Hubbry Logo
Surf IISurf IIMain
Open search
Surf II
Community hub
Surf II
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Surf II
Surf II
from Wikipedia

Surf II
Theatrical poster
Directed byRandall M. Badat
Written byRandall M. Badat
Produced byGeorge G. Braunstein
Ron Hamady
StarringEddie Deezen
Linda Kerridge
Eric Stoltz
Jeffrey Rogers
Peter Isacksen
CinematographyAlex Phillips Jr.
Edited byJacqueline Cambas
Music byPeter Bernstein
Distributed byMedia Home Entertainment
Release date
  • January 1984 (1984-01)
Running time
91 minutes
LanguageEnglish
Budget$2 million[1]

Surf II is a 1984 American comedy film written and directed by Randall M. Badat and starring Eddie Deezen, Linda Kerridge, Eric Stoltz, Lyle Waggoner, Carol Wayne and Jeffrey Rogers. The plot follows two dim-witted surfers attempting to thwart the plans of a mad scientist attempting to rid the beaches of surfers by turning them into zombie punks through chemically altered soda pop.

A parody of 1960s-style beach party films, Surf II mixes elements of the science fiction, horror, surf and sex comedy genres, featuring a prominent soundtrack comprising both classic surf music and contemporary new wave.[2] Although the film was received negatively by critics upon release, it has since been positively reappraised in cult film circles. In 2021, Vinegar Syndrome released a 2k restoration of the film on Blu-ray.

Despite the title's implication, Surf II is not a sequel and there was never a Surf I. The film was marketed with a number of subheadings, the most common of which was the tongue-in-cheek Surf II: The End of the Trilogy.[3]

Plot

[edit]
Long ago in "The Good Old Days", surfers ruled. It was bitchin'! That was before the threat of chemical pollution, nuclear waste and the horror of Buzzz Cola.
Menlo Schwartzer was a high school genius who hated surfers. He invented a weird soft drink, involved local businessmen and set out to rule the coast. He nearly succeeded. This is the story of Buzzz Cola and Menlo's revenge.

Deep in his secret underwater laboratory, teenage mad scientist Menlo Schwartzer plots to rid the beaches of his greatest enemies: surfers. Having been driven to revenge following a cruel practical joke gone awry, Menlo concocts an addictive chemical agent which turns its drinkers into mutated, garbage-ingesting zombie punks. With the reluctant help of his girlfriend Sparkle and a pair of greedy, cigar-chomping soda businessmen, Menlo distributes the chemical under the guise of "Buzzz Cola", and one by one begins to build an army of brainless zombie slaves to do his bidding.

After several of their friends fall victim to Buzzz Cola, airheaded surfer dudes Chuck and Bob begin to piece together the parts of Menlo's evil scheme. Finding no help from their spaced-out parents or the bumbling efforts of the local police force, the two enlist the services of their eccentric science teacher and vow to stop Menlo for good, or else they will not be able to compete in the big surf contest this weekend.

Cast

[edit]

Production

[edit]
Writing

"We set out to make the most brain-dead movie of all time. In that regard, I believe we succeeded."

Writer-director Randall Badat, reflecting on Surf II, from the 2010 book Destroy All Movies!!![5]

Director and screenwriter Randall Badat conceived the idea for Surf II while he was living in Venice, California during the early 1980s, drawing inspiration from stories about the colorful punk characters in his local surf scene and by incidents of contaminated water and chemical spills in the area.[6] According to Badat, he had suffered a surfing injury to his face which necessitated the use of heavy painkillers; it was during this period of being "whacked out of [his] gourd on Demerol" that he discussed the concept of a satirical beach party movie he described as "Frankie and Annette Go to Hell" with his writer friends, who encouraged him to develop it into a screenplay. Badat wrote the first draft of the screenplay over the course of two days.[5][7][6] Originally titled Surf Death: The Movie, the film was originally envisioned as "darker and more sinister", which Badat likened to a Russ Meyer film or "an '80s punk version of Abbott and Costello Meet Frankenstein".[6][5]

After completing the screenplay, Badat's agent dismissed it as "the worst piece of shit [he'd] ever seen".[8] Undeterred, Badat continued to shop the script around until it eventually caught the attention of independent film producers George Braunstein and Ron Hamady, who helped put together financing and eventually sold the project to production company Arista Films at the Cannes Film Festival.[5] At this point, the film's title - which had been changed to Surf Trash - was again changed to Surf II, which Badat claims was a sarcastic extension on the trend of films featuring the subheading "The Movie".[9] Arista had planned to film Surf II in 3-D; though several pre-production posters were made carrying the title Surf II 3-D, the idea was eventually scrapped after it was proven to be financially infeasible.[7][9]

