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The Crunge
The Crunge
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"The Crunge"
German single picture sleeve
Single by Led Zeppelin
from the album Houses of the Holy
A-side"D'yer Mak'er"
Released17 September 1973 (1973-09-17) (US)
Recorded1972
StudioHeadley Grange, Headley, England
GenreFunk rock
Length3:10
LabelAtlantic
Songwriters
ProducerJimmy Page
Led Zeppelin singles chronology
"Over the Hills and Far Away"
(1973) 		"The Crunge"
(1973) 		"Trampled Under Foot"
(1975)

"The Crunge" is a song by the English rock band Led Zeppelin from their 1973 album Houses of the Holy. The song is a takeoff on James Brown's style of funk similar to the group's attempt at reggae with "D'yer Mak'er".[1] It was also released as the B-side of "D'yer Mak'er" in the US.

Composition and recording

[edit]

The song evolved out of a jam session in the studio. John Bonham started the beat, John Paul Jones came in on bass, Jimmy Page played a funk guitar riff (and a chord sequence that he had been experimenting with since 1970), and Robert Plant started singing.[2][1] For the recording, Page played a Fender Stratocaster guitar and it is possible to hear him depressing a whammy bar at the end of each phrase.[2]

The song is primarily in 9/8, giving its distinctive, off-kilter rhythm. It has a relatively unique structure, comprising verses and a chorus but lacks a bridge or middle eight, common in most forms of Western popular music. Because of this, Plant asks where the bridge is by imploring in the final bars (and answers himself), culminating with "Have you seen the bridge?" "I ain't seen the bridge!" "Where's that confounded bridge?"

Personnel

[edit]

Personnel taken from album sleeve [3]

Reception

[edit]

In a contemporary review for Houses of the Holy, Gordon Fletcher of Rolling Stone gave "The Crunge" a negative review, calling it a "naked imitation", along with "D'yer Mak'er", as well as "easily" one of the worst things the band has ever attempted.[4]

Fletcher added, "[It] reproduces James Brown so faithfully that it's every bit as boring, repetitive and clichéd as 'Good Foot'. Yakety-yak guitar, boom-boom bass, astoundingly idiotic lyrics ('when she walks, she walks, and when she talks, she talks') — it's all there. So is Jones' synthesizer, spinning absolutely superfluous electronic fills."[4]

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Crunge

View on Grokipedia
from Grokipedia
"The Crunge" is a by the English rock band Led Zeppelin, featured as the eighth track on their fifth studio album, , which was released on March 28, 1973, by . The track, clocking in at 3:17, emerged from an impromptu during the album's recording at in , , where drummer initiated the beat, bassist added the bassline, guitarist contributed a inspired by , and vocalist improvised lyrics. Inspired by the Godfather of Soul, , "The Crunge" mimics his energetic funk style, complete with call-and-response vocals, horn-like guitar stabs, and an irregular rhythm structure featuring extra beats for emphasis, as heard in Plant's exclamations like "and!" and "Hey!". The song's title refers to a fictional , and its playful lyrics include references to Otis Redding's "Mr. Pitiful" with lines such as "Ain't gonna call me Mr. Pitiful, no I don't need no respect from nobody," while the closing spoken-word segment humorously nods to Brown's frequent ad-libs like "Take it to the bridge," followed by Plant's bewildered question, "Where's that confounded bridge?"—highlighting the track's lack of a traditional bridge section. "The Crunge" was also issued as the B-side to the single "" in the United States in 1973, on (catalog 45-2986), though it received limited radio play compared to the band's heavier hits. The song's drum groove has proven influential, with Bonham's performance sampled by DJ Double Dee and Steinski for their 1985 hip-hop track " 3 (History of Hip Hop)," which in turn was sampled by on "The Magic Number" from their 1989 debut album . Despite its lighthearted tone and occasional criticism as a filler track amid the album's more ambitious compositions, "The Crunge" exemplifies Led Zeppelin's versatility in blending with and R&B elements during their early creative peak.

