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Sometimes a Fantasy
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| "Sometimes a Fantasy" | ||||
|---|---|---|---|---|
 | ||||
| Single by Billy Joel | ||||
| from the album Glass Houses | ||||
| B-side | "All for Leyna" | |||
| Released | October 11, 1980 | |||
| Recorded | 1979 | |||
| Genre | ||||
| Length | 4:19 (single version) 3:40 (album version) | |||
| Label | Columbia | |||
| Songwriter | Billy Joel | |||
| Producer | Phil Ramone | |||
| Billy Joel singles chronology | ||||
| ||||
"Sometimes a Fantasy" is a song recorded by American singer-songwriter Billy Joel, taken from his seventh studio album, Glass Houses (1980). Released by Columbia Records in October 1980, the single peaked at No. 36 on the US Billboard Hot 100. The song is a "melodic, fast paced rocker"[1] and starts with Joel dialing a number on a telephone (which he is depicted doing on the single cover).[1]
The lyrics are about a sexually frustrated man who tries to convince his significant other to have phone sex. He explains that he is lonely since they are far away from each other (which is implied by the fact that his phone call is "long distance").
Music video
[edit]The video starts with Joel in bed, dialing a woman's number. She then picks up the phone and the music starts playing. While on the phone, Joel sings the song's lyrics to her throughout the video. Then, in the end, it turns out the entire call was just a fantasy, and no one picked up.
Other versions
[edit]The single version of "Sometimes a Fantasy" released in the United States and Canada has a running time of 4:19, making it longer than the album version, which runs at 3:40. The 45 RPM single also uses a different mix with guitars panned in different locations. The album's version ends with a fade out, while the single version does not, and instead includes Joel letting loose a Beatles' honoring yowl of "I got blisters on my blisters!",[5] a reference to Ringo Starr's outburst, "I got blisters on my fingers" at the end of "Helter Skelter".
The extended version of the song was available as a US 7" vinyl, a Canadian 7" vinyl, a US promo 7" vinyl, a US DJ-promo 12" vinyl and (at 4:22) as the Japanese B-side of "All for Leyna" (available as a 7" and a 7" promo).[6] The single was released in other countries as a 3:39 version, namely in Australia, the Netherlands and the UK (7" promo).[6] The longer single version was not available on any of Joel's compilation albums or reissues until the 2022 digital-only release 50 Years of the Piano Man.[7]
The official music video for this single uses an alternate vocal track, different from the album and single releases.[8] A version of the song is included on Joel's 1987 live album, Kohuept.
Reception
[edit]Billboard said that it "starts with a telephone ring and a rockabilly vocal before its transition into a melodic, fast-paced rocker."[9][10] Record World called it a "pulsating rocker for AOR-pop."[11]
Personnel
[edit]- Billy Joel – vocals, Yamaha electric grand piano, synthesizers
- Richie Cannata – organ
- Dave Brown – electric guitar
- Russell Javors – electric guitar
- Doug Stegmeyer – bass
- Liberty DeVitto – drums, percussion
Chart history
[edit]| Chart (1980–1981) | Peak position |
|---|---|
| Canadian Singles Chart[12] | 21 |
| UK Airplay (Record Business)[13] | 29 |
| U.S. Billboard Hot 100[14] | 36 |
References
[edit]- ^ a b c "Top Single Picks" (PDF). Billboard. October 11, 1980. p. 75. Retrieved 2020-07-08.
- ^ a b Mitchell, Matt (January 20, 2024). "The 25 Greatest Billy Joel Songs of All Time". Paste. Retrieved January 20, 2024.
- ^ a b Evanoff, Savannah (November 18, 2019). "OFF THE RECORD: 'Glass Houses'". Northwest Florida Daily News. Retrieved 14 May 2023.
- ^ Final Serenade, One (May 27, 2021). "Sometimes a Fantasy - Billy Joel". One Final Serenade: The Songs of Billy Joel. Retrieved October 14, 2023.
