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Event Cinemas
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Greater Union Organisation Pty Ltd,[1] trading as Event Cinemas, Moonlight Cinema and Birch Carroll & Coyle (BCC Cinemas), is the largest movie exhibitor in Australia and New Zealand, with over 140 cinema complexes currently operating worldwide.
Key Information
The Greater Union Organisation is a subsidiary of EVT Limited (formerly known as Event Hospitality and Entertainment) which is listed on the Australian Securities Exchange, a corporation that owns and operates brands in the entertainment, hospitality and leisure sectors, mainly within Australasia.[1]
History
[edit]The Event Cinemas cinema chain has had a significant impact on the Australian culture and film industry, and has a history of mergers and acquisitions and liquidations that span over a century.[citation needed]
Early 20th century
[edit]From 1906 to 1911, during the silent era, Australia was the most prolific producer of feature films in the world,[2] a period which included the creation of the first feature-length film The Kelly Gang. This creative and fertile period in Australian film history was largely created by competition between West's Pictures, Spencer's Pictures and Amalgamated Pictures.[3] On 4 May 1912 the three joined to form The General Film Company of Australasia.[4] On 4 January 1913 it then merged with The Greater J.D. Williams Amusement Co and restructured to become The Combine, a famous partnership between the exhibition wing Union Theatres and the production and distribution wing Australasian Films.[citation needed]
The Combine monopoly was highly influential on the early twentieth-century Australian film industry.[2] However, it came under heavy criticism for its low interest in producing Australian films, its preference for imported cinema, and its reluctance to exhibit Australian films by other producers.[5] Film icon and director Raymond Longford, whose independent production company had come under attack by the group,[6] said in 1927 that "had it not been for the activities of that firm in its endeavour to crush it in its infancy, the local picture would now be 10 years at least advanced to the height now attained by the Americans."[5] Historians have traced the sharp decline of the Australian film industry in 1913 to the repercussions of these series of takeovers and mergers.[3][7] James Sabine has said that "the stranglehold of The Combine forced a decline in local production and contributed to many Australian production companies closing their doors."[7]

The Combine continued to grow into the 1920s during the genesis of the Hollywood era with its focus on exhibiting American films. The Great Depression saw Union Theatres being liquidated in 1931 and its assets purchased by newly-formed Greater Union Theatres. This new company split from Australasian Films, established the Hollywood-model subsidiary Cinesound Productions, expanded into radio and newspaper, and kept its major focus on building and managing cinemas.[8] Due to The Depression, Greater Union Theatres merged into the General Film Corporation with Hoyts, a competitor who had secured Fox Film as a shareholder. In 1937 Norman Rydge became managing director and removed the company from the previous merger.[citation needed] Rydge halted feature film production during the war and never resumed it.[9]
1945–present: post-war expansion
[edit]In 1945, the last year of World War II, there was a box office boom and the British Rank Organisation purchased a half share in Greater Union Theatres. During this time Greater Union acquired the rights of ownership of many theatres across the country including what became the Phoenician Club in Broadway, Sydney in 1943, originally owned by McIntyre's Broadway Theatres and established as a cinema in 1911.[citation needed] It acquired the Clifford Theatre Circuit in Adelaide in March 1947. The purchase price of £300,000 for the 22 suburban and regional cinemas was "believed to be the largest motion picture transaction ever made in Australia". The Clifford name was retained as a tribute to the entrepreneur Dan Clifford, and South Australian staff were retained.[10]
In 1958, the four holding companies in the Greater Union Theatres group were merged into the Rydge family Amalgamated Holdings Limited (AHL), and in 1965 Greater Union Theatres was renamed the Greater Union Organisation (GUO). In 1980 billionaire Alan Rydge was appointed Chairman of AHL to become the youngest chairman of an Australian public company.[11]
In 1971, it merged its assets with Metro-Goldwyn-Mayer's Australian cinema unit, which the company's B.E.F. subsidiary distributing MGM titles until 1973, when distribution that studio's films in Australia was shifted to Cinema International Corporation.[12] In 1976, the company's British Empire Films unit was initially renamed GUO Film Distributors, then six years later, it was renamed to Greater Union Film Distributors.[12]
In 1975, Greater Union bought the old Metro Theatre in Hindley Street, Adelaide, and redeveloped it as a modern four-screen cinema complex, called Hindley Cinemas 1–4.[13] In October 1980, the company bought the building that had once housed the first cinema in Adelaide, West's Olympia, also in Hindley Street. After a time in which rebuilds were made to the cinema, it reopened in December 1982 as Hindley Cinemas 5–6.[14]
In 1984, AHL regained control over the now-defunct Rank Organisation's half share, meaning that it once again became fully Australian-owned. In 1987 GUO merged with Village Roadshow's film distribution unit to form the distribution company Roadshow Film Distributors, and by that time, GUO and Village Roadshow partnered on a $100 million cinema chain that will see 200 circuits expanded by use by 1990.[15][12]
