Hubbry Logo
All Shook UpAll Shook UpMain
Open search
All Shook Up
Community hub
All Shook Up
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
All Shook Up
All Shook Up
All Shook Up
View on Wikipedia
from Wikipedia

"All Shook Up"
Single by Elvis Presley
B-side"That's When Your Heartaches Begin"
ReleasedMarch 22, 1957 (1957-03-22)
RecordedJanuary 12, 1957
StudioRadio Recorders, Hollywood
Genre
Length1:57
LabelRCA Victor
SongwritersOtis Blackwell, Elvis Presley
Elvis Presley singles chronology
"Too Much"
(1957) 		"All Shook Up"
(1957) 		"(Let Me Be Your) Teddy Bear"
(1957)
Music video
"All Shook Up" (audio) on YouTube

"All Shook Up" is a song recorded by Elvis Presley, published by Elvis Presley Music, and composed by Otis Blackwell. The single topped the U.S. Billboard Top 100 on April 13, 1957, staying there for nine weeks.[1] It also topped the Billboard R&B chart for four weeks, becoming Presley's second single to do so, and peaked at No. 1 on the country chart as well.[1] It is certified 2× platinum by the Recording Industry Association of America.

It was ranked No. 352 on the 2004 edition of Rolling Stone's list of the 500 Greatest Songs of All Time.

History

[edit]

Otis Blackwell wrote the song at the offices of Shalimar Music in 1956 after Al Stanton, one of Shalimar's owners, shaking a bottle of Pepsi at the time, suggested he write a song based on the phrase "all shook up".[1] According to Peter Guralnick, the song has a different origin. In his book Last Train to Memphis, he wrote that Elvis Presley thought "All Shook Up" was a good phrase for a refrain. For this he received a co-writing credit.[2] Presley himself, during an interview on October 28, 1957, said: "I've never even had an idea for a song. Just once, maybe. I went to bed one night, had quite a dream, and woke up all shook up. I phoned a pal and told him about it. By morning, he had a new song, 'All Shook Up'."[3]

Future Last House on the Left actor David Hess, using the stage name David Hill, was the first to record the song on Aladdin Records, titled "I'm All Shook Up". In a 2009 interview, Hess revealed the origins of the song, and claimed to come up with the title of the song: "As far as 'All Shook Up', the title came from a real set of circumstances and when I decided not to write it, Otis Blackwell did and I had the first recording for Aladdin Records. It was my title, but Otis wrote the song and Presley took a writing credit in order to get him to record it. That's the way things happened in those days."[4][5][6]

Vicki Young recorded a different song with the same title, "(I'm) All Shook Up", on Capitol Records with Big Dave and His Orchestra, written by Bill Bellman and Hal Blaine in 1956.[7] On January 12, 1957, Presley recorded the song at Radio Recorders in Hollywood.[1] The duet vocal on the record is by the Jordanaires first tenor Gordon Stoker. Take 10 was selected for release, and in March the song entered the Billboard Top 100 chart at No. 25.[1] Within three weeks it had knocked Perry Como's "Round and Round" off the top spot, and stayed there for nine consecutive weeks.[1] The song also became Presley's first No. 1 hit on the UK Singles Chart, remaining there for seven weeks.[8] Sales of the single exceeded two million,[1] and the song was named Billboard's Year End number one song for 1957.

Personnel

[edit]

Credits from Keith Flynn and Ernst Jorgensen's examination of the original session tapes, RCA paperwork/contracts, and AFM/union contracts.[9]

The Blue Moon Boys

The Jordanaires

  • Gordon Stoker – harmony and backing vocals
  • Hoyt Hawkins – backing vocals, piano
  • Neal Matthews, Hugh Jarrett – backing vocals

