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Russ Taff
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Key Information
Russell Taff (born November 11, 1953) is an American gospel singer and songwriter who grew up in Farmersville, California.[1] He has sung a variety of musical styles throughout his career including: pop rock, traditional Southern gospel, contemporary country music, and rhythm and blues. He first gained recognition as lead vocalist for the Imperials from 1976 to 1981.[2] One of his best-known performances is the song "Praise the Lord". He has also been a member of the Gaither Vocal Band, and occasionally tours with Bill Gaither in the Gaither Homecoming concerts. As a solo artist and songwriter, Taff is known for the 1980s anthem "We Will Stand".[3] Taff has received various Dove and Grammy awards either as a solo artist or part of a larger musical group, most notably the Imperials.[1]
Early life
[edit]Russ Taff was born to Joe and Ann Taff on November 11, 1953, and grew up in Farmersville, California. He was the fourth of five sons. Taff's father was a machinist and the pastor of the Eastside Tabernacle Church, a small Pentecostal church located in an old laundromat. His mother was a field worker who picked fruit and chopped cotton.[4]
Taff's younger years were spent with the church and a tumultuous home life where he suffered physical and verbal abuse from both parents. His father's alcoholism, which Taff shared later in life, and verbal abuse along with his mom's physical abuse became overwhelming and confusing to the young boy. He retreated to his mother's collection of black and southern gospel albums, as any secular music was forbidden by his parents along with newspapers, magazines and TV.[4][1]
By the time he was 11 years old, Taff had learned to play the guitar which, along with singing, became an outlet for him from the familial strife. He credits his oldest brother, Bill, with being highly influential at this time, taking him to "all-night gospel sings and that sort of thing." The family moved to Hot Springs, Arkansas when Taff was 15 only to move back to California a few years later with Taff remaining in Arkansas to start college.[5] It was at this time that he began listening to popular music for the first time.[6]
This was also the time, historically speaking, when the Jesus movement was in evidence across the United States. At age 16, Taff started a band with James Hollihan, Jr. (who became a lifelong musical friend and frequent co-producer) which they named Sounds of Joy. This led to an opportunity to play at the high school they attended which opened many opportunities to share their faith with other classmates during this remarkable time in history. Sounds of Joy covered artists like Love Song and Larry Norman. The group ended up recording 3 albums of their own, one of which was produced by Gary Paxton.[1] At one point in the 70s, Sounds of Joy got the opportunity to open for the Imperials who were recognized as one of the trailblazing artists in the field of what became known as Contemporary Christian Music (CCM).[1][5][6][7]
The Imperials
[edit]Sometime prior to 1976, Taff toured as a singer with evangelist Jerry Savelle. Aside from the opportunity to perform, he was "really studying the Bible" after his many years of being influenced by the emotionalism of his Pentecostal upbringing. In 1976, having made an impression on the group 2 years earlier, The Imperials[8] called with an offer to audition for the position as the group's new lead singer. Two weeks before his 23rd birthday, Taff traveled to Nashville, where the tryouts were taking place. Taff said "I sang with them that afternoon and that evening they hired me. I joined the Imperials when I was 22, and I’ve been riding buses ever since." His first appearance on an Imperials album was on 1977's Sail On which won the Grammy for Best Gospel Performance, Contemporary Or Inspirational. Taff remained their lead singer from 1976 through 1981 for what is recognized as the Imperials most successful period as a group.[9][6][1][7][5]
Part of the reason Taff left the group in 1981 was due to the financial arrangements he had with them. He was paid a straight salary for his work within the group, which meant he did not share in any of the monies generated by ticket or album sales. Mark Allen Powell, writing in the ECCM, opined that this arrangement was likely fine when he first signed on with the Imperials, but was not an equitable situation when Taff's membership turned the group into the ‘single best-selling contemporary Christian music group’ in the US for the period of time he was a member.[1] During his time with the Imperials the group garnered 3 Grammys and 5 Dove Awards with Taff earning 1 Dove Award himself.[1] It was also during this time, at age 26, that the alcoholism that had been a part of the earlier family dynamic with his father became a part of Taff's own life.[5]
Solo career to current
[edit]His time with the Imperials laid the groundwork for Taff's subsequent solo career. He has released 12 solo albums, earning two Grammys and five additional Dove Awards.[6][9] He became highly regarded for his vocal ability with Billboard at one time calling him "the single most electrifying voice in Christian music".[6] Aside from his own projects, Taff frequently appeared as a guest vocalist on other artist's albums. In fact, he mentioned that at one point his label had explored the idea of releasing an album of the duets he had sung with other artists, but soon realized that the resulting record would have resulted in a double disc worth of material.[1] His 1985 album, Medals, was well received critically, moving CCM magazine to predict it would be that years’ choice for best album. While that prediction did not come to pass--U2's Unforgettable Fire received that honor--it became regarded as a classic among contemporary Christian albums. A 2001 poll of critics undertaken by CCM Magazine placed Medals at 36 on the list of the ‘greatest’ 100 Christian albums at that time. It did receive criticisms of sounding a ‘bit too derivative’ of Hall & Oates and its themes being too geared toward "simplistic triumphalism" as mentioned by Brian Quincy Newcomb and "expressive of a militancy" that was inappropriate for Christian music.[1]
