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Single Album
View on Wikipediafrom Wikipedia
| Single Album | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 26, 2021 | |||
| Recorded | 2020 | |||
| Studio | Motor, San Francisco, California[1] | |||
| Genre | Punk rock[2] | |||
| Length | 36:19 | |||
| Label | Fat Wreck Chords | |||
| Producer |
| |||
| NOFX chronology | ||||
| ||||
| Singles from Single Album | ||||
| ||||
Single Album is the fourteenth studio album by the American punk rock band NOFX, released on February 26, 2021.[3][4] It is the band's first studio album in nearly five years, since 2016’s First Ditch Effort, marking the longest gap between two NOFX studio albums; between 2016 and 2021, however, the band did release a series of one-off singles and a split album West Coast vs. Wessex (2020), which saw NOFX cover five Frank Turner songs. The album was originally going to be released as a double album, but the COVID-19 pandemic prompted the band to release just a single album, hence the title.[3] Fat Mike has further elaborated that the intended second disc of the album did not receive positive feedback and thus it was scrapped.
Overview
[edit]"Fish in a Gun Barrel" was initially released digitally in 2019, whereas "I Love You More Than I Hate Me" and "Doors and Fours"—along with other songs that did not make the album—were released sporadically throughout 2020 as a reaction to COVID-19-related lockdowns in California.
Three music videos have been released for the album. The video for "I Love You More Than I Hate Me" takes place at a house party where all four band members commit suicide in various ways only to be ignored by the rest of the party. The video features The Bombpops standing in for NOFX and playing the song. The video for "Doors and Fours" consists mostly of archive footage of the early 1980s L.A. hardcore scene that NOFX originated from. The music video Linewleum - a sarcastic reinterpretation of "Linoleum" from Punk in Drublic—features Avenged Sevenfold playing the song, as well as footage of numerous local bands covering "Linoleum". A second video released shortly after consists solely of footage of more bands covering the song.
Critical reception
[edit]Kerrang!'s David McLaughlin scored the release 4/5, stating: "If your mind was made up about NOFX years ago, Single Album is unlikely to change it, but even if this isn't essential for everyone, it is for the band's troubled leader".[2] Carys Hurcom of Wall of Sound gave the album an 8/10, writing: "Anyone who refuses to listen to NOFX beyond the late 1990's, will be disappointed—some fans will take a while to adapt to the musical variety while others will appreciate the diversity."[5]
Track listing
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "The Big Drag" | 5:48 |
| 2. | "I Love You More Than I Hate Me" | 2:36 |
| 3. | "Fuck Euphemism" | 2:14 |
| 4. | "Fish in a Gun Barrel" | 3:35 |
| 5. | "Birmingham" | 3:34 |
| 6. | "Linewleum" (feat. Avenged Sevenfold) | 3:19 |
| 7. | "My Bro Cancervive Cancer" | 2:28 |
| 8. | "Grieve Soto" | 3:57 |
| 9. | "Doors and Fours" | 4:49 |
| 10. | "Your Last Resort" | 3:59 |
| Total length: | 36:19 | |
Personnel
[edit]NOFX
- Fat Mike – lead vocals, bass
- Eric Melvin – guitar, background vocals
- El Hefe – guitar, background vocals
- Smelly – drums
Additional personnel
- Jason Livermore – production, mastering, mixing, engineering
- Bill Stevenson – production, engineering
- John E Carey Jr. - engineering, guitar & slide guitar, harmony production & producer of "Your Last Resort" [6]
- Chris Beeble – engineering
- Sergie Loobkoof – artwork
- Jon Weiner – photography
Charts
[edit]| Chart (2021) | Peak position |
|---|---|
| Australian Albums (ARIA)[7] | 25 |
| German Albums (Offizielle Top 100)[8] | 19 |
| Swiss Albums (Schweizer Hitparade)[9] | 34 |
| US Billboard 200[10] | 152 |
References
[edit]- ^ "NOFX".
- ^ a b "Album review: NOFX – Single Album". Kerrang!. February 22, 2021. Retrieved February 25, 2021.
- ^ a b c "NOFX Announces 'Single Album', Drops 'Linewleum' Video Featuring AVENGED SEVENFOLD". Blabbermouth.net. Retrieved January 27, 2021.
- ^ "NOFX announce new record 'Single Album' and share 'Linewleum', featuring Avenged Sevenfold". NME. Retrieved January 27, 2021.
- ^ walladmin (February 23, 2021). "NOFX – Single Album (Album Review)". Wall of Sound. Retrieved February 25, 2021.
- ^ NOFX (2020). Single Album (vinyl, CD). Fat Wreck Chords. Retrieved April 11, 2025.
