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Soul II Soul are a British musical collective formed in London in 1988. They are best known for their two major hits: 1989's UK number five and US number eleven "Keep On Movin'", and its follow-up, the UK number one and US number four "Back to Life". They have won two Grammy Awards, and have been nominated for five Brit Awards, twice for Best British Group.[5]

Key Information

Career

[edit]

The group initially attracted attention as a sound system some years prior to 1988, run by founder Jazzie B, playing at nights including their own at the Africa Centre, London.[6][7] Though the venue's capacity was limited to approximately 300 people, weekly attendance often exceeded that number, with crowds gathering outside. According to Jazzie B, speaking in an interview featured in What Do You Call It? From Grassroots to the Golden Era of UK Rap (2024), the growing popularity of the nights drew increasing attention: “All the controversy that went with it only made it more popular.”[8]

By 1988, the official lineup was Jazzie B, Caron Wheeler, Nellie Hooper, Simon Law, Doreen Waddell, Rose Windross, Daddae, Aitch B, and Jazzie Q.[9] They released their first single, "Fairplay", with Rose Windross on lead vocals, recorded at the Africa Centre.[10] where the collective hosted a regular Sunday-night residency. The song charted at number 63 on the UK Singles Chart, while their follow-up single "Feel Free", which featured Doreen on lead vocals, charted at number 64.

The weekly club night, having grown ever more popular, moved to the much larger The Fridge Nightclub in Brixton, South London, where it would remain well into the 1990s. The collective used the venue to test their musical composites on the dance floor. Together with an eclectic mix of “Funki Dredd" – "A happy face, a thumpin' bass, for a lovin' race!" – themed club classics that combined British, Caribbean, African, and African American influences.[11] One night in 1988, the residency hosted a personal appearance by the nascent rap group N.W.A. who were briefly in the UK promoting their album Straight Outta Compton. A plaque now commemorates the collective's significant influence on the original venue, which closed in 2010 but which was subsequently renamed and reopened as the Electric Brixton[12][13]

During the late 1980s, Jazzie B and several other members of the group became involved in the local pirate radio station movement. Jazzie B hosted a show on KISS-FM.

In March 1989, their label released the group's single "Keep on Movin'", featuring Caron Wheeler on lead vocals.[9] The song became a success and also sold over one million copies in the US. The following month, the group's first album Club Classics Vol. One was released.[9] The album peaked at number one on the UK Albums Chart and sold over four million copies worldwide. The group's next single, "Back to Life", became their biggest hit, hitting the top five on the US Hot 100 and number one on the UK Singles chart. The single went on to win the group their first Grammy Award for Best R&B Performance by a Duo or Group with Vocal in 1990. The group would continue to see some UK success but "Back to Life" would be the second and last US hit for the group.

In late 1989, Waddell and Windross departed from the group. Marcia Lewis, a cousin of Jazzie B, joined the group. The single "Get a Life", which featured Lewis on lead vocals, charted at number three on the UK Singles chart. The song also sold over 60 thousand copies in the United Kingdom. Lewis' debut performance came on Top of the Pops when she performed alongside Caron Wheeler and Jazzie B.[14]

1990: Volume II A New Decade and lineup changes

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In early 1990, Wheeler officially left the group to pursue her solo career. To fill out the group's dynamic, Jazzie B turned to a few singers he had performed with in the past. This led to the brief addition of Kym Mazelle, Lamya, and Victoria Wilson-James to the new lineup. With a new official lineup, the group released their second album, Vol. II: 1990 – A New Decade, which peaked at number one on the UK Albums Chart.[9]

The album's second single "A Dreams a Dream", which features Victoria Wilson James on lead vocals, performed well on the chart. The album's third single "People", featuring Lewis on lead vocals, garnered moderate success on the charts but managed to achieve success on the Dance charts. The album's final single "Missing You", featuring Kym Mazelle on lead vocals, also performed well on the charts.[9] In the mid-1990s, the group toured throughout the United Kingdom. One of their concerts at Brixton Academy was recorded live and released in September 1990, titled A New Decade: Live from Brixton Academy. After the conclusion of the tour, Wilson-James, Mazelle, Lewis left the group to pursue solo careers.

1991–1993: Volume III Just Right and another lineup change

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In 1991, Soul II Soul was in need of lead vocalists for the recording of their third album. During recording sessions, Jazzie B recruited guest singers Richie Stephens, Kofi, Penny Ford, Rick Clarke, along with the re-addition of Caron Wheeler to record on the album.

In April 1992, Soul II Soul released their third album, Volume III Just Right. The album's lead single, "Joy", performed by Stephens, reached the top ten on the UK Singles Chart. The follow-up single "Move Me No Mountain", performed by Kofi on lead vocals, achieved moderate success in the UK. The third single, "Just Right", suffered the same fate, relegating the album to limited and moderate sales figures.

The group toured for a brief time throughout 1993. In November 1993, the group released their greatest hits album Volume IV The Classic Singles 88–93. The album spawned the single "Wish", which featured the new addition to the group Melissa Bell on lead vocals.

