Hubbry Logo
The A WordThe A WordMain
Open search
The A Word
Community hub
The A Word
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
The A Word
The A Word
The A Word
View on Wikipedia
from Wikipedia

The A Word
Title card
GenreDrama
Based onYellow Peppers
by Keren Margalit
Developed byPeter Bowker
Written byPeter Bowker
Directed by
Starring
ComposerRob Lane
Country of originUnited Kingdom
Original languageEnglish
No. of series3
No. of episodes18
Production
Executive producers
  • Lucy Ritcher (BBC)
  • Patrick Spence (Fifty Fathoms)
  • Peter Bowker (Fifty Fathoms)
  • Marcus Wilson (Fifty Fathoms)
  • Howard Burch (Keshett)
  • Avi Nir (Keshet)
  • Keren Margalit (Keshet)
  • Sara Johnson (Keshet)
Producers
  • Marcus Wilson (Series 1)
  • Jenny Frayn (Series 2)
  • Clare Shepherd (Series 3)
Production locations
EditorJamie Pearson
Running time60 minutes
Production companies
Original release
NetworkBBC One
Release22 March 2016 (2016-03-22) –
9 June 2020 (2020-06-09)
Related

The A Word is a British television drama series, based on the Israeli series Yellow Peppers. The series follows a young boy and how his family cope with the revelation that he has autism spectrum disorder. Following filming in the Lake District from October 2015, a six-part series began airing on 22 March 2016. On 26 May 2016, the BBC announced that a second series of The A Word had been commissioned.[1] It premiered in the UK on 7 November 2017. The third series began airing on 5 May 2020.[2]

Synopsis

[edit]

Five-year-old Joe Hughes displays clear signs of communication problems and consistently isolates himself by listening to pop music through large blue and black headphones. He has encyclopaedic knowledge of the songs he listens to and accurately sings along with the lyrics. His parents, Alison and Paul, seem oblivious to the disorder and wonder why Joe is ostracised by other children of the same age. However, it is later discovered by Joe's grandfather, Maurice, that Alison and Paul have been taking him to a hospital for his communication problems. Other family members know there is a problem; however, their attempts to intervene are met with obstruction from Joe's parents. After originally believing Joe had hearing problems, their Ear, Nose and Throat consultant refers Joe to a specialist who diagnoses him with Autism.

The story then follows how the dysfunctional family, including Rebecca (who feels invisible), Eddie and Nicola (who are coping with their own relationship problems) and tactless grandad Maurice cope with Joe's situation and their own apparent social disorders.

Cast

[edit]
Actor Character Role Episode
Max Vento Joe Hughes a child on the autism spectrum 1–current
Lee Ingleby Paul Hughes Joe's father 1–current
Morven Christie Alison Hughes Joe's mother 1–current
Molly Wright Rebecca Hughes Joe's half-sister 1–current
Greg McHugh Eddie Scott Alison's brother 1–current
Vinette Robinson Nicola Daniels Eddie's wife 1–12
Christopher Eccleston Maurice Scott Joe's grandfather, Alison's and Eddie's father 1–current
Pooky Quesnel Louise Wilson Maurice's music teacher and lover 1–current
Leon Harrop Ralph Wilson Louise's son 1–current
Matt Greenwood Tom Clarke Rebecca's best friend 2–current
Thomas Gregory Luke Taylor Rebecca's boyfriend 2–6
Daniel Cerqueira Dr Graves Family doctor 1–current
George Bukhari Terry Norris Worker at Paul and Alison's cafe 1–current
Adam Wittek David Nowak Worker at the Scott's brewery 1–current
Tommie Grabiec Pavel Kaminski Worker at the Scott's brewery 1–current
Abby Ford Sally Worker at the Scott's brewery 4
Julia Krynke Maya Petrenko Joe's babysitter 2–5
Lisa Millett Maggie White Joe's speech therapist 3
Ralf Little Stuart Rebecca's biological father 5–6, 11, 14
Jude Akuwudike Vincent Daniels Nicola's father 7–current
Clare Holman Grace Daniels Nicola's mother 7–current
Aaron Pierre James Thorne Rebecca's boyfriend 7–8
Julie Hesmondhalgh Heather Joe's teacher 13–current
Krissi Bohn Jean Ralfs Social Worker 13, 16
Lucy Gaskell Sophie Berwick Worker at Paul's Gastropub 7–11
Travis Smith Mark Berwick Sophie's autistic teenage son 7–current
Sarah Gordy Katie Thorne Ralph's wife 13–current
Nigel Betts Steve Thorne Katie's father 13–current
Sherry Baines Clare Thorne Katie's mother 13–current
Austin Haynes Olly Chapman Joe's friend 7, 12

Production

[edit]

Bowker drew on his own experiences and observations as a teacher and with his family to write The A Word.[3] Autism advocate Deborah Brownson served as an advisor on the production.[4]

Filming took place from October 2015 at locations in the Lake District, including Keswick, Broughton-in-Furness, Coniston, Thirlmere Reservoir, and at The Space Project studios in Manchester.[5][6][7]

On 24 May 2019, it was announced by the BBC, and then subsequently via press and social media publications, that a third series was in production. Returning cast members included Christopher Eccleston, Morven Christie, Lee Ingleby, Max Vento, Molly Wright, Greg McHugh, Pooky Quesnel, Matt Greenwood and Leon Harrop. Joining the cast as newcomers were Julie Hesmondhalgh, Sarah Gordy and David Gyasi.[8]

Episodes

[edit]

Series overview

[edit]
SeriesEpisodesOriginally releasedAverage UK viewers
(millions)
First releasedLast released
1622 March 2016 (2016-03-22)26 April 2016 (2016-04-26)6.02
267 November 2017 (2017-11-07)12 December 2017 (2017-12-12)4.54
365 May 2020 (2020-05-05)9 June 2020 (2020-06-09)3.95

Series 1 (2016)

