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Spaced
Genre
Created by
Written by
  • Jessica Stevenson
  • Simon Pegg
Directed byEdgar Wright
Starring
Narrated by
  • Jessica Stevenson
  • Simon Pegg
Country of originUnited Kingdom
Original languageEnglish
No. of series2
No. of episodes14
Production
Executive producers
Producers
Editors
Camera setupSingle-camera
Running time25 minutes
Production companies
Original release
NetworkChannel 4
Release24 September 1999 (1999-09-24) –
13 April 2001 (2001-04-13)

Spaced is a British television sitcom created, written by and starring Simon Pegg and Jessica Stevenson, and directed by Edgar Wright, about the comedic, and sometimes surreal and action-packed, misadventures of Daisy Steiner and Tim Bisley, two twenty-something Londoners who, despite only having just met, decide to move in together after she gives up on squatting and he is kicked out by his ex-girlfriend. Supporting roles include Nick Frost as Tim's best friend Mike, Katy Carmichael as Daisy's best friend Twist, Mark Heap as lodger Brian who lives downstairs and Julia Deakin as landlady Marsha.

The first series of the show, comprising seven episodes, premiered in the UK on Channel 4 on 24 September 1999, and the second and final series, also consisting of seven episodes, started on 23 February 2001 and concluded on 13 April.

Both series were nominated for the BAFTA TV Award for Best Situation Comedy.

Plot

[edit]

Daisy Steiner and Tim Bisley are two London based twenty-somethings who meet by chance in a café while both are flat-hunting. Despite barely knowing each other, they conspire to pose as a young professional couple in order to meet the requisites of an advertisement for a relatively cheap flat in the distinctive building at 23 Meteor Street, Tufnell Park, owned by resident landlady Marsha Klein. Also in the building is Brian Topp, an eccentric conceptual artist who lives and works on his various pieces in the ground-floor flat.[ep 1] Frequent visitors are Daisy's best friend Twist Morgan and Tim's best friend Mike Watt. The latter ends up becoming a lodger after Marsha's daughter Amber Weary "flies the nest".[ep 2]

The series largely concerns the surreal and awkward adventures of Tim and Daisy as they navigate through life, come to terms with affairs of the heart, and try to figure out new and largely unproductive ways of killing time. They repeatedly clarify that they are not a couple to everyone but Marsha, but despite this, romantic tension develops between them, particularly during the second series.

Characters

[edit]
Main article: List of Spaced characters

Production

[edit]

The show has a distinctive style inspired by cinema and sitcoms, with Edgar Wright citing The Simpsons, The Young Ones and the "whimsical dream sequences" of The Fall and Rise of Reginald Perrin as influences.[1] It was shot with a single camera. In addition to borrowing liberally from the visual language of film it has particular stylistic mannerisms, such as the recurring device of scene changes occurring in the middle of a pan. The series' atmosphere is also established by the use of a particular flavour of contemporary dance music on its soundtrack.[2]

Northern Exposure's frequent use of fantasy sequences was "one of the key influences" in the creation of the show, and Pegg and Stevenson pitched the show to LWT as "a cross between The Simpsons, The X-Files and Northern Exposure."[3][4]

The series is dense with references to popular culture, including but not limited to science fiction and horror films, comic books, and video games. The Series 2 DVD release introduced the "Homage-o-meter", an alternative set of subtitles listing every reference and homage; the "Definitive Collectors Edition" boxed set introduced a similar subtitle track for Series 1.[5] 2000 AD artists Jim Murray and Jason Brashill provided the artwork for Tim's comic The Bear, as well as other incidental artwork for the show. Tim's boss Bilbo wears a 2000 AD comic T-shirt whilst lecturing Tim about Star Wars: Episode I – The Phantom Menace.[ep 2]

The series is also noted for its regular recreational drug use references, from its title onwards. Tim and Daisy smoke cannabis on a number of occasions, one episode centring on its use.[ep 3] Tim and Mike take speed on one occasion,[ep 4] and it is implied that Tim, Mike, Daisy, Twist and Brian take ecstasy while clubbing.[ep 5]

Music

[edit]
Main article: Spaced: Soundtrack to the TV Series

Individual tracks that were particularly featured in an episode included "Is You Is or Is You Ain't My Baby?" by Louis Jordan,[ep 6] "Smash It"[6] by Fuzz Townshend,[ep 7][ep 8] and "The Staunton Lick"[7] by Lemon Jelly. A Guy Pratt remix of the A-Team theme song, featured at the conclusion of "Epiphanies",[ep 5] was a fan favourite[citation needed], but was never made commercially available.