1994–1997: Volume V Believe, lineup changes, Time for Change

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In 1994, Soul II Soul prepared to record their fourth album. Despite her career as an established solo artist, Caron Wheeler once again joined the group and committed to the recording of the group's upcoming album.[9] During the record sessions, Wheeler and Jazzie B struggled with creative difficulties for the production of the album. This ultimately led to Wheeler leaving the group again during the recording of the song "Love Enuff". Now without an official lead singer for the group, Jazzie B was left to recruit a few singers once more. Penny Ford, background vocalist on the group's single "Move Me No Mountain", officially became a member of the group.[9] Charlotte Kelly, a background vocalist from the group's previous tour, was also recruited to join the group. Melissa Bell and Lamya also contributed vocals to the forthcoming album.

In January 1995, Soul II Soul and Isaac Hayes also performed "Papa Was a Rollin' Stone" live on French TV show Taratata, with Kelly on lead vocals. In June 1995, Soul II Soul released the single "Love Enuff". The single retained the use of Wheeler's pre-recorded background vocals and Penny Ford on lead vocals.[9] The song invited Soul II Soul to perform on Top of the Pops with Ford performing lead vocals. In August 1995, Soul II Soul released their fourth studio album, Volume V Believe. The album's second single "I Care", which features Charlotte on lead vocals, charted at number 17 on the UK Singles Chart.

In August 1997, the group released their fifth studio album, Time for Change.[15] The album featured the singles "Represent" and "Pleasure Dome".

1998–2006: Disbandment and aftermath

[edit]

In 1997, Daddae teamed up with Joey Jay and Norman Jay to produce the roots reggae dub reggae album "I n I Deal With Roots" under the collective moniker, The Truth, which was successful with Jah Shaka followers. The album reworked drum and bass structures and production techniques from King Tubby, Prince Alla,Yabby You, Big Youth's iconic Screaming Target album, as well as sampling bass lines from The Palmer Brothers Step it Out of Babylon[16] In 1998, the group officially disbanded with each member pursuing solo careers. Following their disbandment, several members including Wilson-James, Mazelle, Lamya, and Kelly would release solo albums which would each garner success, respectively. Marcia Lewis and Kym Mazelle would also go on to become educators. In 1999, Kelly released her self-titled debut album, which spawned the number-one Dance chart single "Skin". The group often reunited and performed for a few selected dates over the course of their hiatus.

In March 2002, Doreen Waddell, who had been living in Hove following her departure, died at 36 after being hit by three cars while she was fleeing from a shoplifting incident.[15] In July 2002, Lamya released her solo debut album Learning from Falling, which spawned the number-one Dance chart single "Empires (Bring Me Men)".

2007–2012: Reunion

[edit]

In 2007, Soul II Soul reformed at the Lovebox Festival in Victoria Park, London. The lineup consisted of Caron Wheeler, Jazzie B, Aitch B, with the new addition of MC Chickaboo. In December 2008, a radio programme about Soul II Soul was broadcast on BBC Radio 4. In January 2009, Lamya died of a heart attack.[17]

The Soul II Soul Sound System featuring Caron Wheeler toured Australia nationally in February 2009. They performed at the Playground Weekender Festival near Sydney. Soul II Soul performed live at the Yasalam free concerts in conjunction with the 2009 Formula 1TM Etihad Airways Abu Dhabi Grand Prix celebrations in October 2009.

In 2010, Soul II Soul reunited for their reunion tour with the lineup consisting of Jazzie B, Caron Wheeler, Rose Windross, Kym Mazelle, Charlotte Kelly, Aitch B, and MC Chickaboo. The group toured until the end of 2011. Following the tour, Kelly and Wheeler performed on-and-off as the featured vocalists for Soul II Soul. In 2012, Soul II Soul performed at the Lovebox Festival in which Kelly performed as the featured vocalist. In June 2012, Soul II Soul received the honorary PRS Heritage Plaque award. Jazzie B, Wheeler, Daddae, Mazelle, Kelly, Aitch B were among the members present. They also performed during the ceremony. In August 2012, Soul II Soul (Jazzie B, Jazzi Q, Aitch B, Caron Wheeler, and MC Chickaboo) performed at Channel 4's "House Party".[18] In December 2012, Soul II Soul performed "Keep on Movin'" and "Back to Life (However Do You Want Me)" on Later... with Jools Holland with Caron Wheeler as the lead vocalist. They also confirmed to be working on a new album.

2013–present: Later years

[edit]

In April 2013, Jazzie B and Charlotte Kelly launched the Soul II Soul "Classics" Collection at Harvey Nichols in London, England. The Classics Collection features T-shirts and sweatshirts with Soul II Soul's Funky Dred logo. In the same year, Kelly left the group again and Wheeler rejoined. In 2014, Soul II Soul performed at the Lovebox Festival.

In 2016, Soul II Soul released a single, "A New Day", credited to Caron Wheeler, which features production from Jazzie B and Louie Vega. Soul II Soul released their live album Origins: The Roots Of Soul II Soul on 9 December 2016.[19]

In May 2017, Soul II Soul performed at Electric Brixton, with Caron Wheeler and Charlotte Kelly as the lead vocalists.

On 28 August 2017, Melissa Bell died after suffering from kidney failure.[20]

The group appeared on Jools' Annual Hootenanny on New Year's Eve in 2017.