[edit]
No.
overall		No. in
series		TitleDirected byWritten byOriginal release dateUK viewers
(millions) [9]
11"Episode 1"Peter CattaneoPeter Bowker22 March 2016 (2016-03-22)6.65
Alison and Paul continually make excuses for their five-year-old boy's uncooperative behaviour but will they listen to other family members who suspect something more serious? Meanwhile Nicola and Eddie move in next to Alison and Paul, hoping to make a new start in the Lakes, but will Eddie be able to forget Nicola's infidelity, especially as it has become public knowledge?
22"Episode 2"Peter CattaneoPeter Bowker29 March 2016 (2016-03-29)6.13
Alison pulls Joe out of school and emotionally blackmails the rest of the family into home schooling. She also became dismissive of alternative ideas from Paul putting a strain on their marriage. Nicola and Eddie's relationship is also put to the test when Alison asks Nicola to seek a second opinion from her former fling Michael. All the while Rebecca is left to fend for herself and the only one who seems to care is her uncle Eddie.
33"Episode 3"Peter CattaneoPeter Bowker5 April 2016 (2016-04-05)5.94
Speech therapist Maggie arrives and manages to make some progress with Joe whilst telling the family some home truths. She avoids speaking about her school history with Alison and abruptly halts her visits, ignoring Alison's pleas for her to stay. Does Maggie have a grudge to bear? Meanwhile Maurice reconsiders Louise's proposal, Nicola settles into her new job while Eddie struggles with his and Rebecca is feeling more and more ignored by her mother.
44"Episode 4"Dominic LeclercPeter Bowker12 April 2016 (2016-04-12)5.85
Alison observes Joe playing with two other children and invites them for a sleepover during which Joe falls ill. While recovering Joe demonstrates empathy for his mother while they look at photos of his late grandmother, misleading Alison to believe he's cured of autism. Luke is ignoring Rebecca and she turns to Eddie and Nicola while Maurice realises he too misses his late wife more than he thought and perhaps his friends-with-benefits relationship with his music teacher wasn't such a good idea. Meanwhile, is Paul carrying a torch for an old flame?
55"Episode 5"Dominic LeclercPeter Bowker19 April 2016 (2016-04-19)5.61
The police investigate Maya and discover she is an illegal immigrant. Despite Alison's desperate attempts to persuade family friend and police officer Bob to turn a blind eye, Maya is deported and Alison is worried for the effect it would have on Joe. Meanwhile Rebecca's relationship with Luke turns sour and Eddie's plans to move to Manchester are not popular with Nicola or Maurice.
66"Episode 6"Susan TullyPeter Bowker26 April 2016 (2016-04-26)5.94
After their fall out over differences of wanting more children Alison and Paul reconcile in time for the opening of their new restaurant. Maurice leaves Joe with Louise's son Ralph and Joe goes missing. As a mass search ensues, some uncomfortable truths are revealed.

Series 2 (2017)

[edit]
No.
overall		No. in
series		TitleDirected byWritten byOriginal release dateUK viewers
(millions) [9]
71"Episode 1"Susan TullyPeter Bowker7 November 2017 (2017-11-07)5.01
Alison and Paul worry over Joe when it becomes clear he is unhappy at school and he uses the word 'autistic' for the first time. Nicola and Eddie pretend to Nicola's parents that they are still together, but her parents have their own marital problems. Rebecca introduces the family to her new boyfriend James and Maurice gets the cold shoulder from Louise.
82"Episode 2"Susan TullyPeter Bowker14 November 2017 (2017-11-14)4.83
Joe starts his first day at the Pear Tree school, and Maurice employs Ralph at the brewery, much against the protests of Louise.
93"Episode 3"Susan TullyPeter Bowker21 November 2017 (2017-11-21)4.51
Paul takes Mark and Sophie to a gig. After the gig, he finds himself growing closer to Sophie. Meanwhile, Rebecca is heartbroken after James dumps her by text message. Alison meets Eddie's new girlfriend, Holly, who Alison thinks is almost exactly like Nicola. Maurice cares for Louise while she undergoes chemotherapy but she feels it is born out of his desire to "save" his late wife.
104"Episode 4"Luke SnellinPeter Bowker28 November 2017 (2017-11-28)4.30
In an attempt to patch up their relationship following the events of the previous episode, Rebecca arranges for Paul and Alison to spend the weekend at Eddie's flat in Manchester. Meanwhile, Maurice realises his feelings for Louise are stronger than he had previously thought.
115"Episode 5"Luke SnellinPeter Bowker5 December 2017 (2017-12-05)4.28
Paul is angered when Nicola uses a video of Joe in a speech about autism, and reveals to Alison he is less accepting of Joe's autism than he previously let on. Holly dumps Eddie, and Maurice proposes to Louise.
126"Episode 6"Luke SnellinPeter Bowker12 December 2017 (2017-12-12)4.30
Preparations begin for the end of year show at Joe's old primary school. Paul plans to leave Alison as he feels they are living "separate lives". Louise rejects Maurice's proposal and suggests they start a "clean slate". Maurice offers to step aside from the brewery and have Eddie run it without any interference. Eddie tells Nicola he is considering moving back home to run the brewery, but tells her that he only wants to be her "best friend" rather than her lover. During Joe's performance at the end of year show, he brings the family together on stage, but as he finishes, Maurice collapses.

Series 3 (2020)

[edit]
No.
overall		No. in
series		TitleDirected byWritten byOriginal release dateUK viewers
(millions) [9]
131"Episode 1"Fergus O'BrienPeter Bowker5 May 2020 (2020-05-05)4.23
142"Episode 2"Fergus O'BrienPeter Bowker12 May 2020 (2020-05-12)3.59
153"Episode 3"Fergus O'BrienPeter Bowker19 May 2020 (2020-05-19)3.32
164"Episode 4"John HardwickPeter Bowker26 May 2020 (2020-05-26)3.79
175"Episode 5"Sasha RansomePeter Bowker2 June 2020 (2020-06-02)4.08
186"Episode 6"John HardwickPeter Bowker9 June 2020 (2020-06-09)4.73

Release

[edit]

BBC One began airing the first six-part series in a Tuesday 9pm slot, replacing Happy Valley, on 22 March 2016. SundanceTV acquired rights for broadcasting the show in America, and it premiered there on 13 July 2016.[10] A second series began in the UK on 7 November 2017 remaining in its Tuesday 9pm slot. A third series was filmed in May 2019 and the entire series was released on BBC iPlayer on 5 May 2020. On the same day it also began broadcasting in its usual weekly slot on BBC One.[8][11] BBC First airs the series in Australia. Disney+ picked up the programme for all three series across all of Europe, except the UK.[12]

Reception

[edit]

Audience viewership

[edit]

Overnight figures revealed the first episode was watched by 4.7 million viewers and had a 23% share of the audience.[13] BARB later reported a consolidated figure of 5.91 million.[9] Reaction to the first episode was mostly positive among viewers. Many people have praised the show on social media, partly for the quality of the acting but also for the way it dealt with the subject of autism.[14]

