Hubbry Logo
Slade Alive!Slade Alive!Main
Open search
Slade Alive!
Community hub
Slade Alive!
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Slade Alive!
Slade Alive!
Slade Alive!
View on Wikipedia
from Wikipedia

Slade Alive!
Live album by
Slade
Released24 March 1972
Recorded19–21 October 1971
VenueCommand Studios, 201 Piccadilly, London W1
Genre
Length39:00
LabelPolydor (UK/US)
ProducerChas Chandler
Slade chronology
Coz I Luv You
(1972) 		Slade Alive!
(1972) 		Slayed?
(1972)

Slade Alive! is the first live album by the British rock band Slade. The album was released on 24 March 1972 and reached No. 2 on the UK Albums Chart, remaining in the chart for 58 weeks.[1] It was Slade's first album to enter the UK charts and the first to enter the Billboard 200 in the United States, where it reached No. 158. The album was produced by Chas Chandler.

Slade Alive! contains three original songs, plus cover versions of songs by Ten Years After, The Lovin' Spoonful, Bobby Marchan, and Steppenwolf. It was recorded live at Command Theatre Studio and mixed at Olympic Studios.[2]

Today, the album has been considered one of the greatest live albums of all time.[3] Kiss, who were heavily influenced by Slade, would title their 1975 live album Alive! as a homage to Slade Alive!.[4][5]

Background

[edit]

Having made their UK breakthrough with the hits "Get Down and Get With It", "Coz I Luv You" and "Look Wot You Dun", Slade decided that the best way to break into the album charts would be to capture their live sound on record. In October 1971, the band played three consecutive nights at London's Command Theatre Studio in front of an audience. The three nights cost £600 to record.

"Our manager, Chas Chandler, had come up with the idea of us doing a live album, because he'd been Jimi Hendrix's manager and he'd seen how some of Hendrix's live performances had been turning points in his career. So we booked a little studio-cum-theatre on Piccadilly for three nights: the Tuesday, Wednesday and Thursday. The bulk of the album was from the Wednesday night, which was mayhem. 'Coz I Luv You' was number one, and we'd come straight from doing Top of the Pops. We were still wearing our clobber from the telly, and we went pretty much straight onstage… Our aim onstage was to hit the crowd between the eyes and grab them by the balls." – Noddy Holder[6]

Initially Chandler rejected Command Studio's mix of the album, which was completed in conjunction with the band. He remixed the tapes himself, but the band rejected that version and went back to their own original mix. Prior to the album's release, "Hear Me Calling" was released as a promotional single in February 1972, with "Get Down With It" as the B-Side. The release was limited to 500 copies.[7]

Issued in March 1972, Slade Alive! reached number two in the UK. In Australia, it reached No. 1 and was the biggest-selling album since The Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967).[8][9]

Release

[edit]

In its original LP vinyl format, the album was issued in a gatefold sleeve which revealed a huge cartoon drawing on the inside. This drawing was the winning entry in a competition run in The Sun newspaper to design the album cover.[citation needed] In Israel, Italy, and certain editions in the Netherlands and France, the front cover used the inner gatefold artwork instead.[citation needed]

In 1978, the album was given a German release as a double-pack LP with a gatefold sleeve, paired with the Slade Alive, Vol. 2.[10] It received its first CD release in 1991, which was digitally remastered by Lea.[11] In 2006, it was included as part of the Salvo two-disc live compilation Slade Alive! – The Live Anthology.[12] Salvo re-issued it on vinyl in 2009 and on CD in 2011.[13][14] In 2017, BMG released a deluxe edition to celebrate its 45th anniversary. It was issued on vinyl with a 6-page insert and art card, and on CD with a 28-page booklet.[15] In December 2021, BMG reissued the album on splatter vinyl.

Promotion

[edit]

As a major part of promotion for the album, the band did a UK tour in May.[16]

On the UK Granada Television, the band performed a 'Set of Six' show on 13 June 1972. This filmed set featured a similar set to Slade Alive!, the tracks in order being "Hear Me Calling", "Look Wot You Dun", "Darling Be Home Soon", "Coz I Luv You", "Get Down and Get With It" and "Born To Be Wild".