In 1991, GUO acquired Birch, Carroll & Coyle.[citation needed] In the same year, Hindley Cinemas 1–4 and 5–6 closed.[13][14]
21st century
[edit]In 2003, AHL and Village Roadshow combined to form Australian Theatres.[citation needed]
Since 2009, most cinemas in Australia have been renamed from Greater Union Cinemas or Birch Carroll & Coyle (BCC Cinemas) to Event Cinemas, with some Greater Union or BCC Cinemas locations across Australia closed down over the years.[16] On 22 December 2015, AHL was renamed Event Hospitality and Entertainment.[17]
In June 2016, Event Cinemas acquired New Zealand cinema chain Downtown Cinemas.[18]
In 2019, Birch Carroll & Coyle was inducted into the Queensland Business Leaders Hall of Fame in recognition of being Australia's leading provincial film distributor and its industry leadership throughout Queensland for 80 years.[19]

In September 2025, Event Cinemas announced that Greater Union Morley will be closing down with their last session screened on 14 September. The closure of Greater Union Morley marked the end of Greater Union branding as the last cinema in Australia trading under the Greater Union name.[20]
Locations
[edit]Australia
[edit]Event Cinemas operates venues around Australia, many of which are located in large shopping centres. The cinema complexes comprise multiple screens. The below locations do not include sites that operate under the joint venture between Village Roadshow and Event Hospitality & Entertainment known as Australian Theatres.[citation needed]
New South Wales
|
|
Northern Territory
- Casuarina – trading as BCC Cinemas
- Palmerston
Queensland
|
South Australia
Western Australia
With cinema admissions in decline, Event Cinemas has continued to experience growth by raising the price of admissions and offering "premium experiences" such as "Gold Class" which offers more luxury seating and food, "Vmax" which offers a larger screen, and alternate content including Bollywood films, football, gaming, film festivals, opera and stand-up comedy events.[21][22][23]

Fiji
[edit]Within Fiji, Damodar Event Cinemas is a joint venture between Village Cinemas, and the Fijian-based Damodar Brothers, who operate the existing two-cinema chain under licence since 2010.[24][25][26] The brand has since changed its name to "Damodar Cinemas".
- Damodar City – trading as Damodar Event Cinemas
New Zealand
[edit]Event Cinemas operates cinema complexes across New Zealand’s major urban centres, including the Embassy Theatre in Wellington and the Rialto Cinema in Dunedin. Hollywood blockbusters are screened alongside arthouse films and festivals such as the New Zealand International Film Festival.
Experiences
[edit]Gold Class
[edit]Gold Class is a premium cinema format available at selected Event Cinemas locations in Australia, New Zealand, and Fiji. It features in-cinema service, à la carte food and beverage menus, and reclining seating in auditoriums with reduced capacity. The concept originated with Village Cinemas and was later adopted by the Event Group.[27]
All Gold Class cinemas operate as dedicated premium areas within standard Event Cinemas complexes.
Australia
|
Fiji
|
In New Zealand:
|
|
V-Max
[edit]V-Max cinemas feature enhanced film display, picture quality, and immersive surround sound. The screens at V-Max used to be a minimum width of 25 meters or greater, however, that was lowered to 20 metres in 2010. V-Max cinemas are placed in large auditoriums which feature larger seats, stadium seating and wider arm-rests. Select locations also feature Dolby Atmos. The V-Max format is also provided at many Event Cinemas sites in Australia and New Zealand.[citation needed]
V-Max Cinemas are usually separate from the normal cinema complexes, like the Gold Class. There are certain locations that has Dolby Atmos surround sound included in their V-Max cinemas (brackets indicating). V-Max Cinema locations include:
In Australia:
|
|
In New Zealand:
- Queensgate Shopping Centre (Dolby Atmos)
- Westfield St Lukes
- Westfield Manukau
- Westfield Albany
- Westfield Newmarket (Dolby Atmos)
- Tauranga Crossing (Dolby Atmos)
IMAX uses precision lasers a sharper brighter images.[citation needed] This technology is currently available at Event Cinemas Auckland (Queen St), Event Cinemas Queensgate (Wellington), Event Cinemas Pacific Fair (Broadbeach)[28], Event Cinemas Innaloo, and IMAX Sydney[29][30]
GUO converted most of their Australian auditoriums and flagship cinemas to digital projectors. The installation of these projectors means that most auditoriums are now RealD 3D capable.[citation needed] Albany, Queen St Auckland, St Lukes, Henderson West City, Mt Wellington Sylvia Park, Broadway Newmarket, Glenfield Mall on level 5 Entertainment, Manukau Amersham Way, Highland Park, John Goulter Mangere, New Lynn and Crosstown Lakewood Court.
In late 2018, the first 4DX screen owned by the Event Group was opened in George Street (Sydney CBD). 4DX stimulates all five senses, featuring moving seats and special effects including wind, fog, water and scents that synchronise with the action on screen.[citation needed]
Junior
[edit]Event Junior is a family‑friendly cinema experience by Event Cinemas in Australia, designed for children aged 8 and under. It combines an in‑cinema playground with slides, climbing structures and interactive games alongside movie screenings featuring modified lighting and sound, kid‑friendly seating and a dedicated children’s menu. The first Event Junior locations opened at Event Cinemas Macquarie and Shellharbour in October 2019.
