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Sricharan
Sricharan
Sricharan
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Sricharan Rangarajan (born 24 April 1981) is an Indian actor and a lawyer based in Chennai, India.

Key Information

Career

[edit]
As an Actor

Having debuted in the 2008 Tamil film Mudhal Mudhal Mudhal Varai, Sri Charan went on to make his break with Radha Mohan's 2011 film Payanam or Gaganam where he acted in a double role.[2] He then portrayed a supporting role in the Siddharth starrer 180 directed by Jayendra. He played the role of a guy next door, a radio jockey in San Francisco, United States.[2][3]

As a Lawyer

He completed his dual masters of law degree in New York University School of Law and National University of Singapore.[2] He is a qualified practitioner primarily based out of the High Court of Judicature at Madras (Chennai, India). He was previously serving as Special Government Pleader and Additional Advocate General for the state government. In the year 2023, he was designated as Senior Advocate by the High Court.[4]

Filmography

[edit]
Actor
Year Film Role Language Notes Ref.
2008 Mudhal Mudhal Mudhal Varai Mahesh Tamil Credited as Charan [2]
2011 Payanam Yusuf Khan (in climax),
Ranganath		 Tamil
Gaganam Telugu
Nootrenbadhu RJ "Sam"
Sambasivam		 Tamil [3]
180 Telugu
2012 Billa II Bobby Tamil [5]
2013 Gouravam Venky Tamil [6]
Telugu
2015 Thani Oruvan Kathiresan IPS Tamil [7]
2017 Brindavanam Motorcycle Driver Tamil
As dubbing artist
Year Film Actor Language Ref.
2017 Sachin: A Billion Dreams Sachin Tendulkar Tamil [8]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sricharan

View on Grokipedia
from Grokipedia
Sricharan Rangarajan is an Indian practicing at the and an author specializing in , who has also appeared in supporting roles in Tamil and Telugu films. A qualified with over 17 years of experience, he has handled full-bench matters and serves as a registered foreign lawyer at the International Commercial Court, in addition to arbitrating under panels like SIAC. Rangarajan authored the two-volume Treatise on Arbitration Law & Practice: A Critical Commentary on Part I of the Act of 1996, published by OakBridge, providing detailed analysis of Indian arbitration statutes. Transitioning from law to acting, he debuted in films like Payanam (2011), earning acclaim for comedic roles, and later featured in (2015) and 180 (2011) as a US-based RJ. His dual pursuits highlight a commitment to both legal scholarship and cinema, though his primary professional focus remains advocacy in .

Early Life and Education

Family Background and Upbringing

Sricharan Rangarajan was born on 24 April 1981 in Chennai, Tamil Nadu, India. He grew up in Chennai, where he attended primary school at Padma Seshadri Bala Bhavan and high school at Vivekananda College, earning a reputation as a brilliant student. Limited public details exist regarding his family's professional or socioeconomic background, though his early academic success suggests a supportive environment conducive to education. Sricharan Rangarajan obtained his initial at in , completing his undergraduate there. He then pursued advanced postgraduate studies, earning dual (LLM) degrees from New York University School of Law and the . These qualifications positioned him as a qualified legal practitioner with expertise in . Following his postgraduate training, Rangarajan practiced law in , handling professional responsibilities alongside early forays into acting. His legal career included work in a demanding environment that required balancing rigorous casework with film shoots, demonstrating his ability to maintain professional commitments in both fields during the initial phase of his dual pursuits. This period underscored his foundational training in legal advocacy and international jurisprudence, which informed his later professional engagements in .

Entry into Law Practice

Sricharan Rangarajan completed dual (LL.M.) degrees from the School of and the , qualifying him for advanced legal practice. Following this education around the mid-2000s, he enrolled as an with the Bar Council of and Puducherry and entered independent practice, initially focusing on civil and commercial disputes. Early in his career, Rangarajan worked in , where he registered as a foreign eligible to appear in specialized proceedings, balancing legal engagements with emerging pursuits by . Upon returning to , he established his practice in , handling cases across courts with an emphasis on complex arbitrations and High Court litigation at Madras. By , he formalized a firm, Sricharan Rangarajan & K. Gowtham Kumar, marking a milestone in his independent legal operations.

