Hubbry Logo
Send Me on My WaySend Me on My WayMain
Open search
Send Me on My Way
Community hub
Send Me on My Way
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Send Me on My Way
Send Me on My Way
from Wikipedia

"Send Me on My Way"
Single by Rusted Root
from the album Cruel Sun and When I Woke
Released1994
GenreWorldbeat
Length4:33 (Cruel Sun version)
4:19 (When I Woke version)[1]
Label
Songwriters
  • Michael Glabicki
  • Liz Berlin
  • John Buynak
  • Jim Dispirito
  • Jim Donovan
  • Patrick Norman
  • Jennifer Wertz[2]
Producers
Rusted Root singles chronology
"Send Me on My Way"
(1994)
"Ecstasy"
(1995)

"Send Me on My Way" is a song by American worldbeat rock band Rusted Root. Originally released as a rough version on 1992's Cruel Sun, it was re-mixed in 1994 for their second album, When I Woke, and released as the lead single.[2] Root's frontman, Michael Glabicki, wrote the lyrics, and its other members – Liz Berlin, John Buynak, Jim Dispirito, Jim Donovan, Patrick Norman and Jennifer Wertz – contributed to the track.[2] It peaked at number 72 on the Billboard Hot 100.[4]

Critical reception

[edit]

Critical reception has been mixed. In January 2014, in a review for Cruel Sun, Kurt Keefner said that "the African vocal riff from 'Send Me on My Way' is bad Ladysmith Black Mambazo",[5] whereas Chris Baker of Syracuse.com said "The song's pep and lightheartedness is undoubtedly responsible for its success. Unlike the fervor found in songs like 'Ecstasy' or 'Lost in a Crowd,' 'Send Me on My Way' is unbridled optimism – perfect for a children's movie."[6]

Music video

[edit]

Directed by Sean Alquist, the music video was filmed in the badlands of South Dakota in late 1994.[7]

Charts

[edit]
Chart performance for "Send Me on My Way"
Chart (1995) Peak
position
Radio and Records Pop[8] 39
US Billboard Hot 100[9] 72

Certifications

[edit]
Certifications for "Send Me on My Way"
Region Certification Certified units/sales
New Zealand (RMNZ)[10] 3× Platinum 90,000
United Kingdom (BPI)[11]
Sales since 2004
2× Platinum 1,200,000

Sales+streaming figures based on certification alone.

[edit]

Despite not being an immediate commercial success, it has since become an "iconic track of the 1990s", mainly due to its prominence in several movies and TV series, including Pie in the Sky, Matilda, Party of Five, Ice Age, Race the Sun, Maid, New Girl, Big Mouth and Rick and Morty.[12][13]

Nature Valley and Enterprise Rent-A-Car have used the song in their ads.[14][15]

NASA engineers chose "Send Me on My Way" as "wake up" music for the Mars Exploration Rover Opportunity, for Sol 21.[16]

Because of its use in popular culture, frontman Glabicki has said that the song has "become a different thing for us. It's this thing that lives next to us. Everyone has a great memory or connection with the song. The song grew up and now has a life of its own; it's bigger; we get to sit back and watch it."[17]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
"Send Me on My Way" is a by the American rock band , first released in a rough demo version on their independent debut album in 1992 and re-recorded for their major-label breakthrough on August 23, 1994. The track, characterized by its upbeat percussion-driven worldbeat rhythm and Michael Glabicki's layered vocals, became the band's signature hit, peaking at number 72 on the chart in 1995. Rusted Root, formed in , , in 1990, blends elements of , folk, , and jam-band improvisation, often emphasizing group percussion and acoustic instrumentation. The success of "Send Me on My Way" propelled to platinum certification by the RIAA in 1996, selling over one million copies in the United States and establishing the band as a notable act in the mid-1990s scene. Beyond its chart performance, the song gained widespread cultural recognition through its use in popular media, including the films Matilda (1996), Ice Age (2002), Twister (1996), and Home for the Holidays (1995), as well as later television appearances in shows like . This exposure has contributed to its enduring popularity as an "iconic track of the 1990s," often evoking for its joyful, exploratory vibe.