Charts

[edit]
Chart (1957) Peak
position
Belgium (Ultratop 50 Flanders)[10] 12
Belgium (Ultratop 50 Wallonia)[11] 21
Canada (CHUM Hit Parade)[12] 1
Netherlands (Single Top 100)[13] 8
UK Singles (OCC)[14] 1
US Billboard Top 100[15] 1
US Billboard Best Sellers In Stores[16] 1
US Billboard Most Played by Jockeys[17] 1
US Billboard Most Played in Jukeboxes[17] 1
US Billboard Hot Country Songs[18] 1
Chart (2005) Peak
position
Netherlands (Single Top 100)[13] 17
Sweden (Sverigetopplistan)[19] 57
Chart (2011) Peak
position
France (SNEP)[20] 76

Certifications

[edit]
Region Certification Certified units/sales
New Zealand (RMNZ)[21] Gold 15,000‡
United Kingdom (BPI)[22] Silver 200,000‡
United States (RIAA)[23] 2× Platinum 2,000,000^

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Beatles versions

[edit]

According to biographer Mark Lewisohn in The Complete Beatles Chronicle, The Beatles (first as The Quarrymen) regularly performed the song, from 1957 through 1960 (possibly later) with Paul McCartney on lead vocal. There is no known recorded version from that time. However, Len Garry of The Quarrymen (in his book John, Paul & Me) states that it was one of the songs the group played on July 6, 1957, the day John Lennon met Paul McCartney and that the song was recorded then (but was erased later).

Author Doug Sulpy (in Drugs, Divorce and a Slipping Image) adds that on January 13, 1969, during the "Get Back" sessions, they did record a "spirited" version of it with McCartney and George Harrison sharing vocals. Lennon did not join in the recording, as he was sitting watching while having tea. That version of the song remains officially unreleased (due to it being in mono and McCartney and Harrison not remembering all the lyrics by that late date). In 1999, McCartney cut a hard-rocking version on the album Run Devil Run, while his surviving Quarrymen bandmates recorded it in 2004 on Songs We Remember.[citation needed]

Billy Joel version

[edit]
"All Shook Up"
Single by Billy Joel
from the album Honeymoon in Vegas
B-side
Released1992
GenreRock
Length2:09
LabelEpic
SongwritersOtis Blackwell, Elvis Presley
Billy Joel singles chronology
"Shameless"
(1991) 		"All Shook Up"
(1992) 		"The River of Dreams"
(1993)

In 1991, Billy Joel recorded the song for the movie Honeymoon in Vegas, which also featured other Elvis Presley songs by various artists. It was released as a single and peaked at No. 92 in the US and No. 27 in the UK.

Chart positions

[edit]
Chart (1992) Peak
position
Australian Singles Chart[24] 54
Canada Top Singles (RPM)[25] 28
French Singles Chart[26] 60
German Media Control Charts 52
Irish Singles Chart 23
New Zealand (Recorded Music NZ)[27] 26
UK Singles (OCC)[28] 27
UK Airplay (Music Week)[29] 22
US Billboard Hot 100[30] 92
US Adult Contemporary (Billboard)[31] 15

Other recordings and notable performances

[edit]
  • Suzi Quatro recorded the song for her debut solo album Suzi Quatro in 1973 (titled Can the Can in Australia).[32] Her recording of the song was released as a single in 1974 and peaked at number 85 on the Billboard Hot 100.[33] Presley invited Quatro to Graceland, commenting that her version was the best since the original. Quatro declined the offer.[citation needed]
  • A version by English DJ and producer Adamski titled "The Space Jungle" was released in 1990 on the album Doctor Adamski's Musical Pharmacy and was a hit across Europe, peaking in the top 10 of the Finnish and UK charts, as well as on the U.S. Billboard dance chart at No. 8.

