Hubbry Logo
Roadshow EntertainmentRoadshow EntertainmentMain
Open search
Roadshow Entertainment
Community hub
Roadshow Entertainment
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Roadshow Entertainment
Roadshow Entertainment
Roadshow Entertainment
View on Wikipedia
from Wikipedia

Roadshow Entertainment (formerly known as Roadshow Home Video from 1982–1993) is an Australian home video, production and distribution company that is a division of Village Roadshow (formerly Roadshow Home Video and Roadshow Entertainment) that distributes films in Australia and New Zealand. Their first release was Mad Max. Roadshow Entertainment Limited is an independent video distributor in Australia and New Zealand.

Key Information

History

[edit]

In 1982, Village Roadshow Entertainment Limited was founded as Roadshow Home Video as a subsidiary of Roadshow Distributors.[1][2] Their first batch of movie titles, released on both VHS and Betamax format, were:

Around the same time, the company launched a label, Vibrant Video, which was dedicated to primarily R-rated adult fare and horror films, but the label itself did not last very long, as some of the titles have been moved to Palace.[3]

1984: Palace Films was started as a home video distributor between Roadshow, Blake Films and private investor Antony Veccola, with Roadshow handling home video distribution of its titles.[4]

In 1985, Roadshow Home Video became Village Roadshow Home Video and Premiere Home Entertainment was established.[5] Veccola bought out the other company's stock of Palace and it ventured out into the film distribution business and opened a small number of art-house cinemas around Australia's main cities and became an independent company. Its home video release were still handled by Village Roadshow until the late 1990s. That year, the company began picking up titles from Walt Disney Home Video in the Australian market, taking over from home video distributor Syme Home Video.[6]

1989: Applause Home Video was established as a Village Roadshow label, with Babette's Feast being the first title under the label.[7] Video Selection Australia was also established by Roadshow as a label for family releases.[8]

In 1992, Disney elected to split up its ties from Roadshow Home Video and the company became an independent home video distributor by way of Buena Vista Home Video's Australian arm.[9]

1993: Village Roadshow Home Video becomes Village Roadshow Entertainment. Around the same time, the Premiere, Applause and Video Selection Australia labels were discontinued.

In 1994, the company launched its own interactive division, called Roadshow New Media, aka Roadshow Interactive to publish software for Australia and New Zealand.[10]

Late 1990s: Palace's home video distribution with Roadshow has been expired, Palace would instead sign a home video deal with 20th Century Fox Home Entertainment. In 2008 Palace films signed a contract with Madman Entertainment to be the Australian and New Zealand distributor of DVDs/Blu-ray/4K Ultra HD titles in both Australia and New Zealand.

Roadshow started releasing DVDs in Australia with the release of Evita on 31 October 1997.[11][12]

In 2008, Roadshow started releasing Blu-rays.

On 21 September 2020, Warner Bros. announced that its distribution deal with Village Roadshow would expire at the end of 2020. The two studios' partnership had lasted for more than four decades. Since 2021, Warner Bros' films are released theatrically through Universal Pictures International,[13] while Roadshow is continuing to release future Warner Bros. titles through their physical media and digital formats.

Roadshow and Village Roadshow subsidiaries and divisions

[edit]
  • Roadshow Vibrant Video (1982–1983) – a division for distributing adult films
  • Premiere Home Entertainment (1985–1993) – a division of Village Roadshow
  • Festival Video (1983–1990s) – a joint venture with Festival Mushroom Records and Warner Bros.
  • Mushroom Video (1983–1990s) – a joint venture with Festival Mushroom Records and Warner Bros.
  • Applause Home Video (1989–1993) – a division of Village Roadshow
  • Reel Corporation (2000s–) – budget division of Village Roadshow
  • Hopscotch Films (2005–2011) – distributed by Village Roadshow (stopped in 2011 when eOne acquired Hopscotch for $20.7 million)
  • Palace Home Video/Entertainment/Films (1984–2000) – a subsidiary of Roadshow/Village Roadshow (split itself from Village Roadshow in the late 1990s)
  • Roadshow New Media (1990s) – video games publishing division of Village Roadshow, also known as Roadshow Interactive
  • Roadshow-Lorimar Home Video (1985–1990) – a division for distributing Lorimar releases
  • Roadshow Music (1994–2013)[14]

