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Sightless
Sightless
from Wikipedia
Sightless
Official release poster
Directed byCooper Karl
Screenplay byCooper Karl
Based onSightless
by Cooper Karl
Produced by
  • Kaila York
  • Rick Benattar
  • Nigel Thomas
  • Todd Y. Murata
Starring
CinematographyAndrew Jeric
Edited byDon Money
Music byPhillip Lober
Distributed byMarVista Entertainment
Release dates
Running time
89 minutes
CountryUnited States
LanguageEnglish

Sightless is a 2020 American psychological thriller[1] film written and directed by Cooper Karl, based on his 2017 short film of the same name. The film stars Madelaine Petsch and Alexander Koch.[2]

The film had its world premiere at Dances with Films Festival on September 2, 2020.[3] It was released digitally and on demand on September 29, 2020, by MarVista Entertainment.[4]

Plot

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Following a brutal attack in a parking lot, violinist Ellen Ashland wakes up in hospital to learn that she has been blinded. During her recuperation at the hospital she receives a phone call from her brother, who says he has found an apartment for her. Ellen wakes in her new apartment with no memory of having travelled there. Clayton, a nurse her brother has hired, arrives to care for her as she begins to adjust to life without sight.

From one of her windows Ellen can feel a breeze and hear traffic below. But she can’t hear any sounds from the other window in her living room. When she questions Clayton, he says the window just has thicker glass.

One night, Ellen hears the voice of a woman in distress; she initially believes the woman is in her apartment, but then realises the noise is coming through the vent from the adjoining apartment. The following morning, she goes next door and puts up a sticky note on her neighbor's door asking her to join her for tea.

Later that day, her neighbor shows up and introduces herself as Lana. Ellen is suspicious of Lana as she seems scared to talk. Lana tries to leave Ellen's apartment but when Ellen tries to stop her she touches Lana's face and is alarmed to feel a wound with stitches. Lana reacts by whispering "trust no one," and then flees Ellen's apartment upon the arrival of her abusive husband, Russo.

Ellen contacts Detective Bryce (the officer working on her assault case) who sends Officer Neiman to check on Lana; he confirms she is okay and does not have any recent wounds. Ellen expresses her concerns to Clayton but he tells her that he has met Lana, that she seems unhinged, and Ellen should not worry about her.

Later that day Ellen is standing near her door when she hears footsteps. At first she thinks it's Lana and begins to apologize to her for the misunderstanding, but it’s Russo, who warns her to stay away from his wife, and says he will be talking to the building management about her.

A few moments later Clayton arrives and a frantic Ellen tells him that Russo has threatened her. Angry and protective, Clayton says he will talk to Russo, but Ellen stops him. Then Clayton hints that he has feelings for her but when he confesses this, Ellen turns him down and he leaves dejected.

Hearing someone enter the apartment, Ellen thinks that Clayton has returned and begins to apologize. However, the newcomer attacks Ellen. Hearing the assailant’s breathing pattern she recognises it as that of the person who attacked her in the parking lot. She manages to dial 911 before passing out. She is awoken by a paramedic and a worried Clayton, who informs her that Detective Bryce is here to see her. Detective Bryce reassures her that after Clayton left her apartment, nobody else entered. Detective Bryce also confirms to Ellen that her friend Sasha, who was having an affair with Ellen's ex-husband, is the prime suspect in Ellen's attack. Feeling alone and unsure of anyone, Ellen is overwhelmed and decides to commit suicide. She writes letters to her brother, Sasha, and Clayton, and then jumps from her apartment balcony.

Ellen wakes up on the floor of a soundproof room. She quickly realises the apartment she was staying in was fake, and all of the noises "outside" were coming from a speaker system. She explores the hallway only to find she cannot escape. Ellen finds Lana in the hallway and asks her for help, asking about the place they are living in, and telling her that she knows they are being watched. Lana tells her that this is home and flees before answering any more questions. Clayton then arrives to cook Ellen dinner and knocks twice; at that moment she realises all of the people she has interacted with since her attack - the doctors, the detective, the paramedic, Russo - were all Clayton playing different roles, but giving himself away by his habit of knocking on any surface twice. Ellen knocks Clayton unconscious and finds Lana who reveals she is Clayton's sister and she helped him kidnap Ellen. She then tells Ellen their only hope of escape is by using the hidden vent in Clayton's room.

Clayton finds and once again captures Ellen. He confesses that after his mother's death, his father kept him captive in the basement for three years. During this time, Lana played recordings of Ellen playing the violin, resulting in he becoming obsessed with her. Ellen tries to escape via the vent and finds a vial. She realises it contains the same substance that was used in the attack that left her blind. She finds her way back to her room, chased by Clayton, and sprays the substance in his face. Upon seeing Clayton disabled, Lana guides Ellen to an exit into the outside world.

