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Red Ruby da Sleeze
View on Wikipedia| "Red Ruby da Sleeze" | ||||
|---|---|---|---|---|
| Single by Nicki Minaj | ||||
| from the album Pink Friday 2 | ||||
| Released | March 3, 2023 | |||
| Recorded | 2022 | |||
| Genre | ||||
| Length | 3:35 | |||
| Label | Republic | |||
| Songwriters |
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| Producers |
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| Nicki Minaj singles chronology | ||||
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| Music video | ||||
| "Red Ruby da Sleeze" on YouTube | ||||
"Red Ruby da Sleeze" is a song by rapper Nicki Minaj from her fifth studio album, Pink Friday 2 (2023). Initially released on March 3, 2023 as a promotional single, it was officially released on March 14, 2023 to US rhythmic contemporary radio through Republic Records, serving as the album's second single. It contains a sample of "Never Leave You (Uh Oooh, Uh Oooh)" (2003) by Lumidee and was produced by Go Grizzly, Cheeze Beatz, and Tate Kobang. The song debuted in the top 20 in the United States.
Background and composition
[edit]Nicki Minaj first previewed the track on February 23, 2023, on Instagram, also announcing in a post that it would be released on March 3, 2023.[1] She teased the song with a video of her rapping to it at the Trinidad and Tobago Carnival.[2] Minaj referred to the track as a "street record b4 [sic] my next official single."[3]
Over a beat of "near-Flamenco handclaps" and trap drums,[4] the song finds Nicki Minaj rapping and singing.[5] The chorus functions as a percussive breakdown, featuring faint vocals of "Uh oooooh's" from the sample of Lumidee's "Never Leave You (Uh Oooh, Uh Oooh)" in the background.[6]
Minaj performs in her new titular alter-ego, Red Ruby or Red Ruby Da Sleeze.[7] Media speculated that Minaj dissed Megan Thee Stallion with the lyric "700 on 'em horses when we fixin' to leave / But I don't fuck with horses since Christopher Reeves", which references actor Christopher Reeve's falling off a horse accident that left him paralyzed.[8][9][10] It was also speculated that the lyrics "Dorito bitches mad that they not chose" and "Ya fuckin' bozo / That .40 cal a make 'em dance like a go-go" addressed Megan, the former alluding to Megan's promotional song "Flamin' Hottie" for a Hot Cheetos and Doritos Super Bowl commercial, and the latter alluding to the claim that rapper Tory Lanez allegedly yelled "Dance bitch, dance!" when shooting at Megan.[8][9][10] Minaj also references fashion designer Donna Karan with the lyric "We don't be Karen like Donna-na, na-na-na-na".[10]
Reception
[edit]Tom Breihan of Stereogum wrote, "[Minaj] can really rap, and she can really, really rap when she's mad about something. She goes off on this thing, moving in and out of patois, and the beat is hard and pop at the same time."[9] Jon Pareles of The New York Times commented, "Calm arrogance is Nicki Minaj's gift. There's no need to decipher all her allusions because her delivery and production say it all" and "her percussive rhymes are competitive in every realm — linguistic, sexual, financial, culinary ('guacamole with the taco') — and their utter confidence is still convincing."[4]
Music video