In 2001, a soundtrack to the first series was released in tandem with the first series' release on DVD and videotape. A second soundtrack was not released, although the series' official fan website has an episode-by-episode list of music featured in the second series.[8]

Episodes

[edit]

Series 1 (1999)

[edit]
No.
overall		No. in
series		TitleDirected byWritten byOriginal release date
11"Beginnings"Edgar WrightSimon Pegg & Jessica Stevenson24 September 1999 (1999-09-24)
Daisy Steiner is living in a squat, and Tim Bisley is homeless after breaking up with his girlfriend. The two meet in a cafe and form a friendship as they search for accommodation. When they notice a listing for a flat they like but which is for a 'professional couple' only, they decide to pass themselves off as a long term couple in order to fool Marsha Klein, their prospective landlady.
22"Gatherings"Edgar WrightSimon Pegg & Jessica Stevenson1 October 1999 (1999-10-01)
Daisy plans a housewarming party to avoid doing any work. Guests include her friend Twist Morgan, Marsha, and Brian Topp who lives in the same building. Marsha's daughter Amber throws a separate party upstairs, to which all the guests eventually go.
33"Art"Edgar WrightSimon Pegg & Jessica Stevenson8 October 1999 (1999-10-08)

After taking some speed, Tim has spent all night playing Resident Evil 2 and Mike has accidentally travelled to Sheffield. Daisy has a job interview at a classy women's magazine ("Flaps") and Brian has an invitation to a new art show by Vulva (David Walliams), his former partner. At the art show, Tim's hallucinations of zombies cause him to punch Vulva in the face before fleeing. The episode concludes with Daisy's idea for performance art, a parody of Bruce Nauman's work "Clown Torture", which leads Tim to remark that it is obviously harder than it looks.

This episode served as the inspiration for the 2004 horror comedy film Shaun of the Dead, which both Pegg and Wright were both heavily involved in.
44"Battles"Edgar WrightSimon Pegg & Jessica Stevenson15 October 1999 (1999-10-15)
After getting dumped by her boyfriend Richard, Daisy decides to cheer herself up by getting a dog called Colin. Having suffered a fear of dogs since childhood, Tim is not pleased by this. Tim and Mike go paintballing, and encounter Tim's arch-nemesis, Duane Benzie (Peter Serafinowicz), who stole Tim's girlfriend.
55"Chaos"Edgar WrightSimon Pegg & Jessica Stevenson22 October 1999 (1999-10-22)
Daisy is strongly bonding with new dog Colin, much to Tim's displeasure. When Colin disappears while being walked by Tim, Daisy suspects Tim of letting Colin go. But Tim learns that the dog has been abducted by a ruthless, sinister cosmetics testing vivisectionist, and plans a daring rescue attempt.
66"Epiphanies"Edgar WrightSimon Pegg & Jessica Stevenson29 October 1999 (1999-10-29)

Tim's bicycle courier friend Tyres (Michael Smiley) pops round for a cup of tea and decides to take the gang clubbing.

Featured songs: "Synth and Strings" - Yomanda
"Let Me Show You" - Camisra
77"Ends"Edgar WrightSimon Pegg & Jessica Stevenson5 November 1999 (1999-11-05)
Tim is ecstatic when his ex-girlfriend Sarah decides she wants him back; Daisy is less so, causing much tension around the flat. Mike has an interview at the Territorial Army to determine whether he should be allowed back in following an incident in which he stole a tank. Following a heated argument, Daisy finally manages to write some articles, and Tim finally realises the right path for him. Brian asks Twist out on a date, and they begin a relationship.

Series 2 (2001)

[edit]
No.
overall		No. in
series		TitleDirected byWritten byOriginal release date
81"Back"Edgar WrightSimon Pegg & Jessica Stevenson23 February 2001 (2001-02-23)
After receiving an injection of money following the sale of her articles, Daisy returns from her holiday in Asia, but finds it hard to settle back into normal life. Tim, a Star Wars fan, has been deeply upset by the poor quality of The Phantom Menace. Mike has been thrown out of his home after shooting the cat, and is sleeping in Daisy's room. Two sinister black-suited Matrix-like Agents (Kevin Eldon and Mark Gatiss) are hunting for Daisy after her bag was switched by a stranger (John Simm) at the airport.
92"Change"Edgar WrightSimon Pegg & Jessica Stevenson2 March 2001 (2001-03-02)
Following a dispute with a young customer over Jar Jar Binks merchandise and Tim's inability to cope with the Star Wars prequels, Bilbo fires Tim. Daisy is trying to claim benefits at the Job Centre, despite not having signed on to the dole for three months due to her holiday. Brian is horrified to discover that his relationship with Twist is affecting his artistic output. After Amber leaves home, Marsha finds herself a new lodger – Mike.
103"Mettle"Edgar WrightSimon Pegg & Jessica Stevenson9 March 2001 (2001-03-09)
Tim and Mike are in the Robot Wars quarter final, but their robot is sabotaged by a rival (Reece Shearsmith). Meanwhile, after being fired from several jobs, Daisy starts working in a kitchen, where her new boss (Joanna Scanlan) begins to make life difficult for her. Brian comes under stress as he is given little notice of an upcoming exhibition of his work.
114"Help"Edgar WrightSimon Pegg & Jessica Stevenson23 March 2001 (2001-03-23)
After receiving a call from the mysterious Damien Knox (Clive Russell) of Darkstar Comics (and his seductive assistant Sophie (Lucy Akhurst), Tim employs Tyres to deliver his portfolio of artwork. Tim removes an unflattering caricature of Damien, but Daisy replaces it in an attempt to be helpful. Tim must then retrieve the job-threatening picture before Damien sees it, aided by Mike and Tyres.
125"Gone"Edgar WrightSimon Pegg & Jessica Stevenson30 March 2001 (2001-03-30)
While spending an evening out in Camden, Tim and Daisy encounter some young hooligans (Lee Ingleby and Adam Deacon) who accuse them of substituting oregano for marijuana. Meanwhile, Tim's nemesis Duane Benzie steals Tim's house keys in an act of revenge for being shot while paintballing.
136"Dissolution"Edgar WrightSimon Pegg & Jessica Stevenson6 April 2001 (2001-04-06)
At Daisy's birthday party, cracks begin to form between members of the group. Mike is jealous of Sophie taking all of Tim's time, Brian is tired of Twist using him like a fashion accessory, Daisy dislikes Sophie, and Marsha, still believing that Tim and Daisy are a couple, is upset by Tim apparently cheating on Daisy.
147"Leaves"Edgar WrightSimon Pegg & Jessica Stevenson13 April 2001 (2001-04-13)
Marsha, having discovered that Daisy and Tim had lied to her and maintained their deception ever since moving in, is devastated, and decides to sell the house. Daisy is offered a job in Colwyn Bay, while Sophie takes a job in Seattle. Mike concocts a plan to change Marsha and Daisy's minds.