- ^ "Billy Joel - Sometimes A Fantasy (LONG SINGLE VERSION) (1980)". 3 April 2013. Retrieved 2014-06-05 – via YouTube.
- ^ a b "52nd Street Serenade ♪♪: Still You're Aching For The Things You Haven't Got (1980-1982 from Glass Houses)". Billyjoel52ndstreetserenade.blogspot.co.uk. 2016-01-01. Retrieved 2016-10-17.
- ^ 50 Years of the Piano Man at AllMusic. Retrieved 20 January 2025.
- ^ "52nd Street Serenade ♪♪: Singles & Videos". Billyjoel52ndstreetserenade.blogspot.co.uk. 2016-01-01. Retrieved 2016-10-17.
- ^ "Review: Billy Joel – Sometimes a Fantasy" (PDF). Billboard. Vol. 85, no. 41. 11 October 1980. p. 75. ISSN 0006-2510. Retrieved 30 May 2020 – via American Radio History.
- ^ "Top Single Picks". Billboard. October 11, 1980. p. 75. Retrieved 2023-01-21.
- ^ "Hits of the Week" (PDF). Record World. October 11, 1980. p. 1. Retrieved 2023-02-22.
- ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2013-08-26.
- ^ "Top 75 Airplay Chart" (PDF). Record Business. 19 January 1981. p. 12. Retrieved 27 April 2024.
- ^ "Billy Joel Chart History (Hot 100)". Billboard. Retrieved 11 January 2024.
Sometimes a Fantasy
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Background and recording
Development and writing
Following the success of his 1978 album 52nd Street, which leaned into a softer, jazz-inflected piano-man style, Billy Joel motivated himself to experiment with harder rock elements on his next project, Glass Houses, to distance from his established image and demonstrate versatility as a rocker.[10] This creative pivot was part of a broader album concept where Joel deliberately sought to "throw stones" at his own career trajectory, embracing risk over repetition to avoid stagnation, as he later reflected: "I could have come out with a record that would have guaranteed a certain amount of sales – just by repeating either The Stranger album or the 52nd Street album... I would have been a dead duck, career-wise."[10] The idea symbolized a rejection of caution, captured in the album's cover art of Joel hurling a rock through a glass window, challenging the proverb "people who live in glass houses shouldn't throw stones."[10] "Sometimes a Fantasy" originated during the 1979-1980 pre-production phase for Glass Houses, with Joel composing it as an uptempo rocker to fit the album's edgier tone.[11] The song's writing drew inspiration from the frustrations of long-distance relationships, centering on the novelty of phone sex as a fantasy-driven coping mechanism in the pre-internet era, when such intimate long-distance connections were limited to voice calls; Joel based it on phone conversations with a woman named Debbie, whom he met in Philadelphia but never saw in person.[2] Initial drafts emphasized emotional isolation and imaginative escape, aligning with Joel's goal of infusing personal, relatable tensions into the record's rock framework.[2] The track's development occurred amid the album's overall timeline, spanning late 1979 rehearsals and early 1980 sessions at New York's A&R Recording Studios.[11]Recording sessions
The recording of "Sometimes a Fantasy" took place at A&R Recording Studios in New York City in 1979, under the production of Phil Ramone, who had previously collaborated with Joel on The Stranger (1977) and 52nd Street (1978).[12][11] These sessions were part of the broader production for Joel's seventh studio album, Glass Houses, where the track was positioned as the second song.[13] Key production choices emphasized capturing the live band energy with minimal overdubs to maintain a raw, dynamic feel, aligning with Joel's desire to showcase a harder rock edge following his more ballad-oriented previous works.[10] Joel handled lead vocals and piano, while drummer Liberty DeVitto, saxophonist Richie Cannata, and guitarist David Brown were among the key contributors. Among the challenges was Joel's push for an unpolished, vigorous performance to differentiate from his ballad-heavy reputation, contrasting the smoother jazz-pop of 52nd Street and aiming for a sound suited to arena audiences.[11] This approach led to innovations in balancing the band's live interplay without excessive layering, ensuring the track's final mix retained its spontaneous vitality. Final mixes for the album, including "Sometimes a Fantasy," were completed by spring 1980, just ahead of the March 12 release date.[10]Composition and lyrics