In 1991, Taff was invited by Bill Gaither to join the Gaither Homecoming video series leading to guest appearances in the Homecoming concerts.[6] He also briefly replaced Michael English in the Gaither Vocal Band in 1994. He had been doing a few solo albums during this time when he released the mainstream country album, Winds of Change (1995), on Reprise which was followed by his return to CCM after a decade-long absence from Christian pop with Right Here, Right Now in 1999, two years after the death of his father.[1][7] He then joined the Gaither Vocal Band again, singing with them from 2001 to 2004.[6][9] He still performs at some of the larger Gaither events along with doing solo appearances two weekends a month.[5]
I Still Believe, a documentary film on Taff by director Rick Altizer saw limited release in October 2018. The film explores Taff's life from early childhood to present day touching on the family strife, singing career and dealing with his own issues of alcoholism.[4][5][6][9]
Personal
[edit]Taff is married and with his wife Tori, whom he married the same year he joined the Imperials, has two adult daughters. Tori is quite involved with her husband's career as she is his main songwriting partner. Taff's history of alcohol abuse, which started when he was 26, did experience a stretch of sobriety from 1988 to 1997 between his father and mother's deaths, but did not last. He finally gained victory over his addiction through Christian counseling and intense trauma therapy.[5][9]
Discography
[edit]Solo albums
| Year | Album | US Christian | Record label | Record producers |
|---|---|---|---|---|
| 1983 | Walls of Glass | 5 | Myrrh | Bill Schnee |
| 1985 | Medals | 2 | Jack Joseph Puig, Russ Taff | |
| 1987 | Russ Taff | 2 | Jack Joseph Puig | |
| 1989 | The Way Home | 1 | James Hollihan Jr., R. Taff | |
| 1991 | Under Their Influence | 5 | James Hollihan Jr., R. Taff | |
| 1992 | A Christmas Song | 6 | Sparrow | James Hollihan, Jr. |
| 1995 | Winds of Change | Reprise | Hollihan, Randy Scruggs, Taff | |
| 1999 | Right Here, Right Now | Benson | James Hollihan Jr., Taff | |
| 2007 | Now More Than Ever | 41 | Spring Hill | Hollihan, Barry Jennings, Michael Sykes, Taff |
| 2010 | Another Sentimental Christmas | James Hollihan, Jr. | ||
| 2011 | Faroe Islands | Jákup Zachariassen, Óli Poulsen, Kristoffur Mørkøre | ||
| 2018 | Believe | Sweetwater Studios | Phil Naish, Mark Hornsby | |
| 2025 | Cover Story[10] | Independent | John Mark Painter |
Compilations
- 2003: The Best of Russ Taff (Spring Hill)
- 2014: Beginnings
- 2014: The Ultimate Collection
With the Sounds of Joy
- 1974: YHWH (Shalom Records)
- 1975: Sharin' (JoySong Records)
With the Imperials
- 1977: Sail On (Dayspring/Word)
- 1978: Imperials Live (Dayspring/Word)
- 1979: Heed The Call (Dayspring/Word)
- 1979: One More Song For You (Dayspring/Word)
- 1980: Priority (Dayspring/Word)
- 1980: Christmas with the Imperials (Dayspring/Word)
- 1981: The Very Best of the Imperials (Dayspring/Word) compilation
- 1986: Old Fashioned Faith (Dayspring/Word) compilation
- 1996: Legacy 1977–1988 (Word Records) compilation
- 2006: The Lost Album (Word Records) (originally recorded in 1976)
- 2006: The Imperials – Classic Hits (New Haven/Provident) compilation
- 2007: The Definitive Collection (Word/Warner) compilation
With Gaither Vocal Band
- 2002: Everything Good (SpringHouse/EMI)
- 2003: A Cappella (SpringHouse/EMI)
Appearances on other albums
- 1981: For Every Man Steve Camp "Thank You"
- 1981: Love Overflowing Sandi Patty "The Home of the Lord"
- 1983: More than a Feelin' Koinonia (Sparrow) "Give Your Love", "Divina"
- 1984: For People Who Don't Hear The Music Anymore (Word) Joyce Landorf "I'll Keep My Eyes on You"
- 1984: Dancing with Danger Leslie Phillips (Myrrh) "Strength of My Life"
- 1984: The Praise in Us – A Word Family Praise Album Various Artists (Myrrh) "Simple Song for a Mighty God"
- 1984: Vital Signs – White Heart (Home Sweet Home Records/Myrrh) "We Are His Hands"
- 1985: The CAUSE (various artists) (Sparrow) "Do Something Now"
- 1985: Lulu Roman Smith "King of Who I Am"
- 1985: Sheep in Wolves Clothing Mylon LeFevre and Broken Heart (Myrrh) "Gospel Ship"
- 1988: Phil Keaggy & Sunday's Child Phil Keaggy (Myrrh) "Aint Got No"
- 1988: Can't Buy a Miracle Randy Stonehill (Word) "Awfully Loud World"
- 1988: Lead Me On – Amy Grant (A&M) "All Right"
- 1989: Our Hymns (Word) Medley: "Near The Cross"/"My Jesus I Love Thee"/"Turn Your Eyes upon Jesus"
- 1990: Phase II Eddie DeGarmo (Fore Front) "There's Something About That Name"
- 1990: Stolen Moments – John Hiatt (A&M)
- 1990: Through Flood & Fire – Sparks (Reunion) "Jesus Rescues Me"
- 1990: Our Christmas (Word) "Silent Night"
- 1990: Handel's Young Messiah (A&M) "He Shall Feed His Flock Like a Shepherd" with Sheila Walsh
- 1991: For Such a Time as This Sheila Walsh (Star Song) "A Dove Amongst Eagles"
- 1991: Big Town – Ashley Cleveland (Atlantic)
- 1991: Show Me Your Way Glen Campbell (New Haven) "The Greatest Gift of All"
- 1992: Above And Beyond O'Landa Draper & The Associates (Word) "Wipe A Tear"
- 1992: Innocent Eyes Tanya Goodman Sykes (Benson) "Who at My Door Is Standing?"
- 1992: No Compromise: Remembering the Music of Keith Green (Sparrow) "Your Love Broke Through"
- 1992: Did You Think to Pray This Morning? – The Johnson Sisters with Russ Taff (Canaan)
- 1993: Lead Me Not – Lari White (RCA)
- 1993: Sweet Relief: A Benefit for Victoria Williams – various artists (Thirsty Ear/Chaos)
- 1995: Beyond December – First Call (Warner Alliance)
- 1996: Way I Should – Iris DeMent (Warner Bros.)
- 1997: Fire Down Below original soundtrack (Warner Brothers) "I'd Walk Through Fire"
- 1997: Misguided Roses – Edwin McCain Band (Atlantic)
- 1998: Alabama Song – Allison Moorer (MCA)
- 1998: The Apostle original soundtrack (Rising Tide) "There Ain't No Grave Gonna Hold My Body Down"
- 1998: Joy – Melissa Manchester (Capitol)
- 1998: Mission 3:16 – Carman (Sparrow) "People of God"
- 1998: Totally Committed – Jeff Foxworthy (Warner Bros.)
