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The Algorithm
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The Algorithm
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The Algorithm is the musical project of French musician Rémi Gallego (born 7 October 1989) from Perpignan. His style is characterised by an unusual combination of electronic music with progressive metal. Gallego chose the name The Algorithm to highlight the music's complex and electronic nature.[1]

Key Information

History

[edit]

Early years (2009–2010)

[edit]

After the demise of his band Dying Breath, Rémi Gallego decided in 2009 to look for potential members for a band that focused on mathcore, which came as an inspiration from The Dillinger Escape Plan. After a futile search for new members, with the help of his guitar and a DAW, Gallego began to produce his own music.[1]

In December 2009 and July 2010, he published the two demos The Doppler Effect and Critical Error, which were released through his own website for free download. Towards the end of 2010, he announced that he was working on a new EP named Identity (it was never completed). Also, he was preparing for his first live appearances.[2]

First live shows (2011)

[edit]
Mike Malyan live with The Algorithm in 2012

In August 2011, The Algorithm released his compilation called Method_ on which the songs from his two previous demos were compiled which were also for free download.[3] An appearance followed in October 2011 at the Euroblast Festival in Cologne, where The Algorithm featured alongside bands such as Textures, TesseracT and Vildhjarta.[4]

A month later Mike Malyan, drummer for the band Monuments, uploaded a drum cover of the song "Isometry" on YouTube.[5] After seeing this, Gallego was convinced that it would be possible to play his songs on a real drum set and Malyan was presented as an accompaniment during live performances.[6]

"Before he put his Isometry drum cover online, one year ago, I had no idea that someone could ever play my drum programmings with such dedication, musicality and tightness. He was really thrilled to play live with me and so we decided to make it happen. I can't be more happy to work with such a great friend/musician."

In the same month, The Algorithm signed a record deal with the British label Basick Records.[7]

Signing to Basick Records and Polymorphic Code (2012–2013)

[edit]

In January 2012, The Algorithm released the single "Trojans" via Basick Records, which was only available digitally. It was followed by appearances in festivals such as Djentival in Karlsruhe, Germany, as well as on the UK Tech-Metal Fest held in Alton, United Kingdom, where he joined the release in addition to including Uneven Structure and Chimp Spanner appearances.[8][9] On 19 November 2012, the debut album Polymorphic Code was released through Basick Records, which included seven previously unreleased songs as well as the song "Trojans".

In January 2013, The Algorithm played alongside Enter Shikari and Cancer Bats at a concert in Paris.[10] In April 2013, The Algorithm played their first live shows in the UK with a new live member, guitarist Max Michel.[11] On 17 June 2013, The Algorithm was decorated on a Metal Hammer Golden Gods Awards as the best underground artist of that year, decided by the votes of Metal Hammer readers. From September–October 2013, The Algorithm toured mainland Europe on the French Connection Tour with Uneven Structure and Weaksaw. However, Mike Malyan was not able to perform on this tour; Boris Le Gal of NeonFly filled in for him instead. The live line-up also performed on a UK tour with Hacktivist from November to December 2013.

Octopus4 and video games (2013–2015)

[edit]

In December 2013, the band played a show in Paris with Uneven Structure, Kadinja and Cycles. A week afterwards, it was announced that Max Michel would no longer be performing with Rémi as he had been accepted into the Berklee College of Music and could no longer tour regularly.

The Algorithm's second album, Octopus4, was released on 2 June 2014. Along with the release of the album, a crowd funding campaign was launched for a video game named RogueStar: Pirates vs. Privateers which features music composed by Rémi.[12] In 2015, the video game Hacknet was released, and features music composed by Rémi.[13]

Brute Force, Compiler Optimization Techniques and Data Renaissance (2016–present)

[edit]

The third album, Brute Force, was released on 1 April 2016 through the label FiXT.[14] In 2017, an extension for Hacknet named Hacknet Labyrinths was released, and features more music composed by Rémi.[15] The same year, Rémi released an EP titled "直線移動" under a new alias, Boucle Infinie.[16][17] In 2018, The Algorithm released his fourth studio album, Compiler Optimization Techniques.[18][19] In 2022, the project's fifth studio album, Data Renaissance, was published.[20]

Musical style

[edit]

The Algorithm melds several types of electronic and electronic dance music with progressive metal (including djent and mathcore). For live performances Rémi Gallego uses an Akai APC40, a MIDI controller produced by the company Akai Professional, co-developed with the German company Ableton, connected to a laptop running Ableton Live.[6] In addition, a distorted female voice can be heard on almost all the releases, provided by Florent Latorre, a friend of Gallego's.[1]

Members

[edit]
  • Rémi Gallego – electronics, guitars, bass (2009–present)

Touring members

  • Mike Malyan – drums (2012–2014)
  • Jean Ferry – drums, electronic drums[21] (2013–present)
  • Max Michel – guitars (2013)