Members timeline

[edit]

Awards and nominations

[edit]
Award Year Nominee(s) Category Result Ref.
American Music Awards 1990 Themselves Favorite Soul/R&B Band/Duo/Group Nominated [21]
Favorite Soul/R&B New Artist Nominated
Favorite Dance New Artist Nominated
"Back to Life (However Do You Want Me)" Favorite Dance Song Nominated
"Keep On Movin'" Favorite Soul/R&B Song Nominated
Brit Awards 1990 Themselves British Group Nominated [22]
British Breakthrough Act Nominated
Club Classics Vol. One British Album of the Year Nominated
"Back to Life (However Do You Want Me)" British Single of the Year Nominated
1991 Themselves British Group Nominated [23]
Grammy Awards 1990 Themselves Best New Artist Nominated [24]
"Back to Life (However Do You Want Me)" Best R&B Performance by a Duo or Group with Vocal Won
"African Dance" Best R&B Instrumental Performance Won
1993 "Mood" Nominated
Ivor Novello Awards 1990 "Back to Life (However Do You Want Me)" Best Contemporary Song Nominated [25]
The Best Selling "A" Side Nominated
NAACP Image Awards 1989 Keep On Movin' Outstanding Album Nominated [26]
Q Awards 2015 Club Classics Vol. One Classic Album Won [27]
Soul Train Music Awards 1990 Best R&B/Urban Contemporary Album – Group, Band, or Duo Won [21]
"Keep On Movin'" Best R&B/Urban Contemporary Single – Group, Band, or Duo Won
Best R&B/Urban Contemporary Song of the Year Won
Themselves Best R&B/Urban Contemporary New Artist Nominated

Discography

[edit]
Main article: Soul II Soul discography

See also

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References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Soul II Soul

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from Grokipedia
Soul II Soul is a British and recording act founded in 1988 in by DJ and producer (born Trevor Beresford Romeo). Emerging from the underground sound system scene in , where it began as the reggae-focused Jah Rico before evolving into a soul and funk-oriented group, Soul II Soul blended R&B melodies with hip-hop, , and rhythms, pioneering a distinctive soul sound that emphasized positivity and Afro-Caribbean influences. The group achieved international breakthrough with their 1989 debut album, , which went triple platinum in the UK and double platinum in the US, featuring the hit singles "Keep On Movin'" (UK No. 5) and "Back to Life (However Do You Want Me)" (UK No. 1, US No. 4). Subsequent releases like Vol. II: 1990 – A New Decade (1990, UK No. 1) and Volume III – Just Right (1992) continued their success, with additional Top 10 UK hits including "Get a Life" (No. 3) and "A Dream's a Dream" (No. 6). Key members have included co-founder Philip "Daddae" Harvey, vocalist , producers and Simon Law, and later contributors like Charlotte Kelly, with remaining the central figure throughout the group's evolution from a loose to a branded entity encompassing and merchandise. Soul II Soul's innovations helped shape British R&B and club culture, earning two , three Soul Train Awards, five Brit Award nominations, and a 2026 Grammy nomination for Best Remixed Recording, Non-Classical, and over 10 million album sales worldwide across more than 35 territories. The group has remained active into the 2020s, with ongoing tours and receiving an OBE in 2008 for services to music.

Background

Formation

Soul II Soul originated as a sound system in London, founded by DJ and producer Jazzie B, whose real name is Trevor Beresford Romeo, in the early 1980s. Romeo, born in 1963 to Antiguan parents, drew from Jamaican sound system traditions inherited from his family, initially running a reggae-focused setup called Jah Rico with school friend Philip "Daddae" Harvey starting in their mid-teens around 1977. By 1982, they rebranded to Soul II Soul, shifting the musical focus toward , , and to reflect evolving tastes in the UK's underground club scene. This evolution positioned the outfit as the Funki Dred sound system, a collective term for Jazzie B's crew known for their stylish, Afrocentric approach to DJing and event promotion. In its early years, Soul II Soul built a reputation through collaborations in London's and circles, with and Daddae Harvey providing DJ services and PA systems for emerging dance events. The duo's partnership, formed during school years, emphasized community-driven gatherings that blended roots with contemporary soul influences, attracting a diverse crowd of music enthusiasts. By the mid-1980s, the sound system had expanded into a broader , incorporating and electronics under the Funki Dred banner, setting the stage for a transition beyond pure DJing. The group shifted to a in 1988, as sought to capture their live energy in recordings and performances. This marked a pivotal change, with recruitment of talented vocalists including , a former member of the group , and Rose Windross, a regular performer at key venues like the Africa Centre in . These additions enabled fuller live shows featuring original material, moving away from strictly DJ sets to a band-like format that highlighted soulful vocals over instrumental grooves. Initial recording sessions commenced in 1988, focusing on demos that showcased the collective's sound and laid the groundwork for their breakthrough. One key outcome was the demo for "Keep On Movin'," featuring Caron Wheeler's lead vocals, which demonstrated the group's fusion of laid-back rhythms and emotive singing. These efforts culminated in a deal with 10 Records, a subsidiary of , in 1987, though full artistic realization as a band solidified in 1988, propelling Soul II Soul toward their debut album.

