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Pink Friday
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Pink Friday
Standard edition cover
Studio album by
Nicki Minaj
ReleasedNovember 22, 2010
Recorded2009–2010
Studio
Genre
Length50:46
Label
Producer
Nicki Minaj album chronology
Beam Me Up Scotty
(2009) 		Pink Friday
(2010) 		Pink Friday: Roman Reloaded
(2012)
Singles from Pink Friday
  1. "Your Love"
    Released: June 1, 2010
  2. "Check It Out"
    Released: September 3, 2010
  3. "Right Thru Me"
    Released: September 24, 2010
  4. "Moment 4 Life"
    Released: December 7, 2010
  5. "Super Bass"
    Released: April 5, 2011
  6. "Did It On'em"
    Released: April 7, 2011
  7. "Fly"
    Released: August 30, 2011

Pink Friday is the debut studio album by rapper Nicki Minaj. It was released on November 22, 2010, by Cash Money Records, Young Money Entertainment and Universal Motown Records. Minaj began recording the album after signing a recording contract with Young Money Entertainment in 2009. Musically, it is primarily a hip hop, pop and R&B album that incorporates elements of electronic music. The album features guest vocals from Eminem, Rihanna, Drake, will.i.am, Kanye West, and Natasha Bedingfield.

Pink Friday was promoted with three singles before its release: "Your Love", "Check It Out", and "Right Thru Me". "Moment 4 Life", "Did It On'em", and "Fly" followed. Five singles peaked within the top 40 on the US Billboard Hot 100, and the deluxe album's "Super Bass" peaked at number three on the chart. Pink Friday debuted at number two on the US Billboard 200, selling 375,000 copies in its first week, which marked the second highest sales debut ever for a female rapper after Lauryn Hill. It later peaked at number one, becoming Minaj's first number one album. Internationally, it charted within the top 20 in Australia, Canada, and the UK. In 2016, the album was certified 3× platinum by the Recording Industry Association of America (RIAA).

Pink Friday received generally positive reviews, with some critics ambivalent on Minaj's exploration of R&B and pop. It was nominated for Best Rap Album at the 54th Grammy Awards in 2012, alongside Minaj's other nominations for Best New Artist and Best Rap Performance for the single "Moment 4 Life". Over a decade since its release, the album has received praise from music journalists and has developed a cult following. In 2022, Rolling Stone included Pink Friday in their list of "200 Greatest Hip-Hop Albums of All Time" at number 31, stating that the album "proved you could own the charts without dialing back your confrontational individuality, and it set the table for a generation of artists."[1] Minaj released a sequel to the album, Pink Friday 2, in 2023.

Recording and production

[edit]

After a major record label bidding war, Young Money Entertainment announced on August 31, 2009, that Nicki Minaj had signed to the label.[2] Recording sessions for the album took place at several recording locations, including 25 Sound Studios in Detroit, Chalice Recording Studios in Los Angeles, and Glenwood Place Studios in Burbank, California. American record producer Swizz Beatz confirmed that his collaboration with Minaj for the album, with Minaj discussing a song, "Catch Me", describing it as "moody" and "mellow futuristic", would later became a bonus track on the album.[3][4] Minaj also confirmed to Entertainment Weekly that the Black Eyed Peas member and record producer will.i.am contributed production to the album.[5] Fellow rapper and record producer Kanye West was also confirmed for the album.[6] Fellow record producer Bangladesh also contributed to the album.[7] In 2011, there was a track, titled "We Miss You", from the album being leaked online.[8] Minaj responded by saying that the song "was sent to Mariah Carey and Keyshia Cole over a year ago", but did not "make it on Pink Friday, due to clearance issues".[8]

Music and lyrics

[edit]
"Super Bass"
A sample of "Super Bass", blending electronic music and pop over a hip-hop beat.
Problems playing this file? See media help.

"Your Love" is a mid-tempo hip hop, pop, and R&B song, with an auto-tuned chorus.[9] It samples the instrumentals and background vocals of Annie Lennox's cover version of "No More I Love You's" by the Lover Speaks, with the addition of additional bass, drum-loops and hip-hop backbeats.[10] "Roman's Revenge" features American rapper Eminem; the song includes both rappers exchanging bars over a "spastic beat" produced by Swizz Beatz.[11] Lyrically, "Roman's Revenge" has been described as "unrelenting",[12] "bonkers",[13] "angry"[14] and "outrageous".[15] "Did It On'em" is a hardcore hip hop and post-dubstep song that has instrumentally been described as having a massive, ungainly beat.[16][17] The lyrics speak of Minaj winning over her competition, by saying she "shitted on 'em" or "pissed on 'em."[18]

"Right Thru Me" is styled with pop-rap tones, and has an electronic beat, while being influenced by R&B.[10][19][20] Lyrically, the song describes someone who wonders aloud about how a lover can see the real her.[10][21] Lyrically, "Moment 4 Life", is about a desire to maintain a feeling of accomplishment, as Drake follows behind Minaj and raps the same theme of enjoying the moment.[22] Straying away from the standard rap song construction of three verses and a hook, Nicki performs a brain-dump of sorts on the track, spitting as if she's making a speech to both her fans and detractors.[23] "Check It Out" features the nearly constant repetition of the piano and vocal hook from the Buggles' 1979 classic, "Video Killed the Radio Star", which is famous for being the first video ever played on MTV.[12] "Super Bass" utilizes electronic music and bubblegum pop in its composition, while Minaj raps over a hip hop beat,[24][25][26] Minaj explained the song's concept, stating: "'Super Bass' is about the boy that you are crushing over, [...] And you kind of want to get your mack on, but you're taking the playful approach."[27]

Singles

[edit]
Minaj at the album's release concert in 2011

"Massive Attack" was released on April 13, 2010, through digital distribution. It bubbled under the US Billboard Hot 100 at number 22, and peaked at number 65 on the Hot R&B/Hip-Hop Songs chart. The song was initially considered to be the album's first single, however it was not on the album.[28]

"Your Love" was released as the album's official lead single in the US on June 1, 2010, and as the first single in the United Kingdom on July 2, 2010. Initially, the song had never been planned for release, but after significant airplay it was mastered. It peaked at number 14 on the Billboard Hot 100, number four on the Hot R&B/Hip-Hop Songs chart and topped the Hot Rap Songs chart for eight consecutive weeks. Minaj became the first female artist to top the Hot Rap Songs chart unaccompanied since 2002. It also charted in Canada and the UK.[29]

"Check It Out" was released on September 3, 2010.[30] It was a joint single from the album between will.i.am and Minaj.[31] A music video for the song was directed by Rich Lee and was released on October 25, 2010.[32] The song has since peaked at number 24 on the Billboard Hot 100. "Right Thru Me" was released on September 24, 2010. A music video directed by Diane Martel was released for the single on October 27, 2010.[33] The song peaked at number 26 on the Billboard Hot 100.