Awards

[edit]

Spaced was nominated in 2000 and 2002 for a British Academy Television Award for situation comedy. Jessica Stevenson won the British Comedy Award in 1999 and 2001 for best TV Comedy Actress. Simon Pegg was nominated in 1999 for the British Comedy Award for Best Male Comedy Newcomer, and the series was nominated that same year for the British Comedy Award for Best TV Sitcom. The show's second series was nominated for an International Emmy Award in 2001 for Popular Arts.[9]

Home releases

[edit]

Series 1 and 2 of Spaced were both released on DVD in the United Kingdom. These were followed by a boxed set which collects the previously released single-series DVDs, adding a bonus disc with a feature-length documentary, Skip to the End, behind the scenes of the show, as well as a music video by Osymyso.

Music rights issues long prevented the release of Spaced in Region 1 (U.S. and Canada). Despite the raised profile resulting from Shaun of the Dead and Hot Fuzz (film collaborations between Pegg and Wright that performed well in the Region 1 countries), no DVDs surfaced between 2004 and 2007. In an interview, it was suggested[by whom?] a deal with Anchor Bay Entertainment failed to come to fruition over the music rights.[citation needed]

Wright announced the release of a Region 1 Spaced DVD release on 22 July 2008, which included an all-new commentary with Wright, Pegg, and Stevenson, as well as special guests Quentin Tarantino, Kevin Smith, Bill Hader, Diablo Cody, Matt Stone and Patton Oswalt. Supplemental features included the original commentaries, the Skip to the End documentary, outtakes, deleted scenes, and raw footage.[10]

End of the series

[edit]

Since the show's end, cast and crew associated with Spaced have been quoted with differing opinions as to whether a third series would be produced, with their most recent statements reflecting a consensus that the show has concluded and will not see a third series.

Edgar Wright initially was "torn" about making more Spaced, saying "we have genuinely talked about it and have some neat ideas that could work in a Before Sunset/Whatever Happened to the Likely Lads? kind of way".[11] However, in April 2007, Wright confirmed that the show no longer had any possibility of returning in any form, as the actors were all now "too old", and he and Pegg feared it would ruin a good thing.[12] In August of that same year, Wright told Rotten Tomatoes that "there's not going to be a third season, it would be silly now" but that they could "do something that sort of like catches our heroes ten years later."[13]

During an interview with The Guardian in July 2013 promoting The World's End with Edgar Wright and Nick Frost, Pegg stated: "Whenever we get asked about... another series of Spaced... one of the reasons we're not going to do it is because we couldn't possibly write it with any degree of truth now, because that's not where we are or who we are any more. I always find it's better to write from a perspective of truth."[14]

American remake

[edit]

Fox announced on 29 October 2007 that it would commission a pilot for an American version of Spaced, a project they then scuttled in May 2008 following a generally negative reaction from the series' creators and fans of the original show.[15]

Wright was initially approached about an American version after the first series was broadcast in 1999, and felt an American remake was impossible due to the series' fundamental theme. "Same reason it couldn't be a film," Wright said. "Part of the charm of 'Spaced' is, it's people in north London acting out stuff from American films... you know, Hollywood in, kind of, suburbia... American TV is much more glamorous. It doesn't make any sense. I remember that the producer at the time said, 'Yeah, we'd have to change a few things. We'd have to take out the drugs and the swearing, and obviously, Mike can't have guns.'"[16]

Neither Wright, Pegg, nor Stevenson were at any point approached regarding the proposed American remake, which Wright had dubbed "McSpaced", due to the involvement of film director McG. Wright was upset that "they would a) never bother to get in touch but still b) splash my and Simon's names all over the trade announcements and imply that we're involved in the same way Ricky [Gervais] and Steve [Merchant] were with The Office".[16] Pegg and Stevenson also complained of the "lack of respect" demonstrated by the creators of the proposed American series, who left them out of discussions as well.[17]

Wright was also angry at the media for what he felt was their overlooking of Stevenson's role in the creation of Spaced by connecting the series to Shaun of the Dead and Hot Fuzz in news articles.[16]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Spaced

