Hubbry Logo
Second HelpingSecond HelpingMain
Open search
Second Helping
Community hub
Second Helping
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Second Helping
Second Helping
Second Helping
View on Wikipedia
from Wikipedia

Second Helping
Studio album by
Lynyrd Skynyrd
ReleasedApril 15, 1974
RecordedJune 1973[a] – January 1974
StudioStudio One, Doraville, Georgia (track 1)
Record Plant Studios, Los Angeles, California
Genre
Length37:15
Label
  • Sounds of the South
  • MCA
ProducerAl Kooper
Lynyrd Skynyrd chronology
(Pronounced 'Lĕh-'nérd 'Skin-'nérd)
(1973) 		Second Helping
(1974) 		Nuthin' Fancy
(1975)
Singles from Second Helping
  1. "Don't Ask Me No Questions"
    Released: April 1974
  2. "Sweet Home Alabama"
    Released: June 24, 1974

Second Helping is the second studio album by Lynyrd Skynyrd, released on April 15, 1974. It features the band's biggest hit single, "Sweet Home Alabama", an answer song to Neil Young's "Alabama" and "Southern Man",[2] which reached #8 on the Billboard Hot 100 chart in August 1974.

Second Helping reached #12 on the Billboard album charts. The RIAA certified it Gold on September 20, 1974, and Double Platinum on July 21, 1987.[3]

Background

[edit]

After the success of their debut album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd), Lynyrd Skynyrd's fan base continued to grow rapidly throughout 1973, largely due to their opening slot on the Who's Quadrophenia tour in the United States. Second Helping features Ed King, Allen Collins, and Gary Rossington all collaborating with Ronnie Van Zant on the songwriting, and cemented the band's breakthrough.

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStarStar[4]
Christgau's Record GuideA−[5]
CreemB−[6]
Rolling Stone(favourable)[7]
Encyclopedia of Popular MusicStarStarStarStar[8]
MusicHound Rock3.5/5[9]
The Rolling Stone Album GuideStarStarStarStar[10]
The New Rolling Stone Album GuideStarStarStarStar[1]
Tom HullB−[11]

Reviewing for Rolling Stone in 1974, Gordon Fletcher said Lynyrd Skynyrd performs a consistent style of Southern music-influenced blues rock similar to the Allman Brothers Band, but lacks their "sophistication and professionalism. If a song doesn't feel right to the Brothers, they work on it until it does; if it isn't right to Lynyrd Skynyrd, they are more likely to crank up their amps and blast their way through the bottleneck." Fletcher concluded that Second Helping is distinct from (Pronounced 'Lĕh-'nérd 'Skin-'nérd) "only by a certain mellowing out that indicates they may eventually acquire a level of savoirfaire to realize their many capabilities".[7]

Robert Christgau in Creem was also lukewarm, saying Lynyrd Skynyrd is "still a substantial, tasteful band, but I have a hunch they blew their best stuff on the first platter."[6] Christgau warmed to the album later, reappraising it in Christgau's Record Guide: Rock Albums of the Seventies (1981); he observed "infectious putdowns of rock businessmen, rock journalists, and heroin", and "great formula" in general: "When it rocks, three guitarists and a keyboard player pile elementary riffs and feedback noises into dense combinations broken by preplanned solos, while at quieter moments the spare vocabulary of the best Southern folk music is evoked or just plain duplicated."[5]

In a retrospective review for AllMusic, Stephen Thomas Erlewine said Second Helping "replicated all the strengths" of the first album's expert Southern rock "but was a little tighter and a little more professional."[4] Houston Press placed it #2 on its list of "Five Essential Boogie-Rock Albums."[12]