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

All Shook Up

View on Grokipedia
from Grokipedia
All Shook Up is a rock and roll song written by and recorded by as the title track for his second RCA Victor single, released on March 22, 1957. The track, featuring Presley's energetic vocals backed by a driving and guitar , captures the exuberance of and became one of his most iconic recordings. composed All Shook Up in 1956 at the Shalimar Music offices, inspired by a colleague shaking a bottle of and challenging him to "shake it up" into a song; it was first recorded by little-known artist David Hill before Presley took it to stardom. Presley recorded the song on January 12, 1957, at Radio Recorders in Hollywood, , during sessions preceding his Loving You, with Sholes overseeing the take that emphasized Presley's charismatic delivery. Although Blackwell was the sole writer, Presley received 50% of the songwriting credit—a common industry practice at the time to incentivize artists—which has been noted in historical accounts of Presley's career. Upon release, All Shook Up skyrocketed to number one on the chart on April 13, 1957, holding the position for eight weeks and remaining on the chart for 30 weeks total, while also topping the R&B chart for four weeks and reaching number one on the UK Singles Chart for seven weeks. The single sold over two million copies in the United States, earning a 2× Platinum from the RIAA in for shipments of two million units. Culturally, the song exemplified the , influencing countless covers by artists like and , and it remains a staple of Presley's live performances and legacy as the "King of ."

Background and Composition

Origins and Inspiration

The origins of "All Shook Up" can be traced to 1956, a pivotal year in Elvis Presley's career following the massive success of his debut RCA single "," which topped the for eight weeks and sold over a million copies, establishing him as a national sensation. With Presley's fame surging through a string of hits and television appearances, his team sought additional upbeat, high-energy material to sustain momentum and align with his vibrant rock 'n' roll persona, moving beyond the more somber tones of earlier releases. The 's title and central concept emerged from a serendipitous moment at the offices of Shalimar Music, the publishing firm representing songwriter . Al Stanton, one of Shalimar's owners, entered the room shaking a bottle of and suggested, "Why don’t you write a called 'All Shook Up'?", inspiring Blackwell to develop the phrase into a evoking the playful, exhilarating rush of romance and . This energetic connotation perfectly suited the demand for lively tracks to fuel Presley's rising stardom, and Shalimar, fresh off Blackwell's success with "" for Presley, encouraged him to craft another hit aimed at the singer. The was first recorded by little-known artist David Hill on November 7, 1956, and released in February 1957. Presley's manager, , ensured the song's alignment with Elvis's catalog by negotiating co-writing credit for the artist, a standard tactic to secure publishing shares despite Blackwell's sole authorship, thereby positioning "All Shook Up" as a tailor-made vehicle for Presley's dynamic appeal. The songwriting process was led by , who completed the composition swiftly to meet the need for fresh material.

Songwriting and Credits

"All Shook Up" was primarily written by Otis Blackwell, a prolific songwriter known for his contributions to early rock 'n' roll. Elvis Presley received co-writing credit on the song, a practice driven by his manager Colonel Tom Parker's standard demand for 50% of publishing royalties, despite Presley's minimal involvement in the composition. This arrangement was common for several of Blackwell's hits recorded by Presley, including "Don't Be Cruel," but "All Shook Up" marked the last time Presley took such a credit on Blackwell's work. The lyrics capture themes of infatuation and personal transformation induced by , with the narrator describing overwhelming excitement and disorientation, as in the lines: "A well'a bless my , what's wrong with me? / I'm itching like a man on a fuzzy ." This playful language blends the energetic slang of rock 'n' roll with doo-wop-style vocal harmonies and rhythmic phrasing, evoking the jittery thrill of newfound romance. Musically, the song employs a straightforward verse-chorus form in , rooted in a 12-bar progression that emphasizes simplicity and drive. Its chord structure revolves around a basic I-IV-I-V pattern (B♭-E♭-B♭-F), supporting the upbeat of approximately 150 beats per minute, which contributes to its infectious, danceable quality. Blackwell recorded an initial demo of the song in 1956, which Presley closely emulated in his vocal delivery during the later studio session. The demo's style, performed by Blackwell himself, provided the foundational energy that Presley amplified into a fuller rock 'n' roll rendition.