View on Grokipedia
from Grokipedia
Spaced is a British television sitcom created, written by, and starring Simon Pegg and Jessica Stevenson (now Jessica Hynes), and directed by Edgar Wright, that originally aired on Channel 4 from 1999 to 2001. The series centers on two twenty-something North Londoners, aspiring comic book artist Tim Bisley (Pegg) and would-be magazine writer Daisy Steiner (Stevenson), who meet by chance and pretend to be a couple to secure a flatshare in Tufnell Park. Comprising two seven-episode series totaling 14 episodes, Spaced blends everyday flatshare antics with surreal daydream sequences, rapid-fire dialogue, and extensive pop culture references to films, comics, and video games. The show delves into the characters' personal struggles, relationships, and misadventures alongside their quirky circle, including Tim's enthusiastic best friend and Territorial Army recruit (), Daisy's artist friend Brian Topp (), and the eccentric landlady Marsha Klein (). Wright's dynamic direction, featuring quick cuts, freeze-frames, and genre homages, sets Spaced apart as an innovative entry in , influencing later works in the medium. Upon release, Spaced garnered positive reviews for its originality and humor, achieving a 100% approval rating on based on critic consensus. It received BAFTA Television Award nominations for Best Situation Comedy in both 2000 and 2002, as well as British Comedy Award nominations and a win for performances. Over time, the series has attained cult status, praised for launching the careers of its core creative team and fostering a dedicated fanbase through DVD releases and reruns.

Overview

Premise

Spaced is a British sitcom that follows Tim Bisley, a comic book artist and slacker recently dumped by his girlfriend, and Daisy Steiner, an aspiring writer facing unemployment, as they meet by chance at a café in London and decide to pose as a romantic couple to rent a flat together. To secure the tenancy, they convince the eccentric landlady, Marsha Klein, that they are a stable professional pair, leading to a shared living arrangement in a two-bedroom flat at the fictional 23 Meteor Street in Tufnell Park, North London. The series explores their comedic struggles with adult responsibilities, including job hunts, relationships, and friendships, while navigating the chaos of their housemates and personal insecurities. It consists of two series, each with seven episodes, originally broadcast on in 1999 and 2001. A hallmark of Spaced is its integration of high-concept elements, such as surreal daydream sequences and rapid-cut fantasies inspired by pop culture, where everyday scenarios morph into references to like Star Wars or video games, blurring the lines between reality and imagination.

Format and Style

Spaced employs a distinctive directorial style characterized by Edgar Wright's innovative visual techniques, which set it apart from conventional sitcoms. Wright's approach features fast-paced editing, whip pans, split-screens, and freeze-frames, drawing inspiration from action films like those of and the rhythmic energy of music videos. These elements create a dynamic, cinematic feel, with match cuts and fantasy sequences seamlessly integrating characters' imaginations into the narrative. The series' humor relies on meta-references to films, television shows, and comics, often parodying pop culture through exaggerated homages. Internal monologues are visualized as elaborate daydream sequences, enhancing comedic introspection, while fourth-wall breaks allow characters to directly address the audience or comment on the medium itself. This layered approach amplifies the show's self-aware wit, blending verbal banter with visual gags. Episodes typically run 25 to 30 minutes, structured around self-contained stories that resolve within each installment while fostering gradual character development across the series. This format balances episodic humor with an overarching arc of personal growth among the flatmates. Spaced masterfully blends the traditional framework with tropes from sci-fi, horror, and adventure genres, infusing everyday scenarios with fantastical elements like battles styled as action sequences. This genre fusion underscores the characters' escapist tendencies, turning mundane life challenges into heightened, genre-inflected adventures.

Characters

Main Characters

Tim Bisley, portrayed by , is an aspiring comic book artist working as an assistant manager at Fantasy Bazaar, a comic shop in . Obsessed with Star Wars and other elements of pop culture, Tim grapples with the aftermath of a painful with his long-term girlfriend , who left him for her boss Duane Benzie after five years together, leaving him emotionally vulnerable and reluctant to pursue his artistic ambitions due to fear of rejection. Over the course of the series, Tim's arc focuses on personal maturity, as he confronts his insecurities, advances his career by showcasing his graphic novel work, and navigates the challenges of adult independence. Daisy Steiner, played by (credited as Jessica Stevenson), is a self-proclaimed and perpetual who fabricates a job at a fashion magazine to maintain appearances. Characterized by her high ideals but low productivity, Daisy struggles with chronic self-doubt about her creative abilities and direction in life, often escaping into daydreams and . Her personal growth revolves around overcoming these insecurities, fostering genuine romantic feelings for Tim, and finding confidence in her writing pursuits amid the chaos of shared living. The central dynamic between Tim and Daisy begins as a platonic pretense of being a couple to secure their flatshare at 23 Meteor Street, but evolves into a deep, authentic bond rooted in their mutual enthusiasm for pop culture references, from films and comics to video games. This relationship provides mutual support, helping each other through emotional turmoil and career setbacks, ultimately transforming their friendship into a romantic partnership by the series' end.