Professional Achievements and Challenges

Sricharan Rangarajan earned a dual (LLM) degree from School of Law and the , qualifying him as a practitioner in corporate and . He won the All-India Moot Court Competition organized by the Institute of Company Secretaries of India during his academic training, demonstrating early proficiency in legal argumentation. With over 17 years at the bar, Rangarajan has handled civil and commercial disputes across Indian courts, including full-bench matters at the , and served as Additional Advocate General for the state. Designated as a Senior Advocate by the in January 2023, he represents clients in complex arbitrations and maintains registrations as a foreign with the Singapore International Commercial Court, as well as arbitrator panels at the Singapore International Arbitration Centre (SIAC), International Arbitration Centre (), and others. In 2023, he authored Treatise on Arbitration Law & Practice, a two-volume critical commentary on Part I of India's and Act, 1996, analyzing judicial evolution and amendments over 25 years through section-wise review. Challenges in his legal practice include navigating systemic issues in Indian arbitration, such as alleged rampant , which he has indirectly addressed through his scholarly work amid broader judicial critiques. Balancing high-stakes litigation and with concurrent acting commitments has required rigorous time management; for instance, during the 2011 filming of Payanam (also released as Gaganam), he continued work in , describing himself as a to sustain both professions without full transition to . This dual pursuit has drawn perceptions of unconventional career choices, with industry observers viewing it as risky amid the demanding schedules of senior advocacy.

Acting Career

Transition to Film Industry

Sricharan Rangarajan, while employed as an international corporate lawyer in , received an offer to participate in the 2008 Tamil film Mudhal Mudhal Mudhal Varai, initiating his involvement in cinema. In this debut project, directed by Krishnan Seshadri Gomatam, he enacted the role of an suffering from obsessive-compulsive disorder, a character that aligned with the film's exploration of an obsessive filmmaker's struggles. His performance in Mudhal Mudhal Mudhal Varai garnered attention from director , leading to a pivotal role as Yusuf Khan, a terrorist, in the 2011 thriller Payanam (also released as Gaganam in Telugu). Filming commenced with an initial schedule in Kulu Manali, where Sricharan appeared in minimal attire for authenticity, and continued amid logistical challenges. To juggle commitments, he commuted fortnightly from to , citing health reasons to his employers for absences, thereby sustaining his legal practice concurrently with shoots. Throughout this phase, Sricharan adopted a pragmatic approach informed by his legal background, scrutinizing acting opportunities with and prioritizing balance over full commitment to either field. He has described the dual pursuits as demanding yet complementary, with contemporaries viewing his persistence in amid rising film roles as unconventional. Subsequent projects, including 180 (2011) where he portrayed a U.S.-based radio jockey, further solidified his foothold without necessitating abandonment of his primary profession.

Notable Roles and Performances

In Payanam (2011), Sricharan made his breakthrough with a as the nervous junior artiste Ranganath and the terrorist Yusuf Khan in the climax, earning praise for his hilarious portrayal of the former and the dramatic contrast it provided to the high-stakes thriller narrative. The film, directed by and also released in Telugu as Gaganam, featured him dubbing for both characters in the respective languages, marking his entry into commercial alongside stars like . His supporting turn in 180 (2011), directed by Jayendra, cast him as a relatable radio jockey based in , portraying a "guy next door" friend to the protagonist played by Siddharth, with scenes filmed in and the U.S. to capture an urban, expatriate vibe. This role highlighted his versatility in lighter, character-driven parts amid the film's romantic and elements. In (2015), a commercial success directed by , Sricharan played Kathiresan IPS, a dedicated police officer accompanying the lead character (Jayam Ravi) through key investigative sequences, contributing to the film's tense cat-and-mouse plot against a corporate . The performance underscored his ability to handle action-oriented supporting roles in ensemble casts featuring and . Other performances include in the bilingual Gouravam (2013), directed by Prasad Murella, and a role in (2016), but these have drawn less specific commentary compared to his earlier breakthroughs. Throughout, Sricharan balanced these acting commitments with his legal practice, often filming abroad while based in for work.