Casting

Badat wrote the role of Menlo Schwartzer specifically for Eddie Deezen, having been a fan of his performance in Robert Zemeckis' 1978 film I Wanna Hold Your Hand.[7] According to Deezen, Menlo Schwartzer was named "Stinky Schwartzer" in the script until Deezen pressured Badat to change it.[5] Linda Kerridge was brought onto the project from having acted on one of Braunstein and Hamady's previous productions, the 1980 slasher Fade to Black.[6] Joshua Cadman was cast as "Johnny Big Head" after impressing producers by drinking an entire six pack of beer during his audition.[9] According to Badat, the producers sought out Frankie Avalon and Annette Funicello to appear in the film, though both flatly refused.[9] A musical performance by surf guitar icon Dick Dale was filmed but ultimately cut from the film's theatrical release. Dale's scene was restored for the director's cut of Surf II released in 2021.

Many of the film's comic actors - in particular Peter Isacksen, Biff Manard and Morgan Paull - were allowed to improvise much of their lines.[7][9] Eddie Deezen contributed several odd props used in the film himself, including a baseball cap with an absurdly elongated brim and an oversized pair of novelty scissors.[7][8]

Filming

Surf II was filmed in 29 days during the summer of 1983.[8][9] Its beach scenes were shot at various locations throughout Venice, Malibu, Redondo Beach, Hermosa Beach and Manhattan Beach, while interior shots were filmed at a studio in Culver City and scenes at the Buzzz Cola factory were filmed at an abandoned waste treatment plant in El Segundo.[8][10][9]

Following its completion, Surf II was continually rejected for studio distribution, ultimately forcing a re-edit of the film. Namely, this included several new shots and scenes of nudity and gross out gags inserted into the film to capitalize on the growing sex comedy trend successfully set by Porky's the year before.[6] Badat was upset and even embarrassed by these changes, in particular the shots of gratuitous nudity: in a 2010 interview, he noted "[those] shots don't even match the rest of the film if you look at the cinematography".[5][9] In 2021, distribution company Vinegar Syndrome would release a "director's cut" of Surf II running approximately 10 minutes longer than the theatrical cut, restoring Badat's original vision for the film.

Release

[edit]

Surf II premiered at the Coronet Theatre in Los Angeles. According to the cast and crew, a number of underage youths who were unable to get into the screening took their frustrations out on the building itself, tearing the theater's doors off the hinges and ultimately getting the film banned after one night.[6][9]

Surf II was released theatrically in North America on January 13, 1984. It was marketed with the title Surf II: The End of the Trilogy, though later promotions re-titled the film Surf II: The Nerds Strike Back, following the success of Revenge of the Nerds, which was released later that summer.[11] The film screened in Europe in the fall of 1984, retitled in Spain as Locura de playa (roughly translated as "Beach Madness").[12]

On April 17, 2009, the New Beverly Cinema in Los Angeles presented a 25th anniversary screening of Surf II hosted by the Alamo Drafthouse, with Badat, Braunstein, Deezen and first assistant director D. Scott Easton in attendance.[13]

Home video

Surf II was released on VHS in January 1985 through Media Home Entertainment, who retained its distribution rights until ceasing operations in 1992. In 2012, the film was briefly made available on Amazon as a manufacture-on-demand DVD by Up All Nite Films, though never received an official DVD release.[14]

In July 2021, cult film distribution company Vinegar Syndrome released a two-disc Blu-ray edition of Surf II, featuring a 2K restoration of the original theatrical cut along with a 100-minute director's cut, an hour-long documentary on the making of the film and audio commentaries from Badat and Deezen.