Six months later, Ellen prepares to go on stage to the sound of an elated crowd, as an assistant asks her if she needs any help. She declines and walks on stage herself.

Cast

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Production

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Principal photography on the film began in late May and ended on May 31, 2019.[2][5]

Reception

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On review aggregator Rotten Tomatoes, Sightless holds an approval rating of 40% based on five reviews, with an average rating of 4.5/10.[6] From Ready Set Cut, Jonathon Wilson gave the film two stars out of five, criticizing it for its predictable twist, calling it "a drab", and summarizing it as "the kind of film that has been sat on a shelf for a while for reasons that are entirely understandable".[7] Johnny Loftus from Decider was more positive, and compared the film and its ending to Wait Until Dark (1967) and Shutter Island (2010), and recommended readers to watch it online.[8] Writing for the Australian Broadcasting Corporation, a journalist gave the film three stars and a half out of five, and said that "Sightless ticks the boxes for [...] an over-the-top thriller that is not afraid to ramp things up to eleven, its manic climax just one of its many enjoyable charms."[9]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Sightless is a American psychological thriller film written and directed by Cooper Karl, based on his 2017 short film of the same name. The story centers on Ellen Ashland, a former violinist played by , who becomes blind following a and subsequently develops about the people around her, suspecting her attacker remains nearby. Released directly to streaming platforms on September 29, 2020, the film runs for 89 minutes and was produced by and Headlong Entertainment. Key supporting roles include Alexander Koch as Clayton, Ellen's caregiver, and supporting actors such as Ensminger and Lee Jones as the neighboring couple, Lana and Russo, whose behaviors fuel her suspicions. Blending elements of , mystery, and horror, Sightless explores themes of isolation, trust, and perception through Ellen's limited senses, culminating in several twists that challenge the viewer's understanding of reality. Upon release, Sightless received mixed reviews from critics and audiences, with an rating of 5.5 out of 10 based on nearly 11,000 votes and a 46% audience score on from over 100 ratings. Praise focused on Petsch's performance and the film's tense atmosphere, while criticisms highlighted predictable plotting and underdeveloped supporting characters. It premiered on on September 29, 2020, contributing to discussions on psychological thrillers centered on and vulnerability.

Development

Origins

The feature film Sightless originated from director Cooper Karl's 2017 short film of the same name, which he wrote and directed as an exploration of psychological tension in confined spaces. The short follows a blind woman who, after losing her sight in an attack, retreats to her apartment only to grow suspicious of being watched and manipulated by unseen forces around her, emphasizing themes of profound isolation and mounting paranoia as she relies on her other senses to navigate perceived threats. This concise narrative, clocking in at around 10 minutes, captured Karl's interest in vulnerability and perceptual uncertainty, laying the groundwork for broader storytelling. Karl drew inspiration for the short from his personal encounters with sensory deprivation techniques, such as floatation tanks, which heightened his awareness of non-visual , combined with real-life accounts of adapting to sudden blindness and the emotional toll of lost independence. These elements informed the protagonist's internal struggle, blending psychological realism with thriller tropes reminiscent of classics like . The transition to a feature-length project was announced in May 2019, when Karl revealed plans to adapt and expand the short into a full screenplay, introducing layered conspiracy dynamics and extended character arcs to amplify the original's suspense. This development marked Karl's feature directorial debut, building directly on the short's core concept without altering its foundational premise. Securing initial funding proved crucial, with independent producer Rick Benattar among the key backers who championed the project's intimate, character-driven horror elements, enabling to move forward. Benattar's involvement, alongside other producers like Nigel Thomas, provided the resources to evolve the short's proof-of-concept into a viable commercial thriller.

Pre-production

Following the success of Cooper Karl's 2017 short film Sightless, which served as the starting point for the project, pre-production focused on expanding the narrative into a full-length feature. The original 10-minute short was developed into a 90-minute psychological thriller by adding subplots centered on the nurse and neighbor characters, deepening the protagonist's isolation and paranoia. The budget was for a low-to-midrange independent film, with the exact figure undisclosed, reflecting the constraints typical of genre thrillers produced outside major studio systems. Funding was secured primarily through MarVista Entertainment and Benattar/Thomas Productions, enabling the assembly of a lean initial team including key creative personnel. A pivotal creative decision during this phase was to confine the story predominantly to a single setting, amplifying the claustrophobic tension inherent to the blind protagonist's experience. Additionally, Phillip Lober was attached early to craft that prioritized auditory cues, underscoring the 's reliance on non-visual sensory elements to build .

Production

Casting

Madelaine Petsch was cast in the lead role of Ellen Ashland, a violinist left blind after a violent attack, with the announcement made on May 14, 2019. Petsch, recognized for her portrayal of Cheryl Blossom in the CW series Riverdale, brought mainstream visibility to the independent thriller, aiding its appeal to broader audiences. Alexander Koch joined the cast as Clayton, the nurse assigned to Ellen's care, selected for his established dramatic presence in television roles such as in Under the Dome. The supporting cast included Ensminger as Lana, Ellen's neighbor; Lee Jones as Detective Russo; as Nurse Omar; Jarrod Crawford as Detective Bryce; and as Doctor Katsuro, rounding out the ensemble prior to principal photography commencing in May 2019.