Background and Development

Origins and Inspiration

"The Crunge" originated as a deliberate homage to , the pioneering artist often called the "Godfather of Soul," with the song's title and overall concept serving as a playful to his energetic style. Led Zeppelin crafted the track to emulate Brown's infectious grooves and call-and-response vocal dynamics, marking a departure from their established blues-rock foundations. This inspiration stemmed from the band's admiration for Brown's rhythmic innovation during the early 1970s, positioning "The Crunge" as an experimental foray into within their repertoire. Specific influences drew from Brown's seminal tracks, particularly "Get Up (I Feel Like Being a) ," where the band sought to replicate the percussive, groove-driven essence and horn-accented s that defined his sound. Jimmy incorporated a guitar reminiscent of Brown's brass-like arrangements, while aimed to capture the tight, propulsive feel of Brown's studio and live . These elements were intentionally layered to evoke the raw, dance-oriented energy of Brown's , without directly copying any single but synthesizing his broader stylistic hallmarks. A key humorous element in the song's structure is Robert Plant's spoken-word outro, where he exclaims, "Where's that confounded bridge?" This line directly references Brown's frequent ad-libs urging his band to "take it to the bridge" in songs like "," underscoring the intentional absence of a traditional bridge section in "The Crunge." The gag highlights the band's self-aware nod to conventions, turning a structural omission into a witty commentary on their stylistic experimentation. In the broader context of 1973, "The Crunge" reflected Led Zeppelin's evolving musical palette on their fifth album, Houses of the Holy, as they increasingly integrated funk influences alongside their hard rock core. This shift represented a maturation in their sound, blending genre explorations to push creative boundaries following the success of prior releases.

Jam Session Evolution

"The Crunge" originated as a spontaneous jam session during the recording of Led Zeppelin's fifth studio album, Houses of the Holy, which took place primarily at Headley Grange in Hampshire, England, using the Rolling Stones Mobile Studio in early 1972, with additional sessions at Olympic Studios in London later that year. The track began when drummer laid down an infectious, off-beat groove in 9/8 time reminiscent of rhythms, prompting bassist to join with a descending bass line that locked into the rhythm. Guitarist then added a tight, James Brown-inspired on a , while vocalist improvised lyrics and scatting over the emerging foundation. This collaborative improvisation unfolded without a predefined structure, allowing the band to explore an extended, loose groove that captured their experimental spirit during the Houses of the Holy sessions. The result was a raw, energetic track that deviated from the band's more meticulously arranged compositions, emphasizing unscripted interplay among the musicians. Band members later reflected on the lighthearted atmosphere of the album sessions, with Page noting in a 1993 interview that "you can really hear the fun we were having," highlighting the playful contrast to Zeppelin's typically intense studio work. This spontaneous creation underscored the group's ability to channel joy and creativity into a track that became a fan-favorite nod to funk influences.

Musical Composition

Style and Genre Influences

"The Crunge" is classified as a track that marks a significant departure from Led Zeppelin's predominant style, integrating heavy rock instrumentation such as Jimmy Page's distorted guitar riffs with syncopated bass lines and driving drum patterns to create a hybrid sound. This blending emphasizes soulful vocal phrasing by , who delivers ad-libbed exclamations reminiscent of vocalists, while the overall arrangement prioritizes groove over traditional rock aggression. The song draws heavily from James Brown's funk, particularly in its rhythmic drive and energetic vocal interjections, positioning it as an explicit homage to the Godfather of Soul's influential style during the early 1970s. John Paul Jones contributes to the funk arrangement with synthesizer elements on the EMS VCS3, which produce percussive, horn-like textures akin to those in contemporary funk ensembles, enhancing the song's danceable quality. The composition employs a 9/8 time signature—often perceived as a loping 4/4 with off-beat accents—infusing the track with an unconventional, infectious propulsion that distinguishes it within Led Zeppelin's catalog and underscores its experimental fusion of genres.