Supporting Characters

Mike Watt, portrayed by Nick Frost, serves as Tim Bisley's loyal best friend and provides much of the series' physical through his enthusiastic but inept handling of firearms and military paraphernalia. A member of the Territorial Army (though temporarily suspended at the start of the series due to ), ineligible for the because of detached retinas from a childhood accident, Mike is depicted as a dim-witted aficionado who often drags Tim into absurd escapades, such as sessions that highlight his unwavering but comically misguided camaraderie. His character adds a layer of bromantic support to the central duo, frequently intervening in their personal dramas with over-the-top loyalty and a penchant for explosive antics. Brian Topp, played by , is the eccentric artist residing in the basement flat below Tim and Daisy, contributing surreal humor through his intense emotional outbursts and creations inspired by inner turmoil. Struggling with issues and harboring an unrequited crush on Daisy, Brian's shy, brooding demeanor often erupts into bizarre pieces that underscore the housemates' quirky domestic life. His presence offers via awkward social interactions and poignant moments of vulnerability, enriching the ensemble's exploration of creative frustration and interpersonal tension. Twist Morgan, enacted by , acts as Daisy's boisterous best friend from university, who works at a laundrette, embodying the chaotic party-girl that injects high-energy disruption into the protagonists' routines. Known for her tactless advice and hedonistic lifestyle, Twist frequently organizes ill-fated social gatherings that amplify the flatmates' comedic mishaps, while her loyalty to Daisy provides heartfelt support amid the frivolity. Her role emphasizes themes of in the face of challenges, often serving as a catalyst for the group's more raucous adventures. Other recurring figures bolster the narrative's ensemble dynamic and offer additional avenues for humor. Marsha Klein, the chain-smoking landlady played by , enforces house rules with a mix of stern authority and underlying affection, her hippie past and perpetual inebriation leading to memorable, laid-back interventions in the tenants' lives. , a brief romantic interest of Tim's and colleague at his workplace, portrayed by , reappears periodically to stir romantic and , her poised demeanor contrasting the flat's disorder for poignant comic effect. Figures like comic shop owner Bilbo Bagshot () and magazine editor Duane Benzie () appear as workplace foils, delivering satirical jabs at professional absurdities that ripple into the personal sphere.

Production

Development

Spaced was conceived by and (then known as Jessica Stevenson) in the late 1990s, emerging from their prior collaboration on the 1995 series Six Pairs of Pants, where they first worked together alongside other performers. The pair developed the concept as a narrative sitcom to move beyond sketch format, initially titling it Lunched Out before settling on Spaced, and pitched it to as a story of twenty-somethings pretending to be a couple to secure in . Pegg and Hynes served as co-writers, infusing the scripts with elements drawn from their personal lives, including the challenges of flatsharing and periods of in their early careers as performers. , who had previously directed both in the 1996 anthology series Asylum, was brought on as director to bring their vision to life with his dynamic visual style. The series drew influences from 1990s British sitcoms such as The Young Ones, adapting their anarchic energy to a modern focus on pop culture references and the aimless lives of slackers, while incorporating surreal elements inspired by shows like and . greenlit Spaced for two seven-episode series in 1998, with a constrained of approximately £160,000 that necessitated a low-fi approach, emphasizing practical effects, quick cuts, and over elaborate sets.

Filming and Direction

The production of Spaced was centered in , with exterior shots of the protagonists' flat captured at 23 Carleton Road in , . Interiors for the first series were constructed and filmed at Twickenham Film Studios, while the second series shifted to for set work. Additional location shooting occurred in areas like Camden for key action sequences, such as a stylized shoot-out homage. Filming for series 1 took place in 1999, prior to the show's premiere on , under a constrained schedule typical of low-budget British television productions. The team relied on practical, cost-effective techniques for the series' signature daydream sequences, achieving surreal effects through simple in-camera tricks and minimal enhancements rather than elaborate CGI. These methods allowed for quick execution, aligning with the show's emphasis on rapid, inventive visual gags. Director brought a dynamic style to Spaced, employing kinetic camera movements and precise to amplify the humor and pop culture references. His approach featured whip pans, tracking shots, and rhythmic cuts that synced with dialogue and music, creating an energetic flow that distinguished the sitcom from standard fare. Wright collaborated extensively with co-writers and leads and , encouraging improvisation during takes to refine character interactions and heighten authenticity. The production faced challenges from tight timelines, exacerbated by the modest and the need to balance scripted elements with spontaneous performances. Building chemistry among the cast proved demanding, especially integrating non-actors like , whose initial shyness required careful direction to mesh with the . editing played a vital role in tightening the pace, ensuring the kinetic energy translated seamlessly from set to screen.

Episodes

Series 1 (1999)