Track listing

[edit]
Side one
No.TitleWriter(s)Length
1."Sweet Home Alabama"
4:43
2."I Need You"
  • King
  • Rossington
  • Van Zant
6:55
3."Don't Ask Me No Questions"
  • Rossington
  • Van Zant
3:29
4."Workin' for MCA"
  • King
  • Van Zant
4:49
Side two
No.TitleWriter(s)Length
1."The Ballad of Curtis Loew"
4:51
2."Swamp Music"
  • King
  • Van Zant
3:31
3."The Needle and the Spoon"
  • Collins
  • Van Zant
3:53
4."Call Me the Breeze"J. J. Cale5:09
  • Sides one and two were combined as tracks 1–8 on CD reissues.
1997 CD reissue bonus tracks
No.TitleWriter(s)Length
9."Don't Ask Me No Questions" (Single Version)
  • Rossington
  • Van Zant
3:31
10."Was I Right Or Wrong" (Demo)
  • Van Zant
  • Rossington
5:33
11."Take Your Time" (Demo)
  • Van Zant
  • King
7:29
  • Track 9 previously released as the band's lead single in April 1974
  • Track 10 previously unreleased
  • Track 11 previously released on Legend

Personnel

[edit]
Lynyrd Skynyrd
Additional personnel
  • Mike Porter – drums on "I Need You"
  • Merry Clayton, Clydie King, Sherlie Matthews – background vocals on "Sweet Home Alabama"
  • Bobby Keys, Trevor Lawrence and Steve Madaio – horns on "Don't Ask Me No Questions" and "Call Me the Breeze"
  • Al Kooper – backing vocals, piano on "Don't Ask Me No Questions" and "The Ballad of Curtis Loew"

Charts

[edit]
Chart (1974) Peak
position
Canada Top Albums/CDs (RPM)[13] 9
US Billboard 200[14] 12

Certifications

[edit]
Region Certification Certified units/sales
United States (RIAA)[3] 2× Platinum 2,000,000^

^ Shipments figures based on certification alone.

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Second Helping

View on Grokipedia
from Grokipedia
is the second studio album by the American band , released on April 15, 1974, through . Produced by , who had helmed their debut, the record expanded on the group's raw fusion of , , and , featuring extended guitar jams and Ronnie Van Zant's gritty vocals on themes of Southern life, work, and rebellion. It peaked at number 12 on the chart and achieved double platinum certification from the RIAA in 1987 for U.S. sales surpassing two million units. The album's standout track, "," became Lynyrd Skynyrd's highest-charting single at number eight on the , propelled by its infectious riff and chorus celebrating regional pride. Penned as a rebuttal to Neil Young's "," which the band saw as overly condemnatory of the South's history, the song's lyrics reference Governor —met with onstage boos by the band—sparking enduring debate over its stance on heritage versus historical grievances, though Van Zant emphasized stirring discussion without endorsing segregation. Other key cuts like "The Needle and the Spoon," addressing heroin use, and "Workin' for MCA" showcased the band's lyrical edge and instrumental firepower from guitarists , , and newcomer . Second Helping cemented Lynyrd Skynyrd's status as Southern rock pioneers, blending unapologetic regionalism with technical prowess amid the 1970s rock landscape, and remains a cornerstone of their catalog despite the band's tragic 1977 plane crash.