Song Structure and Elements

"The Crunge" employs an unconventional song structure characterized by an opening riff, alternating verses and choruses, extended instrumental breaks, and a fade-out ending, notably lacking a traditional bridge section, with the entire track clocking in at 3:17 in duration. This non-linear form prioritizes rhythmic momentum and improvisation over standard pop-rock progression, allowing the band's jam-session origins to shine through in a compact yet dynamic arrangement. Key sonic elements define the track's infectious groove, starting with Jimmy Page's signature wah-wah guitar riff rooted in , which sets a funky, syncopated foundation inspired by rhythms. anchors the rhythm with a tight drum pattern featuring sharp accents and a shuffling beat that emphasizes off-beats for propulsion. Complementing this, delivers a punchy, walking laced with overlays that add textural layers and a brassy edge to the mix. Robert Plant's vocals adopt a scat-like, ad-libbed style, mimicking horn sections and injecting playful energy without relying on conventional . The song maintains a of approximately 113 beats per minute, placing a strong emphasis on groove and rhythms rather than lyrical or melodic resolution. This mid- pace facilitates the track's danceable quality, with the sections allowing each musician to showcase tight interplay. The culminates in the outro, where quips, "Where's that confounded bridge?", underscoring the deliberate omission of a bridging passage and highlighting the band's witty nod to songwriting conventions.

Recording and Production

Studio Sessions

The recording of "The Crunge" took place during the Houses of the Holy sessions, with basic tracks captured in May and June 1972 using the Rolling Stones Mobile Studio parked at Headley Grange, a remote manor house in Hampshire, England. Overdubs and final mixing followed at Olympic Studios in London later that summer. Jimmy Page served as producer, employing the mobile unit's 16-track tape setup to record the track, prioritizing the preservation of the band's spontaneous energy through a limited number of takes. This approach stemmed from the song's origins in an earlier jam session, where the group sought to translate its improvisational funk groove directly onto tape without over-rehearsing. One key challenge during the sessions involved syncing the song's loose, off-kilter —characterized by its syncopated, James Brown-inspired beat—to the tape medium, as the inherent playfulness of the jam risked drifting out of time. Page and the band opted to retain this raw, unpolished feel, avoiding heavy editing or splicing to maintain the track's lively, unrefined essence that defined its playful character. Engineer played a crucial role in the sessions, focusing on achieving a punchy balance in to ensure the drums and bass drove the track's infectious groove while integrating the guitar and vocal elements seamlessly. His work at helped refine the mix, emphasizing the bottom-end clarity that amplified the song's danceable energy without compromising its organic vibe.

Personnel Contributions

Robert Plant provided the lead and backing vocals for "The Crunge," delivering improvised scat elements such as the rhythmic "ooh-ooh" phrases that echoed James Brown's energetic vocal style, adding a playful funk dimension to the track. His spoken-word outro, where he humorously quips "Where's that confounded bridge?", served as a direct parody of Brown's call to "take it to the bridge" in songs like "Sex Machine," enhancing the song's lighthearted tribute to funk while adapting it to Led Zeppelin's rock framework. Jimmy Page handled electric guitar duties, employing a through a to craft the central riff, which drew from James Brown's grooves but incorporated rock-infused and fret-hand muting for a tight, percussive texture. As the band's producer, Page oversaw the session at , ensuring the guitar's clean "scratch" strumming locked in with the rhythm section to maintain the track's driving momentum. John Paul Jones contributed lines that underpinned the pulse, alongside elements—likely from an EMS VCS3—creating horn-like stabs and a real-time bass synth overlay for added textural depth and rhythmic complexity. These keyboard adaptations infused the quartet's sound with electronic nuances, complementing the organic instrumentation without overpowering the core groove. John Bonham laid down the drums using his signature Ludwig kit, initiating the beat with a syncopated in 9/8 time that propelled the song's unconventional funk-rock hybrid, featuring powerful fills that accentuated the shifts and maintained relentless . His behind-the-beat feel and dynamic phrasing adapted drumming to a looser, groove-oriented style, solidifying the track's infectious . No additional musicians were involved, with the standard Led Zeppelin quartet handling all instrumentation and vocals.