Background

Origin and writing

"Send Me on My Way" was written by Rusted Root's frontman Michael Glabicki, with the band—Michael Glabicki, Liz Berlin, John Buynak, Jim DiSpirito, Jim Donovan, Patrick Norman, and Jennifer Wertz—contributing to its arrangement and performance. The song originated in 1992 amid the band's formative period, evolving from live improvisations and jam sessions that characterized their early performances and recordings in . Glabicki composed the initial version alone in a sunlit , where the lyrics flowed spontaneously during a moment of joyful energy, incorporating playful, nonsensical phrases like "oombayseeyou" and "seemoobadeeyah" to capture an emotional, uplifting essence. Drawing from Rusted Root's influences, the track's creation was inspired by the African-infused vocal styles of artist , blending rhythmic percussion and global sounds into a hopeful, earthy vibe reflective of the band's communal jam style. Elements like John Buynak's penny whistle solo emerged from goofy, collaborative jams, adding to the song's whimsical, tribal feel. An original rough demo of the song first appeared on Rusted Root's independent debut album , released in 1992, where it ran approximately 4:56 in length. This early version captured the band's raw, improvisational spirit before a polished re-recording for their 1994 major-label album .

Recording process

"Send Me on My Way" was re-recorded in 1994 for Rusted Root's major-label debut album , with the track shortened to a runtime of 4:19. This version represented a rework of the original recording that had appeared on the band's 1992 independent debut album . The production took place at Bill Bottrell's Toad Hall Studio in , utilizing a Neve 8058 console to capture the sessions. Bottrell, known for his work with artists like and , served as producer, with Blair Lamb handling recording duties, all under the Mercury label of Records. The band refined the song's jam-band roots during these sessions, enhancing its joyful tone for broader commercial appeal while maintaining its energetic spirit. Key production changes focused on polishing the percussion and vocals to amplify the track's upbeat, rhythmic drive, transforming the raw indie sound into a more accessible rock arrangement. The full band lineup at the time—comprising Michael Glabicki on vocals and guitar, Patrick Norman on bass, Liz on and percussion, John Buynak on keyboards and pennywhistle, Jenn Wertz on vocals and percussion, Jim DiSpirito on and percussion, and Jim Donovan on drums and percussion—participated in the recording, emphasizing their signature live energy within the studio environment.

Composition

Musical style

"Send Me on My Way" is classified as rock, a genre that fuses elements of folk, , African rhythms, and jam-band improvisation to create a vibrant, cross-cultural sound. The song draws from global music traditions, incorporating percussive patterns inspired by African drumming and grooves, which contribute to its optimistic and nomadic feel. The track features prominent instrumentation including congas and shakers for rhythmic drive, acoustic and electric guitars for melodic foundation, (notably a penny solo), and layered vocals that build an eclectic, upbeat groove. Structurally, it follows a verse-chorus form punctuated by extended breaks that allow for jam-band-style , particularly in the percussion and sections, at an upbeat of 119 BPM in the key of . This arrangement enhances the song's free-spirited energy, with the musical style complementing its lyrical optimism in a single, cohesive expression.