"Moment 4 Life", which features Drake, was released on December 7, 2010,[34] as the album's fourth single. The music video for "Moment 4 Life" was released on January 27, 2011.[35] The song peaked at number 13 on the Billboard Hot 100 and topped both the Hot R&B/Hip-Hop Songs and Rap Songs charts. "Roman's Revenge" featuring Eminem was released as a promotional single to iTunes on October 30, 2010.[citation needed]

"Super Bass" was released as the album's fifth single and officially impacted radio on April 5, 2011.[36] It was released to iTunes in some markets on May 13, 2011. The song became an international top ten hit. In its seventh week on the Billboard Hot 100, the song had peaked at number 3, making it Minaj's first top ten placement as a lead artist.[37]

"Did It On'em" was sent to Urban radio on April 7, 2011, as the album's sixth single. The song peaked at number 49 on the Billboard Hot 100 and at numbers 3 and 4 on the Hot R&B/Hip-Hop Songs and Rap Songs charts respectively. "Girls Fall Like Dominoes" was released in Australia on April 11, 2011, and in the United Kingdom on April 15, 2011.

"Fly", which features Rihanna, was the album's eighth and final single. It was sent to US rhythmic radio and to Top 40/Mainstream radio on August 30, 2011.[38][39] The song peaked at number 19 on the Billboard Hot 100 as well as in the top 20 in Australia and the United Kingdom.[citation needed]

Release and promotion

[edit]

On July 8, 2010, Minaj announced via Twitter that the album would be released on November 23, 2010.[40] It was later announced that the album was pushed up by one day to November 22, 2010.[41] Minaj's official website and related social networking outlets later announced that the digital download version of the album would be available for pre-order through iTunes on October 30, less than a month before the release date of the physical edition.[42]

On her Twitter, Minaj stated that if she reached one million followers she would dedicate a Ustream to her fans. On August 3, 2010, Minaj went on Ustream to call fans who emailed her their phone numbers and to reveal the album's title.[11] Later that same day, Minaj revealed on Ustream that the album's name would be Pink Friday, stating, "To carry on a great tradition of Black Friday, we are going to switch it up this year in honor of the Nicki Minaj album and call that day Pink Friday, and call my album Pink Friday!"[43] A deluxe edition of the album was also confirmed.[44] Minaj released the official artwork for her album cover on Friday, October 15, 2010.[45] Rap-Up commented on the album cover, stating "The cover features Minaj as a doll alarmingly staring at the camera, sitting armless on the ground with her elongated legs in a flowing silver corset, pink stilettos, and a stark pink wig."[46] GL Woods, the photographer of the cover, stated that Minaj wanted to look like a "broken Barbie".[47] Woods photographed Minaj for an Out, which had a similar theme; according to the photographer, Minaj was inspired by the photoshoot.[47]

Prior to the release of Pink Friday, MAC Cosmetics announced and launched a lipstick called "Pink 4 Friday" that was sold for four consecutive Fridays beginning November 26, 2010, in promotion of the album.[48] In 2011, OPI Products created a six-piece nail polish collection with Minaj, in which the colors of the collection were named after select songs from the album.[49] In December 2011, Mattel produced a custom-made, Minaj-themed Barbie doll valued at about $15,000 for auction. The doll's design was modeled after Minaj as how she appears on the Pink Friday album cover, with the pink wig and a similar outfit.[50][51]

A 2020 reissue of the album, titled "Complete Edition", was released to coincide with its 10th anniversary on November 20, 2020, containing all the bonus tracks that were released from other versions of the album, such as "Bedrock", and the Lil Wayne remix of "Roman's Revenge".

Tour

[edit]
Pink Friday Promo Tour
Continental tour by Nicki Minaj
LocationNorth America • South America
Associated albumPink Friday
Start dateOctober 22, 2010
End dateOctober 30, 2010
No. of shows5
Nicki Minaj concert chronology

Minaj announced via the social networking site Twitter that she would kick off a five-date promotional tour a month before the album dropped.[52] Tweeting, "Ok Barbz, here are the 1st 5 dates on my Pink Friday Tour," the tour began in Philadelphia on October 22, and ran through October 30 in Trinidad and Tobago.[52][53]

Date City Country Venue
North America
October 22, 2010 Philadelphia United States Wells Fargo Center
October 23, 2010 Washington, D.C. Star Night Club
October 24, 2010 Waterbury Sin City
October 25, 2010 Boston TD Garden
South America
October 30, 2010 Port of Spain Trinidad and Tobago Hasely Crawford Stadium

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?6.4/10[54]
Metacritic68/100[55]
Review scores
SourceRating
AllMusicStarStarStarHalf star[56]
Entertainment WeeklyB+[18]
The GuardianStarStarStar[57]
The IndependentStarStarStar[58]
MSN Music (Expert Witness)A[59]
NMEStarStarStarStar[16]
Pitchfork6.5/10[60]
Rolling StoneStarStarStarHalf star[61]
Spin7/10[62]
USA TodayStarStarStar[63]

Pink Friday was met with generally positive reviews from music critics. Review aggregator Metacritic, which uses a weighted average, assigned the album a score of 68 out of 100, based on 26 reviews, indicating "generally favorable reviews".[55]

Reviewing the album for The Boston Globe, James Reed called it "a brash pop album brimming with Minaj's various personae and Technicolor rhymes".[64] Entertainment Weekly's Brad Wete applauded Minaj's "knack for melody" and "boasting lyrics",[65] while Sam Wolfson of NME noted Minaj's "pop sensibility", "volatility and quirks ... reminiscent of heyday Lil Wayne".[66] Los Angeles Times writer Margaret Wappler commented that the album "shows Minaj is on the cusp",[67] while Ann Powers noted Minaj's attempt to showcase her multi-faceted range and complimented her female perspective.[68] Marc Hogan of Spin said it succeeded more as "a budding artist's love letter to pop – well-wrought and exuberantly penned",[62] while Pitchfork critic Scott Plagenhoef believed "even when she's aiming down the middle of the road, she's at least better than almost anyone else", while citing the hip-hop bonus tracks "Blow Ya Mind" and "Muny" as among the album's best. He stated that the "pop album" is "a depressing Nicki Minaj album."[60] AllMusic's David Jeffries wrote that the album "both dazzles and disappoints", stating "Feed off the production, the great musical ideas, and Minaj's keen sense of her surroundings, and Pink Friday is an outstanding success".[56] Allison Stewart of The Washington Post wrote that the album "nibbles at the edges of what female rappers are allowed to do, even as it provides a steady helping of pop hits".[69] Robert Christgau from MSN Music called Minaj "the quick-lipped hoyden of the year" who is "proud to be shameless, with the hooks to back it up",[59] and later named Pink Friday the 12th best album of 2010.[70]

