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Rusted Root
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Rusted Root is an American worldbeat rock band formed in the year 1990 in Pittsburgh, Pennsylvania[2] by singer-guitarist Michael Glabicki, bassist Patrick Norman and percussionist Liz Berlin. The band got its start as the house band playing a weekly gig in Jack's Back Room on Pittsburgh's South Side. The band achieved fame in 1994 with its platinum-selling album When I Woke, which included the hit single "Send Me on My Way". The song has been featured prominently in many films and commercials. Rusted Root has sold more than three million albums.[1] After releasing The Movement in 2012 and touring through 2015, the band went on an indefinite hiatus, with principal songwriter and vocalist Michael Glabicki forming the group Uprooted with former members of Rusted Root and continuing to tour with that group into the early 2020s.[3]
Key Information
Musical style and influences
[edit]The band's style is a fusion of acoustic, rock, world and other styles of music, with a strong percussion section that draws from African, Latin American, Indian and Native American influences. Michael Glabicki has acknowledged the popular success of Peter Gabriel's 1986 album So as an influence on his decision to incorporate worldbeat into his own music.[1] The band's lyrical content varies but often talks about Christianity and Judaism. The group's 2012 album, The Movement, was fan funded.[4]
Members
[edit]Current members
[edit]- Michael Glabicki – lead vocals, guitar, harmonica, mandolin (1990–present)
- Patrick Norman – bass guitar, backing vocals, percussion
- Liz Berlin – vocals, percussion
Past members
[edit]![[icon]](https://en.wikipedia.org/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding missing information. (May 2024) |
- Jim Donovan – drums, percussion (1990–2005)
- Jenn Wertz – backing vocals, percussion (1990–2008)
Discography
[edit]Studio albums
[edit]| Year | Album | Peak chart positions | Certifications | Record label | |
|---|---|---|---|---|---|
| Billboard 200 [5] |
Heatseekers Albums [5] | ||||
| 1992 | Cruel Sun | — | — | ||
| 1994 | When I Woke | 51 | 1 |
|
Mercury |
| 1996 | Remember | 38 | — |
| |
| 1998 | Rusted Root | 165 | — | ||
| 2002 | Welcome to My Party | 129 | — | Island | |
| 2009 | Stereo Rodeo | — | — | Adrenaline Music | |
| 2012 | The Movement | — | — | Shanachie | |
| "—" denotes a recording that did not chart or was not released in that territory. | |||||
Live albums
[edit]- Rusted Root Live (2004)
Compilations
[edit]- The Best of Rusted Root: 20th Century Masters - The Millennium Collection (2005)
Extended plays
[edit]- Rusted Root (1990)
- Christ Monkey (1991)
- Live (1995)
- Evil Ways (1996)
- Airplane (1998)
Singles
[edit]| Year | Song | US Hot 100 [5][6] |
Certifications |
|---|---|---|---|
| 1994 | "Send Me on My Way" | 72 | |
| 1995 | "Ecstasy" | — | |
| 1996 | "Evil Ways" | — | |
| "Faith I Do Believe" | — | ||
| "Who Do You Tell It To" | — | ||
| "Virtual Reality" | — | ||
| "Sister Contine" | — | ||
| 1998 | "Magenta Radio" | — | |
| 2002 | "Welcome to My Party" | — | |
| "—" denotes releases that did not chart. | |||
References
[edit]- ^ a b c d Bonfiglio, Jeremy D. (July 6, 2014). "Staying connected to their Roots". The Herald Palladium. Retrieved August 8, 2017.
- ^ Bush, John. "Biography". AllMusic. Retrieved January 14, 2022.
- ^ Homer, Aaron (June 20, 2022). "Whatever Happened to Rusted Root?". Grunge.com. Retrieved January 27, 2023.
- ^ Greenhaus, Mike (May 1, 2013). "The Core: Rusted Root". Relix.
- ^ a b c "Rusted Root - Awards". AllMusic. Archived from the original on September 6, 2012. Retrieved January 15, 2022.
- ^ "Rusted Root Top Songs / Chart Singles Discography". Music VF. Retrieved January 15, 2022.