Discography

[edit]

Studio albums

[edit]

Compilations

[edit]
  • Method_ (2011)

EPs

[edit]
  • Identity (2010)
  • Brute Force: Overclock (2016)
  • Brute Force: Source Code (2017)

Singles

[edit]
  • "Trojans" (2012)
  • "Synthesizer" (2014)
  • "Terminal" (2014)
  • "Neotokyo" (2015)
  • "Floating Point" (2016)
  • "Pointers" (2016)
  • "Collapse" (2018)
  • "People from the Dark Hill" (2020)
  • "Among the Wolves" (2021)
  • "Protocols" (2021)
  • "Interrupt Handler" (2021)
  • "Segmentation Fault" (2021)
  • "Run Away" (2021)
  • "Decompilation" (2021)
  • "Readonly" (2021)
  • "Cryptographic Memory" (2021)
  • "Object Resurrection" (2022)
  • "Cosmic Rays and Flipped Bits" (2022)
  • "Latent Noise" (2023)

Demos

[edit]
  • The Doppler Effect (2009)
  • Critical Error (2010)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Algorithm

View on Grokipedia
from Grokipedia
The Algorithm is the solo musical project of French musician and producer Rémi Gallego, characterized by its aggressive fusion of riffs, electronic , glitch-hop, and elements, often evoking a chaotic, digital aesthetic. Gallego, originating from in , launched the project in with the debut album Polymorphic Code, which established his signature sound through tracks blending heavy guitar distortion with intricate electronic programming. Over the subsequent decade, he has released five full-length albums, including Octopus4 (2014), which expanded on influences and rhythms; Brute Force (2016), incorporating breakdowns; Compiler Optimization Techniques (2018), delving deeper into and ambient textures; and Data Renaissance (2022), emphasizing cryptographic and computing-themed motifs. The project's live performances, often featuring Gallego backed by a full band or visual projections simulating code executions, have garnered a dedicated following in the metal and electronic scenes, with appearances at festivals like Tech Fest and sold-out shows across . Gallego also maintains a , Boucle Infinie, focused on pure instrumentals, further showcasing his versatility in electronic production. As of November 2025, The Algorithm's sixth , Recursive Infinity, is slated for release on November 21, promising continued evolution with tracks exploring themes of infinite loops and evasion techniques.

History

Formation and early demos (2009–2010)

Following the dissolution of his metal band Dying Breath around 2009, French musician Rémi Gallego launched The Algorithm as a one-man electronic project, shifting focus from group performances to solo production while pursuing studies in networks and . This transition allowed Gallego to experiment freely with digital tools, drawing on his guitar skills from prior bands to integrate metal textures into emerging electronic compositions. Gallego's initial output came via home recording setups, where he crafted tracks using digital audio workstations to layer synthesized sounds with aggressive riffs and rhythms. The project's debut demo, Doppler Effect, arrived on June 12, 2009, comprising experimental electronic pieces that incorporated metal influences like distorted guitars and intricate breaks, distributed for free via his website and early online platforms. Building on this foundation, Gallego released the follow-up demo Critical Error on September 7, 2010, which delved deeper into glitchy electronic aesthetics while amplifying guitar-driven elements for a more hybrid intensity; it too was shared gratis online to build an audience. These formative releases, produced entirely by Gallego, established a raw, self-taught approach that foreshadowed the project's evolution into djent-infused .

Debut performances and Method_ (2011)

In 2011, The Algorithm transitioned from isolated studio work to live performances, beginning with the release of the Method_ on August 15, which aggregated tracks from the earlier demos The (2009) and Critical. Error (2010) alongside new material. This self-released project served as a capstone to the band's initial sound, blending electronic production with influences and making the music more accessible for fans through . Building on the conceptual foundations of those early demos, Method_ highlighted Rémi Gallego's evolving production techniques without the support of a label. The band's first live outing occurred at the Euroblast Festival Vol. 7 in , , on October 22, 2011, where Gallego performed solo using a single , the APC40, to trigger electronic elements and loops. This debut marked a pivotal shift from purely studio-based composition to onstage execution, sharing the bill with established acts like Textures, , and TesseracT in front of approximately 600 attendees. The performance demonstrated the viability of the project's intricate sound in a live context, despite the limitations of one-person operation. Shortly after the festival, Gallego recruited drummer Mike Malyan, formerly of Monuments, following Malyan's upload of a drum cover of the track "" in 2011. Having met Malyan at Euroblast, Gallego was impressed by the cover's precision and energy, prompting him to invite Malyan to handle live drums and enhance the electronic tracks with organic percussion. This addition addressed the challenges of replicating complex rhythms onstage, enabling more dynamic sets that fused programmed beats with live instrumentation. These early European festival appearances, starting with Euroblast, fostered a fanbase through word-of-mouth among enthusiasts and online sharing of footage and covers on platforms like . The intimate scale of the events allowed for direct engagement, as fans discovered The Algorithm's unique blend of genres via shared videos and discussions, laying the groundwork for broader recognition without major promotional backing.