Labels distributed, duplicated and re-supplied

[edit]

Roadshow Entertainment has its own label named Roadshow Films, which is in turn the theatrical distribution unit of Village Roadshow. The unit was originally formed in 1968 by the owners of Village Cinemas as quite simply Roadshow, initially to distribute drive-in pictures, often in collaboration with fellow Australian distributor Blake Films under the joint releasing label of Blake-Roadshow, and the acquisition of reissue rights of South Pacific.[15][16] These films were so successful that Roadshow would gain the Australian franchise for pictures by American International Pictures in order to give them access to a continuing library of product.[17][18][16]

In 1971, it entered a long-standing partnership with Warner Bros. to distribute and market its films in Australia and New Zealand under a joint venture, called Roadshow International, with the distribution side for international producers being renamed to Roadshow Distributors.[17][18][16][19][20]

The company begin expanding in local film production after the success of the 1971 film Stork, to start out a joint venture film production company Hexagon Productions, with Tim Burstall and Associates, and the company Bilcock and Copping, who each held 25% of its shares. The company made major hits, like Alvin Purple, which became a smash hit for the Australian film market, and Bilcock and Copping backed out of the venture prior to making the film Eliza Fraser.[21][22][23][24] When Hexagon went dormant in the 1970s, the company continued to distribute local productions by other studios, including the smash hit Mad Max by Kennedy Miller, and the international film Rebel by Phillip Emanuel.[25] In 1974, the company began entering television distribution within the Roadshow group under the name of Roadshow Television.[17]

In 1987, it merged with Greater Union Film Distributors to form Roadshow-Greater Union Distributors, with Roadshow Distributors and Greater Union Distributors acting as subsidiaries of the unit. The company began distributing films produced by Buena Vista Pictures Distribution with its units of Walt Disney Pictures, Touchstone Pictures and Hollywood Pictures. The company as a whole was merged into Roadshow five years later.[26][27] In 1989, the company begin distributing pictures produced by its American-based subsidiary Village Roadshow Pictures, a sister firm that was established that year.[18]

In 1998, Buena Vista International parted ways with the company in order to set up its own Australian distribution arm.[28] Also that year, when Village Roadshow Pictures shuttered its international division, Beyond Films begin representing the sales for Australian productions.[29][30] In 2001, the company's film distribution unit became Roadshow Films, while Miramax split its ties from Roadshow to shift itself to BVI.[31]

On 16 December 2014, Roadshow Films acquired a 33% stake in American film production and international sales company FilmNation Entertainment.[32] However, as of 2017, Roadshow Films' stake has since reduced to 31%.

Former

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Roadshow Entertainment

View on Grokipedia
from Grokipedia
Roadshow Entertainment is an Australian home video distribution company specializing in DVD, Blu-ray, and digital releases for retail, rental, and online channels. It operates as a division of Roadshow Films, which is owned and operated by Limited. Limited, the parent company, is a diversified conglomerate founded in 1954, with operations in cinema exhibition, theme parks, film production, and distribution across and internationally. Roadshow Entertainment plays a key role in this ecosystem by handling home entertainment releases, making it a prominent player in Australia's physical and digital media market. The company has maintained its position as a leading independent distributor amid evolving media landscapes, including the shift toward streaming, while the broader Village Roadshow group continues to navigate global entertainment challenges, such as the 2025 bankruptcy filing by its U.S.-based Village Roadshow Entertainment Group subsidiary, whose film library assets were acquired by Alcon Entertainment for $417.5 million in June 2025, with ongoing legal challenges including a Warner Bros. appeal as of November 2025.