Song information

[edit]

"Hear Me Calling", a cover of the 1969 song by Ten Years After, was originally planned as Slade's follow-up single to their 1971 breakthrough hit "Get Down and Get With It". However, the band couldn't better the song in the studio and the idea was dropped. In 2011, the vinyl acetate containing the studio version appeared as a bonus track on the 2011 Salvo remaster of Sladest.[17] In a 1981 interview, drummer Don Powell said of "In Like a Shot from My Gun": "It was originally meant to be put down in the studio. But after we recorded it for Slade Alive!, we didn't think that we could do it any more justice by doing it in the studio - as it's basically a live number."[18][19]

"Darling Be Home Soon", a cover of the 1967 song by The Lovin' Spoonful, notably features Holder burping into the microphone. In 2000, he admitted on The Frank Skinner Show that the burp was accidental as the band had a lot to drink before performing, and that from then on he continued to do the burp whenever the song was performed as audiences were left "disappointed" otherwise.[20] "Know Who You Are" is an original song which originally appeared on the band's 1970 album Play It Loud.[21] "Get Down With It" is a cover of the 1965 Bobby Marchan song. Aside from being Slade's breakthrough hit, it was regularly featured as part of the band's live set for the band's entire live career. "Born to be Wild", a cover of the 1968 song by Steppenwolf, was originally recorded in the studio by Slade for their 1969 debut Beginnings.[22]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStar[23]
Christgau's Record GuideB+[24]

Upon release, Record Mirror felt the "rocking album" was a "good quality live recording". They added: "The excitement of the group and crowd has been captured well".[25] New Musical Express said: "Slade Alive! is just what it implies. If you've ever been to one of their noisy gigs, you'll know exactly what I mean."[26][27] The album would later be rated No. 2 in the magazine's Top 10 albums of 1972.[28] Melody Maker commented: "Because it was recorded in a studio proper, before an audience, they've achieved the kind of balance and sound not often heard on a live recording."[26][27]

Gregor Vaule of Colorado Springs Gazette-Telegraph felt the album "crammed" much of the band's "famous in-person excitement", adding: "The LP thunders in on Alvin Lee's "Hear Me Calling" and from that point on there is never a dull moment."[29] Mike Diana of Daily Press Newport News described the album as a "real toe tapper", adding: "The boys play a frenetic kind of rock 'n' roll that features screaming lyrics, monosimple rhythms and buzzing guitars."[30] Robert Hilburn of the Los Angeles Times commented on the band's "forceful, celebrative nature" and concluded: "As with any band worth its rock 'n' roll shoes, Slade Alive sounds better the louder you play it."[31] Rich Aregood of the Philadelphia Daily News described the album as "eminently enjoyable", noting: "...Slade is something else again. A loud, rude, and exciting flatout rock-and-roll band that could even get Pat Nixon tapping her toe."[32]

In 1991, Q described the album as "distinctly heavy" with a "laddish rock style". They concluded: "It's just fun and beers all the way." In 2010, Classic Rock considered the album "superior: reputation cementing". AllMusic commented: "Slade showed why they were one of England's best live acts with this fevered concert recording. Set alight by plenty of stomping beats, lumbering bass, fat guitars, and Noddy Holder's hoarse vocal scream, Slade Alive! finds the lads from Wolverhampton goading on their rabid fans at every juncture."[23]

Track listing

[edit]
Side one
No.TitleWriterLength
1."Hear Me Calling"Alvin Lee5:46
2."In Like a Shot from My Gun"Noddy Holder, Jim Lea, Don Powell3:33
3."Darling Be Home Soon"John Sebastian5:43
4."Know Who You Are"Holder, Lea, Dave Hill, Powell3:37
Side two
No.TitleWriterLength
5."Keep on Rocking"Holder, Lea, Hill, Powell6:29
6."Get Down and Get with It"Bobby Marchan5:33
7."Born to Be Wild"Mars Bonfire8:12

Personnel

[edit]

Slade

Additional personnel

  • Chas Chandler – producer
  • Barry Ainsworth – recording engineer
  • Alan O'Duffy – mixing engineer
  • Derek Robinson – artwork
  • Chris Walter – photography (front)
  • M. Webb – artwork (sleeve inner)
  • Tambourine on "Know Who You Are" was played by an unknown member of the audience

Charts

[edit]
Weekly chart performance for Slade Alive!
Chart (1972–1973) Peak
position
Australian Albums (Kent Music Report)[33] 1
Austrian Albums (Ö3 Austria)[34] 8
Canada Top Albums/CDs (RPM)[35] 77
Finnish Albums (Suomen virallinen lista)[36] 5
German Albums (Offizielle Top 100)[37] 25
Norwegian Albums (VG-lista)[38] 18
UK Albums (OCC)[39] 2
US Billboard 200[40] 158
US Cash Box Top Albums (101 to 165)[41] 105
US Record World The Album Chart[42] 96

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Slade Alive!

