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Rough Mix
Rough Mix
Rough Mix
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Rough Mix
Studio album by
Pete Townshend and Ronnie Lane
Released16 September 1977 (1977-09-16)
RecordedWinter 1976 and Spring 1977
StudioOlympic Studios (London)
Genre
Length41:34
LabelMCA (US)
Polydor (UK)
ProducerGlyn Johns
Pete Townshend chronology
With Love
(1976) 		Rough Mix
(1977) 		Empty Glass
(1980)
Ronnie Lane chronology
Mahoney's Last Stand
(with Ron Wood)
(1976) 		Rough Mix
(1977) 		See Me
(1979)

Rough Mix is an album by Pete Townshend, guitarist with the Who, and Ronnie Lane, former bassist with Small Faces and Faces. The album was released in September 1977 as Polydor 2442 in the UK and MCA 2295 in the US.[1] It peaked at number 44 on the UK Albums Chart,[2] and at number 45 on the US Billboard 200.

Content

[edit]

On 21 October 1976, the Who closed a brief North American tour in Toronto at Maple Leaf Gardens, a show that would be the last with Keith Moon before a paying audience.[3] The Who then took a hiatus as band members pursued various individual interests.

Pete Townshend had been initially contacted by Ronnie Lane to produce his next album. The project instead turned into a full-blown collaboration between the pair.[4] Lane expressed an interest in a songwriting collaboration but Townshend, who has very rarely co-written songs, was unwilling.[5] The instrumental title track is credited to both musicians, however.

During the recording of Rough Mix, Lane's multiple sclerosis was diagnosed but still not revealed generally. In one instance, Lane had an emotional issue related to his MS that caused an argument between him and an unknowing Townshend. Nonetheless, Lane toured, wrote and recorded (with Eric Clapton among others) and in 1979 released another album, See Me, which features several songs written by Lane and Clapton. Around this time Lane travelled the highways and byways of England and lived a 'passing show' modern nomadic life in full Gypsy traveller costume and accommodation.

The album featured songs written by both principals in a vein less like that of the Who or Faces but instead close to the British folk rock vogue of the early 1970s among various English bands. The band on the track "Annie" comprised members of Lane's Slim Chance group, which played in that very style. A number of more famous colleagues also appeared on the recording, among them Who bassist John Entwistle, Ian Stewart and Charlie Watts from the Rolling Stones, and Eric Clapton.[6] Orchestral arrangements for the track "Street in the City" were provided by Townshend's father-in-law, noted British film and television theme composer Edwin Astley.

Rough Mix was remastered in 2006 and released by Hip-O Records, the reissue label for the Universal Music Group, in both 5.1 surround sound format on Dualdisc and standard stereo compact disc. The reissue featured three outtakes as bonus tracks.

The cover art for the gatefold sleeve, by designer Peter Joyce, features "all sorts of British pop culture images from cricket to cars to show biz" in the form of a collage of trading cards. The font for the title references that used for Rizla cigarette papers.[7]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStar[8]
Christgau's Record GuideA−[9]
The Encyclopedia of Popular MusicStarStarStarStar[10]
MusicHound Rock3.5/5[11]
The Rolling Stone Record GuideStarStarStarStarStar[12]
The Village VoiceB+[13]

The Village Voice critic Robert Christgau wrote in his review of the album: "Meher Baba inspired psalmody so plain and sharply observed, maybe he was all reet after all. Three of Townshend's contributions—'Keep Me Turning,' 'Misunderstood,' and an unlikely song of adoration called 'My Baby Gives It Away'—are his keenest in years, and while Lane's evocations of the passing scene are more poignant on his Island import, One for the Road, 'Annie' is a suitably modest folk classic. Together, the two disciples prove that charity needn't be sentimental, detachment cold, nor peace boring. Selah."[9]

Track listing

[edit]
Side one
No.TitleWriter(s)Length
1."My Baby Gives It Away"Pete Townshend4:02
2."Nowhere to Run"Ronnie Lane3:17
3."Rough Mix"
  • Townshend
  • Lane
3:12
4."Annie"
2:56
5."Keep Me Turning"Townshend3:46
6."Catmelody"
  • Lane
  • Lambert
3:12
Side two
No.TitleWriter(s)Length
1."Misunderstood"Townshend3:01
2."April Fool"Lane3:34
3."Street in the City"Townshend6:07
4."Heart to Hang Onto"Townshend4:29
5."'Til the Rivers All Run Dry"
3:54
2006 CD bonus tracks
No.TitleWriter(s)Length
12."Only You"Lane4:29
13."Good Question"Townshend3:34
14."Silly Little Man"Lane3:44