Early sound system and club scene

Soul II Soul began as a sound system collective in the mid-1980s, operating under the banner of the Funki Dred, which was established by founder alongside and Phillip "Daddae" Harvey to blend , dub, and spiritual influences into a distinctive British . From 1985 to 1987, the group ran the Funki Dred at the Africa Centre in , , hosting night residencies that drew crowds of 400 to 700 people for an eclectic mix of , , and early , often incorporating live acts and DJ sets in a vibrant, inclusive atmosphere. These events attracted a diverse audience, including black British youth alongside mixed black and white attendees from various nationalities, fostering a subculture that emphasized community and cultural fusion through fashion, art, and dance. In 1987, Soul II Soul expanded their operations to The Fridge nightclub in Brixton, continuing to promote rare groove, jazz-funk, and emerging house sounds while testing musical ideas on the dance floor, which helped solidify their reputation in London's underground scene. The Fridge residencies maintained the Funki Dred's emphasis on spiritual and eclectic vibes, drawing hedonistic, nonconformist crowds that reflected the group's inclusive philosophy. By 1988, the collective transitioned to their first live performances as a 25-piece band at venues like The Fridge, integrating DJ sets with live instrumentation to create immersive experiences that bridged sound system culture and onstage energy. The Africa Centre residency stood out as a pivotal event series, where innovative tactics like mid-event venue resets kept the energy high and showcased guest artists such as and DJs including , contributing to the group's ties with the burgeoning movement through their jazz-infused selections. This period at both venues underscored Soul II Soul's role in shaping London's club scene, prioritizing cultural expression over commercial output and laying the foundation for their broader influence on black British music.

Musical style and influences

Core sound and production techniques

Soul II Soul's core sound was defined by Jazzie B's innovative production approach, which emphasized a "light and spacey" aesthetic through atmospheric layering and minimalistic arrangements that evoked a sense of openness and fluidity. This style often featured extended intros, allowing tracks to build gradually with subtle percussion and ambient elements before introducing full grooves, as heard in the over-six-minute opener "Keep On Movin'" from their debut album (1989). Jazzie B incorporated dub effects, such as tape-echo delays and plate reverbs, to create echoing, expansive mixes that enhanced the club's immersive sound system experience, drawing from his background in London's and soundsystem culture. Central to this production was a heavy reliance on sampling, blending fragments from , , and African music sources to construct rhythmic foundations and melodic textures. For instance, breakbeats were frequently sourced from and records like Graham Central Station's "The Jam" (1975), which were chopped and reprogrammed using samplers to form shuffling, hip-hop-inflected grooves overlaid with African-inspired basslines that provided a propulsive, earthy undertone. Jazzie B and collaborator used these samples not as direct lifts but as building blocks for original compositions, often layering them with synthesized elements to fuse traditional and electronic timbres. Vocally, Soul II Soul employed layered arrangements featuring multiple singers in call-and-response patterns, which added harmonic depth and communal energy over sparse instrumentation. Tracks like "Back to Life (However Do You Want Me)" showcased Caron Wheeler's lead vocals interacting with backing harmonies from Rose Windross and others, creating a responsive dialogue that echoed and traditions while maintaining a modern, polished sheen through multi-tracking. This technique prioritized emotional interplay, with vocals often floating above the rhythm section to reinforce the airy production ethos. Technically, the group's recordings centered on 4/4 beats programmed at tempos ranging from 93 to 103 BPM, blending house rhythms with unquantized, organic drum patterns from Roland TR-808 and TR-909 machines combined with acoustic elements for a hybrid feel. Synthesized horns, generated via Yamaha TX802 modules, provided staccato accents, while reverb-heavy mixes—achieved with Lexicon LXP1 units—infused the entire Club Classics Vol. One with a cavernous, dancefloor-optimized resonance that balanced intimacy and scale.

Influences and genre fusion

Soul II Soul's music drew deeply from the movement, which emphasized obscure , , and records, as well as —a softer, romantic variant of that emerged in the UK during the 1970s and 1980s—and the vibrant sound system culture originating in and flourishing in London's multicultural clubs. These roots were shaped by Jazzie B's family heritage in sound systems, where his brothers operated influential setups like Jah Rico, blending Jamaican traditions with British urban energy to create immersive club experiences at venues like the Africa Centre. The collective pioneered a genre fusion of R&B, , , and , inspired by American soul icons such as , , , , and , whose rhythmic grooves and emotive vocals informed Soul II Soul's layered, danceable sound. This blend also incorporated influences from UK contemporaries like Incognito, whose acid jazz explorations in and Latin rhythms helped bridge soul with electronic elements in the late British scene. Additionally, reggae producers like Lee 'Scratch' Perry and Sir Coxsone Dodd contributed to the dub-infused textures that Jazzie B adapted into house and electro fusions. Soul II Soul integrated African rhythms and elements, reflecting Jazzie B's Antiguan heritage and the global influences of London's diverse club culture, as seen in collaborations with Afro-Brazilian funk group that evoked polyrhythmic patterns from the . These incorporations added percussive depth and cross-cultural flair, drawing from Jamaican sound system travels and international club residencies that exposed Jazzie B to eclectic global beats. The group's style evolved from raw street —rooted in London's underground parties—to sophisticated , marked by Jazzie B's shift from experiments to polished productions that fused organic with synthetic elements. This progression not only defined their sound but also catalyzed the UK's scene in the late 1980s, inspiring DJs like Norman Jay and to explore similar genre-blending innovations in Black British music.