View on Grokipedia
from Grokipedia
Slade Alive! is the debut live by the English band , released on 24 March 1972 by . Recorded over three consecutive nights from 19 to 21 October 1971 at London's Command Theatre Studio in front of a small invited of around 100 , the album was produced on a budget of £600 with no overdubs or studio enhancements to preserve its raw authenticity. Featuring seven tracks that blend Slade's original songs with energetic covers, it captures the band's boisterous stage presence and skinhead-influenced rock 'n' roll style at the cusp of their . The album's tracklist includes high-octane renditions of Slade originals such as "In Like a Shot From My Gun" (3:33), "Know Who You Are" (3:37), and "Keep on Rocking" (6:29), alongside covers of "Hear Me Calling" by (5:45), "Darling Be Home Soon" by (5:43), "Get Down and Get With It" by (5:33), and Steppenwolf's "Born to Be Wild" (8:19). Clocking in at 38 minutes and 55 seconds, these performances highlight frontman Noddy Holder's raspy, commanding vocals, guitarist Dave Hill's flamboyant riffs, bassist Jim Lea's versatile musicianship, and drummer Don Powell's driving beats, all hallmarks of Slade's live dynamism. Upon release, Alive! propelled the band to national prominence, peaking at number 2 on the and remaining there for 58 weeks, with 22 weeks in the top 10. It became Australia's highest-selling album since ' Sgt. Pepper's Lonely Hearts Club Band, underscoring 's international appeal. Critically, the album has been praised for its unfiltered energy and celebratory vibe, earning an 8/10 rating in retrospective reviews and solidifying 's reputation as one of the era's premier live acts. Its influence extended to later rock bands, notably inspiring to title and stylize their 1975 breakthrough live album Alive!, with citing Alive! as a pre-rehearsal motivator for the group. Today, it is regarded as one of the greatest live rock recordings, exemplifying the raw power of 1970s glam and .

Background and recording

Background

Slade originated in , , forming in 1966 as the N' Betweens, a group comprising (vocals and rhythm guitar), Dave Hill (lead guitar), Jim Lea (bass and ), and (), who had been playing together in various local configurations since the early 1960s. By 1969, the band rebranded as Ambrose Slade and secured a deal with Fontana Records, releasing their debut album that year, which featured original material alongside covers but failed to achieve commercial success. Shortly thereafter, the group shortened their name to and signed with under the management of , the former bassist who had previously produced the and recognized the band's raw potential. In the late 1960s and early , Slade cultivated a distinctive image—characterized by cropped hair, boots, and working-class attire—to set themselves apart in the rock scene, a deliberate strategy by Chandler to appeal to a and differentiate from prevailing trends. This aesthetic resonated during their energetic live shows, which built a dedicated fanbase through relentless touring at clubs and theaters across the in 1971, where audiences responded enthusiastically to their high-octane, boisterous performances blending covers and originals. Their early single "Get Down and Get With It," a cover of Little Richard's "Get Down with It" released in May 1971, peaked at No. 16 on the UK Singles Chart, marking their first top 40 hit and underscoring their growing live reputation while exposing limitations in their studio recordings. Recognizing that Slade's studio efforts had not fully conveyed their onstage vitality—despite the band's rising popularity through gigs—Chandler advocated for a live album to authentically capture their skinhead-fueled energy and raw appeal, drawing from his successful experiences producing live recordings for acts like the . This decision aimed to bridge the gap between their electrifying club and theater appearances, which had fostered a loyal following amid the emergence, and their recorded output, positioning Slade Alive! as a pivotal showcase of their unpolished charisma.