Production

Development and Songwriting

Following the release of their debut album (Pronounced 'Lĕh-'nérd 'Skin-'nérd) on August 13, 1973, Lynyrd Skynyrd capitalized on its regional breakthrough by conducting relentless touring across the American South and expanding into national markets, performing alongside acts like the Who and the Eagles to cultivate a dedicated audience through high-energy live sets that showcased their extended jams and three-guitar interplay. This grueling schedule, often exceeding 200 shows annually, honed their material and generated demand for new recordings, directly informing the songwriting for Second Helping as the band drew from road-tested riffs and lyrical themes rooted in Southern identity and working-class resilience. The album's original tracks emerged from a collaborative process where guitarists typically initiated ideas with riffs during band jams, which vocalist then shaped into full songs by adding lyrics that reflected personal anecdotes, regional pride, and critiques of external judgments on the . Primary songwriting credits went to Van Zant alongside guitarists , , and , with Van Zant handling most lyrics—often drawn from everyday Southern life—and the instrumentalists providing melodic foundations, as seen in tracks like "," co-written by Collins and Van Zant to evoke humble, guitar-inspired tales from their Jacksonville roots. This method built on the debut's blueprint but incorporated King's fuller integration after his shift from bass, enabling denser arrangements that amplified the band's raw, riff-driven . A cornerstone of the album, "Sweet Home Alabama," co-written by Van Zant, Rossington, and King, originated as a pointed to Neil Young's "Southern Man" (from 1970's ) and "Alabama" (from 1972's ), which lambasted the South's historical racial injustices in broad, accusatory strokes that the band viewed as oversimplified Northern condescension. The song's lyrics explicitly reference Young—"I hope will remember, a don't need him around anyhow"—to assert unapologetic pride in Southern culture, hospitality, and self-reliance while acknowledging flaws like support for segregationist Governor without excusing them, prioritizing causal regional defense over universal moral posturing. Evolving from a simple Rossington riff practiced during downtime, it crystallized the band's commitment to countering cultural stereotypes through music that celebrated their heritage amid post-Civil Rights tensions. The inclusion of J.J. Cale's "" as the opener stemmed from the band's admiration for Cale's understated , which mirrored their own affinity for relaxed, groove-oriented without the bombast of harder acts, allowing them to reinterpret it with amplified guitars and harmonies to kick off the album energetically. This cover, alongside originals, underscored a deliberate curation of material that reinforced their of authentic, place-based storytelling over contrived trends.

Recording Sessions

The recording sessions for Second Helping took place primarily at Studios in , , during January 1974, marking a shift from the Southern studios used for the band's debut to a major West Coast facility equipped for polished production. Additional tracking occurred at Studio One in . Al Kooper returned as producer, building on his mentorship role from the prior album to emphasize the band's live performance intensity while refining their sound for broader appeal. Kooper's approach maintained sonic consistency with Lynyrd Skynyrd's raw Southern rock roots, resulting in tighter ensemble playing and more cohesive tracks than the looser debut. Ed King's transition to a permanent third position enabled the honing of the group's interlocking three-guitar framework, with his contributions adding melodic precision and harmonic depth to arrangements like those in "" and "I Need You." This configuration, absent on the first album, elevated the overall guitar interplay without diluting the gritty authenticity central to their style.

Personnel

The recording of Second Helping featured Lynyrd Skynyrd's core sextet, augmented by keyboardist and producer Al Kooper's instrumental contributions, which enhanced the album's layered arrangements. provided lead vocals, delivering the raw, narrative-driven style central to tracks like "." and handled rhythm and lead guitars, with Rossington's slide work on "" adding textural depth, while , newly integrated as the third guitarist after joining in 1972, contributed fills, solos, and slide parts on several songs, facilitating the interlocking guitar harmonies that distinguished the album from the duo-guitar focus of the band's 1973 debut. Leon Wilkeson played bass guitar throughout, except on "I Need You" where King substituted, providing rhythmic stability that supported the band's high-energy grooves; Bob Burns manned drums on most tracks, with Mike Porter assisting on "I Need You" for a punchier feel. Backing vocals were supplied by the ensemble known as the Honkettes—Cassie Gaines, Leslie Hawkins, and —along with guest vocalists and on "," creating choral swells that amplified anthemic choruses. , returning from the debut, not only produced but added , , and horn arrangements, influencing the album's polished yet gritty production at studios in January 1974. This configuration represented a stabilized unit post-debut touring, with King's addition enabling denser instrumentation without lineup disruptions that would later affect the band.

