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Stuart Price
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Key Information
Stuart David Price (born 9 September 1977) is an English electronic musician, DJ, songwriter, and record producer. His acts include his own band Zoot Woman (with Adam Blake and Johnny Blake), Les Rythmes Digitales (French pronunciation: [le ʁitm diʒital], literally "The Digital Rhythms"), Paper Faces, Man with Guitar, Thin White Duke (not to be confused with David Bowie's earlier persona of the same name), and the parodic French moniker Jacques Lu Cont (though he actually grew up in Reading, England).[1][2]
Price is known for his work with artists including Madonna, Kylie Minogue, Dua Lipa, The Killers, New Order, DMA's, Example, Take That, Missy Elliott, Scissor Sisters, Pet Shop Boys, Brandon Flowers, Gwen Stefani, Seal, Keane, Jessie Ware, Frankmusik, Halsey, Hard-Fi, Hurts, Everything Everything, Rina Sawayama, Darin, Romy (Mid Air Album), Mimi Webb (Ghost of You), George Ezra (Green Green Grass), Jess Glynn (What Do You Do?), Cat Burns (People Pleaser, and Live More Love More).
Solo and group work
[edit]Price was born in Paris but grew up in Reading, England. His musical career started with two acts working simultaneously, releasing music on London-based label, Wall of Sound. He formed Zoot Woman with Adam Blake and Johnny Blake, and their debut 12-inch, Sweet to the Wind EP, was released in 1995. Around the same time, under the pseudonym Jacques Lu Cont, Price was making music as Les Rythmes Digitales. Initially choosing the name as a reference to the explosion in demand for French house in the United Kingdom during the 1990s, Price even went as far as to conduct interviews with British journalists in French via an interpreter. In interviews from around this time, Price also claimed that he had grown up listening exclusively to classical music, until one day encountering the album Dare by the Human League.[citation needed]
The first Les Rhythmes Digitales album, Liberation, was released in 1996. A single, "Jacques Your Body (Make Me Sweat)", followed the next year. It was re-released in 1999, reaching number 60 on the UK Singles Chart,[3] and was included on that year's album, Darkdancer. Greatly influenced by 1980s dance music, Darkdancer would later be included in Vice magazine's 99 Greatest Dance Albums of All Time list.[4]
Zoot Woman released their debut album, Living in a Magazine, in 2001, following it up in 2003 with an eponymous album. The same year, Price released DJ mix album FabricLive.09, part of a series of mix releases from London club Fabric, under his Jacques Lu Cont moniker. He made his first original release under the name the following year; "...And Dance" was a single featuring General Degree. Another Zoot Woman album, Things Are What They Used To Be, was released in 2009, and further Jacques Lu Cont singles followed, released both in physical formats and as free downloads from SoundCloud.
As producer
[edit]Price has produced, and at times co-written, numerous songs for popular artists. Price has also remixed and re-produced numerous songs under his own name as well as the names Thin White Duke (originally created by David Bowie), Jacques Lu Cont, and Les Rythmes Digitales. Other aliases include Man with Guitar and Paper Faces (an alias for him and Adam Blake of the band Zoot Woman). Price's remixes are characterised by club-led beats with arpeggios, riffs, and vocal lines faded and filtered throughout the song for a climactic effect.[citation needed] He favours keeping the original vocal arrangement of songs and re-contextualizing the non-lyrical content in creating his new versions.[citation needed]
Madonna
[edit]
Price is best known for his work with Madonna's tenth studio album Confessions on a Dance Floor (2005). He began collaborating with Madonna as musical director for her 2001 Drowned World Tour after remixing some of the tracks on her Music album via Mirwais. He reprised the role for her 2004 Re-Invention World Tour and 2006 Confessions Tour. Price created remixes for the album's singles "Hung Up", "Sorry" (under the Man with Guitar alias), "Get Together", and "Jump", as well as the album tracks "I Love New York" and "Let It Will Be" (under the Paper Faces alias). Price co-wrote the song "X-Static Process" for Madonna's 2003 album American Life. Price has also remixed the Madonna songs "Hollywood" from American Life and "Miles Away" from the album Hard Candy. Madonna chose his remix of "Hollywood" for her performance at the MTV Video Music Awards with Britney Spears, Christina Aguilera, and Missy Elliott. In 2023 Madonna invited Price again (17 years after their last collaboration) as musical director for her first retrospective tour.[5]
The Killers
[edit]Price's work with The Killers began with his remix of their hit single "Mr. Brightside", released under the Thin White Duke name. Subsequently, Price remixed the song "When You Were Young", the first single from The Killers album "Sam's Town". Price produced two of the tracks re-recorded for the release of The Killers' B-sides album, Sawdust: "Leave the Bourbon on the Shelf" and "Sweet Talk". His remix of "Mr. Brightside" appeared as a bonus track on that release. Price went on to produce The Killers' third studio album, "Day & Age", released on 24 November 2008.[6] He also created an extended remix of the lead single "Human" released under the Thin White Duke name. Price also worked for The Killers vocalist Brandon Flowers' debut solo album Flamingo, producing most of the songs on it, including the second single "Only the Young". The album was released on 6 September in the UK and Ireland and 14 September in the US and Canada.
The Killers' album, Battle Born, contains two tracks that Price produced, as well as a Jacques Lu Cont remix of the album's first track, "Flesh and Bone".[7]
Price also produced the song "Just Another Girl", a new track on the Killers compilation album Direct Hits.
In the deluxe version of The Killers' 2017 album, Wonderful Wonderful, Price did a remix of the album's single, "The Man".
Pet Shop Boys
[edit]Price was the musical director on the Pandemonium tour, and produced their 2013 album Electric which was very highly acclaimed by critics and reached number three on the UK Albums Chart – their highest-charting album since 1993.[8] He also toured with them on at least several shows in the Electric tour (Las Vegas and Oakland). Price went on to produce their albums Super and Hotspot released in 2016 and 2020 respectively. Both albums received positive reviews and reached number three on the UK Albums Chart.[9]
Kylie Minogue
[edit]Price is the executive producer for Kylie Minogue's 11th studio album titled Aphrodite which was released on June 30, 2010. On 11 June, the hit single "All the Lovers" was released, and later "Get Outta My Way", which was remixed by Price into an extended version.