Boutique
[edit]EVENT Boutique cinemas feature recliners with footrest, and in-cinema food-and-drink service. Guests have access to the Boutique Cinema 30 minutes prior to their session. Boutique is currently available at Event Cinemas George Street (Sydney CBD).[citation needed]
On 15 August 2023, Event Cinemas announced that ScreenX would come to Australia for the first time. It opened at Event Cinemas Robina on the 17th of August. It later opened at Event Cinemas Campbelltown later that year on 14 December (in time for the Australian release of Wonka).[citation needed]
Moonlight Cinema
[edit]Moonlight Cinema is an outdoor seasonal exhibitor that operates in most Australian metropolitan areas. Moonlight was acquired by EVENT in 2010 from Prime Media Group for $1.75 million.[31] The division continues to grow and has signed 3 new venue contracts since its acquisition, and currently operates in:
New South Wales
Queensland
South Australia
Victoria
Western Australia
In addition, each venue offers 'Gold Grass' a luxurious outdoor-cinema experience, similar to the offerings of Event Cinemas' 'Gold Class'.
Cinebuzz Rewards
[edit]All cinema brands trading under EVENT, including Moonlight and BCC cinemas, share the benefits of a Loyalty program the Cinebuzz Rewards Program. Free for members, the program grants access to advance screenings, ticket discounts, access to the Cinebuzz video-on-demand platform,[32] and one free movie ticket for every six movies viewed at EVENT. The program is aimed at encouraging brand loyalty and recognising VIP Customers and currently has over 3 million members in Australia.[citation needed]
Controversy
[edit]The exhibition and production company that became Event Cinemas has been widely criticised as the cause of the downfall of early Australian film, which was argued to be the best in the world at the time.[3][7]
In 2005, Event Cinemas banned people from bringing their own food and drink into the cinema. After negative public reaction and a threat of investigation by NSW Fair Trading, the company was forced to revoke the rule. People complained that Event Cinema's food was more than double the price of that in supermarkets and had less variety.[33][34][35][36]
In 2012, Australian journalist Tim Burrowes attended a screening of Skyfall at an Event Cinema. There were various technical difficulties which resulted in the audience being asked to leave and a manager threatening Burrowes for filming the crowd's reactions.[37]
In the lead up to the 2016 Australian Federal Election, Chairman Alan Rydge was reported to have donated to Prime Minister Malcolm Turnbull's controversial political fund the Wentworth Forum.[38][39][40]
There have been numerous incidents of faulty popcorn machines causing fires to break out in Event Cinemas complexes, including Top Ryde in 2011, Adelaide and Rockhampton in September 2015, Perth in December 2015, and Sydney in August 2016.[41][42][43][44]
See also
[edit]References
[edit]- ^ a b "Terms – Event Cinemas".
- ^ a b "AMALGAMATED PICTURES, LIMITED. – Sunday Times (Sydney, NSW : 1895 – 1930) – 12 Apr 1914". Trove. 12 April 1914. p. 2. Retrieved 29 August 2016.
- ^ a b c "The first wave of Australian feature film production: From early promise to fading hopes" (PDF). Australian Film Commission Archive. Screen Australia. Archived from the original (PDF) on 5 April 2015. Retrieved 29 August 2016.
- ^ "AMALGAMATED PICTURES, LIMITED. – Sunday Times (Sydney, NSW : 1895 – 1930) – 12 Apr 1914". Trove. 12 April 1914. p. 2. Retrieved 29 August 2016.
- ^ a b "FILM". Trove. 17 June 1927. p. 9. Retrieved 29 August 2016.
- ^ Mayer, Geoff; Beattie, Keith (1 January 2007). The Cinema of Australia and New Zealand. Wallflower Press. ISBN 9781904764960.
- ^ a b c "Chronology 1910s on ASO – Australia's audio and visual heritage online". aso.gov.au. Retrieved 29 August 2016.
- ^ "CAARP: Cinema and Audience Research Project". caarp.edu.au. Archived from the original on 28 March 2019. Retrieved 29 August 2016.
- ^ Vagg, Stephen (25 August 2025). "Forgotten Australian Films: Dad Rudd MP". Filmink. Retrieved 25 August 2025.
- ^ "Cinema circuit brings £300,000". The Advertiser (Adelaide). South Australia. 11 March 1947. p. 3. Retrieved 12 December 2022 – via National Library of Australia.
- ^ "Alan Ridge: Australian billionaire and business prodigy". Archived from the original on 24 July 2016. Retrieved 29 August 2016.
- ^ a b c Groves, Don (2010). AHL: 100 Years of Entertainment. Amalgamated Holdings Ltd. ISBN 9780958946612.
- ^ a b "Hindley Cinemas 1–4 in Adelaide, AU". Cinema Treasures. 3 August 2007. Retrieved 17 December 2022.
- ^ a b "ASO Grainger Studio". Cinema Treasures. Retrieved 17 December 2022.