- 1998: Jesus Saves Greg Long (Myrrh) "Prove That By Me"
- 1999: Vestal & Friends – Vestal Goodman "Giver of Life"
- 1999: Bridges original soundtrack (Verity) "Raven and the Dove"
- 2000: Child of the Promise original cast recording (Sparrow) "The Mary I Know", "Mary Recitative", "Zacharias Recitative", "Nothing Ever Happens to a Shepherd"
- 2000: Hands of Time – Anthony Burger (Daywind) "I Wish We'd All Been Ready"
- 2000: Ordinary Day – Jeff and Sheri Easter (Spring Hill) "One Way"
- 2001: Supernatural – The Raphaels (Track Records)
- 2001: Press On – Selah (Curb) "Were You There"
- 2002: Traveling Light: Songs from the 23rd Psalm (Brentwood) "Let It Flow"
- 2002: Edge of the World – Randy Stonehill (Fair Oaks) "We Were So Young"
- 2004: Better Days – Frank Bradford (Frb Records) "Watergrave"
- 2005: Hymned No. 1 – Bart Millard (of MercyMe) (INO/Epic) "Precious Lord, Take My Hand"
- 2006: Stand – Avalon (Sparrow/EMI) "We Will Stand"
- 2008: Fall Like Rain – Clint Brown (Tribe Records) "I'm Forgiven"
- 2016: Circuit Rider – William Lee Golden (Gaither Gospel Series)
- 2022: There's a Rainbow Somewhere: The Songs of Randy Stonehill – various artists (RB MacNeel Music) "Remember My Name"
Solo singles
[edit]| Year | Single | US Country | Album |
|---|---|---|---|
| 1983 | "We Will Stand" | Walls of Glass | |
| 1985 | "I'm Not Alone" | Medals | |
| 1995 | "Love Is Not a Thing" | 53 | Winds of Change |
| "One and Only Love" | 51 | ||
| "Bein' Happy" | 66 |
Video
[edit]Long-form
- 1982: More Than Music No. 1 (Word) (originally aired as a TV show in 1981) "I Go to the Rock", "Here We Are" (duet with Amy Grant)
- 1992: Russ Taff: A Christmas Song (Sparrow)
- 2002: I Do Believe Gaither Vocal Band "One Way"
- 2006: Ernie Haase & Signature Sound "Hold To God's Unchanging Hand"
- 2007: The Best of Russ Taff From the Gaither Homecoming Series
- 2007: Timeless: Concert of Faith & Inspiration
- 2009: Gaither Vocal Band Reunion: Vol. 1 "Born Again", "Heartbreak Ridge And New Hope Road", "Knowing You'll Be There"
- 2009: Gaither Vocal Band Reunion: Vol. 2 "The Really Big News", "When The Rains Come"
- Concept Music videos
| Year | Video | Director |
|---|---|---|
| 1985 | "I'm Not Alone" | |
| "Not Gonna Bow" | ||
| 1989 | "Winds Of Change" | |
| "I Cry" | ||
| 1991 | "Life's Railway to Heaven" | |
| 1995 | "Love Is Not a Thing"[11] | Deaton-Flanigen Productions |
| "One And Only Love" |
Gaither Homecoming video performances
- 1998: Down by the Tabernacle "The Tabernacle", "I Saw the Light"
- 1998: Rivers of Joy "We Will Stand"
- 1999: I'll Meet You on the Mountain "Hold To God's Unchanging Hand"
- 2000: Good News "When He Set Me Free"
- 2000: Irish Homecoming "Ain't No Grave"
- 2000: Whispering Hope "O Say, But I'm Glad"
- 2001: A Billy Graham Music Homecoming, Vol.2 "My Tribute"
- 2001: London Homecoming "We Will Stand"
- 2002: Let Freedom Ring "When He Calls I'll Fly Away"
- 2002: New Orleans Homecoming "Praise The Lord"
- 2003: Australian Homecoming
- 2003: Red Rocks Homecoming "They Call It Gospel Music"
- 2003: Rocky Mountain Homecoming "The Workshop of the Lord"
- 2004: Journey to the Sky "Trumpet Of Jesus"
- 2004: Passin' the Faith Along "Born Again"
- 2004: We Will Stand "We Will Stand"
- 2005: Jerusalem Homecoming "Bethlehem, Galilee, Gethsemane"
- 2006: Canadian Homecoming "More Than Ever"
- 2006: Live from Toronto "Trumpet Of Jesus"
- 2006: Christmas in South Africa "Higher Than Mt. Kilimanjaro"
- 2007: Amazing Grace "Amazing Grace"
- 2008: Homecoming Picnic "The Sweetest Song I Know"
- 2009: Joy in My Heart "Jesus Is The Best Thing"
- 2011: Alaskan Homecoming "Somebody's Coming", "We Will Stand"
- 2011: Majesty "I Shall Wear A Crown"
Awards and honors
[edit]Grammys
[edit]With the Imperials
- 1977 Best Gospel Performance, Contemporary or Inspirational for Sail On
- 1979 Best Gospel Performance, Contemporary or Inspirational for Heed the Call
- 1981 Best Gospel Performance, Contemporary or Inspirational for Priority
Solo
- 1983 Best Gospel Performance, Male for Walls of Glass
- 1991 Best Rock/Contemporary Gospel Album for Under Their Influence
GMA Doves
[edit]As member of the Imperials
- 1977: Male Group of the Year
- 1979: Male Group of the Year
- 1980: Male Group of the Year
- 1981: Male Group of the Year
- 1981: Song of the Year – "Praise The Lord"
- 1981: Male Vocalist of the Year
- 1982: Male Vocalist of the Year
- 1998: Inducted into the GMA's Gospel Music Hall of Fame (with all five original members: Jake Hess, Armond Morales, Gary McSpadden, Sherrill Neilsen & Henry Slaughter, as well as Joe Moscheo, Terry Blackwood, Sherman Andrus, and Jim Murray)
Solo
- 1984: Male Vocalist of the Year
- 1986: Pop/Contemporary Album of the Year for Medals
- 1989: Rock Album of the Year for Russ Taff
- 1989: Recorded Music Packaging of the Year for Russ Taff
- 1990: Rock Album of the Year for The Way Home
- 1990: Rock Recorded Song of the Year for "The River Unbroken"
- 2016: Inducted into the GMA's Gospel Music Hall of Fame
Nominations with the Gaither Vocal Band
- 2003: Southern Gospel Recorded Song of the Year
- 2003: Country Album of the Year
See also
[edit]References
[edit]- ^ a b c d e f g h i j k Powell, Mark (2002). Encyclopedia of Contemporary Christian Music (Second ed.). Peabody, MA: Hendrickson Publishers Inc. pp. 913–915. ISBN 1-56563-679-1.
- ^ Colin Larkin, ed. (2000). The Virgin Encyclopedia of Nineties Music (First ed.). Virgin Books. p. 386. ISBN 0-7535-0427-8.
- ^ "Christian Music Directories". October 6, 2010. Archived from the original on October 6, 2010.
- ^ a b c Schmitt, Brad. "Christian singer Russ Taff exposes life of booze, shame and trauma in new film". Tennessean. USA Today Network. Retrieved March 12, 2022.
- ^ a b c d e f g Harris, Craig. "Southern Gospel News SGN Scoops". SGN Scoops. Coastal Media Group. Retrieved March 12, 2022.
- ^ a b c d e f g h Jones, Kim. "Russ Taff: A Biography of the Popular Christian Artist". Learn Religions. Dotdash Publishing Family. Retrieved March 12, 2022.
- ^ a b c Alfonso, Barry (2002). The Billboard Guide to Contemporary Christian Music (First ed.). New York, NY: Billboard Books/Watson-Guptill Publications. pp. 251–252. ISBN 0-8230-7718-7.