The first series of Spaced consists of seven episodes that introduce protagonists Tim Bisley and Daisy Steiner as they navigate the challenges of shared living in a flat, while forging bonds with their quirky housemates and friends. Airing weekly on from 24 September to 5 November 1999, the season establishes the show's signature blend of surreal humor, rapid-fire editing, and pop culture allusions, particularly Tim's intense for Star Wars, which permeates several storylines. The overarching narrative arc traces Tim and Daisy's evolving cohabitation—from initial awkward pretenses to subtle romantic undercurrents—amid everyday absurdities and interpersonal dramas, while introducing supporting characters like the alcoholic landlady Marsha, artist , and military enthusiast Mike. Beginnings (24 September 1999): Recently homeless after a breakup, Tim Bisley encounters aspiring writer Daisy Steiner at a café; desperate for , they fabricate a romantic relationship to secure a flat from a suspicious landlady, Marsha, marking the start of their unconventional flatshare. The episode sets up their contrasting personalities—Tim's comic-book geekery versus Daisy's flighty creativity—and hints at the group's dynamic through early interactions with neighbors. Gatherings (1 October 1999): To procrastinate on her writing and job search, Daisy organizes a chaotic , leading to mishaps as it competes with a more successful gathering upstairs, among guests including Tim's friend Mike and Daisy's social circle. Tensions flare over the event's logistics, underscoring the housemates' adjustment struggles and introducing comic rivalries. Art (8 October 1999): Daisy attends a at a , while Tim, recovering from an all-nighter playing video games fueled by dubious "speed," hallucinates zombies at an hosted by Brian's ex-partner, , resulting in a panicked outburst and . The episode explores themes of creative pretension and , with Tim's pop culture fixation blurring reality and fiction. Battles (15 October 1999): Devastated by a with her long-distance boyfriend , Daisy adopts a named Colin for companionship, approved by Marsha despite house rules; meanwhile, overlooked for a promotion at his comics shop job, Tim joins Mike for a therapeutic outing where he confronts his rival Duane, who stole his ex-girlfriend. This installment highlights emotional vulnerabilities and introduces Colin's role in deepening Tim and Daisy's bond. Chaos (22 October 1999): After a Star Wars marathon heightens Tim's obsession, he loses Colin during a distracted walk, prompting a frantic search by the group that spirals into about alien abductions and urban dangers, coinciding with Daisy's high-stakes . The chaos amplifies themes of responsibility and attachment, with Tim's driving hallucinatory sequences. Epiphanies (29 October 1999): Tim's unpredictable friend Tyres lures the housemates to a , where revelations unfold—Brian confronts a traumatic past encounter, Mike reunites with an old army colleague, and bickering Tim and Daisy share a charged moment amid the hedonism, fostering subtle romantic tension. The episode delves into personal epiphanies and , blending club culture with introspective humor. Ends (5 November 1999): Tim's ex-girlfriend reappears, seeking reconciliation after dumping Duane, which reignites his hopes but strains his platonic dynamic with Daisy, culminating in confrontations that test the flatshare's fragile harmony and hint at unspoken feelings. As , it resolves initial arcs while teasing future developments in their relationship.

Series 2 (2001)

The second and final series of Spaced builds on the foundations of the first, delving deeper into the personal and professional lives of Tim Bisley and Daisy Steiner as they confront adult responsibilities while maintaining their flatshare pretense. Airing on from 23 February to 13 April , the seven-episode run saw, for example, one episode attract 1.7 million viewers, reflecting the growing audience from the debut series. The season's overarching narrative arc emphasizes evolving relationships among the housemates, including romantic tensions and friendships tested by ambition and loss, alongside career advancements such as Daisy's writing pursuits and Tim's comic endeavors. External pressures, like the threat of eviction from landlady Marsha's erratic behavior, heighten the stakes, while the series introduces more mature explorations of —particularly surrounding Tim's pet dog—and commitment issues. Parodies of action cinema, including heightened homages to films like , become more elaborate, blending high-energy sequences with the characters' everyday absurdities, leading to an emotionally resonant finale that resolves the central Tim-Daisy romance. Episode 1: Back (23 February 2001)
Daisy returns from a holiday in flush with cash from selling her travel articles, but struggles to reintegrate into the flat's dynamics, prompting reflections on change and stability. Meanwhile, Tim navigates a budding romance with and tensions in his comic shop job, as past secrets resurface to disrupt the group's equilibrium. The episode sets a tone of readjustment, featuring a parody of in Tim's daydreams. Episode 2: Change (2 March 2001)
Tensions flare as Daisy attempts to assert independence with her newfound funds, leading to clashes over household roles and personal growth, while Tim grapples with professional jealousy at work. Brian's art career takes an unexpected turn, and the group confronts the fluid nature of their living arrangement amid Marsha's worsening . A heated debate over Star Wars characters underscores the episode's theme of evolving identities. Episode 3: Mettle (9 March 2001)
Daisy lands a magazine job interview but faces a surreal corporate environment, testing her resolve, as Tim and Mike's rivalry boils over into a Robot Wars-inspired confrontation. Brian suffers a hand injury that ironically propels his sculpting career, highlighting themes of resilience and unintended consequences in creative pursuits. The episode amplifies the show's action parody through a dream sequence mimicking Point Break. Episode 4: Help (23 March 2001)
Tim seeks to address his commitment fears amid relationship strains, while Daisy deals with ethical dilemmas in her writing ambitions. Mike's military past leads to a misguided intervention, and the housemates rally against an eviction notice, strengthening their bonds. Parodies of therapy sessions and heist films add layers of humor to the emotional undercurrents. Episode 5: Gone (30 March 2001)
The death of Tim's dog Colin triggers profound grief, forcing confrontations with loss and maturity, as Daisy supports him through her own insecurities about their platonic facade. Career milestones intersect with personal turmoil, including Brian's exhibition success and Mike's recruitment efforts. The episode's emotional depth is balanced by a poignant Gone with the Wind homage. Episode 6: Dissolution (6 April 2001)
As eviction looms due to Marsha's negligence, the group faces potential separation, prompting reflections on their shared history and futures. Tim and Daisy's unspoken feelings intensify amid chaotic events, including a disastrous party and Mike's overzealous security measures. Themes of dissolution and renewal are explored through parodies of disaster movies. Episode 7: Leaves (13 April 2001)
In the series finale, the housemates achieve closure on their arcs: Tim commits to his comic dreams, Daisy embraces her career path, and relationships solidify or evolve. The eviction threat resolves in unexpected fashion, culminating in the long-teased romantic payoff between Tim and Daisy, framed by a sweeping Lord of the Rings-style montage of their journey. The episode provides emotional resolution while affirming the enduring chaos of their world.