History

Formation and Early Operations

Roadshow Films, the theatrical distribution arm of , was established in to handle film releases primarily for drive-in and cinema exhibition in . On 16 April 1982, this entity merged with an existing operation to form Roadshow Home Video, a subsidiary dedicated to the emerging consumer video market under the broader Village Roadshow umbrella. This merger positioned the new division to leverage Village Roadshow's established expertise in entering home entertainment. From its inception, Roadshow Home Video concentrated on distributing pre-recorded and cassettes across and , targeting the growing demand for at-home movie viewing amid the global videocassette boom. The company's inaugural release was the 1979 Australian blockbuster , issued on both and formats in 1982, which quickly became a cornerstone title in building its catalog. Subsequent early releases included international titles such as Atlantic City, Scanners, and Endless Love, reflecting a mix of local and foreign content to appeal to diverse audiences. To support its operations, Roadshow Home Video established Roadshow Vibrant Video as an early in 1982–1983, focused on video duplication, supply, and distribution of select titles, including adult-oriented content. These facilities enabled in-house production of tapes, reducing reliance on external providers and aiding scalability in the fledgling sector. Entry into the Australian market presented significant hurdles, as VCR penetration remained relatively low—around 25% of households by the mid-1980s—and the industry grappled with the VHS-Betamax format rivalry, which fragmented consumer adoption and complicated distribution strategies. Despite these obstacles, Roadshow's integration with Village Roadshow's cinema network provided a competitive edge in promotion and retail partnerships during this formative period.

Expansion and Rebranding

Following its establishment in , Roadshow Entertainment experienced significant growth in the late 1980s and 1990s, capitalizing on the surging demand for during the era in . The company introduced several specialized subsidiaries to broaden its distribution capabilities. Premiere Home Entertainment, launched in 1985, focused on high-profile releases and operated until 1993 as a key division of . Festival Video, established in 1983, handled independent and festival-oriented content through the 1990s, often in partnership with . Similarly, Mushroom Video, a joint venture with Festival Mushroom Records and Warner Bros. starting in 1983, specialized in music and entertainment videos into the 1990s. Home Video, introduced in 1989 for family-friendly and acclaimed titles, functioned until 1993. Roadshow-Lorimar Home Video, formed in 1985 as a collaboration with Lorimar Home Video, distributed U.S. and titles until 1990. A pivotal moment came in 1993 when Roadshow Home Video rebranded to Village Roadshow Entertainment, aligning more closely with the parent company's expanded operations after Village Roadshow Limited's 1988 acquisition and name change from De Laurentiis Entertainment. This emphasized a shift beyond traditional to a broader portfolio, including production and distribution synergies. The new identity was reflected in updated logos and marketing, appearing on releases from March 1993 onward. In 1994, the company further diversified by entering music video distribution through Roadshow Music, a division that operated until 2013 and complemented its core home video business. Key developments in the 1990s included the launch of Roadshow New Media (also known as Roadshow Interactive), which targeted emerging digital and interactive formats like CD-ROM software for the Australian and New Zealand markets. Additionally, Palace Home Video/Entertainment/Films, begun in 1984 as a joint venture with Blake Films, specialized in art-house, independent, and niche releases, continuing operations until 2000 and enhancing Roadshow's presence in specialized cinema distribution. This expansion era aligned with the boom in Australian home entertainment, driving substantial market growth. Roadshow Entertainment's annual sales rose from A$35 million in 1988–89 to A$150 million in 1994–95, reflecting the proliferation of video rentals and sales. By 1990, the company had increased its market share to 24%, up from 20% in 1989, solidifying its position as a leading independent distributor amid rising consumer adoption of technology.