Career Progression and Current Status

Sricharan's acting career began with a debut in the 2008 Tamil film Mudhal Mudhal Mudhal Varai, marking his entry into cinema while maintaining his primary as a . His breakthrough arrived in 2010 with Payanam, directed by , where he portrayed dual contrasting roles—a timid character artist and a formidable terrorist named Yusuf Khan—earning critical notice for his versatility amid a cast including Nassar and . This performance established him in supporting capacities, blending his legal background with on-screen intensity. Subsequent roles expanded his presence in ensemble projects. In 2012, he featured in the action thriller , a to the 2007 hit, sharing screen space with and holding his own despite the star-studded lineup. The bilingual Gouravam (2013), directed by , saw him in a key role alongside in its Telugu version and Sreekanth in Tamil, further showcasing his adaptability across regional formats. By 2015, in , he played the antagonistic IPS officer Kathiresan, contributing to the film's commercial success and narrative tension opposite Jayam Ravi and , with extending into additional shoots that year. His final credited film appearance was in 2017's Brindavanam, as a driver, reflecting a pattern of character-driven supporting parts. As of 2025, Sricharan has shifted focus back to his legal career, practicing as a Senior Advocate at the with over 17 years of experience in civil, commercial, and matters. He authored the two-volume Treatise on Arbitration Law and Practice in 2023, providing section-by-section commentary on Indian frameworks, and remains active in high-profile cases, including appearances before the court in 2024–2025. No new acting projects have been announced since 2017, indicating a deprioritization of film work in favor of his advocacy, though his earlier roles continue to be referenced in discussions of Tamil supporting actors.

Filmography

Film Roles

Sricharan portrayed the dual characters of Yusuf Khan and Ranganathan in the action thriller Gaganam (2011), the Telugu version of Payanam. In the romantic drama 180 (2011), he played a San Francisco-based radio jockey, a role that highlighted his transition from legal practice to acting. He appeared as Bobby, a supporting figure in the gangster film (2012). In the Tamil remake Gouravam (2013), Sricharan took on the role of , contributing to the . His performance as Kathiresan, an IPS officer accompanying the lead character on key missions, featured prominently in the action film (2015). Sricharan played a supporting role in the courier-themed comedy (2016). In Brindavanam (2017), he depicted a driver in a minor capacity.

Reception and Legacy

Critical and Audience Response

Sricharan's supporting roles in Tamil films have generally elicited positive responses from critics for injecting humor and relatability into ensemble casts, though detailed individual critiques remain sparse given his non-lead status. In the 2011 thriller Payanam (simultaneously released as Gaganam in Telugu), his portrayal of a nervous junior artist was highlighted for its comedic timing, contributing to the film's tense atmosphere with moments of levity amid the hijacking plot. The film itself earned praise for its taut and performances, with an average rating of 3.0/5 from aggregated reviews emphasizing balanced across the board. Critics noted Sricharan's charm in subsequent roles, such as the San Francisco-based radio jockey in the 2011 romantic drama 180, where his character provided emotional depth and engagement through witty and vulnerability. This performance aligned with the film's exploration of life choices, aiding its reception as a thoughtful ensemble piece despite mixed overall results. In higher-profile projects like the 2015 action thriller , Sricharan's contribution to the supporting cast supported the film's strong critical acclaim, including a 4/5 rating from Times of India for its intelligent scripting and character dynamics, though specific mentions of his role focused on seamless integration rather than standout moments. The movie achieved commercial success, grossing over ₹100 worldwide and resonating with for its pacing and antagonist portrayal, indirectly bolstering visibility for actors like Sricharan in credible thrillers. Audience feedback, drawn from platforms like IMDb, reflects enthusiasm for Sricharan's films' entertainment value, with Thani Oruvan holding an 8.4/10 user rating from over 23,000 votes, praising the ensemble's chemistry and thriller elements. His earlier debut in the 2008 romantic comedy Mudhal Mudhal Mudhal Varai, which garnered acclaim for its fresh narrative, positioned him as a promising newcomer, though audience turnout was modest compared to mainstream hits. Overall, while not a focal point of widespread discourse, Sricharan's work has been viewed favorably for enhancing film narratives without overshadowing leads, reflecting a steady if understated reception in Tamil cinema circles. No significant controversies or negative critiques of his performances were prominently reported in major outlets.