Critical response

[edit]

On review aggregator Rotten Tomatoes, the first series holds a 75% "Certified Fresh" score, based on 20 critics with an average rating of 5.9/10. The website's critics consensus reads, "The A Word overcomes an uneven start to offer a thoughtful, warm-hearted look at the engagingly messy lives of its protagonists – and a glimpse of challenges too rarely seen or discussed on television."[15] On Metacritic, which uses a weighted average, the first season holds a score of 76/100 based on 12 critics, indicating "generally favorable reviews".[16]

The second series holds a 93% "Fresh" score on Rotten Tomatoes, based on 14 critics with an average rating of 7.5/10. The website's critics consensus reads, "The A Word's second season expands its scope beyond the series' inciting diagnosis and blossoms into a thoughtful and warm view on the dynamics of family, while also candidly addressing the realities of raising a child with autism."[17]

For the third series, 100% of nine critic reviews on Rotten Tomatoes gave the film a positive review, with an average rating of 8.2/10.[18]

Home media

[edit]

Series 1 was released on DVD in September 2016, and series 2 in December 2017. The third series was released on DVD in July 2020. [citation needed]

Spin-off

[edit]

In August 2020 it was announced that a spin-off series Ralph & Katie, following the married life of the protagonists, had been commissioned by the BBC.[19] The six-part series, which included a writing team made up predominantly of people with disabilities,[20] was broadcast in October and November 2022, with all episodes available as a boxset on BBC iPlayer.[21] The series will also be available on Disney+ in some regions.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The A Word

View on Grokipedia
from Grokipedia

The A Word is a British family drama television series created by that originally aired on from 2016 to 2020. The programme centres on the Hughes living in the , focusing on their five-year-old son Joe, who is diagnosed with autism spectrum disorder, and the resulting challenges to parental denial, marital strain, and extended family dynamics. Spanning three six-episode series, the show features as father Paul, a pub owner grappling with responsibility; as mother Alison, who confronts the diagnosis head-on; and Max Vento as the largely nonverbal Joe, whose affinity for music underscores his inner world. Adapted loosely from the Israeli series Yellow Peppers, it draws on Bowker's observations of autism in teaching and family contexts to depict everyday struggles like school integration and without overt . Critically, The A Word garnered an 89% approval rating on for its nuanced family portrayal and was nominated for Awards in best drama and newcomer categories. It has been commended by organizations like the for broadening public understanding and inspiring support-seeking among families. Nonetheless, segments of the autistic community have critiqued its emphasis on parental hardship and initial denial as reinforcing deficit-based tropes, arguing it underrepresents autistic agency and joy.

Premise and Themes

Synopsis

The A Word is a British family drama series that aired on BBC One from 22 March 2016 to 9 June 2020, spanning three seasons of six episodes each. Adapted by from the Israeli series Yellow Peppers (2010–2014), created by Keren Margalit based on her personal experiences with autism, the programme is set in the and centers on the Hughes family: pub owner Paul, his wife Alison, their teenage son Jake, and five-year-old Joe. The narrative examines the immediate and long-term repercussions of Joe's autism diagnosis, triggered by his communication difficulties, tendency to wander, and , which manifests despite his verbal abilities in specific contexts like singing songs such as "". The series portrays the parents' marital strains, debates over mainstream versus specialized schooling, interactions with including Joe's paternal grandparents, and Jake's adolescent struggles amid the household focus on his brother. As Joe ages across seasons—from primary school entry to teenage years—the plot tracks evolving family adaptations, including transitions to independence, romantic developments, and broader community engagements with autism support systems.

Central Themes

The A Word centers on the challenges of autism spectrum disorder within family life, depicting the diagnosis of five-year-old Joe Hughes and the ensuing emotional strains on his parents, Paul and Alison. The series illustrates parental denial and gradual acceptance, as Alison initially resists labeling Joe to avoid social ostracism, attempting while Paul grapples with confusion during key moments like Joe's birthday party. This process highlights incremental recognition of symptoms, including , intense musical interests, and auditory sensitivities managed through headphones. Family dynamics form a core motif, with autism exacerbating existing tensions in the extended Hughes family set in the , including separations between Paul and Alison living 100 miles apart and the roles of grandparents like Maurice in providing contrasting support. Sibling relationships are explored through Joe's brother Jake and cousin Rebecca, who navigate personal growth amid the family's preoccupation with autism management, such as communication rituals like "There, here; here, there." The narrative underscores anxiety and adjustment to change, portraying autism not in isolation but as amplifying universal family disruptions, including economic pressures and romantic strains. The series also emphasizes realism in autism portrayal, blending anguish with humor and moments of joy, such as Joe's engagement with music, to avoid while reflecting authentic behaviors like social detachment. Parental guilt permeates early episodes, as Paul and Alison question overlooked signs of Joe's developmental differences, leading to profound life alterations post-diagnosis confirmation of "significant problems" in emotional and . Broader societal attitudes emerge through community interactions, contrasting with internal family resilience and progress in practical strategies over three series.

Cast and Characters

Main Cast

The principal actors in The A Word portray the Hughes family and their close relatives, whose dynamics drive the narrative across the series' three seasons from 2016 to 2020. Max Vento stars as Joe Hughes, the nonverbal child diagnosed with autism whose and obsessions with music shape family interactions. plays Paul Hughes, Joe's separated father, a pub navigating co-parenting challenges. depicts Alison Hughes, Joe's determined mother, who relocates the family to advance his access. Molly Wright portrays Rebecca Hughes, Joe's teenage sister, whose resentment over disrupted opportunities evolves amid family strains. Supporting the core family are as Maurice Scott, Alison's widowed father and a pragmatic owner providing reluctant support, and as Eddie Scott, Alison's brother whose personal struggles intersect with family crises. These roles remain consistent throughout, with Vento, Ingleby, Christie, Wright, Eccleston, and McHugh appearing in multiple episodes per season, as verified in production credits.
ActorCharacterRole Summary
Max VentoJoe HughesAutistic child central to family conflicts; appears in all 18 episodes.
Paul HughesFather managing separation and Joe's needs; recurring lead.
Alison HughesMother advocating for Joe's development; spans all series.
Molly WrightRebecca HughesSister dealing with secondary impacts of Joe's condition.
Maurice ScottMaternal grandfather offering gruff guidance.
Eddie ScottUncle entangled in family and business tensions.

