance.[51] Defenders, including analyses in music publications, frame the material as deliberate provocation designed to blur lines between critique and immersion, mirroring industrial traditions of confronting societal taboos without explicit moralizing.[51][12] Scrutiny escalated in 2021 over Hospital Productions' catalog and Fernow's associations, with investigative pieces citing releases by artists linked to far-right symbolism, such as martial industrial acts incorporating authoritarian aesthetics or historical revisionism.[61][7] This culminated in 2023 with a split EP release featuring Genocide Organ, a German power electronics band accused by antifascist groups like the Antifascist Music Alliance of neo-Nazi ties due to lyrics and themes perceived as sympathetic to ethnic conflict glorification and KKK-adjacent rhetoric.[62][63][64] Protests in Berlin's electronic scene followed, demanding venue blacklists and media accountability, with accusers extending claims of ideological alignment to Fernow personally based on pattern of collaborations rather than direct statements.[62][64] Fernow has issued no public rebuttals, consistent with his interview avoidance, leaving debates centered on whether such output reflects neutral curation of extremity or implicit tolerance.[65] Within niche noise circles, backlash arose against perceived "accessibility" in Prurient's 2015 album Frozen Niagara Falls, a 91-minute work integrating synth hooks, acoustic elements, and structured narratives over pure abrasion, which some purists decried as compromising the genre's anti-commercial rawness.[26] Fernow countered in interviews that the evolution preserved core cathartic aims, unbound by stylistic orthodoxy.[18] This framed a broader purist-versus-evolutionary tension, though mainstream reception largely overlooked it amid acclaim for thematic depth.[66]Discography
As Prurient
Prurient, Dominick Fernow's primary noise project initiated in 1997, has yielded dozens of releases predominantly issued via his Hospital Productions label, spanning cassettes, vinyl LPs, CDs, and digital formats in the realms of harsh noise, power electronics, and experimental sound.[3][23] This extensive catalog reflects a consistent output from the label's inception, with early works emphasizing raw, cassette-based explorations and later efforts incorporating structured compositions on vinyl and other media.[23] The project's releases often appear on Hospital Productions imprints, underscoring Fernow's control over production and distribution.[52] Representative milestones in Prurient's discography, presented chronologically, include:| Year | Title | Format | Label |
|---|---|---|---|
| 1999 | A Call for Help | Cassette (Ltd) | Hospital Productions (HOS-10) |
| 2004 | Shipwrecker's Diary | CD (Album) | Hospital Productions |
| 2011 | Bermuda Drain | LP | Hospital Productions |
| 2015 | Frozen Niagara Falls | 2xLP (Album) | Hospital Productions |