Recording

The recording of Slade Alive! took place over three consecutive nights from 19 to 21 October 1971 at London's Command Theatre Studio (now known as ) in , where the band performed to an invited audience of approximately 100 to 200 fan club members to simulate a live atmosphere. Producer and manager , formerly of and Jimi Hendrix's manager, spearheaded the sessions with a hands-on approach, directing the band— on vocals and rhythm guitar, Dave Hill on lead guitar, Jim Lea on bass and violin, and on drums—to replicate their high-energy stage shows as faithfully as possible while capturing the raw essence of their performances. The project operated on a tight of £600 for the three nights, relying on basic multi-track recording equipment to document the shows without extensive post-production alterations, preserving the unpolished "warts 'n' all" quality that defined Slade's boisterous style. Chandler emphasized minimal editing to retain the album's authentic live feel, including accidental moments such as Holder's audible burp into the during the cover of "Darling Be Home Soon," which was kept to enhance the spontaneous vibe. The small audience size presented a logistical challenge, as it lacked the roar of Slade's larger 1971 tour crowds, but the invited fans provided sufficient energy without needing significant enhancements like overdubbed crowd noise. Following the sessions, primarily drawing from the second night's tapes for the final track selection, mixing was completed swiftly to align with the March 1972 release schedule, prioritizing a loud, dynamic that amplified the band's rowdy stage presence and . This approach ensured the album captured Slade's reputation for electrifying live shows, translating their concert intensity into a studio-recorded format with little interference.

Musical content

Song information

Slade Alive! comprises three original songs written by the band—"In Like a Shot from My Gun," "Know Who You Are," and "Keep on Rocking"—alongside four cover versions that draw from their influences in R&B and rock: Ten Years After's "Hear Me Calling," The Lovin' Spoonful's "Darling Be Home Soon," Bobby Marchan's "Get Down and Get With It," and Steppenwolf's "." This selection reflects Slade's evolution from their early skinhead-oriented covers of soul and R&B material to a more expansive live repertoire, emphasizing high-energy performances that bridged working-class roots with emerging glam sensibilities. The arrangements on the album are tailored to the live format, featuring extended jams and improvisations that amplify the songs' dynamics, such as elongated guitar solos from Dave Hill and propulsive bass contributions from Jim Lea. Noddy Holder's charismatic vocals dominate, often incorporating spontaneous ad-libs and direct audience call-and-response interactions, which heighten the communal atmosphere and showcase the band's rowdy stage presence. Don Powell's driving drum patterns underpin the proceedings, providing a relentless that propels the blend of riffs, pop hooks, and R&B grooves into a unified assault.

Track listing

Slade Alive! is a double-sided vinyl consisting of seven tracks, three of which are originals by and four covers of other artists' songs. The total runtime is approximately 39 minutes.
SideNo.TitleWriter(s)Length
A1"Hear Me Calling"5:45
A2"In Like a Shot from My Gun", Jim Lea, 3:33
A3"Darling Be Home Soon"5:43
A4"Know Who You Are", Jim Lea, , Dave Hill3:37
B1"Keep on Rocking", Jim Lea, , Dave Hill6:29
B2"Get Down and Get with It"Bobby Marchan5:33
B3"Born to Be Wild"8:19
The album concludes with an untitled locked groove featuring crowd noise on side B.

Release

Release history

Slade Alive! was originally released on 24 March 1972 by in the , with catalogue number 2383 101, as a vinyl LP featuring a sleeve. The album was issued internationally the same year, including in the United States by under catalogue number PD 5508, and in by , where it achieved significant commercial success by topping the national album for 12 weeks. The album's first CD reissue came in 1991 from , marking its transition to digital formats while retaining the original track listing. In 2006, Salvo Records released a remastered edition, enhancing audio quality for modern listeners. BMG Rights Management issued a deluxe edition in 2017 to commemorate the album's 45th anniversary, presented as a digibook with an extensive booklet detailing its historical context, though it remained a single-disc release focused on the core live recordings. A limited-edition red and black splatter vinyl reissue followed in 2022 from BMG, replicating the original format and appealing to collectors amid renewed interest in analog pressings. Regional variations in pressings were noted, particularly in Australian editions which featured unique matrix etchings and printing differences compared to the version. By the , the album had been made available on digital streaming platforms including , broadening its accessibility without major physical reissues in 2024 or 2025, though vinyl demand persisted through specialty retailers.