Critical reception

[edit]

Contemporary review

[edit]

Initial critical reviews of Surf II were overwhelmingly negative. In his Movie Guide, Leonard Maltin gave the film a 1.5 out of 5 star rating, writing that the "best joke is its title - there never was a Surf I".[15] Kim Newman quipped in the Monthly Film Bulletin, "traditionally, sequels are never up to the standards of the original: Surf II, which is a sequel to nothing in particular, is therefore worse than anyone could possibly have imagined", calling it "incoherent" and "most dreadful".[16] The Chicago Tribune called it "total trash"[17] and the Los Angeles Times simply remarked "there was no Surf I - and with luck, there'll be no Surf III".[18] One of the few positive reviews came from cult film critic Joe Bob Briggs in the Dallas Times Herald, who awarded it 3.5 stars out of 4, praising the film's offbeat humor and original mix of genres.[19]

Professional contemporary reviews have fared equally as poorly. Allmovie, though having rated Surf II one star out of five, noted that the film is "never dull" and "deranged enough to be memorable", giving praise to the performances of the ensemble cast and summarizing, "Surf II's unbalanced mix of amateurishness and gonzo humor will confound most viewers, but fans of B-movie weirdness will find more than enough memorable moments to keep themselves entertained".[2]

Randall Badat himself has spoken about the negative reaction to Surf II and how it extended beyond film critics: "The target audience loved it. Their parents hated it. My family hated it. People that I was doing other business with hated it. I remember going to meetings and people would find out that I'd done this movie and that was it". He has also expressed an overall disappointment with the film, remarking "If there's anything I would have done differently... I'd have done everything differently", though ultimately admitting "I guess it's pretty funny.... I'm amazed at how well the film still plays, and I guess it works overall".[5]

Cult status

[edit]

Over the decades, Surf II gradually obtained an enthusiastic following in cult film circles. Mike "McBeardo" McPadden, host of McBeardo's Midnight Movies, ranked Surf II on his list of "15 Movies That Deserve Massive Cult Followings", calling the film "serious competition" for the position of the "#1 most off-the-wall and ingenious teen sex comedy of the ’80s", praising it further in his 2019 book Teen Movie Hell, writing "[Surf II] never slows down and it never lets up. The jokes fly at tsunami speed and volume, with everything perfectly delivered by comedy pros who admirably go all-in on the absurdity".[20][21] Alamo Drafthouse programmers Zack Carlson and Bryan Connolly prominently featured Surf II in their book Destroy All Movies!!! The Complete Guide to Punks on Film, offering a rave review of Surf II as the "greatest mohawked-zombie-comedy ever made", calling it "pure fun in the form of a movie, born at a short-lived moment in history where culture was low and damaged enough to sustain a comedy of this magnitude. No joke is too easy or bizarre but the film manages to excel with countless deeply creative moments", while also praising the "career best" performance of Deezen and the "powerful comic work" of its ensemble cast.[5][22]

Following the film's Blu-ray release in 2021, Surf II was again rediscovered and re-appraised by cult film critics and audiences. Rock! Shock! Pop! wrote that "Surf II is every bit as dumb as it sounds but it's pretty much impossible not to have a good time", singling out the comic cast as its greatest strength, particularly the "zany enthusiasm" of Deezen and Isacksen.[23] Inside Pulse rated the film 4 out of 5 stars, calling it "great goofy fun", again complimenting the ensemble cast and noting that it was a perfect companion to such '80s comedies as Fast Times at Ridgemont High and The Wild Life.[24] Horror Society described the film as "a lot of fun", praising the film's "bat shit crazy" sensibilities and even lamenting the fact that there wasn't a Surf I, noting "I would love to have more of this zany story".[25] DVD Drive-In was a bit more indifferent, writing that "the comedy is never quite punchy" and feeling most of the ensemble cast was squandered, though ultimately believed the film was "naughtier and funnier" than similarly beach-themed '80s films like Back to the Beach.[26]

Soundtrack

[edit]

Surf II's soundtrack consists mainly of contemporary punk and New Wave and vintage surf music. The producers had initially struck a deal with Capitol Records for the release of a soundtrack album, and though the film's end credits state one to exist, as a result of the film's critical and financial disappointment, plans for an accompanying soundtrack were scrapped.[8]

New wave band Oingo Boingo wrote the song "Hold Me Back" for Surf II, and has never been officially released outside of the movie's soundtrack.[27][6]

The following is a list of songs which appear in Surf II:

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Surf II (also known as Surf II: The End of the Trilogy) is a 1984 American written and directed by Randall M. Badat, parodying beach party movies with elements of and horror. The plot centers on Menlo Schwartzer, a high school genius and bullied nerd played by , who invents a tainted called Buzzz to exact revenge on surfers by transforming them into mindless zombie punks. The film features a runtime of 91 minutes and is rated R for nudity, language, and comedic violence. The story follows surfers Bob (Jeffrey Rogers) and Chuck (Eric Stoltz) as they, along with their girlfriends and friends, uncover the source of the bizarre transformations plaguing their California beach community, leading to a series of absurd and chaotic confrontations with Menlo's underwater laboratory scheme. Supporting cast includes Linda Kerridge as Sparkle, Terry Kiser as a corrupt businessman, and Lyle Waggoner in a comedic role. Produced by Surf's Up Films with Arista Films handling pre-production and foreign sales, the film incorporates a notable soundtrack featuring tracks like "I Get Around" by The Beach Boys, "The Wedge" by Dick Dale, and "Hold Me Back" by Oingo Boingo, enhancing its satirical take on surf culture. Released on January 13, 1984, Surf II earned $101,000 in its opening weekend across fourteen screens and has since developed a for its over-the-top humor and nostalgia, with recent Blu-ray re-releases preserving the director's cut. Critics gave mixed reviews, with a 53% approval rating on based on a small sample of contemporary assessments praising its energetic but noting uneven pacing.

Background and development

Concept and writing

Surf II was conceived as a of the genre, which featured lighthearted tales of , romance, and music often starring and . Director and writer Randall M. Badat aimed to satirize these films by creating a nonexistent titled Surf II, complete with the ironic subtitle "The End of the Trilogy" to mock the proliferation of unnecessary sequels in Hollywood. This meta-humor underscored the film's absurd premise, where a vengeful invents a soda that transforms surfers into zombies, blending sci-fi horror with teen comedy tropes. Badat drew personal inspiration for the project from a surfing accident in Venice, California, during the early punk era, where he was influenced by the vibrant, eccentric beach characters and local chemical spill stories. While recovering from a and under the influence of heavy painkillers, Badat experienced delirious "nonsense talk" that sparked the plot centered on the toxic Buzzz Cola. This anecdote, shared by Badat himself, highlights how his discomfort fueled the film's chaotic energy and punk-infused visual style. With a background in writing, Badat penned his only produced feature in just two days amid his recovery, originally titling it Surf Trash to emphasize its lowbrow, trashy parody intent. His agent rejected the script, but producers George G. Braunstein and Ron Hamady recognized its potential and secured financing, leading to a $2 million . began shortly after, in August 1982, allowing the project to move quickly from conception to production.

Influences and parody style

Surf II serves as a satirical parody of 1960s beach party films, drawing direct homages to classics such as the Beach Party series, Gidget, and Elvis Presley surf movies like Blue Hawaii. The film updates these tropes by infusing them with 1980s elements, including new wave music tracks from artists like Thomas Dolby and Talk Talk, as well as zombie transformations that blend horror and science fiction genres with the traditional surf comedy formula. A key stylistic influence is the incorporation of aesthetics through the "zombie punks," created via the industrial waste-based Buzz Cola formula, which starkly contrasts the wholesome, sun-kissed surfer culture of the originals. This punk element reflects the film's embrace of contemporary subcultures, portraying the transformed characters with exaggerated mohawks and rebellious attire to highlight the clash between eras. The further reinforces this by mixing surf rock staples, such as songs like "," with punk-adjacent new wave sounds from and . The humor in Surf II employs a mix of slapstick, absurd comedy, and social targeting high school cliques, particularly the rivalry between surfers and nerds, to mock the superficiality of both groups. This style amplifies the by exaggerating —surfers as condescending elitists and punks as harmless goofballs—through juvenile puns, nonsensical scenarios, and physical gags, all while critiquing corporate greed via the soda .

Plot and characters

Plot summary

In a coastal town, high school surfers Chuck and Bob discover that their friends are inexplicably transforming into aggressive zombie punks after drinking the popular new beverage Buzzz Cola. The scheme is the work of Menlo Schwartzer, a brilliant but bitter nerd seeking revenge on the surfer crowd that tormented him in school; from his hidden underwater laboratory, he has contaminated the soda with a mind-altering formula derived from industrial waste to turn beachgoers into mindless followers. Suspicious of the escalating incidents, including attacks that drag victims underwater, and Bob investigate the source of the transformations, forming an alliance with their quirky science teacher to analyze the cola's effects and trace it back to Menlo's operation. Tensions build toward the annual big surf contest, where Menlo plans his ultimate takeover, but the protagonists confront the in a chaotic showdown that exposes and dismantles his plot. Ultimately, the heroes prevail, neutralizing the contaminated soda supply and restoring to the beaches, allowing the surfer community to reclaim their carefree .