Signing with Basick Records and Polymorphic Code (2012–2013)

In November 2011, French electronic metal project The Algorithm, led by Rémi Gallego, signed a record deal with British label , enabling access to professional recording facilities and broader international distribution for their upcoming material. This partnership marked a significant commercial milestone, transitioning the project from independent demos to structured label support in the progressive metal scene. On January 16, 2012, The Algorithm released the digital single "Tr0jans" through , serving as a teaser for their full-length debut and featuring a promotional to highlight its fusion of aggressive electronic beats and metal elements. The track quickly gained attention within and communities, praised for its innovative production and high-energy sound, helping to build anticipation ahead of the album. The debut studio album, Polymorphic Code, was produced primarily by Gallego and released on November 19, 2012, comprising 10 tracks that seamlessly integrate heavy guitar riffs, intricate electronic programming, and dynamic sound design inspired by computing themes. Standout elements included pulsating synth layers in "Access Granted" and glitchy breakdowns in "Logic Bomb," with the album receiving acclaim for pushing genre boundaries in the metalcore landscape. To enhance live renditions, Gallego collaborated with drummer Mike Malyan of Monuments, incorporating authentic percussion that added intensity to the project's electronic foundation. Throughout 2012 and 2013, The Algorithm conducted a series of European and UK tours, featuring support slots for acts like and headline performances at festivals such as , which helped establish their reputation for energetic, visually engaging live shows. These outings, often with the expanded live lineup including Malyan, showcased tracks from Polymorphic Code to growing audiences, solidifying the project's presence in the international circuit.

Octopus4 and multimedia ventures (2014–2015)

Following the heavier, metal-infused sound of the debut album Polymorphic Code, The Algorithm's second full-length release, Octopus4, marked a pivot toward more electronic and experimental territory, emphasizing ambient textures and glitchy IDM influences across its 12 tracks. Released on June 2, 2014, via , the album blended riffs with dance-oriented and elements, creating a "controlled chaos" that prioritized atmospheric builds over aggressive grooves. Preceding the album's launch, the "synthesiz3r" was issued on April 22, 2014, showcasing pulsating synth lines and rhythmic es in an official audio visualizer that evoked digital fragmentation. Later that year, on September 29, 2014, "Terminal" followed as another single, its thematic video depicting existential decay through abstract, circuit-like visuals, further highlighting the project's evolving fusion of electronics and narrative visuals. These releases not only promoted Octopus4 but also underscored Gallego's interest in , with tracks like "discovery" and "_MOS" exemplifying the album's ambient drifts and interruptions. In parallel with the album, 2014 saw The Algorithm venture into through the campaign for Rogue Star: Pirates vs. Privateers, launched on March 20 by Rogue Star Games. Gallego composed an original score integrating the band's signature electronic pulses and heavy drops, tailored to the game's fast-paced, shoot-'em-up mechanics reminiscent of and . Backers received exclusive rewards, including digital copies of the game and Octopus4, bridging and gaming audiences. This multimedia expansion continued into 2015 with the release of the single "Neotokyo" on February 9, a track inspired by the aesthetic of the mod NeoTokyo. While not part of the game's original soundtrack, the song's release fostered within tech and gaming communities, aligning The Algorithm's glitchy, futuristic sound with interactive narratives and attracting collaborators in electronic music and modding scenes.

Brute Force and Compiler Optimization Techniques (2016–2019)

In 2016, The Algorithm, the solo project of French musician Rémi Gallego, released the self-produced album Brute Force on April 1 via FiXT Music. The record drew thematic inspiration from computing concepts, particularly the brute force method in and algorithms, which involves exhaustive trial-and-error searches to solve problems. Featuring tracks such as "Floating Point," which evokes numerical precision in programming, and "Pointers," referencing in code, the album blended electronic and metal elements to metaphorically represent computational intensity. Later that year, on December 2, The Algorithm issued the split EP Brute Force: Overclock as a DLC expansion to the album, containing four tracks including "Idle" and "Overclock," which explored accelerated processing themes through remixed and instrumental variations. This was followed in 2017 by Brute Force: , another four-track EP released on April 7, offering alternate mixes and instrumentals like "Runtime," "," and a remix of "Userspace" by Volkor X, further delving into code deconstruction and recompilation motifs. These EPs extended the album's computational narrative, providing fans with deeper layers of production experimentation. In 2018, The Algorithm released the album Compiler Optimization Techniques on November 1 through FiXT Music, a six-track effort self-produced by Gallego that metaphorically optimized sound layers akin to code compilation processes in . Tracks such as "Superscalar" and "Binary Space" illustrated this through intricate layering of electronic rhythms and guitar riffs, aiming for efficiency in sonic much like compiler techniques that streamline executable code. That same year, Gallego contributed to the single "Collapse (The Algorithm Remix)" for The Dali Thundering Concept, released on October 3, reworking the track with his signature electronic intensity. Under the alias Boucle Infinie, Gallego explored experimental loops in the 2017 EP 直線移動, self-released on November 24, featuring five tracks like "Inside (ft. Philippe Charny)" and "System" that shifted from IDM to with melancholic, looping textures. Building on prior gaming ties, Gallego also composed tracks for the Hacknet Labyrinths DLC soundtrack, released August 4, 2017, including "Sabotage" and "ClearText," enhancing the hacking simulator's immersive atmosphere.