Personnel

[edit]

Charts

[edit]
Chart (1977) Peak
position
Canada Top Albums/CDs (RPM)[15] 70
UK Albums (OCC)[16] 44
US Billboard 200[17] 45

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Rough Mix

View on Grokipedia
from Grokipedia
Rough Mix is a collaborative album by English rock musicians , guitarist of the Who, and , former bassist of the and Faces, released in 1977 on in the United States (September 5) and in the (September 16). Recorded primarily at in from late 1976 through the summer of 1977, the project originated when Lane, who had contractual obligations to from his time with the and was diagnosed with during the sessions, sought Townshend's assistance as a producer; it soon evolved into a full joint effort emphasizing acoustic folk-rock styles free from the pressures of their main bands. Produced and engineered by , with assistance from , the album features 11 tracks co-written and performed by Townshend and Lane, including standouts like "My Baby Gives It Away" (Townshend), "Nowhere to Run" and "April Fool" (Lane), and the instrumental title track, alongside a cover of ' "Till the Rivers All Run Dry." The recording sessions drew an array of guest musicians, blending rock and folk elements with contributions from on guitar, Charlie Watts of on drums for select tracks, John Entwistle of the Who on bass, saxophonist Mel Collins, and pianist Ian Stewart, among others; orchestration for the Lane-penned "Street in the City" was arranged by Townshend's father-in-law, Edwin Astley. Despite minimal promotion by MCA, Rough Mix peaked at number 45 on the in the US and number 44 on the , with singles like "My Baby Gives It Away" and "Keep Me Turning" failing to chart. Over time, the album has been reevaluated as an "overlooked gem" or "minor masterpiece" for its relaxed, collaborative spirit and the poignant context of Lane's health struggles—he passed away in 1997—highlighting a rare intersection of British rock talent outside their high-profile groups. A deluxe in 2006 by Hip-O Records added outtakes and a bonus DVD, followed by a 2023 half-speed mastered vinyl and inclusion in a 2025 of Townshend's solo studio albums, further cementing its status among fans of 1970s rock.

Background

Origins of the collaboration

In 1976, , facing financial difficulties following the breakup of the Faces in 1975 and contractual obligations to after departing a planned reunion, approached his longtime friend to produce a solo album. Their friendship dated back to the early mod scene, where Townshend's band The Who and Lane's emerged as leading acts, sharing neighborhoods and a mutual admiration for British folk and rock influences. This bond had deepened during a chaotic joint tour by The Who and in and in 1968, which Townshend later described as an experience that brought them closer amid the tour's intensity. The invitation came during a casual meeting amid a break in The Who's 1976 tour schedule, providing Townshend with temporary downtime for side projects after years of intense touring and production. At the time, Lane had transitioned to solo work with his band Slim Chance, formed in 1973 after leaving the Faces, releasing that garnered critical praise for their folk-rock style but limited commercial success. Townshend initially declined the producer role but countered with the idea of a collaborative , leveraging their shared musical roots and prior joint efforts on Townshend's solo and spiritual projects inspired by . This shift from a producer-artist dynamic to a full reflected their informal , with initial demos captured in September 1976 using 's mobile studio during a break in The Who's schedule, setting the stage for relaxed, jam-session-style recording. Lane found in the project a creative outlet amid his career uncertainties.