[edit]An official music video was teased on March 15, 2023,[11] and released on May 13. Directed by Grizz[12] and filmed in Trinidad and Tobago and California,[13] it sees Minaj on the deck and in the backyard of her Hidden Hills mansion.[12][13][14] She is shown in different outfits, such as a black monokini, a red Dior bikini, and a red kimono[12] which she wears over a swimsuit and later takes off,[13] as well as various clothing of high fashion brands.[12][15] Reality star Brooke Bailey from Basketball Wives appears alongside Minaj in multiple scenes, such as sitting under a cabana, walking down the city streets and shopping for fashion,[12][13] and posing in front of a white Range Rover, while also wearing luxury clothing.[12] Additionally, Minaj is seen going on joyrides at night with Jamaican dancehall artist Skeng,[16] and in a pink Rolls-Royce with red interior.[14] Her collaboration with Bailey and outfits in the clip were teased in Instagram posts prior to the release of the video.[17]
Track listings
[edit]- Streaming/digital download[18]
- "Red Ruby da Sleeze" – 3:34
- Digital download – acapella[19]
- "Red Ruby da Sleeze" (acapella) – 3:34
- Streaming/digital download – sped up[20]
- "Red Ruby da Sleeze" (sped up) – 2:59
- "Red Ruby da Sleeze" – 3:34
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[35] | Gold | 35,000‡ |
| United States (RIAA)[36] | Platinum | 1,000,000‡ |
|
‡ Sales+streaming figures based on certification alone. | ||
Release history
[edit]| Country | Date | Format | Version | Labels | Ref. |
|---|---|---|---|---|---|
| Various | March 3, 2023 | Original | Republic | [18] | |
| March 7, 2023 | Digital download | Acapella | [19] | ||
| United States | March 14, 2023 | Rhythmic contemporary radio | Original | [37] | |
| Various | March 30, 2023 |
|
Sped up | [20] |
References
[edit]- ^ Mendez, Marisa (February 24, 2023). "Nicki Minaj Previews New Song That Samples 2000s Hit". HipHopDX. Archived from the original on 6 April 2023. Retrieved 3 April 2023.
- ^ Singhvi, Diya (March 3, 2023). "Nicki Minaj Delivers Heat In "Red Ruby Da Sleeze": Stream". HotNewHipHop. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
- ^ Gonzalez, Alex (2023-09-30). "Everything We Know About Nicki Minaj's Upcoming Album, 'Pink Friday 2'". Uproxx. Retrieved 2024-12-10.
- ^ a b Pareles, Jon (March 3, 2023). "Nicki Minaj Returns Ready to Rumble, and 8 More New Songs". The New York Times. Archived from the original on March 3, 2023. Retrieved 3 April 2023.
- ^ Blistein, Jon (March 3, 2023). "You Can't Walk in Her Crocs: Nicki Minaj Drops First Song of 2023 'Red Ruby Da Sleeze'". Rolling Stone. Archived from the original on 10 March 2023. Retrieved 3 April 2023.
- ^ Lipshutz, Jason (March 3, 2023). "First Stream: New Music From Nicki Minaj, Morgan Wallen, J-Hope & J. Cole and More". Billboard. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
- ^ Guy, Zoe (March 3, 2023). "Nicki Minaj Debuts a New Alter Ego, 'Red Ruby Da Sleeze'". Vulture. Archived from the original on 24 March 2023. Retrieved 3 April 2023.
- ^ a b Brasil, Sydney (March 3, 2023). "Nicki Minaj Seemingly Disses Megan Thee Stallion on New Single "Red Ruby Da Sleaze"". Exclaim!. Archived from the original on 7 March 2023. Retrieved 3 April 2023.
- ^ a b c Breihan, Tom (March 3, 2023). "Nicki Minaj Goes After Megan Thee Stallion On Her New Single "Red Ruby Da Sleeze"". Stereogum. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
- ^ a b c Coleman II, C. Vernon (March 3, 2023). "Fans Think Nicki Minaj Disses Megan Thee Stallion and Latto on New Song 'Red Ruby Da Sleeze'". XXL. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
- ^ Chelosky, Danielle (March 16, 2023). "Nicki Minaj Shows Some Skin In Her Spicy Teaser Trailer For The 'Red Ruby Da Sleeze' Music Video". Uproxx. Retrieved 3 August 2023.
- ^ a b c d e f Corrine, Amber (May 15, 2023). "Nicki Minaj Drops "Red Ruby Da Sleeze" Video Starring Brooke Bailey". Vibe. Retrieved 3 August 2023.
- ^ a b c d Peters, Michelle (May 14, 2023). "Nicki Minaj Goes Back to Trinidad in Island-Themed 'Red Ruby Da Sleeze' Video: Watch". Billboard. Retrieved 3 August 2023.