Data Renaissance and recent developments (2020–present)

Following the release of Compiler Optimization Techniques in 2018, The Algorithm continued to explore computing-inspired themes through a series of standalone singles amid the challenges of the . In May 2020, the project contributed a of "People from the Dark Hill" for electronic artist Aura Shred, blending heavy electronic distortion with glitchy breakdowns. This was followed in 2021 by original singles "Among the Wolves" and "Protocols," which emphasized aggressive synth leads and rhythmic complexity, before the pre-album tracks "" and "" built anticipation with their intricate, error-code-titled structures evoking digital malfunctions. The fifth studio album, Data Renaissance, arrived on June 3, 2022, via FiXT Music, comprising 10 tracks that marked a return to the project's glitchcore roots through distorted electronics and chaotic beats layered over heavy guitars. Standout singles like the glitched-out "Cryptographic Memory" and the atmospheric "Object Resurrection" (initially released January 21, 2022) highlighted this revival, fusing mind-melting compositions with the band's signature fusion of metal and . Later that year, The Algorithm provided a of "Cosmic Rays and Flipped Bits" for Berkan Cesur, incorporating flipped synth patterns and bit-crushed effects into the Turkish producer's dark electronic framework. In 2023, the single "Latent Noise," a collaboration with Extra Terra, extended this experimental vein with pulsating basslines and latent ambient noise fields, released on April 7. The project then ventured into soundtrack work with "Fire and Flesh" for the VOIN on December 13, 2024, delivering a brutal, energetic theme suited to the game's warrior narrative under Kid Katana Records. This momentum carried into 2025 with "Graceful Degradation" on September 5, a track previewing denser electronic-metal hybrids, and "Elemental Fury" from the VOIN OST on June 24, emphasizing raw, fury-driven instrumentation. On September 5, 2025, The Algorithm announced the sixth studio album, Recursive Infinity, set for release on November 21 via the project's , with pre-orders including signed limited-edition vinyl for the first 128 copies. The album features tracks like "" and "Advanced Evasion Technique," promising further evolution in recursive, infinity-looping sonic structures available for pre-order and merchandise.

Musical style

Genres and influences

The Algorithm's music is characterized by electronicore, blending electronic dance music (EDM) elements with metal subgenres including djent, progressive metal, and mathcore. This fusion creates a high-energy sound marked by intricate polyrhythms, aggressive breakdowns, and glitchy electronic textures, often described as "progtronica" by the project's creator, Rémi Gallego. Key influences on the band's style include progressive metal acts such as Periphery, Animals as Leaders, and Born of Osiris, which inform the complex guitar riffing and rhythmic structures, alongside electronic and IDM (intelligent dance music) inspirations from Daft Punk's Tron: Legacy soundtrack and chiptune sounds from video games like Mega Man and Street Fighter II. Gallego has cited breakcore elements from collaborators like Igorrr, incorporating dub and post-rock influences to add atmospheric depth. The integration of heavy, djent-style guitar riffs with synthesized beats fosters a cyberpunk aesthetic, drawing from broader cultural touchstones like Blade Runner and video game soundscapes. A distinctive feature is the recurring use of distorted female vocals, providing a harsh, otherworldly contrast to the instrumental intensity and enhancing the electronic-metal hybrid. Song titles and thematic concepts frequently reference computing terminology—such as "Trojans," "Deadlock," and "Recursive Infinity"—mirroring Gallego's background in and emphasizing the algorithmic precision of the compositions.

Production techniques

The Algorithm's production is centered around digital audio workstations, with Rémi Gallego primarily utilizing for composing tracks by layering intricate electronic elements atop programmed drums and guitar riffs. This software facilitates the band's signature fusion of genres, allowing seamless integration of synthesized sounds with heavier instrumentation. Gallego employs controllers such as the Akai APC40 to manipulate loops and apply effects in real-time during the recording phase, enhancing the dynamic and experimental quality of the arrangements. Gallego handles the bulk of production in a home studio environment, where he records and mixes the majority of the material independently. This setup emphasizes glitch effects, creating abrupt, fragmented audio textures that define the project's aesthetic through chopped samples and unpredictable sonic disruptions. Bitcrushing and algorithmic further contribute to the distorted, computational feel, drawing from influences like to process audio into harsh, low-fidelity bursts that contrast with cleaner metal components. Collaborations for vocals and guest features typically occur remotely, especially in later projects, with Gallego exchanging stems or full tracks via digital means to incorporate contributions from artists without in-person sessions. This method streamlines the integration of external elements, such as programmed drums from collaborators, into the core home-produced framework.