Recording and Production

Studio Session Details

"All Shook Up" was recorded on , 1957, at Radio Recorders in Hollywood, , as part of RCA Victor sessions spanning and 13 that produced tracks for the upcoming film Loving You soundtrack and the gospel EP , including "I Believe," "Tell Me Why," "Got a Lot o' Livin' to Do!," "," "Peace in the Valley," and "I Beg of You." The portion of the session ran from approximately 12:00 p.m. to 7:00 p.m. It occurred shortly after Presley's pre-induction physical examination for military service on January 4, 1957, amid efforts by RCA Victor to capitalize on the momentum from his string of 1956 hit singles, such as "" and "Hound Dog." The production was overseen by RCA Victor producer Steve Sholes, with engineering handled by Thorne Nogar, who captured the performance in a straightforward manner typical of mid-1950s rock 'n' roll sessions. Presley and the musicians worked through multiple takes of the , ultimately selecting as the master for its lively energy and rhythmic drive. Key production choices emphasized Presley's dynamic vocal performance, featuring his signature ad-libbed hiccups, exuberant "uh-huhs," and playful phrasing to amplify the track's infectious, upbeat feel. The percussive texture was created by Presley slapping the back of his Martin acoustic guitar during the performance, with minimal post-production applied, contrasting with the more layered overdub techniques that would become common in Presley's later 1960s recordings. This approach preserved the raw, spontaneous excitement of the live band performance, aligning with the song's roots while showcasing Presley's charismatic delivery.

Personnel and Instrumentation

The original recording of "All Shook Up" featured on lead vocals, delivering the song's energetic and playful delivery that defined its rock 'n' roll appeal. Backing vocals were provided by , consisting of Gordon Stoker, Neal Matthews, Hoyt Hawkins, and Hugh Jarrett, with Stoker duetting harmony with Presley on the opening lines to create a distinctive call-and-response effect. The core band was The Blue Moon Boys, including Scotty Moore on lead electric guitar, Bill Black on upright bass, and D.J. Fontana on drums. Additional musicians included Tiny Timbrell on rhythm guitar and Dudley Brooks on piano. These contributors shaped the track's sound through Moore's signature electric guitar riffs that formed the infectious hook, the steady backbeat established by Fontana's drums and Black's bass, and Brooks's subtle piano fills that added a swinging rhythm-and-blues flair. The lineup was recorded during a session on January 12, 1957, at Radio Recorders in Hollywood, as verified by surviving RCA session logs and American Federation of Musicians contracts.

Release and Commercial Success

Chart Performance

"All Shook Up" achieved significant commercial success upon its release, topping the Billboard Hot 100 for eight weeks beginning April 13, 1957. It also reached number one on the Billboard R&B chart for four weeks and on the Country & Western chart for five weeks, accumulating a total of 17 weeks at the top across these U.S. charts. The song spent 30 weeks on the Hot 100 overall, marking one of Presley's longest-charting singles at the time. In the United Kingdom, the single was released in April 1957 and topped the New Musical Express chart for seven weeks. It became Presley's first number-one hit in the UK, staying on the chart for 21 weeks. Internationally, "All Shook Up" reached number one in the Netherlands in 1957 and peaked at number five in Australia. Later re-entries included a peak of number 17 on the Dutch Single Top 100 in 2005, driven by an Elvis Presley compilation album. In 2011, it charted at number 76 in France. The song's chart dominance was bolstered by extensive radio , high popularity in jukeboxes—where it ranked number four on Billboard's Most Played in Juke Boxes chart—and its prominent feature in Presley's film Loving You, which amplified its exposure during the summer of 1957.

Sales and Certifications

Upon its release in 1957, "All Shook Up" achieved immediate commercial success, selling over two million copies that year alone, making it the best-selling single of 1957 in the United States and marking Elvis Presley's second million-selling single of the period. In the United States, the (RIAA) certified the single 2× Platinum on March 27, 1992, recognizing two million units shipped. The track received a Silver from the (BPI) for 200,000 units, awarded on December 24, 2021. Streaming has further bolstered its longevity; as of November 2025, the original recording has amassed over 95 million plays on , contributing to ongoing digital consumption and equivalent unit counts in certification updates.