Lyrics and themes

The lyrics of "Send Me on My Way," written by frontman Michael Glabicki, adopt a poetic and abstract style that prioritizes emotional evocation over a literal . Phrases such as "I would like to reach out my hand / Oombayseeyou, oombaytellyou to run" and "Well, pick me up with golden hand / Oombayseeyou, oombaytellyou to run" blend English words with invented, chant-like syllables like "Oombayseeyou" and "Seemoobadeeyah," designed to convey a sense of playful rhythm and feeling rather than specific definitions. Glabicki has explained that these nonsensical elements emerged spontaneously to capture a "very, very happy feeling," inspired by a sunny day in the studio and influences like ' African-inspired sounds. Central themes revolve around journey and self-discovery, portraying life's path as an adventure to be embraced with and . The recurring chorus—"Send me on my way"—serves as an invocation for forward movement and , evoking a desire to break free and venture into the unknown, while lines like "We will run, we will, we will crawl" suggest a , exploratory progression through challenges. This is complemented by motifs of human connection and support, as in "I would like to hold my little hand," symbolizing companionship amid personal growth, and dream-like imagery such as the "golden hand," which implies uplifting guidance or aspiration. Glabicki's vocal delivery enhances the song's whimsical tone through scat-like riffs and layered harmonies, where the improvised, melodic phrasing over the abstract reinforces themes of and emotional upliftment. The overall content lacks explicit political or , instead functioning as a feel-good that celebrates personal transformation and the exhilaration of embracing one's path. This uplifting quality aligns briefly with the track's influences, amplifying its sense of communal exploration.

Release

Commercial release

"Send Me on My Way" was released as the from Rusted Root's second studio album, , on May 2, 1995, by , an imprint of . The single marked a key part of the album's rollout, which served as the band's major-label debut following their independent 1992 release . It was issued in multiple physical formats, including CD maxi-single, cassette single, and 7-inch vinyl, with some editions featuring B-sides such as live recordings of "Cat Turned Blue" and "Back to the Earth," alongside the album version of the track. The U.S. launch preceded an international expansion to markets in and later that year.

Promotion

The promotion of "Send Me on My Way," the from Rusted Root's major-label debut album , centered on targeted radio outreach and extensive live performances to generate organic momentum in 1995. , a subsidiary, prioritized on alternative and alternative radio formats, where the track quickly gained traction through adds on stations monitored by trade publications like Radio & Records and FMQB. Program directors praised its unique, energetic sound, with one noting it as a "great summer record" that tested strongly with listeners. Complementing radio efforts, Rusted Root leveraged their robust touring schedule to amplify exposure, performing the song nightly during openers for major acts like the Grateful Dead at Three Rivers Stadium in Pittsburgh on June 30 and the Allman Brothers Band at Shoreline Amphitheatre. The band also joined the summer 1995 H.O.R.D.E. festival circuit, headlined by Blues Traveler and featuring Lenny Kravitz, which provided a platform for grassroots buzz among jam band and alternative rock audiences at multi-city stops. Mercury's approach highlighted the song's inherently uplifting and joyful vibe—described by frontman Michael Glabicki as inspired by a sunny recording session and influences—to foster crossover appeal beyond core rock listeners, positioning it for broader adult contemporary and pop-leaning outlets. Early media licensing opportunities further supported this, with the track securing placement in the 1996 film Matilda, which helped lay the groundwork for its enduring sync success in commercials and soundtracks.

Commercial performance

Chart performance

"Send Me on My Way" debuted on the at number 87 on September 2, 1995, before reaching a peak position of number 72 the following week. The single spent six weeks on the chart, largely propelled by strong radio airplay and early media exposure. The song achieved modest success on other US airplay charts, peaking at number 16 on the chart, reflecting its appeal in radio formats during the mid-1990s. Internationally, the track saw limited chart traction. Its performance in markets like and was similarly subdued, without notable peaks on national charts. Following its inclusion in films such as Matilda (1996) and Ice Age (2002), the song experienced a resurgence in popularity, particularly through streaming platforms in the 2010s and 2020s; this led to a brief re-entry on the UK Official Singles Sales Chart at number 78 in April 2021, driven by digital downloads and renewed media use, though it did not impact traditional weekly charts substantially.

Certifications

In the United Kingdom, "Send Me on My Way" was certified Platinum by the British Phonographic Industry (BPI) on December 18, 2020, recognizing 600,000 units sold or streamed. In the United States, the track has not been certified by the Recording Industry Association of America (RIAA), despite surpassing 572 million streams on Spotify as of November 2025.