- ^ a b Ellington, Andre (May 14, 2023). "Nicki Minaj Serves Up An Eyeful In 'Red Ruby Da Sleeze' Video". HipHopDX. Retrieved 3 August 2023.
- ^ Li, Joyce (May 15, 2023). "Nicki Minaj Shows off Her Bodacious Curves in New "Red Ruby Da Sleeze" Music Video". Hypebeast. Retrieved 3 August 2023.
- ^ Legaspi, Althea (May 13, 2023). "Nicki Minaj Drops Early Mother's Day Gift With 'Red Ruby Da Sleeze' Video". Rolling Stone. Retrieved 3 August 2023.
- ^ Nevares, Gabriel Bras (May 14, 2023). "Nicki Minaj Flexes Her Curves & Much More In "Red Ruby Da Sleeze" Music Video". HotNewHipHop. Retrieved 3 August 2023.
- ^ a b "Red Ruby Da Sleeze". Spotify. March 3, 2023. Retrieved March 3, 2023.
- ^ a b "Red Ruby da Sleeze (Acapella) Digital Single". Nicki Minaj. Archived from the original on December 14, 2023. Retrieved December 14, 2023.
- ^ a b "Red Ruby Da Sleeze (Sped Up)". Spotify. March 30, 2023. Retrieved March 30, 2023.
- ^ "Nicki Minaj Chart History (Canadian Hot 100)". Billboard. Retrieved April 3, 2023.
- ^ "Nicki Minaj Chart History (Global 200)". Billboard. Retrieved April 3, 2023.
- ^ "Irish-charts.com – Discography Nicki Minaj". Irish Singles Chart. Retrieved April 3, 2023.
- ^ "NZ Hot Singles Chart". Recorded Music NZ. March 13, 2023. Archived from the original on March 18, 2023. Retrieved April 3, 2023.
- ^ "South Africa Songs: Week Of March 18, 2023". Billboard. Archived from the original on April 14, 2023. Retrieved April 14, 2023.
- ^ "Official Singles Chart Top 100". Official Charts Company. Retrieved April 3, 2023.
- ^ "Official Hip Hop and R&B Singles Chart Top 40". Official Charts Company. Retrieved April 3, 2023.
- ^ "Nicki Minaj Chart History (Hot 100)". Billboard. Retrieved April 3, 2023.
- ^ "Nicki Minaj Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved April 3, 2023.
- ^ "Nicki Minaj Chart History (R&B/Hip-Hop Airplay)". Billboard. Retrieved May 3, 2023.
- ^ "Nicki Minaj Chart History (Pop Songs)". Billboard. Retrieved April 8, 2023.
- ^ "Nicki Minaj Chart History (Rhythmic Airplay)". Billboard. Retrieved May 6, 2023.
- ^ "Hot R&B/Hip-Hop Songs – Year-End 2023". Billboard. Retrieved November 23, 2023.
- ^ "Rhythmic Songs – Year-End 2023". Billboard. Retrieved November 23, 2023.
- ^ "ARIA Charts – Accreditations – 2024 Singles" (PDF). Australian Recording Industry Association. Retrieved March 10, 2024.
- ^ "American single certifications – Nicki Minaj – Red Ruby da Sleeze". Recording Industry Association of America. Retrieved March 29, 2024.
- ^ "A Recap of Radio Add Recaps". Hits. March 14, 2023. Archived from the original on January 10, 2024. Retrieved January 10, 2024.