Musical Style and Themes

Genre Characteristics

solidified Lynyrd Skynyrd's role as pioneers of Southern rock, fusing blues-rock, boogie rock, hard rock, and country influences into a raw, earthy sound that contrasted sharply with the glam rock prevailing in 1974. The album's core sonic identity revolves around a driving three-guitar attack featuring Gary Rossington, Allen Collins, and Ed King, which delivers layered harmonies, intricate solos, and a dense wall-of-sound texture derived from the band's Jacksonville, Florida origins and exposure to the Muscle Shoals studio scene. This setup enabled boogie rhythms and riff-driven propulsion, emphasizing blue-collar authenticity over polished artifice. Building on their debut (Pronounced 'Lĕh-'nérd 'Skin-'nérd'), Second Helping refined the band's approach with more concise song structures and radio-accessible hooks, enhancing hit potential while preserving an anti-commercial edge through extended guitar interplay and unyielding energy. The production, overseen by , captured tighter arrangements and infectious grooves, allowing the triple guitars to weave melodic lines and counterpoints without overcrowding. Tempo variations span brooding ballads to high-octane rockers, showcasing versatility within the framework and highlighting the rhythm section's—Bob Burns on drums and on bass—propulsive foundation. These elements positioned Second Helping as a for Southern rock's fusion of regional traditions with broader dynamics, influencing subsequent acts through its emphasis on instrumental prowess and regional sonic markers like gritty tones and country-inflected phrasing.

Lyrical Content

The lyrics of Second Helping center on motifs of everyday resilience amid economic hardship, personal loss tempered by redemption through music, and a defense of Southern cultural norms against perceived external . In "Workin' for MCA," chronicles seven years of itinerant labor across Southern states—from to —culminating in a record deal that promises stability but carries undertones of industry opportunism, portraying self-reliant grit as essential to in a competitive field. Similarly, "The Ballad of Curtis Loew" evokes a boy's ritual of scavenging bottles to pay a destitute for performances, blending for with sorrow over the musician's from poverty and , thereby illustrating music's role as solace in marginalized Southern communities. "Sweet Home Alabama" exemplifies cultural defense, with Van Zant rejecting blanket condemnations of the South—evoking figures like —while noting indifference to Watergate scandals, phrased as a rhetorical challenge to critics' own moral consistency, rooted in the band's view of regional pride as a bulwark against national self-righteousness. Tracks like "Don't Ask Me No Questions" reinforce by demanding respect for against familial or societal prying, reflecting a broader emphasis on autonomy over conformity. "The Needle and the Spoon" confronts the destructive allure of , drawing from observed cycles of in working-class environs without sentimentality. These elements derive from the lyricists' immersion in mid-20th-century Southern realities, including , tight-knit neighborhoods, and resistance to outsider judgments, as shaped by Van Zant and ' upbringings in , where economic precarity fostered pragmatic individualism over ideological abstraction. The album avoids romanticized narratives, instead linking personal agency to tangible hardships like itinerant work and community lore, evident in the causal progression from struggle to defiant affirmation across songs.

Track Listing

All tracks are written by Lynyrd Skynyrd members unless otherwise noted.
SideNo.TitleWriter(s)Length
A1""King, Rossington, Van Zant4:43
A2"I Need You"King, Rossington, Van Zant6:55
A3""Rossington, Van Zant3:25
A4"Workin' for MCA"Van Zant4:48
B1""Collins, Van Zant4:20
B2"Swamp Music"King, Van Zant3:33
B3"The Needle and the Spoon"Collins, Van Zant3:53
B4""J. J. Cale5:16
The track sequencing reflects the original 1974 vinyl release on , with no significant regional variations documented in primary releases. Durations may vary slightly across reissues due to remastering differences.

Release and Commercial Performance

Initial Release and Promotion

Second Helping was released on April 15, 1974, by through the Sounds of the South imprint founded by producer , who had discovered the band and handled their initial recordings. The album's , illustrated by Jan Salerno, featured a psychedelic depicting the band members amid hexagonal patterns and symbolic elements, aligning with the title's connotation of abundance and excess in ethos. Promotion centered on the lead single "Sweet Home Alabama," issued on June 24, 1974, which garnered heavy rotation on FM radio stations, capitalizing on its anthemic appeal to Southern audiences. The band supported the release with intensive touring, including dates across the Southern United States to build on regional loyalty from their debut, alongside opening slots for acts like The Who, while Kooper's label oversight facilitated broader distribution networks. In the rock scene, post-Woodstock fragmentation into subgenres like glam and dominated, with British acts emphasizing theatricality; Second Helping positioned as a raw, roots-oriented alternative rooted in American Southern traditions, countering glam's artifice through unpolished energy and regional authenticity.