Some reviewers were more critical. Andy Gill of The Independent felt that "Right Thru Me" is the only track that exhibits "adequate use of [Minaj's] R&B vocal skills" among an album of unoriginal "rap braggadocio".[58] Slant Magazine's Jesse Cataldo praised Minaj's versatility on tracks like "Roman's Revenge", but was disappointed with the collaborative "Moment 4 Life", noting she could have shown more confidence by acting as a foil for Drake, but didn't.[71] In The Observer, Kitty Empire called the album a "triumph of prevarication", but observed a stylistic identity crisis, with a satisfactory but characterless portion of pop music.[72] Rich Juzwiak of The Village Voice criticized the album's "R&B crossover" material and found it lyrically "underwhelming".[73] in a negative review, Alexis Petridis of The Guardian commented that "for every burst of originality, there's a burst of generic frosty synth and Auto-Tune", noting that "the pop- and R&B-influenced tracks simply aren't as exciting, lyrically or musically, as the foam-mouthed hardcore ones".[57]

Accolades

[edit]
Critics' year-end lists
Publication List Rank Ref.
The Guardian The 40 Best Albums of 2010
38
[74]
Complex The 25 Best Albums of 2010
25
[75]
Industry awards
Year Ceremony Category Result Ref.
2011 American Music Awards Favorite Rap/Hip-Hop Album Won [76]
BET Hip Hop Awards CD of the Year Nominated [77]
Billboard Music Awards Top Rap Album Nominated [78]
2012 54th Annual Grammy Awards Best Rap Album Nominated [79]

Commercial performance

[edit]

Pink Friday debuted at number two on the US Billboard 200 chart, selling 375,000 copies in its first week. This marked the second-highest sales week for a female hip hop artist, after Lauryn Hill's The Miseducation of Lauryn Hill (1998).[80] On December 17, it was certified platinum by the Recording Industry Association of America (RIAA).[81] In its eleventh week on the chart, the album sold 45,000 copies and topped the Billboard 200 for the first time.[82] The album also held the then-record for the most weeks in the top ten on the Billboard 200 chart by a female rap album, having spent fourteen consecutive weeks in the top ten since its release.[83] On March 22, 2016, the album was certified triple platinum by the RIAA for combined album sales, track sales, on-demand audio, and video streams equivalent of three million album-sale units.[81] As of February 2018, the album has sold two million traditional copies in the United States.[84]

Internationally, Pink Friday peaked at number eight in Canada, and within the top twenty in Australia, Ireland and the United Kingdom.[85][86][87][88] In the United Kingdom, it has sold 282,000 copies, as of April 2012.[89]

Legacy

[edit]

According to DeMicia Inman of Nylon, Pink Friday's commercial success "propelled [Minaj] into worldwide fame, which comes with more weight and responsibility than handing out mixtapes and street DVDs in club parking lots" and also "expanded the constraints that previously contained women to battle it out for a metaphorical throne".[90] Dayna Haffenden of Complex wrote that "throughout the 13-song tracklist, she proved her pen game was not to be questioned, while showcasing her vulnerability and chameleonic abilities".[91] Nick Soulsby of PopMatters wrote that "we're witnessing an avalanche of female rappers rising to the top" and that "we're living in a house that Minaj built and recognition that she is the finest rapper of the past decade... is overdue".[92] Billboard credited Pink Friday with helping Minaj reintroduce female rap into the mainstream in the United States.[93] Writing in 2021, Ellish Gilligan of Junkee wrote that "the influence of Pink Friday in pop, rap and even hyperpop in undeniable" and added that it is still inspiring albums like Doja Cat's Planet Her (2021).[94] In 2020, Dayna Haffenden of Complex Magazine wrote, "[Nicki's] unwavering success has inspired a generation of rappers who have followed in her footsteps" and further went on to say that, "One decade later, Nicki Minaj's debut album can still be picked apart for gems, laughs, and a break from reality, which is ultimately a testament to its lasting legacy. Pink Friday proved that Minaj is here to stay, and she doesn't need anything but her art to speak for itself."[95]

Track listing

[edit]

Credits adapted from the liner notes of Pink Friday.[96]