Character Descriptions

Joe Hughes is the central character, a five-year-old boy diagnosed with . Non-verbal, he communicates primarily through his passion for , particularly along to pop songs, which allows him to appear social while maintaining emotional distance. Despite making and seeming charming and undistressed, Joe faces challenges in processing and expressing emotions, as well as understanding and using language. His , confirmed in 2016 during the first series, profoundly impacts his family, prompting debates over education, integration, and daily care. Alison Hughes, Joe's mother, grew up in the Lake District and became a parent early through an unplanned pregnancy with her daughter Rebecca, leading to a brief shotgun marriage. Portrayed as charming, intelligent, and relentlessly determined, she embodies stamina but struggles with relinquishing control, especially after Joe's diagnosis. Devoted to him, Alison adopts a rigorous approach aimed at enabling Joe to adapt to societal expectations, often viewing autism as a condition to overcome, which strains her marriage. , Joe's father and Alison's husband (later ex-husband), grapples with accepting the autism diagnosis, preferring practical integration such as mainstream schooling over intensive interventions. Raised in the , he represents a more resigned yet proactive stance amid family tensions, focusing on normalcy for Joe and his sister. Rebecca Hughes, Joe's 16-year-old half-sister from Alison's earlier relationship, maintains the closest bond with him, treating him as an endearing younger brother unaffected by his . Her perspective highlights uncomplicated sibling affection amid parental conflicts. Maurice Scott, Joe's maternal grandfather and family patriarch, operates the local pub and brewery in his mid-50s as a recent widower following his wife Sandra's death. Blunt and often abrasive, yet underlyingly warm-hearted, he frequently clashes with Alison over Joe's upbringing, expressing skepticism toward aspects of the and interventions. Eddie Scott, Joe's uncle and Alison's brother, returns to the Lake District after his computing business fails, taking a job under Maurice despite their strained dynamic. His own marital troubles with wife Nicola add layers to family interactions, positioning him as a supportive but flawed relative navigating personal setbacks.

Production

Development and Writing

The A Word was developed by British screenwriter as an adaptation of the Israeli series Yellow Peppers, which he relocated to the Lake District in to suit a British context. Bowker, who served as the series' writer and producer, drew initial inspiration from his 14 years teaching children with autism and other learning disabilities at a hospital in , as well as personal family experiences including his brother's autism diagnosis in the 1960s. He supplemented this with consultations from the , clinical experts, and direct observations of affected families, positioning himself as the production's primary autism adviser and compiling detailed case studies for central character Joe Hughes. In writing the scripts, Bowker emphasized family dynamics and emotional realism over didactic portrayals of autism, aiming to capture "emotional truths" through character-driven narratives rather than episodic "issue-of-the-week" structures. He adopted a warm, humorous tone to balance the challenges of autism's portrayal, focusing on parental and societal inconsistencies in support services while avoiding fixed emotional resolutions for authenticity. Ethical considerations influenced decisions such as not casting an autistic actor for intense scenes like meltdowns, prioritizing the child's welfare over integrated representation. Bowker remained involved on set to maintain script fidelity, a departure from his typical process, and structured the series for potential returns every two years to reflect character aging and evolving stories. Subsequent series expanded the scope beyond Joe's diagnosis, incorporating perspectives from other disabled characters like Mark and to drive plots independently of autism themes, while adapting to Max Vento's growth by increasing Joe's and independence. Bowker described reinvention challenges as maintaining dramatic tension without degenerating into formulaic problem-solving, instead deepening interpersonal conflicts such as the parents' separation in series 3. This approach allowed the writing to evolve from initial family coping mechanisms to broader explorations of autonomy and relationships among differently abled individuals.

Casting and Representation

The central role of Joe Hughes, the nonverbal autistic child around whom the series revolves, was played by Max Vento in all three series from 2016 to 2020. Vento, a neurotypical born in 2009, was cast after open auditions emphasizing natural performance over diagnostic authenticity, with producers citing the challenges of requiring a young autistic performer to endure extended filming schedules as a key factor in the decision. This choice drew mixed responses, with some viewing it as a pragmatic necessity given the demands on s on the spectrum, while others critiqued it for prioritizing production feasibility over "nothing about us without us" principles in disability representation. In contrast, supporting autistic characters featured authentic casting. Travis George Smith, diagnosed with autism and Asperger's syndrome during , portrayed Mark Berwick, a teenage autistic character introduced in series 2 (2017) who communicates via and faces social challenges. Smith's selection highlighted the series' partial commitment to lived-experience representation, as he drew from personal insights to inform his performance despite early barriers in the acting industry for neurodivergent individuals. The role of Eddie, Joe's younger brother diagnosed with , was played by Leon Harrop, an actor with born in 1992. Harrop's casting in series 2 and 3 emphasized competence in disability roles, with co-star praising his technical proficiency during production. This approach extended to other family members, including neurotypical actors as father Paul Hughes and as mother Alison Hughes, who prepared through consultations with autism groups and families to depict parental denial, , and relational strain realistically. Overall, the casting balanced scripted demands with selective inclusion of disabled performers, informed by writer Peter Bowker's experiences as a of an autistic , though it avoided fully autistic-led representation for the amid debates on whether such portrayals adequately capture internal autistic perspectives or reinforce external family-focused narratives.

Filming Locations and Techniques

The series The A Word was filmed predominantly on location in the National Park in , , to evoke the rural, close-knit community setting of the fictional town. Principal exterior shots for the first two series utilized areas around Keswick, Coniston, , , and Newlands Valley, including the Hughes family home in Newlands Valley and various pubs and cafes in Keswick. Filming for the first series commenced in the Lake District in October 2015. Interior scenes and some additional exteriors were captured in studios, particularly for series , which shifted focus to urban elements while retaining backdrops. Production for series began in and the in May 2019, incorporating sites like the 850,000 sq ft facility in West Gorton for controlled environments. The filming approach emphasized authentic, naturalistic portrayal through on-location shooting in the Lake District's varied terrain, enhancing the series' themes of isolation and community, supplemented by studio work for dialogue-heavy interiors to ensure consistency in lighting and sound. No specialized techniques such as extensive CGI or unconventional camera rigs were reported; the production relied on standard dramatic television methods, prioritizing practical locations for emotional realism.