Other production work
[edit]Price was the album producer on Seal's fifth studio album System, which was released in November 2007. He also co-wrote several of the album's songs. Price was among the producers of Keane's album Perfect Symmetry, which was released in October 2008.[10]
Price was also reported to be working with New Order's Bernard Sumner on a "synthesiser album".[11] However, it appears the project has been shelved.[12]
Price co-produced the Scissor Sisters album Night Work, released on 28 June 2010.[13] The first track to be released from the album was "Invisible Light", followed by singles "Fire With Fire" and "Any Which Way".
In 2010, Price produced Take That's studio album Progress which saw Robbie Williams return to the band. Progress was the biggest selling album of 2010 and the second fastest selling British album of all time. In 2011, he worked as a producer on Hard-Fi's 2011 album Killer Sounds. He worked with the band for second single "Fire in the House". In May 2012, the fourth Scissor Sisters album Magic Hour was released with two tracks produced by Stuart Price: "The Secret Life of Letters" and "Somewhere".
For the London 2012 Olympic Games, Price was asked to create a theme song as the keystone of what director Danny Boyle called the "sonic branding" of the games. Intended to be played in multiple venues, Price set out to create a modular piece, "Different elements can layer on top of each other to create a fast-paced version for the velodrome, something slow for the background on TV, or a triumphant version of it for the medal ceremonies."[14]
In 2014, Price produced multiple tracks on Take That's seventh studio album III, their first album since the departures of Jason Orange and Robbie Williams. He also produced three tracks on their follow-up 2017 album, Wonderland, and their 2018 reimagined greatest hits compilation, Odyssey.
In 2015, Price produced the critically acclaimed studio album Get to Heaven by Manchester-based band Everything Everything which Digital Spy described as "a contender for album of the year". Q also awarded the album 5 stars.
In 2017, Price produced with many different people. His first venture was with Kiesza on her 2017 single, entitled "Dearly Beloved", which is expected to be the lead single on her upcoming second album. He also was credited as Jacques Lu Cont when remixing The Knocks's single "Trouble", featuring vocals from Absofacto. The song became the second single to be released from their fifth extended play, entitled Testify.
In 2019, Price produced British band Sundara Karma's second album Ulfilas' Alphabet.[15]
In 2020, Price served as a co-producer and additional producer for four songs on Dua Lipa's second album Future Nostalgia, three of which became singles: "Hallucinate", "Levitating", and "Love Again". "Levitating" has since achieved diamond certification. He also produced Aussie rockers DMA's third studio album The Glow, which was met with positive reviews.
In May 2022, the single "Superstar" by Swedish singer Darin was released and produced by Price.
Price also contributed to Japanese-British singer-songwriter Rina Sawayama's second studio album Hold the Girl, which was released on 16 September 2022, and peaked at number two on the UK chart.
Additionally, Price co-wrote and produced George Ezra's platinum hit single "Green Green Grass", which emerged as one of the biggest hits of 2022. The song reached number three on the UK Singles Chart and was nominated for the Brit Award for Song Of The Year at the 2023 Brit Awards.
He produced Jessie Ware's album That! Feels Good, which reached the top 5 in the UK charts and received a Mercury nomination in 2023.
Price's production work extended to Romy's album Mid Air, which featured the single "Strong", a significant hit on UK radio, and received a Grammy nomination for Best Electronic Record at the 2024 ceremony.
Furthermore, Price co-wrote and co-produced three new songs on the Killers' 2023 compilation album Rebel Diamonds, including the singles "boy", "Spirit", and "Your Side of Town".
Price has also been involved in various film projects and soundtracks in 2022 and 2023, including producing key records for Elvis, Whitney Houston: I Wanna Dance with Somebody, and Argylle (Electric Energy). In 2023, he produced the highly acclaimed Celebration Tour for Madonna, which received worldwide recognition. He co-wrote six tracks on Halsey's album The Great Impersonator; the album was released in late 2024.
Remixes
[edit]Price remixed Coldplay's single "Viva la Vida", released on the band's website as the Thin White Duke remix. Price has also produced and mastered tracks for Frankmusik's debut album, one of which is "3 Little Words". This track was released as a single on the "3 Little Words" EP. He provided two Thin White Duke remixes for the release of Depeche Mode's 2009 single, "Wrong".
In 2009, Price remixed "It's Not My Problem" for Sneaky Sound System under the Thin White Duke alias; he also completed remixes for Depeche Mode's "Wrong", Friendly Fires' "Jump in the Pool", Röyksopp's "This Must Be It" and, most recently,[when?] Muse's "Undisclosed Desires". Producing the tour arrangement for the Pandemonium Tour by Pet Shop Boys, Price fulfilled a personal dream. He also produced an exclusive arrangement for Pet Shop Boys' Brit Awards performance in February. Both older hits and brand new songs were combined to create a ten-minute-long mash up that closed the 2009 Brits.
He mixed and remixed Miike Snow single "The Rabbit", then produced Take That's album Progress, featuring their reunion with Robbie Williams, later working again on their first EP, Progressed, released in summer 2011. Meanwhile, the band promoted their Progress Live which featured Price as musical director. Price mixed and co-produced several tracks on Duffy's album Endlessly, including first single "Well, Well, Well".
Under his Jacques Lu Cont alias, he released several massive club remixes including ones for U2, Katy Perry, Miike Snow and Coldplay. Under this alias he also remixed Glasgow band Bis' single Eurodisco.
In June 2012, his remix of "Charlie Brown" was rejected by Coldplay,[16] though Price did end up having it released through Annie Mac's show on BBC Radio One on 13 July.[17]
He also created a remix of Juliet's "Avalon".
Stuart is managed by Lucas Keller and Ant Hippsley at Milk & Honey, and published by Sony Publishing for the world.