Release and Commercial Performance

Single Release Details

"The Crunge" was released on March 28, 1973, as the fourth track on Led Zeppelin's fifth studio album, , issued by under catalog number SD 7255 in the United States. The album was released on March 23, 1973, in the UK. The track appeared as the B-side to the "" single in certain markets, such as the release on September 17, 1973 (Atlantic 45-2986), though it was not issued or promoted as a in its own right. "The Crunge" has been featured on all subsequent editions of , spanning original vinyl pressings, cassette, CD, and digital formats, including the deluxe remastered reissue produced by and released on October 27, 2014. The album's packaging included gatefold artwork designed by the studio, featuring a composite photograph of nude children ascending the basalt columns of Northern Ireland's , which visually framed the eclectic tracklist, including the funk-driven "The Crunge" as its fourth track, and encompassed a range of styles from progressive epics to reggae-tinged experiments. on the original release credited the production team, including engineer , and detailed the recording process across multiple studios.

Chart Performance and Promotion

Houses of the Holy reached number 1 on the chart, holding the top position for two weeks in 1973 and remaining on the chart for a total of 39 weeks. The album's success was bolstered by tracks like "The Crunge," contributing to its overall commercial trajectory and eventual certification of 11 times Platinum by the RIAA for sales exceeding 11 million units in the United States, with industry estimates placing total U.S. sales above 12 million. "The Crunge" did not achieve a standalone chart entry, serving instead as the B-side to the single " / The Crunge," which peaked at number 20 on the in late 1973. Promotional efforts for the album included sporadic live performances of "The Crunge" during Led Zeppelin's 1973 North American tour, where it was often integrated into extended improvisations within songs like "Dazed and Confused" rather than as a standalone piece. The track also benefited from radio airplay focused on the album's funk-infused elements, such as "The Crunge" and "," aimed at expanding the band's appeal beyond audiences through ' promotional previews. Internationally, topped the for two weeks upon release. In Europe, the album saw comparable chart success, earning certifications including Gold in (25,000 units) and (50,000 units), alongside its U.S. RIAA 11× Platinum status.

Critical Reception and Analysis

Contemporary Reviews

Upon its release as part of Led Zeppelin's 1973 album , "The Crunge" elicited mixed reactions from critics, who grappled with its overt experimentation amid the band's established sound. The track's heavy reliance on James Brown-inspired rhythms and call-and-response vocals was seen by some as a playful diversion, while others viewed it as a misstep in originality. Gordon Fletcher's review in Rolling Stone was particularly dismissive, labeling "The Crunge" a "naked imitation" of that faithfully reproduced the soul icon's style to the point of boredom, repetition, and cliché, complete with "yakety-yak guitar" and "boom-boom bass" that offered little innovation. Fletcher grouped it with "" as examples of the album's genre versatility, but argued these experiments diluted Led Zeppelin's intensity, contributing to an overall sense of confusion in the record. Roy Carr's assessment in New Musical Express was similarly critical, describing "The Crunge" as featuring listless James Brown-style riffs where the joke wears thin, grouping it with other dull material on the album. Though Carr acknowledged the band's exploration of , he viewed the track as an example of occasional indulgences that failed to engage. The track's reception was further shaped by its role as the B-side to the album's "," which limited dedicated radio airplay for its niche style despite the broader popularity of . Critics often framed "The Crunge" within the album's eclectic context, appreciating its levity as a to heavier fare like "The Song Remains the Same," even if it occasionally struck listeners as jarring.

Retrospective Assessments

In rock histories from the and , such as Dave Lewis's writings in Tight But Loose magazine, "The Crunge" has been reevaluated as an underrated gem that exemplifies Led Zeppelin's playful side, with its quirky described as a "real fun romp" highlighting the band's lighter, humorous tendencies. Lewis emphasized its appeal as one of John Paul Jones's favorite compositions, underscoring the track's role in demonstrating the group's stylistic versatility beyond heavy rock anthems. A in further elevated the song's retrospective standing, labeling it "great fun" and a prime instance of Zeppelin's incorporation of humor, particularly through its meta ending where quips about the absent bridge, akin to tracks like "." The review positioned "The Crunge" as a lighthearted genre exercise that, while not their deepest work, reveals the band's willingness to experiment with elements in a self-deprecating manner, contributing to a broader appreciation of their whimsical influences. Reviews of the 2014 remasters have contributed to positive reevaluations of the track. Despite these positive shifts, some critics continue to view "The Crunge" as filler due to its parody-like structure and rote lyrics, though the prevailing consensus now recognizes its value in expanding Zeppelin's range and injecting levity into their oeuvre. As of February 2025, it was included in lists of the band's top underrated songs, reflecting its ongoing appreciation. This balanced perspective underscores the track's evolution from initial dismissal to a celebrated example of the band's multifaceted creativity.