Cover Versions

The Beatles' Versions

The Quarrymen, the skiffle and rock and roll group formed by John Lennon in 1956 that evolved into the Beatles, regularly performed Elvis Presley's "All Shook Up" in their live sets from 1957 to 1960, reflecting their early enthusiasm for Presley's music alongside other hits like "Hound Dog" and "Blue Suede Shoes." These performances took place at parties, church fetes, and local venues in Liverpool, where the band—featuring Lennon on vocals and guitar, Paul McCartney on guitar after joining in 1957, and George Harrison on guitar from 1958—covered the song with McCartney often taking lead vocals. A notable example from this era is the group's amateur tape recording in July 1958 at Percy Phillips' studio in Liverpool, which captured Lennon, McCartney, and Harrison rehearsing original material but occurred amid their routine inclusion of "All Shook Up" in live repertoires. During the January 1969 Get Back sessions at Twickenham Film Studios and Apple Studios, the Beatles revisited "All Shook Up" in several unreleased rehearsals, with performances on January 2, 3, and 26 noted for their spirited, improvisational energy amid the project's focus on returning to roots-rock basics. These takes, featuring McCartney on lead vocals and the full band jamming loosely on the Elvis classic, were ultimately discarded in favor of original material for the Let It Be album, though bootlegs later preserved the lively, nostalgic renditions that captured the group's camaraderie during a tense period. Decades later, re-recorded "All Shook Up" as a solo track for his 1999 rock and roll covers album Run Devil Run, infusing it with a vigorous, guitar-driven arrangement backed by a ensemble including Dave Gilmour and . The album, released on October 4, 1999, in the UK, peaked at number 12 on the , marking McCartney's tribute to his early influences while achieving commercial success through its blend of classic covers and originals.

Billy Joel's Version

Billy Joel recorded his cover of "All Shook Up" in 1991 at in for the soundtrack to the film , which featured various artists performing songs. The track was produced by Joel himself and showcases a bluesy, piano-driven that highlights his signature keyboard style. Joel handles lead vocals and piano, supported by his backing band, creating a more intimate sound compared to the original's rock 'n' roll energy. Stylistically, Joel's version adopts a slower tempo of approximately 152 beats per minute, with his raspy vocals conveying a deeper emotional intensity that contrasts the exuberance of Elvis Presley's 1957 recording. This interpretation shifts the focus toward a soulful, reflective mood, emphasizing lyrical vulnerability over high-energy bounce. The arrangement builds around piano riffs and subtle band accompaniment, underscoring Joel's blues influences. Released as a single in 1992 from the Honeymoon in Vegas soundtrack album, the cover achieved moderate commercial success, peaking at No. 92 on the US Billboard Hot 100, No. 15 on the US Adult Contemporary chart, and No. 27 on the UK Singles Chart. It also reached No. 23 in Ireland and No. 26 in New Zealand.

Other Notable Covers

Suzi Quatro included a rock-infused cover of "All Shook Up" on her self-titled debut album released in October 1973, transforming the original into a glam rock track with her signature bass-driven energy and bold vocals. The song was issued as a limited single in the United States, where it peaked at number 85 on the Billboard Hot 100 chart in September 1974. In 1990, English acid house producer released "The Space Jungle," a high-energy electronic of "All Shook Up" featuring by and pulsating beats that updated the track for the rave scene. The single reached number 7 on the UK Singles Chart and number 8 on the chart, showcasing the song's adaptability to genres. Beyond these, "All Shook Up" has inspired covers across diverse styles, such as Cliff Richard's live rock rendition performed with during their 2009 reunion tour at , emphasizing the song's enduring appeal in British pop-rock traditions. Adaptations often retain the infectious hook while shifting to genres like , electronic, and even country-inflected takes, as seen in Billy Swan's 1999 version that blended rockabilly roots with Nashville twang on his album Like Elvis Used to Do. In 2011, included a blues-rock cover on his album Mississippi Number 1, peaking at No. 27 on the US Blues Albums chart. These reinterpretations highlight the track's versatile structure, allowing artists to infuse contemporary production while preserving its rhythmic drive and lyrical exuberance.