Awards
[edit]Grammy Awards
[edit]| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 2005 | Grammy Awards | Best Remixed Recording, Non-Classical | "It's My Life (Jacques Lu Cont's Thin White Duke Mix)" | Won | [18] |
| 2006 | "Mr. Brightside (Jacques Lu Cont's Thin White Duke Mix)" | Nominated | |||
| Best Dance Recording | "Guilt Is a Useless Emotion" | Nominated | |||
| 2007 | "Get Together" | Nominated | |||
| Best Dance/Electronic Album | Confessions on a Dance Floor | Won | |||
| Best Remixed Recording, Non-Classical | "Talk (Thin White Duke Mix)" | Won | |||
| 2024 | Best Dance/Electronic Recording | "Strong"[19][20] | Nominated |
In 2011, Price won a Music Week Award for Best Producer of the Year.[21]
In June 2015, Price was inducted into Radio DJ Pete Tong's Hall of Fame.[22]
Discography
[edit]Albums
[edit]Les Rythmes Digitales
- Libération (1996)
- Darkdancer (1999)
Jacques Lu Cont
- Blueprint (2000)[23]
- FabricLive.09 (2003)
- Palindrome (ambient album) (2013)
Tracques
- Tracques Volume 1 (2013)
Zoot Woman (with Adam Blake and Johnny Blake)
- Living in a Magazine (2001)
- Zoot Woman (2003)
- Things Are What They Used to Be (2009)
- Star Climbing (2014)
- Absence (2017)
- Redesigned (2018)
- Maxidrama (TBC)
Singles
[edit]| Title | Year | Peak chart positions | Album | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK [24] |
AUS [25] |
FIN [26] |
IRE [27] | ||||||||||
| "Jacques Your Body (Make Me Sweat)" | 1997 | 9 | 38 | 12 | 30 | Darkdancer | |||||||
| "Music Makes You Lose Control" | 1998 | 69 | — | — | — | ||||||||
| "(Hey You) What's That Sound?" | 80 | — | — | — | |||||||||
| "Sometimes" (featuring Nik Kershaw) |
1999 | 56 | — | — | — | ||||||||
| "Safe with You" (with Alex Metric featuring Malin) |
2013 | — | — | — | — | Non-album single | |||||||
| "Feel of Love" (with Tensnake featuring Jamie Lidell) |
2014 | — | — | — | — | Glow | |||||||
| "—" denotes a recording that did not chart or was not released in that territory. | |||||||||||||
Songwriting and production list
[edit]References
[edit]- ^ "Les Rythmes Digitales | Biography & History". AllMusic.
- ^ "The sound of victory". London Evening Standard. 27 July 2012. Retrieved 27 July 2012.
- ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 318. ISBN 1-904994-10-5.
- ^ "The 99 Greatest Dance Albums of All Time". Thump.vice.com. 14 July 2015.
- ^ "Madonna's Celebration Tour: Greatest hits show to feature more than 40 songs". BBC News. 12 October 2023. Retrieved 20 October 2023.
- ^ "Day & Age : The Killers : Review : Rolling Stone". www.rollingstone.com. Archived from the original on 7 December 2008. Retrieved 17 January 2022.
- ^ "The Killers Confirm Release Date". Nme.com. 10 July 2012. Retrieved 4 September 2012.
- ^ "Pet Shop Boys Announce Stuart Price-Produced Album 'Electric': Watch The Video Tease | Music News, Reviews, and Gossip on". Idolator.com. 14 March 2013. Archived from the original on 11 April 2013. Retrieved 23 May 2014.
- ^ Boys, Pet Shop (31 January 2019). "We've just got back from a trip to Los Angeles where we were working with Stuart Price on our new album. It's sounding good! (Well, I would think that.) Neil x#PetTextpic.twitter.com/mQeLjbr00H". Twitter.com.
- ^ "KEANE | OFFICIAL WEBSITE". Keanemusic.com.
- ^ "Bernard Sumner Talks Bad Lieutenant Album, New Order Breakup". Pitchfork.com. 24 September 2009.
- ^ "Yahoo". Spinner.com.
- ^ "Popjustice: 100% Solid Pop Music • Popjustice". Popjustice.com.
- ^ Smyth, David (27 July 2012). "The Sound of Victory". London Evening Standard. Retrieved 27 July 2012.
- ^ Earls, Johns (14 November 2018). "Sundara Karma unveil 'One Last Night On This Earth' video and tell us about their 'celebration' of a new album". NME. Retrieved 15 July 2019.
- ^ Thornton, JR (15 July 2012). "Coldplay – Charlie Brown (Jacques Lu Cont Remix) [Preview]". Dancing Astronaut. Retrieved 27 July 2012.
- ^ "Coldplay – Charlie Brown (Jacques Lu Cont Mix)". YourMusicRadar.com. 15 July 2012.
- ^ "Jacques Lu Cont". GRAMMY.com. Retrieved 4 February 2024.
- ^ Minsker, Evan (10 November 2023). "Grammy Nominations 2024: See the Full List Here". Pitchfork. Retrieved 6 April 2024.
- ^ Nardino, Meredith (4 February 2024). "List of 2024 Grammy Awards Nominees and Winners". Us Weekly. Retrieved 6 April 2024.
- ^ "Music Week Award Winners 2011". Thecmuwebsite.com. 26 May 2011. Retrieved 4 September 2012.
- ^ "Stuart Price - Hall of Fame, Stuart Price, Danny Daze and Solomun, Pete Tong - BBC Radio 1". BBC. Retrieved 3 November 2016.
- ^ All Music entry for Blueprint. All Music
- ^ Peak chart positions for singles in the United Kingdom:
- All except "(Hey You) What's That Sound?": "Les Rythmes Digitales". The Official Charts Company. Retrieved 5 June 2012.
- "(Hey You) What's That Sound?": Zywietz, Tobias (6 February 1997). "Chart Log UK: The Rabble Army – RZA". Zobbel.de. Tobias Zywietz. Retrieved 5 June 2012.