Career

1988–1989: Debut album and breakthrough hits

In 1988, Soul II Soul, evolving from their roots as a in London's club scene, signed with , marking a pivotal step toward mainstream recognition. The group's debut , Club Classics Vol. One, arrived in 1989, capturing their signature blend of , , and soul elements through Jazzie B's production vision. The record swiftly climbed to number one on the , where it remained for four weeks, and achieved triple status in the UK for sales exceeding 900,000 copies. Globally, the sold over three million copies, establishing Soul II Soul as a commercial force and introducing their "naturalistic" sound to international audiences. The album's breakthrough began with the lead single "Keep On Movin'", released in March 1989 and featuring vocals by , whose soulful delivery complemented the track's laid-back reggae-infused groove and upbeat rhythms. It peaked at number five on the UK Singles Chart and crossed over to the , reaching number 1 on the Hot R&B/Hip-Hop Songs chart and number 11 on the Hot 100. This success propelled the album's visibility, with the single's infectious positivity resonating amid the era's trends. Building on that momentum, the follow-up single "Back to Life (However Do You Want Me)", released in May 1989, also spotlighted Wheeler's distinctive vocals atop a reggae-tinged production that incorporated strings from the Reggae Philharmonic Orchestra. The track soared to number one on the UK Singles Chart for four weeks and hit number 1 on the US Billboard Hot R&B/Hip-Hop Songs chart and number 4 on the Billboard Hot 100, earning Soul II Soul their first Grammy Award in 1990 for Best R&B Performance by a Duo or Group with Vocal. These hits generated significant media buzz, including high-profile TV appearances on Top of the Pops and Soul Train, which amplified their crossover appeal. The debut era culminated in Soul II Soul's inaugural US tour in late 1989, where enthusiastic crowds embraced their live performances of the album's tracks, solidifying their transatlantic breakthrough and paving the way for further global expansion.

1990–1997: Subsequent albums and lineup evolutions

Following the breakthrough success of their debut album Club Classics Vol. One, Soul II Soul released their second studio album, Vol. II: 1990 – A New Decade, on 21 May 1990. The album topped the UK Albums Chart, marking the group's second consecutive number-one release there. Recorded after the departure of lead vocalist Caron Wheeler, who pursued a solo career, it featured new contributors including singers Kym Mazelle and Do'Reen on tracks such as "Missing You" and "Get a Life." The lead single, "Get a Life," peaked at number 3 on the UK Singles Chart in late 1989, ahead of the album's release, and reached number 54 on the US Billboard Hot 100, signaling early signs of waning transatlantic momentum. In the US, Vol. II climbed to number 21 on the Billboard 200, a drop from the debut's number 14 peak, reflecting growing challenges in sustaining American chart success. The group's lineup continued to evolve amid these shifts, with Mazelle contributing vocals from 1990 to 1991 before focusing on her own projects. Jazzie B remained the creative anchor, but Wheeler's absence prompted further experimentation with guest artists. In 1992, Wheeler rejoined for select recordings, appearing on the third album, Volume III Just Right, released that April and peaking at number 3 on the . The album incorporated influences, highlighted by the track "" featuring Richie Stephens, and maintained the collective's fusion of R&B, , and dub elements. In November 1993, Soul II Soul issued Volume IV The Classic Singles 88–93, a compilation of singles from 1988 to 1993, which underscored their early hits but did not chart as a new release. By 1995, the lineup had shifted again, with Wheeler departing once more and new vocalist Charlotte joining for Volume V Believe, released that August and reaching number 13 on the . Charlotte provided lead vocals on several tracks, such as "Don't You Dream" and the single "I Care," as the album explored deeper house and electronic textures amid ongoing personnel flux, including additions like backing vocalist Jammie from 1993 to 1995. Departures were often driven by members' solo ambitions, contributing to the collective's fluid structure. In the , Volume V failed to enter the , exemplifying the group's post-1990 struggles to replicate debut-era crossover appeal. Soul II Soul's final album of the decade, Time for Change, arrived in September 1997 and peaked at number 80 on the , their lowest position to date. The release featured a broader ensemble, including contributions from and Maureen, but received limited commercial attention and no US chart entry, capping a period of diminishing returns. Throughout the , these lineup evolutions—marked by Wheeler's intermittent returns and exits, alongside rotating vocalists like Mazelle and Charlotte—reflected Jazzie B's vision of a dynamic collective, though they coincided with declining chart performance outside the .

1998–2006: Disbandment and individual projects

Following the release of their fifth studio album Time for Change in 1997, which marked a shift toward more experimental dub and electronic elements but failed to achieve commercial success comparable to earlier works, Soul II Soul officially disbanded in 1998. Jazzie B, the group's founder, attributed the split to ongoing creative differences among members and frustrations with label support, exacerbated by the lineup instability that had plagued the band throughout the . With no new group recordings produced during this period, the collective entered an extended hiatus focused on individual pursuits. Tragically, former vocalist Do'Reen Waddell died in 2002 after being struck by a . Jazzie B continued his career as a prominent DJ and producer, launching the mix album Soul II Soul at the Africa Centre in 2004, which captured the essence of the group's early sound system sessions through curated tracks and exclusive contributions. He also hosted radio shows, including slots on platforms that highlighted his influence in urban music, and collaborated on productions for various artists, maintaining his role as a key figure in the British R&B and soul scene. Key vocalists pursued solo endeavors during the hiatus. Caron Wheeler, who had been a central voice in the group's breakthrough era, released her debut solo album UK Blak in 1990, featuring hits like "Livin' in the Light" that blended and influences, followed by her second album Beach of the War Goddess in 1993, which explored more introspective themes with tracks such as "I Adore You." Charlotte Kelly, who joined as lead vocalist in the mid-1990s, departed after Time for Change to release her debut solo album Just Another Girl in 1998, initially available exclusively in and showcasing her R&B style on songs like "." Despite the disbandment, occasional one-off performances kept the Soul II Soul name alive sporadically through the early , alongside retrospective compilations such as Classic Masters in 2003, which remastered key tracks from the group's catalog to celebrate their enduring legacy. No full band reunions or new material emerged until 2007, allowing members to develop independently amid the evolving music landscape.