Legacy and Cultural Impact

Covers and Interpretations

"The Crunge" has been covered by several artists, often highlighting its funk-rock groove and rhythmic complexity. In 2022, American singer included a rendition on her tribute album , released on February 25 by Provogue Records. Hart described the track as the most difficult Led Zeppelin song she had covered, citing its demanding rhythms as a particular challenge during recording. Led Zeppelin debuted the song live in full on March 5, 1975, at Dallas Memorial Auditorium, and performed it around 25 times thereafter, primarily during their 1975 North American and 1977 tours. The song's intricate structure, including its elusive "confounded bridge," made it less frequent in setlists compared to staples like "." The track's drum break and riff have been sampled extensively in hip-hop, appearing in over 40 productions since the 1980s. Notable early examples include Double Dee & Steinski's 1985 mix "Lesson 3 (History of Hip Hop Mix)," which incorporated the opening drums to evoke the genre's evolution, and De La Soul's 1989 track "The Magic Number" from , using the percussion for its upbeat foundation.

Influence on Music and Media

"The Crunge" exemplified Led Zeppelin's innovative fusion of with grooves, paving the way for funk-rock hybrids in the late 1970s and 1980s by emphasizing rhythmic drive and genre experimentation. Its syncopated 9/8 (with 4/4 sections) and bass-heavy riffing influenced drummers across generations, notably through John Bonham's dynamic style blending rock intensity with funky precision. In media, the song received a nod in the 2000 film , where a character's t-shirt bears the lyric "Have you seen the bridge?"—a direct reference to the track's playful spoken-word interlude searching for a missing musical bridge. Culturally, "The Crunge" stands as a testament to Led Zeppelin's versatility, injecting humor and levity into their catalog through its James Brown-inspired parody and absent bridge gag. This lighthearted experimentation underscored the band's genre-spanning prowess on , bolstering the album's reputation as a pivotal work that encouraged alternative rock acts to adopt ironic, groove-oriented takes on funk in the decades following.

References

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  3. https://www.discogs.com/release/10709088-Led-Zeppelin-Dyer-Maker-The-Crunge
  4. https://www.allmusic.com/album/houses-of-the-holy-mw0000190648
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  7. https://www.popmatters.com/167747-the-album-remains-the-same-led-zeppelin-the-crunge-2495782987.html
  8. https://www.discogs.com/release/5376522-Led-Zeppelin-Houses-Of-The-Holy
  9. https://ultimateclassicrock.com/weirdest-led-zeppelin-songs/
  10. https://classicrockreview.wordpress.com/2014/02/02/jimmy-page-interview-with-guitar-world-may-1993/
  11. https://www.classicrockreview.com/2013/01/1973-led-zeppelin-houses/
  12. http://www.geocities.ws/jpjkeys/emsvcs3.html
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  22. https://www.guitarplayer.com/lessons/discover-how-jimmy-pages-genre-melding-musical-innovations-on-houses-of-the-holy-helped-led-zeppelin-reach-a-new-creative-peak
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  32. https://www.thelevee.com/songs/crunge.html
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  41. https://ultimateclassicrock.com/beth-hart-the-crunge-led-zeppelin/
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  43. https://www.setlist.fm/stats/led-zeppelin-13d6b509.html?song=The+Crunge
  44. https://www.whosampled.com/Led-Zeppelin/The-Crunge/sampled/
  45. https://www.loudersound.com/features/the-10-most-sampled-rock-acts-in-hip-hop
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  47. https://www.rollingstone.com/feature/led-zeppelins-houses-of-the-holy-10-things-you-didnt-know-204694/
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