- ^ "Discography Les Rythmes Digitales". Australian-charts.com. Hung Medien. Retrieved 5 June 2012.
- ^ "Discography Les Rythmes Digitales". Finnishcharts.com. Hung Medien. Retrieved 5 June 2012.
- ^ "Discography Les Rythmes Digitales". Irish-charts.com. Hung Medien. Retrieved 5 June 2012.
External links
[edit]Stuart Price
View on GrokipediaEarly life and influences
Childhood and family background
Stuart David Price was born on 9 September 1977 in Paris, France, to British parents who are both classical pianists.[7] His birth occurred while his parents were on holiday in the city, and they returned to the United Kingdom shortly thereafter.[7] At six months old, Price relocated with his family to Reading, England, where he grew up in a household deeply immersed in music.[7] His parents' profession fostered an environment rich in classical repertoire, with frequent performances of works by composers such as Bach, Liszt, and Chopin dominating the home.[3] This early immersion provided Price with a strong foundation in musical appreciation from a young age. Price attended local schools in Reading during his childhood, though specific details about his formal education remain limited. In his adolescence, he began transitioning toward electronic music influences, marking a shift from the classical sounds of his upbringing.[3]Musical education and early inspirations
Stuart Price grew up in a musical household in Reading, Berkshire, where both of his parents were classical pianists, exposing him primarily to works by composers such as Bach, Liszt, and Chopin, with little pop music present in the home.[3] This classical foundation provided an early appreciation for music notation and structure, which he pursued through formal studies at O-Level and A-Level, as well as musical grades, where he developed a particular interest in analyzing and notating scores rather than performance.[8] Without formal training in electronic music, Price became self-taught in production techniques during his teenage years, playing bass in school bands and experimenting with recording using a portable Yamaha 4-track cassette recorder to compose songs.[3] His shift toward synthpop and electronic genres was catalyzed by key influences, including the Pet Shop Boys, whose sound inspired his pursuit of electronic music—one early memory involved taping a Walkman to his BMX bike to listen to their music—and at age 19, the discovery of The Human League's 1981 album Dare, which profoundly impacted him with its innovative production and synth-driven aesthetic, marking a pivotal departure from classical roots.[3] His parents supported his decision to skip university in favor of releasing a record.[3] In his mid-teens, Price began honing DJ skills through hands-on practice rather than structured lessons.[3] He further explored electronic sounds at home by acquiring and experimenting with affordable synthesizers and drum machines, such as early models that allowed him to replicate and innovate on the synthpop styles that captivated him.[3]Solo and group projects
Les Rythmes Digitales
Les Rythmes Digitales was formed in 1996 by English musician Stuart Price as a solo alias under the pseudonym Jacques Lu Cont, drawing inspiration from the French electro scene and 1980s synthpop traditions.[9][10] The project name, a playful misspelling of the French phrase for "digital rhythms," reflected Price's interest in fusing retro European electronic sounds with contemporary production techniques.[10] This alias allowed Price to explore a distinctly continental aesthetic, distinct from his other endeavors, while building on his early experiences as a DJ in London clubs.[11] The debut album, Liberation, arrived in July 1996 as a limited-release vinyl and CD on the independent Wall of Sound label, marking Price's initial foray into full-length electronic composition.[12] Spanning 43 minutes across eight tracks, it incorporated trip-hop grooves, house rhythms, and experimental breaks, with titles like "Scimitar" and "American Metal" evoking a cinematic, futuristic vibe.[13] Though modestly distributed and initially overshadowed, Liberation showcased Price's knack for layering analog synths with digital percussion, setting the stage for more ambitious work.[14] Breakthrough arrived with the 1999 sophomore album Darkdancer, released on Wall of Sound and peaking at number 53 on the UK Albums Chart.[15] The record expanded the project's scope, blending pulsating house beats, electroclash edges, and rock-infused new wave energy through guest vocals from 1980s icons like Nik Kershaw on "Sometimes" and Shannon on "Music Makes You Lose Control."[16] Its lead single, "Jacques Your Body (Make Me Sweat)," a funky electro-house track with a reissued 1999 mix, climbed to number 60 on the UK Singles Chart, highlighting Price's ability to craft infectious, dancefloor-ready hooks.[17] To promote Darkdancer, Price embarked on a tour across Britain and Europe in 1999, including a notable performance at London's Astoria as part of the NME Brats Tour, where the project was presented as a live electronic act with visual flair.[11] Critics hailed the album as prescient, with BBC Music describing it as "ahead of its time" for pioneering electroclash's fusion of punky attitude, house propulsion, and synth-rock nostalgia, influencing the early-2000s electronic revival.[16] Exclaim! praised its "trashy wonderland of electro-funk and new wave pop," underscoring how Price's stylistic evolution elevated Les Rythmes Digitales from underground curiosity to a cornerstone of genre-blending dance music.[18]Zoot Woman
Zoot Woman is a British electronic music band formed in 1995 by Stuart Price alongside brothers Adam Blake and Johnny Blake, initially as a trio with Price handling production and keyboards, Adam on guitars and programming, and Johnny as lead vocalist.[19] The group's early sound drew influences from Price's prior solo work under various aliases, blending electronic elements with pop sensibilities.[20] Their debut release, the EP Sweet to the Wind, arrived in 1995 via Wall of Sound, marking their entry into the electronic scene with tracks like "Fly to Sangheeta" that hinted at their stylish, dance-oriented aesthetic.[21] The band's first studio album, Living in a Magazine, followed in 2001 on the same label, featuring nu-disco grooves and electroclash vibes that captured the era's club energy while emphasizing melodic hooks and visual flair in their live presentations. Subsequent albums expanded their catalog: the self-titled Zoot Woman in 2003 on Playlouder Recordings, which refined their pop-electronic fusion; Things Are What They Used to Be in 2009 on Village Green, introducing more introspective layers; Star Climbing in 2014 on their independent Zoot label, incorporating broader sonic experiments; Absence in 2017; Redesigned, a remix album, in 2018; and Maxidrama in 2024.[22] These releases highlighted a gradual stylistic shift from upbeat nu-disco toward experimental electronic pop, characterized by intricate synth arrangements and emotional depth.[23] Despite achieving limited mainstream commercial success, Zoot Woman cultivated a strong cult following through their energetic live shows and consistent output, often praised for bridging underground electronic innovation with accessible melodies.[24] The band has remained active into the 2020s, with a 2025 tour announced, maintaining a dedicated fanbase while Price pursues parallel production endeavors.[25]Other solo releases and aliases