Recording process

The recording of Rough Mix took place over several months, from late 1976 through the summer of 1977, primarily at in , with serving as the lead producer and engineer, and acting as co-producer. The sessions originated from Ronnie Lane's request for Townshend to collaborate on an album following the collapse of Lane's planned reunion, evolving into a spontaneous joint effort rather than a structured solo project. Initially planned for just two weeks, the process extended due to the informal, relaxed atmosphere, allowing friends to drop in and contribute without a fixed band lineup. Guest musicians played key roles in the sessions, including on guitar and , on drums for select tracks, on saxophone, and on bass and vocals for specific songs, all arranged on an ad-hoc basis to foster a collaborative spirit. Production emphasized live, rough takes to preserve a raw folk-rock intimacy, capturing the performers' natural interplay with minimal overdubs, as reflected in the 's title referring to preliminary mixes. For the track "Street in the City," provided orchestral arrangements, adding a lush layer to Lane's composition. During the sessions, Lane began experiencing symptoms of —including physical tremors, slurred speech, fluctuating energy levels, and emotional outbursts—that were undiagnosed at the time and sometimes misinterpreted as intoxication or moodiness, leading to workflow adjustments such as shorter recording days. Lane was formally diagnosed with the condition in 1977 but did not disclose it widely, including to Townshend, who provided friendship and creative guidance to help navigate these emerging personal difficulties without awareness of the underlying cause. The collaboration ultimately proceeded to completion, resulting in an album that highlighted both artists' strengths amid personal adversity.

Composition

Musical style

Rough Mix exemplifies a predominant British folk-rock style, characterized by the interplay of acoustic guitars, and harmonica alongside rock elements such as electric guitar solos and rhythmic grooves. This blend draws from Ronnie Lane's roots in the Faces and his subsequent Slim Chance project, which incorporated loose, rollicking folk-rock with pub rock sensibilities from the 1970s British scene, while Pete Townshend contributes subtler textures that diverge from the high-energy bombast of his work with the Who. Influences from Lane's folk influences, evident in tracks like "Annie," merge with pub rock's unpretentious energy, as seen in the instrumental jam "Rough Mix," which features driving electric guitar and organ work. The album's sound also incorporates country and early rock 'n' roll touches, creating a collaborative texture that feels intimate and unforced, contrasting Townshend's prior denser productions. Diverse instrumentation further defines this approach, including piano on "My Baby Gives It Away" and strings enhancing the ballads, all supporting a midtempo folk-rock vein with occasional rave-ups. The overall "rough" aesthetic, true to the album's title, prioritizes organic performances and raw energy over polished studio effects, resulting in a warm, open sound that emphasizes natural tonality and spatial dynamics. This loose collaboration yields a spiritually resonant folk-rock concoction, blending playful and introspective elements without overproduction.

Lyrics and themes

The lyrics on Rough Mix delve into central themes of personal detachment, spiritual searching, and interpersonal relationships, often drawing from the artists' shared devotion to and their introspective outlooks. Pete Townshend's "Keep Me Turning" exemplifies spiritual searching through its parable-like narrative of elusive enlightenment, with lines such as “They saw the /But I guess I missed him again,” reflecting Townshend's ongoing quest for divine connection influenced by 's teachings. Ronnie Lane's "Annie," written by Lane with and , contrasts this with themes of interpersonal bonds and the simplicity of rural life, inspired by an elderly villager and evoking enduring natural and human resilience in lyrics like “Old oaks stand tall, Annie/Seen the world grow small, Annie.” Charity and peace motifs further underscore the album's humanistic core, particularly in tracks addressing support and non-violence. "Heart to Hang Onto," co-written by Townshend and , explores emotional interdependence with pleas like “Give me a heart to hang onto,” symbolizing resilience and later supporting Lane's Society efforts following his diagnosis during the album's recording sessions. Similarly, "Nowhere to Run," credited to , conveys a peace motif through its depiction of entrapment and the futility of escape from conflict, rendered in an intimate, rustic arrangement that critiques without sentimentality. Songwriting on the album highlights collaboration, with pure instrumentals like the title track "Rough Mix"—co-written by Townshend and , featuring on lead guitar—allowing unadorned musical dialogue, while co-authored pieces such as "Heart to Hang Onto" merge Townshend's philosophical introspection with Lane's grounded, narrative-driven earthiness. These elements reflect broader countercultural shifts toward spiritual detachment and communal simplicity, subtly incorporating Lane's emerging health struggles into themes of perseverance, as the recording process proceeded amid his undiagnosed symptoms like tremors. The folk-rock style briefly referenced here enhances the intimacy of these verbal explorations.