- ^ "$A100-Mil Pricetag On Roadshow/GU Venture". Variety. 19 August 1987. p. 41.
- ^ "Event Hospitality & Entertainment Limited. Annual Report 2021" (PDF). ASX. Retrieved 15 September 2025.
- ^ "ASX Code and Company Name Changes 2015". ASX. Retrieved 20 December 2022.
- ^ Mitchell, Paul (1 December 2016). "Behind the scenes changes at Downtown Cinema". Stuff. Retrieved 21 October 2023.
- ^ "2019 Hall of Fame". Queensland Business Leaders Hall of Fame. State Library of Queensland. 2019. Archived from the original on 19 July 2019. Retrieved 19 July 2019.
- ^ "Morley Market shopping centre razed by fire, destroys small businesses". ABC Australia. Australian Broadcasting Corporation. 3 September 2025. Retrieved 15 September 2025.
- ^ Quinn, Karl (10 July 2014). "A cinema ticket in Australia can cost up to $40. Here's why". Retrieved 29 August 2016.
- ^ "Event Hospitality & Entertainment Limited: Financial Results for the half year ended 31 December 2015" (PDF). Archived from the original (PDF) on 5 December 2021. Retrieved 29 August 2016.
- ^ "Alternate Content".
- ^ "AHL buys into Damodar". Fiji Times. 9 January 2010. Archived from the original on 5 October 2013. Retrieved 4 October 2013.
- ^ "Damodar Brothers". MyFijiGuide.com. 25 April 2008. Archived from the original on 4 October 2013. Retrieved 4 October 2013.
- ^ "New Shopping Centre to open in Suva". Indian Newslink. 13 October 2012. Archived from the original on 4 October 2013. Retrieved 4 October 2013.
- ^ "Lexus Elevates the Gold Class Experience Across Australia With Presenting Partnership". Lexus. 21 March 2024.
- ^ "Event Cinemas Pacific Fair".
- ^ "Event Cinemas locations". Event Cinemas. Retrieved 15 July 2024.
- ^ "Event Cinemas AU IMAX".
- ^ "Amalgamated acquires Moonlight Cinema". The Sydney Morning Herald. 28 July 2010. Retrieved 22 October 2016.
- ^ "Event Cinemas - Adding Value to Membership Programs with VOD". www.shift72.com. Retrieved 2 August 2023.
- ^ "Cinema chain pulls food ban". ABC News. 23 June 2005. Retrieved 29 August 2016.
- ^ "Cinema Chain Scraps Snack Ban". findlaw.com.au. Retrieved 29 August 2016.
- ^ "Greater Union food ban is incredible, say moviegoers – National – www.smh.com.au". The Sydney Morning Herald. 7 January 2005. Retrieved 29 August 2016.
- ^ Kidman, Angus (29 August 2012). "Ask LH: Can Cinemas Stop Me Bringing My Own Food To The Movies?". Retrieved 29 August 2016.
- ^ "Skyfail: How Event Cinemas kicked 700 people out of the Bond movie and threatened to have me arrested – Mumbrella". 26 November 2012. Retrieved 29 August 2016.
- ^ McColl, Gina (19 June 2016). "New expose of Libs exploiting donations loopholes ensares Turnbull". Retrieved 29 August 2016.
- ^ Thomson, James (14 July 2009). "Rich entrepreneurs flock to support Malcolm Turnbull – SmartCompany". Archived from the original on 12 October 2016. Retrieved 29 August 2016.
- ^ "Money and Influence". ABC's Four Corners. Retrieved 29 August 2016.
- ^ "Popcorn machine causes SA cinema fire". NewsComAu. Retrieved 6 January 2018.
- ^ "Cinemas evacuated after popcorn machine catches on fire". Rockhampton Morning Bulletin. Retrieved 6 January 2018.
- ^ "Cinema evacuated after popcorn fire". NewsComAu. Retrieved 6 January 2018.
- ^ "Popcorn machine fire forces evacuation of Parramatta cinema". ABC News. 18 August 2016. Retrieved 6 January 2018.