Filming

Principal photography for Sightless took place in late May 2019 in Los Angeles, California, wrapping on May 31, 2019, over an approximately two-week schedule. The production team selected practical locations in North Hollywood, including a custom-built set on soundstages to represent the protagonist's confined apartment and hospital environments, which amplified the film's claustrophobic tension central to its thriller genre. Cinematographer Andrew Jeric crafted the visual style using subjective camera angles to immerse viewers in the lead character's blindness, complemented by minimal lighting setups that intensified the atmosphere of and isolation. This approach relied heavily on to convey unseen threats, compensating for the visual constraints and enhancing auditory cues over elaborate visuals. The low-budget constraints necessitated this efficiency, with the pre-pandemic shoot avoiding any precautions. Director Cooper Karl made key on-set decisions to foster in certain scenes, allowing actors to build organic tension through interactions that heightened the psychological stakes. The tight timeline demanded precise coordination, but the cast's established dynamics from prior selections enabled fluid adaptations to these improvisational elements.

Release

Premiere and Distribution

Sightless had its world premiere at the Dances with Films on September 2, 2020, in . The screening marked the film's debut to audiences, showcasing its narrative centered on themes of blindness and . Following the festival premiere, the film received a wide video-on-demand (VOD) release on September 29, 2020, through platforms including and Apple TV (). Distribution was handled by , which managed the initial rollout and facilitated access via major digital streaming services. Internationally, oversaw global distribution outside , enabling availability in multiple markets shortly after the U.S. debut. Particular Crowd, a production partner, acquired rights for select n territories to support regional expansion. To promote the release, unveiled an official trailer in September 2020, emphasizing the film's psychological twists and suspenseful elements to build anticipation among thriller audiences.

Home Media

became available for streaming on in select regions starting in early 2021, and as of 2025, it remains accessible on Prime Video and , with no major 4K upgrades announced. The film's initial success on platforms helped secure these extended streaming agreements.

Reception

Critical Response

Upon its release, Sightless received mixed reviews from critics, who praised lead actress Madelaine Petsch's committed performance and the film's innovative use of to convey the protagonist's disorientation, but frequently criticized its predictable plot and sluggish pacing. As of November 2025, the film has no Tomatometer score on , based on 4 reviews. The audience score is 46% based on over 100 ratings. Critics highlighted Petsch's ability to portray Ellen Ashland's vulnerability and growing convincingly, noting how her expressive physicality compensates for the visual limitations imposed by the character's blindness. Several reviewers commended the technical aspects, particularly the sound , which effectively builds tension through amplified everyday noises and subtle auditory cues that mirror Ellen's heightened s. Johnny Loftus of Decider described the film as having "a nice of containment set on a low simmer," appreciating how director Cooper Karl maintains a claustrophobic atmosphere within setting. The portrayal of blindness was also seen as a strength, with the narrative's focus on versus reality providing a fresh angle on thriller conventions, though some noted it occasionally veers into . However, common criticisms centered on the script's reliance on familiar tropes, including contrived elements and foreseeable twists that undermine the . Matt Pais of MattPais.com called the plot "far-fetched nonsense," arguing that the story's paranoia-driven revelations feel underdeveloped and clichéd. The film's direction was viewed as competent but unremarkable, with Karl's restrained style contributing to a sense of drabness that some felt dulled the thriller's potential. A review from Heaven of Horror echoed this, rating it 2/5 and faulting the lack of originality in scenes that echo other psychological thrillers. Despite these reservations, a few outlets found merit in its exploration of isolation and trust, with WeekendNotes praising its gripping tension and the way it questions perceptions of reality. Overall, Sightless garnered no major awards nominations and was generally regarded as a modest entry in the genre, bolstered by its lead performance but hindered by narrative predictability.

Commercial Performance

Due to the ongoing , Sightless received no theatrical release and recorded $0 in domestic and international gross. The film debuted exclusively on video-on-demand (VOD) platforms on September 29, 2020, distributed by , aligning with the industry's shift toward during . Specific metrics for digital rentals and purchases remain unavailable publicly. Streaming viewership contributed to its reach, particularly after its addition to on January 20, 2021. As of November 2025, the film remains available for streaming on . Produced on a modest , Sightless recouped costs through its distribution agreements, though exact profit figures have not been disclosed; MarVista's broader success in digital partnerships, including its 2021 acquisition by , underscores the viability of such models for indie content. Over the long term, consistent availability across platforms has supported minor sales, positioning the film as a niche entry rather than a commercial blockbuster.

References

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