Evolution and live adaptations

The Algorithm's sound began with raw electronic demos in 2009–2010, characterized by MIDI-controlled synths and minimal metal elements, reflecting Rémi Gallego's initial solo experiments in electro and tech metal. By 2012, with the release of Polymorphic Code, the project evolved into a polished hybrid of metal riffs and electronic production, incorporating heavy guitars and effects to create a more aggressive, genre-blending aesthetic. This progression continued in 2014 with Octopus4, which introduced ambient influences drawn from video game soundtracks, adding atmospheric layers and elements to the electronic-metal core for a more immersive, less abrasive tone. Post-2016, albums like Brute Force and Compiler Optimization Techniques emphasized glitch-heavy textures, with distorted electronics and intricate digital manipulations amplifying the project's cybernetic intensity. In live settings, The Algorithm adapts its studio complexity through pre-recorded backing tracks—particularly for and synth layers—synced via click tracks and real-time triggering on controllers like the Akai APC40 and , allowing Gallego to focus on guitar, bass, and keyboard performance. The addition of a live , starting with Mike Malyan on early tours and later Jean , introduces an organic rhythmic feel to counterbalance the electronic precision, enhancing the metal edge during sets. Post-2020, the sound shifted toward cinematic soundtracks in Data Renaissance (2022), featuring cyberpunk-inspired synths, orchestral serenity, and progressive electro-metal fusions that build fuller, narrative-driven productions with dreamy neon melodies and tumultuous electronic waves. As of November 2025, the upcoming album Recursive Infinity (released November 21, 2025) continues this trajectory with electro-metal compositions exploring themes of infinite loops, recursion, and evasion techniques through tracks like "" and "Endless Iteration," maintaining the project's and foundations while deepening computational motifs. Replicating the layered studio complexity live presents challenges, such as synchronizing electronics with organic elements, addressed through rigorous rehearsals, backing tracks for intricate glitches, and improvised guitar solos to bridge the mechanical and human aspects. Gallego has noted improvements in live energy by incorporating guitar, moving away from purely electronic presentations to better connect with metal audiences.

Personnel

Current members

The Algorithm's core lineup as of 2025 consists of founder Rémi Gallego and drummer Jean Ferry. Rémi Gallego (born October 7, 1989) established the project in 2009 as a solo endeavor originating from his early demos shared on , where he manages all aspects of electronics, guitars, bass, programming, and production. Jean Ferry joined as the band's drummer in 2014, replacing previous live collaborator Mike Malyan, and has since provided the rhythmic foundation for performances, enhancing the project's dynamic electronic-metal fusion on stage. There are no other permanent members, with Gallego serving as the primary creative force behind the music.

Former and touring members

Mike Malyan performed as the live drummer for The Algorithm from 2011 to 2014, contributing significantly to the project's early live tours and performances, including drum playthroughs for tracks like "tr0jans" and "Access Denied." Max Michel served as the touring guitarist starting in 2013, participating in select live shows and providing guitar playthroughs for songs such as "tr0jans." His involvement helped shape the band's early stage presence before he moved on to other projects like Kadinja. In addition to these core contributors, The Algorithm has featured various session musicians on recordings.