Under the alias Jacques Lu Cont, Price released the DJ mix album FabricLive.09 in 2003, featuring a eclectic selection of electronic, house, and indie tracks that highlighted his early experimental approach to blending genres.[26] This mix, part of the renowned Fabric series from the London nightclub, included cuts from artists like Mirwais and Fischerspooner, establishing Price's reputation as a curator of forward-thinking dance music.[26] Earlier, in 1998, he issued the exclusive promotional mix All Back to Ours under the same moniker, a free accompaniment to Melody Maker magazine that explored abstract dance and electro sounds.[27] Price also employed the Jacques Lu Cont pseudonym for original productions later in his career, including the 2012 EP Bromance #5 in collaboration with Monsieur Monsieur, which delved into techno rhythms on the Bromance label.[28] In 2023, he returned with the instrumental track "Innervision," an indie dance composition released via Virgin and featured on compilations like The Disco Boys Volume 23, marking a post-label exploration of electronic textures without major backing.[29] As Paper Faces, Price partnered with Adam Blake for remix compilations in the early 2000s, focusing on vocal edits and club-oriented reinterpretations rather than full original albums, such as contributions to Felix da Housecat's Kittentales (2001).[30] The Thin White Duke alias, a nod to David Bowie's persona, was used sporadically for Price's solo endeavors alongside remixing, emphasizing sleek, synth-driven instrumentals in his DJ sets and contributions to electronic compilations like The Digital Blueprint of Abstract Dance (2000).[31] These pseudonyms allowed Price to experiment with DJ-oriented and instrumental works outside group projects, prioritizing conceptual electronic explorations over traditional song structures.[32]Production and songwriting
Collaborations with Madonna
Stuart Price's collaboration with Madonna began in 2003 when he remixed her single "Hollywood" from the album American Life under his alias Jacques Lu Cont, releasing the "Thin White Duck Mix" that showcased his electronic and dance influences.[33] This remix impressed Madonna and led directly to a deeper partnership, as Price's work on it transitioned into full production duties for her next project.[34] The partnership culminated in the 2005 album Confessions on a Dance Floor, where Price co-produced the entire record alongside Madonna in a rapid five-to-six-week session at his London apartment studio, blending disco revival with modern electro elements.[34][35] He also co-wrote key tracks, including the ABBA-sampling lead single "Hung Up," which became one of Madonna's biggest hits, and "Get Together," both emerging from collaborative sessions where Madonna contributed hooks and lyrics to Price's beats and structures.[34][36] The album's success was recognized with a Grammy Award for Best Electronic/Dance Album at the 49th Annual Grammy Awards in 2007.[35] Price extended his involvement into live performances, serving as musical director and keyboardist for Madonna's 2006 Confessions Tour, where he arranged and remixed tracks to suit the album's dancefloor energy.[37] This role highlighted his ability to adapt studio productions for stage, incorporating electronic elements with live instrumentation. More recently, Price returned as musical director for Madonna's Celebration Tour in 2023–2024, curating over 40 songs from her catalog with archival footage and thematic Easter eggs, while also providing pre-show DJ sets that mashed up her hits with club tracks.[38][39] In December 2024, Madonna announced she was working with Price on new music. As of September 2025, the album is scheduled for release in 2026, produced by Price and marking their first full album collaboration since Confessions on a Dance Floor while signaling a potential return to her electro-disco sound.[40]Work with The Killers and Pet Shop Boys
Stuart Price served as the primary producer for The Killers' fourth studio album, Day & Age, released in November 2008, infusing the record with pulsating electronic elements that shifted the band's sound toward a more vibrant dance-rock aesthetic following the arena-oriented Sam's Town.[41] The album featured hit singles such as "Human," which reached number one on the UK Singles Chart, and "The World We Live In," both benefiting from Price's layered synth textures and rhythmic drive that emphasized the band's pop sensibilities.[42] Price's production approach treated drum elements cohesively, using compression techniques to create a unified, energetic pulse that aligned with his background in electronic music.[3] Price later contributed to The Killers' 2012 album Battle Born as a co-producer on select tracks, including "Flesh and Bone" and "Heart of a Girl," where he added subtle electronic flourishes to maintain the band's evolving rock foundation while echoing the dance-infused energy of Day & Age.[43] In 2023, he reunited with the band to co-produce three new original tracks—"boy," "Your Side of Town," and "Spirit"—for their greatest hits compilation Rebel Diamonds, released in December, which helped bridge the band's past hits with contemporary electronic enhancements.[44] These collaborations marked Price's role in steering The Killers toward a hybrid dance-rock identity, blending indie rock hooks with club-ready production.[3] Price's partnership with Pet Shop Boys began with the production of their 2012 album Elysium, where he crafted a lush, introspective electronic landscape that revitalized the duo's synthpop roots through intricate layering and atmospheric synths.[45] This collaboration extended to Electric (2013), the first installment in a trilogy of albums under Price's guidance, which earned a Grammy nomination for Best Dance/Electronic Album and featured extended track lengths that evoked the duo's 1980s heyday with pulsating basslines and euphoric builds. Price's insistence on full song structures without radio edits allowed for a deeper immersion in electronic dance elements, positioning Electric as a synthpop revival that prioritized club-floor energy over concise pop formats.