Pink Friday – Standard edition
No.TitleWriter(s)Producer(s)Length
1."I'm the Best"
Kane Beatz3:37
2."Roman's Revenge" (featuring Eminem)
Swizz Beatz4:38
3."Did It On'em"
Bangladesh3:32
4."Right Thru Me"
  • Maraj
  • Andrew Thielk
  • Stephen Hacker
  • J. Satriani
Drew Money3:56
5."Fly" (featuring Rihanna)
3:32
6."Save Me"
3:05
7."Moment 4 Life" (featuring Drake)
T-Minus4:39
8."Check It Out" (with will.i.am)
will.i.am4:11
9."Blazin'" (featuring Kanye West)
Drew Money5:02
10."Here I Am"
  • Maraj
  • Dean
  • J. Williams
  • Robbie Bronnimann
  • Swizz Beatz
  • John B
2:55
11."Dear Old Nicki"
  • Maraj
  • Johnson
Kane Beatz3:53
12."Your Love"
  • Pop Wansel
  • Oak Felder
4:05
13."Last Chance" (featuring Natasha Bedingfield)
  • Maraj
  • Natasha Bedingfield
  • Thielk
Drew Money3:51
Total length:50:46
Pink Friday – UK Super Bass edition (bonus tracks)[97]
No.TitleWriter(s)Producer(s)Length
14."Girls Fall Like Dominoes"
  • Maraj
  • Rotem
  • Cordell
  • Furze
J.R. Rotem3:44
15."Super Bass"
Kane Beatz3:20
Pink Friday – Deluxe edition[98]
No.TitleWriter(s)Producer(s)Length
14."Super Bass"
  • Maraj
  • Johnson
  • E. Dean
Kane Beatz3:20
15."Blow Ya Mind"
Blackout3:41
16."Muny"
[100]
  • Pop Wansel
  • Oak Felder
3:47
Pink Friday – Special digital deluxe edition (bonus tracks)[101]
No.TitleWriter(s)Producer(s)Length
17."Girls Fall Like Dominoes"
  • Maraj
  • Rotem
  • Robbie Furze
  • Millo Cordell
  • Cleveland Browne
  • Greville Gordon
  • Wylcliffe Johnson
J.R. Rotem3:44
18."Roman's Revenge" (featuring Lil Wayne)
  • Maraj
  • Carter, Jr.
  • Dean
  • Smith
Swizz Beatz3:50
Total length:69:00
Pink Friday – Overseas digital limited edition (bonus tracks)[102]
No.TitleWriter(s)Producer(s)Length
17."Girls Fall Like Dominoes"
  • Maraj
  • Rotem
  • Cordell
  • Furze
J.R. Rotem3:44
18."Catch Me"
  • Maraj
  • Dean
Swizz Beatz3:56
19."Wave Ya Hand"
  • Maraj
  • Dean
Swizz Beatz3:00
20."Roman's Revenge" (featuring Lil Wayne)
  • Maraj
  • Carter, Jr.
  • Dean
  • Smith
Swizz Beatz3:50
Total length:76:12
Pink Friday – US Best Buy and international physical deluxe edition (bonus tracks)[103]
No.TitleWriter(s)Producer(s)Length
17."Wave Ya Hand"
  • Maraj
  • Dean
Swizz Beatz3:00
18."Catch Me"
  • Maraj
  • Dean
Swizz Beatz3:56
Pink Friday – New Zealand deluxe edition (bonus tracks)[104]
No.TitleWriter(s)Producer(s)Length
19."Girls Fall Like Dominoes"
  • Maraj
  • Rotem
  • Cordell
  • Furze
J.R. Rotem3:44
Pink Friday – Japanese deluxe edition (bonus tracks)[105][106]
No.TitleWriter(s)Producer(s)Length
19."Girls Fall Like Dominoes"
  • Maraj
  • Rotem
  • Cordell
  • Furze
J.R. Rotem3:44
20."BedRock" (performed by Young Money featuring Lloyd)
Kane Beatz4:48
Pink Friday – 2020 complete edition (bonus track)[107]
No.TitleWriter(s)Producer(s)Length
21."Roman's Revenge" (featuring Lil Wayne)
  • Maraj
  • Carter, Jr.
  • Dean
  • Smith
Swizz Beatz3:50
Total length:81:00

Sample credits

Personnel

[edit]

Credits adapted from AllMusic.[108]

  • Chris Bellman – mastering
  • Joshua Berkman – A&R
  • Sandy Brummels – art direction
  • Noel Cadastre – assistant
  • Dwayne "Tha President" Carter – executive producer
  • Lyttleton "Cartwheel" Carter – assistant
  • Ariel Chobaz – engineer, mixing
  • Seandrae "Mr. Bangladesh" Crawford – producer
  • James Cruz – A&R, management
  • Sean Combs – management
  • DJ Ammo – synthesizer
  • Dylan Dresdow – mixing
  • Chris Gehringer – mastering
  • Kevin Hissink – electric guitar
  • John B. – keyboards, producer, programming
  • Padraic Kerin – engineer
  • Kidus Henok – A&R
  • Kenny Meiselas – legal counsel
  • Drew Money – producer
  • Charles Moniz – engineer
  • J.R. Rotem – arranger, mixing
  • Safaree "SB" Samuels – A&R, vocals
  • Ed Shapiro – legal counsel
  • Noah "40" Shebib – engineer
  • Olivia Smith – package design
  • Shaz Sparks – vocals
  • Swizz Beatz – producer
  • T-Minus – producer
  • Pop Wansel – producer
  • will.i.am – drum programming, engineer, producer, synthesizer
  • Bryan Williams – executive producer
  • Ronald Williams – executive producer
  • G.L. Wood – photography

Charts

[edit]

Certifications

[edit]
Certifications and sales for Pink Friday
Region Certification Certified units/sales
Australia (ARIA)[133] Platinum 70,000^
New Zealand (RMNZ)[134] 2× Platinum 30,000‡
United Kingdom (BPI)[135] Platinum 282,000[89]
United States (RIAA)[136] 3× Platinum 3,000,000‡

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Pink Friday

View on Grokipedia
from Grokipedia
Pink Friday is the debut studio album by Trinidadian-American rapper and singer , released on November 22, 2010, through , , and . The project marks Minaj's transition from acclaim to mainstream success, blending hip hop with pop and R&B influences, and introducing her bold Roman Zolanski—a flamboyant, outspoken persona that adds theatrical flair to several tracks. Upon release, Pink Friday debuted at number two on the US chart, selling 375,000 copies in its first week, and later ascended to the top spot in its eleventh week, becoming the first number-one album by a female rapper in the . The album has been certified three times platinum by the (RIAA) for shipments exceeding three million units. Key singles such as "Your Love", "" featuring Drake, and "" propelled its commercial dominance, with "" achieving diamond certification for over ten million units sold in the US. Critically, Pink Friday received generally positive reviews for Minaj's versatile delivery and charismatic presence, though some critics noted its heavier emphasis on singing over as a departure from traditional hip-hop norms. The album's success established Minaj as a leading figure in contemporary hip-hop and , influencing subsequent works like its 2023 sequel .

Development

Recording and production

Recording for Pink Friday commenced in 2009, shortly after signed a with that year, marking her entry into major label production under the guidance of executive producers and Birdman. The album's development spanned multiple sessions, reflecting Minaj's rapid rise from artist to debut studio project, with a focus on crafting a breakthrough that blended her rap roots with broader appeal—themes encapsulated in the album's vibrant "pink" aesthetic. Sessions took place across studios in Los Angeles, New York, and Miami, allowing Minaj and her team to collaborate fluidly amid her growing schedule of features and tours. Key producers contributed distinct sounds to the project, including will.i.am, who handled production on "Check It Out" with its sample-driven pop-rap vibe; Swizz Beatz, responsible for the aggressive "Roman's Revenge"; Bangladesh, behind the aggressive "Did It On'em"; and J.R. Rotem, who crafted the melodic "Fly." Minaj played a hands-on role throughout, personally selecting beats that aligned with her vision and writing lyrics to showcase her versatility, often recording vocals in marathon sessions to refine her alter egos and flows. The standard edition ultimately comprised 12 tracks, featuring high-profile guests such as on "Blazin'," on "Roman's Revenge," on "Fly," and Drake on "Moment 4 Life," which added layers of star power and cross-genre dialogue to the album's sound. Production faced challenges in striking a balance between Minaj's hardcore rap sensibilities and more accessible pop elements, as the team navigated tensions between underground credibility and commercial viability—evident in debates over track sequencing and sonic experimentation to ensure the album appealed to diverse audiences without diluting her edge.