Chart Positions

Second Helping peaked at number 12 on the in 1974. It spent 45 weeks on the chart. The album's , "Sweet Home Alabama," reached number 8 on the in 1974. No other singles from the album attained notable positions on national charts, reflecting limited airplay beyond the flagship track. Internationally, the achieved modest results, peaking at number 9 on Canada's RPM 100 Albums chart but failing to enter the or other major European listings.

Sales Certifications

In the United States, Second Helping was certified by the RIAA on September 20, 1974, for shipments exceeding 500,000 units. The album achieved 2× Platinum status on July 21, 1987, certifying 2,000,000 units shipped, a milestone driven by enduring catalog sales in the decade following the band's October 20, 1977, plane crash that killed lead singer and others. No further RIAA certifications have been issued since 1987, despite ongoing physical reissues such as 180-gram vinyl editions in the and digital streaming equivalents contributing to its longevity. Internationally, verifiable certifications remain limited; the has not received documented multi-platinum awards in markets like or equivalent to its U.S. performance, though it charted at No. 9 on the Canadian RPM survey. analyses around the album's 50th anniversary in 2024 highlight sustained sales exceeding 2 million units domestically, underscoring its status as a cornerstone of Lynyrd Skynyrd's catalog without triggering updated thresholds for streaming-era equivalents.

Critical Reception

Contemporary Reviews

Upon its release on April 15, 1974, Lynyrd Skynyrd's Second Helping received mixed contemporary reviews, with critics praising its energetic performances and catchy hooks while critiquing its perceived lack of originality compared to established acts. In a July 4, 1974, review, Gordon Fletcher commended the album's "hard-driving rock & roll" and "tight ensemble playing," highlighting its high-energy delivery infused with a distinctive Southern accent, particularly noting "Sweet Home Alabama" for its "considerable charm" as a breakthrough single that propelled the band's visibility. Fletcher attributed the record's appeal to the band's raw authenticity, which resonated amid the rising popularity of Southern-influenced blues rock. However, the same review pointed to shortcomings, describing the material as derivative and less polished than contemporaries like , which Fletcher viewed as more sophisticated and professional in refining songs until they felt inherently right, whereas Skynyrd was inclined to "crank it out anyway" for some tracks perceived as filler. Other period critiques echoed this, portraying the album's macho posturing and regional flavor as overly parochial or formulaic, especially in Northern-based outlets skeptical of Southern rock's broader viability beyond localized audiences. Despite these reservations, no major outright dismissals emerged, and the album's commercial trajectory—peaking at number 12 on the and achieving certification by September 20, 1974—empirically undercut narratives of mere regional confinement, affirming its hooks and vigor as broadly engaging even if not universally innovative.