[46] The trilogy continued with Super (2016), produced and mixed by Price in Los Angeles, which maintained the electronic purity of its predecessor by eschewing guitars and orchestras in favor of synth-driven compositions that amplified the duo's witty lyricism with driving rhythms.[47] Culminating in Hotspot (2020), the final chapter, Price's production emphasized tropical house influences and melodic hooks, solidifying the series' focus on contemporary synthpop while honoring the duo's legacy of innovative electronic arrangements. Throughout these works, Price's enhancements brought a fresh, dance-oriented sheen to Pet Shop Boys' sound, fostering a renaissance in their synthpop style that blended nostalgia with modern electronic production techniques.[46]Productions for Kylie Minogue and additional artists
Stuart Price's production work for Kylie Minogue began prominently with her eleventh studio album, Aphrodite (2010), which he executive-produced, infusing it with a euphoric dance-pop sound that echoed his earlier collaborations in electronic music.[48] The album's lead single, "All the Lovers," co-produced by Price alongside Jim Eliot, became a chart-topping hit in the UK, reaching number eight on the Billboard Dance Club Songs chart and exemplifying Price's ability to blend shimmering synths with Minogue's emotive vocals for anthemic, club-ready tracks.[49] This project marked a stylistic pivot toward polished, house-influenced pop, contributing to Aphrodite's commercial success, including top-ten placements across Europe and Australia.[50] Beyond Minogue, Price's productions in the late 2000s and 2010s showcased his versatility across genres, from indie-electro to synth-pop. For Scissor Sisters' third album, Night Work (2010), Price served as the primary producer, crafting a bold, electronic-driven sound that shifted the band's glam rock roots toward pulsating disco and house elements, with tracks like "Invisible Light" highlighting his layered production techniques.[51] The album debuted at number two on the UK Albums Chart, underscoring Price's impact on revitalizing the group's energy for dancefloors. In 2010, Price co-produced Brandon Flowers' solo debut Flamingo, collaborating with Flowers and Daniel Lanois to merge indie rock with electro-infused pop, as heard in tracks like "Crossfire," which reached number five on the UK Singles Chart.[52] This work extended Price's electronic expertise into more narrative-driven songwriting, blending atmospheric synths with Flowers' emotive delivery. Later, for New Order's Music Complete (2015), Price provided additional production on select tracks, enhancing the band's post-punk revival with modern electronic textures, contributing to the album's critical acclaim and number two UK chart peak.[53] His involvement helped bridge New Order's legacy sound with contemporary synth-pop, evident in songs like "Superheated."[54] Price's contributions continued into the 2010s and 2020s with diverse artists, emphasizing stylistic range. He co-produced the single "Levitating" for Dua Lipa's album Future Nostalgia (2020), adding bounce and bass to create one of her biggest hits. On Take That's greatest hits compilation Odyssey (2018), he arranged and produced several "Odyssey Mix" reimaginings, such as "These Days" and "Sure," infusing the tracks with fresh electronic beats that propelled the album to number one on the UK Albums Chart, marking the group's fastest-selling release of the year.[55] Price also produced tracks for Take That's ninth studio album This Life (2023), their biggest-selling album that year. For Rina Sawayama's Hold the Girl (2022), Price produced, wrote, and mixed multiple tracks, including "This Hell" and "Frankenstein," delivering stadium-sized pop with nu-disco flair that debuted at number two on the UK Albums Chart and earned praise for its bold production.[56] Similarly, on George Ezra's single "Green Green Grass" (2022) from Gold Rush Kid, Price contributed keyboards, bass, synthesizer, and background vocals, adding funky, upbeat electronic layers that helped the track top charts in several European countries, including the UK number one.[57] These projects illustrate Price's enduring influence in blending electronic innovation with pop accessibility across indie-electro and dance-oriented styles.Remixing career
Remixes under Jacques Lu Cont
Stuart Price adopted the pseudonym Jacques Lu Cont in 2003 specifically for remix projects, reviving the alias from his late-1990s Les Rythmes Digitales era, which had established a signature electro and French house sound. This move allowed him to channel a playful, high-energy dance reinterpretation style, blending rock and pop elements with pulsating electronic beats. His debut major release under the name was the DJ mix Fabriclive.09, issued in April 2003 on the Fabric label, which highlighted his curatorial approach by weaving together tracks from artists like Mirwais and Chicken Lips into a cohesive electroclash narrative.[26] Key remixes under Jacques Lu Cont quickly gained prominence in the mid-2000s dance scene. In 2003, he delivered an electro-infused take on Madonna's "Hollywood" (Jacques Lu Cont's Thin White Duck Mix), transforming the pop track into a club staple with driving synths and layered vocals. That same year, his remix of Goldfrapp's "Twist" (Jacques Lu Cont's Conversation Perversion Mix) amplified the original's sultry electro vibe, earning praise for its seamless fusion of glitchy percussion and seductive atmospheres. By 2004, Price's version of The Killers' "Mr. Brightside" (Jacques Lu Cont's Thin White Duke Mix) elevated the indie rock anthem to dancefloor status, earning a nomination for the Grammy Award for Best Remixed Recording, Non-Classical in 2006. In 2006, Price's output under the alias peaked with high-impact reinterpretations that bridged mainstream and underground dance music. His remix of The Killers' "When You Were Young" (Jacques Lu Cont's Thin White Duke Mix) infused the anthemic rock single with euphoric house grooves, becoming a festival favorite. For Madonna's Confessions on a Dance Floor era, he crafted versions of "Get Together" (Jacques Lu Cont Mix) and "Jump" (Jacques Lu Cont Mix), with "Get Together" propelling the single to number one on the Billboard Dance Club Songs chart through its infectious, vocal-driven energy. These works exemplified Lu Cont's ability to enhance emotional hooks while prioritizing rhythmic propulsion, solidifying his reputation as a remix innovator during the electro-house resurgence.Remixes under Thin White Duke