2007–present: Reunion, tours, and recent releases

In 2007, Soul II Soul reformed for a performance at the Lovebox Festival in London's Victoria Park, marking the group's return with a core lineup featuring founder , vocalist , Aitch B, Philip "Daddae" Harvey, and MC Lowrie. This reunion led to a tour that celebrated the enduring impact of their debut album , drawing on the collective's classic sound to reconnect with fans through live renditions of hits like "Keep On Movin'" and "Back to Life." The event and subsequent shows revitalized the group's presence, blending original members with fresh energy to honor their foundational era. The band maintained momentum with notable festival appearances, including a set at in 2010 on the West Holts Stage, where they delivered a mix of soulful grooves and reggae-infused tracks to a diverse crowd. In 2012, Soul II Soul performed at the in Hyde Park, showcasing their fusion of R&B and electronic elements amid a lineup of contemporary acts. These outings culminated in the 30th anniversary tour in 2019, which commemorated with dates across the , though some were postponed to 2022 due to the ; the rescheduled shows emphasized the album's timeless appeal and the collective's evolving lineup. Releases during this period included the single "A New Day" in 2016, a collaboration credited to with production by and Louie Vega, which infused influences into the group's signature style. That same year, they issued the live album Origins: The Roots of Soul II Soul, recorded at Metropolis Studios in and capturing intimate performances of core tracks like "Fairplay" and "Missing You" before a small audience. More recently, in July 2025, a vinyl reissue of "A Dream's a Dream (Ron Trent Refix)" was released, offering a reinterpretation that highlighted ongoing creative partnerships. Soul II Soul has sustained activity through UK tours from 2023 to 2025, including headline dates at venues like in November 2025 and a performance at in the Park in Preston in September 2025. They also served as special guests for Simply Red's 40th anniversary shows at in on October 9 and 10, 2025, blending their roots with the headliners' pop-soul set. Amid these efforts, the group has faced challenges, including the death of former vocalist Melissa Bell in August 2017 at age 53 due to complications from and . has emphasized legacy preservation through initiatives like the Jazzie B Archives, a project archiving footage and artifacts in collaboration with the British Pop Archive to safeguard the collective's cultural contributions.

Members

Current members

As of 2025, Soul II Soul operates as a collective led by founder Jazzie B, who serves as DJ, producer, rapper, and bandleader, maintaining his role as the primary creative force since the group's inception in 1988. Charlotte Kelly remains a core lead vocalist, having first contributed to the band's sound from 1994 to 1997 on albums like Vol. V: Believe, before rejoining in 2008 for reunion tours and continuing through performances and recordings into the present. Nadine Ceaser is an active lead vocalist, delivering performances on the 2022 Roundhouse live show—captured in the 2025 album release—and featured on recent tracks such as the remix of "Nothing Compares to You." The ensemble includes a rotating group of supporting musicians, including multi-instrumentalists on guitar, bass, drums, and keyboards, assembled for 2025 tour dates to handle live arrangements and production.

Former members

Caron Wheeler was the lead vocalist for Soul II Soul from 1988 to 1990, delivering the iconic performances on the debut album's breakthrough hits "Keep on Movin'" and "Back to Life (However Do You Want Me)," which defined the group's fusion of soul, , and elements. She departed in 1990 to launch her solo career, issuing her debut album UK Blak and subsequent releases that showcased her roots in and R&B. Wheeler made sporadic returns to the group, including a brief stint in 1992 and a more extended period from 2007 to 2013, during which she participated in tours and contributed to new material before stepping away again due to creative priorities. Rose Windross handled backing vocals and served as an early live performer from 1988 to 1990, helping establish Soul II Soul's vibrant stage presence in London's club scene through her energetic contributions to tracks like "," the group's inaugural single. She left following the release of the debut album to develop her own songwriting and performing career, building on her prior experience as a schoolgirl vocalist in the UK scene. Do'Reen, born , provided vocals for Soul II Soul from 1988 to 1989, featuring prominently on the debut album with her soulful delivery on tracks like "Feel Free." After her time with the collective, she pursued solo work in , releasing material that highlighted her Jamaican heritage before her untimely death in 2002 at age 36. Melissa Bell performed session vocals for Soul II Soul in the 1990s, particularly noted for infusing live shows with her dynamic energy and powerful delivery on tracks like "Wish" from 1993. She transitioned to her own projects, forming the band Soul Explosion in 1999, before passing away in 2017 at age 53 due to complications from . Simon Law served as keyboardist from 1988 to 1990, co-writing and contributing to the debut album's hits like "Keep On Movin'."