Concept and influences

Pink Friday's concept emerged from Nicki Minaj's desire to craft an experimental playground that fused hip-hop with pop and R&B elements, creating a vibrant, neon-pink aesthetic reflective of her bold and multifaceted persona. The album's themes centered on and , allowing Minaj to explore dominance alongside personal growth and resilience as a navigating the music industry. Central to this vision were her alter egos, particularly Roman Zolanski, a flamboyant, outspoken character that enabled her to channel creative freedom and emotional range across the tracks. Minaj drew significant influences from pioneering female rappers like and Foxy Brown, whose unapologetic styles and lyrical prowess shaped her approach to hardcore rap while inspiring her to infuse commercial pop appeal for broader accessibility. This blend aimed to bridge her underground roots with mainstream success, evident in the album's mix of aggressive rap verses and melodic hooks that appealed to diverse audiences. Minaj has cited these artists as key inspirations during her early career, crediting them for empowering her to assert confidence and versatility in a male-dominated genre. The album also reflected Minaj's personal journey from her Queens upbringing and series of inventive mixtapes, such as , to her major-label debut, marking a pivotal transition from underground acclaim to global stardom. Tracks like "Dear Old Nicki" highlighted this evolution through raw vulnerability, where Minaj addressed her pre-fame self, reflecting on the sacrifices and internal conflicts of fame while pleading for a return to her authentic roots. This decision to incorporate pop-rap hybrids underscored her strategic shift toward mainstream viability, balancing artistic integrity with commercial ambition.

Music and lyrics

Musical styles

Pink Friday is characterized by a blend of hip hop, , and R&B, incorporating and influences that contribute to its crossover appeal. The album spans 13 tracks with a total runtime of approximately 50 minutes, allowing for a concise yet varied exploration of Minaj's sonic palette. The production emphasizes synthesizers, heavy bass lines, and to craft a glossy, energetic sound suitable for both club and radio play. Tracks like "" exemplify this with its club-oriented structure, booming bass drops, and infectious, upbeat vibe. In contrast, "" delivers an aggressive rap duel format, driven by intense beats and minimalistic production that highlights rapid-fire flows over stark, hard-hitting instrumentation. The album marks a transition from Minaj's earlier mixtape-style rap—raw and underground—to more polished pop structures, evident in songs like "Check It Out," which interpolates the riff from Depeche Mode's 1981 hit "Just Can't Get Enough" for an electro-infused hook. This eclectic mix underscores Minaj's versatility, balancing rap-heavy tracks with pop-leaning ones, resulting in a dynamic album that bridges street credibility and mainstream accessibility.

Lyrical content

The lyrics of Pink Friday center on themes of female empowerment, the personal and struggles of achieving success, romantic entanglements, and the exploration of personas that allow to navigate her multifaceted identity. Minaj's , Roman Zolanski, serves as a bold, confrontational figure embodying her unfiltered bravado, particularly in "Roman's Revenge," where Roman clashes with Eminem's Slim Shady in a simulated rap battle filled with sharp disses and territorial claims, highlighting Minaj's command of hip-hop's competitive landscape. This track exemplifies the album's use of narrative elements, framing Minaj's journey as a warrior-like ascent in a male-dominated industry. Wordplay and braggadocio dominate tracks like "I'm the Best," where Minaj delivers rapid-fire boasts laced with double entendres—such as equating her dominance to a "pink Friday" —and pop culture nods to assert her supremacy and resilience against doubters. In contrast, vulnerability emerges in "Blazin," a bonus track collaboration with , as Minaj reflects on the highs of success and relentless ambition, revealing the drive beneath her glamorous facade. These introspective moments underscore the album's narrative arc, shifting from triumphant aggression to reflective candor, with romance woven in through songs like "," where Minaj dissects trust issues in relationships amid her rising fame. Guest features enhance the lyrical depth, as seen in "Roman's Revenge," where Eminem's verse escalates the battle into a chaotic exchange of insults, amplifying themes of rivalry and self-assertion. Similarly, Rihanna's soaring hook on "" provides an uplifting to Minaj's verses on overcoming adversity and self-empowerment, creating a motivational dialogue that reinforces the album's core messages of perseverance. Throughout, Minaj's double entendres and references to icons like or fashion staples add layers of playful subversion, transforming personal storytelling into a broader commentary on ambition and identity.

Release and promotion

Singles

The lead single from Pink Friday, "Your Love", was released on June 1, 2010, and debuted on the at number 52 before climbing to a peak position of number 14, marking Nicki Minaj's first top-20 hit on the chart. Following its success, "" featuring Drake served as the second single, released on December 7, 2010; it entered the Hot 100 at number 89 and reached number 13, becoming another key track in building anticipation for the album. "Super Bass" was issued as the third single on April 5, 2011, surging to number 3 on the —Minaj's highest-charting solo entry at the time—and earning a 12× certification from the RIAA for 12 million units sold in the United States as of 2024. The track's accompanying , directed by Kane, contributed significantly to its viral appeal, amassing over 1.08 billion views on as of 2025. Subsequent singles included the rap-focused "Did It On'em", released on April 7, 2011, which peaked at number 49 on the Hot 100; "Fly" featuring , issued on August 30, 2011, reaching number 19; and "Where Them Girls At" by featuring and , released on May 2, 2011, peaking at number 14. To maximize crossover appeal, Minaj and her team adopted a strategy of alternating releases between rap-heavy tracks like "Did It On'em" and pop-leaning ones such as "Super Bass" and "Fly", allowing the album to resonate with diverse audiences while showcasing her versatility. Music videos for several singles, including "Moment 4 Life" directed by Chris Robinson, further amplified promotion by blending high-concept visuals with thematic elements from the album's narrative.