External links
[edit]Event Cinemas
View on GrokipediaHistory
Origins and Formative Years (1910s–1944)
Union Theatres Ltd. was founded in 1910 by seven entertainment pioneers, establishing the core of Australia's early cinema exhibition network and positioning it as the nation's largest film company at the time.[1] This venture focused on theatre operations and film distribution, capitalizing on the rapid growth of motion pictures following their introduction to Australia in the 1890s.[1] In November 1912, Union Theatres participated in the formation of the "Combine," a strategic merger with production and distribution firms that created Australasian Films Ltd. as its affiliated entity, effectively controlling over 75% of film supply to Australian cinemas by securing exclusive deals with major U.S. studios during Hollywood's expansion.[4][1] Under this structure, the company dominated exhibition, with Stuart F. Doyle appointed general manager in 1918 after prior experience in vaudeville and law; he later became joint managing director.[5] Key developments included the 1928 renovation and reopening of Sydney's Capitol Theatre as a premier movie venue and the 1929 opening of the State Theatre, billed as "the empire's greatest theatre," both under Doyle's leadership.[6][7] The onset of the Great Depression forced Union Theatres into liquidation in 1931, prompting Doyle to establish Greater Union Theatres Ltd. to acquire its assets for approximately £400,000, primarily to cover debts; this restructured entity separated exhibition from production, with Australasian Films re-emerging as Cinesound Productions in 1932 for newsreels and features.[5][8] In 1937, Norman Rydge was appointed managing director, guiding expansion into sound-equipped theatres and radio interests that contributed to the Australian Broadcasting Corporation's foundations.[1] Through the World War II era up to 1944, Greater Union maintained operations amid rationing and heightened national focus on cinema, producing content via Cinesound that documented events and bolstered Australian identity, while sustaining exhibition circuits despite import restrictions on foreign films.[1] The company's infrastructure, including over 120 theatres by the late 1920s, underscored its formative role in standardizing cinema experiences across urban and regional Australia.[6]Post-War Expansion and Consolidation (1945–2000)
In the immediate post-World War II era, Greater Union Organisation (GUO), the primary predecessor to Event Cinemas, underwent substantial growth bolstered by foreign investment. In 1945, the J. Arthur Rank Organisation acquired a 50% stake in GUO, providing capital for refurbishments and new builds amid a cinema attendance boom in Australia, where weekly viewings reached peaks of over 2 million by the late 1940s before television's introduction in 1956 began eroding audiences. This partnership enabled operational enhancements and circuit expansion, focusing on urban and suburban theaters to capitalize on Hollywood imports and local productions.[9] The 1950s marked a pivotal shift toward innovative formats to counter emerging competition. GUO partnered with Hoyts to launch Australia's early drive-in cinemas, with the first such venue opening in Melbourne in 1954, followed by rapid proliferation including GUO-operated sites; by the mid-1950s, the company had refurbished venues for stereo sound and 70mm widescreen projection to accommodate epic films like Ben-Hur. Additionally, GUO acquired a controlling interest in the Ace Group circuit in Western Australia, solidifying its dominance in regional markets and expanding its portfolio beyond traditional picture palaces.[9][10][11] Through the 1960s and 1970s, GUO pursued strategic consolidations amid industry contraction from television. In 1960, chairman Sir Norman Rydge partnered with Village circuit's Roc Kirby, fostering cooperative distribution; Rydge retired in 1965, with Keith Moremon assuming management. A landmark acquisition occurred in 1971, when GUO purchased MGM's Australian theater chain for approximately $4.8–5.8 million, elevating its total to around 200 cinemas nationwide.[9][12] The 1980s and 1990s emphasized ownership stabilization and modernization toward multiplex models. In 1982, GUO acquired 21 Hoyts drive-ins, while fully acquiring Colorfilm production facilities; critically, in 1984, Rank divested its stake to Amalgamated Holdings Limited (AHL) for $14.7 million, positioning AHL—controlled by the Rydge family—as GUO's parent and enabling focused reinvestment. A 1987 joint venture in Roadshow Distributors enhanced film sourcing, and an 1988 multiplex alliance with Village Roadshow preceded the 1990 debut of multi-screen complexes at Hurstville and Campbelltown in New South Wales, and Innaloo in Western Australia, featuring 6–8 screens each to offer diverse programming and boost per-site revenue. By 1997, GUO opened a 30-screen megaplex in Adelaide, with further expansions like 6- and 5-screen venues in Queensland's Mackay and Toowoomba in 1999, and 16-screen upgrades at Castle Hill and Macquarie in 2000, adapting to fragmented audiences and home video competition while maintaining over 140 sites primarily in Australia.[9][9][13]21st-Century Rebranding, Acquisitions, and Adaptations (2001–Present)