Retrospective Evaluations

In retrospective analyses, Second Helping has been lauded for refining the raw energy of Lynyrd Skynyrd's debut into a more focused and cohesive statement of , with critic noting that it "replicated all the strengths of the original, but was a little tighter and a little more focused," emphasizing enduring guitar riffs and songcraft that avoided pitfalls. The album's blend of bluesy introspection in tracks like "" and anthemic hooks in "" has positioned it as a cornerstone of the genre, often ranked among the band's finest and a benchmark for Southern rock's gritty authenticity over polished excess. While some observers have critiqued occasional filler amid its brevity, such as less innovative jams, the consensus affirms its timeless riffs and production by , which enhanced the three-guitar interplay without diluting regional roots. The album's cultural reevaluation underscores its challenge to Northern media portrayals of the South as culturally stagnant, exemplified by ""'s direct rebuttal to Neil Young's characterizations, fostering pride in Southern identity through musical excellence rather than defensiveness; empirical data—peaking at No. 12 on the , achieving certification within six months, and later 2× Platinum status—demonstrate appeal transcending regional lines, with the title track hitting the Top 10 and sustaining radio play nationwide. Band members, reflecting in , highlighted Ed King's additions as elevating the sound's potency, contributing to a legacy of raw, unpretentious rock that resonated amid the era's excesses. Marking its 50th anniversary in 2024, publications reaffirmed Second Helping's relevance in a rock landscape reviving authentic, guitar-driven forms, describing it as a "defiant, dizzying peak" whose tracks like "Workin' for MCA" capture the music industry's underbelly with unflinching realism, ensuring its status as a springboard for the band's most enduring work. This perspective aligns with broader canon placements, where it exemplifies Southern rock's counter-narrative to coastal biases, prioritizing empirical musical merit over ideological filters.

Legacy and Cultural Impact

Influence on Southern Rock and Broader Music

Second Helping played a pivotal role in defining the genre by refining the fusion of blues-infused guitar riffs, boogie rhythms, and storytelling lyrics that characterized the band's sound, setting a template for subsequent acts. Tracks like exemplified this blueprint with its dual guitar harmony and regional narrative, influencing bands such as , which formed in 1975 with direct ties through Ronnie Van Zant's brother on vocals and original Skynyrd bassist . This shared personnel and stylistic overlap helped propagate the genre's emphasis on gritty, guitar-driven Southern themes into the late 1970s. The album's reach extended beyond into and country-rock hybrids, as its anthemic structures and accessible hooks inspired broader adoption of extended guitar solos and communal sing-alongs in live performances. "," in particular, has been covered and sampled extensively, amplifying its cross-genre impact; Kid Rock's 2008 hit "All Summer Long" interpolated its riff alongside Warren Zevon's "," reaching number one in multiple countries and reintroducing the track to younger audiences. This sampling contributed to hybrid styles blending rock, hip-hop, and country elements. The album's enduring catalog value was bolstered by Lynyrd Skynyrd's post-1977 plane crash reformation in 1987 under , Ronnie's brother, who assumed lead vocals and led the band in performing classics from Second Helping during tours and recordings. This revival sustained the genre's vitality, with the band releasing live albums and continuing arena tours into the 2020s, ensuring tracks like "" remained staples that influenced ongoing evolutions.

Controversies and Cultural Debates

"," the lead single from Second Helping, sparked enduring debate as a direct rebuttal to 's 1970 track "" and its 1972 follow-up "," which portrayed the American South as uniformly steeped in and . Lynyrd Skynyrd's countered this by asserting regional pride and rejecting broad-brush condemnations, with lines like "Well, I heard Mister Young sing about her / Well, I heard ol' Neil put her down" and "A don't need him around anyhow," emphasizing and cultural defense over external critique. Band members, including , framed the song as a lighthearted pushback against perceived Northern elitism, noting Young's Canadian perspective overlooked Southern complexities; Van Zant reportedly wore Neil Young T-shirts onstage during performances, underscoring no personal animosity despite the lyrical jab. Central to the controversy is the couplet "In Birmingham they love the governor," referencing Alabama Governor , a prominent segregationist who stood against federal integration efforts in 1963 but later renounced racism in a 1979 apology following a 1972 assassination attempt that left him paralyzed. Critics, particularly in left-leaning outlets, have interpreted the line as an endorsement of Wallace's policies, tying it to the song's evocation of Southern defiance amid civil rights struggles. However, co-writer and surviving members clarified it as an observational nod to Wallace's genuine popularity among many at the time—evidenced by his multiple elections despite controversy—rather than ideological support; , another co-writer, later claimed it defended Wallace's shift toward moderation, but Rossington emphasized the band's intent was descriptive, not prescriptive, with the parenthetical "(boo boo boo)" adding ironic distance. Van Zant himself described the track as partly a "," rejecting and highlighting the song's Watergate reference—"Now Watergate does not bother me / Does your conscience bother you?"—as a bipartisan critique of hypocrisy. Cultural debates intensified around Lynyrd Skynyrd's use of the Confederate battle flag as a concert backdrop during "" performances, which some viewed as glorifying a symbol of and , while band members and Southern defenders argued it represented heritage, rebellion against overreach, and regional identity unbound by historical guilt-by-association. The flag's display, starting in the band's early tours, aligned with the song's themes of unapologetic "" pride but drew scrutiny from progressive critics who linked it to systemic , especially post-2015 debates. Empirical defenses note the band's apolitical focus—drawing diverse audiences without endorsing segregation—and Wallace's own policy evolution, with recent analyses, including band retrospectives, stressing the track's causal in authentic Southern and anti-generalization over partisan signaling; for instance, surviving members reiterated in interviews that the song celebrated home without excusing past wrongs, countering media narratives often amplified by institutional biases toward framing Southern expressions as inherently suspect.