Musical style and structure
"Sometimes a Fantasy" is an uptempo hard rock track characterized by its energetic pop rock style, incorporating elements of new wave through synthesizer usage, as part of Billy Joel's shift toward a tougher sound on the 1980 album Glass Houses.[4][14][15] The song operates at a brisk tempo of 161 beats per minute in G major, driving its runtime of 3:40 with a standard 4/4 time signature and verse-chorus form that builds propulsion through dynamic contrasts.[16] The arrangement opens with the sound effect of dialing a rotary phone, transitioning into a staccato guitar riff played by lead guitarist David Brown, which establishes the track's rollicking momentum alongside pounding drums from Liberty DeVitto.[17][11] Joel's piano serves primarily as a rhythmic foundation rather than a melodic lead, buried in the mix to emphasize the band's fuller rock texture, with rhythm guitar from Russell Javors adding layers of energy.[11] The verses maintain a relatively minimal setup focused on vocals and core rhythm section, exploding into fuller choruses with added harmonies and instrumental drive that heighten the song's sense of urgency and release.[4] A key feature is the bridge, which introduces tension via a chromatic descending progression, before resolving back into the chorus and culminating in an extended rock outro on the single version for added intensity.[11] Saxophonist Richie Cannata contributes a prominent solo, enhancing the track's horn-infused hooks and contributing to its arena-ready feel, while the overall evolution from sparse verses to explosive sections underscores the song's rockabilly-tinged propulsion without overt retro styling.[11][18] This structure, achieved partly through live-feel recording techniques, emphasizes thematic energy over complexity.[17]Themes and lyrical content
The lyrics of "Sometimes a Fantasy" revolve around the central theme of sexual frustration in a long-distance relationship, with the narrator desperately pleading for phone sex as a fantasy-based alternative to physical intimacy.[2][4] This narrative captures the isolation of separation, as the protagonist admits to calling his partner late at night out of overwhelming loneliness, highlighting the emotional toll of distance on desire.[4] Key lines underscore this progression: the opening verse sets the scene of isolation with "Oh, I didn't want to do it but I got too lonely," conveying reluctance amid emotional need.[4] The chorus provides resolution through acceptance, repeating "It's just a fantasy / It's not the real thing / Sometimes a fantasy / Is all you need," which frames imagination as a viable, if imperfect, outlet.[4] Further references, such as dialing a specific number for "assistance" and urging the partner to share "secrets" over the line, evoke vivid, imagined erotic scenarios without direct description.[4][2] The song's interpretation delves into 1980s technological constraints, where telephone lines represented the primary means of bridging physical gaps, exposing male vulnerability in navigating intimacy remotely.[2] Its tone blends humor and poignancy, implying eroticism through innuendo rather than explicitness to maintain accessibility, as Joel has noted the lyrics' deliberate ambiguity for broader appeal.[2][5] Billy Joel drew personal inspiration from a girl named Debbie, with whom his interactions were limited to phone conversations, infusing the track with authentic emotional layers.[2] In cultural context, "Sometimes a Fantasy" reflects the pre-internet era's heavy reliance on phones for emotional and sexual connection, a common struggle in an age without digital immediacy.[2] This ties into Joel's broader persona of chronicling everyday relational hardships, portraying vulnerability as a universal human experience rather than sensationalism.[5]Release and promotion
Commercial release