- ^ "The Imperials", Wikipedia, November 18, 2022, retrieved November 25, 2022
- ^ a b c d e Longs, Herb (October 25, 2018). "Russ & Tori Taff. . .Still Believing". The Christian Beat.org. The Christian Beat. Retrieved March 12, 2022.
- ^ "Checking Russ Taff's Cover Story (with Taff, Steve Taylor and John Mark Painter)". August 21, 2024. Retrieved September 10, 2024.
- ^ "CMT : Videos : Russ Taff : Love Is Not A Thing". Country Music Television. Archived from the original on July 22, 2012. Retrieved October 14, 2011.
Sources
[edit]- Encyclopedia of Contemporary Christian Music; Powell; pp 46, 47; Hendrickson Publishers; Pap/Cdr edition (August 2002) ISBN 1-56563-679-1 ISBN 978-1565636798
- Alfonso, Barry (2002) s The Billboard Guide to Contemporary Christian Music
- Jones, Kim (2008) About.com
- Larkin, Colin (2006) The Encyclopedia of Popular Music
- Mansfield, Brian (2005) Allmusic.com
- TPE Interview (2006). Today's Pentecostal Evangel
External links
[edit]
Russ Taff
View on Grokipediafrom Grokipedia
Russ Taff (born November 11, 1953) is an American Christian music singer and songwriter renowned for his rich, emotive tenor voice and genre-blending style that incorporates elements of pop, rock, blues, country, and Southern gospel.[1] Over a career spanning more than four decades, he has achieved significant acclaim as a solo artist and as a member of influential groups such as The Imperials and the Gaither Vocal Band, earning recognition as one of the most versatile and impactful voices in contemporary Christian music (CCM).[2][3]
Born in Farmersville, California, as the fourth of five sons to a Pentecostal preacher father and a mother passionate about gospel music, Taff was immersed in sacred sounds from an early age, drawing inspiration from artists like Mahalia Jackson and quartets such as The Blackwood Brothers.[1] His family's musical environment, including his mother's record collection and church performances, shaped his early development, leading him to form the group Sounds of Joy while in Arkansas.[2] Taff's breakthrough came in 1976 when he joined The Imperials as lead vocalist after opening for them on tour, contributing to the group's evolution toward a more contemporary sound during his tenure until 1981; notable hits from this period include "Praise the Lord," which helped the quartet win multiple awards.[2][4]
Transitioning to a solo career in the early 1980s, Taff released his debut album Walls of Glass in 1983, followed by innovative works like Medals (1985) and Russ Taff (1987), which showcased his ability to fuse rock and pop influences with faith-based lyrics, often co-written with his wife, Tori.[5][2] His solo discography, encompassing 13 albums, includes timeless singles such as "We Will Stand," "I Cry," and "Not Gonna Bow," reflecting personal themes of faith, struggle, and redemption.[5] In 2001, Taff joined the Gaither Vocal Band, replacing Mark Lowry and participating in Bill Gaither's Homecoming video series until departing in 2004 to focus on solo endeavors; his time with the group amplified his exposure in Southern gospel circles.[3][6]
Taff's accolades underscore his enduring influence, including six Grammy Awards—encompassing wins with The Imperials, the Gaither Vocal Band, and as a solo artist—and sixteen Dove Awards from the Gospel Music Association (GMA).[5] He holds the distinction of being inducted into the GMA Hall of Fame an unprecedented three times: as a solo artist, with The Imperials, and with the Gaither Vocal Band.[1][5] Billboard has hailed him as "the single most electrifying voice in Christian music," a sentiment echoed in his broad appeal across audiences.[2] More recently, Taff released the album Cover Story in 2025, a collection of secular song covers produced by Steve Taylor and John Mark Painter, featuring reinterpretations of tracks by artists like Paul Simon and Prince in a raw, blues-infused style that highlights his vocal depth and personal resilience.[7] His 2018 documentary Russ Taff: I Still Believe further chronicles his journey through childhood trauma, professional success, and recovery from alcoholism, emphasizing themes of faith and perseverance.[5]
As a solo artist, Taff secured two Grammy wins, highlighting his distinctive vocal range and transition to more rock-oriented gospel sounds in the 1980s and early 1990s.
Taff's Grammy nominations exceed ten, spanning categories like Best Gospel Performance, Male (e.g., for Medals in 1986 at the 28th Annual Grammy Awards) and Best Rock/Contemporary Gospel Album in the 1990s, such as for The Way Home in 1990. Additional nominations include Best Southern, Country, or Bluegrass Gospel Album for A Cappella with the Gaither Vocal Band in 2004 (46th Annual Grammy Awards), demonstrating his ongoing impact in evolving gospel subgenres.[70]
No new Dove Award wins or nominations for Taff were reported at the 2025 GMA Dove Awards ceremony.
Early Life
Family Background
Russ Taff was born on November 11, 1953, in Farmersville, California, as the fourth of five sons to parents Joe and Ann Taff.[1][8][2] Taff was raised in a strict Pentecostal household, where his father, Joe, served as a preacher in small churches, instilling rigorous religious practices and mandatory attendance at services that emphasized holiness and spiritual discipline.[8][9] This environment was marked by legalistic interpretations of faith, with the family often facing ostracism from church communities due to internal struggles.[9] The Taff home was profoundly disrupted by Joe Taff's chronic alcoholism, which began when Russ was around seven years old and led to repeated relapses, creating an atmosphere of instability and fear.[9][10] This addiction fueled physical and emotional abuse from his father, including daily verbal degradations such as telling young Russ he was "not worth the bullet to shoot you with," alongside violent outbursts that permeated family life and left lasting emotional scars.[9][8] The resulting secrecy and tension in the household isolated the children, exacerbating the turbulent dynamics.[9] In this challenging environment, music emerged as a vital escape for Taff, offering solace through his mother's collection of gospel records and early opportunities to sing in church settings.[8][2]Musical Awakening
Russ Taff's musical journey began in the vibrant atmosphere of Pentecostal churches, where his mother, a devoted gospel enthusiast, introduced him to singing from a young age. Balanced on the church altar by his mother's strong arms, Taff performed gospel choruses as a child, absorbing the harmonies of traditional gospel quartets like the Blackwood Brothers and the Statesmen, which his family admired deeply.[2] These early church experiences, enriched by his mother's record collection featuring artists such as Mahalia Jackson and the Five Blind Boys from Alabama, instilled a profound appreciation for gospel music's emotional depth and spiritual resonance.[2] At age 11, Taff learned to play the guitar, which became a vital outlet amid his challenging family circumstances, allowing him to accompany his own singing and perform alongside his brothers.[11] This self-guided exploration of chords and songs, often drawn from familiar church repertoire, marked the start of his instrumental skill development and helped him channel personal struggles into creative expression. During his teenage years in Arkansas, Taff's vocal abilities blossomed, revealing his natural tenor range through informal performances at summer revivals led by his preacher father, where he harmonized with siblings in Southern gospel styles.[11] These settings honed his intuitive sense of pitch and phrasing, earning early local recognition for his clear, emotive voice within church communities.[2] By age 16, while in high school, Taff joined the local group Sounds of Joy, a ensemble that blended childhood spiritual themes with emerging contemporary sounds, reflecting the nascent contemporary Christian music scene.[8] The band, which included longtime collaborator James Hollihan Jr., performed at Arkansas coffee houses and church events, captivating audiences with original songs and covers that bridged gospel traditions and youthful energy.[11] These formative gigs not only sharpened Taff's stage presence but also solidified the influence of Southern gospel on his evolving style, setting the foundation for his future contributions to the genre.[2]Professional Career