Release

Commercial performance

Rough Mix was released on September 5, 1977, by in the United States and on September 16, 1977, by in the . Initial sales were supported primarily by the dedicated fanbases of The Who and the Faces. The album achieved modest chart success, peaking at number 44 on the and number 45 on the US 200. This performance was attributed in part to the absence of any singles promotion or significant marketing push from the labels. The album received no major certifications from industry bodies such as the RIAA or BPI. It maintained steady mid-level sales, indicative of its niche appeal to rock enthusiasts rather than broader mainstream pop audiences. Contributing to its limited visibility were external factors, including The Who's temporary hiatus following their 1976 tour, which reduced Townshend's promotional bandwidth, and the recent publicity surrounding Ronnie Lane's diagnosis during the recording sessions.

Promotion and artwork

The promotion of Rough Mix was characteristically low-key, aligning with Townshend and Lane's preference for an organic, collaborative project over commercial hype. No major singles were released to drive sales, and the album received limited marketing support from in the US and Polydor in the UK, resulting in modest visibility at launch. Instead, exposure relied on FM radio play, particularly for "My Baby Gives It Away," alongside promotional interviews such as a joint appearance by Townshend and Lane on BBC2's and Townshend's radio discussion with on KMET in . Townshend's solo appearances, including US engagements during his 1977 promotional activities, provided indirect boosts to the album's profile, though the duo avoided extensive touring together due to Lane's challenges. Press coverage emphasized the artists' longstanding and the project's unpretentious spirit, with a notable review in praising the merger of their styles while noting the album's intimate, non-commercial vibe. Similar interviews in UK outlets like highlighted the collaboration's roots in shared spiritual influences and Lane's personal struggles, including his recent diagnosis during recording. The album's packaging reflected its rustic ethos through a sleeve design, featuring penned by Townshend that whimsically detailed the instruments used—"acoustic & electric guitars, mandolins & bass guitars, banjos, ukuleles & very involved mind games"—and credited contributions from guest musicians. The cover artwork adopted a simple, illustrative style evoking rural simplicity, underscoring the folk-infused collaboration without elaborate visuals. Distribution occurred through established labels, with the release on MCA tying into Townshend's broader solo visibility for added, albeit limited, reach. This approach contributed to the album's chart performance, peaking at number 45 on the 200.

Reception

Initial critical response

Upon its release in September 1977, Rough Mix garnered positive notices from contemporary critics, who lauded the album's relaxed, collaborative vibe and the evident chemistry between Pete Townshend and Ronnie Lane amid a rock landscape dominated by arena excess and the emerging raw energy of punk. In a review for Rolling Stone, Dave Marsh praised the record as a "relaxed gem" that touched "closer to the heart of the rock & roll spirit than almost anything else you'll hear this year," highlighting its devotional undertones inspired by Meher Baba while acknowledging occasional unevenness in its mix of raucous and introspective moments. Similarly, in Trouser Press, Dave Schulps welcomed it as a "return to form" for Townshend, emphasizing the duo's unpretentious charm and the strong contributions from guest musicians like Eric Clapton. Robert gave the album an A− grade in 's Consumer Guide, calling it Meher Baba-inspired psalmody that was "plain and sharply observed," with Townshend's "Keep Me Turning," "Misery," and "My Baby Gives It Away" ranking among his keenest recent works, and Lane's "Annie" a poignant folk classic; he viewed its detached quality as a virtue, proving that "charity needn't be sentimental, detachment cold, nor peace boring" in an era favoring punk's aggression. The album placed 12th in the 1977 Critics' Poll, reflecting broad acclaim among U.S. reviewers for its respite from bombast. While some critiques pointed to uneven pacing across its eclectic styles, standout tracks like "Misery" drew particular praise for their heartfelt simplicity and melodic appeal, contributing to a consensus that Rough Mix was an underrated gem for fans seeking authentic, low-key artistry.