Red Ruby da Sleeze
View on GrokipediaBackground and production
Development and inspiration
"Red Ruby da Sleeze" was conceived during the recording sessions for Nicki Minaj's fifth studio album, Pink Friday 2, which took place throughout 2022 as Minaj worked toward the project's completion later that year.[12] The track emerged as a standalone single initially, but its development aligned with Minaj's broader creative process for the album, where she explored themes of dominance and reinvention in hip-hop.[13] The song draws inspiration from Minaj's alter ego, "Red Ruby da Sleeze," a persona embodying a bold, street-savvy attitude that contrasts with her more playful or glamorous characters, allowing her to channel unfiltered confidence and aggression in her delivery.[14] This alter ego was introduced through the track itself, marking a fresh evolution in Minaj's use of multiple personas to navigate industry rivalries and assert her status as a leading female rapper.[15] At its core, the production features a sample from Lumidee's 2003 hit "Never Leave You (Uh Oooh, Uh Oooh)," as well as elements from Super Cat's "Ghetto Red Hot" (1992), selected to infuse the song with a nostalgic dancehall rhythm that bridges early 2000s hip-hop energy with contemporary trap elements, enhancing the track's infectious hook and Minaj's commanding flow.[16][17] Minaj first teased the song on February 23, 2023, via Instagram, sharing preview clips and the official cover art to announce its impending release on March 3, which heightened fan excitement amid ongoing social media exchanges hinting at industry conflicts.[18] This buildup included speculation that the lyrics contained disses directed at Megan Thee Stallion, rooted in escalating tensions between the two artists following public disputes over collaborations and personal incidents in the rap scene, with references first noted during the song's early conceptualization.[19][20]Recording and personnel
"Red Ruby da Sleeze" was recorded in 2022 at Harbor Studios in Malibu, Los Angeles, as part of sessions for Nicki Minaj's fifth studio album, Pink Friday 2.[21] The track was produced by Go Grizzly and Cheeze Beatz, with Go Grizzly serving as the primary producer responsible for programming and beat construction, which features trap drums layered over near-Flamenco-style handclaps.[22][23][24] Nicki Minaj performed as the lead vocalist and co-wrote the song alongside Lumidee Cedeño (due to the interpolation of her 2003 track "Never Leave You (Uh Oooh, Uh Oooh)"), Tate Kobang, and additional contributors including Darryl McCorkell, Joshua Goods, Kirsten Allyssa Spencer, and Josiah Muhammad.[22][25] Recording engineer Aubry “Big Juice” Delaine handled the vocal and instrumental capture, while mixing was overseen by Șerban Ghenea with assistance from Bryce Bordone and John Hanes, ensuring a seamless integration of Minaj's rapid-fire rap verses with the melodic chorus derived from the sample.[26][27][23] Mastering was completed by Chris Athens at Sterling Sound, providing the track's polished, high-fidelity sound suitable for both streaming and club play.[26][27] The song features no guest artists, spotlighting Minaj's solo performance and delivery throughout its duration.[28]Composition and lyrics
Musical elements
"Red Ruby da Sleeze" runs for a duration of 3:35.[29] The track follows a conventional hip-hop structure: an intro leading into a verse-chorus-verse-chorus-bridge-outro format.[26] The song blends elements of hip-hop, trap, and dancehall genres, drawing from the Diwali riddim underlying its primary sample.[30] Its production, handled by Go Grizzly and Cheeze Beatz, prominently features the sample from Lumidee's "Never Leave You (Uh Oooh, Uh Oooh)."[31] Interpolated Flamenco-style handclaps add a distinctive percussive drive, enhancing the track's energetic yet menacing vibe.[32] Clocking in at approximately 98 beats per minute in the key of C♯ major, the composition maintains a mid-tempo pulse that balances intensity and groove.[33] Nicki Minaj delivers rapid-fire rapping during the verses, shifting to melodic, auto-tuned singing in the chorus, where she directly interpolates the hook from Lumidee's 2003 track "Never Leave You (Uh Oooh, Uh Oooh)."[17] This contrast underscores the song's dynamic flow, with the sampled choral "uh-oh" elements reinforcing its rhythmic and atmospheric tension.[26]Themes and content