In 2007, Amalgamated Holdings Limited opened the first cinema under the Event Cinemas brand at Robina Town Centre on the Gold Coast, Australia, featuring the V-Max large-format screen and self-service confectionery options as key innovations to enhance the viewing experience.[1] This marked the initial phase of rebranding efforts, transitioning from legacy brands like Greater Union and Birch, Carroll & Coyle toward a unified "Event" identity focused on premium and event-style cinema offerings. By 2010, the rebranding extended to New Zealand operations, where acquired Skycity Cinemas facilities adopted the Event Cinemas name starting in July, accompanied by commitments to large-scale upgrades in seating, projection, and overall amenities. Acquisitions bolstered the network's footprint during this period. In 2003, the company secured full ownership of the German chain Cinestar, expanding into international markets.[1] The 2010 purchase of Skycity and Rialto Cinemas in New Zealand provided entry into that market with 12 sites rebranded under Event.[1] Further growth included the 2011 acquisition of Moonlight Cinemas, introducing outdoor screening capabilities across Australia.[1] Ownership evolution supported these moves: Amalgamated Holdings Limited restructured as Event Hospitality & Entertainment Limited in December 2015, reflecting the cinema division's prominence, before renaming to EVT Limited in 2022 to encompass broader entertainment assets.[14] Adaptations emphasized technological and experiential enhancements amid digital shifts and competitive pressures from streaming. As early as 2006, Event Cinemas installed Australia's first digital 3D projectors, partnering with Edge Digital Technology to transition from film reels.[1] Post-2020 recovery from pandemic closures involved premium upgrades, such as the 2022 refurbishment of Event Cinemas Chermside with V-Max, Gold Class, and 4DX formats.[1] In 2023, Australia’s inaugural ScreenX immersive screen launched at Robina, extending the viewing field to 270 degrees, while IMAX Sydney Darling Harbour reopened with laser projection upgrades; these initiatives earned the Global Achievement in Exhibition Award at CinemaCon.[1] By June 2025, agreements for IMAX and ScreenX expansions were extended, prioritizing high-end formats to differentiate from home viewing options.[1] In November 2019, a refreshed brand strategy and visual identity, developed by Landor, reinforced this focus on immersive, event-driven cinema to counter streaming's rise.[15]Ownership and Corporate Governance
Parent Company and Ownership Structure
Event Cinemas functions as a key operating division within EVT Limited, the parent company that oversees its cinema operations alongside other entertainment, hospitality, and leisure properties. EVT Limited maintains ownership of Event Cinemas through subsidiaries such as Event Cinemas (Australia) Pty Limited and Event Cinemas Limited in New Zealand, integrating the chain into a broader portfolio that includes brands like BCC Cinemas, Moonlight Cinemas, and international operations in Germany under CineStar. This structure positions Event Cinemas as a core revenue driver for EVT's entertainment segment, which reported cinema exhibition activities contributing significantly to group earnings in fiscal year 2025.[3][16] EVT Limited, formerly Event Hospitality & Entertainment Limited until its rebranding in October 2022, is publicly listed on the Australian Securities Exchange under the ticker EVT. As a diversified holding company founded with roots in Australian entertainment since the 1930s, it has no ultimate controlling parent entity but features a dispersed ownership base dominated by institutional and private investors. The company's market capitalization and shareholder composition reflect its status as a mid-cap ASX entity focused on experiential leisure assets.[17][1] Substantial shareholdings in EVT are led by Enbeear Pty Limited, which holds approximately 20% of outstanding shares, followed by Perpetual Limited at 12.7% and Carlton Investments Ltd at around 12.2%, based on disclosures as of mid-2025. These major investors, including family-linked entities associated with long-term chairman Alan Rydge, exert influence over strategic decisions, though no single party maintains majority control. Institutional ownership collectively accounts for over 40% of the float, underscoring market-driven governance with quarterly substantial holder notices filed via ASX compliance.[18][19][20]Key Milestones in Corporate Evolution
The cinema operations of Event Cinemas trace their corporate roots to the formation of Union Theatres in 1910, which evolved into Greater Union Organisation and laid the foundation for Australia's largest exhibition network.[1] In 1980, the group acquired the ACE Cinemas chain in Western Australia, expanding its footprint and integrating hotel assets, marking an early diversification milestone.[1] The introduction of premium formats began in 1998 with Gold Class cinemas in Queensland, enhancing revenue streams through upscale seating and service.[1] Event Cinemas as a unified brand emerged in 2007 with the opening of its flagship location at Robina Town Centre, featuring innovative self-service concessions and V-Max large-format screens, preceding the broader rebranding of Greater Union and Birch, Carroll & Coyle sites in 2009.[1] International expansion advanced in 2003 via full acquisition of the German Cinestar chain, adding over 40 sites to the portfolio.[1] In 2010, the acquisition of SkyCity and Rialto Cinemas in New Zealand bolstered operations across the Tasman, increasing complex count and market share.[1] The parent entity, Amalgamated Holdings Limited, rebranded to Event Hospitality & Entertainment Limited on December 17, 2015, aligning corporate identity with its flagship cinema brand and reflecting integrated entertainment-hospitality focus.[21] Further evolution occurred in October 2022, when Event Hospitality & Entertainment Limited changed to EVT Limited, simplifying the holding structure while retaining operational brands like Event Cinemas.[22]Operations and Market Position
Geographic Locations