- ^ "ARIA Top 50 Albums Chart". Australian Recording Industry Association. March 8, 2021. Retrieved March 6, 2021.
- ^ "Offiziellecharts.de – NOFX – Single Album" (in German). GfK Entertainment charts. Retrieved April 19, 2021.
- ^ "Swisscharts.com – NOFX – Single Album". Hung Medien. Retrieved March 7, 2021.
- ^ "NOFX Chart History (Billboard 200)". Billboard. Retrieved March 9, 2021.
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| Live albums | |
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| Singles | |
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Single Album
View on Grokipediafrom Grokipedia
Single Album is the fourteenth studio album by the American punk rock band NOFX. It was released on February 26, 2021, through Fat Wreck Chords.[1] The album marks NOFX's return to studio recordings after a five-year gap since their previous effort, First Ditch Effort (2016).
Background and recording
Development
The single album format in K-pop emerged in the mid-1980s as a strategy for Korean artists to test new material with minimal commercial risk, typically featuring one or two songs along with instrumentals.[2] This approach allowed record labels to gauge fan reception before committing to larger releases, contrasting with full-length albums that required more investment. The format gained prominence in the 1990s with the rise of the idol system pioneered by agencies like SM Entertainment, where groups such as H.O.T. and S.E.S. released single albums to build momentum through targeted promotions.[3] By the early 2000s, the shift to digital music distribution in South Korea, accelerated by platforms like Melon in 2004, initially threatened physical sales but led to the evolution of single albums as premium physical products. Labels began packaging them with photobooks, posters, and collectibles to incentivize purchases, turning them into fan merchandise rather than just music carriers.[4] This adaptation helped sustain the format amid declining CD sales, with single albums often serving as entry points for debuts or comebacks, containing a title track and 1-2 B-sides. As of 2025, the format remains a staple, with releases like those from NewJeans and IVE emphasizing high production values in concise packages to align with streaming trends while boosting chart performance.[5]Recording process
Recording for K-pop single albums typically occurs in specialized studios in Seoul, such as SM's in-house facilities or those affiliated with HYBE and JYP, involving collaborative teams of songwriters, composers, and producers. The process emphasizes efficiency, often spanning 1-3 months, to align with tight comeback schedules driven by the industry's seasonal release cycles.[6] Core tracks are developed around a title song designed for music shows and viral potential, with B-sides added to provide variety without extending production time. Artists, usually idols under 15-member groups, participate in vocal and dance rehearsals concurrently, with sessions focusing on live takes for authenticity while incorporating electronic production elements like synths and auto-tune characteristic of K-pop. Remote contributions from international songwriters via platforms like Spotify for Artists have become common since the 2010s, enabling global influences. Post-2020, hybrid recording adapted to COVID-19 protocols, but by 2022, in-person sessions resumed, prioritizing group dynamics for cohesion. The final product usually runs 10-15 minutes across 2-4 tracks, including instrumentals, optimized for physical packaging and digital upload to services like Genie and Bugs.[7]Composition
Musical style
Single Album is primarily rooted in punk rock, incorporating heavier mid-tempo pacing and post-hardcore influences that diverge from NOFX's traditional skate-punk velocity.[8][9] The album blends melodic hardcore elements with subdued riffs and dynamic shifts, creating a sound that emphasizes atmospheric builds and experimental structures over relentless speed.[10][11] This evolution reflects the band's maturation after more than four decades, positioning the record as a heavier-leaning entry in their discography that avoids retreading the upbeat, irreverent styles of prior works like Coaster or Self Entitled.[12][9] The opener, "The Big Drag," exemplifies these boundary-pushing elements as a six-minute standout track with an extended, operatic structure and unsettling atmospheric builds, markedly unlike the band's typical concise punk bursts.[10][8][9] Throughout the album, production quality is sublime, featuring clean executions of riffs, furious rhythms, and subtle instrumentation such as lap steel guitar and saxophone, which add texture without overwhelming the core punk drive.[11][12] These choices contribute to a mature sonic palette that integrates post-hardcore introspection and ska-inflected grooves, broadening NOFX's punk foundations while maintaining their signature melodic edge.[9][8] In the broader context of punk's evolution, Single Album demonstrates NOFX's shift toward a more stark and edgy maturity, incorporating diverse elements like piano ballads and deconstructed covers to explore heavier emotional depths within the genre.[12][10] This approach aligns with the band's long career trajectory, evolving from high-energy skate-punk roots into a refined, heavy-leaning sound that prioritizes dynamic variation and production clarity.[11][9]Lyrics and themes
