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Book of Kells
The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. [58], sometimes known as the Book of Columba) is an illustrated manuscript and Celtic Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland or Scotland, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is regarded as a masterwork of Western calligraphy and the pinnacle of Insular illumination. The manuscript takes its name from the Abbey of Kells, County Meath, which was its home for centuries.
The illustrations and ornamentation of the Book of Kells surpass those of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.
The manuscript today comprises 340 leaves or folios; the recto and verso of each leaf total 680 pages. Since 1953, it has been bound in four volumes, 330 mm by 250 mm (13 inches by 9.8 inches). The leaves are high-quality calf vellum; the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures, marking the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, some of which were imported from distant lands.
The manuscript is on display to visitors in Trinity College Library, Dublin, and shows two pages at any one time, rotated every 12 weeks. A digitised version of the entire manuscript may also be seen online.
The Book of Kells is one of the finest and most famous, and also one of the latest, of a group of manuscripts in what is known as the Insular style, produced from the late 6th through the early 9th centuries in monasteries in Britain and Ireland and in continental monasteries with Hiberno-Scottish or Anglo-Saxon foundations. These manuscripts include the Cathach of St. Columba, the Ambrosiana Orosius, fragmentary Gospel in the Durham Dean and Chapter Library (all from the early 7th century), and the Book of Durrow (from the second half of the 7th century). From the early 8th century come the Durham Gospels, the Echternach Gospels, the Lindisfarne Gospels, and the Lichfield Gospels. Among others, the St. Gall Gospel Book belongs to the late 8th century and the Book of Armagh (dated to 807–809) to the early 9th century.
Scholars place these manuscripts together based on similarities in artistic style, script, and textual traditions. The fully developed style of the ornamentation of the Book of Kells places it late in this series, either from the late 8th or early 9th century. The Book of Kells follows many of the iconographic and stylistic traditions found in these earlier manuscripts. For example, the form of the decorated letters found in the incipit pages for the Gospels is surprisingly consistent in Insular Gospels. Compare, for example, the incipit pages of the Gospel of Matthew in the Lindisfarne Gospels and in the Book of Kells, both of which feature intricate decorative knotwork patterns inside the outlines formed by the enlarged initial letters of the text. (For a more complete list of related manuscripts, see: List of Hiberno-Saxon illustrated manuscripts).
The Abbey of Kells in Kells, County Meath, had been founded, or refounded, from Iona Abbey, construction taking from 807 until the consecration of the church in 814. The manuscript's date and place of production have been subjects of considerable debate. Traditionally, the book was thought to have been created in the time of Columba, possibly even as the work of his own hands. This tradition has long been discredited on palaeographic and stylistic grounds: most evidence points to a composition date c. 800, long after St. Columba's death in 597. The proposed dating in the 9th century coincides with Viking raids on Lindisfarne and Iona, which began c. 793-794 and eventually dispersed the monks and their holy relics into Ireland and Scotland. There is another tradition, with some traction among Irish scholars, that suggests the manuscript was created for the 200th anniversary of the saint's death. Alternatively, as is thought possible for the Northumbrian Lindisfarne Gospels and also the St Cuthbert Gospel, both with Saint Cuthbert, it may have been produced to mark the "translation" or moving of Columba's remains into a shrine reliquary, which probably had taken place by the 750s.
There are at least four competing theories about the manuscript's place of origin and time of completion. First, the book, or perhaps just the text, may have been created at Iona and then completed in Kells. Second, the book may have been produced entirely at Iona. Third, the manuscript may have been produced entirely in the scriptorium at Kells. Finally, it may have been the product of Dunkeld or another monastery in Pictish Scotland, though there is no actual evidence for this theory, especially considering the absence of any surviving manuscript from Pictland. Although the question of the exact location of the book's production will probably never be answered conclusively, the first theory, that it was begun at Iona and continued at Kells, is widely accepted. Regardless of which theory is true, it is certain that the Book of Kells was produced by Columban monks closely associated with the community at Iona.