Music video

Production

The music video for "Send Me on My Way" was directed by Sean Alquist and produced by Joe Charbanic for The End production company, with Randy Sosin serving as executive producer. Filming took place in late 1994, shortly after the release of Rusted Root's album When I Woke on August 23, 1994. The production captured the band's performance against the dramatic, eroded landscapes of South Dakota's Badlands National Park, selected to evoke the song's themes of exploration and natural freedom, as described by lead singer Michael Glabicki in a 2018 interview. As a relatively low-budget endeavor aligned with the band's emerging independent rock ethos, the shoot emphasized raw, on-location authenticity over elaborate sets or , highlighting the full ensemble's communal and improvisational style. The challenging cold weather conditions in the added to the organic feel, with the crew focusing on wide shots of the terrain interspersed with close-ups of the musicians playing amid the rugged formations. Post-production maintained a minimalist approach, prioritizing unpolished performance sequences of the band—featuring lead singer and guitarist Michael Glabicki and other members—to preserve the track's earthy, jam-band energy without heavy digital enhancements or narrative overlays. This straightforward editing style underscored the video's intent to mirror the song's spontaneous, uplifting vibe, released under as part of the single's promotion.

Content

The music video for "Send Me on My Way" prominently features performing in the rugged terrain of South Dakota's , a stark and dramatic landscape that underscores the song's adventurous spirit. Band members, clad in simple, earthy attire reminiscent of nomadic wanderers, play percussion, flutes, and guitars while gathered in loose, improvisational formations amid rocky outcrops and vast open expanses. This performance footage is intercut with abstract imagery of and , including sweeping shots of winding dirt roads, distant horizons, and elemental motifs like wind-swept dust and flowing water, symbolizing freedom and exploration. The narrative evokes a motif, portraying members as journeying companions who wander through the wilderness, pausing to jam energetically in remote clearings and hilltops. These sequences blend literal movement—such as running across arid plains or driving through desolate routes—with metaphorical elements of escape and discovery, aligning closely with the song's lyrics about setting off on an uncharted path. The overall story arc suggests a communal , where the group's rhythmic interplay mirrors the unpredictable of , fostering a sense of unity and exhilaration without a linear plot. Filmed primarily in , these visuals capture the isolation and raw beauty of the American Midwest. Stylistically, the video employs dynamic handheld camerawork to impart a of immediacy and spontaneity, with quick pans and unsteady tracking shots that mimic the band's live, jam-session energy. Earthy tones dominate the color palette—ochres, browns, and muted greens—enhancing the organic, roots of Rusted Root's sound and grounding the footage in a naturalistic aesthetic that contrasts with more polished rock videos. Close-ups of instruments and faces during performances add intimacy, while wider landscapes emphasize scale and liberation, reinforcing the theme of being "sent on one's way" into the unknown. The video was released to and alternative music channels in 1995, receiving heavy rotation that boosted the single's exposure amid the era's burgeoning interest in jam-band and acts. This television helped propel "Send Me on My Way" into mainstream consciousness, complementing its radio success.

Reception

Critical reviews

Upon its release in 1994, to "Send Me on My Way" as the lead single from Rusted Root's When I Woke was mixed, reflecting the band's eclectic fusion of worldbeat, folk-rock, and jam elements. critic rated the 3 out of 5 stars, calling it an "agreeable collection of post-hippie folk/rock" that draws from influences like the , , and Paul Simon's -era in equal measure, with bopping rhythms and neo-psychedelic textures that create a good time but ultimately fail to develop ideas beyond surface-level assembly, yielding a "pleasant but inconsequential record." The song was seen as emblematic of alternative rock's diverse, genre-blending side, though its whimsical, chant-like vocals and playful lyrics occasionally drew notes of overindulgence in tropes. The album, propelled by the single, reached No. 51 on the Billboard 200. In a , the track's optimistic vibe was lauded for its "unbridled optimism" and "pep and lightheartedness," qualities that lent it enduring feel-good appeal despite initial lukewarm critiques.