"Red Ruby da Sleeze" centers on themes of bravado and unwavering street loyalty, with Nicki Minaj embodying the titular persona as a glamorous yet perilous figure who leverages violence and manipulative relationships to assert dominance in the rap world.[26] The lyrics vividly depict this through references to gang affiliations and the slang term "sleeze," which here signifies a bold, confident, and provocative woman.[34] Boasts of opulent luxury—symbolized by red rubies representing elite status and extravagant cars underscoring wealth—intertwine with these elements, painting a portrait of unapologetic success amid danger.[35] Industry rivalries add layers of shade, particularly in lines alluding to feuds with Megan Thee Stallion, such as the infamous shooting incident via metaphors like a ".40 cal" making them "dance like a go-go."[19] These disses amplify the song's confrontational tone, positioning Minaj as the unchallenged queen dismissing imitators and adversaries. The narrative unfolds across a structured arc: the first verse establishes the "Red Ruby da Sleeze" persona with confident declarations of exclusivity and superiority over "wannabe Chun-Lis," setting a tone of elite detachment.[26] The chorus then hooks listeners with its repetitive, empowering refrain of resilience—"Bad gyal don't die-die-die"—reinforcing invincibility through sampled rhythms. The second verse intensifies the bravado with escalated threats and boasts of replacement over pursuit, heightening the stakes of betrayal and power plays. Finally, the bridge injects subtle vulnerability, as Minaj rejects superficial advances with dismissive "na-na-na" chants, humanizing the fierce exterior while maintaining control.[26] Minaj's lyrical prowess shines through sophisticated wordplay and dense rhyme schemes that propel her rapid flow, employing double entendres to blur lines between literal wealth accumulation and relational exploitation—for instance, lines equating romantic entanglements with strategic conquests.[16] This technique underscores themes of duplicity and triumph, rewarding close listeners with layered interpretations of affluence and disloyalty. Echoing her Trinidadian heritage, the track features patois-infused delivery in elements like "bad gyal," a Caribbean slang term for a bold, defiant woman, adding authentic cultural texture to the persona's streetwise authenticity.[36]Release and promotion
Announcement and single release
"Red Ruby da Sleeze" was announced by Nicki Minaj on February 23, 2023, via her social media accounts, where she revealed the cover art and confirmed the single's impending release.[18] The track arrived on March 3, 2023, initially positioned as a promotional single to build anticipation for her fifth studio album, Pink Friday 2, which would follow later that year.[1] This marked Minaj's first solo single of 2023, arriving seven months after "Super Freaky Girl", signaling her return to the music scene with a high-energy hip-hop record.[37] The single was distributed digitally through Republic Records, a division of Universal Music Group, available for download and streaming on major platforms including Spotify, Apple Music, and YouTube.[1] Upon release, it included the standard audio track alongside an official lyric video uploaded to Minaj's YouTube channel, which quickly accumulated streams and engaged fans in the lead-up to Pink Friday 2's December 8, 2023, launch. Following the album's release, where the song was included as a track, "Red Ruby da Sleeze" was retroactively designated as the second official single from Pink Friday 2. Exclusively offered in digital formats, the single had no physical editions, emphasizing its role in digital promotion and streaming-era accessibility.Marketing strategies
The marketing for "Red Ruby da Sleeze" heavily relied on social media to generate anticipation and engagement. Minaj shared teasers on Instagram, including behind-the-scenes footage from the music video production, which fueled early excitement among fans. She also announced the song's premiere on her Queen Radio show via an Instagram Live session, promoting it directly on Twitter to direct fans to the event. These platforms facilitated interactions with her dedicated fanbase, known as the Barbz, who amplified discussions around speculated feuds with artists like Megan Thee Stallion, drawing widespread attention through viral threads and responses.