Influence on Tamil Cinema

Sricharan's portrayal of the terrorist Yusuf Khan in Payanam (2011), directed by , marked a significant early contribution to 's depiction of high-stakes thriller antagonists, earning acclaim for its intensity and drawing public reactions after the U.S. raid killing on May 2, 2011, when he received numerous calls linking his character to the event. This role, alongside his dual depiction as a meek civilian forced into , highlighted his versatility in supporting parts that enhanced narrative tension in hijack-themed films. In (2015), directed by , Sricharan played a key accompanying the throughout the investigation, contributing to the film's ensemble dynamic in a thriller that grossed approximately ₹125 worldwide and received praise for its script and performances. His involvement in such commercially viable projects underscored a reliance on experienced supporting actors to bolster lead-driven narratives, though his body of work primarily consists of character roles rather than lead positions that typically drive industry trends. Overall, Sricharan's , spanning from debut in Mudhal Mudhal Mudhal Varai (2008) to roles in (2016), reflects a niche impact through authentic, grounded performances informed by his legal background, aiding realism in procedural and antagonistic elements without pioneering broader stylistic or thematic shifts in .

References

  1. https://in.linkedin.com/in/sricharan-rangarajan-48074029b
  2. https://www.oakbridge.in/writer/m-sricharan-rangarajan
  3. https://www.livelawbazar.com/arbitration-conciliation-mediation/LBSNBOOATOAL1/treatise-on-arbitration-law-practice-a-critical-commentary-on-part-i-of-the-act-of-1996-2-vol-set-2023-m-sricharan-rangarajan
  4. https://www.newindianexpress.com/entertainment/tamil/2011/Jun/17/lawyer-turned-actor-finds-a-foothold-in-films-263415.html
  5. https://nettv4u.com/celebrity/tamil/movie-actor/sricharan-rangarajan
  6. https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/people-think-im-crazy-sricharan/articleshow/8489862.cms
  7. https://filmyfocus.com/celebs/sricharan-rangarajan
  8. https://www.judiciary.gov.sg/singapore-international-commercial-court/registration-of-foreign-lawyers/foreign-lawyers
  9. https://contactout.com/Sricharan-Rangarajan-32773625
  10. https://www.youtube.com/watch?v=4DG2M41vIPE
  11. https://www.barandbench.com/news/arbitration-india-plagued-rampant-corruption-justice-sanjib-banerjee
  12. https://www.oakbridge.in/book/treatise-on-arbitration-law-and-practice-a-critical-commentary-on-part-1-of-the-act-of-1996
  13. https://www.bharatilawhouse.com/product/oakbridges-treatise-on-arbitration-law-practice-by-m-sricharan-rangarajan/
  14. https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/sricharan-shares-screen-with-nagarjuna/articleshow/7627222.cms
  15. https://www.behindwoods.com/tamil-movies-cinema-news-15/actor-sricharan-rangarajan-talks-about-his-film-thani-oruvan.html
  16. https://www.imdb.com/title/tt4987556/fullcredits/
  17. https://www.imdb.com/name/nm4367941/
  18. https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/sricharanamp39s-dramatic-airport-experience/articleshow/10968116.cms
  19. https://www.thehindubusinessline.com/business-laws/m-sricharan-rangarajans-treaties-on-arbitration-provides-a-detailed-insight-on-arbitration/article67547045.ece
  20. https://www.imdb.com/title/tt1704144/
  21. https://www.imdb.com/title/tt1891755/
  22. https://www.moviebuff.com/sricharan-rangarajan
  23. https://www.komparify.com/entertainment/movie/gaganam
  24. https://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/thani-oruvan/movie-review/48719649.cms
  25. https://www.deccanchronicle.com/150829/entertainment-movie-review/article/movie-review-thani-oruvan-thriller-hardly-misses-note
  26. https://www.imdb.com/title/tt4987556/
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