Artwork and packaging

The for Slade Alive! consists of a black-and-white photograph of the band captured in a dynamic concert pose at London's , with frontman positioned center stage to convey the raw intensity of their live shows. The image, taken by photographer Walter, was processed into a style for a bold, high-contrast effect on the front . The original 1972 LP release featured an innovative gatefold sleeve, which unfolded to display a large inner spread dominated by cartoon artwork submitted by fans. This inner design, credited to M. Webb, emerged as the winner of a competition organized through The Sun newspaper, where participants created whimsical illustrations including caricatures of the band members and fictional elements like a "Slade fan club" scene with surreal details such as a naked figure adoring a giant . The packaging incorporated interactive promotion via the artwork, inviting buyers to identify hidden differences in the cartoons for a chance to win prizes. Additional packaging elements included the lyrics to key tracks—"Hear Me Calling," "In Like a Shot from My Gun," "Darling Be Home Soon," and "Keep on Rocking"—alongside production credits printed on the inner sleeve. Subsequent reissues have preserved this original artwork and format, with the 2017 BMG deluxe 45th anniversary edition expanding the presentation through a digibook CD package containing a 28-page booklet of photographs, , and contextual essays on the album's creation.

Promotion and commercial performance

Promotion

To promote Slade Alive!, the band embarked on a headline tour in May 1972, performing in theaters and venues such as Coventry's on 4 May, Bristol University on 5 May, and Bracknell Sports Centre on 6 May, capitalizing on the growing buzz around their live performances. This tour supported the album's release earlier that month and featured packed houses, helping to build anticipation through direct fan engagement. A key television appearance came on 13 June 1972, when Slade performed a six-song set on Granada Television's Set of Six program, filmed at the in and broadcast to boost the album's visibility. The set included "Hear Me Calling" from Slade Alive!, along with "Look What You Dun" and "," mirroring the album's energetic live sound to emphasize the band's authentic stage presence. Cross-promotion with singles played a significant role, particularly the pre-album release hit "," which topped the charts in October 1971, with interviews and radio plays highlighting the track's role in showcasing the band's raw energy. Radio stations aired extended live cuts from the album to tie into this momentum, while press coverage focused on Slade's unpolished, crowd-pleasing authenticity. Internationally, efforts included promotional visits to , where the album achieved No. 1 status, supported by local radio plays and distribution pushes to leverage the band's rising appeal. In the , handled the release with radio and press campaigns, though impact remained limited compared to the success. Fan club strategies enhanced grassroots promotion, with the official Slade fan club newsletter for April and May 1972 mailing out tour announcements, posters, and updates on album-related activities to members, fostering direct and excitement.

Chart performance

entered the on 8 April 1972 and peaked at number 2, remaining in the chart for a total of 58 weeks. The album's strong performance was overshadowed only by , which held the number 1 position for much of 1972.) Internationally, the album achieved significant success, particularly in where it reached number 1 on the for 12 weeks starting in September 1972. It peaked at number 4 in the , number 6 in for 8 weeks from August 1972, number 25 in for 10 weeks from August 1972, and number 158 on the US Billboard 200 in November 1972. Sales estimates indicate the album sold over 1 million copies worldwide by , with approximately 500,000 units in the contributing to its extended longevity; however, it received no formal certifications from the BPI or RIAA. The album experienced minor re-entries in the charts during the due to reissues, including a expanded edition that reached number 191.
Chart (1972–1973)Peak PositionWeeks on Chart
Albums (OCC)258
Australian Albums ()151
Dutch Albums (MegaCharts)4Unknown
Norwegian Albums ()68
German Albums (Offizielle Top 100)2510
15810

Production and personnel

Production

Slade Alive! was produced by , the band's manager and former bassist for , who brought his expertise from producing to emphasize a raw, energetic sound with minimal studio alterations. The recording phase utilized engineer Barry Ainsworth at Command Theatre Studio, where performances were captured live before an invited audience of approximately 100 fans to simulate concert conditions and enhance the authentic atmosphere through natural crowd responses. Mixing followed at under Alan O'Duffy, who focused on preserving the unpolished live essence with no overdubs and careful balancing to maintain for the rock genre. No guest musicians contributed. The final mastering optimized the tracks for vinyl release, prioritizing punchy audio suitable for high-volume playback. direction was handled by Derek Robinson, overseeing the visual presentation to complement the album's high-energy theme.

Personnel

Slade Alive! features performances by the band's classic lineup, with no additional musicians involved. The personnel are:
  • – lead vocals, rhythm guitar
  • Dave Hill – lead guitar, backing vocals
  • Jim Lea – bass guitar, , backing vocals
  • – drums
Jim Lea occasionally incorporated for added live flair during the album's recordings.