Episode Guide

Series Overview

The A Word is structured as three six-episode series, totaling 18 episodes, broadcast on . The first series aired weekly from 22 March to 26 April 2016, focusing on the initial diagnosis and family dynamics surrounding five-year-old Joe Hughes' autism. Series 2 followed from 7 November to 12 December 2017, advancing the narrative to Joe's school transitions and parental separation. The third and final series ran from 5 May to 9 June 2020, exploring adolescence, independence, and evolving family relationships as Joe turns 11. Each episode typically runs approximately 58 minutes, blending drama with insights into autism spectrum challenges drawn from creator Peter Bowker's research.

Series 1 (2016)

Series 1 of The A Word comprises six episodes broadcast weekly on from 22 March to 26 April 2016. The storyline centers on the Hughes family in the , where parents Alison and Paul confront the developmental challenges of their five-year-old son Joe, who shows a preoccupation with and social withdrawal, leading to suspicions of autism spectrum disorder. The series explores family tensions, denial, and initial coping mechanisms without external support, drawing from real-world experiences of autism diagnosis. Episode 1: Diagnosis
Aired 22 March 2016. The extended Hughes family gathers for Joe's fifth birthday party, highlighting his and affinity for songs amid rising concerns from Alison and Paul, while grandfather Maurice dismisses the issues; overnight viewership reached 4.7 million with a 23% share. Episode 2: Home School
Aired 29 March 2016. Following initial assessments, the family processes Joe's emerging autism traits at home, as Alison resists formal schooling and Paul seeks practical solutions, straining their marriage and involving sibling Jake's resentment. Episode 3: Therapy
Aired 5 April 2016. Disagreements intensify over therapeutic interventions for Joe, with Alison favoring intensive home involvement and Paul advocating professional help; Eddie's return adds relational complications. Episode 4: Sleepover
Aired 12 April 2016. The family experiments with for Joe during a attempt, exposing vulnerabilities; Paul and Eddie bond over shared frustrations, revealing Maurice's controlling influence. Episode 5: Goodbye
Aired 19 April 2016. Escalating behavioral incidents test resilience, prompting reflections on separation and loss; Alison confronts past relationships amid sessions. Episode 6: Lost
Aired 26 April 2016. A unfolds when Joe wanders off, uniting the fractured in search efforts and forcing acceptance of his needs; the opening symbolizes tentative progress, with consolidated viewership of 4.4 million.

Series 2 (2017)

Series 2 of The A Word consists of six episodes broadcast weekly on BBC One at 9:00 PM from 7 November to 12 December 2017. The season advances the narrative following Joe's autism diagnosis, centering on the family's relocation to Manchester for his attendance at a specialist school tailored for children with autism spectrum disorder. This shift exacerbates tensions between parents Paul and Alison, introduces challenges for Joe's sister Rebecca in her personal life, and highlights dynamics among extended family members like uncle Maurice and grandparents Eddie and Louise. The episodes depict empirical family stressors, such as parental reconnection efforts amid caregiving demands and the broader social implications of autism, without unsubstantiated idealization.
EpisodeTitleOriginal Air DatePlot Summary
1Naming Day7 November 2017When Joe announces he is autistic and claims it’s a bad thing, Paul and Alison decide to take drastic action.
2Get Away14 November 2017Life for Joe’s family turns upside down as he starts at a specialist school in Manchester; Rebecca halts her plans with James, and Louise confides in a stunned Maurice.
3Are We Still Here?21 November 2017Paul makes a connection with Sophie when he takes her and Mark to a gig; Louise clashes with Maurice, and Eddie gears up for date-night with his Manchester girlfriend Holly.
4Falling28 November 2017Rebecca sends Paul and Alison on a weekend away to help them reconnect; Maurice has an existential crisis during a fell race, and Eddie is determined to teach Joe to ride a bike.
5Family Album5 December 2017Paul’s deepest feelings about his son’s autism emerge when Nicola makes a ‘film’ of Joe’s behaviours; Eddie reaches D-Day with Holly, and Maurice makes a shocking proposal.
6Same Deep Water12 December 2017An ‘End of Year Show’ at Joe’s old school brings his family members together; as Joe takes the stage, it is clear what they mean to him, but can they remain the family he knows?

Series 3 (2020)

Series 3 of The A Word comprises six episodes, broadcast weekly on from 5 May to 9 June 2020 at 9:00 p.m. BST. The series features a time jump of approximately three years from the end of series 2, with Joe Hughes now depicted as a 10-year-old navigating the transition to amid ongoing autism-related challenges such as sensory sensitivities and social interactions. The narrative continues to center on the Hughes family's post-separation dynamics, with Alison (Morven Christie) exploring new relationships, including an initial conflict turning romantic with single father Ben (David Gyasi), while Paul (Lee Ingleby) copes with personal setbacks like a house fire and co-parenting responsibilities. Grandparents Maurice (Christopher Eccleston) and Sandra (Alison Steadman) mediate family tensions, alongside subplots involving Rebecca's pregnancy announcement and Eddie's impulsive decisions. Joe's character arc emphasizes his unique strengths, such as memory and problem-solving, culminating in him playing a pivotal role during a family crisis in the finale. Key episodes highlight evolving challenges: the addresses Joe's rejection of his sensory and Rebecca's major news; mid-series installments explore Alison's and Paul's trip with Joe; the conclusion features a birth and amid relational resolutions. The season underscores themes of adaptation and familial support without resolving all conflicts, reflecting real-world complexities of autism in a separated structure.

Broadcast and Distribution

United Kingdom Broadcast

The A Word premiered on on 22 March , with the first series airing six episodes weekly on evenings at 9:00 p.m. until 26 . The opening episode outperformed rival programmes in its time slot, drawing more than double the audience of competitors. Later episodes sustained strong interest, culminating in a series finale that achieved 4.4 million consolidated viewers. The second series transmitted from 7 to 12 2017, maintaining the 9:00 p.m. slot on for its six episodes. Series three aired from 5 May to 9 June 2020, again comprising six weekly episodes in the same time slot, with all instalments made available simultaneously on from the premiere date amid the . Throughout its run, episodes were accessible via for on-demand viewing post-broadcast.