Retrospective assessments

In the years following its release, Rough Mix has garnered increasing acclaim from critics as an understated highlight in the solo careers of and , often described as an "overlooked gem" for its intimate blend of folk-rock, country, and spiritual undertones. rated the album 4 out of 5 stars, commending its eclectic mix of styles and the genuine rapport between the two artists, which lends a of warmth and authenticity to the proceedings. Similarly, a 2022 on On The Record labeled it a "minor masterpiece," emphasizing Lane's understated charm on tracks like "Annie" and how the collaboration elevates his often-undervalued songwriting alongside Townshend's more prominent contributions. Critics have particularly highlighted the album's emotional depth and vulnerability, qualities that have resonated more profoundly in hindsight, especially given Lane's later battle with . The Vinyl District, in a 2015 retrospective, awarded it an A grade, praising Lane's soulful vocals and bass playing for infusing tracks such as "April Fool" with raw emotional impact, while noting the album's timeless appeal despite its initial commercial underperformance. Best Classic Bands echoed this sentiment in 2020, calling it a "minor masterpiece" that showcases Lane's poignant, folksy delivery and Townshend's more introspective side, with the warmth of their interplay standing out as a key strength over repeated listens. The album's reevaluation has also been informed by biographical context, as Townshend reflects in his 2012 autobiography Who I Am on Rough Mix as a pivotal born from mutual admiration and shared spiritual influences, one that allowed both artists to explore personal vulnerabilities away from their band legacies. A 2023 analysis in AnalogPlanet further underscored its "warm and inviting" sonic character, crediting producer for capturing the organic textures that make it a rewarding, cohesive listen decades later, particularly in tracks like "Heart to Hang Onto." Overall, these assessments mark a shift from contemporary mixed reactions to a consensus viewing Rough Mix as a cult favorite that highlights Lane's overlooked artistry and the duo's rare chemistry.

Track listing and credits

Track listing

The original 1977 vinyl release of Rough Mix is divided into two sides with a total of 11 tracks, running for approximately 41 minutes.
No.TitleWriter(s)Length
Side one
1."My Baby Gives It Away"Townshend3:57
2."Nowhere to Run"3:12
3."Rough Mix"Townshend, 3:09
4."Annie"2:54
5."Keep Me Turning"Townshend3:44
6."Catmelody"Lambert, 3:11
Side two
7."Misunderstood"Townshend2:59
8."April Fool"3:31
9."Street in the City"Townshend6:05
10."Heart to Hang Onto"Townshend4:26
11."Till the Rivers All Run Dry"Williams, Holyfield3:51
Pete Townshend provides lead vocals on most tracks, with Ronnie Lane taking lead on "Annie" and contributing vocals on several others. The 2006 remastered reissue by Hip-O Records adds three bonus tracks recorded during the original sessions: "Only You" (Lane, 4:29), "Good Question" (Townshend, 4:39), and "Silly Little Man" (Lane, 2:32). No major differences in track listings were noted across international editions of the original album.

Personnel

The album Rough Mix was a collaborative effort led by and , who served as the primary performers and co-producers. Townshend contributed guitar, , vocals, , banjo, and mandolin throughout the recording. Lane provided bass, guitar, harmonica, vocals, and percussion, drawing on his experience from and Faces. Numerous guest musicians enriched the album's eclectic sound, including on brass (track 10) and backing vocals (track 11), on guitar (lead on track 3, dobro on track 8), on drums (tracks 1 and 6), Ian Stewart on piano (track 6), on saxophone and flute (track 6), on bass (tracks 10 and 11), and Peter Hope-Evans on harmonica (tracks 2 and 7). Additional contributors featured on organ and , on 12-string (track 4), Benny Gallagher on (track 4), Dave Markee on (tracks 4 and 8), Charlie Hart on (track 4), and Julian Diggle on percussion (track 7). The orchestral elements on "Street in the City" were arranged by and performed by the Pat Halling String Ensemble, led by Tony Gilbert, with principal players including Chris Laurence on bass, Chris Green on cello, Stephen Shingles on viola, and Charles Vorsanger on . Backing vocals were supplied by Billy Nicholls and . Drums were shared among , Henry Spinetti, and others depending on the track. Glyn Johns and Pete Townshend handled production duties, with Johns also serving as engineer. The album's artwork was designed by Ronnie Lane, accompanied by photography from Graham Hughes.

Legacy

Reissues and remasters

The album Rough Mix saw its first major CD reissue in 1996 by MCA Records, which faithfully reproduced the original 1977 artwork and track listing without any bonus material or audio enhancements. In 2006, Universal Music Group's Hip-O Records released a remastered edition on CD and formats, featuring 24-bit remastering for improved sound quality and three previously unreleased bonus tracks: "Only You" (written by ), "Good Question" (written by ), and "Silly Little Man" (written by ). The expanded in this edition addressed Lane's diagnosis of during the original recording sessions, providing context on the collaborative process amid his health challenges. Vinyl reissues continued with a 2017 40th anniversary edition from Polydor, pressed on 180-gram translucent red vinyl in a gatefold sleeve, alongside limited variant pressings; no picture disc was produced, but the release marked renewed physical availability. A further vinyl reissue appeared in 2023 from UMC on 180-gram black vinyl. Digital versions of the album, including the 2006 remaster with bonuses, became widely accessible on streaming platforms such as Spotify and Apple Music starting around 2010. Rough Mix has been included in major compilations dedicated to Townshend's catalog, such as the 2025 8-CD box set The Studio Albums by Universal Music, alongside select tracks like "Heart to Hang Onto" on the 1996 compilation The Best of , highlighting its integration into broader solo retrospectives.