Discography

Studio albums

The Algorithm's debut studio album, Polymorphic Code, was released on November 19, 2012, through Basick Records. The record consists of eight tracks, including "Handshake," "Bouncing Dot," "Trojans," "Access Granted," "Logic Bomb," "Warp Gate Exploit," "Null," and the extended closer "Panic," blending electronic, math rock, and progressive metal elements in a runtime of approximately 48 minutes. Critics praised its innovative fusion of genres, with Sputnikmusic describing it as revealing "a wholly new and exciting cosmos" for electronic and metal listeners, while Louder Sound awarded it 4 out of 5 stars for its boundary-pushing sound. The second studio album, Octopus4, was self-released on June 2, 2014, through Basick Records. Spanning 12 tracks such as "autoRun," "discovery," "_MOS," "will_smith," "ピタゴラスPYTHAGORAS," "synthesiz3r," "damage points," "void," "loading," "un dernier combat," "recovery fail!," and "terminal," it incorporates math rock influences, techno rhythms, and a more dance-oriented sound in a 54-minute runtime. Reviews highlighted its stylistic evolution, with Heavy Blog is Heavy noting its shift toward progressive and experimental electronics. The band's third studio album, Brute Force, arrived on April 1, 2016, via FiXT Music. Spanning 10 tracks such as "Boot," "Floating Point," "Pointers," "Brute Force," "Userspace," "Shellcode," "Hex," "Deadlock" (featuring ), "Rootkit," and "Trojans (Hard Mode)," it delves into algorithm-themed compositions with a mix of riffs, glitchy electronics, and industrial beats, totaling around 60 minutes. Reception highlighted its cohesive diversity, as noted by Heavy Blog is Heavy for defying logic through its blend of styles, and New Noise Magazine commended the momentum and progressions in its tracks. Compiler Optimization Techniques, the fourth studio album, was self-released on November 1, 2018, with a later FiXT Music digital edition in 2020. This shorter effort features five extended tracks—"Cluster" (11:43), "Fragmentation" (7:29), "Superscalar" (7:29), "Binary Space" (6:44), and "" (9:25)—emphasizing intricate , industrial, and metal fusion in a 43-minute runtime. Reviews appreciated its experimental depth, with Angry Metal Guy likening it to a self-sustaining electronic society, and Everything Is Noise lauding the hot mix of and metal across its compositions. The fifth studio album, Data Renaissance, was issued on , 2022, through FiXT Music. It comprises 10 tracks, including "," "," "Decompilation," "Readonly," "," "," "Backdoor," "Payload," "Runtime Error," and "," reviving and influences with distorted synths and heavy guitars in about 41 minutes. Critics noted its aggressive yet melodic revival of early elements, earning a 9/10 from Ever Metal for its controlled chaos and angular beats, while Into the Void praised the searing creativity in its digital compositions. The upcoming sixth studio album, Recursive Infinity, is scheduled for release on November 21, 2025, via the artist's . Announced tracks include "," "Advanced Evasion Technique," "Endless Iteration," "Graceful Degradation," and "Hollowing," signaling a continuation of tech-inspired electronic-metal themes. Pre-release buzz has built around its availability and limited vinyl editions, with early previews generating excitement for its iterative .

Compilations

The Algorithm's sole major compilation release is Method_, a self-released effort from 2011 comprising 12 tracks that aggregate early demos alongside remixes, functioning as an introductory showcase for the artist's sound. Beyond this, the project has not issued additional significant compilations, though occasional digital bundles—often bundling albums, EPs, and merchandise—have been made available exclusively via to support direct fan access and funding. These bundles typically include high-quality downloads in formats like and are tied to specific album launches or special editions.

EPs

The Algorithm's extended plays consist of shorter releases that often serve as experimental outlets or supplementary material to full-length albums, emphasizing thematic depth over length. Identity, self-released on November 30, 2010, is an early EP featuring two tracks—"Continuity" and " [Pt. 1]"—that bridge the project's initial demos and establish foundational electronic and rock elements in Rémi Gallego's production. The Brute Force EPs emerged as splits tied to the 2016 album of the same name. Overclock (2016, FiXT) delivers instrumental versions emphasizing high-energy electronic rhythms, while (2017, FiXT) incorporates vocal elements for a more narrative-driven approach, each with four tracks expanding on the album's core themes.

Singles

The Algorithm's standalone singles span a diverse range of electronic, metal, and remix productions, often serving as promotional vehicles for albums or collaborative efforts. These releases, primarily digital, highlight his evolving sound from glitchy influences to cyberpunk-inspired , with several featuring official s directed by the artist himself. Early singles established his signature style. "Trojans," released on November 19, 2012, by as a digital download, introduced aggressive electronic breakdowns and was accompanied by a depicting digital warfare themes. "Synthesizer" (stylized as "synthesiz3r"), issued on May 5, 2014, also by , emphasized pulsating synth leads and served as a lead-in to the Octopus4 ; an official audio track was uploaded to . "Terminal," released in September 2014 by , explored themes of fragility through heavy percussion and ambient electronics, with a released on . Subsequent releases in the mid-2010s built on this foundation. "Neotokyo," a February 9, 2015, digital single from , drew inspiration from aesthetics and included a promotional video. "Floating Point," dropped on January 29, 2016, under FiXT, featured intricate programming motifs and promoted the Brute Force album with an official video. "Pointers," released on March 9, 2016, by FiXT, continued the technical theme with a full showcasing live elements. From 2018 onward, singles increasingly incorporated remixes and collaborations while maintaining standalone status. "Collapse," a 2018 remix single for The Dali Thundering Concept released via FiXT, fused with electronic glitches. "People from the Dark Hill," issued on May 22, 2020, as a remix for Aura Shred on FiXT, blended dark synths with shredding guitars. "Among the Wolves," a April 23, 2021, remix collaboration with Pure Obsessions & Red Nights via FiXT, evoked tension. The 2021 output was particularly prolific, with multiple singles previewing the Data Renaissance album on FiXT. "Protocols," released on May 7, 2021, highlighted rhythmic complexity and was available as a digital download. "," from June 2021, featured urgent electronic pulses. "," issued in July 2021, incorporated error-themed . "Run Away," an August 2021 single, added atmospheric layers. "Decompilation," released in September 2021, explored deconstructive motifs. "Readonly," from October 2021, emphasized immutable digital structures via . "Cryptographic Memory," dropped on December 3, 2021, with a video, delved into haunting synths and heavy drops. Later singles continued this momentum. "Object Resurrection," a 2022 digital release on FiXT, tied into album promotion with revivalist themes. "Cosmic Rays and Flipped Bits," also from 2022 via FiXT, incorporated spacey electronics. "Latent Noise," released in 2023 on FiXT, focused on subtle elements. "Fire and Flesh," issued in 2024 as part of the VOIN project on FiXT, blended organic and synthetic aggression. "Graceful Degradation," a 2025 single from FiXT, addressed system failure concepts. "Elemental Fury," released earlier in 2025 on FiXT and tied to VOIN, featured intense percussive builds.