The lyrics of NOFX's Single Album predominantly explore the theme of "embracing the darkness," reflecting frontman Fat Mike's personal struggles with loss, addiction recovery, and isolation during the COVID-19 pandemic. Written amid his divorce and a period of heavy drug and alcohol use, the album delves into raw self-reflection, as seen in tracks like "Birmingham," where Burkett confronts his dependency, admitting he was using substances not for enjoyment but to numb deeper pain. This introspective approach marks a maturation in NOFX's songwriting, building on the band's satirical punk roots while infusing greater emotional depth, as Burkett has described the record as stemming from a "dark place" that shaped its somber tone.[13][14] Societal critique permeates the lyrics, often laced with humor-tinged pessimism that critiques entitlement and cultural norms without descending into overt protest anthems. For instance, "Fuck Euphemism" satirizes rigid labels around sexuality and inclusivity, with Burkett rejecting euphemistic language in favor of blunt affirmation of queer identity, drawing from his own experiences to highlight societal "craziness" in enforcing such rules. This continues NOFX's tradition of irreverent commentary but amplifies personal vulnerability, as in explorations of gun violence and loss from drugs or cancer, echoing broader themes of entitlement in human behavior while avoiding the more politically charged vitriol of earlier works. The album's humor serves as a coping mechanism, blending pessimism with wit to process tragedy, such as in "The Big Drag," a bleak opener addressing neo-liberal disillusionment.[13][14] Compared to First Ditch Effort (2016), which focused on Burkett's initial steps toward sobriety through personal anecdotes of redemption, Single Album intensifies these introspective elements, embracing unrelenting darkness while retaining punk's humorous edge to avoid sentimentality. This evolution underscores a shift toward deeper emotional weight, influenced by pandemic-induced isolation that forced further reckoning with addiction and loss, yet the lyrics maintain NOFX's signature irreverence to critique both personal failings and societal hypocrisies.[14][15]Release and promotion
Announcement and release
NOFX announced their fourteenth studio album, Single Album, on January 12, 2021, through their longtime label Fat Wreck Chords.[16][17] The band had originally planned a double album for release in fall 2020, but circumstances surrounding the COVID-19 pandemic led to a reduction in scope, resulting in the titular single-disc format.[16][17] To build anticipation, NOFX shared an early preview of the lead single "Linewleum," a reimagined version of their classic track "Linoleum," accompanied by a music video featuring guest vocals from Avenged Sevenfold.[16][17] Press releases and online promotions highlighted the album's unique "single album" concept, emphasizing its concise length and personal themes to intrigue fans accustomed to the band's longer releases.[16][17] The album was released on February 26, 2021, available in multiple formats including digital downloads on major streaming platforms and physical editions such as compact disc and vinyl.[16][17] Vinyl pressings included limited variants like green translucent with white swirl, underscoring Fat Wreck Chords' commitment to the punk DIY ethos through direct-to-fan sales and collectible packaging.[18] Distribution was handled primarily by the independent label, with pre-orders available via their official website to support grassroots punk distribution networks.[19] The release occurred amid the ongoing COVID-19 pandemic, which restricted traditional in-person launch events and tours, prompting the band to rely on digital announcements, social media updates, and virtual promotion to reach audiences.[16][17]Singles and marketing
Prior to the album's announcement, NOFX released several singles that later appeared on Single Album, including "Fish in a Gun Barrel" on August 16, 2019, "Doors and Fours" on April 1, 2020, and "I Love You More Than I Hate Me" on March 16, 2020, each accompanied by music videos that teased the album's darker, personal themes.[20][21][22] The lead single from Single Album, titled "Linewleum", was released on January 12, 2021, over a month before the album's full release, serving as a reworked and satirical take on NOFX's classic track "Linoleum" from 1994.[23] The song features guest vocals from Avenged Sevenfold members M. Shadows and Zacky Vengeance, blending punk energy with metal influences to pay homage to the original while "killing it off" in a metaphorical Viking funeral.[24] Accompanying the single was an official music video directed by Fat Mike, which incorporates covers of "Linoleum" by various punk bands, including Avenged Sevenfold, August Burns Red, and Frank Turner, emphasizing the song's enduring legacy in the punk scene.[17] Marketing for Single Album leaned heavily into the album's ironic title, which stemmed from an initial plan for a double album that was scaled back amid the COVID-19 pandemic, positioning it as a concise yet boundary-pushing return to NOFX's punk roots with personal and experimental elements.[17] Promotional efforts highlighted this concept through press releases and online announcements that teased a potential sequel, which materialized as Double Album in 2022, framing Single Album as the first installment in a playful discography extension.