Cast and roles

The principal cast of Surf II (1984) features several actors in their early career stages, portraying the film's central surfer protagonists and antagonists in this parody of beach comedies. stars as Chuck, the laid-back surfer leader who embodies the carefree spirit of the group's adventures. This role marked an early leading part for Stoltz, who had recently gained notice for his supporting performance as the socially awkward Stoner in (1982), just two years prior. Jeffrey Rogers plays Bob, Chuck's dim-witted best friend and comic foil within the surfer ensemble. Rogers, then in the nascent phase of his acting career, had previously appeared as a victim in the Friday the 13th Part III (1982) and would later take on a small role in The Karate Kid Part II (1986) before retiring from acting to pursue medicine. Eddie Deezen portrays Menlo Schwartzer, the vengeful scientist driven by resentment toward the popular crowd. By 1984, Deezen was well-established in Hollywood for his typecast characters, having originated the with roles like the bullied Eugene in Grease (1978) and the awkward Herman Dooly in 1941 (1979), which solidified his reputation for high-pitched, eccentric performances in 1970s and 1980s comedies. Linda Kerridge appears as Sparkle, Menlo's glamorous but conflicted assistant, adding a layer of allure to the film's madcap schemes. Kerridge, an Australian actress making her mark in American films, had debuted in the slasher Fade to Black (1980) and followed with supporting work in Strangers Kiss (1983), positioning Surf II as one of her early lead opportunities in genre . The supporting cast includes as the enthusiastic surfer Jocko, a key ally in the beach contests, Peter Isacksen as Beaker, the quirky science teacher who aids the investigation, and as Cindy Lou O'Finley, one of the participants caught up in the escalating antics. Additional performers, such as as the scheming Mr. O'Finley and various actors in bit parts as zombie-like victims or surf contest extras, flesh out the film's satirical ensemble without overshadowing the core group.

Production

Pre-production

Pre-production for Surf II began with Randall M. Badat taking on the of writer and director, marking his only in that capacity. The film was produced by Surf's Up Films, with Arista Films handling and foreign sales. Badat assembled a core crew including producers George G. Braunstein and Ron Hamady, cinematographer Álex Phillips Jr., and editor Jacqueline Cambas to handle the film's comedic and visual demands. The casting process focused on young talent suited to the film's parody of 1960s beach party movies, with Eric Stoltz selected for the lead surfer role of Chuck due to his recent breakout in similar coming-of-age comedies like Fast Times at Ridgemont High. Eddie Deezen was chosen for the antagonistic nerd character Menlo Schwartzer, leveraging his established typecasting in hyperbolic comedic roles from films such as Grease and 1941. Supporting roles went to actors like Linda Kerridge as Sparkle and Jeffrey Rogers as Bob, rounding out the ensemble of beach-bound protagonists.

Filming and locations

Principal photography for Surf II took place over approximately six weeks from 5 August to mid-September 1982, primarily during the summer to capture authentic beach atmospheres. The film's beach scenes were shot at various coastal sites, including Paradise Cove and in Malibu, Redondo Beach, Hermosa Beach, and Long Beach, with additional sequences filmed at a on West in . Interior scenes, such as the mad scientist's laboratory, were constructed on soundstages to simulate controlled environments, including specialized sets for the film's underwater lab elements. The zombie transformations, a key comedic and horror element, relied on economical practical effects like punk-inspired makeup, mohawk wigs, and wardrobe changes to depict surfers mutating into mindless " punks," constrained by the film's reported of around $2 million.

Release and financial performance

Theatrical release

Surf II was released theatrically in the United States on January 13, 1984. The film was distributed on a limited basis by International Film Marketing, focusing primarily on North American markets. Marketing efforts for the film leaned into its satirical premise, with promotional materials such as posters and trade ads emphasizing the gag subtitle Surf II: The End of the Trilogy, playing on the absence of prior entries in a fictional series to highlight its parody of beach movies. Trailers showcased the film's blend of over-the-top comedy, surf action sequences, and zany antics involving zombie-like surfers, aiming to capture the irreverent humor of 1980s teen-oriented comedies. The distribution strategy targeted teen audiences through a rollout in select theaters, capitalizing on the film's lighthearted, youth-centric themes of high school rivalries and beach culture. This approach positioned Surf II as a niche appealing to fans of similar low-budget surf spoofs. The original theatrical cut of the film ran for 91 minutes.