References

  1. https://ultimateclassicrock.com/lynyrd-skynyrd-second-helping/
  2. https://www.allmusic.com/album/second-helping-mw0000273339
  3. https://bestsellingalbums.org/album/28201
  4. https://www.billboard.com/charts/hot-100/1974-11-09/
  5. https://www.al.com/life/2024/06/50-years-ago-sweet-home-alabama-was-released-here-are-10-facts-about-the-song.html
  6. https://www.wideopencountry.com/sweet-home-alabama/
  7. https://ultimateclassicrock.com/lynyrd-skynyrds-pronounced-leh-nerd-skin-nerd-turns-40/
  8. https://glidemagazine.com/294882/50-years-later-revisiting-lynyrd-skynyrds-striking-debut-pronounced-leh-nerd-skin-nerd/
  9. https://rockandrollglobe.com/rock/simple-men-lynyrd-skynyrds-pronounced-leh-nerd-skin-nerd-at-50/
  10. https://edking.proboards.com/thread/78/songwriting
  11. https://americansongwriter.com/anniversary-album-50-years-of-second-helping-by-lynyrd-skynyrd/
  12. https://classicrockreview.wordpress.com/2022/04/11/album-of-the-week-club-review-lynyrd-skynyrd-second-helping-1974/
  13. https://thrasherswheat.org/jammin/lynyrd.htm
  14. https://americansongwriter.com/the-southern-man-and-sweet-home-alabama-connection-you-didnt-know-about/
  15. https://www.countryliving.com/life/entertainment/a43715/sweet-home-alabama-song-meaning/
  16. https://www.songfacts.com/facts/lynyrd-skynyrd/call-me-the-breeze
  17. https://www.facebook.com/JJCaleOfficial/posts/50-years-ago-lynyrd-skynyrd-performed-a-cover-of-cales-song-call-me-the-breeze-i/1211178553696983/
  18. https://www.classicrockreview.com/2014/07/1974-lynard-skynard-second-helping/
  19. https://www.discogs.com/release/10414140-Lynyrd-Skynyrd-Second-Helping
  20. https://www.udiscovermusic.com/stories/lynyrd-skynyrd-second-helping-album/
  21. https://www.loudersound.com/reviews/album-of-the-week-club-review-lynyrd-skynyrd-second-helping
  22. https://rockandrollglobe.com/rock/how-lynyrd-skynyrd-doubled-down-with-second-helping/
  23. https://www.discogs.com/release/6820171-Lynyrd-Skynyrd-Second-Helping
  24. https://www.sessiondays.com/2022/05/1974-lynyrd-skynyrd-second-helping/
  25. https://www.classicrockhistory.com/complete-list-of-lynyrd-skynyrd-band-members/
  26. https://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/lynyrd-skynyrd
  27. https://www.songfacts.com/facts/lynyrd-skynyrd/workin-for-mca
  28. https://genius.com/Lynyrd-skynyrd-workin-for-mca-lyrics
  29. https://www.songfacts.com/facts/lynyrd-skynyrd/the-ballad-of-curtis-loew
  30. https://americansongwriter.com/meaning-sweet-home-alabama-lynyrd-skynyrd-song-lyrics/
  31. https://www.al.com/life/2025/07/15-things-we-have-to-explain-about-the-song-sweet-home-alabama.html
  32. https://www.subjectivesounds.com/musicblog/lynyrd-skynyrd-second-helping-album-review