Legacy

"Send Me on My Way" has maintained enduring popularity, evidenced by over 570 million streams on as of November 2025. The track remains a staple in Rusted Root's live performances, contributing to the band's ongoing tours and festival appearances that highlight their rock style. The song has inspired notable covers and remixes, including an acoustic version by The Distance released in , which reinterprets the original's energetic vibe in a stripped-down format. Similarly, Fletz produced an electronic remix in 2023, updating the track for audiences. As a career-defining track for , "Send Me on My Way" helped establish their place in the jam-band genre, blending rock, , and improvisational elements. Its status as a nostalgic for multiple generations is evidenced by its continued use in popular media.

Use in media

Film and television

"Send Me on My Way" by has been featured in several notable films, often underscoring themes of adventure and triumph. In the 1996 family comedy Matilda, directed by , the song appears during the final scene and end credits, playing as the young protagonist embraces her newfound freedom and powers after defeating the tyrannical school principal, providing an energetic and joyful close to the narrative. In Twister (1996), it accompanies a storm-chasing sequence, heightening the excitement of the pursuit. Similarly, in the 2002 animated film Ice Age, the track is used during the travel montage in the middle of the film, accompanying the journey of prehistoric animals across a frozen landscape and enhancing the film's whimsical sense of exploration and camaraderie among unlikely companions. In Home for the Holidays (1995), it plays during a family gathering montage, capturing themes of reunion and warmth. The song has also found a place in television programming, typically in moments that blend humor with uplift. In the action-comedy series Chuck, a cover version performed by the in-show band Jeffster! features in season 4, episode 16 ("Chuck Versus the Masquerade," aired February 21, 2011), where it calms a fussy infant during a high-stakes family gathering, adding levity to the episode's blend of espionage and domestic chaos. In New Girl (season 1, episode 12, "The Landlord," 2012), the original recording plays as roommates Jess and Nick navigate an awkward encounter with their landlord Remy, contributing to the show's signature quirky and feel-good dynamic. More recently, in Rick and Morty (season 8, episode 8, "Nomortland," 2025), it accompanies a montage of Jerry Smith traversing multiversal realities in search of purpose, amplifying the episode's comedic take on personal discovery and interdimensional travel. Beyond scripted entertainment, the song's exploratory spirit led NASA engineers to select it as a wake-up call for the Mars Exploration Rover Opportunity on Sol 21 (February 15, 2004), broadcast to the spacecraft during its early mission phase on the Martian surface. These sync placements, frequently involving edited versions to fit scene pacing, have greatly increased the track's cultural visibility and enduring appeal in media.

Advertising and other uses

The song "Send Me on My Way" by has been featured in several television commercials, particularly those promoting travel and outdoor lifestyles. In the early 2010s, it served as the soundtrack for multiple advertisements, including spots emphasizing the company's family-owned roots and customer service, such as the 2013 "Family Owned" campaign and the 2012 "College Grads" ad. More recently, in the 2020s, the track appeared in granola bar commercials, underscoring themes of family bonding and nature exploration, as seen in the 2024 "No Greater Classroom Than the Great Outdoors" spot and the 2023 "Which Camp Are You In?" series. In sports-related contexts, the song has been played at baseball events to energize crowds, including during the 2018 Double-A All-Star Game Home Run Derby at Trenton Thunder Stadium. It has also been incorporated into video games, notably as downloadable content for Rock Band 4 in January 2024, allowing players to perform the track as part of the game's final DLC pack alongside songs by Dido and The Calling. Beyond advertising and sports, "Send Me on My Way" has appeared in various online and viral content, including user-generated covers and parodies that highlight its upbeat, nostalgic vibe, contributing to its cross-generational resonance through renewed exposure on digital platforms. These applications have helped maintain the song's cultural footprint, often evoking themes of and positivity in non-entertainment settings.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.