Demos

The Algorithm's earliest recordings were two self-released demo albums distributed for free via digital download on the band's website and platforms like Bandcamp, marking the inception of Rémi Gallego's solo project in the electronicore genre. The first demo, The Doppler Effect, was released in June 2009 and consists of five tracks characterized by experimental electronics, glitchy sound design, and ambient textures without prominent metal elements. The tracks include "Attack (feat. Flow)," "The Doppler Effect," "Lost Frequencies," "In a Dispersive Medium," and "Decay," showcasing raw production focused on atmospheric builds and electronic manipulation. The follow-up demo, Critical Error, arrived in September 2010 with six tracks that introduced heavier metal riffs alongside the project's signature electronic components, bridging toward the djent-influenced style of later works. Key tracks such as "Reverse," "Calculated Movements," "Access Denied," "Critical.Error," and the multi-part "Kernel" series demonstrate evolving song structures with aggressive breakdowns and synthesized leads. No additional demos were released after 2011, as the project shifted toward formal releases; however, selections from these early works formed the basis of the 2011 compilation Method_, providing a foundational of the band's unpolished origins.

References

  1. https://echoesanddust.com/2018/06/remi-gallego-of-the-algorithm/
  2. https://www.keithmcmillen.com/blog/interview-with-the-algorithm/
  3. https://www.metalkingdom.net/band/the-algorithm-16790
  4. https://rateyourmusic.com/release/album/the-algorithm/compiler-optimization-techniques/
  5. https://www.spirit-of-metal.com/en/band/The_Algorithm
  6. https://www.discogs.com/master/718649-The-Algorithm-Octopus4
  7. https://www.discogs.com/release/23349011-The-Algorithm-Data-Renaissance-
  8. https://www.discogs.com/artist/6193783-Boucle-Infinie
  9. https://intothealgorithm.bandcamp.com/album/recursive-infinity
  10. https://the-algorithm.net/about
  11. https://intothealgorithm.bandcamp.com/album/doppler-effect
  12. https://www.discogs.com/release/8888065-The-Algorithm-The-Doppler-Effect
  13. https://intothealgorithm.bandcamp.com/album/critical-error
  14. https://www.last.fm/music/The%2BAlgorithm/%2Bwiki
  15. https://www.youtube.com/watch?v=d6_m0i1yYe0
  16. https://postmanblog.wordpress.com/2012/01/30/the-algorithm-trojans-single/
  17. https://basickrecords.bandcamp.com/album/polymorphic-code
  18. https://www.rockfreaks.net/albums/5577
  19. https://www.digitaltourbus.com/news/tesseract-announces-uk-tour-with-the-algorithm-enochian-theory/
  20. https://www.youtube.com/watch?v=7pZL7PlnZ8U
  21. https://basickrecords.bandcamp.com/album/octopus4
  22. https://www.rocksins.com/2014/05/the-algorithm-octopus4-21252-21252/
  23. https://www.youtube.com/watch?v=NTq1rVYrzAM
  24. https://www.youtube.com/watch?v=m_0yPdvkd_w
  25. https://www.metalunderground.com/bands/details.cfm?bandid=10009&tab=news
  26. https://basickrecords.bandcamp.com/track/neotokyo
  27. https://intothealgorithm.bandcamp.com/album/brute-force
  28. https://www.loudersound.com/news/the-algorithm-to-have-brute-force-album-released-on-triple-vinyl
  29. https://genius.com/albums/The-algorithm/Brute-force
  30. https://intothealgorithm.bandcamp.com/album/brute-force-overclock
  31. https://intothealgorithm.bandcamp.com/album/brute-force-source-code
  32. https://intothealgorithm.bandcamp.com/album/compiler-optimization-techniques-2
  33. https://open.spotify.com/album/0GwN6XfZPh090Isep8jTQe
  34. https://open.spotify.com/album/6pbidWaLPdZ44HzjwDJ3cB
  35. https://intothealgorithm.bandcamp.com/album/-
  36. https://bossbattlerecords.bandcamp.com/album/hacknet-labyrinths-original-game-soundtrack