Cultural impact

Rough Mix has achieved status within rock history for its intimate collaboration between two British rock icons, blending mod rock sensibilities with emerging introspection during the late 1970s transition period. The album's raw, eclectic mix of folk-tinged ballads and rock tracks reflects Ronnie Lane's broader legacy, which echoed mod-era roots in later British music movements including the revival. Lane's pastoral, whimsical style has contributed to his influence on scenes. Following Lane's death from in 1997, Rough Mix garnered significant tributes that underscored its emotional resonance. performed the album's track "Heart to Hang Onto"—written specifically for Lane—at memorial events and MS benefit concerts, including a 2004 show dedicated to Lane's memory and a 1999 charity gig with that raised funds for youth causes while honoring Lane's struggle. The 2006 documentary The Passing Show: The Life and Music of prominently features the album, highlighting its role in Lane's and his battle with . The album has contributed to multiple sclerosis awareness, as Lane's diagnosis occurred during its recording sessions, personalizing its narrative and prompting later charitable efforts tied to Lane's estate. While specific reissues like the Hip-O remaster did not directly allocate proceeds to MS causes, the project's association with Lane's story has supported broader , including benefits where tracks from Rough Mix were performed to and patient support. Songs from the album, such as "Heart to Hang Onto," have been covered in indie and contexts, including Vedder's rendition, extending its reach into contemporary music circles. Scholarly works on rock, such as those examining the shift from mod and psychedelic eras to introspective formats, position Rough Mix as a pivotal bridge, illustrating the evolution of British rock through Townshend and Lane's partnership.

References

  1. https://petetownshend.net/musicals/rough-mix
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  3. https://www.discogs.com/master/170673-Pete-Townshend-Ronnie-Lane-Rough-Mix
  4. https://petetownshend.net/news/new-box-set-of-petes-solo-studio-albums-to-be-released-in-march
  5. https://www.discogs.com/release/27495543-Pete-Townshend-Ronnie-Lane-Rough-Mix
  6. https://www.ronnielane.com/about.html
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  8. https://www.udiscovermusic.com/stories/remembering-ronnie-lane/
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  10. https://www.loudersound.com/bands-artists/interviews/pete-townshend-interview-2025
  11. https://www.thevinyldistrict.com/nashville/glyn-johns-tvd-interview/
  12. https://www.prostudiomasters.com/album/page/9642
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  18. https://www.robertchristgau.com/get_album.php?id=2747
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  24. https://www.discogs.com/release/9941680-Pete-Townshend-Ronnie-Lane-Rough-Mix
  25. https://www.robertchristgau.com/xg/pnj/pjres77.php
  26. https://www.analogplanet.com/content/rough-mix-and-empty-glass-inaugurate-universal%E2%80%99s-new-pete-townshend-abbey-road-studios-half
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  30. https://www.youtube.com/watch?v=H9mMV3vGh8Y
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  33. https://www.discogs.com/release/9840534-Pete-Townshend-Ronnie-Lane-Rough-Mix
  34. https://open.spotify.com/album/1bcV2D0T4VHCvWjdY8d6m9
  35. https://www.thewho.com/pete-townshend-the-studio-albums-box-set/
  36. https://www.discogs.com/release/1921815-Pete-Townshend-The-Best-Of-Pete-Townshend
  37. https://nostalgiacentral.com/blog/the-curse-of-plonk-the-late-ronnie-lane-some-day-his-bad-luck-surely-must-end/
  38. http://www.thewholive.net/review/readreview.php?id=190
  39. https://www.imdb.com/title/tt1826009/
  40. https://wcsx.com/2025/01/15/better-man-by-pearl-jam-song-notes/
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