[38][39][11] Radio promotion began shortly after the initial release, with the track added to US rhythmic contemporary stations, contributing to its entry on the Billboard Rhythmic Airplay chart in late March 2023. This push helped establish airplay momentum, as evidenced by its spin gains reported in industry tracking. As the lead promotional single for Minaj's fifth studio album Pink Friday 2, the song integrated with the project's branding, including hints at upcoming live performances during the album's rollout era. Merchandise tied to the track, such as graphic T-shirts featuring Minaj's imagery from the song, became available through official retailers, extending the promotional reach.[40][41][42] The strategy also capitalized on viral elements through TikTok, where the chorus sample from Lumidee's "Never Leave You (Uh Oooh, Uh Oooh)" inspired user-generated dance challenges and content, boosting organic shares and streams. Press coverage further amplified buzz by focusing on feud speculation, with outlets dissecting potential disses in the lyrics toward Megan Thee Stallion and others, which Minaj addressed indirectly during a virtual listening event by alleging industry efforts to undermine her via paid social media campaigns. This controversy-driven narrative sustained media interest post-release.[43][44][19]Music video
Production details
The music video for "Red Ruby da Sleeze" was directed by Grizz, also known as Alex Grizz Loucas.[45][46] Filming took place primarily in Trinidad and Tobago during the island's 2023 Carnival festivities (February 20–21), capturing cultural scenes that reflect the song's Trinidadian influences.[47][8] The production adopted a vibrant, island-themed aesthetic with colorful backdrops and dynamic sequences emphasizing Minaj's wardrobe of bold, revealing outfits alongside dance routines infused with dancehall energy.[48][49] Cameo appearances by reality star Brooke Bailey and Jamaican dancehall artist Skeng contributed an international flair, with Skeng featured in a laid-back pose against a pink Rolls-Royce.[45][50][51] Choreography was handled by Minaj's creative team, incorporating fluid dancehall moves to complement the track's rhythmic sample.[52] In post-production, the footage was edited to a runtime of 3:34, culminating in its premiere on YouTube as an official visual tied to the single's audio release.[53][46]Concept and release
The music video for "Red Ruby da Sleeze" presents Nicki Minaj embodying her alter-ego of the same name, navigating a world of luxury and underlying danger through dynamic scenes that highlight her commanding presence. The storyline unfolds with Minaj reveling in high-end partying amid the vibrant streets and celebrations of Trinidad, featuring poolside luxury, ocean views, and cultural dance elements. Symbolic ruby motifs recur throughout, manifesting as jewelry and red-hued accents that underscore themes of power and dominance, aligning with the track's assertive persona.[53][8] Visual themes in the video blend glamorous excess—featuring lavish settings, sparkling jewelry, and designer attire—with gritty street life elements, such as urban pursuits and raw energy, effectively mirroring the duality in the song's lyrics between bravado and confrontation. Filming locations in Trinidad and Tobago contribute to this contrast, with the tropical island settings evoking cultural roots. No censored version of the video was produced, as its explicit imagery and language were consistent with the song's mature rating and artistic intent.[47][46] The video premiered on May 14, 2023, on YouTube and Vevo, timed to coincide with the promotional rollout for Minaj's album Pink Friday 2. Its release amplified the single's visibility, with the vivid portrayal of the "Red Ruby da Sleeze" alter-ego driving a surge in streams and engagement.[53][8][45]Reception
Critical reviews
Upon its release, "Red Ruby da Sleeze" received largely positive reviews from music critics, who praised Nicki Minaj's commanding presence and innovative production choices. Stereogum highlighted Minaj's confident flow, noting how it thrives amid rivalry-fueled motivation, and commended the track's effective sample flip of Lumidee's 2003 hit "Never Leave You (Uh Oooh, Uh Oooh)," which blends hard-hitting beats with pop accessibility.[54] Similarly, The New York Times described the song as a showcase of Minaj's "calm arrogance," positioning her verse as an exemplar of peak rap bravado in contemporary hip-hop.