International Release

The A Word is distributed internationally by . In the United States, SundanceTV premiered the first series on July 13, 2016, at 10 p.m. ET/PT. Canada's CBC broadcast the debut season starting January 15, 2017, at 8 p.m. ET. Australia's channel acquired broadcast rights for the series. In , Disney+ secured multi-season rights excluding the , with initial availability in the Nordics and by October 2022, followed by staggered rollouts in , , , and . The platform expanded the series to additional European markets, as well as the and . In , obtained exclusive rights for Max, covering scripted dramas including The A Word. Keshet International has licensed the original production to over 80 territories worldwide, though some regions, such as the , , and , have developed local adaptations based on the underlying Israeli format Yellow Peppers rather than airing the version.

Reception and Analysis

Critical Reception

The A Word received generally positive critical reception, praised for its nuanced exploration of dynamics amid autism, with aggregate scores reflecting broad approval. On , the series holds an 89% Tomatometer score from s, based on professional reviews, while Season 1 earned a 75% Certified Fresh rating and Season 2 a 93% Fresh rating. assigned Season 1 a score of 76 out of 100, derived from 17 reviews, with 88% rated positive and the mixed. Critics commended the series for avoiding simplistic narratives, focusing instead on realistic emotional strains and relational complexities within the Hughes . Reviewers highlighted the script by for its tactful handling of autism as an integrated aspect of family life rather than a central melodrama, emphasizing parental denial, guilt, and adaptation without resorting to overt sentimentality. described the premiere as delivering "a about autism that punches the parental guilt in the guts," noting its accretion of subtle behaviors that build to a diagnosis. The Telegraph called it an "unalloyed triumph" for centering the family's internal conflicts over diagnostic exposition, with writing of "great tact and skill" that humanizes the condition's impact on siblings and extended relatives. Performances, particularly Max Vento as Joe and supporting roles like in later seasons, were lauded for authenticity; The Arts Desk noted Eccleston "steals the show" in Series 3 through understated emotional depth. ranked it among the best TV of 2017, terming it a "gem" for its return with sustained insight into autism's familial ripples. Some critiques pointed to occasional overemphasis on parental perspectives at the expense of the autistic child's agency, potentially reinforcing familiar tropes despite intentions for realism. While professional reviews rarely deemed it inaccurate, isolated commentary from autistic individuals suggested Joe's depiction felt generic or tragedy-laden, though such views were not dominant in aggregated critic consensus. Series 2 faced minor backlash for perceived shifts in tone, with some reviewers noting it leaned into soap-like elements, yet it retained high approval overall. affirmed later seasons as "nuanced, humanly messy," reinforcing the series' reputation for emotional authenticity over .

Audience Viewership and Response

The first series of The A Word, airing on in 2016, achieved a consolidated average audience of 5.5 million viewers, securing a 22% share of the available audience. Its finale episode drew 4.4 million overnight viewers, consolidating to 5.5 million after seven days of catch-up viewing. Subsequent series sustained engagement, with episodes in later runs topping their 9 p.m. time slots despite facing competition and shifts in viewing habits toward streaming; for instance, select installments recorded 1.5 million viewers with a 7% share. Audience reception emphasized the series' emotional authenticity, particularly in depicting family life amid autism. On , it holds a 7.8/10 rating from 2,555 user votes as of recent data. audience scores reflect strong approval, with Season 1 at 96% (based on limited but verified ratings) and overall series approval at 89%. Viewers frequently commended the nuanced performances and avoidance of sentimentality, describing it as relatable for parents and individuals with autism experiences. Families highlighted its resonance with real-life challenges, such as parental denial and sibling dynamics, while praising moments of humor amid tension. Some feedback noted its role in fostering without , though isolated critiques pointed to occasional soapy elements diverging from core themes. The 2020 third series elicited particular acclaim for Christopher Eccleston's portrayal of the grandfather, with audiences calling it a "much-needed lift" during lockdowns.

Portrayal of Autism: Accuracy and Debates

The series depicts autism primarily through the character of Joe Hughes, a five-year-old non-verbal boy exhibiting traits such as intense interests in music, sensory sensitivities, meltdowns, and limited social reciprocity, which align with diagnostic criteria for autism spectrum disorder as outlined in clinical guidelines like the , particularly for those with and minimal speech. This portrayal emphasizes the profound communication barriers and behavioral challenges common in severe cases, where approximately 30% of individuals remain non-verbal into adulthood, based on longitudinal studies of autism cohorts. Creator has stated that the show draws from real family experiences to illustrate the "emotional response to autism," focusing on parental denial, marital strain, and community isolation without generalizing to all cases. Critics and autism advocates have praised the series for its realism in capturing the familial disruptions, such as logistical burdens of therapies and placements, which mirror empirical showing elevated rates (up to 80% in some parent surveys) and in autism families. Tom Purser of the UK's noted in 2016 that the show provides a "broader look" than typical media stereotypes, highlighting impacts like resentment and parental rather than solely inspirational narratives. Viewer feedback, including from parents, often affirms the accuracy of depicted behaviors, such as and routine rigidity, as reflective of daily realities in non-high-functioning autism. Debates arise over whether the portrayal reinforces deficit-focused stereotypes, with some autistic self-advocates—predominantly from the higher-functioning end of the —criticizing it as a "standardized, generic" depiction that sidelines the autistic perspective and emphasizes over agency. For instance, analyses argue the centers non-autistic family members' viewpoints, potentially underrepresenting variability across the , where milder cases involve fewer impairments. Bowker has countered that the intentionally avoids universality, portraying one family's story to underscore autism's heterogeneity rather than a monolithic "autistic ." Such critiques often stem from paradigms prioritizing identity over medical impairment models, though empirical evidence supports the series' emphasis on challenges: severe autism correlates with high rates of co-occurring conditions like (up to 30%) and self-injurious behavior, necessitating intensive supports not always highlighted in advocacy-driven media reviews. Overall, while the show has broadened public discourse on autism's relational costs, it faces contention for not fully capturing the 's diversity or incorporating more autistic-led input in production.

Awards and Recognition

Accolades Received

"The A Word" received nominations for its first series at the 2016 TV Times Awards, including Best Drama Series. Morven Christie was nominated for Best Actress - Television at the 2018 British Academy Scotland Awards for her portrayal of Alison Hughes. No major awards were won by the series or its cast across its three seasons, despite critical praise for its handling of autism and family dynamics.