- ^ "Rusted Root - Send Me on My Way". bpi.co.uk. Retrieved January 21, 2022.
External links
[edit]
Wikimedia Commons has media related to Rusted Root.
- Official website
- Official Facebook page
- Rusted Root collection at the Internet Archive's live music archive
- Rusted Root discography at Discogs
| International | |
|---|---|
| Artists | |
Rusted Root
View on Grokipediafrom Grokipedia
History
Formation and early career
Rusted Root was formed in 1990 in Pittsburgh, Pennsylvania, by singer-guitarist Michael Glabicki and vocalist-guitarist Liz Berlin as an acoustic duo, with the group initially serving as the house band for weekly gigs at Jack's Back Room in the city's South Side neighborhood.[13][14] Drummer-percussionist Jim Donovan and guitarist-bassist Patrick Norman soon joined, forming the core quartet that anchored the band's early sound.[13] The lineup expanded later that year with the addition of vocalist Jenn Wertz and multi-instrumentalist John Buynak on winds and percussion, enabling more complex arrangements during live sets.[13] Early performances took place at local venues like The Artery and the Beehive Theater, as well as benefits, small clubs, and fan-organized events in rented warehouses, where attendees contributed food and setup support to foster a communal atmosphere.[15][16][17] Through these grassroots gigs and house parties, the band honed its jam-band style, featuring extended improvisations and nascent percussive, worldbeat elements that drew from global rhythms.[13][17] In 1992, Rusted Root self-released their debut album Cruel Sun on the independent label Prose & Con Spirito, recording and mixing it at Audiomation Studios in Pittsburgh.[18][19] The album received limited distribution, primarily through local outlets and regional college networks, and garnered no national chart success despite modest sales exceeding 100,000 copies.[13][20] The band's early years were marked by challenges, including lineup adjustments as members joined and the band navigated Pittsburgh's eclectic music scene, which blended rock, blues, R&B, and emerging techno influences, requiring persistent efforts to cultivate a loyal local following.[17][13]Commercial breakthrough
Following the local buzz generated by their independent debut Cruel Sun in 1992, Rusted Root signed with Mercury Records in 1993 after submitting demo tapes that caught the label's attention through the band's energetic live shows in Pittsburgh.[1][13] The band's major-label debut, When I Woke, arrived in August 1994 and marked their commercial ascent, peaking at No. 51 on the Billboard 200.[21] The album achieved platinum certification from the RIAA in 1996 for sales exceeding one million units in the United States.[6] Its lead single, "Send Me on My Way," climbed to No. 72 on the Billboard Hot 100 in 1995, blending worldbeat rhythms with accessible rock that resonated on alternative radio.[22] The track's upbeat vibe led to its prominent placement in films, including the family comedy Matilda (1996) and the animated hit Ice Age (2002), extending its cultural reach beyond initial chart performance.[23][24] From 1995 to 1996, Rusted Root capitalized on this momentum with intensive touring, opening slots for veteran acts and headlining slots at jam-band festivals such as the H.O.R.D.E. tour, which exposed them to diverse audiences and cultivated a dedicated national following.[25][26] This period solidified their reputation in the burgeoning jam-band scene, where their improvisational live sets emphasized percussion-driven grooves and global influences. The 1996 follow-up Remember continued their upward trajectory, reaching No. 38 on the Billboard 200 and earning gold certification from the RIAA for over 500,000 copies sold.[21][27] Standout singles like "Faith I Do Believe" and "Virtual Reality" highlighted the album's eclectic fusion, maintaining rotation on MTV and alternative outlets.[28] Media exposure, including heavy MTV airplay for "Send Me on My Way" and festival appearances, cemented Rusted Root's status as a key player in mid-1990s alternative rock.[29] In 1997, they opened for Santana on multiple East Coast and Midwest dates, blending their percussive style with the guitar legend's Latin rock to thrill shared audiences.[30]Mid-career developments