Recent Developments

Roadshow Entertainment entered the digital home video era by introducing DVDs to the Australian market in 1997, with the musical film Evita serving as its inaugural release on October 1 of that year. This marked a significant shift from analog formats, enabling higher-quality playback and special features that appealed to consumers adopting the new technology. By 2008, the company expanded into high-definition media with the launch of Blu-ray discs, aligning with global adoption of the format for premium home entertainment experiences. In the 2000s, Roadshow Entertainment bolstered its operations through the formation of subsidiaries focused on specialized distribution. Reel Corporation, established during this period, operated as a budget division handling duplication and affordable releases under Village Roadshow's umbrella, supporting cost-effective access to a wide range of titles. Similarly, Hopscotch Films emerged in 2005 as a joint venture for independent and arthouse distribution, active until 2011, which allowed Roadshow to diversify into niche markets like documentaries and foreign films. A pivotal change occurred in 2020 when Roadshow Entertainment's long-term distribution agreement with Home Entertainment concluded at year's end, severing a four-decade that had handled major studio titles in and . This disruption affected access to high-profile releases, prompting a strategic pivot amid declining sales and the rise of digital platforms. Following the Warner split, Roadshow adapted by forging streaming partnerships to maintain relevance in the evolving entertainment landscape. In 2021, Village Roadshow Entertainment Group, encompassing Roadshow's operations, secured a major deal with Tubi for exclusive content, including originals like Cinnamon and Murder City, to bolster free ad-supported streaming offerings. Additional collaborations, such as a 2023 music rights venture with Cutting Edge Media Music, further emphasized digital monetization strategies over traditional physical distribution. Ownership transitions under Village Roadshow, Roadshow Entertainment's parent, reflected broader financial challenges. In December 2020, private equity firm BGH Capital completed a $440 million acquisition of Village Roadshow, aiming to stabilize its theme parks, cinemas, and entertainment divisions amid economic pressures from the COVID-19 pandemic. However, by March 2025, its U.S.-based subsidiary Village Roadshow Entertainment Group filed for bankruptcy in the U.S., which resulted in the auction and sale of its landmark film library—including titles co-financed with Warner Bros. like The Matrix—to Alcon Entertainment for $417.5 million on June 18, 2025, as part of restructuring efforts. On November 5, 2025, the court approved Alcon's $18.5 million purchase of derivative rights, though Warner Bros. appealed on November 18, 2025, amid ongoing debts and legal disputes. This development signaled potential shifts in Roadshow Entertainment's future operations and content access.

Corporate Structure

Parent Company and Ownership

Roadshow Entertainment operates as the home video distribution division of Limited, an Australian entertainment conglomerate headquartered in that oversees operations in film distribution, cinemas, theme parks, and related media sectors across and . Originally established in 1982 through the merger of Roadshow Films and home video assets, it became fully integrated into the broader structure following the company's rebranding in 1989 after acquiring the . This positioned Roadshow Entertainment as a key component of 's diversification from drive-in cinemas into home entertainment and digital media. Village Roadshow Limited traces its origins to 1954, when it was founded by Roc Kirby as a drive-in cinema operator, evolving into Roadshow Distributors by 1968 to handle . The company listed on the Australian Securities Exchange in 1988 and underwent significant expansion in the , including theme park developments and multiplex cinema partnerships. In 2020, BGH Capital, in partnership with the founding Kirby and Burke families, acquired full control of for an enterprise value of approximately A$758 million, leading to its delisting from the ASX and a shift to private ownership. In March 2025, the U.S.-based subsidiary Village Roadshow Entertainment Group filed for Chapter 11 bankruptcy protection amid disputes with Warner Bros. and financial challenges. Its film library and related assets, including rights to franchises like ''The Matrix'' and ''Ocean's Eleven'', were subsequently sold to Alcon Entertainment for $417.5 million in June 2025. This divestiture impacted the group's international film production arm but did not affect Australian operations, including Roadshow Entertainment. Under the ongoing ownership structure as of November 2025, Roadshow Entertainment benefits from Village Roadshow's integrated corporate governance, with key executives including Executive Chairman Robert Kirby AO, Group CEO Clark Kirby, and Group Chief Operating Officer and Chief Financial Officer Alistair Bennallack, who oversee ties to the parent company's film distribution (via Roadshow Films), multiplex operations (Village Cinemas), and theme park portfolio (such as Warner Bros. Movie World). These connections enable synergies in content sourcing and market reach, though home entertainment remains a focused division serving regional video and digital distribution. Financially, while specific revenue figures for Roadshow Entertainment are not publicly segmented, it contributes to Village Roadshow's overall portfolio diversification, which generated group sales of A$788.1 million in 2002 amid growth in media segments, evolving further into digital platforms by the 2020s.