Home Media and Availability

Physical and Digital Releases

The first and second series of The A Word were released on DVD in the United Kingdom on 18 December 2017, compiling all episodes from those seasons into a single set running approximately 11 hours and 35 minutes. The third series followed with a separate DVD release on 6 July 2020, featuring a runtime of about 5 hours and 42 minutes. No Blu-ray editions have been issued for the series. Digitally, episodes became available on immediately following their broadcasts, with full boxsets of prior series added to the platform ahead of subsequent seasons' premieres, such as series one and two in April 2020 before the third series launch. In international markets, the series has streamed on Sundance Now via AMC+ starting with season three episodes in late 2020, and a deal expanded availability to Disney+ for all three seasons and the spin-off. Digital purchase or rental options, including on Prime Video, have also been offered in select regions.

Spin-off: Ralph & Katie

Ralph & Katie is a British television spin-off series from The A Word, centering on the newlywed couple and , both characters with Down's syndrome, as they navigate the first year of their marriage amid everyday domestic and relational challenges. The six-episode series premiered on on October 5, 2022, airing the first two episodes back-to-back at 9:00 p.m., with subsequent double bills following weekly. Created by an all-disabled writing team under the oversight of The A Word , production began filming in and the in February 2022. The series stars Leon Harrop as , a young man with Down's syndrome employed at a local , and as , his wife who works at a cafe and grapples with family dynamics, including tensions with her mother over independence. Both lead actors have Down's syndrome, providing an authentic portrayal of the characters' experiences with learning disabilities, , and marital adjustments, such as handling responsibilities and social interactions. Supporting cast includes familiar faces from The A Word, like Joe Hartley's Mark and as Katie's mother, emphasizing realistic depictions of support networks without idealizing or pathologizing disability. Reception highlighted the show's optimistic tone and focus on joy amid routine struggles, with critics praising its avoidance of sentimentality or tragedy in favor of relatable, uplifting narratives. Variety described it as "comfort viewing" that insists on positive outcomes, potentially reassuring viewers during economic uncertainty, while noting the rarity of disabled actors in lead roles. The series was acquired by Disney+ for international distribution shortly after its debut, expanding access beyond . Produced by The Forge Entertainment, it maintains the original's emphasis on grounded family stories but shifts primary focus from autism-related themes to the couple's autonomous life.