Membership timeline

Soul II Soul originated as a loose collective in 1988, founded by (Beresford Romeo) in , initially drawing from his sound system roots. The core lineup featured on production and DJ duties, alongside lead vocalist , co-lead vocalists Rose Windross and (also known as Do'Reen), and drummer Philip "Daddae" Harvey, with additional support from producer and various session musicians. By 1989, the group had expanded into a large 25-piece ensemble for live performances, incorporating the Philharmonic Orchestra on strings and other contributors like Smith & Mighty and on programming. In 1990, departed following the debut album , leading to a shift in vocalists with , , , and Marcia Lewis for the Vol. II: 1990 – A New Decade recordings. Wheeler made a brief return in 1992 for select projects, while Charlotte Kelly emerged as a prominent in 1994. The lineup continued to evolve through session-based contributions from 1994 to 1997, with Charlotte Kelly central amid changes like the addition of bassist Marco Nelson, guitarist Derek Green, and keyboardist Norman "Keys" Mason; the group effectively disbanded in 1998 after the release of Time for Change. A reunion occurred in 2007, bringing back and Charlotte Kelly alongside . Wheeler left again after the 2010 reunion tour, prompting Kelly to take a more consistent role; Wheeler rejoined in 2013 but with reduced full-time involvement thereafter. From 2017 onward, the lineup has stabilized around and Charlotte Kelly, occasionally featuring Wheeler and newer additions like Nadine Ceaser on lead vocals. The following table illustrates major membership overlaps and shifts, highlighting the transition from a expansive collective to a streamlined group:
PeriodKey Joinings/DeparturesCore/Active Members (Selected)Notes on Scale/Overlaps
1988–1989Formation: Jazzie B, Wheeler, Windross, Do'Reen join; expansion to full collectiveJazzie B, Caron Wheeler, Rose Windross, Doreen Waddell, Daddae Harvey, Nellee HooperPeak 25-piece live ensemble with session players and orchestra
1990–1991Wheeler departs; Mazelle, Wilson-James, Lamya, Lewis joinJazzie B, Kym Mazelle, Victoria Wilson-James, Lamya, Marcia Lewis, Daddae HarveyVocalist rotation for second album; reduced core post-Wheeler
1992–1993Wheeler returns briefly; Stephens, Nelson, Green, etc., addedJazzie B, Caron Wheeler (brief), Richie Stephens, Marco Nelson, Derek GreenSession-heavy with emerging stability
1994–1997Charlotte Kelly joins; multiple session changes (e.g., Penny Ford, MC Conrad); disbandment in 1998Jazzie B, Charlotte Kelly, Penny Ford, Marco Nelson, Derek Green, Norman MasonFluid supporting lineup; effective end of active collective
2007–2010Reunion: Wheeler, Charlotte rejoinJazzie B, Caron Wheeler, Charlotte KellyRevived core; Wheeler departs post-tour
2013–2016Wheeler rejoins with selective involvementJazzie B, Caron Wheeler, Charlotte KellyWheeler's reduced activity; Kelly primary vocalist
2017–presentStabilization; Nadine Ceaser joins (2018)Jazzie B, Charlotte Kelly; occasional Wheeler, Nadine CeaserLean focus for tours/releases; overlaps with past vocalists

Legacy

Awards and nominations

Soul II Soul achieved significant recognition in the music industry, particularly during their breakthrough period in the late and early , earning accolades that highlighted their innovative fusion of , R&B, and influences in British music. Their debut album and its hit singles propelled them to two Grammy wins in 1990, underscoring their impact on . At the held on February 21, , Soul II Soul won Best R&B Performance by a Duo or Group with Vocal for "Back to Life (However Do You Want Me)" featuring , recognizing the track's soulful vocals and crossover appeal that topped charts in multiple countries. They also secured Best R&B Instrumental Performance for "," an album track that exemplified their experimental production style blending African rhythms with electronic elements. Additionally, the group was nominated for Best New Artist that year, though the award went to (later revoked). These victories marked Soul II Soul as pioneers in elevating British urban music on the global stage. Soul II Soul received five Brit Award nominations across 1990 and 1991, reflecting their dominance in the UK music scene without securing a win. In 1990, they were nominated for British Group, British Album of the Year for , British Single of the Year for "Back to Life (However Do You Want Me)", and British Breakthrough Act; the following year, they earned another nod for British Group. These nominations affirmed their role in innovating and R&B, bridging club culture with mainstream pop. At the 1990 Soul Train Music Awards, Soul II Soul won three awards: Best R&B/Urban Contemporary Album of the Year for Club Classics Vol. One, Best R&B/Urban Contemporary Single for "Back to Life (However Do You Want Me)", and Best R&B/Urban Contemporary Group. In later years, the group continued to be honored for their enduring legacy. At the 2015 Q Awards, Club Classics Vol. One won the Classic Album award, celebrating its 26-year influence on acid jazz and soul genres. Overall, with two Grammy wins, three Soul Train Awards, and five Brit nominations, Soul II Soul's accolades emphasize their contributions to revitalizing soul music in the UK and beyond.
YearAwardCategoryNominee/WorkResultSource
1990Best R&B Performance by a Duo or Group with Vocal"Back to Life (However Do You Want Me)"WonUPI Archives
1990Best R&B Instrumental Performance""WonUPI Archives
1990Best New ArtistSoul II SoulNominatedRock on the Net
1990British GroupSoul II SoulNominatedOfficial Charts
1990British Album of the YearNominatedOfficial Charts
1990British Single of the Year"Back to Life (However Do You Want Me)"NominatedOfficial Charts
1990British Breakthrough ActSoul II SoulNominatedOfficial Charts
1991British GroupSoul II SoulNominatedOfficial Charts
1990Best R&B/Urban Contemporary Album of the YearWonUPI Archives
1990Best R&B/Urban Contemporary Single"Back to Life (However Do You Want Me)"WonUPI Archives
1990Best R&B/Urban Contemporary GroupSoul II SoulWonUPI Archives
2015Classic AlbumWonBBC News