Following the commercial peak of their early work, Rusted Root navigated significant label transitions in the late 1990s, culminating in the release of their self-titled fourth studio album on November 10, 1998, through Mercury Records, which was amid the PolyGram-Mercury corporate merger that disrupted distribution and promotion efforts.[31] The album marked a sonic evolution toward more experimental and polished arrangements, incorporating refined production and a mellow introspection that contrasted the band's earlier raw, percussion-driven energy, as noted in contemporary reviews praising its focus on songwriting details.[32] This shift reflected internal creative explorations but contributed to the record's subdued commercial reception, as the band grappled with industry instability. By 2002, Rusted Root had moved to Island Records for their fifth album, Welcome to My Party, released that year, which explored themes of spirituality and global rhythms through a blend of soulful funk, multicultural folk-rock, and rhythmic percussion that evoked the band's worldbeat roots.[33] Frontman Michael Glabicki described the recording process as spiritually attuned, drawing on crowd energy and diverse influences to infuse the tracks with emotional depth and metrical drum patterns.[34] The album's poppier leanings, including hip-hop elements, represented a deliberate evolution, though it also highlighted personnel restructuring, with vocalist Jenn Wertz rejoining after a five-year hiatus prompted by prior creative differences.[31] In the late 2000s, the band embraced independence with Stereo Rodeo in 2009, distributed through Adrenaline Music, featuring politically charged tracks like "Bad Son," a direct critique of George W. Bush written years earlier but included to address ongoing social concerns.[35] This release captured a revamped, electric vibe amid lineup tweaks, emphasizing the band's resilience in the jam-band scene through extensive touring. By 2012, The Movement arrived via Shanachie Records, funded through a fan-driven "Fortunate Freaks Unite" campaign that invited supporters to contribute and even participate in recordings, fostering collaborative songwriting and infusing the album with live performance energy and poetic, rhythmic urgency.[36] Throughout this period, Rusted Root maintained a rigorous tour schedule in the jam-band circuit, but emotional and personnel adjustments—stemming from post-2002 burnout and internal restructurings—gradually led to scaled-back activity by 2014.[37]Hiatus and recent activities
In 2015, following the release of their album The Movement in 2012 and extensive touring, Rusted Root announced an indefinite hiatus, allowing members to pursue individual projects amid the demands of long-term road life.[38] By that point, the band had sold over three million albums worldwide, cementing their legacy in the worldbeat rock genre.[38] During the hiatus, frontman Michael Glabicki formed the solo project Uprooted, blending new original material with Rusted Root classics to explore fresh sonic territories while honoring the band's percussive roots.[39] Uprooted toured actively through the early 2020s, delivering energetic live sets that featured improvisational jams and fan favorites.[40] Highlights included a duo performance with guitarist Dirk Miller at The Stone Jug in Youngstown, New York, on August 16, 2024, where Glabicki shared updates on upcoming music during a pre-show interview.[41][42] Meanwhile, drummer and founding member Jim Donovan focused on wellness and education, leading drumming workshops that emphasize rhythm as alternative therapy for stress relief and mindfulness.[43] A notable event was the Rhythm Renew Drumming Workshop on May 21, 2025, held at the Media Center of East Palestine High School near Salem, Ohio, a hands-on, beginner-friendly session where participants learned two-handed djembe techniques and global rhythms to energize mental and physical well-being, with drums provided.[44] Signs of revival emerged in 2025, with Rusted Root announcing a short reunion tour from June 30 to July 8, marking their first group performances in years and rekindling fan excitement.[45] The band's official Instagram also hinted at potential new material through posts about reissuing older works on vinyl, fueling speculation about fresh recordings.[46] Additionally, Glabicki's Uprooted project appeared at the Northwoodstock Music Festival in 2025, showcasing a set that bridged solo innovation with the band's enduring style.[47] In October 2025, Glabicki experienced a health scare due to acute altitude sickness while en route to a Rusted Root performance at Red Rocks Amphitheatre in Morrison, Colorado, suffering severe symptoms including migraines, nosebleeds, and dangerously elevated blood pressure that required medical intervention.[48] The band adapted by having vocalist Liz Berlin step in for lead duties, joined by guest artists Chris Barron of Spin Doctors and John Popper of Blues Traveler, ensuring the show proceeded with resilience and strong audience reception.[48] Glabicki recovered after descending to lower elevation, allowing the tour to continue and demonstrating the group's enduring commitment despite challenges.[48]Musical style and influences