Music and Soundtrack

Original Score

The original score for the British sitcom Spaced (1999–2001) was composed by musician and bassist Guy Pratt, who wrote and produced the incidental music across both series. Pratt, known for his session work with artists like Pink Floyd and Roxy Music, was brought on board through producer Nira Park, with whom he had previously collaborated on television projects; he described the gig as a "dream" after meeting co-creator Simon Pegg and director Edgar Wright. His contributions provided the underlying musical framework, including cues tailored to the show's fast-paced humor and pop culture references. Pratt's score featured a mix of original compositions that supported key scenes, such as action sequences and character-driven moments, enhancing the comedic timing without overpowering the dialogue or visual gags. Examples include "Tyres Phone Music" from the episode "Epiphanies" and various remixes like the mashup of Camisra's "Let Me Show You" with the A-Team theme, which underscored the series' playful nods to film and television tropes. These elements helped mimic cinematic scoring styles, blending subtle electronic textures with rhythmic bass lines to match the show's energetic editing. Complementing Pratt's music, director and editor handled much of the sound design, creating custom effects for transitions, whip pans, and fantasy daydream sequences that amplified the surreal humor. This integrated approach to audio—born from budget constraints on the low-budget production—laid the groundwork for Wright's later signature style seen in films like and . Elements of the original score appeared on the 2001 soundtrack album Spaced: Soundtrack to the TV Series, released by Hut Records, alongside licensed tracks and short dialogue snippets. The featured music in Spaced consists of licensed tracks from contemporary artists, primarily drawn from the late 1990s British electronic, indie, and big beat scenes, which were integrated to enhance character moments, montages, and cultural references. Notable examples include Fatboy Slim's "The Weekend Starts Here," which opens the series and sets an energetic tone for the protagonists' chaotic lifestyle, and The All Seeing I's "Beat Goes On," featured in the and used to underscore urban escapades. Other key tracks encompass David Holmes' "Gritty Shaker," accompanying a dog-walking sequence to evoke everyday grit, and Cornelius' "Count Five or Six," providing whimsical backing for introspective scenes. These songs were selected for their alignment with character personalities and narrative beats, as director noted that the music often mirrored the protagonists' eclectic tastes, blending diegetic and non-diegetic elements to heighten emotional and comedic impact. For instance, in the episode "Epiphanies," Camisra's "Let Me Show You (Tall Paul Remix)" drives a euphoric clubbing montage, capturing the group's immersion in the late-1990s rave culture. Similarly, Mint Royale's "From Rusholme with Love" scores a tense pursuit in the second series episode "Gone," amplifying the show's pop culture parodies through rhythmic synchronization. Wright emphasized that such integrations stemmed from practical editing needs but evolved into a stylistic hallmark, using tracks to punctuate montages without overpowering dialogue. Licensing focused on affordable selections from up-and-coming acts, reflecting the production's modest budget while prioritizing fresh sounds over mainstream hits. This approach not only kept costs low but also boosted visibility for artists like Fantastic Plastic Machine, whose "There Must Be an Angel" appears in transitional scenes. The resulting 2001 soundtrack album, compiling many of these tracks alongside dialogue snippets, further amplified their reach. Overall, the featured music ties into the British indie and electronic landscape, incorporating elements of , trip-hop, and club anthems to authenticate the series' depiction of youthful, media-saturated life. Tracks from labels like Skint Records (home to ) exemplify this era's vibrant underground scene, contributing to Spaced's enduring nostalgic appeal.

Reception

Critical Response

Upon its premiere on Channel 4 in September 1999, Spaced garnered positive critical attention in the UK for its fresh take on the flatshare genre, incorporating rapid-cut editing, homages, and surreal fantasy sequences that distinguished it from more conventional comedies of the era. praised the show's non-linear storytelling and dense pop culture references as groundbreaking elements that elevated it beyond typical television fare. Despite this acclaim, initial viewership remained modest, with episodes attracting under 2 million viewers, such as a second-series installment that drew only 1.7 million—fewer than a BBC2 repeat of . Critics lauded director Edgar Wright's innovative visual style, which blended everyday millennial anxieties with genre tropes in a manner that felt ahead of its time. described Wright's direction as masterfully bridging relatable twentysomething malaise with dynamic genre mashups, creating a that was both accessible and visually inventive. Reviewers often drew comparisons to Friends, noting Spaced's edgier, more British sensibility—its creators themselves emphasized that the show avoided the dated feel of the American series through its grounded yet fantastical portrayal of young adulthood. Though initial broadcast ratings were low, Spaced cultivated a dedicated cult following in the years following its run, largely through word-of-mouth and the 2005 DVD release, which allowed fans to discover and share its geeky humor via imports and online communities. By 2025, the series held a perfect 100% approval rating on Rotten Tomatoes based on 19 critic reviews, reflecting its enduring critical prestige and retrospective appreciation as a pioneering comedy.