  33. https://www.alltime-records.com/01-albums-0008/0008701.php
  34. https://defendingaxlrose.com/2014/04/17/southern-complexities-lynyrd-skynyrd-race/
  35. https://www.discogs.com/master/70584-Lynyrd-Skynyrd-Second-Helping
  36. https://www.discogs.com/release/16504149-Lynyrd-Skynyrd-Second-Helping
  37. https://americansongwriter.com/5-most-memorable-lynyrd-skynyrd-album-covers/
  38. https://www.jacksonville.com/story/entertainment/music/2024/07/24/lynyrd-skynyrd-anthem-sweet-home-alabama-released-50-years-ago/74498251007/
  39. https://967theeagle.net/lynyrd-skynyrd-tv-performance-1974/
  40. https://www.reddit.com/r/TheWho/comments/1kadke1/1974_tour_with_lynyrd_skynyrd/
  41. https://fullsail.libguides.com/c.php?g=735765&p=7706392
  42. https://www.billboard.com/charts/billboard-200/1974-07-20/
  43. https://www.superseventies.com/splynyrdskynyrd.html
  44. https://www.billboard.com/charts/hot-100/1974-09-20/
  45. https://www.officialcharts.com/artist/15843/lynyrd-skynyrd/
  46. https://tsort.info/music/7b5g4u.htm
  47. https://elusivedisc.com/lynyrd-skynyrd-second-helping-180g-lp/
  48. https://christiansmusicmusings.wordpress.com/2024/04/15/lynyrd-skynyrds-second-helping-hits-the-big-50/
  49. https://www.rollingstone.com/music/music-album-reviews/second-helping-205361/
  50. https://www.whattheriff.com/e/1974-june-lynyrd-skynyrd-second-helping/
  51. https://www.albumoftheyear.org/album/11456-lynyrd-skynyrd-second-helping/user-reviews/
  52. https://ultimateclassicrock.com/lynyrd-skynyrd-second-helping-interview-2024/
  53. https://ultimateclassicrock.com/lynyrd-skynyrd-albums-ranked/
  54. https://init-music.blogspot.com/2013/01/lynyrd-skynyrd-second-helping.html
  55. https://www.michael-elliott.com/p/a-second-helping-of-southern-rock-6ee
  56. https://www.watchmojo.com/articles/top-10-best-southern-rock-bands
  57. https://pop-verse.com/2013/07/01/kid-rock-the-postmodern-paradigm/
  58. https://www.popmatters.com/kid-rock-trumpian-roots-branches
  59. https://chartedmag.com/2025/07/08/johnny-van-zant-talks-lynyrd-skynyrd-legacy-following-gary-rossingtons-passing-and-celebrating-50-years-live-at-the-ryman-album-exclusive/
  60. https://www.loudersound.com/bands-artists/lynyrd-skynyrd-plane-crash
  61. https://faroutmagazine.co.uk/neil-young-lynyrd-skynyrd-feud/
  62. https://www.npr.org/2018/12/17/676863591/sweet-home-alabama-lynyrd-skynyrd-southern-discomfort-american-anthem
  63. https://www.theguardian.com/music/2015/jun/23/country-music-confederate-flag-south-race
  64. https://www.musicradar.com/artists/when-ronnie-sang-about-neil-young-in-that-song-that-was-kind-of-a-joke-lyric-about-him-we-loved-neil-young-the-true-story-of-lynyrd-skynyrds-sweet-home-alabama
Add your contribution
Related Hubs
User Avatar
No comments yet.