Tenure with The Imperials
Russ Taff joined The Imperials in early 1976 as their lead vocalist following an invitation from the group after his band, Sounds of Joy, had opened for them two years prior, where his vocal talent impressed founding member Armond Morales during the performance.[1][8] At age 22, Taff quickly integrated into the quartet alongside Morales on bass, Jim Murray on tenor, and new baritone David Will, bringing a soulful, dynamic style that elevated the group's contemporary gospel sound.[8] During his five-year tenure from 1976 to 1981, Taff served as the primary lead on several landmark recordings, including the 1977 album Sail On, where he delivered the title track "Sail On," a soaring anthem that highlighted his powerful range and the group's intricate harmonies.[8] The album earned the Imperials a Grammy Award for Best Gospel Performance, Contemporary in 1978, marking their second overall Grammy and solidifying their transition to mainstream Christian music appeal. Subsequent releases like Heed the Call (1979) featured Taff's lead on the stirring cover of "Because He Lives," a hymn emphasizing resurrection and hope, which showcased his emotive delivery amid the quartet's tight vocal blends.[8] Heed the Call also secured a Grammy for Best Gospel Performance, Contemporary in 1980. The 1980 album Priority further demonstrated Taff's versatility, winning the group another Grammy in 1981 for Best Gospel Performance, Contemporary, while Taff personally received a Dove Award for Male Vocalist of the Year.[8] Under Taff's leadership, The Imperials achieved significant accolades, including three Grammy wins and five Dove Awards collectively between 1977 and 1981, reflecting their innovative fusion of southern gospel roots with pop and rock influences.[1] Taff's contributions not only boosted the group's commercial success but also expanded their live performances, including a historic appearance at the 1979 Grammy Awards where they performed "Sail On," the first gospel act to do so on the televised ceremony. His tenure helped position The Imperials as pioneers in contemporary Christian music, with Taff's harmonies and leads becoming synonymous with their golden era.[8]Solo Breakthrough
After leaving The Imperials in 1981 to focus on a solo career, Russ Taff signed with Word Records' Myrrh imprint, marking his transition from group performances to individual artistry.[12][13] His debut solo album, Walls of Glass, released in 1983, showcased Taff's vocal range and established him as a prominent solo act in contemporary Christian music. The title track, "Walls of Glass," became a hit single, exploring themes of vulnerability and steadfast faith amid life's fragility.[14] The album earned Taff his first solo Grammy Award in 1984 for Best Gospel Performance, Male.[15] Taff's follow-up album, Medals, arrived in 1985 and solidified his breakthrough with its blend of rock-infused gospel and introspective lyrics. The title single, "Medals," highlighted perseverance in spiritual battles and the rewards of unwavering commitment to faith. The project received a Grammy nomination for Best Gospel Performance, Male in 1986 and won a GMA Dove Award for Pop/Contemporary Album of the Year.[8] By 1988, Taff had secured one Grammy and multiple Dove Awards as a solo artist, including Vocalist of the Year honors in the early 1980s, reflecting the rapid acclaim for his honed vocal prowess from his group days.[16]Mid-Career Evolution
In the 1990s, Russ Taff expanded his artistic scope by venturing into country-infused gospel music with his seventh studio album, Winds of Change, released in 1995 on Reprise Records' Nashville division. This project marked a deliberate genre shift, blending his signature gospel roots with country instrumentation and themes of faith and resilience, as evidenced by tracks like the emotive ballad "I Cry," co-written by James Hollihan Jr. and featuring production by Randy Scruggs. The album's release underscored Taff's adaptability, building on the momentum from his earlier solo work to explore broader commercial appeal in the contemporary Christian and country crossover markets.[17] By the late 1990s, Taff returned to a more straightforward contemporary Christian sound with Right Here, Right Now, his eighth studio album issued in 1999 on Benson Records.[18] Featuring 12 tracks that emphasized personal testimony and worship, such as the title song and "Back Into Grace," the record highlighted Taff's maturing songwriting and vocal delivery, often collaborating with producers like James Hollihan Jr. to create an intimate, radio-friendly vibe. This era solidified his reputation for fusing heartfelt lyrics with accessible melodies, appealing to both longstanding gospel audiences and newer listeners in the evolving Christian music landscape. Throughout the 1990s and into the early 2000s, Taff's solo career garnered additional acclaim, accumulating five Dove Awards in categories recognizing his vocal prowess and songwriting contributions, including a nomination for Male Vocalist of the Year (1990) and Rock Recorded Song of the Year for "The River Unbroken" from The Way Home.[19] These honors, presented by the Gospel Music Association, affirmed his influence in blending gospel traditions with contemporary and country elements, without exhaustive listings of every nomination. Reflecting on this period, the 2018 documentary I Still Believe, produced by Fuseic Entertainment, offered intimate career retrospectives from Taff, detailing his artistic transitions amid personal challenges and emphasizing the redemptive themes central to his mid-career output.[20]Recent Endeavors
In early 2025, Russ Taff released his album Cover Story on January 31 via Imagine House/Vere Music, a collection of 11 cover songs reinterpreted with raw emotional depth to reflect personal narratives of struggle and resilience.[21][22] The project, executive produced by Steve Taylor, features tracks like "Demons" by The National and "Tear This Building Down" by The Tragically Hip, allowing Taff to infuse classics from rock, soul, and Americana with his signature vocal intensity and introspective delivery.[7][23] Throughout 2025, Taff engaged in several interviews and podcasts highlighting his career longevity and enduring passion for music. In February, he appeared on No Small Endeavor, where he discussed the milestones of his decades-long journey in gospel and contemporary Christian music, emphasizing themes of perseverance and artistic evolution.[24] Similarly, in March on Karl Vaters' The Church Lobby podcast, Taff reflected on his vocal legacy and the sustaining role of faith in his professional life, marking the episode as a candid exploration of his ongoing contributions to the genre.[25] Taff maintained an active performance schedule in 2025, including a notable appearance at the Grand Ole Opry on July 27 as part of the Opry 100 celebration, where he performed selections from his catalog alongside Opry members like Riders in the Sky.[26] In November 2025, he announced "The Almost Farewell Tour," featuring special guest Steve Taylor & Some Band, with an initial date at the Elsinore Theatre on March 28, 2026.[27] His ongoing tours and live engagements continued to center on redemption themes, drawing from his life's experiences to connect with audiences through songs that blend vulnerability and hope.[28] As of 2025, Taff's accolades include a total of six Grammy Awards and sixteen Dove Awards from the Gospel Music Association, underscoring his profound impact on Christian music.[29] This tally reflects his Hall of Fame recognition, including multiple inductions into the GMA Hall of Fame for his solo work and tenure with The Imperials.[1]Personal Life