  37. https://intothealgorithm.bandcamp.com/album/data-renaissance
  38. https://thealgorithm.bandcamp.com/album/object-resurrection-single
  39. https://open.spotify.com/album/618qa4axuijcfvLr6THSSF
  40. https://extraterra.bandcamp.com/track/latent-noise-single
  41. https://music.apple.com/us/album/graceful-degradation-single/1836016931
  42. http://sin23ou.heavy.jp/?p=6910
  43. http://www.metalobsession.net/2017/05/10/it-all-started-because-of-my-musical-tastes-an-interview-with-remi-gallego-the-algorithm/
  44. https://equipboard.com/pros/remi-gallego
  45. https://www.angrymetalguy.com/the-algorithm-compiler-optimization-techniques-review/
  46. https://www.theaureview.com/music/interview-the-algorithm-france-on-big-day-out-video-games-and-will-smith/
  47. https://holdtight.co/news/2018/10/17/the-algorithm-release-new-single-binary-space
  48. https://www.intothevoidmusic.com/post/album-review-the-algorithm-data-renaissance
  49. https://www.wallofsoundau.com/reviews/voyager-gig-review-21st-may-the-oxford-arts-factory-sydney-nsw
  50. https://www.stereoboard.com/the-algorithm-tickets
  51. https://www.discogs.com/artist/2826492-The-Algorithm
  52. https://ramzine.co.uk/news/the-algorithm/
  53. https://www.roughtrade.com/en-de/artist/the-algorithm
  54. https://meinlcymbals.com/en/artists/mike-malyan-a28338.html
  55. https://www.youtube.com/watch?v=3S3mmgDK5k4
  56. https://www.youtube.com/watch?v=7Jzmupc9i4c
  57. https://www.discogs.com/master/592611-The-Algorithm-Polymorphic-Code
  58. https://www.sputnikmusic.com/review/53460/The-Algorithm-Polymorphic-Code/
  59. https://www.loudersound.com/reviews/the-algorithm-polymorphic-code
  60. https://www.heavyblogisheavy.com/2014/05/13/the-algorithm-octopus4/
  61. https://www.discogs.com/master/1271852-The-Algorithm-Brute-Force
  62. https://www.heavyblogisheavy.com/2016/03/17/the-algorithm-brute-force/
  63. https://newnoisemagazine.com/reviews/album-review-the-algorithm-brute-force-2/
  64. https://www.discogs.com/master/1455389-The-Algorithm-Compiler-Optimization-Techniques
  65. https://everythingisnoise.net/reviews/the-algorithm-compiler-optimization-techniques/
  66. https://www.ever-metal.com/2022/06/03/the-algorithm-data-renaissance/
  67. https://intothealgorithm.bandcamp.com/
  68. https://intothealgorithm.bandcamp.com/album/identity
  69. https://www.discogs.com/master/1504657-The-Algorithm-Brute-Force-Overclock
  70. https://www.discogs.com/master/1504658-The-Algorithm-Brute-Force-Source-Code
  71. https://basickrecords.bandcamp.com/track/trojans
  72. https://www.youtube.com/watch?v=2Y5jE2v0K6A
  73. https://music.apple.com/us/album/synthesiz3r-single/876492036
  74. https://www.discogs.com/release/8888251-The-Algorithm-Neotokyo
  75. https://www.youtube.com/watch?v=zBnu5y5jiKc
  76. https://www.discogs.com/release/19372552-The-Algorithm-Floating-Point
  77. https://www.youtube.com/watch?v=fhGJOys5gcc
  78. https://www.youtube.com/watch?v=YjjmM3w2t_g
  79. https://music.apple.com/us/album/collapse-the-algorithm-remix-single/1438773366
  80. https://music.apple.com/us/album/among-the-wolves-the-algorithm-remix-single/1558651791
  81. https://rateyourmusic.com/release/single/the-algorithm/protocols/
  82. https://open.spotify.com/track/5fdXX1md1N8YzU0H4g6B99
  83. https://open.spotify.com/track/7H8H1rMrwYfad8PjGTJDdg
  84. https://www.youtube.com/watch?v=-47XyKhxq_w
  85. https://music.amazon.com/artists/B00H42KZHA/the-algorithm
  86. https://the-algorithm.net/music
  87. https://genius.com/albums/The-algorithm/The-doppler-effect
  88. https://www.discogs.com/master/1245705-The-Algorithm-CriticalError
  89. https://the-algorithm.fandom.com/wiki/Album:Critical_Error
  90. https://the-algorithm.fandom.com/wiki/The_Algorithm
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