Reception and legacy

Critical reception

Upon its release in 1972, Slade Alive! received positive reviews in the UK music press for its high-energy performance and raw sound. New Musical Express critic Roy Carr described the album as "overtly raucous, vulgar, brash, ribald, flashy, raw and blatantly unsubtle," praising it as having "all the basic ingredients" of great rock. Similarly, Phonograph Record's Greg Shaw called it "one of the best live albums I've ever heard," highlighting its thrilling execution of covers and originals. In the US, reception was more mixed, with some critics viewing the album as simplistic pub rock. Rolling Stone's Jon Tiven dismissed it in a contemporary review, associating it with "skinhead rock" stereotypes and questioning its appeal beyond rowdy crowds. Retrospective assessments have been largely favorable, emphasizing the album's capture of Slade's chaotic live energy and Noddy Holder's commanding stage presence. AllMusic's Stephen Cook awarded it 4 out of 5 stars, noting that it demonstrated why Slade were "one of England's best live acts with this fevered concert recording," fueled by stomping beats and the band's unbridled power. Classic Rock magazine echoed this in 2019, giving 4 out of 5 stars and stating that Slade Alive! "captures the band at their fiery best," with energy that "sweats itself into your ears." Common themes in reviews include acclaim for the album's authentic reproduction of Slade's boisterous concerts, where Holder's raspy charisma and the band's relentless drive shine through, though early American critiques often reduced it to overhyped working-class rock lacking sophistication. Modern perspectives, including fan discussions on dedicated sites and podcasts like Slade Inflamed, position Slade Alive! as the band's pivotal breakthrough that propelled their glam rock ascent. Reviews of the 2023 vinyl reissue, such as Sonic Abuser's praise for its enduring raw vitality, reaffirm the original enthusiasm, calling it a timeless document of Slade's explosive stage presence.

Legacy

Slade Alive! marked a pivotal breakthrough for the band, propelling them to stardom in the UK and paving the way for six number-one singles on the UK Singles Chart between 1971 and 1974, including "Coz I Luv You," "Take Me Bak 'Ome," and "Merry Xmas Everybody." The album's raw energy from live performances at London's Command Theatre Studio captured Slade at the height of their transitional phase, solidifying their rise from underground act to mainstream success. The record's enduring cultural impact lies in its vivid portrayal of audience interaction and high-octane rock 'n' roll, influencing subsequent British acts such as Oasis, whose frontman credited as essential to the band's formation, stating, "Oasis would never have formed if it wasn't for ." It also symbolizes 's iconic evolution from a skinhead-inspired image in their early days to icons, a shift that broadened the genre's appeal and highlighted their adaptability in the early 1970s music scene. This transition, documented through the album's chaotic live atmosphere, has been noted for bridging working-class roots with theatrical flair, inspiring later generations in capturing communal concert fervor. Slade Alive! has earned lasting recognition, appearing on Classic Rock magazine's list of the 50 Best Live Albums Ever in 2023 and frequently cited in compilations of essential rock recordings for its authentic representation of 1970s concert vitality. Its archival significance was reaffirmed with inclusion in expanded live collections, such as the 2023 vinyl release Alive! At Reading, which drew from similar era performances to highlight the band's stage prowess. Post-2021 reissues, including the 2022 deluxe edition with remastered audio and additional footage, have reignited interest among collectors and fans, introducing the album to newer audiences through limited-edition formats like splatter vinyl. In 2025, discussions surrounding 's potential induction into the Rock and Roll Hall of Fame often reference Slade Alive! as a cornerstone of their legacy, emphasizing its role in defining glam rock's live dimension amid ongoing debates about the band's underrepresentation in canon. The album maintains modern relevance through digital platforms, with Slade's catalog, including tracks from Alive!, accumulating millions of streams on as of 2025, reflecting sustained global appeal. Slade's sound has been sampled in hip-hop productions and influenced rap-rock crossovers, symbolizing a revival of British rock energy in contemporary genres.