Musical style
Rusted Root's music fuses roots rock, worldbeat, alternative rock, jam band, and folk genres, creating an eclectic sound characterized by acoustic-driven arrangements and improvisational elements.[10] The band's core style emphasizes layered acoustic guitars intertwined with robust percussion sections that drive the rhythmic foundation.[49] Multiple percussionists contribute to complex polyrhythms, often drawing from African drumming traditions, which add a global dimension to their rock-oriented compositions.[50] Layered vocals, featuring harmonious chants and Michael Glabicki's distinctive phrasing, enhance the textured, communal feel of their tracks.[33] In live performances, Rusted Root extends songs into improvisational jams frequently exceeding 10 minutes, fostering an energetic, danceable atmosphere that encourages audience participation.[33] This approach aligns them with the jam band aesthetic but distinguishes their work through pronounced worldbeat percussion influences, setting them apart from contemporaries like Phish by incorporating broader global rhythmic elements.[51] Their debut album When I Woke (1994) exemplifies this high-energy fusion, with tracks like "Send Me on My Way" blending upbeat percussion and vocal harmonies into anthemic, feel-good anthems.[50] Thematically, Rusted Root's lyrics explore spirituality, connections to nature, and social issues, often conveying an optimistic and eclectic energy that promotes unity and environmental awareness.[50] Influences from African, Middle Eastern, and Latin American traditions form the spiritual core of their music, reflected in songs addressing personal and collective healing.[52] Over time, the band's sound evolved from the high-energy, percussion-heavy anthems of the 1990s to more introspective compositions in the 2000s and beyond, while maintaining a communal, groove-oriented vibe.[50] Albums like The Movement (2012) incorporate polyrhythms into reflective tracks on spiritual reclamation and global concerns, showcasing a matured yet vibrant approach.[50] This progression highlights their adaptability without abandoning the danceable, improvisational essence that defines their output.[53]Influences
Rusted Root's music draws heavily from world music traditions, incorporating African rhythms such as those played on the djembe and other traditional drums, which frontman Michael Glabicki encountered through local percussion ensembles in Pittsburgh during his university years.[34][54] The band also integrates Latin American percussion elements, reflecting influences from Afro-pop and broader South American sounds that Glabicki absorbed during travels, including a formative trip to Nicaragua.[55][34] Indian classical components, such as modal structures and vocal improvisations, further shape their sound, inspired by Glabicki's broad exposure to global vocal traditions ranging from Indian to African.[56][57] Native American traditions contribute through rhythmic patterns and thematic motifs, often blended with acoustic elements to evoke spiritual connections to indigenous cultures.[58][18] A pivotal inspiration for the band's global fusion approach was Peter Gabriel's 1986 album So, which Glabicki has cited as a key influence for its innovative integration of African, Latin American, and Native American percussion into rock production techniques.[58][59] This album's success encouraged Glabicki to experiment with worldbeat elements during Rusted Root's formation, emphasizing layered rhythms and cross-cultural arrangements.[60] In the rock domain, Rusted Root was influenced by the Grateful Dead's improvisational jamming style, which informed their extended live performances and communal energy.[61] Santana's Latin-rock fusion similarly impacted their percussive drive and blend of ethnic grooves with electric guitar work.[62] Folk artists like Paul Simon provided models for eclectic arrangements, drawing from global sources such as South African township music to create textured, narrative-driven songs.[17][62] Glabicki's personal background, including studies at local universities and travels abroad, exposed him to diverse cultural sounds that he wove into the band's fabric, often incorporating spiritual motifs from his Catholic upbringing and broader explorations of Judaism and Christianity in lyrical themes.[50][34] These elements manifest briefly in tracks like "Send Me on My Way," where rhythmic layers echo the multicultural inspirations.[63] The band's roots in Pittsburgh's multicultural scene, with its active African drumming communities at institutions like the University of Pittsburgh and Carnegie Mellon, further nurtured these influences through collaborative exposure.[34][17] Ties to the jam-band festival circuit, including their performance at Bonnaroo in 2006, reinforced their affinity for extended, rhythmically diverse sets in a community shaped by similar improvisational traditions.[64][65]Members