Home media

Following its theatrical release, Surf II received its initial home video distribution on VHS in 1985 through Media Home Entertainment, presenting the standard theatrical cut running approximately 86 minutes. The film saw no official DVD release in prior to the digital era, though an unlicensed Italian edition appeared in the early 2000s under the title Surf II - Sole e Pupe a Surf City. In July 2021, cult film distributor issued the film's first authorized domestic disc edition on Blu-ray, featuring a new 2K restoration sourced from rediscovered 35mm elements. This two-disc set includes both the theatrical cut (85 minutes, 52 seconds) and a previously unavailable (100 minutes, 12 seconds) that incorporates about 14 minutes of additional footage unseen since the film's 1983 festival premiere, including extended sequences and character moments. Special features encompass audio commentaries by director Randall M. Badat, interviews with cast and crew, and a reversible artwork slipcover, with limited collector's variants offering an 18-page booklet of essays and archival materials. As of 2025, Surf II remains available for digital streaming on platforms such as , (via Amazon Channel), Troma NOW, (via Amazon Channel), and , typically offering the theatrical version. Physical copies of the Blu-ray, including out-of-print limited editions, circulate among collectors through secondary markets.

Box office

Surf II opened on fourteen screens in on 13 January 1984, earning approximately $101,000 during its first weekend. Reported on a production budget of $2 million, the film had a limited theatrical run and achieved only modest returns. This underwhelming performance was attributed to its limited theatrical rollout, negative word-of-mouth from early critics, and the highly competitive 1984 environment dominated by blockbusters such as and . Regarded as a , Surf II's commercial disappointment contrasted with its later emergence as a favorite among fans of 1980s teen comedies.

Reception

Contemporary reviews

Upon its release in January 1984, Surf II received predominantly negative reviews from critics, who often dismissed it as a low-effort teen comedy lacking originality or polish. The film's parody of movies was seen as derivative and poorly executed, with complaints centering on its juvenile humor and amateurish production values. In his annual Movie Guide, film critic rated the film one and a half out of four stars, describing it as "juvenile" and highlighting its failure to deliver meaningful laughs despite the spoof premise. The , in a review dated , 1984, took a dismissive tone toward the sequel branding, noting that "there was no Surf I—and with luck, there'll be no Surf III," implying the movie was not worth continuing the nonexistent series. The Chicago Tribune was even harsher, labeling it "total trash" for its crude execution and lack of substance. Variety's review, published on January 25, 1984, criticized the uneven pacing and cheap but acknowledged the energetic from the young cast, particularly in the surf sequences. Some critics singled out Eddie Deezen's manic portrayal of the vengeful nerd Menlo Schwartzer as a highlight, praising his over-the-top energy amid the film's chaos. Archived contemporary reviews reflect this mixed-to-negative consensus.

Cult status and retrospective views

Over time, Surf II has developed a dedicated , particularly among fans of 1980s B-movies and collectors, where it circulated through tape trading networks as a rare, kitschy gem blending absurd with era-specific humor. Its nostalgic appeal lies in the over-the-top of , complete with outbreaks and tropes, often celebrated for capturing the "80s cheese" through exaggerated and low-budget effects that evoke the era's independent comedy style. Retrospective reviews have warmed to the film, with audiences on assigning it an average rating of 2.9 out of 5 based on over 3,000 user logs, praising its chaotic energy and the standout turns by as the laid-back surfer Chuck and as the unhinged inventor Menlo. On , it holds a 53% audience score from more than 100 ratings, where viewers highlight the film's self-aware zaniness reminiscent of Airplane! and its endearing cast ensemble. Despite its initial lukewarm reception, modern critics in retrospectives note how the movie's unpolished charm has aged into a so-bad-it's-good favorite for enthusiasts. The film's legacy endures as a niche influence on comedies that mock genre conventions, particularly in blending teen beach flicks with horror elements, paving the way for later hits in the vein of . Visibility surged with Vinegar Syndrome's 2021 Blu-ray release, featuring a 2K restoration from original 35mm elements and both theatrical and director's cuts, followed by a limited variant edition slipcover on September 24, 2024, which introduced the film to new generations and solidified its status among boutique label collectors. Fans engage with Surf II through online forums and video discussions, often dissecting trivia like the film's title gag—"The End of the Trilogy"—which playfully implies a nonexistent series despite no prior or subsequent entries, turning it into a meta joke that resonates in cinema circles. Communities on platforms like and host threads and watch-along events celebrating its quotable lines and visual gags, fostering appreciation for its role in 1980s oddball cinema.