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Book of Kells
The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. [58], sometimes known as the Book of Columba) is an illustrated manuscript and Celtic Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland or Scotland, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is regarded as a masterwork of Western calligraphy and the pinnacle of Insular illumination. The manuscript takes its name from the Abbey of Kells, County Meath, which was its home for centuries.
The illustrations and ornamentation of the Book of Kells surpass those of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.
The manuscript today comprises 340 leaves or folios; the recto and verso of each leaf total 680 pages. Since 1953, it has been bound in four volumes, 330 mm by 250 mm (13 inches by 9.8 inches). The leaves are high-quality calf vellum; the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures, marking the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, some of which were imported from distant lands.
The manuscript is on display to visitors in Trinity College Library, Dublin, and shows two pages at any one time, rotated every 12 weeks. A digitised version of the entire manuscript may also be seen online.
The Book of Kells is one of the finest and most famous, and also one of the latest, of a group of manuscripts in what is known as the Insular style, produced from the late 6th through the early 9th centuries in monasteries in Britain and Ireland and in continental monasteries with Hiberno-Scottish or Anglo-Saxon foundations. These manuscripts include the Cathach of St. Columba, the Ambrosiana Orosius, fragmentary Gospel in the Durham Dean and Chapter Library (all from the early 7th century), and the Book of Durrow (from the second half of the 7th century). From the early 8th century come the Durham Gospels, the Echternach Gospels, the Lindisfarne Gospels, and the Lichfield Gospels. Among others, the St. Gall Gospel Book belongs to the late 8th century and the Book of Armagh (dated to 807–809) to the early 9th century.
Scholars place these manuscripts together based on similarities in artistic style, script, and textual traditions. The fully developed style of the ornamentation of the Book of Kells places it late in this series, either from the late 8th or early 9th century. The Book of Kells follows many of the iconographic and stylistic traditions found in these earlier manuscripts. For example, the form of the decorated letters found in the incipit pages for the Gospels is surprisingly consistent in Insular Gospels. Compare, for example, the incipit pages of the Gospel of Matthew in the Lindisfarne Gospels and in the Book of Kells, both of which feature intricate decorative knotwork patterns inside the outlines formed by the enlarged initial letters of the text. (For a more complete list of related manuscripts, see: List of Hiberno-Saxon illustrated manuscripts).
The Abbey of Kells in Kells, County Meath, had been founded, or refounded, from Iona Abbey, construction taking from 807 until the consecration of the church in 814. The manuscript's date and place of production have been subjects of considerable debate. Traditionally, the book was thought to have been created in the time of Columba, possibly even as the work of his own hands. This tradition has long been discredited on palaeographic and stylistic grounds: most evidence points to a composition date c. 800, long after St. Columba's death in 597. The proposed dating in the 9th century coincides with Viking raids on Lindisfarne and Iona, which began c. 793-794 and eventually dispersed the monks and their holy relics into Ireland and Scotland. There is another tradition, with some traction among Irish scholars, that suggests the manuscript was created for the 200th anniversary of the saint's death. Alternatively, as is thought possible for the Northumbrian Lindisfarne Gospels and also the St Cuthbert Gospel, both with Saint Cuthbert, it may have been produced to mark the "translation" or moving of Columba's remains into a shrine reliquary, which probably had taken place by the 750s.
There are at least four competing theories about the manuscript's place of origin and time of completion. First, the book, or perhaps just the text, may have been created at Iona and then completed in Kells. Second, the book may have been produced entirely at Iona. Third, the manuscript may have been produced entirely in the scriptorium at Kells. Finally, it may have been the product of Dunkeld or another monastery in Pictish Scotland, though there is no actual evidence for this theory, especially considering the absence of any surviving manuscript from Pictland. Although the question of the exact location of the book's production will probably never be answered conclusively, the first theory, that it was begun at Iona and continued at Kells, is widely accepted. Regardless of which theory is true, it is certain that the Book of Kells was produced by Columban monks closely associated with the community at Iona.