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The She-Creature
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The She-Creature
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff (brother-in-law of AIP executive Samuel Z. Arkoff). It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English, and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.[citation needed]
The monster costume was created by master make-up artist Paul Blaisdell and is considered one of his best. Parts of the costume were re-used in three later AIP films. Blaisdell nicknamed the monster "Cuddles". The costume was eventually destroyed in a flood that hit his Topanga Canyon home in 1979.
The film was released by AIP as a double feature with It Conquered the World.
Dr. Carlo Lombardi, an oleaginous carnival hypnotist, conducts experiments in hypnotic regression that take his unwitting female subject Andrea Talbott to a past life as a prehistoric humanoid form of sea life. He uses the physical manifestation of the prehistoric creature to commit murders.
The story was inspired by the success of the best-selling Morey Bernstein book The Search for Bridey Murphy, which concerned hypnotism and reincarnation. Exhibitor Jerry Zigmond suggested this subject might make a good film, and AIP commissioned Lou Rusoff to write a script.
AIP did not have enough money to entirely finance the film, so the company asked producer Alex Gordon if he could contribute the remainder. Israel Berman, a colleague of Gordon's brother Richard, knew financier Jack Doppelt, who agreed to provide $40,000 of the film's $104,000 budget.
Edward L. Cahn persuaded his old actor friend Edward Arnold to star for $3,000 for one week's work, and also cast Peter Lorre as the hypnotist. Arnold died two days before production began, while Peter Lorre read the script after which he immediately pulled out of the film and fired his agent for committing him to the project without consulting him first. The producer had to find a substitute cast quickly, settling on Chester Morris and Tom Conway. This was Ron Randell's first film in America in a number of years.
As usual, Blaisdell played the monster in every scene. Blaisdell nearly got injured when the director instructed him to smash his way through a wooden door in one of the film's action sequences, without realizing the door had been reinforced with plywood. Also in the beach scenes where the creature had to be seen emerging from the surf, Blaisdell was told to wade in up to his waist instead of his knees. The costume got so waterlogged, Blaisdell could hardly propel himself out of the water, especially with the tide working against him. Amazingly, most of this scene was later excised from the finished film due to poor quality image.
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The She-Creature
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff (brother-in-law of AIP executive Samuel Z. Arkoff). It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English, and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.[citation needed]
The monster costume was created by master make-up artist Paul Blaisdell and is considered one of his best. Parts of the costume were re-used in three later AIP films. Blaisdell nicknamed the monster "Cuddles". The costume was eventually destroyed in a flood that hit his Topanga Canyon home in 1979.
The film was released by AIP as a double feature with It Conquered the World.
Dr. Carlo Lombardi, an oleaginous carnival hypnotist, conducts experiments in hypnotic regression that take his unwitting female subject Andrea Talbott to a past life as a prehistoric humanoid form of sea life. He uses the physical manifestation of the prehistoric creature to commit murders.
The story was inspired by the success of the best-selling Morey Bernstein book The Search for Bridey Murphy, which concerned hypnotism and reincarnation. Exhibitor Jerry Zigmond suggested this subject might make a good film, and AIP commissioned Lou Rusoff to write a script.
AIP did not have enough money to entirely finance the film, so the company asked producer Alex Gordon if he could contribute the remainder. Israel Berman, a colleague of Gordon's brother Richard, knew financier Jack Doppelt, who agreed to provide $40,000 of the film's $104,000 budget.
Edward L. Cahn persuaded his old actor friend Edward Arnold to star for $3,000 for one week's work, and also cast Peter Lorre as the hypnotist. Arnold died two days before production began, while Peter Lorre read the script after which he immediately pulled out of the film and fired his agent for committing him to the project without consulting him first. The producer had to find a substitute cast quickly, settling on Chester Morris and Tom Conway. This was Ron Randell's first film in America in a number of years.
As usual, Blaisdell played the monster in every scene. Blaisdell nearly got injured when the director instructed him to smash his way through a wooden door in one of the film's action sequences, without realizing the door had been reinforced with plywood. Also in the beach scenes where the creature had to be seen emerging from the surf, Blaisdell was told to wade in up to his waist instead of his knees. The costume got so waterlogged, Blaisdell could hardly propel himself out of the water, especially with the tide working against him. Amazingly, most of this scene was later excised from the finished film due to poor quality image.