Current members
As of 2025, Rusted Root's core lineup consists of its three longstanding members: Michael Glabicki serves as lead vocalist and guitarist, having founded the group in 1990.[1] Patrick Norman plays bass and provides backing vocals, also a founding member since the band's inception in 1990.[66] Liz Berlin contributes vocals and percussion, likewise a founding member from 1990.[67] The band entered an indefinite hiatus in 2015 and has not conducted tours or performances under the Rusted Root name since then.[39] Frontman Glabicki continues to perform material from the band's catalog through solo projects and the band Uprooted.[39]Former members
Rusted Root's former members played pivotal roles in defining the band's percussive, worldbeat sound during its formative and breakthrough periods. Founding drummer and percussionist Jim Donovan joined in 1990 and remained until 2006, providing the rhythmic foundation that underpinned hits like "Send Me on My Way" from the 1994 album When I Woke.[68] His departure was attributed to personal reasons, after which he pursued a solo career focused on therapeutic drumming and leading the band Sun King Warriors.[68] Donovan's contributions were essential to the band's early energetic live performances and improvisational style, shaping its reputation in the jam band scene.[69] Vocalist Jenn Wertz, another original member since 1990, contributed harmonica, percussion, and distinctive harmonies on When I Woke, enhancing the album's eclectic, tribal vibe.[70] She left the band around 1996 amid the pressures of rising fame but returned periodically for tours and recordings before departing again in 2007 due to burnout and a desire for personal creative exploration.[71] Wertz has since released solo work and occasionally guested with former bandmates, including at events with Donovan.[72] Her vocal presence helped establish Rusted Root's communal, folk-infused breakthrough sound in the mid-1990s. Percussionist Jim DiSpirito joined in 1993 and stayed through the late 1990s until around 2001, adding layered rhythms that amplified the band's polyrhythmic intensity during its commercial peak.[73] His tenure coincided with tours supporting albums like Rusted Root (1998), where his contributions supported the group's evolution toward more experimental arrangements. DiSpirito later pursued composing for film and television, reflecting shifts in creative direction among early members.[74] Multi-instrumentalist John Buynak, on keyboards, percussion, flute, and pennywhistle during the early years from 1990 onward, infused the band's debut recordings with melodic winds that became signature elements, notably on "Send Me on My Way."[13] He departed after the initial albums amid lineup fluidities driven by creative differences, though he has returned for guest appearances, such as with Donovan's projects. Buynak also handled much of the band's early visual artwork.[75] His work helped solidify Rusted Root's fusion of rock and world music in its foundational era. Guitarist Dirk Miller joined in the mid-2000s, contributing to albums like The Movement (2012) with his guitar work that supported the band's mid-career shift toward more structured songwriting.[76] He left the core group around the mid-2010s hiatus but continues collaborating with frontman Michael Glabicki in side projects like Uprooted. These lineup changes, often stemming from burnout and artistic pursuits, influenced Rusted Root's experimentation post-breakthrough while preserving its rhythmic core through occasional reunions.[76]Discography
Studio albums
Rusted Root has released seven studio albums since their formation in 1990. Their discography reflects a progression from independent roots rock to major-label worldbeat releases, with varying commercial success on the Billboard 200 chart.| Year | Album | Label | Peak Billboard 200 | Certifications |
|---|---|---|---|---|
| 1992 | Cruel Sun | Independent | — | — |
| 1994 | When I Woke | Mercury | 51 | RIAA: Platinum |
| 1996 | Remember | Mercury | 38 | RIAA: Gold |
| 1998 | Rusted Root | Mercury | 165 | — |
| 2002 | Welcome to My Party | Island | 129 | — |
| 2009 | Stereo Rodeo | Adrenaline | — | — |
| 2012 | The Movement | Shanachie | — | — |