"Sometimes a Fantasy" was issued as the fifth and final single from Billy Joel's seventh studio album, Glass Houses, in September 1980 by Columbia Records.[19] The full album version of the track appeared on Glass Houses, which Columbia released on March 12, 1980.[20] The single was primarily distributed as a 7-inch 45 RPM vinyl record in stereo, featuring an edited version of the song running 4:07, paired with "All for Leyna" from the same album as the B-side.[21] Columbia also produced promotional 12-inch vinyl singles at 33⅓ RPM, which included extended versions of both the A-side (4:19) and B-side tracks for radio and DJ use.[22] In subsequent years, "Sometimes a Fantasy" has been reissued digitally through various compilations containing Glass Houses, such as The Complete Albums Collection (2011) and Original Album Classics (2011).[23][24] The single served as a follow-up to prior hits from Glass Houses, such as "It's Still Rock and Roll to Me," with Columbia targeting album-oriented rock (AOR) radio stations to extend the album's momentum.[11] It was also incorporated into merchandising for Billy Joel's Glass Houses tour, which ran from June 1980 through early 1981. While the single itself did not achieve major certifications, it contributed to the broader commercial success of Glass Houses, certified 7× Platinum by the RIAA for shipments of over seven million units in the United States.[25]Chart performance
"Sometimes a Fantasy" entered the US Billboard Hot 100 at number 78 on October 11, 1980, before climbing to its peak position of number 36 in November 1980.[26] The single spent 9 weeks on the chart overall, marking a solid but comparatively modest showing relative to other releases from the Glass Houses album, including the earlier single "You May Be Right," which reached number 5.[27][28][29][30] Internationally, the track achieved number 21 on the Canadian RPM Top Singles chart but saw limited success elsewhere, with no major top 40 entries on sales charts in other markets.[31] The song's performance benefited from the strong momentum of its parent album Glass Houses, which was certified 7× Platinum by the RIAA for sales exceeding 7 million units in the US. However, as a single, it underperformed against expectations for a Billy Joel release during this peak commercial period, with much of its airplay concentrated on album-oriented rock (AOR) radio formats rather than mainstream top 40 stations.[25] In the 2020s, "Sometimes a Fantasy" experienced a streaming resurgence alongside Billy Joel's broader catalog, driven by platforms like Spotify and renewed interest from events such as the 2025 HBO documentary Billy Joel: And So It Goes, which boosted overall streams by 16%.[32]Media and performances
Music video
The music video for "Sometimes a Fantasy" was directed by George Gomes and produced in 1980 for Columbia Records as a low-budget shoot that emphasized both performance footage and a simple narrative storyline.[7][33] The video depicts Billy Joel engaging in a phone conversation while in bed, intercut with shots of the band performing the song, visually representing the song's theme of phone sex fantasy.[34][2] It aligns with the song's runtime of the single version at approximately 3:38.[34][2] The video's narrative mirrors the lyrics' exploration of a phone sex fantasy, using intimate imagery to convey longing and escapism without explicit content, which was typical for early 1980s music videos constrained by broadcast standards.[2] Produced in 1980, the video was part of the promotion for the Glass Houses album and contributed to Joel's rock-oriented image following the pop-focused 52nd Street.[35]Live performances
"Sometimes a Fantasy" debuted live on November 25, 1979, at The Summit in Houston, Texas, prior to the album's release, marking one of the earliest performances of material from Glass Houses.[36] The song became a regular feature in Billy Joel's setlists during the subsequent Glass Houses World Tour from 1980 to 1981, often positioned amid high-energy rock segments alongside tracks like "You May Be Right" and "It's Still Rock and Roll to Me."[37] The track's prominence continued into the mid-1980s, with a notable rendition at Wembley Arena in London on June 8, 1984, where it showcased Joel's evolving stage presence during the An Innocent Man Tour. A pivotal live recording appeared on the 1987 album Kohuept (Live in the U.S.S.R.), capturing performances from Moscow and Leningrad in July and August 1987; during the Moscow show, Joel halted mid-song to protest spotlights aimed at the audience, emphasizing his commitment to audience connection amid the historic Soviet tour.[38] This version highlighted extended audience interaction and the band's raw energy, particularly drummer Liberty DeVitto's driving rhythms that underscored the song's rock edge.