Legacy and Cultural Impact

Awards and Rankings

"All Shook Up" was ranked number 352 on magazine's list of the 500 Greatest Songs of All Time in its 2004 edition. It was not included in the 2021 update of the list. During Elvis Presley's posthumous induction into the Rock and Roll Hall of Fame in 1986 as part of the inaugural class, his pioneering role in rock 'n' roll was recognized. The song "All Shook Up" has been prominently featured in several films, enhancing its role in cinematic storytelling. It first appeared in Elvis Presley's 1957 film Loving You, where it served as a key musical number integral to the plot of a rising star's journey. In 1992's , Billy Joel's cover version accompanied a sequence of Elvis impersonators parachuting into the narrative, blending humor with the song's energetic vibe. In theater, "All Shook Up" inspired the title of a 2005 that weaves Elvis Presley's hits into a narrative loosely based on William Shakespeare's , exploring mistaken identities, romance, and small-town upheaval through songs like the title track. The production premiered on Broadway at the Palace , running for 213 performances and earning a Theatre World Award for its lead actor. As a cultural symbol, "All Shook Up" encapsulated 1950s youth rebellion, embodying rock 'n' roll's breakthrough into mainstream culture by challenging post-war conformity and igniting discussions on teenage autonomy. Presley's performance style, amplified by the song's lyrics of romantic disorientation, influenced fashion trends like leather jackets and pompadour hairstyles, which became markers of defiant youth identity. It also sparked debates on sexuality, with Presley's hip-shaking delivery prompting concerns from adults about its provocative effects on adolescents, as explored in analyses of rock's role in reshaping gender norms. In modern media, the song's legacy persists through commercial and television uses that often nod to its origins ironically. Its creation story—allegedly inspired by songwriter shaking a Pepsi bottle—has been referenced in Pepsi marketing campaigns highlighting Presley's affinity for the brand. On television, Katharine McPhee performed a medley including "All Shook Up" during the 2006 Elvis-themed episode of , captivating audiences with its high-energy rendition. As of 2025, the track continues to influence hip-hop, with samples appearing in works by artists like in "I'm All Shook Up" (1987) and DJ Kool's "Let Me Clear My Throat (Remix)" (1996), demonstrating its enduring rhythmic appeal in contemporary genres.