Marketing campaigns

Pink Friday's marketing campaign leveraged Minaj's rising profile from her mixtapes, such as (2009), to generate pre-release buzz, with additional momentum from her guest appearance on Kanye West's , released on the same day as the album. The album launched on November 22, 2010, through , , and , offered in standard and deluxe editions; the deluxe version included bonus tracks like "" (featuring ). Its cover art, photographed by Jeff Wood, depicted Minaj as a pink Barbie doll in a toy box, symbolizing the album's playful, feminine hip-hop aesthetic and drawing comparisons to Mattel's iconic branding. To heighten anticipation, Minaj announced a promotional concert series via Twitter in October 2010, with dates including Philadelphia on October 22, Washington, D.C. on October 23, and concluding in Port of Spain, Trinidad on October 30, to showcase tracks and engage fans ahead of the release. Promotional tie-ins included her debut performance at the 2010 in June, where she showcased early singles like "Your Love" alongside collaborations, winning Best New Artist and solidifying her breakthrough status. Following the release, Minaj appeared on on January 29, 2011, delivering high-energy renditions of "" and "" to extend the album's visibility. Retail partnerships featured a exclusive deluxe edition with additional packaging, while digital efforts emphasized social media, with Minaj using to share updates and fan interactions. A thematic Black Friday activation encouraged fans to wear on , , rebranding the shopping holiday in support of the and boosting in-store visibility at retailers like Island Def Jam affiliates. The international rollout aligned with the U.S. date of , , ensuring simultaneous global availability and coordinated media pushes in markets like the .

Live performances

Pink Friday Tour

The Pink Friday Tour served as Nicki Minaj's debut headlining concert tour, supporting her albums Pink Friday (2010) and its sequel Pink Friday: Roman Reloaded (2012), which was released in April 2012 just before the tour began. The tour commenced on May 16, 2012, at the in , , with legs in , , , and , totaling 44 shows across four continents from May to August 2012. The 14-date North American leg started on at the in and concluded on August 12 at the Orpheum Theatre in . Production elements emphasized the album's aesthetic through pink-dominated stage motifs, including illuminated backdrops and props evoking a playful, feminine vibe. Minaj underwent multiple wardrobe changes per show, often drawing from Barbie-inspired designs with vibrant colors, exaggerated silhouettes, and accessories like wigs and bold jewelry to match her alter egos. The set list prioritized high-energy rap segments, blending tracks like "Roman's Revenge" and "Super Bass" with dynamic choreography and audience interaction to highlight her rapid-fire delivery and stage presence. Several dates faced cancellations due to scheduling adjustments and vocal strain, including UK festival appearances in August 2012 and select European stops, though key highlights included her debut at the on August 14. The tour briefly tied into promotion for singles like "Starships" through themed visuals during performances.

Promotional appearances

To promote Pink Friday, made her major award show debut with a pre-show performance of "Check It Out" alongside at the on September 12 in . This appearance highlighted tracks from the upcoming album and showcased Minaj's theatrical stage presence, including her signature colorful wigs and high-energy choreography that began defining her visual persona as a vibrant, larger-than-life . Later that year, on December 7, Minaj performed a medley of "," "," and "" at the Salute the Troops concert in , marking one of her first television showcases of full Pink Friday material just weeks after the album's release. The set emphasized her alter egos and rapid-fire delivery, further establishing her reputation for elaborate outfits and dynamic live execution that blended hip-hop with pop spectacle. Minaj also appeared on BET's multiple times in late 2010, including a November 23 visit where she performed "Right Thru Me" and "Roman's Revenge" to build anticipation for the album's launch. These spots allowed her to engage directly with fans through freestyles and discussions of her creative process, reinforcing her playful yet commanding on-screen image. In a key fan-focused event, Minaj headlined the Hot 97 Thanksgiving Thank You Concert on November 25, 2010, at in , shortly after Pink Friday's release. She brought out surprise guests including , , and Drake for collaborative performances of album cuts like "," creating an intimate celebration that amplified the project's buzz among her growing fanbase. This non-tour event underscored Minaj's rising star power and her use of choreographed dances and bold costumes to cultivate a distinctive, empowering aesthetic. Into 2011, Minaj continued promotions with a full concert set on ABC's Summer Concert Series on August 5 in New York City's Central Park, delivering high-energy renditions of Pink Friday hits that sustained the album's momentum. These isolated media and fan engagements, distinct from her later arena tour, played a crucial role in transitioning Minaj from mixtape sensation to mainstream icon through visually striking, performance-driven storytelling.

Critical reception

Reviews from critics

Upon its release in 2010, Pink Friday received mixed-to-positive reviews from critics, who praised Nicki Minaj's and bold personality while critiquing the album's blend of rap and pop elements. The album holds a score of 68 out of 100, based on 26 reviews, indicating generally favorable reception with some reservations. awarded the album 6.5 out of 10, commending Minaj's versatility in delivering complex rhymes, agile character shifts, and offbeat , but faulting it for excessive over and a shift toward predictable mainstream pop that lacked the unpredictability of her earlier mixtapes. gave it 3.5 out of 5 stars, highlighting its broad pop appeal and Minaj's ability to craft infectious hooks, though noting the material's occasional reliance on dated samples and guest features to prop up weaker moments. rated it 3 out of 5 stars, criticizing the album's inconsistency and uneven pacing, which diluted Minaj's sharper rap instincts amid its crossover ambitions. Critics frequently pointed to Minaj's magnetic as a core strength, with tracks like "" standing out for their bubbly energy and commercial savvy; the song's effervescent production and Minaj's playful delivery were hailed as highlights that captured her larger-than-life persona. However, common weaknesses included an over-reliance on high-profile guests such as , Drake, and to elevate the material, as well as pacing issues that made the feel disjointed between its rap-heavy cuts and experiments. In the 2020s, retrospective assessments have elevated Pink Friday as a genre-defining debut that reshaped female rap by blending hip-hop bravado with pop accessibility. NPR's 2023 reflection noted that the album "paints hip-hop pink" and changes the game, crediting Minaj with introducing vibrant, feminine flair to a male-dominated genre. A 2020 anniversary piece called it "arguably one of the best albums ever made," praising its role in establishing Minaj as a trailblazing voice in 21st-century music.