Event Cinemas maintains its primary operations in Australia, where it manages approximately 56 cinema complexes concentrated in major urban centers across states including New South Wales, Queensland, Victoria, Western Australia, and South Australia.[23] Key locations encompass metropolitan hubs such as Sydney (e.g., George Street, Bondi Junction), Melbourne (e.g., Doncaster, Highpoint), Brisbane (e.g., Brisbane City, Chermside), and regional sites like Coffs Harbour and Cairns Central, reflecting a focus on high-population areas to maximize attendance.[23] In New Zealand, Event Cinemas operates around a dozen venues, primarily in North Island cities including Auckland (Albany, Manukau, Newmarket), Hamilton (Chartwell), Palmerston North, New Plymouth, and Coastlands in Paraparaumu, alongside South Island sites such as Blenheim and the Embassy Theatre in Wellington.[24] This distribution targets urban and suburban demographics, with heritage venues like the Embassy providing specialized programming.[3] The chain extends to Germany through its BCC Cinemas brand under the EVT parent company, featuring multiplexes in cities like Berlin, Hamburg, and Munich, though on a smaller scale compared to Australasian operations.[3] This European footprint, established via acquisitions, supports localized offerings amid competitive markets.[3] Overall, Event Cinemas' locations emphasize accessibility in populated regions, with no significant presence reported in other countries as of 2023.[25]Infrastructure and Complex Characteristics
Event Cinemas operates multiplex complexes primarily in Australia and New Zealand, designed as integrated entertainment hubs often embedded within shopping centers or standalone precincts. These venues typically encompass 5 to 20 auditoriums per complex, featuring state-of-the-art digital projection, Dolby Digital surround sound systems, and screens optimized for 3D presentations. Ancillary infrastructure includes expansive lobbies, concession areas with diverse food and beverage options, and complementary facilities such as arcades and bars to support extended visitor stays. For example, the Tauranga complex in New Zealand comprises six cinemas, an arcade games area, and hospitality bar spaces, emphasizing a comprehensive movie-going experience.[26] Auditoriums prioritize viewer comfort through stadium-style seating arrangements with plush, reclining chairs and enhanced legroom, alongside accessibility provisions like designated spaces for patrons with disabilities. Premium formats distinguish the infrastructure: Gold Class theaters offer private lounges, in-seat waiter service, and fully reclining leather seats for an upscale ambiance. Vmax auditoriums deliver large-format immersion via oversized screens, motion seats in select installations, and superior audio-visual fidelity.[27][28] Advanced technological integrations further characterize the complexes, including 4K resolution capabilities, Dolby Atmos immersive audio, and multi-wall projection in ScreenX formats that extend visuals across auditorium walls for heightened engagement. IMAX-equipped sites, such as the Pacific Fair complex in Queensland, employ 4K laser projection and custom sound systems for expansive, high-contrast imagery, with the venue opening on December 19, 2024, as Queensland's sole IMAX installation at the time. In New Zealand, similar setups incorporate Deluxe and Boutique options with designer recliners and intimate layouts, supporting 3D, 4K, and Atmos technologies.[29][30] Complexes like Innaloo in Western Australia exemplify scale with 16 premium cinemas, all outfitted for digital projection, surround sound, and 3D, complemented by function spaces for events. Architectural designs focus on efficient customer flow, energy-efficient lighting, and modular layouts adaptable to evolving formats, ensuring operational resilience across urban and suburban locations.[31][32]Cinema Formats and Experiences
Premium and Enhanced Viewing Options
Event Cinemas provides premium viewing via its Gold Class format, featuring smaller auditoriums with wall-to-wall screens, fully reclining armchairs or loungers, and in-seat service delivering chef-prepared meals alongside cocktails, beer, and wine.[33] Pre-show access to exclusive lounges enhances the luxury experience, with availability at select complexes in Australia and New Zealand.[33] For enhanced viewing, Vmax auditoriums deliver blockbuster presentations on giant state-of-the-art digital screens paired with crystal-clear audio, including Dolby Atmos at designated locations.[27] Stadium-style seating includes contoured high-back chairs with double legroom, tables for convenience, and upgraded variants such as full recliners, double daybeds, or private boxes in participating cinemas.[27] Supplementary enhanced options encompass Sofa seating, which offers four relaxed styles in a laid-back setting, and Boutique auditoriums, providing intimate environments with designer recliners, footrests, and superior sound and projection quality.[28] These formats prioritize comfort and immersion, distinguishing them from standard screenings while complementing Event Cinemas' broader technological offerings.[28]Immersive and Technological Formats
Event Cinemas offers V-Max auditoriums featuring oversized screens up to 24 meters wide, stadium-style seating for enhanced viewing angles, and digital projection systems designed for high-impact presentations of 2D and 3D content.[27] Select V-Max locations incorporate Dolby Atmos sound technology, which deploys overhead speakers to create a three-dimensional audio environment simulating sound movement in a virtual space above and around viewers.[27] This format emphasizes visual scale and sonic immersion without physical motion effects, distinguishing it from multi-sensory alternatives.[34] In partnership with IMAX Corporation, Event Cinemas operates IMAX theaters equipped with laser projection for brighter, higher-contrast images and proprietary sound systems delivering up to 12 channels of immersive audio.[35] Key locations include the long-established IMAX Sydney in Darling Harbour and the newer IMAX at Pacific Fair on the Gold Coast, which opened on December 19, 2024, featuring a 20-meter-high screen and dual laser projectors.[36] Further expansion includes three additional IMAX with Laser sites opening by the end of 2026 and one in 2027, aimed at enhancing premium large-format availability across Australia.