References

  1. https://www.elvisthemusic.com/music/all-shook-up/
  2. https://www.songfacts.com/facts/elvis-presley/all-shook-up
  3. http://www.elvis-history-blog.com/all-shook-up.html
  4. https://www.elvis.com.au/presley/otis-blackwell.shtml
  5. http://www.biwa.ne.jp/~presley/gold1.htm
  6. https://www.countrymusichalloffame.org/artist/elvis-presley
  7. https://www.billboard.com/pro/elvis-presley-history-hot-100-before/
  8. https://www.graceland.com/1954-1957
  9. https://www.elvis.com.au/presley/writing-for-the-king-by-ken-sharp.shtml
  10. http://www.elvisinfonet.com/spotlight_elvis-All-Shook-Up-Paul-Simpson.html
  11. https://www.businessinsider.com/otis-blackwell-black-musician-behind-elvis-greatest-hits-history-2023-3
  12. https://www.hooktheory.com/theorytab/view/elvis-presley/all-shook-up
  13. https://songbpm.com/%40elvis-presley/all-shook-up-jfkfwr2Xc_
  14. https://www.sergent.com.au/elvis/sessions.html
  15. https://www.graceland.com/blog/posts/60th-anniversary-of-elvis-army-induction
  16. https://www.facebook.com/groups/363569810721942/posts/1794250454320530/
  17. https://music.apple.com/us/song/all-shook-up/217634102
  18. https://www.keithflynn.uk/recording-sessions/570112.html
  19. https://www.youtube.com/watch?v=CCm2iiafzfs
  20. https://elvis.fandom.com/wiki/All_Shook_Up
  21. https://www.reddit.com/r/ClassicRock/comments/1dtyfh7/are_there_any_singers_who_add_little/
  22. https://www.myradiolink.com/2021/01/11/flashback-elvis-presley-records-all-shook-up/
  23. https://www.musicthisday.com/lists/ranked-songs/counting-down-elvis-his-100-finest-songs
  24. http://www.spoonercentral.com/2013/Gordon.html
  25. https://www.jazzmessengers.com/en/80926/elvis-presley/numberoneussingles1956-62-gatefold-
  26. https://www.jazzmessengers.com/en/81340/elvis-presley/thenumberonehits1956-1962-180gram
  27. https://www.graceland.com/blog/posts/elvis-presleys-1-hits-part-
  28. https://www.officialcharts.com/songs/elvis-presley-all-shook-up/
  29. https://dutchcharts.nl/showitem.asp?interpret=Elvis+Presley&titel=All+Shook+Up&cat=s
  30. https://www.elvis.com.au/charts/
  31. https://www.chartsinfrance.net/Elvis-Presley/All-Shook-Up-sc19825.html
  32. http://www.elvis.net/epgold/epgoldframe.html
  33. http://www.elvisinfonet.com/index_dec21.html
  34. https://kworb.net/spotify/artist/43ZHCT0cAZBISjO8DG9PnE_songs.html
  35. https://www.goldminemag.com/articles/crossing-paths-when-elvis-met-the-beatles-part-1/
  36. https://www.beatlesbible.com/people/paul-mccartney/songs/all-shook-up/
  37. https://www.nytimes.com/1998/07/08/arts/pop-review-meet-the-quarrymen-minus-the-famous-alumni.html
  38. https://www.beatlesbible.com/features/get-back-let-it-be-sessions-complete-song-list/
  39. https://www.beatlesbible.com/1969/01/02/get-back-let-it-be-sessions-day-one/
  40. https://www.beatlesbible.com/people/paul-mccartney/albums/run-devil-run/
  41. https://www.beatlesbible.com/1999/10/04/uk-album-release-run-devil-run-paul-mccartney/
  42. https://www.youtube.com/watch?v=jxT8U64AFkM
  43. https://www.discogs.com/release/3973779-Billy-Joel-All-Shook-Up
  44. https://songbpm.com/%40billy-joel/all-shook-up
  45. https://musicvf.com/song.php?id=5013
  46. https://secondhandsongs.com/performance/32147
  47. https://www.discogs.com/master/84014-Adamski-The-Space-Jungle
  48. https://www.musicvf.com/song.php?title=The+Space+Jungle+by+Adamski&id=955
  49. https://www.youtube.com/watch?v=PCwAA7WIrK4
  50. https://secondhandsongs.com/performance/128999/all
  51. https://www.rollingstone.com/music/music-lists/best-songs-of-all-time-1224767/
  52. https://rockhall.com/inductees/elvis-presley/
  53. https://www.what-song.com/song/603153/all-shook-up
  54. https://playbill.com/article/all-shook-up-the-musical-gets-its-inspiration-from-shakespeare-and-elvis-com-122910
  55. https://www.ibdb.com/broadway-production/all-shook-up-383114
  56. https://timelessfashionhub.com/modern-fashion/20th-century/the-birth-of-teenage-fashion-youth-culture-in-the-1950s-and-60s/
  57. https://www.billboard.com/video/elvis-all-shook-up-pop-culture-rewind/
  58. https://www.today.com/popculture/two-idols-are-all-shook-elvis-night-wbna12710261
  59. https://www.whosampled.com/Elvis-Presley/
Add your contribution
Related Hubs
User Avatar
No comments yet.