[32] Some reviews offered mixed assessments, acknowledging strengths in Minaj's lyrical prowess while critiquing elements of the production. Pitchfork, in its review of the parent album Pink Friday 2, lauded Minaj's valiant rapping on "Red Ruby da Sleeze"—particularly her agile delivery as the track's titular persona—but pointed to the album's broader reliance on nostalgic interpolations and TikTok-friendly trap beats as somewhat derivative, potentially limiting deeper innovation.[55] Critics frequently emphasized the intensity of Minaj's second verse, with its sharp disses and rhythmic dexterity drawing comparisons to her early-career ferocity. The accompanying music video, filmed in Minaj's native Trinidad and Tobago, was commended for its cultural authenticity, capturing tropical island vibes and Carnival-inspired aesthetics that rooted the track in her Trini heritage.[47] Reviewers appreciated the visuals' vibrant energy and Minaj's glamorous transformations, though some outlets described the clip's structure—featuring dance sequences and opulent settings—as formulaic within the rap video genre.[52] Outlets like Intersect Magazine awarded the track 7/10 for its bold revival of Minaj's classic bombastic style, blending dancehall riddims with unapologetic bravado.[56] Overall, the track was seen as a triumphant return to form, reigniting discussions of Minaj's enduring influence in female rap.Accolades and recognition
"Red Ruby da Sleeze" earned Nicki Minaj a nomination for Best Female Hip-Hop Artist at the 2023 BET Awards, highlighting her standout performance on the track as part of her broader 2023 output.[57] Although she did not win the category, which went to Latto, the nomination underscored the song's role in sustaining Minaj's prominence in female rap.[58] At the 2023 Billboard Music Awards, Minaj secured the Top Female Rap Artist award, with "Red Ruby da Sleeze" serving as a key release contributing to her chart dominance that year.[59] The track also propelled her to win Best Female Hip-Hop Artist at the 2024 BET Awards, reflecting its lasting influence on her career narrative.[60] The song did not receive any Grammy Award nominations, despite submissions for categories related to Pink Friday 2.[61] However, by 2025, retrospective analyses praised "Red Ruby da Sleeze" for its contribution to the album's commercial and cultural impact, including leading female rap album sales in 2024.[62] On streaming platforms, "Red Ruby da Sleeze" amassed over 181 million streams on Spotify in 2023, positioning it among the year's top solo female rap tracks. By November 2025, the song had surpassed 250 million total streams on Spotify.[63][64] It appeared in various editorial and user-curated "best of 2023" rap playlists on Spotify and Apple Music, cementing its status in the genre's annual highlights. Culturally, the track has been frequently referenced in analyses of Minaj's 2023 feud era, particularly its pointed lyrics targeting rivals like Megan Thee Stallion, which shaped ongoing discussions in rap discourse through 2024.[65]Commercial performance
Weekly charts
"Red Ruby da Sleeze" achieved notable success on various weekly music charts worldwide following its release on March 3, 2023. In the United States, the song debuted and peaked at number 13 on the Billboard Hot 100 dated March 18, 2023, spending a total of 12 weeks on the chart.[66] It also debuted at number 1 on the Hot Rap Songs chart, where it held the top position for one week.[6] On the US Hot R&B/Hip-Hop Songs chart, it reached a peak of number 4, bolstered by strong urban radio airplay.[67] Internationally, it peaked at number 20 on the Billboard Global 200, highlighting its streaming performance across global markets.[68] In Canada, the track attained a high of number 46 on the Billboard Canadian Hot 100.[69] On the UK Singles Chart, it peaked at number 28.[70] The song also entered the Australian ARIA Singles Chart at a peak of number 35.[71] In New Zealand, it peaked at number 5 on the Hot Singles chart, demonstrating solid regional appeal in urban formats.[6] In Ireland, it reached number 28 on the Irish Singles Chart.[72] The song's chart trajectory on the Billboard Hot 100 began with a debut at number 13, its peak position, before descending to number 37 in its second week and eventually exiting after 12 weeks.[66] The following table summarizes the peak positions on select weekly charts:| Chart (2023) | Peak position |
|---|---|
| Canada (Canadian Hot 100) | 46 |
| Global 200 (Billboard) | 20 |
| Ireland (IRMA) | 28 |
| UK Singles (OCC) | 28 |
| Australia (ARIA) | 35 |
| New Zealand Hot Singles (RMNZ) | 5 |
| US Billboard Hot 100 | 13 |
| US Hot R&B/Hip-Hop Songs (Billboard) | 4 |
| US Hot Rap Songs (Billboard) | 1 |