[37] The 4DX format, introduced at Event Cinemas George Street in Sydney as the city's first such auditorium, integrates motion-enabled seats with over 20 environmental effects including wind, fog, water sprays, scents, and vibrations synchronized to on-screen action for a multi-sensory experience.[38] Subsequent rollouts include Australia's largest 4DX theater at Marion in Adelaide, opening October 3, 2025, with 172 seats and expanded effects capabilities, and the first in Western Australia at Event Cinemas Innaloo.[39][40] These auditoriums target action-oriented films, with effects calibrated to avoid distraction from narrative elements.[38] Event Cinemas also supports RealD 3D technology across compatible screens, employing digital polarization for crisp, high-brightness stereoscopic visuals without the dimming associated with older film-based systems.[41] In 2023, the chain introduced Australia's inaugural ScreenX auditorium at Robina on the Gold Coast, extending projection onto side walls for a 270-degree field of view, blending front-screen storytelling with peripheral environmental visuals.[42] These formats collectively prioritize technological enhancements in projection, audio, and sensory integration to differentiate from standard screenings.[28]Special Programs and Events
Outdoor and Seasonal Screenings
Event Cinemas operates Moonlight Cinema, Australia's largest outdoor cinema series, featuring screenings of major films in picturesque parklands and gardens during the summer season, typically spanning December to February or March.[43] The program emphasizes a picnic-style atmosphere, where attendees bring blankets and baskets, with on-site vendors providing food, beverages, and seating options like bean bags for purchase.[43] Venues host events in major cities, including Sydney's Belvedere Amphitheatre in Centennial Park, as well as locations in Melbourne, Brisbane, Adelaide, and Perth.[43][44] Screenings begin after sunset, with gates opening several hours prior to allow for setup and pre-movie entertainment such as live music or DJ sets in select seasons.[44] Tickets are available online through Event Cinemas' booking system, with general admission priced around AUD 20-25, subject to variation by location and session.[44] The series, branded as Australia's inaugural outdoor cinema experience, draws crowds for its communal, open-air format contrasting traditional indoor theaters.[45] The 2024-2025 season operated across these sites before closing for winter, with programs announced annually and focusing on recent releases alongside occasional retrospectives.[46] Access varies by venue, often prioritizing public transport due to limited parking, as seen in Sydney where buses from central areas serve the site.[44]Loyalty and Customer Engagement Initiatives
Event Cinemas' primary loyalty initiative is the Cinebuzz Rewards program, a free membership scheme launched to incentivize repeat visits by awarding points for ticket purchases and concessions, redeemable for free admissions and other perks.[47] Members earn points based on the ticket type and format: 100 points for standard Original screenings (plus 25 bonus points for online bookings), 150 points for V-Max, 4DX, or ScreenX (plus 25 online), 250 points for Gold Class or Boutique (plus 25 online), 350 points for IMAX Couples Seats (plus 25 online), and 600 points for IMAX Private Boxes (plus 25 online).[48] Points are credited for one paid ticket per session per member account, regardless of additional tickets purchased in the group.[48] Redemption occurs through a "Points & Pay" system, where accumulated points can be applied toward discounted or free tickets: 600 points for a standard Original ticket, 900 for V-Max, and 1,500 for Gold Class, with exclusions for certain premium sessions or NFT-linked films.[48] Additional member-exclusive pricing includes Saver sessions with reduced rates on select showtimes, such as family pricing before 5 p.m., 50% off adult tickets every Tuesday, and 50% off student tickets on Mondays.[47] From October 23, 2024, Cinebuzz members receive 10% discounts on food and beverages across Candy Bar, Gold Class, and Boutique offerings.[49] The program features tiered engagement for frequent patrons, with VIP status automatically granted to members completing 12 separate cinema visits within any rolling 12-month period, reviewed monthly.[50] VIPs retain all standard benefits plus exclusives like free refills on buttered popcorn purchases and priority access to special promotions.[50] Sub-programs target demographics, such as Cinebuzz for Seniors (for members over 60), offering standard perks alongside age-specific discounts and screenings, and student-focused offers integrated into Saver pricing.[51] To extend engagement beyond theaters, Event Cinemas integrated Cinebuzz on Demand in 2023, a video-on-demand service providing over 1,000 titles for rental from $4.99 without subscription fees.[52] Rentals earn redeemable points for in-cinema rewards and leverage member data for personalized recommendations, fostering ongoing interaction via the loyalty ecosystem.[52] These initiatives, supported by app-based booking and check-in, aim to build habitual patronage amid competition from streaming, though point values and exclusions vary by location and promotion terms.[53]Business Developments and Performance
Financial and Operational Metrics
In fiscal year 2025 (ended June 30, 2025), Event Cinemas contributed to EVT Limited's Entertainment division revenue of $458.7 million for Australia and New Zealand operations, marking a 0.8% increase from $455.3 million in FY2024, driven by higher admissions in the second half amid recovering content supply post-Hollywood strikes.[54] Normalized EBITDA for the division declined 3.5% to $38.0 million from $39.4 million, reflecting ongoing challenges from delayed blockbuster releases and site rationalization efforts.[54] The following table summarizes key financial metrics for the Australia and New Zealand cinemas segment:| Fiscal Year | Revenue ($ million) | Normalized EBITDA ($ million) |
|---|---|---|
| FY2025 | 458.7 | 38.0 |
| FY2024 | 455.3 | 39.4 |