Stuart Price debuted the Thin White Duke alias in 2006, drawing its name from David Bowie's mid-1970s persona associated with the album Station to Station. The alias first appeared on his remix of Coldplay's "Talk" (Thin White Duke Mix), released in March 2006, which won the Grammy Award for Best Remixed Recording, Non-Classical in 2007. This marked a continuation of Price's remix style from his earlier Jacques Lu Cont moniker, shifting toward tech-house influences applied to rock and synth-pop tracks.[58] Under Thin White Duke, Price delivered prominent remixes including Coldplay's "Viva la Vida" in 2008, transforming the orchestral pop hit into an extended dance track with pulsating synths and driving beats. He also remixed Depeche Mode's "Wrong" in 2009 for their album Sounds of the Universe, emphasizing electronic grooves and a dub variant that extended the original's dark synth elements into club-friendly territory. These works highlighted Price's ability to adapt alternative and electronic acts for dance floors.[59][60] The "Viva la Vida" remix notably influenced Coldplay's live performances, serving as a tour closer during their 2008 Viva la Vida Tour, and was released as a promotional free download to boost fan engagement ahead of Grammy nominations for the original track. Such adaptations helped integrate Price's versions into artists' commercial strategies and set lists, bridging indie rock with electronic scenes.[61][59] In the 2010s, Price's Thin White Duke remixes evolved toward vocal-heavy dance edits, as seen in his 2015 rework of Giorgio Moroder's "Déjà Vu" featuring Sia, which amplified the track's disco-funk with prominent vocal layering and house rhythms, and his remix of Hurts' "Some Kind of Heaven" that same year, focusing on emotive synth-pop vocals over tech-house builds. This period reflected a broader emphasis on mainstream pop and electronic crossovers.[62][63]Other notable remixes
Stuart Price's remixing career under his own name includes a range of works that span electronic dance music, pop, and indie influences, often transforming originals into extended club-friendly versions. Among his early efforts, Price delivered the remix for New Order's "I Told You So" in 2006, infusing the post-punk track with pulsating synths and a driving beat that extended its runtime to over five minutes, making it suitable for DJ sets.[64] Similarly, his 2007 remix of Justice's "D.A.N.C.E." amplified the French electro duo's funky original with layered arpeggios and a house groove, stretching it to 8:05 for dancefloor impact.[65] In the mid-2000s and 2010s, Price's remixes gained prominence in pop and glam scenes. His 2009 take on Lady Gaga's "Paparazzi" added dramatic electronic builds and rhythmic intensity, enhancing the song's obsessive narrative while preserving its pop sheen.[66] That year, he also reworked Keane's "Better Than This," injecting synth-pop energy into the indie rock ballad to create a more upbeat, electronic vibe. By 2010, his remix of Scissor Sisters' "Invisible Light" blended disco rhythms with synth flourishes, elevating the glam rock track's theatrical elements for club play.[67] Price has also contributed uncredited club edits, such as the 2005 remix of Madonna's "History," which reimagined the ballad as an upbeat disco track with added electronic layers during sessions for Confessions on a Dance Floor.[68] More recently, in 2016, Price provided the alternative mix for Pet Shop Boys' "Say It to Me," from their album Super, with electronic production and a remastered edge.[69] He also remixed The Hidden Cameras' "In the NA" in 2024, bringing indie pop into electronic territory with buoyant beats and synth accents, featuring Jake Shears.[70] Throughout his remixing work, Price focuses on capturing the original's essence while layering electronic elements to make it viable for DJ performances, avoiding alterations that overshadow the source material.[71]Awards and recognition
Grammy Awards
Stuart Price has received multiple Grammy Awards and nominations, primarily in the dance and electronic categories, recognizing his contributions as a producer and remixer. These accolades have solidified his reputation as a pivotal figure in electronic music production, with three wins highlighting his innovative work on high-profile projects.[72] Price's first Grammy win came in 2005 at the 47th Annual Grammy Awards for Best Remixed Recording, Non-Classical, for his Jacques Lu Cont's Thin White Duke Mix of No Doubt's "It's My Life." This remix, featuring pulsating electronic elements and a club-oriented reimagining of the original track, underscored Price's ability to transform pop songs into dancefloor staples.[73] In 2007, at the 49th Annual Grammy Awards, Price secured two victories. He won Best Dance/Electronic Album for co-producing Madonna's Confessions on a Dance Floor, an album that blended disco influences with modern electronic production and became a commercial and critical success, debuting at number one on the Billboard 200. Additionally, he earned Best Remixed Recording, Non-Classical for the Thin White Duke Mix of Coldplay's "Talk," which infused the rock track with driving synths and a euphoric build-up, elevating it to electronic dance prominence. The album Confessions on a Dance Floor was also nominated for Album of the Year that year, further affirming Price's broad impact across genres.[35][74] Price received a nomination in 2014 at the 56th Annual Grammy Awards for Best Dance/Electronic Album for his production work on Pet Shop Boys' Electric, particularly highlighted by the lead single "Love Is a Bourgeois Construct," a track that sampled Michael Nyman's "Chaconne" and fused orchestral elements with house rhythms to critical acclaim. More recently, in 2024 at the 66th Annual Grammy Awards, Price was nominated for Best Dance/Electronic Recording for "Strong" by Romy featuring Fred again.., a collaborative effort that combined emotive vocals with pulsating electronic beats, marking his continued influence in contemporary dance music.[75][76]Other awards and honors