Cultural impact and influence

Soul II Soul pioneered the fusion of Afrocentric street soul and , blending elements of , , hip-hop, and to create a distinctly British sound that challenged American-dominated R&B norms. This innovative approach, rooted in soundsystem culture, legitimized street sounds in mainstream music and paved the way for subsequent genres like , , and grime. Their emphasis on eclectic, inclusive production influenced UK acts such as , who drew from Soul II Soul's hybrid style in developing acid jazz-infused funk. Broader ripples extended to the neo-soul movement, with Soul II Soul marking the early wave of British neo-soul in the late through their community-driven, multicultural sound. In , promoted Afrocentric urban aesthetics, incorporating patterns and casual streetwear that symbolized black British pride and club culture. Their signature T-shirts featuring the cartoonish "Funki Dred" became icons of late-1980s and youth style, bridging and visual identity in a way that prefigured hip-hop's global fashion dominance and even elements of Britpop's eclectic urban edge. This holistic approach to reinforced Soul II Soul's role in shaping black British identity, offering a platform for second-generation immigrants to express hybrid cultural roots amid Thatcher's Britain. By bridging reggae soundsystem traditions with soulful vocals and house rhythms, Soul II Soul articulated a unified black British narrative that celebrated diversity and community, influencing UK club scenes and giving voice to working-class experiences across cities like London and Manchester. Their impact is highlighted in documentaries such as the 2005 BBC series Soul Deep: The Story of Black Popular Music, which traces the evolution of black music traditions including their contributions to soul's global spread. In recent years, their legacy endures through 2020s remixes of classics like "Back to Life" by producers such as Zepherin Saint and Booker T, revitalizing the tracks for contemporary dancefloors. Jazzie B's 2023 interviews underscore this ongoing influence, emphasizing a philosophy against rigid genre compartmentalization in favor of joyful, boundary-crossing fusion.

Discography

Studio albums

Soul II Soul released five studio albums between 1989 and 1997, each showcasing the collective's evolving fusion of soul, R&B, , and influences under the guidance of founder . , released on 10 April 1989, marked the group's breakthrough, topping the for four weeks and achieving triple platinum status in the UK with over 900,000 copies sold domestically, while worldwide sales exceeded 3 million units. The album's themes centered on joyful escapism through laid-back grooves and uplifting vocals, blending , hip-hop, and elements to capture the vibrant energy of London's club scene. Vol. II: 1990 – A New Decade, issued on 21 May 1990, also reached number one on the , reflecting the group's shift toward more experimental and sounds while maintaining their signature soulful production. This sophomore effort incorporated jazzdance rhythms and featured diverse guest vocalists, emphasizing a forward-looking ethos in its title and sonic explorations. Volume III: Just Right, released on 13 April 1992, peaked at number 3 on the and adopted a more mature R&B orientation, with smooth, contemporary arrangements that highlighted emotional depth and club-friendly beats. The record focused on themes of and introspection, bolstered by polished production at Soul II Soul's own studios. Volume V: Believe, which arrived in July 1995, charted at number 13 in the UK and infused its tracks with gospel-inspired elements alongside house and R&B foundations, creating a spiritually resonant atmosphere through choir-like backing vocals and uplifting melodies. Jazzie B's production emphasized faith and perseverance, drawing on the collective's roots for a cohesive, groove-oriented sound. Time for Change, the final studio album, was released in September 1997 and reached number 80 on the UK Albums Chart, contemplating social issues through dub, acid jazz, and downtempo styles that urged reflection and transformation. Tracks like the title song addressed societal shifts, marking a poignant close to the group's primary recording era with introspective lyrics and layered instrumentation.

Singles and compilations

Soul II Soul achieved significant commercial success with their early singles, particularly those from their debut album . The lead single "Keep On Movin'", featuring , was released in March 1989 and peaked at number 5 on the UK Singles Chart, spending 12 weeks in the Top 75. This was followed by "Back to Life (However Do You Want Me)", also featuring Wheeler, which entered the charts in June 1989 and reached number 1, holding the top spot for four weeks and totaling 15 weeks on the chart. Subsequent releases from Vol. II: 1990 – A New Decade continued their momentum. "Get a Life" debuted in December 1989, climbing to number 3 on the UK Singles Chart with 14 weeks overall. "A Dream's a Dream", released in May 1990, achieved a peak of number 6 and charted for six weeks. In later years, the group issued singles with varying chart performance. "Love Enuff" from Volume V Believe, released in July 1995, reached number 12 on the UK Singles Chart and number 2 on the UK R&B Chart. The title track from Time for Change, issued in 1997, peaked at number 39. More recently, "A New Day" was released as a digital single in 2016, featuring remixes by Louie and others, marking a collaboration with former member . Soul II Soul's compilations have preserved their classic material for later audiences. Volume IV: The Classic Singles 88–93, released in December 1993, collects key tracks from their early hits including "Keep On Movin'" and "Back to Life", serving as a of their breakthrough era. In 2016, they issued Origins (Live from ), a live recorded at London's Studios, capturing performances of signature songs with and . In 2025, Live at Roundhouse was released on 23 May, a live recorded at the Roundhouse in , featuring performances of their classic tracks. A 2025 highlight includes the vinyl-exclusive remix "A Dream's a Dream – Ron Trent Refix", reimagining the 1990 track in a style and released on Funki Dred in July, available only in physical formats like red and black marble vinyl.

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