Subsidiaries and Divisions

Roadshow Entertainment operates several key divisions and has maintained various subsidiaries over its history, primarily focused on specialized distribution, production, and media operations within the Village Roadshow group. As a division of Roadshow Films, it collaborates closely with the parent division for theatrical-to-home entertainment transitions.

Current Subsidiaries and Divisions

Reel Corporation serves as a current joint venture partner with Roadshow Entertainment, established in the 2000s to focus on video duplication, repackaging, and budget DVD distribution through the Reel DVD imprint. This collaboration supports Roadshow's home entertainment supply chain by providing cost-effective replication and redistribution services for older and niche titles.

Historical Subsidiaries and Divisions

Roadshow Music operated as a music division from 1994 to 2013, functioning as an imprint label under for licensing, promotion, and marketing of music releases, including notable Australian acts like and . It handled physical and digital music distribution before ceasing operations amid shifts in the industry. Roadshow , launched in the mid-1990s, represented an early digital initiatives division dedicated to publishing interactive software, titles, and multimedia content for the Australian and markets. It aimed to capitalize on like but was short-lived as the multimedia sector evolved rapidly. Palace Films began as a in 1984 involving Roadshow, Blake Films, and investor Antony Veccola, specializing in art-house, independent, and drama for and theatrical releases until around 2000. The partnership extended to cinema operations, with holding a stake that was later bought out by in 2006. Hopscotch Films functioned as a historical distribution subsidiary from 2005 to 2011, focusing on documentary, foreign, and arthouse films under Village Roadshow's oversight before its acquisition by Entertainment One for $20 million, after which distribution ties ended. Home Video operated from 1989 to 1993 as a family-oriented division, releasing content suitable for younger audiences as a sub-label of Roadshow . It was integrated into main operations by the mid-1990s. Premiere Home Entertainment, active from 1985 to 1993, served as an early division emphasizing general feature films and was fully merged into Roadshow's core operations by 1993 following ownership changes. Roadshow Vibrant Video briefly existed from 1982 to 1983 as a short-lived division dedicated to before being discontinued. Festival Video and Mushroom Video, both running from the 1980s to the 1990s, were joint ventures involving Roadshow with Festival Mushroom Records and Warner Bros., concentrating on music videos and select entertainment releases tied to the record label's catalog. These were dissolved as video distribution consolidated under main Roadshow operations.

Distribution and Labels

Current Distribution Partnerships

Roadshow Entertainment operates its primary label, Roadshow Films, to facilitate the transition of theatrical releases into formats, including Blu-ray and DVD, primarily for the Australian and markets. Following the conclusion of its decades-long distribution agreement with at the end of 2020, Roadshow has focused on active partnerships with independent studios and international distributors, including Lionsgate, FilmNation (in which Village Roadshow holds a significant stake), , Black Bear, ITV, Rialto, Lakeshore, and Millennium. These collaborations support the distribution of diverse content, with a particular emphasis on family entertainment, action titles, and local Australian productions; representative examples of recent physical media releases from 2021 to 2025 include the action thriller (2022) and the Australian Better Man (2024). In September 2025, Roadshow Films entered a multi-year Pay-1 streaming deal with Prime Video, securing exclusive rights to its titles for the Australian market and integrating digital access with ongoing physical distribution efforts. Physical media operations, including duplication, packaging, and supply, are handled through Roadshow's with Reel Corporation, branded as Reel DVD, which ensures efficient for Blu-ray, DVD, and re-packaged content across and . As streaming platforms continue to expand, Roadshow has adapted by prioritizing hybrid physical-digital models, allowing consumers to access titles via disc purchases or bundled digital rentals and purchases tailored to regional preferences.