Accolades

Pink Friday received several nominations and awards following its release, recognizing its impact in the hip-hop genre. At the in 2012, the album was nominated for Best Rap Album. In 2011, won the BET Award for Best Female Hip-Hop Artist, an accolade attributed to the breakout success of Pink Friday. The album itself earned the American Music Award for Favorite Rap/Hip-Hop Album, highlighting its commercial dominance and appeal. Additionally, the single "Super Bass" from the album secured the MTV Video Music Award for Best Hip-Hop Video. The album's critical and cultural significance has been acknowledged in retrospective rankings. In 2020, Pink Friday was placed at number 369 on Rolling Stone's list of the 500 Greatest Albums of All Time, praised for blending pop-rap elements and showcasing Minaj's versatility. It was ranked number 31 on Rolling Stone's list of the 200 Greatest Hip-Hop Albums of All Time in 2022. It was also included in Billboard's 100 Greatest Rap Albums of All Time in 2024, underscoring its role in elevating female voices in rap. These honors reflect the positive reception from critics and industry peers, which propelled Pink Friday as a landmark debut in contemporary hip-hop.

Commercial performance

Chart performance

Pink Friday debuted at number two on the US Billboard 200 chart in November 2010. It rose to the top spot on the chart dated February 12, 2011, in its eleventh week, marking Minaj's first number-one album on the tally and the first by a female rapper that century. The album's ascent was propelled by the rising popularity of its single "Super Bass," which boosted overall consumption. The album also topped the US Top R&B/Hip-Hop Albums chart. Internationally, Pink Friday peaked at number 16 on the UK Albums Chart, number eight on the Canadian Albums Chart, number 20 on the Australian Albums Chart, and number 17 on the Irish Albums Chart. On the Billboard 200, the album logged a total of 77 weeks, demonstrating sustained performance through the early 2010s. It ranked number seven on the 2011 year-end Billboard 200 chart. For the decade, Pink Friday placed at number 89 on the Billboard 200 2010s chart. In the streaming era, renewed interest from digital platforms led to intermittent re-entries on the Billboard 200 into the 2020s.
Chart (2010–2011)Peak Position
US 1
US 1
Canadian Albums ()8
Australian Albums (ARIA)20
Irish Albums (IRMA)17
UK Albums (OCC)16

Sales and certifications

In the United States, Pink Friday achieved significant commercial success, selling 2 million traditional copies by 2018. The album was certified 3× Platinum by the (RIAA) on March 22, 2016, denoting 3 million album-equivalent units, which incorporate physical sales, digital downloads, and streaming equivalents. By 2025, equivalent album units exceeded 3 million, driven by sustained streaming activity. Globally, Pink Friday shipped over 3.37 million copies as of the latest reported figures. Updated equivalent album units are estimated at around 10 million worldwide, bolstered by streaming platforms; tracks from the album have amassed over 4 billion streams on Spotify alone. The album received certifications in several international markets, reflecting its strong digital and physical performance post-2010. A summary of key certifications is provided below:
CountryCertificationUnits CertifiedDate CertifiedCertifying Body
Gold35,000May 2012
Gold40,0002011
Platinum300,000April 2012BPI
United States3× Platinum3,000,000March 2016RIAA
No additional Platinum certifications were awarded in other major markets, though digital sales contributed substantially to its .

Legacy

Cultural impact

The release of Pink Friday significantly elevated the visibility of female rappers in a male-dominated genre, breaking barriers by achieving commercial success that had eluded many women in hip-hop prior to 2010. Tracks like "Fly," featuring , promoted themes of self-empowerment and resilience, encouraging listeners to overcome adversity and pursue personal growth regardless of gender. This message resonated widely, contributing to the album's role in fostering greater representation for women in rap. Minaj's array of alter-egos, such as Roman Zolanski and Harajuku Barbie, introduced by Pink Friday, inspired elements of drag performance and within queer communities, redefining camp aesthetics through a Black female lens that blended theatricality with hip-hop. These personas, characterized by exaggerated expressions and vibrant styling, influenced LGBTQ+ fans by embracing homoerotic play and around sexuality, creating space for identification in mainstream rap. Her appearances on shows like in 2011, where she performed singles from the album, further embedded these characters in pop culture satire and sketches. The album's signature pink aesthetic, epitomized by the Harajuku Barbie persona on the , permeated trends, influencing bold, feminine styles in and high during the . This look extended to collaborations, such as Mattel's 2011 one-of-a-kind doll modeled after Minaj's Pink Friday imagery, which auctioned for charity and symbolized her transformative impact on doll-like femininity in hip-hop. Meanwhile, the "" became a staple, spawning viral humor around its quotable lyrics and energetic delivery, with revivals on in the through dance challenges and edits that kept it relevant in digital culture. As a cornerstone of 2010s pop culture, Pink Friday tracks were sampled in subsequent hits, such as Lil' Kim's "Pissin' on 'Em" (2011) drawing from "Did It On'em," underscoring its foundational influence on rap production. The album's enduring popularity was evident in 2025 fan events marking its 15th anniversary, including celebratory parties and social media tributes that highlighted its lasting resonance with audiences.

Subsequent influence

The success of Pink Friday directly paved the way for subsequent releases in Nicki Minaj's discography, beginning with the 2012 reissue Pink Friday: Roman Reloaded, which expanded the original album by incorporating new tracks and collaborations while retaining core elements from the debut. This reissue solidified Minaj's commercial momentum, blending rap with pop sensibilities that echoed the original's genre fusion. Over a decade later, Pink Friday 2 (2023) served as a direct sequel, explicitly referencing and sampling elements from the original album's tracks, such as callbacks to "Roman's Revenge" and thematic continuations in songs like "Pink Friday Girls," which interpolates the debut's playful, anthemic style. The album's innovative blend of rap, pop, and R&B influenced a generation of female rappers, particularly in their approaches to crossover appeal and bold persona-driven lyricism. Artists like and have cited Minaj's Pink Friday-era versatility as a blueprint for merging high-energy rap with mainstream pop hooks, enabling them to achieve similar chart dominance. This influence extended to emerging acts such as and , who adopted Minaj's multifaceted vocal delivery and thematic confidence in their own debuts. Pink Friday itself is frequently ranked among the most impactful female rap debuts, noted for its record-breaking first-week of 375,000 copies—the largest for a female rapper in nearly a decade at the time—and its role in elevating women in hip-hop to pop stardom. In the streaming era, Pink Friday and its expanded editions have amassed over 2.3 billion streams as of late , contributing to the broader Pink Friday series' enduring digital footprint and inspiring commemorative releases like anniversary vinyl reissues. The album's legacy fueled callbacks during the (2024–2025), where Minaj incorporated medleys of original tracks to celebrate its foundational impact on her catalog. Recent analyses highlight Pink Friday's pivotal role in Minaj's career, underpinning her accumulation of over 62 million global equivalent units across her discography, a that underscores its lasting industry significance.