References

  1. https://rateyourmusic.com/release/album/slade/slade-alive/
  2. https://www.discogs.com/release/685981-Slade-Slade-Alive
  3. https://www.loudersound.com/reviews/slade-slade-alive-album-of-the-week-club-review
  4. https://www.discogs.com/master/33002-Slade-Slade-Alive
  5. https://www.allmusic.com/album/slade-alive-mw0000543940
  6. https://www.officialcharts.com/albums/slade-slade-alive/
  7. https://www.metalexpressradio.com/2018/11/29/dave-hill-slade-gene-simmons-said-that-kiss-would-listen-to-slade-alive-before-rehearsals-to-get-them-in-the-mood/
  8. https://www.allmusic.com/artist/slade-mn0000475571/biography
  9. https://www.loudersound.com/features/slade-the-long-gudbye
  10. https://www.officialcharts.com/songs/slade-get-down-and-get-with-it/
  11. https://superdeluxeedition.com/news/slade-alive-coloured-vinyl-reissue/
  12. http://sladestory.blogspot.com/1972/03/slade-alive-1972.html
  13. https://louderthanwar.com/slade-interview-don-powell-legendary-slade-alive-album/
  14. https://www.alltime-records.com/01-albums-0003/0003475.php
  15. https://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/slade
  16. https://open.spotify.com/album/3Knp7Hfs2ctZJ7LC490BMO
  17. https://davesmusicdatabase.blogspot.com/2015/05/australias-biggest-1-albums.html
  18. https://www.discogs.com/release/12838629-Slade-Slade-Alive
  19. https://rateyourmusic.com/release/album/slade/slade-alive-10/
  20. https://www.discogs.com/release/10934329-Slade-Slade-Alive
  21. https://www.amazon.com/Slade-Alive-Black-Splatter-Vinyl/dp/B09MZL7LDX
  22. http://tralfaz-archives.com/coverart/S/slade_alive.html
  23. https://www.velvetthunder.co.uk/slade-coloured-vinyl-reissues-bmg/
  24. https://www.worldradiohistory.com/UK/Disc/1972/Disc-1972-03-25-S-OCR.pdf
  25. http://sladestory.blogspot.com/1972/04/slade-alive-spring-tour.html
  26. https://www.amazon.com/Keep-Rockin-Live-71-73-Slade/dp/B0DQGL9DPN
  27. https://www.loudersound.com/features/slade-set-of-six
  28. http://sladestory.blogspot.com/2017/10/coz-i-luv-you-1971.html
  29. https://www.discogs.com/release/9173833-Slade-Slade-Alive
  30. http://sladestory.blogspot.com/1972/04/
  31. http://tsort.info/music/nm66kp.htm
  32. https://www.recordsandcharts.com/albumrun.php?alid=14709
  33. https://bestsellingalbums.org/album/67211
  34. https://www.zobbel.de/cluk/CLUK2006.HTM
  35. https://faroutmagazine.co.uk/chas-chandler-man-who-gave-the-world-jimi-hendrix/
  36. https://theafterword.co.uk/fifty-years-of-slade-alive/
  37. https://recordcollectormag.com/reviews/album/slade-rocked-world-1971-1975
  38. https://www.discogs.com/release/1960665-Slade-Slade-Alive
  39. https://www.classicrockhistory.com/complete-list-of-slade-band-members/
  40. https://bangagong.com.au/6-slade-songs-live-in-1972/
  41. https://www.rocksbackpages.com/Library/Article/slade-islade-alivei-polydor
  42. https://www.rocksbackpages.com/Library/Artist/slade
  43. https://podcasts.apple.com/us/podcast/slade-inflamed/id1719734562
  44. https://sonicabuse.com/slade-beginnings-alive-at-reading-vinyl-reissues-review/
  45. https://www.officialcharts.com/artist/30945/slade/
  46. https://www.loudersound.com/features/slade-a-guide-to-their-best-albums
  47. https://www.expressandstar.com/entertainment/2017/10/21/noel-gallagher-oasis-would-never-have-formed-if-it-wasnt-for-slade/
  48. https://www.theguardian.com/uk/1999/dec/23/christmas.tvandradioarts
  49. https://www.loudersound.com/features/50-best-live-albums-ever
  50. https://www.acclaimedmusic.net/forums/viewtopic.php?t=6331
  51. https://www.discogs.com/release/28309567-Slade-Alive-At-Reading
  52. https://www.amazon.com/Slade-Alive-Deluxe-2022-Re-issue/dp/B09X1YVKTP
  53. https://www.notinhalloffame.com/music/rock-and-roll/117-69-slade
  54. https://kworb.net/spotify/artist/10n5lhNDoSMUHWLlnST1yw_albums.html
  55. https://www.whosampled.com/Slade/
Add your contribution
Related Hubs
User Avatar
No comments yet.