Family and Relationships
Russ Taff married Tori Taff on October 31, 1976, in Hot Springs, Arkansas, shortly after meeting her during his time as a youth minister in the early stages of his musical career.[30][31][32] Their union coincided with the start of Taff's professional music career. Tori has played a pivotal support role in Taff's career, co-writing several of his notable songs, including the contemporary Christian classic "We Will Stand" with James Hollihan Jr., and contributing to albums like Medals (1985).[1][33] As a Grammy-nominated songwriter, she has been instrumental in shaping his artistic output while providing steadfast personal encouragement, particularly during his recovery journey.[34][33] The couple has two adult daughters, Maddie Rose and Charlotte, and family has remained central to Taff's life, with Tori and their daughters occasionally participating in musical endeavors, such as providing background support in performances and recordings.[31][35] Following his recovery, Taff and his family have cultivated a serene, family-oriented lifestyle in their long-term home in Bell Buckle, Tennessee, a small historic town near Nashville that offers respite amid their creative pursuits.[31] Extended family influences, including his mother's passion for gospel music, have subtly shaped Taff's appreciation for harmonious family bonds in both personal and professional contexts.[36]Addiction and Recovery Journey
Russ Taff's battle with alcoholism began in his mid-twenties, shortly after he joined the Imperials and experienced early fame in the Christian music industry. At around age 24, following his first Grammy win in 1978, he first turned to alcohol—starting with a beer—to silence the persistent internal voices of shame and self-hatred tied to unresolved childhood trauma from an abusive family environment. The rapid rise to stardom intensified these struggles, as Taff grappled with feelings of inadequacy and fraudulence despite his professional success, leading to a decades-long addiction that interrupted aspects of his personal life.[24] By the late 1980s, Taff hit a profound low point, prompting a pivotal intervention from his wife, Tori, who confronted him directly about the destructive impact of his drinking on their family. Friends urged him to seek help through Alcoholics Anonymous, and he entered formal treatment, though relapses followed due to unaddressed trauma. Lasting sobriety emerged through intensive Christian therapy at the Life Healing Center in 2006, combined with ongoing support groups, where he confronted his past, forgave his parents, and rebuilt his sense of self-worth—achieving over 18 years sober by 2025. Tori's unwavering support during this period was instrumental, as she accompanied him through counseling sessions and stood by him amid the relapses.[24][37] In 2025 podcast appearances, Taff shared candid revelations about the "church hurt" he endured growing up in a rigid Pentecostal household, where legalistic expectations deepened his shame and isolation. He described fame's relentless pressures—such as the expectation to embody perfection as a Christian artist—as a catalyst that masked but ultimately amplified his pain, turning success into a source of deeper despair. These discussions framed his recovery as a redemption narrative rooted in grace, vulnerability, and faith, emphasizing how therapy and spiritual renewal transformed his self-perception from one of condemnation to forgiveness.[24][25] Taff's recovery profoundly shaped his artistic output, infusing later works with raw themes of vulnerability and healing. His 2025 album Cover Story, featuring reinterpretations of songs by artists like U2 and Bob Dylan, serves as a musical autobiography, channeling personal pain into unguarded expressions that invite listeners into his journey of redemption and hope.[37][24]Artistic Legacy
Vocal Style and Technique
Russ Taff is renowned for his electrifying tenor voice, which Billboard Magazine has described as "the single most electrifying voice in Christian music."[2] His vocal style blends the raw power of gospel with elements of country, rock, pop, blues, Southern gospel, Black gospel, and big band, allowing him to deliver performances that are soaring, aching, raucous, or tender as the material demands.[2] This versatility stems from his self-taught roots in a Pentecostal church environment, where he belted out gospel choruses with emotional intensity, incorporating shouting styles that infused his singing with passionate, unbridled energy.[2] Taff's technique emphasizes emotive phrasing and dynamic control, enabling seamless shifts between gritty growls and high shrieks, often likened to a "near perfect rock 'n' roll voice" capable of deep, bluesy moans or helium-like highs.[38] His rich, emotion-drenched delivery, honed through natural harmony singing alongside his brothers in early quartet performances, showcases a wide vocal range.[2] Throughout his career, Taff's approach evolved from intricate group harmonies during his tenure with The Imperials—exemplified by the powerful, layered vocals on "Sail On," where his lead intertwined with the ensemble for a unified gospel-rock drive—to more individualistic solo expressiveness on tracks like "Walls of Glass," highlighting his standalone emotive depth and personal storytelling through nuanced phrasing and dynamic builds.[2] This progression allowed him to transition from quartet-driven power to intimate, confessional performances that prioritize vocal vulnerability and interpretive flair.[38]Influence on Gospel Music