Credits

Track listing

The standard edition of Pink Friday comprises 12 tracks, with a total runtime of 48:16.
No.TitleWriter(s)Producer(s)Length
1"I'm the Best"MarajKane Beatz3:37
2"Roman's Revenge" (featuring Eminem)Maraj, Mathers, Grant, JohnsonSwizz Beatz4:38
3"Did It On'em"Maraj, Crawford, Ethridge, JohnsonBangladesh3:32
4"Right Thru Me"Maraj, Johnson, Astasio, Peiken, RomanDrew Money3:56
5"Fly" (featuring Rihanna)Maraj, Fenty, Rotem, Marlin, WilliamsJ.R. Rotem3:32
6"Save Me"Maraj, Wansel, FelderPop Wansel, Oak3:05
7"Moment 4 Life" (featuring Drake)Maraj, Graham, Samuel, Chin-Quee, Davidson, WilliamsT-Minus4:28
8"Check It Out" (with will.i.am)Maraj, Adams, B. Green, Conte, Jr., Logan, Papamitrou, Wasaluwill.i.am4:20
9"Blazin" (featuring Kanye West)Maraj, Dean, West, BhaskerKanye West5:07
10"Here I Am"Maraj, Dean, Williams, BronnimannSwizz Beatz2:55
11"Dear Old Nicki"Maraj, JohnsonKane Beatz3:54
12"Your Love"Maraj, Hall, Chin-Quee, Davidson, McDonaldSupa Dups4:05
The US deluxe edition appends two bonus tracks to the standard set, extending the runtime to approximately 55 minutes.
No.TitleWriter(s)Producer(s)Length
13"Super Bass"Maraj, Astasio, Peiken, Roman, T. Cromwell3:20
14"Up Out My Face" (featuring )Maraj, Carter, Jr., Davidson, Chin-QueeT-Minus3:41
International variations of the deluxe edition, such as the European release, may include "Last Chance" (featuring ) instead of "Up Out My Face", and occasionally substitute track 9 with "Where Dem Girls Run It" (featuring ), a collaboration lasting 3:40 produced by T-Minus. A digital Complete Edition, released in 2020 for the album's 10th anniversary and featuring remastered audio, expands to 21 tracks by incorporating additional singles, remixes, and collaborations, with a total runtime of 1:21:32.

Personnel

The album Pink Friday credits as the lead vocalist on all tracks, with guest vocal appearances by on "Roman's Revenge" (track 2), on "Check It Out" (track 8), Drake on "Moment 4 Life" (track 7), on "Fly" (track 5), on "Blazin'" (track 9), and on "Up Out My Face" (deluxe bonus track 14). Production duties were handled by a range of producers across the tracks: on "I'm the Best" (track 1), "Dear Old Nicki" (track 11), and "Super Bass" (deluxe track 13); on "Roman's Revenge" (track 2) and "Here I Am" (track 10); on "Did It On'em" (track 3); Drew Money on "Right Thru Me" (track 4); on "Fly" (track 5); and on "Save Me" (track 6); T-Minus on "Moment 4 Life" (track 7) and "Up Out My Face" (deluxe track 14); on "Check It Out" (track 8); (with co-producers Drew Money, , and No I.D.) on "Blazin'" (track 9); and on "Your Love" (track 12). The album was primarily mixed by at in , , with assistance from Damien Lewis on several tracks; additional mixing was provided by Ariel Chobaz on "Right Thru Me" (track 4), Brian "Big Bass" Gardner on "I'm the Best" (track 1), Jimmy Douglas and on "" (track 5), Kevin Wilson and Mike Strange on "" (track 2), Noah "40" Shebib on "" (track 7), and on tracks 3, 9, 8, 14 (deluxe), and 12. Recording engineers included , Ariel Chobaz, Brian "Big Bass" Gardner, David Boyd, , Kevin Wilson, Lyttleton "Lytt" Skerrit III, Mike Strange, Noah "40" Shebib, Roey Izhaki, and Sean Paine, with assistant engineers Christian Palacios, Delbert Bowers, Ghazi Hourani, John Sherrier, K.C. Johnson, Matt Testa, and Pat Viala; mastering was performed by Chris Bellman at Bernie Grundman Mastering. A&R for was directed by Joshua Berkman, with coordination by James "Cruz Control" Cruz and Safaree "SB" Samuels. Executive producers included , Dwayne "The President" Carter (), Hooman "Duke" Majd, Bryan "Baby Birdman" Williams, , , and Safaree "SB" Samuels. Additional contributions encompass art direction by Sandy Brummett, design by Jeremy D. Levy, production coordination by Clay Patrick McBride, wardrobe styling by Sean "The Baron" Verrett, and photography by Julian Cost.

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  73. https://www.hollywoodreporter.com/music/music-news/nicki-minaj-barbie-mattel-pink-grammy-rap-269015/
  74. https://www.billboard.com/music/music-news/nicki-minaj-super-bass-songs-that-defined-the-decade-8544177/
  75. https://www.whosampled.com/album/Nicki-Minaj/Pink-Friday/
  76. https://www.instagram.com/p/DESomV1xDBj/
  77. https://www.republicrecords.com/products/nicki-minaj-pink-friday-roman-reloaded-3lp
  78. https://www.billboard.com/music/rb-hip-hop/nicki-minaj-samples-pink-friday-2-full-list-songs-1235551995/
  79. https://www.nme.com/reviews/album/nicki-minaj-pink-friday-2-review-tracklist-lyrics-3555287
  80. https://www.latimes.com/archives/blogs/pop-hiss/story/2010-12-01/nicki-minajs-pink-friday-delivers-on-its-expectations
  81. https://kworb.net/spotify/artist/0hCNtLu0JehylgoiP8L4Gh_albums.html
  82. https://www.npr.org/2018/10/03/651761719/nicki-minaj-is-the-21st-centurys-insatiable-hip-hop-monarch
  83. https://www.amazon.com/Pink-Friday-Deluxe-Nicki-Minaj/dp/B0049D1TCM
  84. https://music.apple.com/us/album/pink-friday-complete-edition/1539773868
  85. https://www.discogs.com/release/2825481-Nicki-Minaj-Pink-Friday
  86. https://www.discogs.com/release/4104444-Nicki-Minaj-Pink-Friday
  87. https://www.discogs.com/release/2560976-Nicki-Minaj-Pink-Friday
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