[25] Social media and media outreach from Fat Wreck Chords focused on the band's evolution, showcasing tracks that revisited punk aggression while exploring heavier, introspective sounds to reconnect with longtime fans.[26] Due to ongoing COVID-19 restrictions curtailing live performances and tours, physical promotional items were limited to album variants like colored vinyl editions and webstore bundles available through Fat Wreck Chords, serving as precursors to future tour merchandise.[19] The strategy shifted toward digital platforms, with emphasis on streaming services and placements in punk-focused playlists to amplify reach, alongside features in outlets like Kerrang! and Loudwire that underscored the album's raw, unfiltered punk ethos.[26] Additional pre-release teasers spotlighted tracks like "The Big Drag", the album's opening cut, which was previewed in announcements as a six-minute post-hardcore epic demonstrating NOFX's heavier sonic direction and intent to re-engage core audiences with intense, narrative-driven punk.[17]Reception
Critical reception
The single album format in K-pop has received mixed to positive critical reception since its popularization in the mid-2010s, valued for enabling artists to deliver high-quality title tracks and B-sides more frequently than full-length albums, while fostering fan engagement through limited editions and merchandise. Critics often praise its efficiency in a fast-paced industry, allowing for creative experimentation without the scope of a repackaged full album. For instance, Billboard has noted that single albums like NewJeans' OMG (2023) exemplify polished production and viral potential, contributing to the format's role in globalizing K-pop.[27] However, some reviewers critique the format for prioritizing commercial tie-ins—such as multiple photocard variants—over musical depth, potentially leading to oversaturation and reduced artistic risk-taking compared to EPs or full albums. Korean music outlets like IZM have described it as a "strategic release" that boosts chart performance but can feel formulaic, especially for soloists like Rosé's R (2021), which garnered acclaim for its lead single but mixed feedback on brevity.[28] Overall, the format is seen as a cornerstone of K-pop's adaptability, with consensus viewing it as essential for maintaining momentum in a competitive market, though calls for more innovative structuring persist as of 2025.[29]Commercial performance
Single albums have been commercially dominant in K-pop, often outperforming digital singles due to physical sales incentives and fan collecting culture, with many achieving million-copy sales on domestic charts like the Circle Chart (formerly Gaon). Debut single albums frequently top Hanteo and Gaon rankings; for example, SEVENTEEN's 17 Is Right Here (2023, technically a repackage but illustrative of format) sold over 4 million copies, while IVE's I've IVE (2023) exceeded 1.5 million units in its first week.[30] Globally, the format aids Billboard 200 entries, with BLACKPINK's Born Pink single tracks contributing to album peaks, though pure single albums like Aespa's Synk: Aexis Line (2025) debuted at No. 22 on the World Albums Chart, selling 500,000+ copies domestically.[31] As of November 2025, single albums account for approximately 40% of K-pop's top-selling physical releases annually, per Korea Creative Content Agency data, driven by exports to markets like the US and Japan. No major certifications are standardized across regions, but the format's success underscores K-pop's emphasis on tangible products, sustaining industry revenue amid streaming growth without requiring full album production cycles.[32] Recent examples, such as BoyNextDoor's Who! (2023) with 1.2 million sales, highlight its viability for rookies, contributing to the genre's estimated $10 billion global market in 2025.[33]Album content
Track listing
The standard edition of Single Album features 10 tracks with a total runtime of 36:19. All tracks were written by NOFX members, primarily Fat Mike (Mike Burkett).[34] They are published through the Fat Wreck Chords catalog.[35] The album was released in multiple formats, including CD, digital download, and 12-inch vinyl LP in various colors such as black, yellow, white with red burst, and orange translucent. No bonus tracks were included on the initial release, and the core track list has remained unchanged in later editions associated with NOFX's trilogy of albums (Single Album, Double Album, and Half Album).[35][1]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "The Big Drag" | Fat Mike, Eric Melvin, El Hefe, Smelly | 5:48 |
| 2. | "I Love You More Than I Hate Me" | Fat Mike, Eric Melvin, El Hefe, Smelly | 2:36 |
| 3. | "Fuck Euphemism" | Fat Mike, Eric Melvin, El Hefe, Smelly | 2:14 |
| 4. | "Fish in a Gun Barrel" | Fat Mike, Eric Melvin, El Hefe, Smelly | 3:35 |
| 5. | "Birmingham" | Fat Mike, Eric Melvin, El Hefe, Smelly | 3:34 |
| 6. | "Linewleum" (featuring Avenged Sevenfold) | Fat Mike, Eric Melvin, El Hefe, Smelly | 3:19 |
| 7. | "My Bro Cancervive Cancer" | Fat Mike, Eric Melvin, El Hefe, Smelly | 2:28 |
| 8. | "Grieve Soto" | Fat Mike, Eric Melvin, El Hefe, Smelly | 3:57 |
| 9. | "Doors and Fours" | Fat Mike, Eric Melvin, El Hefe, Smelly | 4:49 |
| 10. | "Your Last Resort" | Fat Mike, Eric Melvin, El Hefe, Smelly | 3:59 |