[39] Following the 1980s, "Sometimes a Fantasy" became less frequent in Joel's concerts, largely absent from setlists after the early 1990s until its revival as a nostalgic staple in the 2020s.[5] It reemerged during the 2024 co-headlining tour with Sting and Stevie Nicks, appearing in shows such as Soldier Field in Chicago on June 21, Busch Stadium in St. Louis on August 31, and T-Mobile Park in Seattle on September 14, where it transitioned from high-octane rock roots to a reflective highlight emphasizing band chemistry and fan familiarity.[40][41] The song continued to appear in 2025 during the "Two Icons One Night" tour with Rod Stewart, including performances at Lucas Oil Stadium in Indianapolis on February 8 and Mohegan Sun Arena in Uncasville on February 22.[42][43] These performances often adapted the song's structure with subtle improvisational flourishes, nodding to its origins while fitting into broader retrospective setlists.[44] The song's live history underscores Joel's ability to leverage it for dynamic band interplay, with DeVitto's percussion providing a foundational intensity in earlier renditions that carried through to anniversary-driven revivals, cementing its role as a bridge between Joel's rock phase and enduring catalog appeal.[45]Versions and covers
Alternate studio versions
The album version of "Sometimes a Fantasy," featured on Billy Joel's 1980 release Glass Houses, has a duration of 3:40 and concludes with an abrupt fade-out during the final instrumental section.[13] In contrast, the single edit, issued by Columbia Records in October 1980, extends to 4:19 and incorporates a prolonged fade-out with additional vocal ad-libs, including Joel's repeated "yeah yeah yeah" chants as a nod to the Beatles' "She Loves You."[15][11] This extended outro provides a more energetic, rock-oriented close, described by Legacy Recordings as an "unbridled rock" addition not present on the LP.[11] A 12-inch promotional single (Columbia AS 865), distributed at 33⅓ RPM in 1980, features the extended single version of the track, though it was not commercially released in that format.[22] The official music video, directed by George Gomes and released in 1980, employs a distinct studio mix with altered vocal takes and a abbreviated intro to sync with the visual narrative of a phone-sex scenario.[6] The single version appeared on the 2022 digital compilation 50 Years of the Piano Man, marking its first official availability on streaming platforms. Digital remasters of the track, drawn from the original album sessions, have been included in 2010s collections such as The Essential Billy Joel (2001, with updates), though these typically use the standard LP mix unless specified otherwise. The single mix features a brighter, radio-optimized compression with prominent guitar layering to enhance broadcast clarity, differing from the album's more balanced production.[46] No significant official remixes of "Sometimes a Fantasy" have been produced or released by Joel's team since its original 1980 sessions.[15]Live and cover versions
The song "Sometimes a Fantasy" has seen limited cover versions since its release, with no recordings by major artists. Notable among these are studio covers by the group Mirror Image on their 1980 album and by Frankie Williams under Chevron Studio Artists in 1982.[47] Amateur renditions appear occasionally on platforms like YouTube, including a guitar cover uploaded in 2025 and a one-man-band version by Rahil Babooram released in 2023.[48][49] Live performances of the song by non-original artists are primarily confined to tribute acts and fan events. The tribute band Sometimes a Fantasy: A Tribute to Billy Joel, active since at least 2020 and based in the St. Louis area, regularly includes "Sometimes a Fantasy" in their sets recreating full Billy Joel albums and career-spanning shows.[9][50] This group performed the track as part of a tribute concert at the Florissant Summer Concert Series in St. Ferdinand Park, Missouri, on July 24, 2021.[51][52] More recently, they are scheduled to cover the song within a sequence from the Glass Houses album at The Mill in Granite City, Illinois, on November 22, 2025.[53][54] Other tribute bands have also adapted the song live, such as River of Dreams: A Tribute to Billy Joel, which performed it at Cohoes Music Hall in New York on November 2, 2025.[55] The track occasionally features in karaoke sessions and local rock band sets, as well as 1980s rock playlists that highlight Billy Joel's catalog.[56] Due to its niche themes of escapism and suburban frustration, "Sometimes a Fantasy" remains rare in broader cover repertoires, appearing mainly at Billy Joel fan gatherings and anniversary celebrations of Glass Houses by dedicated tribute acts.Reception