Soundtrack

The featured songs in Surf II blend classic surf rock instrumentals from the with punk, new wave, and rock tracks from the early , creating a soundtrack that underscores the film's comedic contrast between laid-back beach culture and chaotic teen antics. Approximately 12 prominent tracks are integrated throughout the movie, emphasizing high-energy surf contests, party scenes, and the absurd plot involving contaminated soda. These selections highlight the film's revival of surf rock aesthetics while incorporating contemporary alternative sounds to match its satirical tone. Punk and new wave elements are prominent in action-oriented sequences, such as Oingo Boingo's unreleased track "Hold Me Back," which plays during the climactic surf contest, amplifying the competitive energy as characters Bob and Chuck navigate waves and rivals. Similarly, Oingo Boingo's "" accompanies mischievous teen escapades, while ' "[Moral Majority](/page/Moral Majority)" punctuates the film's punk-infused humor in crowd scenes. Wall of Voodoo's "" adds a quirky, radio-play vibe to transitional moments, reflecting the era's alternative radio culture. Surf rock revivals dominate the beach and riding sequences, drawing from instrumental pioneers like The Chantays' "Pipeline," which evokes classic wave-riding thrills during surfing montages, and Dick Dale's "The Wedge," underscoring intense board action with its rapid guitar riffs. The Belairs' "Mr. Rebel" contributes to rebellious surf gang dynamics, while Jon & the Nightriders' "Pipeline" cover reinforces the film's homage to surf cinema. The Beach Boys' hits, including "Surfin' U.S.A.," "," and "Stoked," provide nostalgic backdrops for opening beach parties and group hangs, tying into the movie's parody of surf lifestyle tropes. Scene-specific integrations include the Buzz Cola jingle, performed as "Buzzz Cola Theme" by The Governors, which humorously promotes the film's central plot device—a tainted soda—in advertising spoofs and consumption moments. Punk cues like Stray Cats' "Built for Speed" and Johnnie Ray's "Cry" heighten the zombie transformation sequences, where surfers mutate into mohawked punks after drinking the cola, blending doo-wop melancholy with rockabilly drive to comedic effect. Additional tracks such as The Surfaris' "Wipe Out" and The Tornadoes' "Bustin' Surfboards" fill wipeout gags and board fails, while Rheingold's "Fan Fan Fanatisch" and Split Enz's "Six Months in a Leaky Boat" add eclectic new wave flair to party and escape scenes.
ArtistSong TitleRole in Film
The Beach BoysBeach party opener and surf lifestyle montage
The Beach BoysGroup cruising and social scenes
The Beach BoysStokedWave-riding excitement
The ChantaysSurfing action sequences
Dick DaleThe WedgeHigh-speed surf contests
The BelairsMr. RebelRebellious teen dynamics
Jon & the NightridersInstrumental surf homage
Oingo BoingoHold Me BackSurf contest climax (unreleased for film)
Oingo BoingoTeen mischief and antics
Circle JerksPunk humor and transformations
Stray CatsBuilt for SpeedZombie mutation cues
The GovernorsBuzzz Cola ThemePromotional jingle for

Musical contributions and release

The original score for Surf II was composed by Peter Bernstein, who provided the film's underlying musical framework to support its comedic tone. A notable original contribution came from , who composed the exclusive track "Hold Me Back" specifically for the film, performed during key sequences; this song, written by , remains unreleased on any official album outside its use in the movie. Producers initially secured a deal with to release an official featuring the film's licensed tracks and original material, but the agreement collapsed following the movie's poor box office performance. As a result, no official soundtrack was issued in 1984 or subsequently, leading to the emergence of unofficial fan compilations that assemble available songs from the film, such as cassette and digital bootlegs including Oingo Boingo's contributions and other punk and new wave selections. The 2021 Vinegar Syndrome Blu-ray edition of Surf II restores the film with its complete audio, preserving the rarity of unreleased elements like the original score cues and "Hold Me Back" for modern audiences.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.