Russ Taff played a pivotal role in bridging the gap between traditional Southern gospel and contemporary Christian music (CCM) during the 1970s and 1980s, particularly through his tenure with The Imperials, where his versatile vocal style helped transition the group from quartet-based Southern gospel roots to a more pop-rock-infused sound that appealed to broader audiences.[39] His incorporation of elements from soul, rock, and country into gospel arrangements expanded the genre's sonic palette, influencing subsequent CCM artists who sought to blend spiritual themes with mainstream musical production.[40] Taff's work exemplified this evolution, as he drew from his Pentecostal upbringing in Southern gospel while embracing the emerging CCM movement, thereby helping to mainstream Christian music beyond church settings.[2] This pioneering approach has left a lasting mark on artists in the genre, including Michael W. Smith, whose pop-oriented worship style echoes Taff's genre-blending innovations and emphasis on emotional depth in faith-based songwriting.[31] Taff's ability to infuse gospel with contemporary sensibilities not only elevated The Imperials to become one of the top-selling CCM groups of the era but also paved the way for a new generation of musicians to explore crossover sounds without diluting spiritual messaging.[41] Taff's multiple inductions into the Gospel Music Association (GMA) Hall of Fame underscore his pioneering contributions: in 1998 as a member of The Imperials, in 2014 with the Gaither Vocal Band, and in 2016 as a solo artist, recognizing his role in advancing gospel's accessibility and innovation across decades.[42][43][44] These honors highlight how Taff's career helped redefine gospel music's boundaries, making it a more dynamic force in American popular culture.[24] Following his recovery from alcoholism in the early 2000s, Taff became a vocal advocate for vulnerability in Christian songwriting, openly sharing his personal struggles through lyrics that emphasize redemption and emotional honesty, thereby inspiring a wave of gospel and CCM works centered on themes of healing and grace.[28] His post-recovery music and public testimonies encouraged artists to address mental health and addiction without shame, fostering a more authentic expression within the genre that resonates with listeners facing similar challenges.[45] This shift toward raw, redemptive narratives in his compositions has influenced contemporary gospel songwriters to prioritize personal testimony as a tool for ministry.[7] Taff has performed at the Grand Ole Opry alongside artists like Chris Young and The Whites, demonstrating the compatibility of faith-based themes with country traditions.[46] Through such cross-genre collaborations, Taff helped broaden gospel's audience by integrating it into Opry lineups and joint recordings that blend Southern gospel harmonies with country instrumentation, ultimately enhancing the genre's cultural visibility and appeal.[47]Discography
Group Recordings
Russ Taff joined The Imperials in 1977 as their lead vocalist, ushering in a dynamic era for the group characterized by innovative contemporary Christian sound and commercial success on gospel charts.[2] His contributions were central to their DaySpring Records output from 1977 to 1980, where his powerful, soul-infused vocals elevated tracks blending pop, rock, and gospel elements. The debut album featuring Taff prominently, Sail On (1977), showcased his lead on the title track "Sail On" alongside other songs like "Water Grave," "Satisfaction Guaranteed," "Gotta Watch, Gotta Pray," "More Each Day," "There Will Never Be Any Peace (Till God Comes Down)," "Keep On Walking," "Sonlight," and "Bread on the Water." This release marked the group's transition to a more modern style and produced early chart success, with "Sail On" reaching number three on CCM Magazine's contemporary Christian radio chart.[48] In 1979, Heed the Call followed, highlighting Taff's leads on tracks such as "Heed the Call" and "Because of Who You Are," within a full lineup including "Overcomer," "Praise the Lord," "Oh Buddha," "Old Man's Rubble," "Let Jesus Do It," "First Morning in Heaven," "Whenever I Speak His Name," and "Arise My Love." The album solidified the group's popularity, contributing to their string of Billboard gospel chart toppers during the Taff years.[49][50] Taff's final studio album with the group, Priority (1980), featured his co-writing and lead on "Finish What You Started" (with Tori Taff), as well as prominent vocals on "The Trumpet of Jesus," "I'd Rather Believe in You," "Any Good Time at All," "Be Still My Soul," "There's No Time 'Til You Take It," "One Love," "Power of Praise," "All My Life," and the title track. This release topped Billboard's Top Inspirational Albums chart, becoming the group's second number-one album in that category.[51][52] Beyond studio efforts, Taff participated in the live album Imperials Live (1978), capturing performances of hits like "Sonshiny Day," "Bread Upon the Water" (with reprise), "New Creation," "Your First Day in Heaven," "Lead Me Gently Home, Father," "I Love the Way You Love," "The Old Gospel Ship," "How Great Thou Art," and "Sail On" from concerts including one at Baylor University. A key compilation from the era, The Very Best of the Imperials (1981), gathered Taff-era standouts such as "Living Without Your Love," "I'm Forgiven," "I'd Rather Believe in You," "Bread on the Water," "Praise the Lord," "Sail On," "Heed the Call," "Oh Buddha," "The Trumpet of Jesus," and "Finish What You Started," encapsulating the group's chart-topping achievements.[53][54]Tenure with the Gaither Vocal Band
In 2001, Taff joined the Gaither Vocal Band as baritone singer, replacing Mark Lowry, and remained until 2004. During this period, he contributed to two studio albums: Everything Good (2002), which featured his vocals on tracks like "He Came Through" and helped introduce his voice to Southern gospel audiences, and A Cappella (2003), showcasing a cappella arrangements of gospel standards and hymns. His involvement amplified the group's popularity in Homecoming series and earned acclaim for blending his versatile tenor with the ensemble.[2][55]Solo Studio Albums
Russ Taff has released 12 solo studio albums over his career, beginning with his debut in 1983 following his departure from The Imperials and culminating in a reflective covers project in 2025, with his work evolving from energetic contemporary Christian pop-rock to country-tinged explorations and inspirational themes of redemption and faith.[33][21] His debut, Walls of Glass (1983, Myrrh Records), marked Taff's transition to a solo artist with a polished pop-rock sound emphasizing personal testimony and spiritual breakthrough; produced by Bill Schnee, it peaked at No. 5 on the U.S. Christian charts and featured highlights like the title track "Walls of Glass," a metaphor for vulnerability, and "Tell Them," an uplifting call to share faith.[14][56] Medals (1985, Myrrh Records), Taff's breakthrough release, achieved commercial success as one of the top-selling contemporary Christian albums of the year, peaking at No. 2 on the U.S. Christian charts; co-produced by Taff and Jack Joseph Puig, it explored themes of perseverance and divine honor through rock-infused anthems, with standout tracks including the title song "Medals," evoking spiritual rewards, and "Not Gonna Bow," a defiant statement of faith.[57][58][38] After a period of self-titled experimentation in 1987 and roots-oriented work like The Way Home (1989), Taff ventured into country influences with Winds of Change (1995, Reprise/Warner Bros. Nashville), his first foray into the genre; produced by Randy Scruggs on select tracks and James Hollihan Jr. on others, it addressed themes of transformation and renewal, peaking modestly on Christian charts, with key tracks such as the introspective title song "Winds of Change" and "I Cry," blending emotional depth with acoustic elements.[59][60] Returning to contemporary Christian roots, Right Here, Right Now (1999, Benson Records) focused on immediate spiritual presence and healing, co-produced by Taff and James Hollihan Jr.; it highlighted his vocal range in songs like the hopeful title track "Right Here, Right Now" and "Back Into Grace," reflecting personal recovery amid genre shifts toward more worshipful introspection in later releases.[18][61] Taff's most recent album, Cover Story (2025, Imagine House/Vere Music), represents a culmination of his journey through reinterpretations of songs by artists like Prince and Bob Dylan that mirror his life's triumphs and struggles; produced by John Mark Painter with executive production by Steve Taylor, it earned acclaim for its raw emotional narrative without chart specifics yet available, featuring highlights such as "Tear This Building Down" and "People Get Ready," underscoring enduring themes of redemption.[7][62][21]Singles and Compilations