Former Labels and Partnerships

Roadshow Entertainment operated several former labels that contributed to its early home video distribution efforts in and . One notable label was Roadshow-Lorimar Home Video, active from 1985 to 1990, formed as a between Roadshow Entertainment and Lorimar to distribute Lorimar Motion Pictures titles such as Act of Vengeance and Beverly Hills Madam on formats. This partnership ended following Lorimar's acquisition by in 1989 and subsequent mergers, which shifted distribution priorities away from the joint label structure. Another former label, Palace Home Video, functioned from 1984 to 2000 as a handling independent and art-house releases, including titles like Blood Ties, before its distribution agreement expired in the late amid industry consolidation. Mushroom Video, operational from 1983 through the 1990s, represented a with focused on music videos and related content, such as promotional releases tied to Australian artists. The label's discontinuation aligned with format transitions from to DVD and the 1999 merger of with Warner Music , which altered content duplication and supply chains. Roadshow Entertainment also managed duplicated and re-supplied content for labels like Video and Applause Home Video during the 1980s and early 1990s, involving multiple runs of titles before phasing out these operations due to technological shifts and contract expirations. A significant past partnership was the long-term distribution deal with Warner Bros. Home Entertainment, which began in the 1970s and covered home video releases of major titles including the Matrix series, Ocean's Eleven trilogy, and Mad Max: Fury Road. This agreement, tied to Village Roadshow's broader theatrical alliance, ended in 2020 following contract expiration after over four decades, prompting Warner Bros. to handle its own distribution in the region. The Lorimar collaboration in the 1980s similarly bolstered Roadshow's early catalog through shared production and distribution of television and film content. These former labels and partnerships were instrumental in building Roadshow Entertainment's extensive library, which by the 2020s encompassed distribution rights to over 100 high-profile titles from co-productions with Warner Bros. and others, establishing a foundation for its transition under Reel Corporation.