References

  1. https://www.rottentomatoes.com/tv/the_a_word
  2. https://theartsdesk.com/tv/peter-bowker-making-word
  3. https://www.imdb.com/title/tt5311790/
  4. https://www.bbc.co.uk/programmes/b0759b0c
  5. https://www.bbc.co.uk/programmes/b09flzps/episodes/guide
  6. https://www.imdb.com/title/tt5311790/awards/
  7. https://www.autism.org.uk/advice-and-guidance/stories/stories-from-the-spectrum-travis-george-smith
  8. https://thinkingautismguide.com/2018/02/despite-best-efforts-same-old-autism.html
  9. https://www.sheknows.com/parenting/articles/1124479/the-a-word/
  10. https://autisticandunapologetic.com/2017/11/11/6-examples-of-why-the-a-word-is-the-most-relatable-show-on-tv/
  11. https://variety.com/2016/tv/news/the-a-word-autism-sundancetv-drama-1201806335/
  12. https://cultbox.co.uk/spoilers/episode-guides/the-a-word-bbc-season-1-episode-guide
  13. https://www.radiotimes.com/tv/drama/the-a-word-is-a-beautifully-believable-drama-about-autism-and-family-tensions/
  14. https://www.radiotimes.com/tv/drama/the-a-word-series-1-and-2-recap/
  15. https://www.rottentomatoes.com/tv/the_a_word/s03
  16. https://www.goodto.com/entertainment/the-a-word-ending-explained
  17. https://www.nytimes.com/2016/07/13/arts/television/review-the-a-word-takes-unblinking-look-at-autism.html
  18. https://www.theguardian.com/tv-and-radio/2016/mar/23/the-a-word-review-bbc1-drama-autism
  19. https://www.theboar.org/2020/06/the-a-word-review/
  20. https://rts.org.uk/article/joy-difference-bbcs-word
  21. https://www.theguardian.com/tv-and-radio/2020/may/05/the-a-word-review-autism-drama-shows-the-weight-of-change-on-us-all
  22. https://www.radiotimes.com/tv/drama/the-a-word-series-3-cast/
  23. https://www.imdb.com/title/tt5311790/fullcredits/
  24. https://www.themoviedb.org/tv/65978-the-a-word/cast?language=en-US
  25. https://www.bbc.co.uk/programmes/profiles/3Hw2Mx4f3xLhPbNH3gJSLWb/joe-hughes
  26. https://www.bbc.co.uk/programmes/profiles/YLmrrtCRzwK46mZNQZ09f/characters
  27. https://www.bbc.co.uk/programmes/profiles/2PrTFFrHk00lk1zcfXplqhc/alison-hughes
  28. https://www.hellomagazine.com/film/2020050589274/meet-the-cast-of-series-three-the-a-word/
  29. https://www.bbc.co.uk/programmes/profiles/2Rnm59Vm1H6KjY1GLgTqYJ4/rebecca-hughes
  30. https://www.bbc.co.uk/programmes/profiles/nhcrGLmD61JmpBSycdppxk/maurice-scott
  31. https://www.radiotimes.com/tv/drama/a-word-cast/
  32. https://www.bbc.co.uk/programmes/profiles/1y6DdzPWwZZCld7PJLR1lw7/eddie-scott
  33. https://www.bbc.co.uk/writers/blog/an-interview-with-peter-bowker
  34. https://www.radiotimes.com/tv/drama/the-a-word-creator-peter-bowker-on-dramatising-autism/
  35. https://uk.movies.yahoo.com/the-a-word-interview-creator-peter-bowker-100656822.html
  36. https://www.bbc.com/news/uk-wales-south-east-wales-42722129
  37. https://www.bigissue.com/culture/tv/on-world-down-syndrome-day-read-our-interview-with-the-a-words-leon-harrop/
  38. https://www.radiotimes.com/tv/drama/where-is-bbc1-a-word-filmed-lake-district-location/
  39. https://www.sallyscottages.co.uk/guides/the-a-word-lake-district-filming-locations
  40. https://www.manchestereveningnews.co.uk/news/tv/can-you-spot-them-manchester-18222271
  41. https://www.bbc.co.uk/mediacentre/latestnews/2019/a-word-3-filming
  42. https://www.standard.co.uk/culture/tvfilm/the-a-word-filming-locations-lake-district-a4432826.html
  43. https://www.yorkshireeveningpost.co.uk/whats-on/arts-and-entertainment/the-a-word-filming-locations-where-in-the-north-west-of-england-the-series-was-filmed-from-the-lake-district-to-manchester-2844388
  44. https://www.imdb.com/title/tt5311790/episodes/
  45. https://epguides.com/AWord/
  46. https://www.bbc.co.uk/programmes/b0752c5r
  47. https://www.rottentomatoes.com/tv/the_a_word/s01/e01
  48. https://www.bbc.co.uk/programmes/b0759b0c/episodes/guide
  49. https://www.tvguide.com/tvshows/the-a-word/episodes-season-1/1030574764/
  50. https://www.rottentomatoes.com/tv/the_a_word/s01
  51. https://www.videoageinternational.net/2016/04/28/news/top-ratings-for-keshets-the-a-word-on-bbc-one/
  52. https://www.imdb.com/title/tt5311790/episodes/?season=2
  53. https://www.bbc.co.uk/programmes/b09flyn4/episodes/guide
  54. https://www.hollywoodreporter.com/tv/tv-reviews/a-word-season-2-review-1055918/
  55. https://www.bbc.com/mediacentre/latestnews/2020/the-a-word-s3
  56. https://www.radiotimes.com/tv/drama/the-a-word-bbc-series-3/
  57. https://www.theguardian.com/tv-and-radio/2020/may/05/tv-tonight-the-third-series-of-the-a-word-gets-under-way
  58. https://www.thesun.co.uk/tvandshowbiz/11657266/the-a-word-viewers-crying-season-three/
  59. https://www.telegraph.co.uk/tv/2020/05/05/word-series-3-episode-1-review-not-flashy-not-fashionable-real/
  60. https://theartsdesk.com/tv/word-series-3-bbc-one-review-christopher-eccleston-steals-show
  61. https://www.bbc.co.uk/programmes/p089gzjx
  62. https://www.digitalspy.com/tv/a32815389/the-a-word-series-three-finale/
  63. https://www.bbc.co.uk/programmes/p089gy8k/episodes/guide
  64. https://www.pastemagazine.com/tv/the-a-word/the-a-word-season-3-review
  65. https://www.broadcastnow.co.uk/the-a-word-triumphs-for-bbc1/5101842.article
  66. https://www.imdb.com/title/tt5311790/companycredits/
  67. https://www.amcnetworks.com/press-releases/acclaimed-international-drama-series-the-a-word-to-premiere-on-sundance-tv-july-13-at-109c/
  68. https://playbackonline.ca/2016/11/15/cbc-sets-winter-schedule-for-new-returning-series/
  69. https://www.hollywoodreporter.com/tv/tv-news/canada-australia-take-austism-series-917181/
  70. https://deadline.com/2022/10/disney-plus-the-a-word-ralph-and-katie-bbc-christopher-eccleston-mipcom-cannes-1235145073/
  71. https://www.imdb.com/title/tt5311790/news/
  72. https://todotvnews.com/en/keshet-strikes-content-deal-with-warnermedia-latin-america-for-hbo-max/
  73. https://senalnews.com/en/content/nbc-to-develop-keshet-and-universal-tvs-the-a-word
  74. https://variety.com/2020/tv/global/eo-keshet-the-a-word-fiction-valley-netherlands-autism-1203516197/
  75. https://www.metacritic.com/tv/the-a-word/
  76. https://www.telegraph.co.uk/tv/2016/03/24/the-week-in-tv-line-of-duty-the-a-word-boomers/
  77. https://www.telegraph.co.uk/tv/2017/11/07/peter-bowkers-word-writing-great-tact-skill-review/
  78. https://www.theguardian.com/tv-and-radio/2016/mar/09/the-a-word-autism-funnier-than-this-tv-drama
  79. https://emusements.com/reviews/tv-reviews
  80. https://www.theguardian.com/tv-and-radio/2020/may/10/the-week-in-tv-the-a-word-isolation-stories-the-eddy-trying-homeland-finale-review
  81. https://dramaquarterly.com/a-nother-word/
  82. https://uk.themedialeader.com/the-a-word-continues-to-triumph/
  83. https://variety.com/2016/tv/reviews/the-a-word-review-sundancetv-bbc-autism-1201812875/
  84. https://theboar.org/2020/06/the-a-word-review/
  85. https://metro.co.uk/2020/05/05/word-series-three-fans-praise-christopher-eccleston-12659756/
  86. https://www.nytimes.com/2016/03/31/arts/television/the-a-word-places-autism-front-and-center.html
  87. https://www.autismmatters.org.uk/blog/the-a-word-drama-with-explicit-autism
  88. https://dsq-sds.org/article/id/294/
  89. https://www.tvguide.com/tvshows/the-a-word/1030574764/
  90. https://www.imdb.com/name/nm1410360/awards/
  91. https://www.bafta.org/media-centre/press-releases/british-academy-scotland-awards-in-2018-nominations-announced
  92. https://www.amazon.com/Word-1-2-DVD/dp/B0776Y6NYS
  93. https://hmv.com/store/film-tv/dvd/the-a-word-series-1-2
  94. https://www.amazon.com/Word-3-DVD/dp/B087ZHYWXT
  95. https://www.amcnetworks.com/press-releases/whats-streaming-on-amc-2/
  96. https://www.justwatch.com/us/tv-show/the-a-word
  97. https://www.imdb.com/title/tt12965556/
  98. https://www.radiotimes.com/tv/drama/ralph-and-katie-bbc-release/
  99. https://deadline.com/2022/02/filming-commences-on-bbcs-the-a-word-spin-off-ralph-katie-forged-by-an-all-disabled-writing-team-overseen-by-peter-bowker-1234957839/
  100. https://www.radiotimes.com/tv/drama/ralph-and-katie-bbc-review/
  101. https://variety.com/2022/tv/global/ralph-and-katie-bbc-tv-review-1235393624/
  102. https://www.bbc.co.uk/programmes/articles/3HkcTxWtW37C0fjTwSsLBnq/inside-the-world-of-ralph-katie
  103. https://www.theguardian.com/tv-and-radio/2022/oct/05/ralph-katie-review-this-is-pure-joy-like-taking-a-holiday-full-of-laughs
  104. https://www.hollywoodreporter.com/tv/tv-news/mipcom2022-disney-takes-the-a-word-spinoff-downs-syndrome-romance-ralph-and-katie-1235241417/
Add your contribution
Related Hubs
User Avatar
No comments yet.