Awards and Nominations

Spaced received recognition from several prestigious awards bodies in the UK, highlighting its innovative approach to situational comedy and the performances of its lead actors. The series and its cast accumulated a total of 2 wins and 6 nominations across major ceremonies, including the British Comedy Awards and BAFTA Television Awards. The following table summarizes the key awards and nominations:
YearAwarding BodyCategoryRecipientResult
1999British Comedy AwardsBest TV Comedy Actress (Spaced)Won
1999British Comedy AwardsBest Male Comedy Newcomer (Spaced)Nominated
1999British Comedy AwardsBest TV SitcomSpacedNominated
2000BAFTA Television AwardsSituation ComedySpaced (series 1)Nominated
2001British Comedy AwardsBest TV Comedy Actress (Spaced)Won
2001Popular ArtsCast (Spaced)Nominated
2002BAFTA Television AwardsSituation ComedySpaced (series 2)Nominated
These accolades, particularly the wins for Hynes, underscored the series' strong writing and character-driven humor, which complemented the critical praise it garnered for blending pop culture references with relatable twenty-something struggles. The recognition significantly boosted the visibility of creator and star , paving the way for their subsequent successes in feature films like .

Legacy

Home Media Releases

The first home media release for Spaced was the DVD for Series 1 in the , issued on 19 February 2001 by VCI Entertainment as a Region 2 two-disc set containing all seven episodes along with basic extras such as and scene access. A complete series followed in the UK on 14 August 2006 from Video, titled the Definitive Collectors' Edition, which compiled both series across three Region 2 discs and included expanded extras like audio commentaries by creator , , and , deleted scenes, music promos, and cast interviews. In the , Video released a Region 1 version of the complete series on 22 July 2008 as a three-disc digipak set, featuring all 14 episodes plus unique additions such as commentaries from American celebrities including and , alongside the original UK audio tracks and behind-the-scenes featurettes. No official Blu-ray edition of Spaced has been released as of 2025, though director announced in 2020 that a remastered version was in development to mark the show's 20th anniversary, potentially including enhanced visuals and additional deleted scenes. As of November 2025, Spaced is available for streaming in both the and on , where all episodes can be accessed with a subscription. It is also streamable on-demand via Channel 4's All 4 service in the , offering free access to UK viewers with ads. The series was previously available on in the until around 2011. The official soundtrack album, Spaced: Soundtrack to the TV Series, was released on CD in the UK on 12 March 2001 by Channel 4 Music as a single-disc compilation featuring 18 tracks of original score, featured songs, and dialogue snippets from the show.

Adaptations and Remakes

In 2007, Fox announced plans to develop an American adaptation of Spaced, teaming with producer McG and writer Adam Barr from Will & Grace to create a pilot episode under Granada America, the U.S. arm of the original U.K. production company. The project aimed to capture the essence of the original sitcom's flat-sharing premise and pop culture-infused humor but relocated the setting to Los Angeles, with a new cast including Josh Lawson as Ben (the Tim equivalent), Sara Rue as Apryl (Daisy), and Federico Dordei as Christian (Brian). Production wrapped in early 2008, but the network passed on the series after viewing the pilot, citing concerns over its tone and execution. The remake drew significant backlash from the original creators, , , and , who were not consulted during development and publicly criticized it for diluting the show's unique British wit, rapid-fire editing, and cultural references. , in particular, expressed reservations about transplanting the series' millennial vibe to an American context, noting that elements like the U.K.-specific geek humor and character dynamics would be challenging to replicate authentically. This creative disconnect contributed to the project's swift cancellation, preventing any further episodes or series order. Beyond the U.S. pilot, no other formal adaptations or remakes of Spaced have materialized, though the series has aired internationally in countries including , , and via networks like and local broadcasters, gaining cult followings without localized versions. Discussions of a stage play adaptation surfaced in the early among the creative team but remained unrealized due to scheduling conflicts and a shift in focus to film projects. The absence of a third U.K. series, which Wright attributed to the cast outgrowing their characters' youthful personas amid rising commitments—such as Pegg's involvement in —further limited opportunities for derivative works.

Cultural Impact

Spaced significantly launched the careers of its lead actors and creators, establishing , , , and as prominent figures in and film. The series served as a foundational collaboration for and , who later co-created the trilogy— (2004), (2007), and The World's End (2013)—with joining as a key performer, propelling them to international acclaim. Hynes, credited as Jessica Stevenson during the show's run, transitioned to diverse roles in film and television, including appearances in the Cornetto films and subsequent projects like There She Goes (2018–2022), crediting Spaced for opening doors in the industry. The series pioneered the integration of geek culture and rapid-fire pop culture references into the sitcom format, influencing subsequent comedies by blending everyday flat-sharing scenarios with meta-humor, fantasy sequences, and homages to , , and video games. This approach captured a millennial obsession with , setting a template for shows that treat pop culture as an integral narrative element rather than mere background. Its stylistic innovations, including quick-cut editing and visual gags, prefigured modern sitcoms' embrace of genre parody and self-referentiality. As a , Spaced fostered a dedicated fanbase that has sustained its legacy through online communities, , and . Early fan sites emerged during the show's original run, and enthusiasts have produced artwork inspired by characters like Tim Bisley's comic sketches, often shared via dedicated and merchandise platforms. The series' 25th in 2024 prompted screenings and marathons, such as a full-series event at Manchester's CULTPLEX cinema, renewing interest amid broader streaming availability on platforms like since 2020. By 2025, retrospectives like the Cinema to the Letter episode highlighted its enduring relevance, with fans citing its themes of twentysomething and creative ambition as timeless. Appearances at conventions, including Comic-Con panels in 2008, further cemented its place in geek culture gatherings.

References

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