Russ Taff's solo singles career began with the release of "We Will Stand" in 1983 from his debut album Walls of Glass, which became his breakthrough hit by topping the Christian Adult Contemporary (AC) chart for 15 weeks and earning Dove Award nominations for Song of the Year in 1984 and 1985.[56] The track, emphasizing Christian unity, remains one of his most enduring anthems and was later reissued as a cassette single in 1989 by Word Records. Following this success, Taff released "Silent Love" in 1985 from the Medals album, which peaked at number 4 on the Christian AC chart that year, showcasing his emotive vocal style in a mid-tempo ballad.[63] In 1985, Taff issued additional singles from Medals, including "Medals" and the double A-side "Not Gonna Bow / I'm Not Alone," both of which received airplay on Christian radio and contributed to the album's strong performance, reaching number 2 on the Billboard Top Inspirational Albums chart.[64] The self-titled track "Medals" highlighted themes of perseverance, while "I'm Not Alone" became a fan favorite for its uplifting message. From his 1987 self-titled album, "Rock Solid" was released as a single, further solidifying Taff's presence in the rock-influenced gospel genre. Later promotional releases included video singles tied to albums like Cover Story (2025), featuring tracks such as "Tear This Building Down" and "People Are People," both issued in 2024 to support contemporary radio play.[65] Taff's compilations aggregate his solo hits and include several greatest hits collections, such as The Best of Russ Taff (2003) on Spring House Music, which features 16 tracks including "We Will Stand" and "Praise the Lord," spanning his early career highlights.[66] We Will Stand: Yesterday and Today (1994) on Word Records compiles key singles like "Rock Solid" and "Here I Am" with one new unreleased track, "Your Love Stays With Me," and peaked on Christian charts.[67] More recent anthologies include Russ Taff: The Ultimate Collection (2014) and Beginnings (2014), both drawing from his Word and Reunion Records eras to showcase career-spanning selections.[65] Holiday-themed releases form a notable subset of Taff's compilations and solo output, with A Christmas Song (1992) offering jazz-inflected covers of classics like "Have Yourself a Merry Little Christmas" and "Angels We Have Heard on High."[68] He followed with Another Sentimental Christmas (2010), featuring traditional carols in a sentimental arrangement. Taff also appeared on the multi-artist compilation Our Christmas (1990) with his rendition of "Silent Night, Holy Night," contributing to the album's blend of contemporary Christian artists.[69] Guest features on singles and compilations highlight Taff's collaborative side, including vocal contributions to praise tracks on projects like Believe (2018), where he shares space with artists such as Amy Grant, though primarily as lead on his own releases. His appearances extend to promotional singles in Gaither Homecoming series, reinforcing his legacy in ensemble gospel settings without overshadowing his solo singles focus.Awards and Recognitions
Grammy Achievements
Russ Taff has earned five Grammy Awards over the course of his career, three as a member of The Imperials and two as a solo artist, along with more than a dozen nominations across various gospel categories. These achievements underscore his influential role in contemporary and inspirational gospel music during the late 1970s, 1980s, and early 1990s.[70][71] During his tenure with The Imperials from 1976 to 1981, Taff contributed to the group's three Grammy wins in inspirational and contemporary gospel categories, reflecting the band's innovative blend of rock influences with traditional gospel elements.| Year | Category | Work | Notes |
|---|---|---|---|
| 1978 | Best Gospel Performance, Contemporary or Inspirational | Sail On (album) | 20th Annual Grammy Awards; Taff as lead vocalist on the title track and key recordings.[72] |
| 1980 | Best Gospel Performance, Contemporary or Inspirational | Heed the Call (album) | 22nd Annual Grammy Awards; featured Taff's prominent vocal performances.[72] |
| 1982 | Best Gospel Performance, Contemporary or Inspirational | Priority (album) | 24th Annual Grammy Awards; Taff participated in recordings prior to his departure.[73] |
| Year | Category | Work | Notes |
|---|---|---|---|
| 1984 | Best Gospel Performance, Male | Walls of Glass (album) | 26th Annual Grammy Awards; Taff's debut solo album, emphasizing personal faith themes.[74] |
| 1992 | Best Rock/Contemporary Gospel Album | Under Their Influence (album) | 34th Annual Grammy Awards; showcased collaborations with rock artists, bridging gospel and mainstream influences.[75] |
Dove Award Wins
Russ Taff has amassed a total of 18 GMA Dove Awards over his career, with five attributed to his contributions during his tenure with The Imperials from 1977 to 1981 and thirteen as a solo artist spanning from 1981 to the mid-1990s.[1] These victories highlight his versatility across group performances and individual artistry in contemporary gospel, rock, and country-influenced categories. During the Imperials era, Taff helped the group secure key honors, including Male Group of the Year in 1978 and 1980, as well as Group of the Year in 1979.[73] That same year, the Imperials won Pop/Contemporary Album of the Year for One More Song for You and Artist of the Year, recognizing their innovative blend of gospel traditions with contemporary sounds.[76] As a solo artist, Taff's Dove wins began prominently with Male Vocalist of the Year in 1981 for his debut work, followed by repeat victories in the same category in 1982, 1984, and 1985.[19] In 1984 and 1985, he also claimed Song of the Year for the unifying anthem "We Will Stand," which exemplified his emotive delivery and songwriting prowess.[19] His successes extended to other categories, such as Rock Album of the Year in 1989 for his self-titled release, and Recorded Music Packaging of the Year in 1990 for creative visual design in his projects.[77][8] Additionally, in 1983, he won Pop/Contemporary Album of the Year for Walls of Glass.[19]| Year | Category | Work/Affiliation | Notes |
|---|---|---|---|
| 1978 | Male Group of the Year | The Imperials | Group win during Taff's lead vocal era.[73] |
| 1979 | Group of the Year | The Imperials | Recognized collective impact.[76] |
| 1979 | Pop/Contemporary Album of the Year | One More Song for You (The Imperials) | Highlighted innovative production.[76] |
| 1979 | Artist of the Year | The Imperials | Broad artistic excellence.[76] |
| 1980 | Male Group of the Year | The Imperials | Final Taff-era group honor.[73] |
| 1981 | Male Vocalist of the Year | Solo | Debut solo recognition.[19] |
| 1982 | Male Vocalist of the Year | Solo | Consecutive vocal acclaim.[19] |
| 1983 | Pop/Contemporary Album of the Year | Walls of Glass | Solo album recognition.[19] |
| 1984 | Male Vocalist of the Year | Solo | For Walls of Glass.[8] |
| 1984 | Song of the Year | "We Will Stand" | Anthem for unity.[19] |
| 1985 | Male Vocalist of the Year | Solo | For Medals.[8] |
| 1985 | Song of the Year | "We Will Stand" | Repeat win.[19] |
| 1989 | Rock Album of the Year | Russ Taff | Genre expansion.[77] |
| 1990 | Recorded Music Packaging of the Year | Solo project | Design excellence.[8] |