Critical reception
Upon its release as the fourth single from Glass Houses in September 1980, "Sometimes a Fantasy" received positive notices from music trade publications for its energetic shift and melodic appeal. Billboard described it as a "moody, mid-tempo rocker with a strong hook and [Joel's] usual literate lyrics," highlighting its role as a showcase for his vocal and piano skills while predicting success with his established audience. The review also noted the track's distinctive opening with a telephone ring and rockabilly vocal style, transitioning into a "melodic, fast paced rocker" that captured Joel's evolving rock edge.[57] Retrospective assessments have emphasized the song's innovative yet controversial exploration of phone sex as a theme, predating similar efforts in popular music. Rolling Stone praised it as an early entry in the "phone sex rock" genre, arriving five years before the Village People's "Sex Over the Phone" in 1985, and commended Joel's bold lyrical approach amid the album's harder rock sound. Vulture acknowledged Joel's ambition in crafting a phone sex narrative but critiqued the result for its "high ick factor," viewing it as a daring but uneven experiment in his catalog. Music critics like Robert Christgau, in his Glass Houses album review, appreciated the song's "Rick Wakeman ostinatos" as part of Joel's successful blend of rock elements, though he found the album's title track more overt. In 2025 rankings, it placed #28 in the Los Angeles Times' list of Joel's Hot 100 hits and was included in Rolling Stone's 50 best Billy Joel songs.[58][59][60][5] The track is generally regarded as a solid album cut emblematic of Glass Houses' rock experimentation, rather than a standout single, with its humor and relatability tempered by dated production elements in modern listens. It garners minor recognition in cultural discussions of phone sex themes in 1980s music, underscoring Joel's willingness to push boundaries in his image shift toward a tougher persona.[61]Production and personnel
Production credits
"Sometimes a Fantasy" was written solely by Billy Joel and published by Impulsive Music (ASCAP).[13] The track was produced by Phil Ramone in association with Home Run.[13] Engineering duties were handled by Jim Boyer, with Phil Ramone also contributing to engineering and mixing at A&R Recording Studios in New York.[13] The song was arranged by Billy Joel.[13] Mastering was performed by Ted Jensen at Sterling Sound.[62] The single was released by Columbia Records under Family Productions.[15] Its artwork and sleeve notes tie to the parent album Glass Houses, featuring Joel dialing a telephone.Musicians and contributors
The recording of "Sometimes a Fantasy" featured Billy Joel as the lead artist, handling vocals, Yamaha electric grand piano, and synthesizers. The core band included Liberty DeVitto on drums and percussion, Doug Stegmeyer on bass guitar, Russell Javors on rhythm electric guitar, David Brown on lead electric guitar, and Richie Cannata on organ.[63] Production was led by Phil Ramone, in association with Home Run, with engineering by Jim Boyer and assistant engineering by Bradshaw Leigh.[63] Additional support came from production assistant Michele Slagter and tape research by Jon Naatjes, while the album was digitally remastered by Ted Jensen at Sterling Sound in New York City.[63] Other contributors included Brian Ruggles as "Dr. Sound" and Steve Cohen as "Dr. Lights," with photography by Jim Houghton and product management by Jeff Schock.[63]| Role | Contributor |
|---|---|
| Vocals, Yamaha electric grand piano, Synthesizers | Billy Joel |
| Drums, Percussion | Liberty DeVitto |
| Bass Guitar | Doug Stegmeyer |
| Rhythm Electric Guitar | Russell Javors |
| Lead Electric Guitar | David Brown[63] |
| Organ | Richie Cannata |
| Producer | Phil Ramone (in association with Home Run)[63] |
| Engineer | Jim Boyer[63] |
| Assistant Engineer | Bradshaw Leigh[63] |
| Production Assistant | Michele Slagter[63] |
| Digital Remastering | Ted Jensen (Sterling Sound, NYC)[63] |