References

  1. https://sevenwestmedia.com.au/assets/pdfs/181004-Season-of-Magic.pdf
  2. https://www.animenewsnetwork.com/encyclopedia/company.php?id=12911
  3. https://villageroadshow.com.au/about-us/company-history
  4. https://www.bloomberg.com/news/articles/2025-03-17/matrix-saga-maker-files-for-bankruptcy-amid-warner-lawsuit
  5. https://variety.com/2025/film/news/village-roadshow-library-matrix-oceans-eleven-movies-acquired-by-alcon-1236435509/
  6. https://deadline.com/2025/11/village-roadshow-acquision-alcon-1236436835/
  7. https://news.bloomberglaw.com/bankruptcy-law/warner-bros-appeals-matrix-studios-18-5-million-asset-sale
  8. https://www.avid.wiki/Roadshow_Films
  9. https://www.avid.wiki/Roadshow_Entertainment
  10. https://www.closinglogos.com/page/Roadshow_Entertainment_%28Australia%29
  11. https://www.avid.wiki/Roadshow_Entertainment/Production_Logos
  12. https://figshare.mq.edu.au/articles/thesis/Video_cassette_revolution_the_VCR_in_Australia/19428134/1/files/34519973.pdf
  13. https://vhs-openings.fandom.com/wiki/Roadshow_Entertainment
  14. https://www.avid.wiki/Roadshow-Lorimar_Home_Video
  15. https://www.annualreports.com/HostedData/AnnualReportArchive/V/ASX_VRL_2002.pdf
  16. https://variety.com/1994/scene/news/roadshow-ups-barlow-to-prexy-118327/
  17. https://www.afr.com/companies/roadshow-speeds-on-to-the-entertainment-superhighway-19951016-kayho
  18. https://www.afr.com/companies/as-video-rental-wanes-roadshow-picks-up-on-the-home-library-trend-19910125-k9x07
  19. https://www.afr.com/companies/media-and-marketing/dvd-puts-whole-new-spin-on-tv-movies-19970915-k7nd3
  20. https://www.hifi-writer.com/blog/20080731.htm
  21. https://www.avid.wiki/Hopscotch_Films
  22. https://deadline.com/2020/09/warner-bros-ends-australia-distribution-alliance-village-roadshow-four-decades-1234581074/
  23. https://variety.com/2020/biz/asia/warner-ends-village-roadshow-theatrical-deal-australia-new-zealand-1234777255/
  24. https://investor.foxcorporation.com/news/business/2021/tubi-strikes-major-film-deal-with-village-roadshow-entertainment-group/
  25. https://www.musicbusinessworldwide.com/after-securing-100m-to-buy-film-and-tv-music-rights-cutting-edge-forms-strategic-venture-with-village-roadshow-entertainment/
  26. https://blooloop.com/theme-park/news/village-roadshow-takeover-bgh-approved-theme-park-australia/
  27. https://variety.com/2025/film/global/vine-ceo-village-roadshow-bankruptcy-warner-bros-matrix-1236344591/
  28. https://filmstories.co.uk/news/village-roadshows-landmark-library-of-titles-up-for-sale/
  29. https://www.fundinguniverse.com/company-histories/village-roadshow-ltd-history/
  30. https://variety.com/2020/biz/asia/court-approves-bgh-takeover-of-australia-village-roadshow-1234853814/
  31. https://www.reuters.com/article/markets/australias-village-roadshow-gets-531-mln-buyout-offer-from-bgh-capital-idUSL4N29S4UP/
  32. https://villageroadshow.com.au/about-us/leadership
  33. https://www.annualreports.com/HostedData/AnnualReportArchive/V/ASX_VRL_2015.pdf
  34. https://villageroadshow.com.au/our-businesses
  35. https://www.discogs.com/label/1364827-Reel-Corporation-Pty-Ltd
  36. https://musicfeeds.com.au/news/australian-label-roadshow-music-shuts-down/
  37. https://tonedeaf.thebrag.com/australian-label-roadshow-music-folds/
  38. https://www.encyclopedia.com/books/politics-and-business-magazines/village-roadshow-ltd
  39. https://www.screendaily.com/australias-palace-boards-de-heers-project/408970.article
  40. https://www.abc.net.au/listen/radionational/archived/movietime/the-week-in-film/3378306
  41. https://mumbrella.com.au/hopscotch-acquired-by-entertainment-one-7803
  42. https://www.avid.wiki/Applause_Home_Video
  43. https://www.avid.wiki/Premiere_Home_Entertainment
  44. https://www.refused-classification.com/censorship/film-1/american-adult-10/
  45. https://www.avid.wiki/Festival_Video
  46. https://www.avid.wiki/Mushroom_Video
  47. https://villageroadshow.com.au/our-businesses/film-distribution
  48. https://www.hollywoodreporter.com/news/general-news/roadshow-films-invests-filmnation-758697/
  49. https://www.blu-ray.com/movies/Blacklight-Blu-ray/313068/
  50. https://www.youtube.com/user/RoadshowFilms
  51. https://www.mediaweek.com.au/prime-video-secures-sony-and-roadshow-films-in-new-multi-year-pay-1-deals/
  52. https://www.youtube.com/watch?v=b9SoUTECbKA
  53. https://www.hollywoodreporter.com/business/business-news/blade-runner-2049-coproducer-alcon-wins-bid-for-village-roadshow-film-library-1236294302/
Add your contribution
Related Hubs
User Avatar
No comments yet.