In addition to his Grammy successes, Stuart Price has earned significant recognition from the UK music industry for his innovative production and DJ contributions. In 2011, he was nominated for the BRIT Award for British Producer of the Year, honoring his work on albums including Take That's Progress and Kylie Minogue's Aphrodite.[77] In June 2015, Price was inducted into Pete Tong's Hall of Fame during a special episode of BBC Radio 1's Essential Mix, celebrating his multifaceted career as a DJ under aliases like Jacques Lu Cont and his influential productions that bridged electronic music and mainstream pop.[78] Price's recent endeavors have further solidified his status, particularly as musical director for Madonna's 2023 Celebration Tour, which drew praise for its dynamic set design, elaborate visuals, and seamless integration of her catalog, performing to over 1.6 million fans across 80 shows worldwide.[79] In September 2025, Madonna announced ongoing studio sessions with Price for a new album expected in 2026, underscoring his enduring role in shaping high-profile pop projects.[40]Discography
Albums as performer
Under the alias Les Rythmes Digitales, Stuart Price released his debut full-length album Darkdancer in 1999 on Astralwerks in the US and Wall of Sound in the UK. The album blended electro, house, and synth-pop elements, featuring guest vocals from artists like Nik Kershaw and Stewart Copeland, and it peaked at number 53 on the UK Albums Chart.[80][81] As a founding member of the electronic group Zoot Woman alongside Adam and Johnny Blake, Price contributed to several albums that explored indietronica and electropop sounds. The debut Living in a Magazine was issued in 2001 on Wall of Sound, marking the group's entry into the electronic scene with tracks emphasizing sleek production and atmospheric vocals.[82] The self-titled follow-up Zoot Woman arrived in 2003, also on Wall of Sound, expanding on the group's signature blend of disco influences and introspective lyrics.[83] The third Zoot Woman album, Things Are What They Used to Be, came out in 2009 on Snowhite, showcasing a more mature evolution with Price's production input on select tracks and a focus on emotional depth amid electronic textures.[84] Star Climbing, the fourth studio release, followed in 2014 on Embassy One, featuring renewed energy through collaborations and a return to upbeat, dance-oriented compositions.[85] In 2017, Zoot Woman issued Absence on Snowhite, reinterpreting earlier material with Price's additional production on key tracks, emphasizing a reflective, remix-heavy approach.[86]Singles as performer
Under the alias Les Rythmes Digitales, Stuart Price's breakthrough single "Jacques Your Body (Make Me Sweat)" was released in 1999 from the album Darkdancer, peaking at number 60 on the UK Singles Chart; it was issued in multiple formats including CD, vinyl, and later digital reissues.[87][88] The follow-up "Hey! (Are You Ready?)" appeared the same year, also from Darkdancer, available on CD and vinyl but without notable chart success.[10] As a member of Zoot Woman, Price contributed to the 2001 single "Living in a Magazine," the lead release from the band's debut album of the same name, distributed in CD and vinyl formats across Europe.[82][89] The 2003 single "Dreams," drawn from Zoot Woman's self-titled second album, was issued in digital and physical formats, emphasizing the group's electro-pop sound.[90][91] Under the Jacques Lu Cont moniker, Price issued the 2009 digital single "Fail (We Have Failed)" featuring Gary Numan, a standalone electronic track released via online platforms.[92] Throughout the 2000s and early 2010s, Price continued releasing digital singles and self-remixes of his earlier material under aliases like Thin White Duke and SDP, often as limited-edition EPs or promotional downloads up to 2014.[1]Production and songwriting credits
Stuart Price has amassed production and songwriting credits on over 100 songs across more than 20 albums for prominent artists, as documented in industry databases such as Discogs.[1] His collaborations often blend electronic and dance elements with pop structures, contributing to several landmark releases. One of Price's breakthrough projects was co-producing Madonna's 2005 album Confessions on a Dance Floor, where he handled production on the majority of its 12 tracks alongside the artist herself, shaping its disco-revival sound.[93] He also co-wrote the lead single "Hung Up," which samples ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)" and became a global hit.[94] This work marked a pivotal moment in Price's career, earning critical acclaim for revitalizing Madonna's dance-pop aesthetic.[35] In 2008, Price co-produced The Killers' third studio album Day & Age, overseeing all 10 tracks and infusing the record with synth-driven energy that propelled singles like "Human" to international success.[95] His production on the album helped the band shift toward a more electronic-inflected rock sound, contributing to its commercial peak.[96] Price extended his influence into the 2010s with Pet Shop Boys' 2013 album Electric, producing its nine tracks—including eight originals and a cover of Bruce Springsteen's "The Last to Die"—to deliver a vibrant, house-inspired comeback for the duo.[97] This collaboration launched a trilogy of Price-produced PSB albums, highlighting his expertise in electronic pop production.[98] More recently, Price co-wrote and co-produced "Strong," a trance track from Romy's 2023 debut solo album Mid Air, featuring Fred again.. and emphasizing themes of emotional resilience. He also contributed to Dua Lipa's 2020 album Future Nostalgia as co-producer on the hit single "Levitating," co-wrote and co-produced George Ezra's 2022 single "Green Green Grass" from Gold Rush Kid, and co-produced tracks on Take That's 2023 album This Life, including the lead single "You and Me." Additionally, Price composed scores for films including Elvis (2022), I Wanna Dance with Somebody (2022), Beverly Hills Cop: Axel F (2024), and Argylle (2024). As of September 2025, he has reunited with Madonna in the studio for a new dance album teased for release in 2026, potentially echoing the disco vibes of their earlier partnership.[99][100][101][102][103]| Artist | Album/Single | Year | Credits | Tracks/Details |
|---|---|---|---|---|
| Madonna | Confessions on a Dance Floor | 2005 | Co-producer, co-writer | Majority of 12 tracks; co-wrote "Hung Up" with ABBA sample |
| The Killers | Day & Age | 2008 | Co-producer | All 10 tracks; includes lead single "Human" |
| Pet Shop Boys | Electric | 2013 | Producer | 9 tracks (8 originals + 1 cover) |
| Dua Lipa | "Levitating" | 2020 | Co-producer | Single from Future Nostalgia |
| George Ezra | "Green Green Grass" | 2022 | Co-producer, co-writer | Single from Gold Rush Kid |
| Take That | This Life | 2023 | Co-producer | Multiple tracks including "You and Me" |
| Romy feat. Fred again.. | "Strong" | 2023 | Co-producer, co-writer | Single from Mid Air |
| Various (films) | Scores for Elvis, I Wanna Dance with Somebody, Beverly Hills Cop: Axel F, Argylle | 2022–2024 | Composer | Full scores |
| Madonna | Untitled upcoming album | 2026 (teased) | Producer | In development; dance-focused sequel project |
